Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily...

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Transcript of Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily...

Page 1: Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily Intelligence” Manifests the Personae, Styles, and Fable of Slapstick
Page 2: Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily Intelligence” Manifests the Personae, Styles, and Fable of Slapstick
Page 3: Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily Intelligence” Manifests the Personae, Styles, and Fable of Slapstick
Page 4: Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily Intelligence” Manifests the Personae, Styles, and Fable of Slapstick
Page 5: Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily Intelligence” Manifests the Personae, Styles, and Fable of Slapstick
Page 6: Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily Intelligence” Manifests the Personae, Styles, and Fable of Slapstick
Page 7: Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily Intelligence” Manifests the Personae, Styles, and Fable of Slapstick
Page 8: Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily Intelligence” Manifests the Personae, Styles, and Fable of Slapstick
Page 9: Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily Intelligence” Manifests the Personae, Styles, and Fable of Slapstick
Page 10: Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily Intelligence” Manifests the Personae, Styles, and Fable of Slapstick
Page 11: Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily Intelligence” Manifests the Personae, Styles, and Fable of Slapstick
Page 12: Chaplin’s “Charlie” as Merleau-Ponty’s Phenomenological Everyman or, How “Bodily Intelligence” Manifests the Personae, Styles, and Fable of Slapstick

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Tramps and nomads: Figures of youth in flight in Charlie Chaplin's Modern Times

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“Dispersed Personae: Subject Matters of Scholarly Biography in Nineteenth-Century Oriental Philology,” in: Asiatische Studien 67 (2013), no. 4, pp. 1325-60

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