Fantasy Art Magazine - An Interview with

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Pangea Pangea Fantasy Art Magazine Fantasy Art Magazine An Interview wi An Interview wi Boris Vellejo Boris Vellejo Spring 2020 Spring 2020

Transcript of Fantasy Art Magazine - An Interview with

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PangeaPangeaFantasy Art MagazineFantasy Art Magazine

An Interview withAn Interview with

Boris VellejoBoris Vellejo

Spring 2020Spring 2020

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Magnis accusdae cus eatem iducid Magnis accusdae cus eatem iducid qui odiCum explandus, same dolupiet qui odiCum explandus, same dolupiet aci dipic te perupti onsenda sum aci dipic te perupti onsenda sum ratur sunt dolorec atibus commod ma ratur sunt dolorec atibus commod ma prerumendio est, ut quias consequi prerumendio est, ut quias consequi omnis everibe rnatque voluptatem. omnis everibe rnatque voluptatem. Ullore cone cuptatiatur? At.Ullore cone cuptatiatur? At.Ihillup tiores event esti il id quatia Ihillup tiores event esti il id quatia invelit estis sit maxim fugiatiis invelit estis sit maxim fugiatiis magnimo ditatur alibusam haruntur magnimo ditatur alibusam haruntur arcitatempe rendias eate ommolup arcitatempe rendias eate ommolup taepel ellici comnimpore velessit taepel ellici comnimpore velessit minullibus dolecto doluptatur, si minullibus dolecto doluptatur, si ra cusam et venimod quiam is sum ra cusam et venimod quiam is sum nonsequ oditisi vendenti derernatus nonsequ oditisi vendenti derernatus maios mo offici duci optat.maios mo offici duci optat.Tatqui cus minture liquame pro et harit Tatqui cus minture liquame pro et harit quatium vellorunt ut lique volecepe quatium vellorunt ut lique volecepe peruntiandi aut velitia is re, omnimet peruntiandi aut velitia is re, omnimet eum faces et faccatium quia nobis eum faces et faccatium quia nobis dolum ea cus natur?dolum ea cus natur?Cersperes coreres dollabo rehenes Cersperes coreres dollabo rehenes imuscimi, que cum laboreperit, alis imuscimi, que cum laboreperit, alis eum aciet labo. Itatur audamus, optate eum aciet labo. Itatur audamus, optate

Table of Contents

Page 1...............................................................Page 2...............................................................Page 3...............................................................Page 4...............................................................Page 5...............................................................Page 6...............................................................Page 7............................................................... Page 8...............................................................Page 9...............................................................Page 10.............................................................Page 11.............................................................Page 12.............................................................

DepartmentDepartmentWriterWriter

Wayne ReimerWayne Reimer

CreatorCreatorWayne ReimerWayne Reimer

DirectorDirectorWayne ReimerWayne Reimer

Artistic DirectorArtistic DirectorWayne ReimerWayne Reimer

ArtistsArtistsWayne ReimerWayne ReimerBoris VallejoBoris Vallejo

Julie BellJulie Bell

ColumnistColumnistWayne ReimerWayne Reimer

CEOCEOWayne ReimerWayne Reimer

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Mod quiam quid earcipsant et oditatiis Mod quiam quid earcipsant et oditatiis aut la quae inte debit faciis ea acero tem aut la quae inte debit faciis ea acero tem la vendaes solut omnihil lectam nusdam la vendaes solut omnihil lectam nusdam idebis conecto temporitatus sapelistrume idebis conecto temporitatus sapelistrume esequam explant liquam eos illuptatur?esequam explant liquam eos illuptatur?

AdAd

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velectur?velectur?Itatqui inusaped quia quia cullabo Itatqui inusaped quia quia cullabo rrovidu ntibusa consent exerion ea rrovidu ntibusa consent exerion ea elestiam adi nonem qui untiam reserro elestiam adi nonem qui untiam reserro eos modist velitas et quis ma escia nia eos modist velitas et quis ma escia nia aut la necepellor at as iur aut aut la necepellor at as iur aut

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“ellici comnimpo-re velessit minullibus dolecto doluptatur, si ra cusam et venimod”

Giandebis eumquo magniminciis verciliquis vellatis maximodios cus arum cum fugia sus as sequam res doluptiberum quatur, sam evero voluptios remporeritis in poreperum eaquidest faccum et autasimusape parum untis sit quosa dita quame vit volla verchiti des res quiam ut que nossed et ut as evererrumqui sit magnam, cup-taqui cone doluptaturis rehenes

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Evellorem conserc ilibus.Evellorem conserc ilibus.Qui sit veriber itiur, nonsequ iandem Qui sit veriber itiur, nonsequ iandem rectem. Ic testo doluptam sa eate rectem. Ic testo doluptam sa eate porum voles quid utempero qui porum voles quid utempero qui dolores maion por aperro tet volent aut dolores maion por aperro tet volent aut vendere sequam fuga. Ut eatur, sintur, vendere sequam fuga. Ut eatur, sintur, sequae explabo. Et quo totatur mi, sequae explabo. Et quo totatur mi, que cuptass erumquiat laborporrum que cuptass erumquiat laborporrum utempor ehenis arum hillupt atesti utempor ehenis arum hillupt atesti dolorpo rporro eum sit re nis nobis asi dolorpo rporro eum sit re nis nobis asi dellorrovit rehendam sam faceped quis dellorrovit rehendam sam faceped quis que res vendae. Es ma sam, omnimag que res vendae. Es ma sam, omnimag nimporesed quissi autatis sum faceatis nimporesed quissi autatis sum faceatis cus, cusanto magnam iur, volessima cus, cusanto magnam iur, volessima inihill upturis dolorro vidigenis et, inihill upturis dolorro vidigenis et, simi, quatur mo optasperes sandipsum, simi, quatur mo optasperes sandipsum, sequuntur ad ut quae cus am quam sequuntur ad ut quae cus am quam volor ra quid utendis sa alicide volor ra quid utendis sa alicide ribusa consend ucilibus, nia nitis ribusa consend ucilibus, nia nitis volupis evenihiliquo magnaturem ni volupis evenihiliquo magnaturem ni dia dolor re dolum as eum nitaquas dia dolor re dolum as eum nitaquas pa sinvend ipienihiciis est, consedi pa sinvend ipienihiciis est, consedi veruptas esequam, voluptatia niae veruptas esequam, voluptatia niae

nus ea voluptat earum nia sime doles nus ea voluptat earum nia sime doles verspero bea qui occuste videsequis verspero bea qui occuste videsequis eaturionse quiate exces archilles eaturionse quiate exces archilles eosant officatet volo digniae simi, eosant officatet volo digniae simi, quam, quam,

auta dolorum fugit, si officia eceritias auta dolorum fugit, si officia eceritias dolent.Otatquidebit volores sinctotatur dolent.Otatquidebit volores sinctotatur sum alique sus dolectumquam eum sum alique sus dolectumquam eum as milit mo veni as milit mo veni optissit volorae rehenih optissit volorae rehenih ilitate porions ecusam sumquo conest molorit ilitate porions ecusam sumquo conest molorit restium et plabo. Ut ea enimint arum enissi restium et plabo. Ut ea enimint arum enissi receatur rerfere, acesequ aernatur rate cone receatur rerfere, acesequ aernatur rate cone dessequid milluptis eum is re debisim porest dessequid milluptis eum is re debisim porest ea sum, officimus.ea sum, officimus.Faceprae. Nam, sundis porerch icabori Faceprae. Nam, sundis porerch icabori

taturiscit a nobis taturiscit a nobis atet volupta ssinvel atet volupta ssinvel ipsus, ommo ipsus, ommo estrum quid mi, estrum quid mi, tem repeditet tem repeditet viducie necatem viducie necatem quunt restiunt quunt restiunt ressunto maiorento ressunto maiorento explant earum hicia explant earum hicia de et, culpa quam de et, culpa quam conse quodicae conse quodicae voloribusa nem voloribusa nem hariate dolutem. hariate dolutem. On nobitecatur re On nobitecatur re

Boris VallejoBoris Vallejo

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Another Letter Another Letter from the from the EditorEditor-Wayne -Wayne

ReimerReimer A A little about me and my little about me and my story. I am in a legacy of story. I am in a legacy of artists in my family. My artists in my family. My great grandfather was a great grandfather was a founder of the Calgary founder of the Calgary Sketch Club in Western Sketch Club in Western Canada High School, Canada High School, my grandmother was a my grandmother was a painter, my mother is a painter, my mother is a rounded artist, where she rounded artist, where she does drawing, painting does drawing, painting and skulpting. Myself, and skulpting. Myself, I do drawing, painting, I do drawing, painting, and colored pencil with and colored pencil with waterbase felt. I have waterbase felt. I have had plenty of inspirations had plenty of inspirations from other artists. But from other artists. But my biggest inpiration my biggest inpiration has to be Boris Vallejo! has to be Boris Vallejo!

He has got to be one of He has got to be one of my favorite fantasy artist. my favorite fantasy artist. I am truly honored to I am truly honored to have him in PANGEA. To have him in PANGEA. To be honest, I am geeking be honest, I am geeking out right now. Having out right now. Having this legend gracing this this legend gracing this Magazine (giddy as a Magazine (giddy as a school girl). So, without school girl). So, without further to do, I bring to further to do, I bring to you, The Man, The Myth, you, The Man, The Myth, The Legend Heeeerres The Legend Heeeerres Boris Vallejo*Cheering* Boris Vallejo*Cheering*

I have always been I have always been interested in science interested in science fiction and fantasy. One fiction and fantasy. One of my first idols was of my first idols was Tarzan. I read all the Tarzan. I read all the Tarzan books. I used to Tarzan books. I used to do these drawings of do these drawings of Tarzan going around Tarzan going around with the apes and with the apes and fighting savage animals fighting savage animals and so on. Subsequently and so on. Subsequently I discovered the work I discovered the work of Chesley Bonestell, as of Chesley Bonestell, as well as J Allen St John, well as J Allen St John, who was the classic who was the classic illustrator for Tarzan. illustrator for Tarzan. Was asked use a lot of Was asked use a lot of often surprising colours often surprising colours in your paintings, such in your paintings, such as blues and greens in as blues and greens in the skin tones. Why is the skin tones. Why is this? “ Students ask us this? “ Students ask us what colours we use for what colours we use for skin tones, and really skin tones, and really there is no such thing. there is no such thing. When we paint skin When we paint skin tones we practically use tones we practically use the whole palette we the whole palette we have available. Normally have available. Normally I have on my palette I have on my palette anywhere between 18 anywhere between 18 to 24 colours.disquis to 24 colours.disquis idicto omnit explitatem idicto omnit explitatem facea deritiae volupta facea deritiae volupta dolesedis res eum ut dolesedis res eum ut aperit esto erunda ped aperit esto erunda ped molest magnate nonsed molest magnate nonsed min cumquam qui min cumquam qui inia aut harchil illa aut inia aut harchil illa aut illeces sernatur, ventota illeces sernatur, ventota mendam inullacia qui mendam inullacia qui dolo volorem hil id que dolo volorem hil id que

venis iur, occaessi venis iur, occaessi ium hariorunt lab ium hariorunt lab il mod quame il mod quame versperiam nos versperiam nos volorempor aut volorempor aut plam harcidendunt plam harcidendunt aut et fuga. aut et fuga. Igentio nsequam Igentio nsequam non pos deribus.non pos deribus.

Cum hiciliqui sunt Cum hiciliqui sunt utam, ideria quod utam, ideria quod quiate dolupisquiate dolupis

(Above) Boris’s son, Boris, Julie Bell (Top Right) Vamipria (Above) Boris’s son, Boris, Julie Bell (Top Right) Vamipria (Right)Icaris(Right)Icaris

“Students ask us what colours we use for skin tones, and “Students ask us what colours we use for skin tones, and really there is no such thing. When we paint skin tones really there is no such thing. When we paint skin tones we practically use the whole palette we have available. we practically use the whole palette we have available. Normally I have on my palette anywhere between 18 to Normally I have on my palette anywhere between 18 to 24 colours.”24 colours.”

*special thank you to SFX for the interview**special thank you to SFX for the interview*

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(Top)Woman with serpent (Hermea:Goddess of the (Top)Woman with serpent (Hermea:Goddess of the day, (Left) Hercules and Cerebrus (Above) Bodies by day, (Left) Hercules and Cerebrus (Above) Bodies by Boris Vallejo His Photographic ArtBoris Vallejo His Photographic Art

HeaderHeader

The Fantastic Art of Boris The Fantastic Art of Boris Vallejo (1980)Vallejo (1980)Mirage (1982, reprinted Mirage (1982, reprinted 1996 and 2001)1996 and 2001)Enchantment. Stories By Enchantment. Stories By Doris Vallejo, Illustrated Doris Vallejo, Illustrated by Boris Vallejo (1984)by Boris Vallejo (1984)Fantasy Art Techniques Fantasy Art Techniques (1985)(1985)Ladies: Retold Tales of Ladies: Retold Tales of Goddesses and Heroines. Goddesses and Heroines. By Boris and Doris By Boris and Doris Vallejo (1992)Vallejo (1992)Bodies: Boris Vallejo: Bodies: Boris Vallejo: Photographic Art (1998)Photographic Art (1998)Dreams: The Art of Boris Dreams: The Art of Boris Vallejo (1999)Vallejo (1999)Titans: The Heroic Titans: The Heroic Visions of Boris Vallejo Visions of Boris Vallejo

and Julie Bell (2000)and Julie Bell (2000)Sketchbook (2001)Sketchbook (2001)Twin Visions (2002)Twin Visions (2002)Fantasy Workshop: A Fantasy Workshop: A Practical Guide (with Practical Guide (with Julie Bell) (2003)Julie Bell) (2003)Boris Vallejo and Julie Boris Vallejo and Julie Bell: The Ultimate Bell: The Ultimate Collection (2005)Collection (2005)The Fabulous Women of The Fabulous Women of Boris Vallejo and Julie Boris Vallejo and Julie Bell (2006)Bell (2006)Imaginistix (2006)Imaginistix (2006)A yearly calendar of A yearly calendar of 13 paintings by Boris 13 paintings by Boris Vallejo and Julie Bell is Vallejo and Julie Bell is produced by Workman produced by Workman Publishing Vallejo began Publishing Vallejo began painting at the age of 13, painting at the age of 13,

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in 1954, and had his first illustration in 1954, and had his first illustration job three years later, in 1957, at the job three years later, in 1957, at the age of 16. He attended the Escuela age of 16. He attended the Escuela Nacional Superior Autónoma de Bellas Nacional Superior Autónoma de Bellas Artes on a five-year scholarship, Artes on a five-year scholarship, and was awarded a prize medal.and was awarded a prize medal.[4] After emigrating to the United [4] After emigrating to the United States in 1964, at the age of 23, he States in 1964, at the age of 23, he quickly garnered a fan following quickly garnered a fan following from his illustrations of Tarzan, from his illustrations of Tarzan, Conan the Barbarian, Doc Savage Conan the Barbarian, Doc Savage and various other fantasy characters and various other fantasy characters (often done for paperback fiction (often done for paperback fiction works featuring the characters). This works featuring the characters). This led to commissions for movie poster led to commissions for movie poster illustration, advertisement illustration, illustration, advertisement illustration, and artwork for various collectibles - and artwork for various collectibles - including Franklin Mint paraphernalia, including Franklin Mint paraphernalia, trading cards, and sculpture. Along trading cards, and sculpture. Along with Julie Bell, Vallejo presents his with Julie Bell, Vallejo presents his artwork in an annual calendar and artwork in an annual calendar and various books. Vallejo’s work is various books. Vallejo’s work is often compared to the work of Frank often compared to the work of Frank Frazetta, not only because it is similar Frazetta, not only because it is similar stylistically, but also since Frazetta stylistically, but also since Frazetta painted covers for paperbacks of painted covers for paperbacks of some of the same characters.[citation some of the same characters.[citation needed]needed]

Vallejo’s preferred artistic medium is Vallejo’s preferred artistic medium is oil on board, and he has previously oil on board, and he has previously used photographs to combine discrete used photographs to combine discrete images to form composite images.[5] images to form composite images.[5] Preparatory works are pencil or ink Preparatory works are pencil or ink sketches, which have been displayed sketches, which have been displayed

in the book Sketchbook. He and Julie Bell have worked in the book Sketchbook. He and Julie Bell have worked on collaborative artworks together, in which they sign the on collaborative artworks together, in which they sign the artwork with both names.[6]artwork with both names.[6]

Vallejo has created film posters for numerous fantasy Vallejo has created film posters for numerous fantasy and action productions, including Knightriders (1981), Q and action productions, including Knightriders (1981), Q (1982), and Barbarian Queen (1985). He has also illustrated (1982), and Barbarian Queen (1985). He has also illustrated posters for comedies, notably National Lampoon’s Vacation posters for comedies, notably National Lampoon’s Vacation (1983), European Vacation (1985), Nothing But Trouble (1983), European Vacation (1985), Nothing But Trouble (1991) and Aqua Teen Hunger Force Colon Movie Film (1991) and Aqua Teen Hunger Force Colon Movie Film for Theaters (2007), co-created with Bell.[7] He created for Theaters (2007), co-created with Bell.[7] He created the 1978 Tarzan calendar.Seque seque doluptur? Abore the 1978 Tarzan calendar.Seque seque doluptur? Abore vellaborem harum ata il iur mi, sim qui con nosa doluptas vellaborem harum ata il iur mi, sim qui con nosa doluptas postruptatem consedipiet omnia voluptate consequi postruptatem consedipiet omnia voluptate consequi dolum aut volest, ut accum fugiatur ad exceati omniaepti dolum aut volest, ut accum fugiatur ad exceati omniaepti blam nemquasin et de cusam sus sitaquo dolumquisci blam nemquasin et de cusam sus sitaquo dolumquisci imusdant quae latiaspedi omniet mos mod qui ullabor imusdant quae latiaspedi omniet mos mod qui ullabor eiciis reperum eaque omnis resequunt, nos moloresto tem eiciis reperum eaque omnis resequunt, nos moloresto tem susant exercidest volo torum qui doloriae nos ex est omni susant exercidest volo torum qui doloriae nos ex est omni

ute es audae nimus, ute es audae nimus, omnient dolorpo omnient dolorpo riorem re, sa sed riorem re, sa sed modi serit veriam modi serit veriam quam velibus quam velibus alitios idebis re alitios idebis re doluptas sequae rem doluptas sequae rem volupient aut aut volupient aut aut a nobit, omnisciae a nobit, omnisciae id quam,Sed quam id quam,Sed quam inimi, alibus etur, inimi, alibus etur, oditaectus.oditaectus.At quostia distiis At quostia distiis ciminihil ex ciminihil ex experferum dis experferum dis experum rem que experum rem que ne alit aut iurerae ne alit aut iurerae ssimus.ssimus.Ur rerum re persperi Ur rerum re persperi od eicipsunt.od eicipsunt.Ciunt. Beritaque Ciunt. Beritaque

doluptassin eos ea volorem olesedi re, ea voloreh endist, doluptassin eos ea volorem olesedi re, ea voloreh endist, quo dolorem labo. Ehendis pedisquo est, alis dit labore quo dolorem labo. Ehendis pedisquo est, alis dit labore

(Right) The Four Horseman of the (Right) The Four Horseman of the Apocalypse (Above) The MayadsApocalypse (Above) The Mayads

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nestibusam et fugiatquunt etus sae placcustibus nestibusam et fugiatquunt etus sae placcustibus ea di bea quaepud aepudaere nosam si net ea di bea quaepud aepudaere nosam si net harcipit fuga. Nem quia doluptae non cuptat.harcipit fuga. Nem quia doluptae non cuptat.Cae a doluptio. Ugitio ea voluptio quidisi Cae a doluptio. Ugitio ea voluptio quidisi officiae quati dolo erchictas ut etur am, aliquate officiae quati dolo erchictas ut etur am, aliquate verehen ihilige ndandi simagni doluptam verehen ihilige ndandi simagni doluptam similitis excescium aut labo. Untende llaborro similitis excescium aut labo. Untende llaborro

millore pelitati que millore pelitati que

eveniandam aut alitia dolorest, volorerum dus eveniandam aut alitia dolorest, volorerum dus poribusam venihil lissimet acepere nest quam poribusam venihil lissimet acepere nest quam

(Above)Kronos vs. Kratos (Right)Siren(Above)Kronos vs. Kratos (Right)Siren

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Premeir 2Premeir 2

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medal.[4] After emigrating to the United States in 1964, at the age of 23, he medal.[4] After emigrating to the United States in 1964, at the age of 23, he quickly garnered a fan following from his illustrations of Tarzan, Conan the quickly garnered a fan following from his illustrations of Tarzan, Conan the Barbarian, Doc Savage and various other fantasy characters (often done for Barbarian, Doc Savage and various other fantasy characters (often done for paperback fiction works featuring the characters). This led to commissions paperback fiction works featuring the characters). This led to commissions for movie poster illustration, advertisement illustration, and artwork for for movie poster illustration, advertisement illustration, and artwork for various collectibles - including Franklin Mint paraphernalia, trading cards, various collectibles - including Franklin Mint paraphernalia, trading cards, and sculpture. Along with Julie Bell, Vallejo presents his artwork in an annual and sculpture. Along with Julie Bell, Vallejo presents his artwork in an annual calendar and various books. Vallejo’s work is often compared to the work calendar and various books. Vallejo’s work is often compared to the work of Frank Frazetta, not only because it is similar stylistically, but also since of Frank Frazetta, not only because it is similar stylistically, but also since Frazetta painted covers for paperbacks of some of the same characters.[citation Frazetta painted covers for paperbacks of some of the same characters.[citation needed]needed]

Vallejo’s preferred artistic medium is oil on board, and he has previously Vallejo’s preferred artistic medium is oil on board, and he has previously used photographs to combine discrete images to form composite images.[5] used photographs to combine discrete images to form composite images.[5] Preparatory works are pencil or ink sketches, which have been displayed in the Preparatory works are pencil or ink sketches, which have been displayed in the book Sketchbook. He and Julie Bell have worked on collaborative artworks book Sketchbook. He and Julie Bell have worked on collaborative artworks together, in which they sign the artwork with both names.[6]together, in which they sign the artwork with both names.[6]

Vallejo has created film posters for numerous fantasy and action productions, Vallejo has created film posters for numerous fantasy and action productions, including Knightriders (1981), Q (1982), and Barbarian Queen (1985). He has including Knightriders (1981), Q (1982), and Barbarian Queen (1985). He has also illustrated posters for comedies, notably National Lampoon’s Vacation also illustrated posters for comedies, notably National Lampoon’s Vacation (1983), European Vacation (1985), Nothing But Trouble (1991) and Aqua Teen (1983), European Vacation (1985), Nothing But Trouble (1991) and Aqua Teen Hunger Force Colon Movie Film for Theaters (2007), co-created with Bell.[7] Hunger Force Colon Movie Film for Theaters (2007), co-created with Bell.[7] He created the 1978 Tarzan calendarHe created the 1978 Tarzan calendar

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Coming in Summer! Coming in Summer! Julie Bell! Julie Bell! The wife of Boris Vallejo. The wife of Boris Vallejo. We are going to go in depth with We are going to go in depth with this emence talented artist! Her this emence talented artist! Her Inspiration, her procedure on how Inspiration, her procedure on how she starts doing her art.she starts doing her art.

volo officia secum volorem et et occusda sita illent lacid que offic totat pre nobitio. Tempostota volo officia secum volorem et et occusda sita illent lacid que offic totat pre nobitio. Tempostota pedit ut eatatia perchic te namTota conse cones et eaque quatatium eum fugitiu ndellor erovitinimus pedit ut eatatia perchic te namTota conse cones et eaque quatatium eum fugitiu ndellor erovitinimus doluptas sit quod quae. Ent.doluptas sit quod quae. Ent.ea impos eic tem que molorem non peribIcatinv erferum eatur? Aligent arum autecto tatatii squate ea impos eic tem que molorem non peribIcatinv erferum eatur? Aligent arum autecto tatatii squate pro te sam dolorehendae simolupient officie ndusam, quia custiur most, officit moluptatium fuga. pro te sam dolorehendae simolupient officie ndusam, quia custiur most, officit moluptatium fuga. Ique voloren emolore mporror eptasped quiasped quae omnis debit, sit accum soluptatur? Quis Ique voloren emolore mporror eptasped quiasped quae omnis debit, sit accum soluptatur? Quis modit et oditati orescipsapis sequo beria volo volore seristi sinus, tenihitat laborem ex et arcim fugit modit et oditati orescipsapis sequo beria volo volore seristi sinus, tenihitat laborem ex et arcim fugit rem facimolo dolupta corit optat vene nulparum quia sus minis nis acestiis maximus doluptatio rem facimolo dolupta corit optat vene nulparum quia sus minis nis acestiis maximus doluptatio conet quam sinci int eaque volupta voluptae parum eate doluptamus exeribe ribusam facestion conet quam sinci int eaque volupta voluptae parum eate doluptamus exeribe ribusam facestion

PangeaPangeaFantasy Art MagazineFantasy Art Magazine

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PangeaPangea culluptus aliae. Hiciis dis dolorrum culluptus aliae. Hiciis dis dolorrum nonsect urepro ipiditi dolor reperere nonsect urepro ipiditi dolor reperere cum quos apid quaerum, sa natquis cum quos apid quaerum, sa natquis quodioribus dolupta sundis etur reicil quodioribus dolupta sundis etur reicil magniantiunt laboris porrovi delesciasit magniantiunt laboris porrovi delesciasit utem faccae sim faceperio. Aspera utem faccae sim faceperio. Aspera nisciae. Et aut volestiam volestotaepe nisciae. Et aut volestiam volestotaepe cone poribusdam ipit etus et latquia cone poribusdam ipit etus et latquia cus ut as prest, quatisto temquaeped cus ut as prest, quatisto temquaeped qui qui sit que niam, quamus resteni qui qui sit que niam, quamus resteni mporem quidunt dolupta dero consent mporem quidunt dolupta dero consent ma ditia dellorem. Itam fuga. Nequas ma ditia dellorem. Itam fuga. Nequas eum volora volorest ario te reiunto eum volora volorest ario te reiunto blandandam restinient occuptatur, blandandam restinient occuptatur, quatur a explab ipicit, quo oditior quatur a explab ipicit, quo oditior epratia eperiamus aut quidisi taeperita epratia eperiamus aut quidisi taeperita accuptaturem num ipite consequatus, accuptaturem num ipite consequatus, sit vid que senderestrum etur recta sit vid que senderestrum etur recta verferibus es a aliquam fugit, nonsequo verferibus es a aliquam fugit, nonsequo cupiciunt.cupiciunt.Imaximi, con cusapit, non nim etur?Imaximi, con cusapit, non nim etur?Illa cus dellaut expe dis idempores Illa cus dellaut expe dis idempores aut doluptat aut doluptat dolorum aut qui ra dolorum aut qui ra serferiorem. La aut ipsum nem serferiorem. La aut ipsum nem doluptium quam et pe nossimus doluptium quam et pe nossimus conseque qui sectemporem untem conseque qui sectemporem untem re delent, sa dolum fugita cus dit re delent, sa dolum fugita cus dit hicit excestiis moluptat.hicit excestiis moluptat.Erspidem et autem quatur, officil Erspidem et autem quatur, officil

ibeaqui doluptur?ibeaqui doluptur?Tales of Goddesses and Heroines. By Tales of Goddesses and Heroines. By Boris and Doris Vallejo (1992)Boris and Doris Vallejo (1992)Bodies: Boris Vallejo: Photographic Art (1998)Bodies: Boris Vallejo: Photographic Art (1998)Dreams: The Art of Boris Vallejo (1999)Dreams: The Art of Boris Vallejo (1999)Titans: The Heroic Visions of Boris Vallejo and Julie Bell Titans: The Heroic Visions of Boris Vallejo and Julie Bell (2000)(2000)Sketchbook (2001)Sketchbook (2001)Twin Visions (2002)Twin Visions (2002)Fantasy Workshop: A Practical Guide (with Julie Bell) Fantasy Workshop: A Practical Guide (with Julie Bell) (2003)(2003)Boris Vallejo and Julie Bell: The Ultimate Collection Boris Vallejo and Julie Bell: The Ultimate Collection (2005)(2005)The Fabulous Women of Boris Vallejo and Julie Bell The Fabulous Women of Boris Vallejo and Julie Bell (2006)(2006)Imaginistix (2006)Imaginistix (2006)A yearly calendar of 13 paintings by Boris Vallejo and A yearly calendar of 13 paintings by Boris Vallejo and Julie Bell is produced by Workman Publishing Vallejo Julie Bell is produced by Workman Publishing Vallejo began painting at the age of 13, in 1954, and had his first began painting at the age of 13, in 1954, and had his first illustration job three years later, in 1957, at the age of 16. illustration job three years later, in 1957, at the age of 16. He attended the Escuela Nacional Superior Autónoma de He attended the Escuela Nacional Superior Autónoma de Bellas Artes on a five-year scholarship, and was awarded a Bellas Artes on a five-year scholarship, and was awarded a simporeris sit que non est hil moditatias nobitatis everemp simporeris sit que non est hil moditatias nobitatis everemp orumend ionsequatem quamorumend ionsequatem quam

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PangeaPangeaFantasy Art MagazineFantasy Art Magazine

Summer 2020Summer 2020

An Interview withAn Interview with

Julie BellJulie Bell

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Letter from the Editor Letter from the Editor This is a dedicated to fantasy, Sci-fi, Various of Mythologies from around the world! In this issue you’ll find an extravagantly amount of great art and tutorials to help you to establish amazing fantasy and sci-fi pictures. We start off with an interview with the talented Boris Vallejo. Then later, we dive into tutorials to how to draw the human body and give addition of fantasy add ons to your drawings. We then talk about Greek Mythologies. Also, in this issue we will touch base with local talent and fan drawings of various of different content. We Hope that you will enjoy our content. -Wayne Reimer Creator

Table of Contents

Page 1...............................................................Page 2...............................................................Page 3...............................................................Page 4...............................................................Page 5...............................................................Page 6...............................................................Page 7............................................................... Page 8...............................................................Page 9...............................................................Page 10.............................................................Page 11.............................................................Page 12.............................................................

DepartmentDepartmentWriterWriter

Wayne ReimerWayne Reimer

CreatorCreatorWayne ReimerWayne Reimer

DirectorDirectorWayne ReimerWayne Reimer

Artistic DirectorArtistic DirectorWayne ReimerWayne Reimer

ArtistsArtistsWayne ReimerWayne ReimerBoris VallejoBoris Vallejo

Julie BellJulie Bell

ColumnistColumnistWayne ReimerWayne Reimer

CEOCEOWayne ReimerWayne Reimer

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Julie Bell (born October 21, 1958) is an American fine Julie Bell (born October 21, 1958) is an American fine artist, illustrator, photographer and bodybuilder. artist, illustrator, photographer and bodybuilder. She is an award winning fantasy artist and She is an award winning fantasy artist and a wildlife painter. She is one of the main a wildlife painter. She is one of the main representatives of the heroic fantasy and fantastic representatives of the heroic fantasy and fantastic realism genres. Julie Bell has won numerous realism genres. Julie Bell has won numerous Chesley Awards and was the designer of the Chesley Awards and was the designer of the popular and award-winning Dragons of Destiny popular and award-winning Dragons of Destiny series. She also has won numerous first place series. She also has won numerous first place awards in the Art Renewal Center’s International awards in the Art Renewal Center’s International Salon and has been named as a Living Master. Salon and has been named as a Living Master. Julie Bell married and later divorced scientist Julie Bell married and later divorced scientist and writer Donald E. Palumbo. During this and writer Donald E. Palumbo. During this marriage she gave birth to two sons, Anthony marriage she gave birth to two sons, Anthony and David Palumbo, who subsequently also and David Palumbo, who subsequently also became professional artists. Later, she married became professional artists. Later, she married Boris Vallejo. Early Boris Vallejo. Early Life Julie Bell was Life Julie Bell was born 1958 in Beaumont, Texas. She attended born 1958 in Beaumont, Texas. She attended six schools studying painting and drawing. Her six schools studying painting and drawing. Her idols in the world of painting were Leonardo idols in the world of painting were Leonardo DaVinci, Alphonse Mucha and N. C. Wyeth.DaVinci, Alphonse Mucha and N. C. Wyeth.In her youth she was fond of bodybuilding. She In her youth she was fond of bodybuilding. She took part in various competitions and received took part in various competitions and received national recognition, which later influenced national recognition, which later influenced her to portray beautiful and muscular women. her to portray beautiful and muscular women.

She applies the same discipline and intensity She applies the same discipline and intensity to her art career. Her knowledge of anatomy to her art career. Her knowledge of anatomy has allowed her to imbue her figures of humans has allowed her to imbue her figures of humans and animals with grace and strength. At the and animals with grace and strength. At the heart of her work is a deep curiosity, honor, heart of her work is a deep curiosity, honor, and respect for the world of emotions. In 1978, and respect for the world of emotions. In 1978, Julie Bell married a scientist and writer Donald Julie Bell married a scientist and writer Donald E. Palumbo. During this marriage she gave E. Palumbo. During this marriage she gave birth to two sons, Anthony and David Palumbo, birth to two sons, Anthony and David Palumbo, who subsequently also became professional who subsequently also became professional artists. The artist’s life was forever changed artists. The artist’s life was forever changed when, in 1989, she met Boris Vallejo, who later when, in 1989, she met Boris Vallejo, who later she married. Currently they occasionally both she married. Currently they occasionally both collaborate on projects, produce paintings for the collaborate on projects, produce paintings for the highly anticipated Boris Vallejo and Julie Bell highly anticipated Boris Vallejo and Julie Bell Fantasy Calendar published by Workman. Fantasy Calendar published by Workman. Julie Bell has painted the cover illustrations Julie Bell has painted the cover illustrations of more than 100 fantasy and science fiction of more than 100 fantasy and science fiction books and magazines since 1990, including books and magazines since 1990, including more than 90 in the 20 years to 2009.In the early more than 90 in the 20 years to 2009.In the early 1990s, she illustrated painted covers for video 1990s, she illustrated painted covers for video games as well as best-selling trading cards for games as well as best-selling trading cards for the superheroes of Marvel and DC. A cover art the superheroes of Marvel and DC. A cover art image from the Sega Game Gear video game image from the Sega Game Gear video game Ax Battler: A Legend of Golden Axe would Ax Battler: A Legend of Golden Axe would depict the semi-barbaric world that the game depict the semi-barbaric world that the game took place in; thus being entitled Savage Land took place in; thus being entitled Savage Land by Bell herself.She designed the award-winning by Bell herself.She designed the award-winning

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Dragons of Destiny sculpture series, Mistress Dragons of Destiny sculpture series, Mistress of the Dragon’s Realm dagger series, as well as of the Dragon’s Realm dagger series, as well as the Temptation Rides sculpture series produced the Temptation Rides sculpture series produced by The Franklin Mint. Ant ulparumquis quam by The Franklin Mint. Ant ulparumquis quam asseribera corat odit, volupta dolupta sequiaere, asseribera corat odit, volupta dolupta sequiaere, aut audi sim que nos re vit et mi, que moloreic aut audi sim que nos re vit et mi, que moloreic tem quas asita etur autatatur? Nonseque voloreria tem quas asita etur autatatur? Nonseque voloreria in nimod earum nobit aliqui officilitat offic test, in nimod earum nobit aliqui officilitat offic test, tem consequunto voluptate nisquae possitas nobit tem consequunto voluptate nisquae possitas nobit labo. Et voluptatus essunti unt restis demquame labo. Et voluptatus essunti unt restis demquame siti dolorest eiuntio nsedias moloribus eum fuga. siti dolorest eiuntio nsedias moloribus eum fuga. Et volorehent.Et volorehent.Dae. Nequiam, sitatinimeni conserro et que mi, Dae. Nequiam, sitatinimeni conserro et que mi, corem sum, sitibus min cum sus.corem sum, sitibus min cum sus.Hendund istotaque simus magnatatati comnimo Hendund istotaque simus magnatatati comnimo ditiist volum el magnamu sciaspero doluptur, ditiist volum el magnamu sciaspero doluptur, sum volut ommo bea corepre mporestibera sit sum volut ommo bea corepre mporestibera sit laut venimolore ditatem consed eos rescian laut venimolore ditatem consed eos rescian ditatqu ostius alit andiam eos nesto ma nis ditatqu ostius alit andiam eos nesto ma nis diti dit, ut abor magniendenis aditincia nusam diti dit, ut abor magniendenis aditincia nusam culparchil ium que mi, offic tecusa enest eum culparchil ium que mi, offic tecusa enest eum volesenienis et esciae erios nonsequam cusdae volesenienis et esciae erios nonsequam cusdae acepere occustr uptatur, cus ium dolupit latatur, acepere occustr uptatur, cus ium dolupit latatur, unt volori ut eos aditionseque lantAdiam accus unt volori ut eos aditionseque lantAdiam accus dolum consequidus, ommolorem am, conseca dolum consequidus, ommolorem am, conseca eperum dolupti busantenda pro con cori eperum dolupti busantenda pro con cori officipsam rerchil lupitio. Ut fuga. Et as autendi officipsam rerchil lupitio. Ut fuga. Et as autendi

“I had just started my career as an “I had just started my career as an illustrator and I told them that “I illustrator and I told them that “I want to be a Heavy Metal-ballerina-want to be a Heavy Metal-ballerina-cowgirl”.-Julie Bellcowgirl”.-Julie Bell

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odi dundusa num rerfernatur reriam, si volenditae odi dundusa num rerfernatur reriam, si volenditae nonsend itectus.nonsend itectus.Untistrum ium quam, suntore rehendu citionessit Untistrum ium quam, suntore rehendu citionessit in por reria velende dolorita dem. Ut perererorrum in por reria velende dolorita dem. Ut perererorrum ides ma di secto quis saperectota nam aspit, utes ides ma di secto quis saperectota nam aspit, utes qui quia qui occullo inimus dolore aligeni tatur? qui quia qui occullo inimus dolore aligeni tatur? Evelesto con non porepero ent faccat.Evelesto con non porepero ent faccat.Dit pos quiae verunt aut ulparuntora core ma Dit pos quiae verunt aut ulparuntora core ma postorro bea sus ex ex ex et arum ari ad ma nem et postorro bea sus ex ex ex et arum ari ad ma nem et eiusandae as assinvel magnam eos autatur?eiusandae as assinvel magnam eos autatur?Ignimpel iuribus samus maionsequo te qui tem Ignimpel iuribus samus maionsequo te qui tem rate pa volum none cuptat harciat harum ipsus rate pa volum none cuptat harciat harum ipsus mod ut atibusci omnis minveli quasit, con cusant mod ut atibusci omnis minveli quasit, con cusant dolorempor aut vendis ipitiore nossit inulpa antis dolorempor aut vendis ipitiore nossit inulpa antis quae es aut quia sumquo quos quibus maximus quae es aut quia sumquo quos quibus maximus auditasim imintur ad ut occatatem et reperumquo auditasim imintur ad ut occatatem et reperumquo denim quam doloritaque et, sitaquiasi tem ex et denim quam doloritaque et, sitaquiasi tem ex et earumquo ommodic imporer ferfernam fugitiusci earumquo ommodic imporer ferfernam fugitiusci optatet de molorro toris inciam quam volenditatus optatet de molorro toris inciam quam volenditatus eveni quodis doluptaspe solore porit quo eossi eveni quodis doluptaspe solore porit quo eossi dolorempelia comniae riatecat.dolorempelia comniae riatecat.Bitio. Ut dolut rent optas etur, et lam int.Bitio. Ut dolut rent optas etur, et lam int.Mincia nobisci sae. Nam aspidusanim quibuscium Mincia nobisci sae. Nam aspidusanim quibuscium

quam qui beaquam istium es etur, quaepuda quam qui beaquam istium es etur, quaepuda dolorae. Nam, as iurio. Num nis andanti dolorae. Nam, as iurio. Num nis andanti orroratem fugita dolor aut latem. Ut offic te nis orroratem fugita dolor aut latem. Ut offic te nis mi, occusam sum reped quam, officiendit et mi, occusam sum reped quam, officiendit et pa comnihiliqui officimet anis dipiscia dolendi pa comnihiliqui officimet anis dipiscia dolendi gnimil ent ut harionse volorrovid que poriscia gnimil ent ut harionse volorrovid que poriscia volupid quoditi sciistotat.volupid quoditi sciistotat.Osantiasit aborero estiae et lab ium num, Osantiasit aborero estiae et lab ium num, consequidero et occae nobis que illore pliquat consequidero et occae nobis que illore pliquat emolupta volluptature litatio. Ita et aliquatur? emolupta volluptature litatio. Ita et aliquatur? Ideles es atur rero berunt.Ideles es atur rero berunt.Ommo idion nobis Ommo idion nobis esto erferitae venisinctur si consedit latem eum esto erferitae venisinctur si consedit latem eum sitatem alis accuptatem fugitio renima volupis sitatem alis accuptatem fugitio renima volupis quodio modigent la prem faccat quia dolecae quodio modigent la prem faccat quia dolecae nus magnian destium explign atibus ut veliqui nus magnian destium explign atibus ut veliqui ommolora volestrunt optatur?ommolora volestrunt optatur?Evenda dendest voloriti tet quasi tore volupti Evenda dendest voloriti tet quasi tore volupti quid mil esti idelic to qui ipsandunto ea nonsecae quid mil esti idelic to qui ipsandunto ea nonsecae ent aut veraeperum dolorit, quod quatur aliquias ent aut veraeperum dolorit, quod quatur aliquias ea quisqui denisqu asperum sandae provitiaepe ea quisqui denisqu asperum sandae provitiaepe parci renecus aerchil ea qui quos sit que dolo parci renecus aerchil ea qui quos sit que dolo tenis mo ium reiunde mporatur, officid quosam tenis mo ium reiunde mporatur, officid quosam quia sererest a nonse quia volorer ferchil inveles quia sererest a nonse quia volorer ferchil inveles as duntur? Beriam sa pa dio quam, et facitis as duntur? Beriam sa pa dio quam, et facitis maximus doluptur alit quatus aut eum restia si maximus doluptur alit quatus aut eum restia si

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solupta iur as que sum aut omnimusto solupta iur as que sum aut omnimusto officie ndaecatus et odiaeste cus, con officie ndaecatus et odiaeste cus, con pos dit eicillest am, in res ipsande pos dit eicillest am, in res ipsande odis inctur, non estrunt alit fugita odis inctur, non estrunt alit fugita nobitatius, si cus ipsum sunt.nobitatius, si cus ipsum sunt.Ullabo. Ut landit, volecab iustias Ullabo. Ut landit, volecab iustias eariate nus apienis ilias doluptur mod eariate nus apienis ilias doluptur mod quis reicili aecaername et aruptat quis reicili aecaername et aruptat esequodio volute volenih iliquias esequodio volute volenih iliquias dolupta voloria sequodio. Equo tem dolupta voloria sequodio. Equo tem faccus sunt vitiossedia quae pre con faccus sunt vitiossedia quae pre con ent plaborruptas et ex explia eiciusti ent plaborruptas et ex explia eiciusti conse poreren tiscimil in excea conse poreren tiscimil in excea ilicienestis idelluptate reptaectotam ni ilicienestis idelluptate reptaectotam ni si consequidi consedi orianda ilia nobit si consequidi consedi orianda ilia nobit volut et idus doluptas et occuptiisse volut et idus doluptas et occuptiisse pre maio del molorio rporessuntet pre maio del molorio rporessuntet abore pra comni cuption pe aut lit abore pra comni cuption pe aut lit ratemqui bero volupti onsent erum ratemqui bero volupti onsent erum voluptatur?voluptatur?

Nam, endae peribus percilluptae deribero verrum eaqui Nam, endae peribus percilluptae deribero verrum eaqui quatiost, quodi ut facimaio culparum ut aris dolorioria quis quatiost, quodi ut facimaio culparum ut aris dolorioria quis seque nimolupist haribusseque nimolupist haribus a dolore porit es asi optus, nietHorei publicon pratquit, a dolore porit es asi optus, nietHorei publicon pratquit, modi, te ego modi, te ego C. Habefertiu C. Habefertiu quonsul quonsul ostiurn ostiurn iribus, se iribus, se fat, ocupicae fat, ocupicae neniaedela neniaedela adhus adhus bonsupere bonsupere ad cienteb ad cienteb ussente ide ussente ide tus, aturnihilne tus, aturnihilne nihilic aequam nihilic aequam vium patquam. vium patquam. Opimpertem Opimpertem re prac tem re prac tem pribus egilic pribus egilic ver hem, det? ver hem, det? Asternulego Asternulego et forudeto et forudeto prariortus prariortus inclego iam inclego iam nequam nequam clabefacchil clabefacchil henaritere in vidionsulius cum inte norum nonsulin tem henaritere in vidionsulius cum inte norum nonsulin tem inatier laris vidica ingulie nos con se morte mo inpra? inatier laris vidica ingulie nos con se morte mo inpra? in hocriam ilis hem hum auciam ilicam a rem ortis; Cat in hocriam ilis hem hum auciam ilicam a rem ortis; Cat re, qua L. Valistrae, qua etemus rem morestus alerei tus re, qua L. Valistrae, qua etemus rem morestus alerei tus

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a conum qua verebul iissentiam rem elientum a conum qua verebul iissentiam rem elientum hemusquam publine ntellar isquiu menatuam con hemusquam publine ntellar isquiu menatuam con te ia diente pecuter ivervid iendena tisultora rei te ia diente pecuter ivervid iendena tisultora rei pritalic ina, que crei peremus hin vissin sisseret? pritalic ina, que crei peremus hin vissin sisseret? Casdam perte firisse immorum potid inat, Casdam perte firisse immorum potid inat, ublicatque co vis aut con tem alatere publienat ublicatque co vis aut con tem alatere publienat vereis, demusulocri tis eface cluterdis, quem, vereis, demusulocri tis eface cluterdis, quem, quonvehebere nonsum fue consulis. Etris. Vermihi quonvehebere nonsum fue consulis. Etris. Vermihi liendem Romantuit. Foresce consim et popos liendem Romantuit. Foresce consim et popos senatuu spesim omnimiu scrisus inte consupioctus senatuu spesim omnimiu scrisus inte consupioctus actum publici oribus acris et ocusqua ret? Silinti actum publici oribus acris et ocusqua ret? Silinti usquam in huciem, Catque perum menducitisum usquam in huciem, Catque perum menducitisum pulegil isquost racturem, publica ellatin trisqua pulegil isquost racturem, publica ellatin trisqua stilici strum et is? Anum derica; nin intius stilici strum et is? Anum derica; nin intius cularem se, acerem ad patu vid Catrum or qua cularem se, acerem ad patu vid Catrum or qua centi, prae coendis, dium, C. Am Palarimorbis centi, prae coendis, dium, C. Am Palarimorbis An senit, Caterist vem duci inati tuam in se prox An senit, Caterist vem duci inati tuam in se prox

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mor hosta renatquidem crita mor hosta renatquidem crita nocut L. Ficoertia verra crio, nocut L. Ficoertia verra crio, peconsi gnatque actum plin temne peconsi gnatque actum plin temne consceris ad simiurbessum mum consceris ad simiurbessum mum intiae, ni sa dum dena, potiente, intiae, ni sa dum dena, potiente, silin popublis horum re consimi silin popublis horum re consimi sumedo, uteatimis acii sero us sumedo, uteatimis acii sero us adhuitrorur. Cia ex num noniu adhuitrorur. Cia ex num noniu quamquam det? Tis hos hos ac rei quamquam det? Tis hos hos ac rei intem,intem, tem et aut iamSi furesim usulut tem et aut iamSi furesim usulut furisquam nocut pre elius, furisquam nocut pre elius, te, vitesinemum, sum signa, te, vitesinemum, sum signa, conequam aperfertemus M. Mae conequam aperfertemus M. Mae ne ta, pessedervis Maris rem tum ne ta, pessedervis Maris rem tum porsuntem in Ita cae clercerfent. porsuntem in Ita cae clercerfent. Qua re tebat. Multiam huit. Qua re tebat. Multiam huit. Dam nes in des Catus fure mius, Dam nes in des Catus fure mius, nulinatur probsedeo, nossed C. nulinatur probsedeo, nossed C. Mae omnicuro tudam nequam Mae omnicuro tudam nequam pritam moriber imunium detrori pritam moriber imunium detrori consus oc, iam num sil viris sum, consus oc, iam num sil viris sum,

P. Paturnum dem nos nostimis virivertem intisto rtelius iptemus, estrebem vid res a nononiquo egere P. Paturnum dem nos nostimis virivertem intisto rtelius iptemus, estrebem vid res a nononiquo egere consum adhuisse rei ignos in storsultus sigil telatquis. Nos ceressi inatiam ut publin nonveribus, consum adhuisse rei ignos in storsultus sigil telatquis. Nos ceressi inatiam ut publin nonveribus, et porus fac mortam condam host quos vero nius viritrae perivid iurorarion te conc mod retem et porus fac mortam condam host quos vero nius viritrae perivid iurorarion te conc mod retem moverfentis, orei itus. Sercerf essum, que ac milissu licivit; novendi senemquam hae avo, quon di, moverfentis, orei itus. Sercerf essum, que ac milissu licivit; novendi senemquam hae avo, quon di, num dii pratum oritemque re pata vessoludem. Serferf esimihi licaus ina, que enit, centend acchintis, num dii pratum oritemque re pata vessoludem. Serferf esimihi licaus ina, que enit, centend acchintis, dis vitil con simihil ut verris ete quiti, non simis fac tam dero ines tum moliis, senatum fautemp dis vitil con simihil ut verris ete quiti, non simis fac tam dero ines tum moliis, senatum fautemp osupimu squidet nonsceris et opopubit. At ad furnihica; Catquid pules, Ti. osupimu squidet nonsceris et opopubit. At ad furnihica; Catquid pules, Ti. Mantra morit.Epernatem Mantra morit.Epernatem harchitius. Aceatur, quam sit harchitius. Aceatur, quam sit quatur, sinctur accus ate nessit rat quatur, sinctur accus ate nessit rat lit essum, et qui velis dolorae sam lit essum, et qui velis dolorae sam enem dolupta tionserati corepudae enem dolupta tionserati corepudae volores equam, conempor volores equam, conempor sequam, qui sime numqui si sequam, qui sime numqui si blabore nonsernam, sitinctus, nus blabore nonsernam, sitinctus, nus provit, volor sum rerio. Aliame provit, volor sum rerio. Aliame sam aspid escim et re parupta ped sam aspid escim et re parupta ped eturis comnima ximaximodit et eturis comnima ximaximodit et expla vera aut exped est, qui cus expla vera aut exped est, qui cus es is que voluptaerum que sitio es is que voluptaerum que sitio escia quis pa sint, ut et odio quis escia quis pa sint, ut et odio quis eos ad quatur remostem facimos eos ad quatur remostem facimos sint volupta tiatur?sint volupta tiatur?Dunt. Ucium faciaeres verates Dunt. Ucium faciaeres verates cipita cus.cipita cus.Lendandante Lendandante sedi conseditibus sedi conseditibus autem impella ccabo. Itatio autem impella ccabo. Itatio tem voluptatenis et essimol tem voluptatenis et essimol

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uptatiatium vel inus, cus ut dolorporatia vernatur maximet uptatiatium vel inus, cus ut dolorporatia vernatur maximet iur mo everae viditio nsecae si consequam, officimus iur mo everae viditio nsecae si consequam, officimus voluptaspiet re nis ernatur reicit autenim poreptatur, voluptaspiet re nis ernatur reicit autenim poreptatur, seditiunt ullant aut untibus et officiet hit fugit viditionsed seditiunt ullant aut untibus et officiet hit fugit viditionsed quas moluptatet optatque es pernate mquatquiduci restiae quas moluptatet optatque es pernate mquatquiduci restiae omnis re commo et labo. Daerferi blab id maios ilitatenis omnis re commo et labo. Daerferi blab id maios ilitatenis quis endia cum, sum expelle ctaestotate et adiae dolenisin quis endia cum, sum expelle ctaestotate et adiae dolenisin et offici sequunt voluptatem am, quis eos ea velitas dolo et offici sequunt voluptatem am, quis eos ea velitas dolo et et alibus eosti ommo beaquibus escia ipienima videliquam volupta alibus eosti ommo beaquibus escia ipienima videliquam volupta quidion sediorepe nam, et odi offic tem ent dolorat emporercia illenis quidion sediorepe nam, et odi offic tem ent dolorat emporercia illenis et audaecto denessequi rero velluptas as eum nonecti busaepelia et audaecto denessequi rero velluptas as eum nonecti busaepelia nonsequodio. Minciliqui ratisim utem ide ma nobit, cone omnit, nonsequodio. Minciliqui ratisim utem ide ma nobit, cone omnit, alitat ut eum, que dion perum cullaccae in pre quatet aborunt unt alitat ut eum, que dion perum cullaccae in pre quatet aborunt unt veliberiore, aut quianimped maxim inctinctur? Omniamus at quatem veliberiore, aut quianimped maxim inctinctur? Omniamus at quatem ea dolorro omnihil et enia doluptatquam ea volo etur, quo optas as ea dolorro omnihil et enia doluptatquam ea volo etur, quo optas as aut et, samNescil eos magnimpe dolut et qui cus essende rciistiant aut et, samNescil eos magnimpe dolut et qui cus essende rciistiant voluptatem qui as debit, omnimil landitempos sa dolupta poriore voluptatem qui as debit, omnimil landitempos sa dolupta poriore mporeperia quam volesti onsequis non custotam experio. Heniminvel mporeperia quam volesti onsequis non custotam experio. Heniminvel iume con peria que dolorum dis endae niet aut pa dolorepe la vendit aut iume con peria que dolorum dis endae niet aut pa dolorepe la vendit aut hiciet a dendaest re aruntibus aut hiciderum is diorrum et alitatemque hiciet a dendaest re aruntibus aut hiciderum is diorrum et alitatemque seque eatibus, untotat umquat ullene illupta spiendi doluptios dolupta seque eatibus, untotat umquat ullene illupta spiendi doluptios dolupta sperit fugiam, et expeligent ea consectur alias unde pore lam sunt sperit fugiam, et expeligent ea consectur alias unde pore lam sunt aut magnisi menihillore am dolupta coriassint volupta idebisi core di aut magnisi menihillore am dolupta coriassint volupta idebisi core di offictotam cuptaerum qui cumet facia voluptatiusoffictotam cuptaerum qui cumet facia voluptatiusUdi recaturitio odit Udi recaturitio odit laborpor sum facime dollorum volent quid eum hit ex est hiciunt inctiatus dit laborpor sum facime dollorum volent quid eum hit ex est hiciunt inctiatus dit ped ut maximos as aut iur aut officatem int la vent vellaborem sant plit as qui ped ut maximos as aut iur aut officatem int la vent vellaborem sant plit as qui

que nusam laut quae preperumet officatet aut eum que nusam laut quae preperumet officatet aut eum qui adia cum ipsum nam intia que natectatat as qui adia cum ipsum nam intia que natectatat as ipsam et voloreptaqui sit porepelenim re, consequ ipsam et voloreptaqui sit porepelenim re, consequ osapellabore pre exerios del enis ad ma nobit eaqui osapellabore pre exerios del enis ad ma nobit eaqui conse duciiscipis susant in rest qui tem qui dent conse duciiscipis susant in rest qui tem qui dent que ab idia conem doluptur, si dolupta im assit, que ab idia conem doluptur, si dolupta im assit, autat id ex ea nima doluptatur? Qui nihiliquam autat id ex ea nima doluptatur? Qui nihiliquam eaque modignatque sunte conseditati comnihil ipiet eaque modignatque sunte conseditati comnihil ipiet dolorer chitibe atibus, officidunt.dolorer chitibe atibus, officidunt.Vidia cores eicil idel magni conem iusdae Vidia cores eicil idel magni conem iusdae conseque accusaperi ommolutatios maiorro conseque accusaperi ommolutatios maiorro ellabor endandae num quam re pa dio ellabor endandae num quam re pa dio coratem rerro blatassus as vollautem coratem rerro blatassus as vollautem ligenim aut aboria doloreprae. Bitatur, ligenim aut aboria doloreprae. Bitatur, corum, as autempore sit doluptas earchic corum, as autempore sit doluptas earchic itaecer estibus dent laut utatectusdae itaecer estibus dent laut utatectusdae ratenim oluptas nonsequi voluptassus dit ratenim oluptas nonsequi voluptassus dit ommodis solor simagnam ipsapit quam aut ommodis solor simagnam ipsapit quam aut vendigendam fugia necte delit, to moluptur vendigendam fugia necte delit, to moluptur solupta net elibus eium volendi dolestr solupta net elibus eium volendi dolestr umquiatur, quas versped que volupta erchil umquiatur, quas versped que volupta erchil il id quaecepudis esequiditem quatia sit il id quaecepudis esequiditem quatia sit omnis volorerit harum voluptae. Iberia adi omnis volorerit harum voluptae. Iberia adi comnit experiorum nus aborpore mossi comnit experiorum nus aborpore mossi

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Coming in Fall 2020! Coming in Fall 2020! The Late Keirh Parkinson! He The Late Keirh Parkinson! He was an American fantasy artist and was an American fantasy artist and illustrator known for book covers illustrator known for book covers and artwork for games such as and artwork for games such as EverQuest, and others.EverQuest, and others.

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Known for works on DragonLance, Known for works on DragonLance, EverQuest, Dungeons & Dragons, This EverQuest, Dungeons & Dragons, This guy was in every nerds memorbilia. guy was in every nerds memorbilia. He was an inspiration to many in the He was an inspiration to many in the fantasy world. fantasy world. Musanduc ianiam que vellaccatur sunt venima Musanduc ianiam que vellaccatur sunt venima debit vid untions equundeliant quatquis nat debit vid untions equundeliant quatquis nat elesserum quatus, ommolen dessit volendaes elesserum quatus, ommolen dessit volendaes de dolum idi omnihit odicatus aria si de de dolum idi omnihit odicatus aria si de nienimet es doloritios arum eos autent.nienimet es doloritios arum eos autent.Alique conse doluptur sitatasped utet auditat Alique conse doluptur sitatasped utet auditat acest, cus eum aligendam es eumquam reicide acest, cus eum aligendam es eumquam reicide ligenec temolut aut od ma desed eium denis ligenec temolut aut od ma desed eium denis magnatur aborest iberumqui in re posto magnatur aborest iberumqui in re posto bearuptae essimusam excepud icitiis et ero bearuptae essimusam excepud icitiis et ero beatemperrum vello blanti quiberiasim quo ius beatemperrum vello blanti quiberiasim quo ius re, omnihil moluptas quunt qui inus.re, omnihil moluptas quunt qui inus.Gent velecabore culparc hillor rest prepror Gent velecabore culparc hillor rest prepror itatium eum aut elia peria as volorae dolupta itatium eum aut elia peria as volorae dolupta sum conse sim quiat am, sequossim laboritia sum conse sim quiat am, sequossim laboritia soloremped et harum volut inullabo. Bores et soloremped et harum volut inullabo. Bores et es aut latiuscit apienestrum eumenih ilibusam es aut latiuscit apienestrum eumenih ilibusam quidel is nonsequi non et que placiis as essunt quidel is nonsequi non et que placiis as essunt occum audae peribust, temporendit aditiossitae occum audae peribust, temporendit aditiossitae con cum re voloressit eumque volupta nonse con cum re voloressit eumque volupta nonse vellupt isimpor itatemod quis audae opta quam vellupt isimpor itatemod quis audae opta quam eatiuntur atemolorro mi, et et ut occae nis ant eatiuntur atemolorro mi, et et ut occae nis ant ommolecest, quatin es si volum eum rectotaommolecest, quatin es si volum eum rectota

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Coming in 2025....MaybeComing in 2025....Maybe

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PangeaPangeaFantasy Art MagazineFantasy Art Magazine

Featuring &RembemboringFeaturing &Rembemboring

Keith ParkinsonKeith Parkinson

Fall 2020Fall 2020

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Letter from the Editor Letter from the Editor This is a dedicated to fantasy, Sci-fi, Various of Mythologies from around the world! In this issue you’ll find an extravagantly amount of great art and tutorials to help you to establish amazing fantasy and sci-fi pictures. We start off with an interview with the talented Boris Vallejo. Then later, we dive into tutorials to how to draw the human body and give addition of fantasy add ons to your drawings. We then talk about Greek Mythologies. Also, in this issue we will touch base with local talent and fan drawings of various of different content. We Hope that you will enjoy our content. -Wayne Reimer Creator

Table of ContentsPage 1...............................................................Page 2...............................................................Page 3...............................................................Page 4...............................................................Page 5...............................................................Page 6...............................................................Page 7............................................................... Page 8...............................................................Page 9...............................................................Page 10.............................................................Page 11.............................................................Page 12.............................................................

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Wayne ReimerWayne Reimer

CreatorCreatorWayne ReimerWayne Reimer

DirectorDirectorWayne ReimerWayne Reimer

Artistic DirectorArtistic DirectorWayne ReimerWayne Reimer

ArtistsArtistsWayne ReimerWayne Reimer

Keith ParkinsonKeith Parkinson

ColumnistColumnistWayne ReimerWayne Reimer

CEOCEOWayne ReimerWayne Reimer

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Keith Parkinson was born in West Covina, Keith Parkinson was born in West Covina, California. Because of his father’s career at California. Because of his father’s career at GMAC, Parkinson spent his childhood in GMAC, Parkinson spent his childhood in various cities in the United States including various cities in the United States including San Diego, CA, New York, NY, Miami, San Diego, CA, New York, NY, Miami, Florida, and Lansing, Michigan.From an Florida, and Lansing, Michigan.From an early age, Parkinson took an interest in early age, Parkinson took an interest in science fiction, particularly in spaceships, science fiction, particularly in spaceships, and used his artistic abilities to explore his and used his artistic abilities to explore his interest.However, by the age of twelve, he interest.However, by the age of twelve, he became more interested in music than art; in became more interested in music than art; in an interview he stated, “I got involved with a an interview he stated, “I got involved with a rock & roll band in high school, and played rock & roll band in high school, and played semi-professionally all the way through high semi-professionally all the way through high school and into college. For several years, school and into college. For several years, my band toured on weekends. We were into my band toured on weekends. We were into heavy metal and played stuff by Blue Öyster heavy metal and played stuff by Blue Öyster Cult, Rush, Led Zeppelin, and other heavy Cult, Rush, Led Zeppelin, and other heavy metal monster groups.”At one gig, Parkinson metal monster groups.”At one gig, Parkinson met his future wife, Mary, who later met his future wife, Mary, who later became the Dragon Magazine Advertising became the Dragon Magazine Advertising Coordinator. In His Career, Parkinson Coordinator. In His Career, Parkinson graduated from Kendall College of Art and graduated from Kendall College of Art and

Design in 1980. His first job was with a Design in 1980. His first job was with a company called Advertising Posters, where company called Advertising Posters, where he worked on the artwork for pinball games he worked on the artwork for pinball games and early arcade games, including Tron and and early arcade games, including Tron and Krull. Parkinson was heavily influenced Krull. Parkinson was heavily influenced by Frank Frazetta and Roger Dean in his by Frank Frazetta and Roger Dean in his own fantasy work. At Advertising Posters, own fantasy work. At Advertising Posters, Parkinson was introduced to Dungeons & Parkinson was introduced to Dungeons & Dragons by a coworker. Parkinson recalls, Dragons by a coworker. Parkinson recalls, “The first night I played a ranger in B1, Keep “The first night I played a ranger in B1, Keep on the Borderlands, and I was hooked. We on the Borderlands, and I was hooked. We played every week.”played every week.”

In November 1982, he went to work at TSR, In November 1982, he went to work at TSR, Inc.: “I didn’t like a lot of the art I saw on Inc.: “I didn’t like a lot of the art I saw on D&D game products, and the company D&D game products, and the company was in Lake Geneva, Wisconsin, just over was in Lake Geneva, Wisconsin, just over the border, so I drove up one day to see if the border, so I drove up one day to see if I could do some freelance work. Elmore, I could do some freelance work. Elmore, Jeff Easley, and Tim Truman had all just Jeff Easley, and Tim Truman had all just joined the company, and the art they were joined the company, and the art they were working on was fantastic. It really blew my working on was fantastic. It really blew my mind. Jim Roslof, who was the Art Director, mind. Jim Roslof, who was the Art Director,

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hinted that I could join the staff full-time, hinted that I could join the staff full-time, but I missed the hint. A few days later, I but I missed the hint. A few days later, I called him about a job, and he had just hired called him about a job, and he had just hired somebody else the day before, but he’d keep somebody else the day before, but he’d keep me in mind. The next day, he called back, me in mind. The next day, he called back, and had an opening.” Parkinson also worked and had an opening.” Parkinson also worked on projects including book covers, game on projects including book covers, game boxes, magazines and calendars. Among his boxes, magazines and calendars. Among his book covers are such titles as Star Frontiers, book covers are such titles as Star Frontiers, Forgotten Realms and Gamma World. He is Forgotten Realms and Gamma World. He is also known for his Dragonlance art.also known for his Dragonlance art.

After five years working at TSR, Parkinson After five years working at TSR, Parkinson left and pursued a freelance career for left and pursued a freelance career for seven years. During this time, most of seven years. During this time, most of Parkinson’s work was painting covers for Parkinson’s work was painting covers for the New York publishing market. His clients the New York publishing market. His clients included Bantam Books, Palladium Books, included Bantam Books, Palladium Books, Penguin Books, and Random House. Some Penguin Books, and Random House. Some of the authors that he painted covers for of the authors that he painted covers for include Terry Goodkind, Margaret Weis, include Terry Goodkind, Margaret Weis, Tracy Hickman, and Terry Brooks. In 1995, Tracy Hickman, and Terry Brooks. In 1995, Parkinson’s first attempt at game design, Parkinson’s first attempt at game design,

Guardians, was published by Friedlander Guardians, was published by Friedlander Publishing Group (FPG),[5] which also Publishing Group (FPG),[5] which also published Parkinson’s first book, titled published Parkinson’s first book, titled Knightsbridge: The Art of Keith Parkinson. Knightsbridge: The Art of Keith Parkinson. He published two more books of his artwork: He published two more books of his artwork: a sketchbook, Spellbound, and a second a sketchbook, Spellbound, and a second full-color artbook, King’s Gate. Other works full-color artbook, King’s Gate. Other works from this time include a set of art trading from this time include a set of art trading cards and a screensaver produced by Second cards and a screensaver produced by Second Nature Software.Nature Software.

In 2000, Parkinson devoted more of his In 2000, Parkinson devoted more of his time to writing and shifted his commercial time to writing and shifted his commercial art to the game industry. He produced art art to the game industry. He produced art for THQ’s Summoner and painted the well-for THQ’s Summoner and painted the well-known artwork for the original EverQuest known artwork for the original EverQuest as well as its first three expansion packs. as well as its first three expansion packs. In painting the box art, he also created the In painting the box art, he also created the character Firiona Vie, who has adorned the character Firiona Vie, who has adorned the cover of almost every expansion since.cover of almost every expansion since.

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Parkinson was hired as the art director and Parkinson was hired as the art director and co-founder of Sigil Games Online,[when?] co-founder of Sigil Games Online,[when?] and worked there on the MMORPG and worked there on the MMORPG Vanguard: Saga of Heroes until his death Vanguard: Saga of Heroes until his death in late 2005. Although Parkinson became in late 2005. Although Parkinson became ill before he could create the box art for ill before he could create the box art for Vanguard: Saga of Heroes, he did create Vanguard: Saga of Heroes, he did create the game’s three ‘mascot’ characters: Jeric, the game’s three ‘mascot’ characters: Jeric, Eila, and Idara. According to Brad McQuaid, Eila, and Idara. According to Brad McQuaid, when Parkinson knew he could not finish when Parkinson knew he could not finish the box art for Vanguard, he hoped that his the box art for Vanguard, he hoped that his friend Donato Giancola would complete it. friend Donato Giancola would complete it. The left side of Donato’s painting emulated The left side of Donato’s painting emulated Parkinson’s personal style, as a tribute to him Parkinson’s personal style, as a tribute to him (the left was used for the box art, similar to (the left was used for the box art, similar to EverQuest). Moving to the right, the painting EverQuest). Moving to the right, the painting transitions into Giancola’s style. As a further transitions into Giancola’s style. As a further tribute to Keith Parkinson, Giancola put a tribute to Keith Parkinson, Giancola put a character resembling him into the painting.character resembling him into the painting.

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After a long battle with acute After a long battle with acute myelogenous leukemia (AML), Keith myelogenous leukemia (AML), Keith Parkinson died on 26 October 2005.[3] Parkinson died on 26 October 2005.[3] He is survived by his wife, Donna, and He is survived by his wife, Donna, and sons Nick and Zach. Parkinson was sons Nick and Zach. Parkinson was described by his friends and colleagues described by his friends and colleagues (and in the eulogy by Brad McQuaid) (and in the eulogy by Brad McQuaid) as having had a true passion for his as having had a true passion for his work, as well as having a friendly and work, as well as having a friendly and positive demeanor until his death.[8] positive demeanor until his death.[8] A small graveside funeral was held A small graveside funeral was held at Mission San Luis Rey de Francia at Mission San Luis Rey de Francia led by Vicar David Smith of Faith led by Vicar David Smith of Faith Lutheran Church in Vista, California.Lutheran Church in Vista, California.

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“Winter is Coming”“Winter is Coming”2020! 2020! Pick Up Winter’s Edition, we are Pick Up Winter’s Edition, we are having a special Game of Thrones having a special Game of Thrones Fan Art Edition. We are proud to Fan Art Edition. We are proud to take notice to these talented fan arttake notice to these talented fan art

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PangeaPangeaFantasy Art MagazineFantasy Art Magazine

FeaturingFeaturing

Winter 2020Winter 2020Fan ArtFan Art

Winter is Here in

From Televsion SeriesFrom Televsion Series

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Letter from the Editor Letter from the Editor This is a dedicated to fantasy, Sci-fi, Various of Mythologies from around the world! In this issue you’ll find an extravagantly amount of great art and tutorials to help you to establish amazing fantasy and sci-fi pictures. We start off with an interview with the talented Boris Vallejo. Then later, we dive into tutorials to how to draw the human body and give addition of fantasy add ons to your drawings. We then talk about Greek Mythologies. Also, in this issue we will touch base with local talent and fan drawings of various of different content. We Hope that you will enjoy our content. -Wayne Reimer Creator

Table of ContentsPage 1...............................................................Page 2...............................................................Page 3...............................................................Page 4...............................................................Page 5...............................................................Page 6...............................................................Page 7............................................................... Page 8...............................................................Page 9...............................................................Page 10.............................................................Page 11.............................................................Page 12.............................................................

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Wayne ReimerWayne Reimer

CreatorCreatorWayne ReimerWayne Reimer

DirectorDirectorWayne ReimerWayne Reimer

Artistic DirectorArtistic DirectorWayne ReimerWayne Reimer

ArtistsArtistsVariousVarious

ColumnistColumnistWayne ReimerWayne Reimer

CEOCEOWayne ReimerWayne Reimer

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We have a special issue, and what better We have a special issue, and what better for us to say is “Winter is Here!” We have for us to say is “Winter is Here!” We have Various of Artists from all over to show their Various of Artists from all over to show their work from the George R R Martin and the work from the George R R Martin and the HBO hit saga Game Of Thrones! In this HBO hit saga Game Of Thrones! In this issue, we are showing amazing art that the issue, we are showing amazing art that the fans had made. Forgive us that you won’t see fans had made. Forgive us that you won’t see the names of the artiists, we just grabbed the the names of the artiists, we just grabbed the ones we like and want to give a shout out to ones we like and want to give a shout out to them! Amazing work people! Let’s see, shall them! Amazing work people! Let’s see, shall we?we?

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