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Univ. of Mich.

Music Library KS-T?

LEOPOLD AUERConcert Transcriptions

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B 16. THE WALNUT TREE (Der Nussbaum) (Psobert Schumann) 60

B 48. TURKISH MAPvCH Scherzo (From Beethoven's "Kuins of Athens") 75

B 49. CHORUS OF DEKVISHES Etude(From Beethoven's "Ruins of Athens") 75

B50. IKRS/W^t^fABILE (From Tschaikowsky's String Qyartet, Cp. 1!) 75

B 51. THE LARK (L'Alouette) Romance (Glinka-BaiakirefF) 75

B 99. HEBREW LULLABY (Joseph Achron) 60

S 3796. SERENADE (From "Les Millions d'AHequin." by R. Drigo) 75

B 761. SPINNING SONG (Spinnhed) Concert Etude (David Popper, Op. 55, No. I) 1.00

B 765. NOCTURNE Op. 72 (Fr. Chopin) 75

B 934. VALSE (From Tschaikowsky's Serenade for Strings. Op. 48) 1.00

B 1162. ELI ZION ("God of Zion") (L Zeitltn-Achron) 60

B 1247. ET1NCELLES (Sparks) (Jac. Dont) M 75

B 1248. AGITE (Unrest) (Jac. Dont) 75

B 1257. AIR DE LENSKY ("O Days of Youth") (From Tschaikowsky's "Eugene Onegin") 75

B 1284. FANTAISIE SUR DES THEMES RUSSES (Pvimsky<KorsakofF, Op. 33) } 25

B 1293 HEBREW MELODY (Joseph Achron) 75

L 877. LA FOLIA Variations (Folies d'Espagne) (Arcangelo Corelli)1 .00

B 1295 DREAMS (Traume) (Richard Wagner) 60

B 1312 DEDICATION ( Widmung) (Robert Schumann) 60

S 3315. MELODIE ( Tschaikowsky Op. 42 No. 3) 65

B 7«. CAPRICE No. 24 (Pagantni) 1.00

S 3222 GAVOTTE No. 2 (Popper, Op. 23; 60

5 3313 MELODY in F (Pvubenstein, Op. 3) 50

CARL FISCHERBOSTON

COOPER SQUARE NEW YORKCHICAGO

B 49

UNIVERSITY OF MICHIGAN LIBRARIES

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b.49 2. Chorus of Dervishes.

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UNIVERSITY OF MICHIGAN

3 9015 04631 9953NEW VIOLIN PUBLICATIONS FOKCONCERT STAGE

BY REPESENTATIVE AMERICAN AND EUROPEAN COMPOSERS

SERIES I

THE

IIMiiliilUHlilMlIiiHliilHIllinililB UlliHJliHUIIHIJIlll HHll

D'AGOSTINO, A. "Villanelle (Shep-herdmaiden's Song; 75

The Flower of Italy 75

Souvenir de Venice (Barearola) .65

The Echo 75

Three Characteristic Dances

Op. 38. Campagnola„ ItalianDance 75

Op. 41. S i v i g 1 i a n a, SpanishDance 65

Op. 42. Saltarells, Andante eScherzo $1 .00

The above listed violin composi-tions provide a large amount ofmelodious and brilliant solo ma-terial. Proper execution and in-terpretation of these solos call furadvanced technical ability andcompetent mastery of double-stops,harmonics and skill in all varietiesof bowing.

BACHMANN, ALBERTO. SlavonicDance 75Characteristic and genuinely ef-fective violin solo music.

First Meditation of Joh. Seb.Bach's First Prelude 50

Second Meditation of Joh. Seb.Bach's Fifth Prelude 50

Two inspired melodies written ontwo of the best-known Preludesof this great master.

Cracowiak 65Brilliant and particularly well-suited for advanced solo players

BERGH, ARTHUR. Twilight Mus-ing 65

Alia Zingara 90Two well-contrasted solos for ad-vanced concert players demandingconsiderable interpretative ability

also technical skill of a high order.

BORNSCHEIN, FRANZ. Reflection..65

Serenade-Caprice 75

Advanced modern violin music de-manding players of very advancedtechnical ability.

Amourette 50

A charming: concert number of un-usual spirit and grace. Demandsvery advanced players.

BURLEIGH, CECIL. Cradle Song..50

Impromptu and Scherzo 90

Advanced concert material for

skilled violinists.

SIX PICTURESOp. 30, No. 1. Distance 40

Op. 30, No. 2. Rocks 40

lilUHI

CARL FISCHEKBOSTON

Op. 30, No. 3. Ripples 50

Op. 3U, No. 4. Hills 50

Op. 30, No. 5. A Mirage 50

Op. 30, No. 6. Murmurings 65

Extremely interesting modern solos.the principal appeal ol winchis to be sought in the virility anddescriptive lorce ot* the computer'sthemes. The numbers are cvjnci.se

and entirely uncunventiuiial intreatment and development. Theypresent manifold and unusualtechnical difficulties and demandplayers of very advanced abilities.

DELLERS, WALTER. Serenade-Espagnole 60

A characteristic solo excellentlysuited for the demands of advancedplayers.

DONNER,MAX. Op. 41. PoCme.$1.00Op. 42. Humoreske 75

Op. 43. Reverie 60

Op. 53. Danse Fantastique 60

Op. 56. Chanson au Rouet. .... .65

Op. 57. La Chasse 75

Op. 58. Gavotte Scintillante 75

Artistic violin solo music especiallydesigned for the concert stage andproviding material ot* attractiveand original design.

ELSENHEIMER, N. J. Menuet a laMozart 50Dainty and very melodious.

FIBICH, ZDENKO. Poem 40

(Transcribed by Roland de Berton)A fine, emotional composition inan admirable new solo arrange-ment.

GRASSE, E. Song Without Words.(G Major) 50

A short solo of intense feeling andunusual harmonics ; conception notdifficult in a technical sense butdemanding advanced interpretativeability.

In a Row Boat. (Tm Ruder-boot) . $1.00

A distinctive and brilliant modernviolin solo calling for exceptionaltechnical surety in double-stops,intricate passage-work in harmon-ics, as well as for more than origi-nal interpretative abilities.

KRIENS, CHRISTIAAN. Sons duSoir (Evening Sounds from Suite"In Holland") .. .50

A dainty solo of unusual origi-nality and artistic merit. Verymelodious and effective.

Villanelle. (Shepherd Song) . . .65

A catchy solo number demandingconsiderable technical ability andartistic taste.

IHIHIHMiHIiiHiymi

Op. 77 yNo. 1. Reverie Dans Les

Montagues 75

For very advanced players withgood command of the ringer-boardund advanced bowing ability.

Romance .90

A modern concert solo demandingthe advanced technical and inter-pretative abilities of finished play-ers.

Souvenir de San Sebastian (a L'Es-pagnolej 75

A brilliant and effective concertsolo in Spanish sty.e.

Mazourka Hollandaise $1,00For very advanced players withbrilliant technical ability.

Op. 82, No. 3. Serenade Basque .75

A sparkling, vivacious concertnumber especially designed for ad-vanced soloists.

Op. 82, No. 4. La Mouche. (TheFly) $1.00A brilliant concert solo veryshowy and particularly suitable forthe concert stage.

Op. 87, No. 1. Chanson MarieAntoinette 50Charming melody demanding ex-pressive and artistic interpreta-tion of a high order.

Op. 87, No. 2. Second Mazurkade Concert .,

Brilliant and particularly suitablefor advanced concert players.

.90

KUNITZ, LUIGI VON. Scotch Ufhlaby ; *iWA delightful lullaby in which atfthe originality and characteristicof the Scotch musical idiomto have been incorporated.

RomanceA fine concert solo demanding eon-siderable expressive ability.

PILZER, MAXIMILIAN. WeSong. (Liebesli«a)/%v.,...;« *6$ * ^

Caprice Valse , , . . »## j?Two modern concert solos ©f.*sf*' '..;. *V •,',"'

ceptionally musieianly and attisjtic ;•/,

worth ; demand very aceiinqiiUldlutr

; V 1^players. * /

PIRANI, MAX. Andnntino. (After V

Leonardo Leo) 50 .4

A dignified solo of sustained char-'

acter and expressive nobility. De-mands poetic interpretation andemotional warmth.

PRUTTING, R. fit. Legatde 60Pastel 75

Two effective modern soles particu-larly suitable for advanced concertplayers in search of new and un-

conventional material.

\

COOPER SQUARE NEW YORKCHICAGO

Primed in U. S. A.