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CLIENT: FABER MUSICOpera Posters

DuRAtION: 95 minutes

CAst:The Protector Bass-baritoneAgnès Soprano First Angel/Boy CountertenorSecond Angel/Marie Mezzo-sopranoThird Angel/John Tenor

INstRuMENtAtION (orchestra of 60):

3(II=picc, III=picc&afl).2.2.bcl(=cl).cbcl.2(II=cbsn) - 4.4(I=ptpt).3.1 - perc(4): glsp/crot/steel drum/3 t.bells/5 tuned c.bells/vib/gong/2 small timp/6 mini-tablas/3 bongos/2 SD/2 TD/tumba/BD/small claves/3 mokubios/4 tpl.bl/sleigh bells/mcas/pebbles/guiro/whip/sandpaper blocks/computer keyboard or typewriter/small tgl/untunedc.bell/clash.cyms (2 pairs)/5 susp.cyms/tam-t - harp - glass harmonica – bass viola da gamba - strings (8.6.6.6.4 players) 2 first violins doubling mandolins; all double basses must have extensions to low B natural.

MAtERIAL AvAILABLE:Signed, cased full score on sale 0-571-53759-6Full score on sale 0-571-53758-8Vocal score on sale 0-571-52672-1 Text on sale 0-571-53760-XParts on hire

COMMIssIONERs:Commissioned by the Festival d’Aix-en-Provence, De Nederlandse Opera (Amsterdam), Théâtre du Capitole (Toulouse), Royal Opera House (London).

FIRst PERFORMANCE: 7 July 2012, Festival d’Aix en Provence, Grand Theatre de Provence, France in a production by Katie MitchellCast: Barbara Hannigan/Bejun Mehta/Christopher Purves/Rebecca Jo Loeb/Allan ClaytonConductor: George BenjaminOrchestra: Mahler Chamber Orchestra

FIRst uk BROADCAst: 22 June 2013, BBC Radio 3 28 June 2013, TV: BBC 4

RECORDINGs: 2 CD Set: Written on Skin [Aix en Provence] Nimbus Records B009VECK8Q

DVD/Blu-ray: Written on Skin [Royal Opera House] Opus Arte OA1125D / OABD7136D

PERFORMANCEs OF wRIttEN ON skIN (as at December 2013)

Grand Theatre de Provence, Aix en Provence, July 2012Het Muziek Theatre, Amsterdam, October 2012 Théâtre du Capitole de Toulouse, November 2012 Royal Opera House, London, March 2013Theatre an de Wien, Vienna, June 2013,Bayerischer Staatsoper, Munich, July 2013,Tanglewood Festival of Contemporary Music, Lennox, MA, August 2013 (concert performance)Stadttheater Bonn, October 2013 (new production)Festival d’Automne, Opéra, Comique, Paris, November 2013

Further performances include:State Theatre, Detmold, 2014Calouste Gulbenkian Concert Hall, Lisbon, 2014,Großes Haus des Theaters St. Gallen, 2015Royal Opera House, London, 2017

AwARDsBritish Composer Award 2013Premiere of the year – Opernwelt 2013 Grand Prix – Académie Charles Cros 2013Grand Prix du Syndicat de la Critique 2013Diapason d’Or 2013Le Diamant d’Opera - Opéra Magazine 2013International Opera Award (UK) 2013

A rich lord welcomes into his house the artist he has commissioned to complete a book of illuminations. This work, he hopes, will immortalise the ruthless practice of his political power and the calm contentment brought to him by domestic order, embodied in the humility and childish obedience of his wife Agnes.

However the creation of the book becomes a catalyst for his wife’s rebellion. After a first successful attempt at seduction, Agnes uses her new intimacy with the illuminator to change the very content of the book and so forces her husband to see her as she really is. This opens the path for an extraordinary and final act of provocation. (Martin Crimp)

AIx-EN-PROvENCE

‘We leave the opera house so in love that we cannot repress a vague feeling of having witnessed the birth of a masterpiece… Benjamin composes music at once haunting and sensual, perfectly built over time and greatly varied throughout the scenes... A great moment of contemporary opera. A great moment of opera itself.’

LE FIGARO (CHRISTIAN MERLIN), 10 JULy 2012

‘Written on Skin is a true opera, with all its ingredients (love-triangle between wife-husband-lover, love and murder, play within a play, songs, sets, etc.). The music is incredibly beautiful: ribbed textures, subtle colours, flowing harmony of the simplest kind… Written on Skin is the pinnacle of contemporary output.’

LE MONDE (RENAUD MACHART), 10 JULy 2012

‘Written on Skin is almost certainly headed straight for any list of the best operas of the 21st century so far.’

FRANCE TODAy (JUDy FAyARD), 8 JULy 2012

AMstERDAM

‘The piece is of wondrous beauty, a miracle of timbral inventiveness, harmonic and melodic beauty and expressiveness...’

PAROOL (ERIK VOERMANS), 8 OCTOBER 2012

‘Benjamin’s score is a feast for the ears… it carves traces in the soul and you cannot say that of any other modern opera.’

NEWSPAPER THEATRE (OSWIN SCHNEEWEISz), 8 OCTOBER 2012

LONDON

‘George Benjamin seems to have come to opera with his genius fully formed. Written on Skin… is nothing short of a triumph. As soon as it had finished, I wanted to hear it again… a musical masterpiece.’

THE GUARDIAN (ERICA JEAL), 10 MARCH 2013

‘Written on Skin… as immaculate as anything composed since the heyday of Ravel… the opera smolders with darker, wilder energies… feels like the work of a genius unleashed.’

THE NEW yORKER (ALEX ROSS), 25 MARCH 2013

vIENNA

‘Benjamin’s music is phenomenal: Delicate, shimmering, sensual, coarse and brutal, tonal and atonal, passionate and sober – but always, always brilliant. Yes, you could also hear Berg, Debussy, Messiaen or Boulez. But Benjamin is Benjamin and as such is gigantic… Opera – it lives! And today!’

KURIER (PETER JAROLIN), 15 JUNE 2013

‘George Benjamin, one of the most distinguished English composer of his generation, cultivates in his first full-length opera a polystilistic open musical language, which is characterized by highly sophisticated instrumentation, whose beguiling palatable and sensual sound carries the red-hot vocals.’

KLEINE zEITUNG (ERNST NAREDI-RAINER), 15 JUNE 2013

MuNICh

‘Benjamin’s music moves so sophisticatedly between never-thick orchestral textures and an immediate expressiveness. The sound atmosphere shimmers between Eros and danger so that the one and a half hours are dramatically perfect…’

SüDDEUTSCHE zEITUNG (MICHAEL STALLKNECHT), 25 JULy 2013

‘The vocal lines are cantabile… bel canto for the 21st Century.’

NEUE MUSIKzEITUNG (JUAN MARTIN KOCH), 24 JULy 2013

tANGLEwOOD (concert version)

‘In the past year, it has been staged in London, Amsterdam, Toulouse, Munich and Vienna, each time bringing audiences to their feet and leaving critics to pull out superlatives they hadn’t thought they’d ever use in the context of new opera… It really is that good… Mr. Benjamin is a master of color and detail and in this subject, with its themes of illumination and enlightenment, his music has found its home… In concert version, the visual power of Mr. Benjamin’s writing comes through especially sharply.’

THE NEW yORK TIMES (CORINNA DA FONSECA-WOLLHEIM), 13 AUGUST 2013

‘...the score is indeed a marvel, astonishing in its timbral precision and in its balance of flexibility and sweep, with moments of local drama set off against a meticulously integrated whole.’

THE BOSTON GLOBE (JEREMy EICHLER), 14 AUGUST 2013

Born in 1960, George Benjamin started to play the piano at the age of seven, and began composing almost immediately. In 1976, he entered the Paris Conservatoire to study composition with Olivier Messiaen and piano with yvonne Loriod. Studies with Alexander Goehr at King’s College, Cambridge followed.

His first orchestral work, Ringed by the Flat Horizon, was performed at the BBC Proms when he was only 20; since then his music has been played by major orchestras and ensembles across the world both under his own baton and by leading conductors. His career has been marked by many international retrospectives: Paris, Tokyo, Brussels, Berlin, Strasbourg and Madrid, San Francisco, Lucerne Festival, and the ‘By George’ Festival at London’s Barbican in 2003. He collaborated with playwright Martin Crimp in 2006 for his first operatic work Into the Little Hill, (commissioned by Festival d’automne, Paris, and Ensemble Modern). The association continued with Written on Skin (2012) commissioned by the Aix-en-Provence Festival with an international consortium. Both operas have been played to world-wide acclaim, and are recorded on CDs from Nimbus. A third opera (again with Crimp) for 2018 is commissioned by the Royal Opera House Covent Garden with partners.

George Benjamin is a CBE, Chevalier dans l’ordre des Arts et Lettres, a member of the Bavarian Academy of Fine Arts, and has been awarded honorary positions by the Guildhall School, the Royal Academy, the Royal College of Music and the Royal Philharmonic Society.

Promotion Department, Faber Music Ltd, Bloomsbury House, 74–77 Great Russell St, London WC1B 3DAPromotion tel: +44(0)207 908 5311 | [email protected] | www.fabermusic.com

Photo credits: Matthew Lloyd, Pascal Victor, Clive Barda, Maurice Foxall

Worldwide acclaim - Press Quotes

Synopsis

Biography

GEORGE BENJAMIN

Opera in three parts (2012)Text by Martin CrimpBased on the legend of the troubadour, Guillem de Cabastany

Written on Skin

WrittenOnSkin.indd 2 10/12/2013 10:33

DURATION c99 minutes

Act I 48 minutesAct II 21 minutesAct III 30 minutes

ROLES CAST AT FIRST PERFORMANCEAntigone Soprano Julia Sporsén Jocasta Mezzo-soprano Susan Bickley Oedipus Heroic Baritone Roland WoodCreon Tenor Peter Hoare Polynices Baritone Jonathan McGovernTiresias Bass Matthew BestKing Theseus and Messenger Countertenor Christopher AinslieHaemon and Stranger High Light Tenor Anthony GregoryShepherd Baritone Paul SheehanCitizens of Thebes Chorus

INSTRUMENTATION3(II=picc & fl tuned 1/4-tone flat, III=picc & afl).3(III=ca).3(II=cl tuned 1/4-tone flat, III=bcl).bcl(=cl).cbcl.3(III=cbsn) - 4.3(I=optional flhn, III=optional tpt in D).3.1 - perc(5) - harp - pno/synth/cel - strings

FIRST PERFORMANCES3.5.2014 Coliseum, London, UK: English National Opera/cond. Edward Gardner/

dir. Pierre Audi/designs Tom Pye/Hetzer/lighting Jean Kalman

3.5.2015 Stadttheater, Bonn, Germany: Theater Der Stadt Bonn/cond. Johannes Pell/dir. Pierre Audi

Commissioned by English National Opera with support from The Boltini Trust, PRS for Music Foundation and ENO’s Contemporary Opera Group

MATERIAL AVAILABLELibretto on sale 0-571-53710-3Vocal score, full score and parts on hire

Promotion Department, Faber Music Ltd, Bloomsbury House, 74–77 Great Russell St, London WC1B 3DATel: +44 (0)20 7908 5319 | [email protected] | www.fabermusic.com

PHOTO CREDITS: FRONT MAIN: ENO ‘THEBANS’ ACT II – THE CHORUS OF ENGLISH NATIONAL OPERA © TRISTRAM KENTON. FRONT INSET: ENO ‘THEBANS’ – JULIA SPORSEN, ROLAND WOOD © TRISTRAM KENTON. BACK MAIN: ENO ‘THEBANS’ – ROLAND WOOD © TRISTRAM KENTON. BACK INSET: JULIAN ANDERSON © MAURICE FOXALL

‘[Anderson and McGuinness] have brilliantly compressed Sophocles’s trilogy into a compelling and dramatic narrative that feels fresh and thrilling… This raw dramatic quality is partly due to McGuinness’s libretto, which keeps its language direct and the pace relentlessly high… But the real magic comes from Anderson’s score, in which the directness of the libretto is simultaneously enhanced and fractured. Indeed, the clash between the score’s elemental rhythmic profile and the shimmering quality of its expanded harmonic language seems at once to slow and speed the action so that each event appears both inexorable and ambiguous. Anderson’s opera thus gives access to the psychology of the action in a way in which few versions have managed, or attempted… The superb solo writing is even eclipsed by that for the chorus… [an] extraordinary retelling of the myth.’ THE GUARDIAN (GUY DAMMANN), 5 MAY 2014

‘…the result is magnificent… It is not hard to see the present magnum opus, and the operatic genre itself, as a culmination of his intellectual and creative pursuits alike. It is his first opera, yet his music all along has had a powerful dramatic essence… Everything was mentally in place, then, for his bursting into opera, and he had the luck to find the right librettist… [Frank McGuiness] has supplied what seems an eminently settable, elegant condensation of the drama… The superb assurance of the writing, metallically intent but underpinned by a novel harmonic richness, makes it, I think, one of the best things Anderson has done…’ THE SUNDAY TIMES (PAUL DRIVER), 11 MAY 2014

‘…an extraordinary finale in which Oedipus’s death occurs like a Wagnerian transfiguration, haloed in the warm, rich glow of arguably the most spectacular orchestral writing heard in any opera of the past half a century. For mastery of texture, color and invention, Mr. Anderson sets standards… it is a triumph of sustained intensity that has dramatic impact on its own terms. And its individuality is striking… this is an opera like no other — which makes Mr. Anderson a maverick or a genius; perhaps both. Either way, his Thebans is distinctively impressive.’ THE NEW YORK TIMES (MICHAEL WHITE), 5 MAY 2014

‘Lyrical, direct and brilliantly performed… Julian Anderson’s compelling opera [is]… A work of skilful compression... [the] music is luminous and vivid, encompassing the broadly tonal and the wildly dissonant. It doesn’t sound like anyone else’s… He has always expanded aural horizons using electronics and microtones – the latter ever present in Thebans… At each dramatic moment, he shifts the sound with subtle imagination… Anderson’s choral writing is perhaps the strongest element in the opera, majestic, fluent and affecting…’ THE OBSERVER (FIONA MADDOCKS), 11 MAY 2014

‘One of Anderson’s most notable achievements is his ability to allow each line to cut through the orchestral texture. His score is well paced, and the composer’s diverse musical language proves an asset in shading in the variety of characters and situations required over the course of three very different dramas. The complex, ambiguous music nevertheless makes an immediate impact.’ THE STAGE (GEORGE HALL), 6 MAY 2014

ACCLAIM FOR THEBANS

JULIAN ANDERSON

THEBANSAn Opera in 3 Acts

Libretto by Frank McGuinness after Sophocles’ Theban Plays

Julian Anderson was born in London in 1967. His teachers have included John Lambert, Alexander Goehr and Tristan Murail. Since his 1990 score Diptych won an RPS Prize, he has continued to attract the attention of the musical community as composer, enabler and academic. He has been composer in residence to Sinfonia 21, the CBSO, Cleveland Orchestra, the London Philharmonic Orchestra, and currently the Wigmore Hall. Between 2002-2010 he directed the Philharmonia’s Music of Today series. As an academic he was Professor of Composition at the Royal College of Music, London (1996-2004) at Harvard University (2004-7), and currently the Guildhall School in London.

But it is as composer that he has made the most impact; with commissions from such bodies as the BBC, Nash Ensemble, Cheltenham Festival, London Sinfonietta, and Asko Ensemble. He wrote the opening work, Alleluia for London’s refurbished Southbank Centre and the NMC recording of A Book of Hours won the 2007 Gramophone Award. The Discovery of Heaven was premiered by the LPO in 2012 and won a South Bank Award the same year. In 2013 his work Harmony opened the BBC Proms. Thebans is his first opera.

This compelling re-telling of Sophocles’ timeless Theban tragedies focuses on the fate of Oedipus and his daughter Antigone. Anderson and his librettist, Frank McGuinness, have distilled them into a taut drama where murder and incest, political ambition, love and loyalty, hatred and revenge drive everyone on a collision course which can only lead to catastrophe.

With a dramatic thrust that pins you to your seat, choral writing of power rarely heard in the opera house, orchestration that speaks of mastery at every stroke, and character portrayals so vivid that you leave the opera house haunted by their ghosts, this is an opera of great importance. The themes of the original – blood, murder, incest, political ambition, love and loyalty – are, if anything, intensified in this bold adaptation. ‘The drama is vivid and strong,’ writes Anderson, ‘I don’t want people to know what’s hit them until they’ve

left the opera house.’ The relationship between onstage action and Anderson’s music is a rich and complex one and his mastery of the

orchestra is confirmed repeatedly – be it individual details like the black, oily contrabass clarinet which shadows the blind prophet

Tiresias or the many alluring, intricate string textures which recur throughout. At the heart of the work is the chorus

– first the Citizens of Thebes and then, offstage in the third act, the voices of Gods and the sounds of

nature – all expressed in sensitive choral writing of the upmost power.

Thebans.indd 2 26/11/2014 13:47

JULIAN ANDERSON

THEBANSAn Opera in 3 Acts

Libretto by Frank McGuinness after Sophocles

‘…a compelling and dramatic narrative that feels fresh

and thrilling’ THE GUARDIAN (GUY DAMMANN), 5 MAY 2014

‘…arguably the most spectacular orchestral writing heard in any opera of the past half a century. For mastery of texture, color and invention, Mr. Anderson sets standards… distinctively impressive.’ THE NEW YORK TIMES (MICHAEL WHITE), 5 MAY 2014

Thebans.indd 1 26/11/2014 13:47

GEORGE BENJAMIN

Opera in three parts (2012)Text by Martin CrimpBased on the legend of the troubadour, Guillem de Cabastany

Written on Skin

‘…we cannot repress a vague feeling of having witnessed the birth of a masterpiece…

Benjamin composes music at once haunting and sensual, perfectly built over time and

greatly varied throughout the scenes... A great moment of contemporary opera.

A great moment of opera itself.’

LE FIGARO (ChRIstIAN MERLIN) 10 JuLy 2012

‘Written on Skin… as immaculate as anything composed since the heyday

of Ravel… the opera smolders with darker, wilder energies… feels like the work

of a genius unleashed.’

thE NEw yORkER (ALEx ROss) 25 MARCh 2013

WrittenOnSkin.indd 1 10/12/2013 10:32


CLIENT: FABER MUSICOpera Posters

Libretto by Tom Cairns in collaboration with the composerBased on the screenplay by Luis Buñuel and Luis Alcoriza

DURATION c.115 minutes

Commissioned by the 2016 Salzburg Music Festival, the Royal Opera Covent Garden, the Metropolitan Opera New York, and the Royal Danish Opera

ROLES CAST AT PREMIERE Lucía - soprano Amanda EchalazLeticia – high coloratura soprano Audrey Luna Leonora – mezzo-soprano Anne Sofie von OtterSilvia – soprano Sally MatthewsBlanca – mezzo-soprano Christine RiceBeatriz – soprano Sophie BevanNobile – tenor Charles WorkmanRaúl – tenor Frédéric AntounColonel – high baritone David Adam MooreFrancisco – countertenor Iestyn DaviesEduardo – lyric tenor Ed LyonRussell – bass baritone Eric HalfvarsonRoc – bass baritone Thomas AllenDoctor – bass John TomlinsonJulio – baritone Morgan Moody

LUCAS(T)/ENRIQUE(T)/PABLO(Bar)/MENI(S)/CAMILLA(M)/PADRE(Bar)/YOLI(Boytr)/CHORUS

INSTRUMENTATION3(II=picc+bfl.III=picc+afl).3(III=ca).3(III=bcl).3(III=contraforte or cbsn with low A) – 4(optionally doubling Wagner tubas).3.3.1 – timp (and roto toms) – perc(4), offstage church bells or bass handbells and offstage massed drums – pno (6’ grand) – harp – gtr – ondes martenot – strings (12.10.8.6.6) 8 vln (front 2 desks of both sections) also play 1/32 size violins

FIRST PERFORMANCES28.7.2016 Salzburg Festival, Haus für Mozart, Salzburg, Austria: Salzburger

Bachchor/ORF Radio-Symphonieorchester Wien/Thomas Adès/dir. Tom Cairns

24.4.2017 Royal Opera House, London, UK: The Orchestra and Choir of the Royal Opera House/Thomas Adès/dir. Tom Cairns

26.10.2017 Metropolitan Opera House, Lincoln Center, New York City, NY, USA: The Orchestra and Choir of the Metropolitan Opera/Thomas Adès/ dir. Tom Cairns

23.3.2018 The Royal Danish Opera, Copenhagen, Denmark: Orchestra and Chorus of the Royal Danish Opera/Robert Houssart/dir. Tom Cairns

MATERIAL AVAILABLELibretto 0-571-53969-6 on sale, full score, vocal score and parts for hireDVD in production by the Metropolitan Opera

A prodigious composer, conductor and pianist, Thomas Adès (b. 1971) has been described by the New York Times as one of today’s ‘most accomplished overall musicians.’

His chamber opera Powder Her Face (1995) has been performed worldwide whilst The Tempest (2004) was commissioned by London’s Royal Opera House and has since been taken up by international houses including New York’s Metropolitan Opera, where it was recorded for a Deutsche Grammophon DVD which subsequently won a Grammy Award.

Adès has won numerous awards, including the 2015 Léonie Sonning Music Prize and the prestigious Grawemeyer Award (for Asyla in 2000), of which he is the youngest ever recipient. Adès was Artistic Director of the Aldeburgh Festival from 1999 to 2008 and coaches piano and chamber music annually at the International Musicians Seminar, Prussia Cove.

Promotion Department, Faber Music Ltd, Bloomsbury House, 74–77 Great Russell St, London WC1B 3DATel: +44 (0)20 7908 5319 | [email protected] | www.fabermusic.com

PHOTO CREDITS: ‘THE EXTERMINATING ANGEL’ 2016 © SALZBURGER FESTSPIELE MONIKA RITTERSHAUS; THOMAS ADÈS © BRIAN VOCE; EXCERPT FROM SCORE OF ‘THE EXTERMINATING ANGEL’ © FABER MUSIC

‘Adès is as compelling as any contemporary practitioner of his art because he is, first and foremost, a virtuoso of extremes. He is a refined technician, with a skilled performer’s reverence for tradition, yet he has no fear of unleashing brutal sounds on the edge of chaos. Although he makes liberal use of tonal harmony he subjects that material to shattering pressure. He conjures both the vanished past and the ephemeral present… Like Berg, the 20th-century master whom he most resembles, he pushes ambiguity to the point of explosive crisis… Never have Adès’s extremes collided more spectacularly… in his hands Buñuel’s cool, eerie scenario takes on a tragic volatility… Throughout, Adès pulls off the Stravinskyan feat of making prior styles sound like premonitions of his own… Liberation is achieved not only by a ritual of repetition but also through a visionary aria for Leticia… When the spell of immobility resumes, seraphic harmonies give way to a colossal, demonic setting of fragments of the Libera Me, with bells ringing anarchic changes. On this note of mystical dread the opera closes, no exit in sight.’THE NEW YORKER (ALEX ROSS), 22 AUGUST 2016

‘Packed full of provocation and ideas… Amidst the brutal descent into anarchy, Adès’s skill at being ironic shines through time and again. It’s not every day that the premiere of an experimental opera receives a standing ovation.’DER SPIEGEL (WERNER THEURICH), 29 JULY 2016

‘The moments of rupture are articulated with precision and an unwavering awareness of the possibilities of the genre… [This is] the opera Adès needed to write in order to be himself. Like its predecessors, the music remains astonishing in its confidence and dramatic versatility; but here, when Adès’s elusive aesthetic itself becomes integrated into the drama’s vertiginous psychological landscape, the music acquires another edge entirely. The effect is intoxicating and at times quite brutal; for all its scorching passion, the opera leaves one chilled to the bone.’THE TIMES LITERARY SUPPLEMENT (GUY DAMMANN), 19 AUGUST 2016

‘The most important opera of the year, proves it’s here to stay… Remarkable… An opera of decadence quickly decaying… Whole musical forms, such as the waltz or the chaconne, fall apart just as the dinner party does…’THE LA TIMES (MARK SWED), 9 AUGUST 2016

REVIEWS

SYNOPSIS

Opera in 3 Acts

Based on Luis Buñuel’s surrealist classic El ángel exterminador, Thomas Adè’s third opera sees a collection of society’s grandees inexplicably trapped in a room. The libretto, adapted from the original Buñuel-Alcoriza screenplay by the composer together with the director Tom Cairns, brilliantly captures their descent into anarchy.

Featuring a cast who all remain on stage for the majority of the piece, this is a true ensemble opera, and the skill with which Adès delineates the many intricacies and undercurrents present over its densely-packed span is breathtaking. A large and masterfully deployed orchestra is coloured by guitar, piano and ondes martenot – the latter soaring above proceedings as an eerie manifestation of the nameless force that ensnares the guests. Like the shipwrecked characters of The Tempest, the cast of this new opera are held in a state of entrapment and dramatic stasis. Like the glittering high-society world of Powder Her Face, the dinner party guests are denizens of a nightmarish world of aristocratic pretension. ‘In a sense, this is a child of those two operas,’ Adès observes, ‘but that comparison has receded, and this opera is a very different animal. Probably a scarier animal.’

Thomas AdèsTHE

EXTERMINATINGANGEL

Opera in 3 ActsLibretto by Tom Cairns in collaboration

with the composer

Based on the screenplay by Luis Buñuel and Luis Alcoriza

‘Stunningly inventive… In this audacious opera the music digs

deep. Mr. Adès’s wild, searing score explores the emotional undercurrents of the story and fleshes out the horror

of the characters’ situation. Over all, this riveting, breathless, score — full of

quick-cutting shifts, pointillist bursts, and episodes of ballistic intensity — may be his best work. If you go to a

single Met production this season, make it this one.’

THE NEW YORK TIMES (ANTHONY TOMMASINI),

28 OCTOBER 2017

‘A turning point for Adès and,

it felt, for opera itself.THE OBSERVER (FIONA MADDOCKS),

31 JULY 2016

Thomas AdèsTHE

EXTERMINATINGANGEL


CLIENT: FABER MUSICFaber Media CD Pack

CLASSICALTO JAZZ

PERCUSSION1. Shadow Behind the Iron Sun

Evelyn Glennie2. Last Contact

Evelyn Glennie3. A Little Prayer

Evelyn GlennieVOCAL/CHORAL4. O Let Me Weep

Purcell arr. Benjamin Britten & Imogen Holst5. O Magnum Mysterium

Morten Lauridsen6. Après un rêve

Faure arr. L’Estrange7. Agnus Dei

Howard Goodall8. Adoro Te

Anthony Pitts*9. Canon

Pachelbel arr. L’Estrange10. Macavity

Andrew Lloyd Webber/T.S.Eliot*JAZZ/SWING11. Enter Achilles

Adrian Johnston*12. Britten’s Blues

Benjamin Britten13. Summer Hobo

Stan Tracey & John Surman

14. Newk’s FlukeStan Tracey

15. GenesisStan Tracey*

COMEDY/QUIRKY16. Powder Her Face

Thomas Adès17. Keystone Kops

Carl DavisCLASSICAL/ORCHESTRAL18. Hollywood

Carl Davis19. Four Cornish Dances

Malcolm Arnold20. Suite on English Folksongs

Benjamin Britten21. Hidden Variables

Colin Matthews22. The Light of the Sun

Dan Jones23. Max ‘Selling Hitler’

Dan Jones24. Cirrus

David Motion*25. Napoleon

Carl Davis26. Arcadiana

Thomas Adès27. Five Bagatelles No.5

Carl Vine

INTRODUCTIONThis CD presents a selection of outstanding tracks, varying in style from classical to swing, rock tohip hop, that we consider suitable for use in film, TV and commercial advertising.

For further information, or to obtain a licence to use any of these tracks, please contact:

Chantal SanthiapillaiTel: 020 7833 7924email: [email protected]

Images For Your Ears

Faber Music Limited3 Queen SquareLondon WC1N 3AU

t: +44 (0)20 7833 7924f: +44 (0)20 7833 [email protected]

www.fabermusicmedia.com

Permission to use any of the tracks on this CD inany audio-visual production must be obtainedfrom the owner of the recording right as specifiedwithin as well as from Faber Music. Faber Musicwill assist by providing contact details forrecording clearances wherever possible.

PACKAGING DESIGN: DAVE WARDEN. ORIGINAL BISCUIT RECORD CONCEPT: PROJECT DARK. CATS IM

AGE © 1998 Really Useful Film

s Ltd.

2CD

TRACKS AVAILABLE FOR LICENSING

This CD is a demonstration recording only. It is not intended for sale, public per

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CD2CD1RETRO TO

ROCKCLASSICAL

TO JAZZ


2CD

CD2CD1RETRO TO

ROCKCLASSICAL

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This CD is a demonstration recording only. It is not intended for sale, public per

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CD2

*RECORDING RIGHTS CLEARABLE VIA FABER MUSIC

CD1BIOGRAPHIESTrashcan Sinatras(tracks 1 & 2)By the mid-‘90s,this Scottish band were on the verge of ahuge career,with three critically-acclaimed albums out on theGo! Discs label and a devoted following,notably in the USA.

But just as Simon Mayo made their To Sir with Loverecord of the week onBBC Radio 1,their label went bust and financial disaster ensued for theband.Now they’re back,with a new,self-financed album Weightlifting,comprising their characteristically well-crafted,lyrically intelligent andmelodic songs.

Simon Lacey(tracks 3,7 & 8)One time songwriter for Great Northern Electrics and formerkeyboardist for Echobelly,Simon is now a well-establishedcomposer for film and TV,with many drama credits as well as

entertainment shows such as Channel 4’s Scrapheap Challengeand theBBC quiz show Come And Have A Go…if You Think You’re Smart Enough.

Noonday Underground(tracks 4-6)Noonday Underground is not a band so much as a unique retropop/dance sound created by Simon Dine.His collaborators onthe two Noonday albums,Self Assemblyand Surface Noise,

include vocalist Daisy Martey and ‘the Modfather’ Paul Weller.

Steiger(track 10)Steiger is one of the creative personas of Simon Rogers,former member of The Fall,producer for The Lightning Seeds,writer of underground dance music and TV composer.Recent

TV credits including Channel 4’s 40,and the BBC’s popular series Hustle.Steiger has released two albums on John Digweed’s Bedrock label.

David Motion(track 11)David (also represented on Disc 2) has collaboratedextensively in creating dance tracks with DJ Mark Moore.Thistrack is perhaps reminiscent of Girls Aloud…

John Rea/Matt Vinyl(tracks 12–14)John is a trained classical composer who likes to work in thearea where traditional orchestral music and contemporarydance rhythms and techniques meet and cross-fertilise.His

Bright Lights Big City and Noise,for chamber orchestra,soprano,rappers and turntables have been recorded fortelevision.John collaborated on these and many otherprojects with top Cardiff-based DJ Matt Vinyl.

CD2BIOGRAPHIESEvelyn Glennie(tracks 1-3 & CD 1 - track 9)Percussionist Evelyn Glennie is one of the best-known Britishmusicians in the world,touring internationally with her hugearray of instruments and with 16 solo albums on the

BMG/RCA label.She has also composed extensively for film and television- including Lynda La Plante’sTrial & Retribution– and has co-written anumber of tracks,including a hit single,with the singer Björk.Tracks 1 and2 come from her album of percussion improvisations Shadow Behind theIron Sun,produced by acclaimed rock producer Michael Brauer.

Henry Purcell(track 4)This beautiful aria from Purcell’s opera The Fairy Queenaccompanies the dance scene which opens PedroAlmodóvar’s acclaimed film Hable Con Ella (Talk To Her).

Purcell is regarded by many as one of the greatest of all British composers.

Morten Lauridsen(track 5)O Magnum Mysteriumis one of the best-loved works of thispopular contemporary American composer,who specialisesin writing choral music.

Gabriel Fauré(track 6)One of the most beautiful songs by this French composer –here in a choral arrangement by Alex L’Estrange.

Howard Goodall (track 7)Howard is one of Britain’s best-known film and TV composers,with many credits including Mr Bean,Blackadderand TheVicar of Dibley.He is also a much admired composer of

choral works,including the Massfrom which this extract is taken.

Anthony Pitts(track 8)Anthony has a growing reputation as a composer of deeply-felt and extraordinarily beautiful choral music.Two discs by the choir he directs,Tonus Peregrinus,have been

released on the Naxos label.

Johann Pachelbel (track 9)Pachelbel’s famous Canonin a new,beautiful choralarrangement by Alex L’Estrange.

Andrew Lloyd Webber/T.S.Eliot(track 10)Taken from the infamous musical Cats,Macavity representsLloyd Webber at his lightest,swingiest and best.

Adrian Johnston(track 11)Adrian is another acclaimed film and TV composer,whosecredits include the BBC’s superb dramas Perfect Strangersand Shooting the Past,as well as the films Jude,

Welcome to Sarajevoand The House of Mirth.This extract comes fromone of his many scores for ballet.

Benjamin Britten(tracks 4,12 & 20)A giant of 20th century British music,Britten was also thereason Faber Music came into existence - the company wasoriginally set up to publish his music in 1965.

Stan Tracey(tracks 13-15)Pianist,bandleader and composer,Stan Tracey OBE is a legend of British jazz.Perhaps his best-known compositionis the jazz suite Under Milk Wood – but the extracts

included here are equally fine works.

Thomas Adès(tracks 16 & 26)Adès attracted huge notice as a composer of prodigioustalent while still in his early 20s,even being signed to anexclusive recording deal by EMI.Ten years later,with two

operas and several orchestral and other works under his belt,his place asone of Britain’s most outstanding classical composers is secure.TheChamber opera Powder Her Face,based on the scandal-filled life of theDuchess of Argyle,caused a sensation when first performed in 1995.

Carl Davis(tracks 17,18 & 25)Carl Davis’s list of film and TV credits is as large as it isimpressive.He has composed many scores for filmsincluding The French Lieutenant’s Woman,Scandaland

Mike Leigh’s Topsy-Turvy; for classic TV dramas such as Pride andPrejudice; and landmark documentaries including Hollywoodand TheWorld at War.He has also composed scores for well over 30 restoredclassics from the ‘golden age’ of silent film.Track 15 was composed for thecomedy Show People,made in 1928.

Malcolm Arnold(track 19)Of all works by this most popular of British classicalcomposers of the twentieth century,the Four CornishDancesare perhaps the most loved.Arnold was also famous

for his film scores,including Bridge Over the River Kwai.

Colin Matthews(track 21)Now in his 50s,Colin is one of Britain’s most reveredcontemporary composers.His dazzlingly virtuosic andpowerful orchestral writing is nowhere better displayed than

in ‘Hidden Variables’.

Dan Jones(tracks 22–23)Dan’s reputation as a hugely talented film composer isgrowing rapidly.His score for Max,a film telling a fictionalstory based on the early life of Hitler and starring John

Cusack and Noah Taylor,won the 2004 Ivor Novello Award for ‘Best Score fora Feature Film’.Dan also composed the theme and much of the incidentalmusic for Sir David Attenborough’s The Life of Mammals.

David Motion(track 24)Formerly a successful record producer (StrawberrySwitchblade and others),David is a musical chameleon of composition.He has composed for countless TV

commercials,for film (Sally Potter’s acclaimed Orlando),for classicalensemble and in collaboration with DJ Mark Moore (CD 1 - track 11).He’s also an award-winning wine merchant.

Carl Vine(track 27)Carl is one of Australia’s best-known composers.Thisbeautiful solo piano track commemorates the death of afriend from AIDS.

CD2RECORDING CREDITS1.Shadow Behind the Iron Sun (RCA Red Seal 09026-63406-2) 2.Last Contact (RCA Red Seal 09026-63406-2) 3.A Little Prayer (RCA RD60242) 4.O Let Me Weep (Universal Music) 5.O Magnum Mysterium (RCM 19705) 6.Après un rêve (Signum Classics SIGCD050)7.Agnus Dei(ASV CD DCA 1028) 8.Adoro Te (Anthony Pitts,c/o Faber Music) 9.Canon (Signum Classics SIGCD050) 10.Macavity (Faber Music) 11.EnterAchilles (Adrian Johnston,c/o Faber Music) 12.Britten’s Blues (Unicorn-Kanchana DKP(CD)9138) 13.Summer Hobo (Blue Note 0777 7 894502 4) 14.Newk’s Fluke (Blue Note 0777 7 80696 2 1) 15.Genesis (Stan Tracey,c/o Faber Music) 16.Powder Her Face (EMI Classics 7243 556649 2 5) 17.Keystone Kops (Silva Screen FILMXCD 326) 18.Hollywood (Royal Philharmonic Orchestra) 19.Four Cornish Dances (ChandosCHAN 8867) 20.Suite on English Folksongs (EMI Classics CDS 7 54270 2) 21.Hidden Variables (NMC D101) 22.The Light of the Sun (Shadowof the Vampire Ltd) 23.Max (Pathe) 24.Cirrus (David Motion,c/o Faber Music) 25.Napoleon (Royal Philharmonic Orchestra) 26.Arcadiana (EMIClassics 7243 5 72271 2 4) 27.Five Bagatelles No.5 (Tall Poppies TPO80).

CD1RECORDING CREDITS1.Weightlifting (Trashcan Sinatras,c/o Faber Music) 2.Freetime (Trashcan Sinatras,c/o Faber Music) 3.Shipwrecked (Simon Lacey,c/o FaberMusic) 4.Hello (Noonday Underground,c/o Faber Music) 5.Hitch Your Wagon to the Stars (Noonday Underground,c/o Faber Music) 6.Friends ofthe Garden Part 1.(Noonday Underground,c/o Faber Music) 7.The Sound Run (Simon Lacey,c/o Faber Music) 8.I Would Die For You (SimonLacey,c/o Faber Music) 9.Battle Cry (RCA Red Seal 09026-63406-2) 10.Vice (Simon Rogers,c/o Faber Music) 11.Fight Song (DavidMotion/Mark Moore,c/o Faber Music) 12.Noise (John Rea/Matt Vinyl,c/o Faber Music).13.Do That Shit (Matt Vinyl,c/o Faber Music).14.BrightLights,Big City (John Rea/Matt Vinyl,c/o Faber Music

RETROTO ROCK

CONTEMPORARY/ROCK1. Weightlifing

Trashcan Sinatras*2. Freetime

Trashcan Sinatras*3. Shipwrecked

Simon Lacey*RETRO4. Hello

Noonday Underground*5. Hitch Your Wagon to the Stars

Noonday Underground*

ATMOSPHERIC BED6. Friends of the Garden, Pt. 1

Noonday Underground*7. The Sound Run

Simon Lacey*8. I Would Die for You

Simon Lacey*DANCE/HIP-HOP9. Battle Cry

Evelyn Glennie10. Vice

Steiger*11. Fight Song

David Motion & Mark Moore*12. Noise

John Rea & Matt Vinyl*13. Do That Shit

Matt Vinyl*14. Bright Lights, Big City

John Rea & Matt Vinyl*

CD1

CLASSICALTO JAZZ

PERCUSSION1.Shadow Behind the Iron Sun

Evelyn Glennie2.Last Contact

Evelyn Glennie3.A Little Prayer

Evelyn GlennieVOCAL/CHORAL4.O Let Me Weep

Purcell arr. Benjamin Britten & Imogen Holst5.O Magnum Mysterium

Morten Lauridsen6.Après un rêve

Faure arr. L’Estrange7.Agnus Dei

Howard Goodall8.Adoro Te

Anthony Pitts*9.Canon

Pachelbel arr. L’Estrange10.Macavity

Andrew Lloyd Webber/T.S.Eliot*JAZZ/SWING11.Enter Achilles

Adrian Johnston*12.Britten’s Blues

Benjamin Britten13.Summer Hobo

Stan Tracey & John Surman

14.Newk’s FlukeStan Tracey

15.GenesisStan Tracey*

COMEDY/QUIRKY16.Powder Her Face

Thomas Adès17.Keystone Kops

Carl DavisCLASSICAL/ORCHESTRAL18.Hollywood

Carl Davis19.Four Cornish Dances

Malcolm Arnold20.Suite on English Folksongs

Benjamin Britten21.Hidden Variables

Colin Matthews22.The Light of the Sun

Dan Jones23.Max ‘Selling Hitler’

Dan Jones24.Cirrus

David Motion*25.Napoleon

Carl Davis26.Arcadiana

Thomas Adès27.Five Bagatelles No.5

Carl Vine

INTRODUCTIONThis CD presents a selection of outstanding tracks,varying in style from classical to swing,rock tohip hop,that we consider suitable for use in film,TV and commercial advertising.

For further information,or to obtain a licence to use any of these tracks,please contact:

Chantal SanthiapillaiTel:020 7833 7924email:[email protected]

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Faber Music Limited3 Queen SquareLondon WC1N 3AU

t: +44 (0)20 7833 7924f: +44 (0)20 7833 [email protected]

www.fabermusicmedia.com

Permission to use any of the tracks on this CD inany audio-visual production must be obtainedfrom the owner of the recording right as specifiedwithin as well as from Faber Music. Faber Musicwill assist by providing contact details forrecording clearances wherever possible.

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CD1RETRO TOROCK

CLASSICALTO JAZZ


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CD1RETRO TOROCK

CLASSICALTO JAZZ


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CD2

*RECORDING RIGHTS CLEARABLE VIA FABER MUSIC

CD1 BIOGRAPHIESTrashcan Sinatras (tracks 1 & 2)By the mid-‘90s, this Scottish band were on the verge of ahuge career, with three critically-acclaimed albums out on theGo! Discs label and a devoted following, notably in the USA.

But just as Simon Mayo made their To Sir with Love record of the week onBBC Radio 1, their label went bust and financial disaster ensued for theband. Now they’re back, with a new, self-financed album Weightlifting,comprising their characteristically well-crafted, lyrically intelligent andmelodic songs.

Simon Lacey (tracks 3, 7 & 8)One time songwriter for Great Northern Electrics and formerkeyboardist for Echobelly, Simon is now a well-establishedcomposer for film and TV, with many drama credits as well as

entertainment shows such as Channel 4’s Scrapheap Challenge and theBBC quiz show Come And Have A Go…if You Think You’re Smart Enough.

Noonday Underground (tracks 4-6)Noonday Underground is not a band so much as a unique retropop/dance sound created by Simon Dine. His collaborators onthe two Noonday albums, Self Assembly and Surface Noise,

include vocalist Daisy Martey and ‘the Modfather’ Paul Weller.

Steiger (track 10)Steiger is one of the creative personas of Simon Rogers,former member of The Fall, producer for The Lightning Seeds,writer of underground dance music and TV composer. Recent

TV credits including Channel 4’s 40, and the BBC’s popular series Hustle.Steiger has released two albums on John Digweed’s Bedrock label.

David Motion (track 11)David (also represented on Disc 2) has collaboratedextensively in creating dance tracks with DJ Mark Moore. Thistrack is perhaps reminiscent of Girls Aloud…

John Rea/Matt Vinyl (tracks 12–14)John is a trained classical composer who likes to work in thearea where traditional orchestral music and contemporarydance rhythms and techniques meet and cross-fertilise. His

Bright Lights Big City and Noise, for chamber orchestra,soprano, rappers and turntables have been recorded fortelevision. John collaborated on these and many otherprojects with top Cardiff-based DJ Matt Vinyl.

CD2 BIOGRAPHIESEvelyn Glennie (tracks 1-3 & CD 1 - track 9)Percussionist Evelyn Glennie is one of the best-known Britishmusicians in the world, touring internationally with her hugearray of instruments and with 16 solo albums on the

BMG/RCA label. She has also composed extensively for film and television- including Lynda La Plante’s Trial & Retribution – and has co-written anumber of tracks, including a hit single, with the singer Björk. Tracks 1 and2 come from her album of percussion improvisations Shadow Behind theIron Sun, produced by acclaimed rock producer Michael Brauer.

Henry Purcell (track 4)This beautiful aria from Purcell’s opera The Fairy Queenaccompanies the dance scene which opens PedroAlmodóvar’s acclaimed film Hable Con Ella (Talk To Her).

Purcell is regarded by many as one of the greatest of all British composers.

Morten Lauridsen (track 5)O Magnum Mysterium is one of the best-loved works of thispopular contemporary American composer, who specialisesin writing choral music.

Gabriel Fauré (track 6)One of the most beautiful songs by this French composer –here in a choral arrangement by Alex L’Estrange.

Howard Goodall (track 7)Howard is one of Britain’s best-known film and TV composers,with many credits including Mr Bean, Blackadder and TheVicar of Dibley. He is also a much admired composer of

choral works, including the Mass from which this extract is taken.

Anthony Pitts (track 8)Anthony has a growing reputation as a composer of deeply-felt and extraordinarily beautiful choral music. Two discs by the choir he directs, Tonus Peregrinus, have been

released on the Naxos label.

Johann Pachelbel (track 9)Pachelbel’s famous Canon in a new, beautiful choralarrangement by Alex L’Estrange.

Andrew Lloyd Webber/T.S. Eliot (track 10)Taken from the infamous musical Cats, Macavity representsLloyd Webber at his lightest, swingiest and best.

Adrian Johnston (track 11)Adrian is another acclaimed film and TV composer, whosecredits include the BBC’s superb dramas Perfect Strangersand Shooting the Past, as well as the films Jude,

Welcome to Sarajevo and The House of Mirth. This extract comes fromone of his many scores for ballet.

Benjamin Britten (tracks 4, 12 & 20)A giant of 20th century British music, Britten was also thereason Faber Music came into existence - the company wasoriginally set up to publish his music in 1965.

Stan Tracey (tracks 13-15)Pianist, bandleader and composer, Stan Tracey OBE is a legend of British jazz. Perhaps his best-known compositionis the jazz suite Under Milk Wood – but the extracts

included here are equally fine works.

Thomas Adès (tracks 16 & 26)Adès attracted huge notice as a composer of prodigioustalent while still in his early 20s, even being signed to anexclusive recording deal by EMI. Ten years later, with two

operas and several orchestral and other works under his belt, his place asone of Britain’s most outstanding classical composers is secure. TheChamber opera Powder Her Face, based on the scandal-filled life of theDuchess of Argyle, caused a sensation when first performed in 1995.

Carl Davis (tracks 17, 18 & 25)Carl Davis’s list of film and TV credits is as large as it isimpressive. He has composed many scores for filmsincluding The French Lieutenant’s Woman, Scandal and

Mike Leigh’s Topsy-Turvy; for classic TV dramas such as Pride andPrejudice; and landmark documentaries including Hollywood and TheWorld at War. He has also composed scores for well over 30 restoredclassics from the ‘golden age’ of silent film. Track 15 was composed for thecomedy Show People, made in 1928.

Malcolm Arnold (track 19)Of all works by this most popular of British classicalcomposers of the twentieth century, the Four CornishDances are perhaps the most loved.Arnold was also famous

for his film scores, including Bridge Over the River Kwai.

Colin Matthews (track 21)Now in his 50s, Colin is one of Britain’s most reveredcontemporary composers. His dazzlingly virtuosic andpowerful orchestral writing is nowhere better displayed than

in ‘Hidden Variables’.

Dan Jones (tracks 22–23)Dan’s reputation as a hugely talented film composer isgrowing rapidly. His score for Max, a film telling a fictionalstory based on the early life of Hitler and starring John

Cusack and Noah Taylor, won the 2004 Ivor Novello Award for ‘Best Score fora Feature Film’. Dan also composed the theme and much of the incidentalmusic for Sir David Attenborough’s The Life of Mammals.

David Motion (track 24)Formerly a successful record producer (StrawberrySwitchblade and others), David is a musical chameleon of composition. He has composed for countless TV

commercials, for film (Sally Potter’s acclaimed Orlando), for classicalensemble and in collaboration with DJ Mark Moore (CD 1 - track 11).He’s also an award-winning wine merchant.

Carl Vine (track 27)Carl is one of Australia’s best-known composers. Thisbeautiful solo piano track commemorates the death of afriend from AIDS.

CD2 RECORDING CREDITS1. Shadow Behind the Iron Sun (RCA Red Seal 09026-63406-2) 2. Last Contact (RCA Red Seal 09026-63406-2) 3. A Little Prayer (RCA RD60242) 4. O Let Me Weep (Universal Music) 5. O Magnum Mysterium (RCM 19705) 6. Après un rêve (Signum Classics SIGCD050) 7. Agnus Dei(ASV CD DCA 1028) 8. Adoro Te (Anthony Pitts, c/o Faber Music) 9. Canon (Signum Classics SIGCD050) 10. Macavity (Faber Music) 11. EnterAchilles (Adrian Johnston, c/o Faber Music) 12. Britten’s Blues (Unicorn-Kanchana DKP(CD)9138) 13. Summer Hobo (Blue Note 0777 7 894502 4) 14. Newk’s Fluke (Blue Note 0777 7 80696 2 1) 15. Genesis (Stan Tracey, c/o Faber Music) 16. Powder Her Face (EMI Classics 7243 556649 2 5) 17. Keystone Kops (Silva Screen FILMXCD 326) 18. Hollywood (Royal Philharmonic Orchestra) 19. Four Cornish Dances (ChandosCHAN 8867) 20. Suite on English Folksongs (EMI Classics CDS 7 54270 2) 21. Hidden Variables (NMC D101) 22. The Light of the Sun (Shadowof the Vampire Ltd) 23. Max (Pathe) 24. Cirrus (David Motion, c/o Faber Music) 25. Napoleon (Royal Philharmonic Orchestra) 26. Arcadiana (EMIClassics 7243 5 72271 2 4) 27. Five Bagatelles No. 5 (Tall Poppies TPO80).

CD1 RECORDING CREDITS1. Weightlifting (Trashcan Sinatras, c/o Faber Music) 2. Freetime (Trashcan Sinatras, c/o Faber Music) 3. Shipwrecked (Simon Lacey, c/o FaberMusic) 4. Hello (Noonday Underground, c/o Faber Music) 5. Hitch Your Wagon to the Stars (Noonday Underground, c/o Faber Music) 6. Friends ofthe Garden Part 1. (Noonday Underground, c/o Faber Music) 7. The Sound Run (Simon Lacey, c/o Faber Music) 8. I Would Die For You (SimonLacey, c/o Faber Music) 9. Battle Cry (RCA Red Seal 09026-63406-2) 10. Vice (Simon Rogers, c/o Faber Music) 11. Fight Song (DavidMotion/Mark Moore, c/o Faber Music) 12. Noise (John Rea/Matt Vinyl, c/o Faber Music). 13. Do That Shit (Matt Vinyl, c/o Faber Music). 14. BrightLights, Big City (John Rea/Matt Vinyl, c/o Faber Music

RETROTO ROCK

CONTEMPORARY/ROCK1.Weightlifing

Trashcan Sinatras*2.Freetime

Trashcan Sinatras*3.Shipwrecked

Simon Lacey*RETRO4.Hello

Noonday Underground*5.Hitch Your Wagon to the Stars

Noonday Underground*

ATMOSPHERIC BED6.Friends of the Garden,Pt.1

Noonday Underground*7.The Sound Run

Simon Lacey*8.I Would Die for You

Simon Lacey*DANCE/HIP-HOP9.Battle Cry

Evelyn Glennie10.Vice

Steiger*11.Fight Song

David Motion & Mark Moore*12.Noise

John Rea & Matt Vinyl*13.Do That Shit

Matt Vinyl*14.Bright Lights,Big City

John Rea & Matt Vinyl*

CD1


CLIENT: FABER MUSICDance CD

MATTHEW HINDSON1. Speed (opening) 2:512. Plastic Jubilation (opening of No 2) 4:013. ‘Lament’ from In Memoriam 2:36

EVELYN GLENNIE4. Battle Cry 1:095. Shadow Behind the Iron Sun 2:48

MICHAEL DAUGHERTY6. Elvis Everywhere 2:377. ‘Lex’ from Metropolis Symphony 2:50

DAN JONES8. Death Train 2:55

DAVID MOTION9. Idle Green 2:2110. Chamber Music IV 2:00

CARL VINE11. String Quartet No 3 3:0912. Inner World 2:06

JOHN REA13. Breakbeat 2:47

CARL DAVIS14. ‘Street Scene’ from A Simple Man 2:1715. ‘The Preview’ from Show People 2:26

PETER SCULTHORPE16. ‘A Church Gathering’ from

My Country Childhood 2:4117. Kakadu 2:50

THOMAS ADÈS18. ‘O Albion’ from Arcadiana 2:23

STAN TRACEY19. Newk’s Fluke 2:12

PURCELL/BRITTEN20. ‘O Let Me Weep’ from The Fairy Queen 2:08

GEORGE BENJAMIN21. At First Light 1:33

OLIVER KNUSSEN22. ‘Notre Dame des Jouets’

from Two Organa 1:34

MATT VINYL23. Vissi d’Arte 2:37

MALCOLM ARNOLD24. ‘Finale’ from Concerto for Two Pianos

(Three Hands) 3:13

JOHN WOOLRICH25. Ulysses Awakes 2:21

JONATHAN HARVEY26. Come Holy Ghost 2:08

ADRIAN JOHNSTON27. ‘Support Dance’ from Enter Achilles 1:56

JULIAN ANDERSON28. Poetry Nearing Silence 1:34

NICHOLAS MAW29. Ghost Dances 1:43

COLIN MATTHEWS30. Broken Symmetry 2:11

SIMON LACEY31. I Would Die for You 2:07

DAVID MATTHEWS32. Chaconne 1:09

BENJAMIN BRITTEN33. ‘Nocturne’ from Sonatina Romantica 4:10

MUSIC FOR DANCE: CLASSICAL, CONTEMPORARY, CUTTING EDGE

RhythMovement 2

For any information on thecomposers represented on this disc, further recordings of theirmusic and enquiries relating to fees, please contact:

Tim BrookePromotion DeptFaber Music Ltd3 Queen SquareLondon WC1N 3AU

Tel: +44 20 7833 7910/1/2Fax: +44 20 7833 7939 E-mail: [email protected]: www.fabermusic.com

USA/Canada:Boosey & Hawkes Inc35 East 21st StreetNew YorkNY 10010-6212

Tel: (212) 358 5300Fax: (212) 358 5306E-mail: [email protected]

The owners of the recordings used on this CD arespecified after the title of each track. For details ofhow to obtain permission to perform to this musicsee “Further Listening” inside the booklet. This CD isa demonstration recording only. It is not intended forsale, public performance or broadcasting.

Cover image from Ballett Schindowski's "Veitstanz",music by Matthew Hindson, choreography by BerndSchindowski (credit: Majer-Finkes).

Design by Dave Warden.

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John Rea(b.1964, Cardiff, Wales)

He is a multi-instrumentalist and highly-skilledorchestrator, with a deep interest in contemporarydance and electronic music. He runs his own digital16-track recording studio in Cardiff. Enjoys workingin the grey area where classical, jazz and pop stylesand techniques meet and cross-fertilise, and can turn his hand to anything from traditionally-scoredorchestral music to hardcore Jungle. This is mirroredin a recent work, Bright Lights Big City for stringorchestra, piano, rap artist, operatic soprano,turntables and samplers, featured on an S4Cprogramme dedicated to John. His eclectic interestsinform his film and TV work, and as a result he hasbecome much sought-after for high qualitydocumentary work, including a variety of naturalhistory programmes. Recent drama credits includeScottish TV’s feature-length The Last Musketeer,starring Robson Green, and Life & Debt for HTV.His score for BBC Wales’s David was nominated for a Welsh BAFTA Award for ‘Best Music’.

Dance credits: Cyrff Ystwyth (1994 – Cyrff Ystwyth,BAFTA winner); Furious Asylum (1998 – CarlsonDance Co/ch.Emma Carlson); Iddo Ef (1995 – MarkRhys/ch.Mark Rhys); Too Old to Dream (2000 –Earthfall Dance Co/ch.Jim Ennis)

Carl Davis(b.1936, New York City, USA)

A consummate all-round musician, Davis has beenimmensely successful composing music for dance(including A Simple Man, A Christmas Carol, Lippizaner,Alice in Wonderland, Savoy Suite and Aladdin), film(including The French Lieutenant’s Woman) and TV(including the BBC’s Pride and Prejudice). Hiscontribution to Gance’s epic silent film Napoléontriggered a huge revival in silent movies. Davis hasnow written over forty scores for the medium, includingBen-Hur, The Phantom of the Opera, The General andthe celebrated Chaplin ‘Mutuals’. He has also writtenmany concert works including suites, chamber, choraland instrumental music and opera. He collaboratedwith Sir Paul McCartney on the immensely popularLiverpool Oratorio. At the helm of Leeds Castle popsconcerts since 1983 and Artistic Director of RLPO’sPops series from 1993. Diversified into radio with own show on BBC Radio 2 in 1997, and a number offurther series followed.

Dance credits include: David & Goliath (1975 -London Contemporary Dance Theatre/ch.Wayne Sleep& Robert North); Madly, Badly, Sadly, Gladly (1976 –LCDT/ch.Robert North & Lynn Seymour); Dances ofLove & Death (1981 – LCDT/ch.Robert Cohan); ThePicture of Dorian Gray (1987 - Sadlers Wells RoyalBallet/ch.Derek Deane); A Simple Man - NorthernBallet Theatre/ch.Gillian Lynne; A Christmas Carol –NBT/ch.Massimo Moricone; Liaisons Amoureuses(1989 – NBT/ch.Ronald Hynd); Lippizaner (1989 –NBT/ch.Gillian Lynne); Savoy Suite (1993 - EnglishNational Ballet/ch.Wayne Sleep); Alice in Wonderland(1995 – ENB/ch.Derek Deane); Aladdin (2001 –Scottish Ballet/ch.Robert Cohan); Pride & Prejudice(2002 - Ballet Central/ch.Cathy Marston)

David Motion(b.1959, Hamburg, Germany)

Performed and recorded as a member of the technopop band Home Service. Later established successfulcareer as a recording engineer and producer.Between 1984 and 1991 he produced singles andalbums for such artists as Strawberry Switchblade,Red Box, Carmel, Black, Win and Tom Robinson,together with Japanese artists Chara, ToshihikoTakamizawa and Mimori Yusa. He has composedmusic for picture, including the score for Sally Potter’sacclaimed Orlando. He is also one of Britain’s mostsuccessful composers for commercial advertising,creating music for many worldwide campaigns bymajor corporations. In 2000 he collaborated withpercussion virtuoso Evelyn Glennie (see above) on her BMG album, Shadow Behind the Iron Sun.Produced by rock producer Michael Brauer, thiscomprises an astonishing series of percussionimprovisations by Evelyn, for which David providedtextural accompaniments and contexts. Recently co-composed with Glennie on the soundtrack for“Freedom Machines” for PBS in the USA. Has anongoing Dance Music collaboration in “New Electro”style as Ultraviva with DJ Mark Moore (formerly of S-Express), whilst his Twin Towers for strings waspremiered on Classic FM radio in 2003, on theanniversary of 9/11.

Carl Vine(b.1954, Perth, Australia)

One of Australia’s most gifted composers with sometwenty compositions for dance, six symphonies andnumerous other works for orchestra and chamber and instrumental groups. He has also written scoresfor film, theatre and electronics. His music is widelyrecorded on such labels as ABC Classics, Tall Poppiesand BMG. His choral ballet Mythologia was premieredat the Sydney Olympics Arts Festival immediately priorto the 2000 Sydney Games. Artistic Director of MusicaViva Australia since 2000. Pipe Dreams for flute andstrings was premiered by Emmanuel Pahud and theAustralian Chamber Orchestra in 2003 and toured toEurope. His much-lauded composition for cello andelectronics, Inner World, was recorded by StevenIsserlis on the BMG disc ‘Cello World’. In June 2004,Isserlis will premiere Vine’s new Cello Concerto, withthe Sydney SO.

Dance credits: Poppy (1978 - Sydney DanceCo/ch.Graeme Murphy); Scene Shift (1979 - LondonContemporary Dance Theatre/ch.Micha Bergese);Legend (1988 - West Australian Ballet Co/ch. JacquiCarroll); Beauty and the Beast (1993 – Sydney Dance Co/ch.Graeme Murphy); The Tempest (1993 -Queensland Ballet Co/ch.Jacqui Carroll); Mythologia(2000 – Sydney Dance Co/ch.Graeme Murphy); Inner World (2002 - The Royal Ballet (Cathy Marston)

MUSIC FOR DANCE: CLASSICAL, CONTEMPORARY, CUTTING EDGE 05

JOHN REA

CARL DAVIS

RhythMovement204

DAVID MOTION

CARL VINE

FM313-Dance-16ppBooklet 10/6/04 2:39 pm


CLIENT: FABER MUSICPROFILES


CLIENT: FABER MUSICMusic for everyone catalogues

ISSUE 64 SPRING 2010

SHEET MUSIC, MUSIC BOOKS AND MORE

INSIDEROCK & INDIE..........................PAGE 2POP ........................................................PAGE 76 OF THE BEST....................PAGE 14

JAZZ & BLUES.....................PAGE 16SHOWS & FILM....................PAGE 20UKULELE .....................................PAGE 22

M4EMUSIC FOR EVERYONE

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RUSH Authentic Playalong0-571-53241-1 | Guitar | £15.99 0-571-53242-X | Bass | £15.99 0-571-53243-8 | Drums | £15.99

Containing six great songs from the early years of Rush, this book includes aspecially recorded sound-alike CD with full performance demonstrations by TomFleming, and backing tracks to play and sing along to. Transcribed from the originalrecordings for guitar in standard notation and tabulature, with melody lines andchord symbols.

Anthem; Closer To The Heart; The Spirit Of Radio; The Temples Of Syrinx; TomSawyer; YYZ.

THE GUITAR RIFFTIONARY ACOUSTIC 0-571-53375-2 | Chord Songbook | £12.99

The Acoustic Rifftionary is quite simply the most essential book ever published foracoustic guitarists. Each riff is notated in either guitar TAB or chord box format, so there’s no need to read music. Tuning and capo information is also includedwhere appropriate.

All Along The Watchtower (Bob Dylan); Angie (Rolling Stones); Anji (Simon &Garfunkel); Astral Weeks (Van Morrison); August Day Song (Bebel Gilberto); BehindBlue Eyes (The Who); Bette Davis Eyes (acoustic) (Kim Carnes); Burnin’ Down TheMountain (Steve Vai); Cannonball (Damien Rice); Casimir Pulaski Day (SufjanStevens); Children Of The Sea (Black Sabbath); The Circle Game (Joni Mitchell);Cold Wind (Arcade Fire); Crazy (Ray Lamontagne); Crosses (Jose Gonzales); TheDaily Planet (Love); Dear God (XTC); Diamonds And Rust (Joan Baez); Down To Zero(Joan Armatrading); Dust In The Wind (Kansas); The Everthere (Elbow); EverybodyHurts (REM); Exit Music (For A Film) (Radiohead); A Farewell To Kings (Rush); FastCar (Tracy Chapman); The First Time Ever I Saw Your Face (Bert Jansch);Fotheringay (Fairport Convention); Good Riddance (Time Of Your Life) (Green Day);Happy Meeting In Glory (Davey Graham); Harvest For The World (The Isley Brothers);Helplessly Hoping (Crosby, Stills & Nash); Hey There Delilah (Plain White T’s);Holding Back The Years (acoustic) (Simply Red); Hotel California (unplugged)(Eagles); In The Land Of Grey And Pink (Caravan); Iris (Goo Goo Dolls); ItchycooPark (Small Faces); Jolene (Dolly Parton); Late Night Radio (David Gray); Layla(unplugged) (Eric Clapton); Legend Of Xanadu (Dave Dee, Dozy, Beaky, Mick &Tich); Life By The Drop (Stevie Ray Vaughan & Double Trouble); and many more...

THE ULTIMATE GUITAR TUTOR Rock (+CD)0-571-53369-8 | £9.99

The latest in the successful Ultimate Guitar Tutor series, featuring classic songs bylegendary artists Nirvana, Green Day, Blur, The Who, Black Sabbath and AC/DC,along with original pieces by author Tom Fleming. All songs and pieces arearranged progressively, in a thorough introduction to TAB and standard notationformats. Includes hints and tips to aid learning, and an accompanying CD of high-quality backing tracks.

Rock Star (Nickelback); Lithium (Nirvana); Song 2 (Blur); American Idiot (Green Day);Back In Black (AC/DC); I’ll Stand By You (The Pretenders); Paranoid (Black Sabbath);Smoke On The Water (Deep Purple); Live And Let Die (McCartney); Sunshine Of YourLove (Cream); Rock Around The Clock (Bill Haley); Can’t Explain (The Who); ShowMe The Cash; Criminality; Southern Style; The Sun Is Gone; Falling; Still The Best(Tom Fleming).

Also Available:

0-571-52765-5 The Ultimate Guitar Tutor Book/CD £9.99

0-571-53098-2 The Ultimate Guitar Tutor: Playlist Book/CD £9.99

NIRVANA The Complete Chord Songbook0-571-52989-5 | £16.99

The only Chord Songbook collection of the all-time iconic heroes’ songs you’ll everneed! This ultimate chord songbook is complete and comprehensive, containingevery song written and recorded by the Kings of Grunge. All the songs are arrangedfor guitar and voice with full lyrics, chords and strumming patterns.

About A Girl; Aero Zeppelin; Ain’t It A Shame; Aneurysm; Anorexorcist; All ApologiesBeans; Been A Son; Beeswax; Big Cheese; Big Long Now; Blandest; Blew; Breed;Clean Up Before She Comes; Come As You Are; Curmudgeon; D7; Dive; Do-Re-Mi;Don’t Want It All; Downer; Drain You; Dumb; Endless, Nameless; Even In His Youth;Floyd The Barber; Frances Farmer Will Have Her Revenge On Seattle; Gallons OfRubbing Alcohol Flow Through The Strip; Grey Goose; Hairspray Queen; Heart-shaped Box; Heartbreaker; Help Me I’m Hungry; Here She Comes Now; I Hate MyselfAnd Want To Die; If You Must; In Bloom; Intro; Jesus Doesn’t Want Me For ASunbeam; Lake Of Fire; Lithium;Lounge Act; Love Buzz; The Man Who Sold TheWorld; Marigold; Mexican Seafood; Milk It; Moist Vagina; Molly’s Lips; Mr. Moustache;Mrs. Butterworth; Negative Creep; (New Wave) Polly; Oh, Me; Oh The Guilt; Old Age;On A Plain; Opinion; The Other Improv; Paper Cuts; Pay To Play; Pen Cap Chew;Pennyroyal tea; Plateau; Polly; Radio Friendly Unit Shifter; Rape Me; Raunchola/MobyDick; Return Of The Rat; Sappy; Scentless Apprentice; School; Scoff; Serve TheServants; Sifting; Sliver; Smells Like Teen Spirit;Something In The Way; Son Of A Gun;Spank Thru; Stain; Stay Away; Swap Meet; Territorial Pissings; They Hung Him On ACross; Token Eastern Song; Tourette’s; Turnaround; Where Did You Sleep Last Night?;White Lace And Strange; Verse Chorus Verse; Very Ape; You Know You’re Right.

QUEEN Absolute Greatest0-571-53162-8 | Piano/Vocal/Guitar | £16.99

ARTIST-APPROVED DELUXE EDITION: Queen remain one of the most enduringlypopular rock bands of all time. The 2009 release Absolute Greatest contains 20songs all digitally remastered and includes such classics as We Will Rock You,Bohemian Rhapsody, Don’t Stop Me Now, Killer Queen and We Are The Champions.This artist-approved deluxe edition songbook has all twenty songs authenticallytranscribed for piano, with melody lines and guitar chords.

We Will Rock You; We Are The Champions; Radio Ga Ga; Another One Bites TheDust; I Want It All; Crazy Little Thing Called Love; A Kind Of Magic; Under Pressure;One Vision; You’re My Best Friend; Don;t Stop Me Now; Killer Queen; These Are TheDays Of Our Lives; Who Wants To Live Forever; The Seven Seas of Ryhe; Heaven ForEveryone; Somebody To Love; I Want To Break Free; The Show Must Go On;Bohemian Rhapsody.

Also Available:

0-571-53169-5 Queen Greatest Hits Volume 1 GTAB £18.99

0-571-52828-7 Queen Greatest Hits Volume 1 PVG £16.99

RADIOHEAD Piano Songbook 0-571-53448-1 | Piano/Vocal/Guitar | £15.99

24 of Radiohead’s best known and piano songs, accurately transcribed from theoriginal recordings.

All I Need; Everything In Its Right Place; Exit Music (For A Film); Fake PlasticTrees;Fog Again (live); High And Dry; How I Made My Millions; I Want None Of This; KarmaPolice; Life In A Glasshouse; Like Spinning Plates; Lucky; Motion Picture Soundtrack;My Iron Lung; No Surprises; A Punch Up At A Wedding; Pyramid Song; Sail To TheMoon; Sit Down. Stand Up; Subterranean Homesick Alien; Street Spirit (Fade Out);Videotape; We Suck Young Blood; A Wolf At The Door.

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Personality albums - featured releaseARCTIC MONKEYSWhatever people say I am,that’s what I’m notISBN: 0-571-52556-3 | Voice/Guitar Tab/Bass Tab Album Songbook£17.95/€26.95

The accompanying songbook to the most anticipated debutalbum of 2006! Following their meteoric crash straight to No.1 with their debut single I bet you look good on the dancefloor,the album followed suit, surpassing even The Beatles as thefastest-selling debut album ever!

Perfectly soundtracking the times, the album is a melting potof jerky and angular guitar riffs and frenetic beats, ala FranzFerdinand, whilst remaining fresh and innovative with gnarledpoetics and insightful lyrical humour. But whatever we saythey are ... that’s what they’re not!

Recently picking up a Brit for “British Breakthrough Act” plusthree NME awards, this is already destined to be the album of2006! This songbook features transcriptions of every track forvoice, guitar tab and bass tab plus 8 pages of photographsincluding exclusive live pictures of the band.

The view from the afternoon; I bet you look good on thedancefloor; Fake tales of San Francisco; Dancing shoes; Youprobably couldn’t see for the lights but you were staring straightat me; Still take you home; Riot van; Red light indicates doorsare secured; Mardy bum; Perhaps vampires is a bit strong but;When the sun goes down; From the Ritz to the rubble; A certain romance

If you like this, why not try …..

BABYSHAMBLES Down in AlbionISBN: 0-571-52507-5 | Guitar Tab Album Songbook | £16.95/€24.95

THE LIBERTINES The LibertinesISBN: 1-84328-786-2 | Guitar Tab Album Songbook | £16.95/€24.95

THE WHITE STRIPES ElephantISBN: 1-84328-388-3 | Guitar Tab Album Songbook | £16.95/€24.95

MUSIC FOREVERYONEPersonality albums - new releases

MADONNA Confessions on a dance floorISBN: 0-571-52582-2 | Piano/Vocal/Guitar Album Songbook | £13.95/€19.95

The queen of pop reclaims her crown and returns to her roots with this dance tour-de-force. Described by Madge as “all about having a good time straight throughand non-stop” this energetic dancefest resurrects the glory days of disco and ranksalongside anything she made in her chart-conquering heyday. Includes the Abba-sampling smash hit Hung up.

This songbook features all the tracks arranged for piano, voice and guitar withadditional colour artwork of this year’s Brit awarded “Best International Female”.

Hung up; Get together; Sorry; Future lovers; I love New York; Let it will be; Forbiddenlove; Jump; How high; Isaac; Push; Like it or not

ENYA AmarantineISBN: 0-571-52533-4 | Piano/Vocal/Guitar Album Songbook | £13.95/ €19.95

Ireland’s best-selling vocalist has been enchanting listeners with her distinctiveblend of new age and Celtic sounds since her 1988 Watermark album.

This eagerly anticipated album, her first in five years, still carries all the hallmarks ofher sound, with evocative Celtic overtones, richly layered vocals, symphonicarrangements and lush soundscapes. The result is Enya’s most accomplished workto date. Recreate her unique soundworld with this songbook, featuring all the songsin authentic arrangements for piano, voice and guitar.

Less than a pearl; Amarantine; It’s in the rain; If I could be where you are; The riversings; Long long journey; Sumiregusa (Wild Violet); Someone said goodbye; Amoment lost; Drifting; Amid the falling snow; Water shows the hidden heart

GOLDFRAPP SupernatureISBN: 0-571-52488-5 | Piano/Vocal/Guitar Album Songbook | £14.95/€21.95

Sex, subversion, style, humour and of course, songs – pop music’s greatestcomponents. Through pioneering electronics, crystalline vocals, visual theatrics andglam-sex and decadence, Goldfrapp have moved through the ambient shadowsinto the technicolour thrill of British pop music.

Ooh la la; Lovely 2 c u; Ride a white horse; More; You never know; Let it take you;Slide in; Koko; Satin chic; Time out from the world; Number 1

BARBRA STREISAND Guilty tooISBN: 0-571-52592-X | Piano/Vocal/Guitar Album Songbook | £13.95/€19.95

This matching songbook accompanies the 25th anniversary re-release of one of Streisand’s best pop albums, originally released in the 70s at the peak of herpopularity. Indulge in some absolute classics such as Woman in love as well asduets with the Bee Gee’s Barry Gibb, What kind of fool and Guilty.

Guilty (duet with Barry Gibb); Woman in love; Run wild; Promises; The love inside;What kind of fool (duet with Barry Gibb); Life story; Never give up; Make it like a memory

All the latest releases:sheet music, music books,song folios, DVDs, tutors andmusic for schools.

★Brit Award WinnerBEST BRITISH BREAKTHROUGH ACT

★NME Award WiknnerBEST NEW BAND

BEST GROUP

BEST TRACK

★Brit Award WinnerBEST INTERNATIONAL FEMALE

INSIDE: ARCTIC MONKEYS MADONNA KATE BUSH GOLDFRAPPTHE STROKES GREEN DAY KASABIAN THE MAGIC NUMBERSHARRY POTTER DVDS AND MORE...

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ISSUE 59

SHEET MUSIC, MUSIC BOOKS, DVDS AND MORE

MUSIC FOREVERYONE

★Brit Award WinnerBEST BRITISH

BREAKTHROUGH ACT

★NME Award WinnerBEST NEW BAND

BEST GROUP

BEST TRACK


CLIENT: FABER MUSICBIG GIG 2009

Faber Music LtdBurnt Mill, Elizabeth Way, Harlow, CM20 2HX Tel: +44 (0)1279 828989 Fax: +44 (0)1279 828990 [email protected]

CAT CODE M/0609/02

Faber Music Publications are available from your local sheet music or instrument retailer.

0-571-52556-3 Arctic Monkeys Whatever People Say I Am... Guitar/vocal songbook £16.990-571-53078-8 Arctic Monkeys Favourite Worst Nightmare Guitar/vocal songbook £16.990-571-53279-9 James Blunt 6 Of The Best Piano/vocal/guitar songbook £8.990-571-53293-4 Eva Cassidy Somewhere Piano/vocal/guitar songbook £14.990-571-53188-1 Duffy Rockferry Piano/vocal/guitar songbook £14.990-571-53246-2 Duffy Rockferry Easy piano songbook £10.990-571-53265-9 Elbow The Seldom Seen Kid Guitar/vocal songbook £15.990-571-53320-5 Girls Aloud 6 Of The Best Piano/vocal/guitar songbook £8.990-571-53372-8 Green Day 21st Century Breakdown Guitar/vocal songbook £18.990-571-53373-6 Green Day 21st Century Breakdown Piano/vocal/guitar songbook £16.990-571-52736-1 Muse Black Holes And Revelations Guitar/vocal songbook £16.990-571-52989-5 Nirvana The Complete Chord Songbook Chord Songbook £16.990-571-53251-9 Paulo Nutini Sunny Side Up Piano/vocal/guitar songbook £14.990-7390-5684-0 Katy Perry One Of The Boys Piano/vocal/guitar songbook £14.990-571-53116-4 Radiohead In Rainbows Guitar/vocal songbook £17.990-571-53117-2 Radiohead In Rainbows Piano/vocal/guitar songbook £14.990-7390-5948-3 Bruce Springsteen Working On A Dream Piano/vocal/guitar songbook £15.950-7390-5934-3 Bruce Springsteen Working On A Dream Guitar/vocal songbook £15.950-571-53298-5 Take That The Circus Piano/vocal/guitar songbook £14.990-571-53334-5 Take That The Circus Easy piano songbook £9.990-571-53255-1 Take That 6 Of The Best Piano/vocal/guitar songbook £8.990-571-53232-2 The Ting Tings We Started Nothing Piano/vocal/guitar songbook £13.990-571-53280-2 Amy Winehouse 6 of the Best Piano/vocal/guitar songbook £8.990-571-52969-0 Amy Winehouse Back to Black Piano/vocal/guitar songbook £14.990-571-53245-4 Amy Winehouse Back to Black Easy piano songbook £10.990-571-53289-6 Various Top of the Charts 2009 Piano/vocal/guitar songbook £14.99

All festival line-ups and product specifications are correct at time of going to press but may be subject to alteration

DUFFY RockferryRockferry; Warwick Avenue; Serious; SteppingStone; Syrup & Honey; Hanging On Too Long;Mercy; Delayed Devotion; I’m Scared; Distant Dreamer.

0-571-53188-1 | Piano/vocal/guitar | £14.99

0-571-53246-2 | Easy piano | £10.99

GIRLS ALOUD6 Of The Best: Girls AloudCall The Shots; The Promise; See The Day; I’ll Stand By You; Sound Of The Underground; Love Machine.


KATY PERRY One Of The BoysOne Of The Boys; I Kissed A Girl, Waking Up In Vegas, Thinking Of You; Mannequin; Ur So Gay; Hot N Cold; If You Can Afford Me; Lost; Self Inflicted; I’m Still Breathing;Fingerprints.


T In The Park, V, Oxegen. European Tour June & July 09

AMY WINEHOUSE Back To BlackRehab; You Know I’m No Good; Me & Mr Jones; Just Friends; Back To Black; Love Is A Losing Game; Tears Dry On Their Own; Wake Up Alone; Some Unholy War; He Can Only Hold Her; Addicted.


0-571-53245-4 | Easy piano | £10.99

6 Of The Best: Amy WinehouseBack To Black; Rehab; Stronger Than Me; Tears Dry On Their Own; Valerie You Know That I’m No Good.


TAKE THAT The Circus (Band-approved Deluxe Edition)The Garden; Greatest Day; Hello; Said It All; Julie; The Circus; How Did It Come To This?; Up All Night; What Is Love?; You Hold Up A Light; Here.


0-571-53334-5 | Easy piano | £9.99

6 Of The Best: Take ThatBack For Good; Never Forget; A Million LoveSongs; Patience; Shine; Relight My Fire.


UK Tour June & July 09

TING TINGS We Started NothingGreat DJ; That’s Not My Name; Fruit Machine;Traffic Light; Shut Up And Let Me Go; Keep Your Head; Be The One; We Walk; We Started Nothing.


Glastonbury, T In The Park, Isle of Wight, V, Oxegen

TOP OF THE CHARTS 2009 The Fear (Lily Allen); Better (Boyzone); Don’tBelieve In Love (Dido); Gotta Be Somebody(Nickelback); Greatest Day (Take That); Hero (X Factor Finalists); I Hate This Part (The Pussycat Dolls); I Kissed A Girl (KatyPerry); If I Were A Boy (Beyoncé); James Bond (Scouting for Girls); L.E.S. Artistes(Santogold); Love Love Love (James Blunt); The Man Who Can’t Be Moved (The Script); The Promise (Girls Aloud); Rain On Your Parade (Duffy); Sanctuary (Gabriella Cilmi); Shut Up And Let Me Go (Ting Tings); Sober (Pink); Stay With Me (McFly); Superwoman (Alicia Keys); To Where You Are (Rhydian); You Found Me (The Fray).


JAMES BLUNT 6 Of The Best: James Blunt1973; Carry You Home; Goodbye My Lover; High; Same Mistake; You’re Beautiful.


EVA CASSIDY SomewhereCoat Of Many Colors; My Love Is Like A Red Red Rose; Ain’t Doin’ Too Bad; Chain Of Fools; Won’t Be Long; Walkin’ After Midnight;Early One Morning; A Bold Young Farmer; If I Give My Heart; Blue Eyes Crying In The Rain; Summertime; Somewhere.


PAULO NUTINI Sunny Side Up10/10; Coming Up Easy; Growing Up Beside You; Candy; Tricks Of The Trade; Pencil Full Of Lead; No Other Way; High Hopes; Chamber Music; Simple Things; Worried Man; Keep Rolling; Smokey Joe’s Cafe; Funky Cigarette.


Glastonbury, Isle of Wight, T In The Park, Oxegen, V. UK Tour September & October 09

GREEN DAY 21st Century BreakdownSong Of The Century; 21st Century Breakdown; Know Your Enemy; ¡VivaLa Gloria!; Before The Lobotomy; Christian’s Inferno; Last Night On Earth;East Jesus Nowhere; Peacemaker; Last Of The American Girls; MurderCity; ¿Viva La Gloria? (Little Girl); Restless Heart Syndrome; HorseshoesAnd Handgrenades; The Static Age; 21 Guns; American Eulogy (A. MassHysteria / B. Modern World); See The Light.


0-571-53372-8 | Guitar tab/vocals | £18.99

UK Tour October 09

NIRVANA Nirvana: TheComplete Chord SongbookAbout A Girl; Aero Zeppelin; Ain’t It AShame; Aneurysm; Anorexorcist; AllApologies Beans; Been A Son; Beeswax;Big Cheese; Big Long Now; Blandest; Blew; Breed; Clean Up Before She Comes;Come As You Are; Curmudgeon; D7; Dive;Do-Re-Mi; Don’t Want It All; Downer; DrainYou; Dumb; Endless, Nameless; Even In HisYouth; Floyd The Barber; Frances Farmer Will Have Her Revenge On Seattle; GallonsOf Rubbing Alcohol Flow Through The Strip; Grey Goose; HairsprayQueen; Heart-shaped Box; Heartbreaker; Help Me I’m Hungry; Here SheComes Now; I Hate Myself And Want To Die; If You Must; In Bloom; Intro;Jesus Doesn’t Want Me For A Sunbeam; Lake Of Fire; Lithium; LoungeAct; Love Buzz; The Man Who Sold The World; Marigold; MexicanSeafood; Milk It; Moist Vagina; Molly’s Lips; Mr. Moustache; Mrs.Butterworth; Negative Creep; (New Wave) Polly; Oh, Me; Oh The Guilt;Old Age; On A Plain; Opinion; The Other Improv; Paper Cuts; Pay To Play;Pen Cap Chew; Pennyroyal tea; Plateau; Polly; Radio Friendly Unit Shifter;Rape Me; Raunchola/Moby Dick; Return Of The Rat; Sappy; ScentlessApprentice; School; Scoff; Serve The Servants; Sifting; Sliver; Smells LikeTeen Spirit; Something In The Way; Son Of A Gun; Spank Thru; Stain; StayAway; Swap Meet; Territorial Pissings; They Hung Him On A Cross; TokenEastern Song; Tourette’s; Turnaround; Where Did You Sleep Last Night?;

White Lace And Strange; Verse Chorus Verse; VeryApe; You Know You’re Right.

0-571-52989-5 | Chord songbook | £16.99

BRUCE SPRINGSTEEN Working On A DreamA Night With The Jersey Devil; Good Eye; KingdomOf Days; Life Itself; My Lucky Day Outlaw Pete;Queen Of The Supermarket; Surprise, Surprise; The Last Carnival; The Wrestler (Bonus Track); This Life; Tomorrow Never Knows; What Love CanDo; Working On A Dream.



Glastonbury, European Tour June – August 09

ARCTIC MONKEYSWhatever People Say I Am …The View From The Afternoon; I Bet You LookGood On The Dancefloor; Falke Tales OfSan Francisco; Dancing Shoes; YouProbably Couldn’t See For The Lights ButYou Were Staring Straight At Me; Still TakeYou Home; Riot Van; Red Light IndicatesDoors Are Secured; Mardy Bum; PerhapsVampires Is A Bit Strong But; When The SunGoes Down; From The Ritz To The Rubble; A Certain Romance.


My Favourite Worst NightmareBrainstorm; Teddy Picker; D is for Dangerous; Balaclava; FluoresecentAdolescent; Only Ones Who Know; Do Me A Favour; This House is aCircus; If You Were There, Beware; The Bad Thing; Old Yellow Bricks; 505.


Reading, Leeds

ELBOW The Seldom Seen KidStarlings; Bones Of You; Mirrorball; Grounds For Divorce; Audience With The Pope;Weather To Fly; Loneliness Of A TowerCrane Driver; Fix; Some Riot; One Day LikeThis; Friend Of Ours; We’re Away.


T In The Park, Bestival, V, UK Tour July, August & September 09

MUSE Black Holes And RevelationsTake A Bow; Straight; Supermassive Black Hole; Map Of The Problematique; Soldier’s Poem; Invincible; Assassin; Exo-Politics; City Of Delusion; Hoodoo; Knights OfCydonia.


UK Tour November 09

RADIOHEAD In Rainbows15 Step; Bodysnatchers; Nude; WeirdFishes/Arpeggi; All I Need; Faust Arp;Reckoner; House of Cards; Jigsaw Falling Into Place; Videotape.


Part 1: 15 Step; Bodysnatchers; Nude;Weird Fishes/Arpeggi; All I Need; Faust Arp;Reckoner; House of Cards; Jigsaw FallingInto Place; Videotape Part 2: Down Is TheNew Up; Go Slowly; Last Flowersw To TheHospital; Up On The Ladder; Bangers andMash; 4 Minute Warning.

0-571-53116-4 | Guitar tab | £17.99

Reading, Leeds

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