MelodyMaker

April 15, 1967 9d weekly

Sandie's

Puppet

dances tonumber

two250,000 SALES

SANDIE SHAW'S "PuppetOn A String" passed the

250,000 mark this week-and dancesi to secondplace in the NM Pop 30.Puppet " -7 which jerkedaway with the EurovisionSong Contest in Viennalast Saturday-was writ-ten by Phil Coulter andBill Martin. It gaveBritain its first ever vic-tory in the contest.

Sandie's disc is nudging Frankand Nancy Sinatra's " Some -thin' Stupid " for the topspot - and may snatch thenumber one position nextweek.

BATTLE

Mit hard on Sandie's heels arethe Monkees with their thirdBritish single "A Little BitMe, A Little Bit You." Thebattle between Britain'sSandie and America'sMonkees is on!

An instrumental version of thesong by a Belgian group is

rush released this week byCBS. It is by MartensBrothers Style, a groupfeaturing two brothers play-ing trumpet and trombone.

Sandie gained more than twiceas many votes as her nearestrival with "Puppet On AString " in Vienna. The showwas transmitted in Englandvia the Eurovision link.

She arrived back in England onSunday and said: " I'venever worked so hard in allmy life. Now all I want isa nice cuppa and a good,long sleep."

Cat Stevens on new singles inside

MONKEES 2

MORE

NES'

Sandie Shaw, flushed with success, arrives back at London Airport.

Davy has Army medicalTWO more Monkees' concerts in London, in

addition to those already announced for June30, July 1 and July 2 at Wembley's Empire Pool.

That's the news that reached the MM this weekfrom American sources, indicating that the ad-ditional appearances would be afternoonshows. But at presstime, the reports could notbe confirmed in London.

And there is still no decision about Davy Jones'call -u for the Americawent his me' Ica ast week.not been announced,

bute

the result h

70 -MINUTE SHOWPublicist Marion Rainford, of Interpop, told the

MM: " Even the Monkees' management don'tknow yet what the result will be."

Meanwhile fans have been inundating the MMwith phone calls about the Wembley shows.

Tickets can only be obtained by sending the cor-rect money-prices are 30s, 25s, £1, 15s, 10s6d and 7s 6d - with a stamped addressed en-velope to Monkees Concerts, Booking Office,Empire Pool, Wembley, Middlesex.

There will be no otherattractions on the billand the Monkees willbe on stage for around70 minutes.

The Monkees' latestsin le,

n e PopThirty this week. Lastweek it was at 14.

itt e

e, Little Bit You"jumped to numthre

JIMI HENDRIX: I can't P:3 Davy - medical

Page 2-MELODY MAKER, April 15, 1967

1 (I) SOMETHING STUPID Frank and Nancy Sinatra, Reprise2 (3) PUPPET ON A STRINGSandie Shaw, Pye3 (14) A.MTTLE BIT ME, A LITTLE BIT YOU ......... Monkees,

4 (13)'r! HA! SAIDIM-CLCHManfred Mann, FontanaFontana5 (2) RELEASE ME

Engelbert Humperdinck, Decca6 15) THIS IS MY SONGHarry Secombe, Philips7 (8) IT'S ALL OVER

Cliff Richard, Columbia8 (4) SIMON. SMITH AND HIS AMAZING DANCING BEARAlan Price, Decca9 (6) I AS BATMAN Whistling Jack Smith, Deram10 (15)URP HAZE

Jimi Hendrix, Track11 (7) E LWEIVince Hill, Columbia12 (19)

Four Tops, Tamla Motown13 (12)14

(27) Seekers, Columbia

15 (11) PENNY LA Turtles, London/STRAWBERRY FIELDS FOREVER

15 (23)17 (10)18 (20)19 (9)20 (28)21 (22)22 (21) CH ME

I'M GONNA GET ME A GUNTHIS IS MY SONGBECAUSE I LOVE YOU

ORIE . E .E THIS

Beatles, ParlophoneCat Stevens, Deram

Petula Clark, PyeGeorgie Fame, CBS

Val Doonican, DeccaDubliners, Major Minor

Pink Floyd, Columbia

Dave Dee, Dozy, Beaky, Mick and Tich, Fontana23 (18) THERE'S A KIND OF HUSH Herman's Hermits, Columbia24 (26) KNOCK ON WOOD Eddie Floyd, Atlantic25 (16) LOVE IS HERE AND NOW YOU'RE GONE

Supremes, Tamla Motown26 (17) ON A CAROUSEL Hollies, Parlophone27 (24) GIVE IT TO ME Troggs, Page One28 (25) AL Prince Buster, Blue Beat29 (- IMMY MAC A Mart the Vandellas, Tamla Motown30 j-LEDTC-ATE 0 THE ONE I LOV Mama's and Papa's RCA

-'-e--r:ONGACREPIInt LTD., 1967

POP 30 PUBLISHERSI Gwen Wood, 2 Maumee) 3 Screen Gems; 4 19 Campbell Connelly; 20 Scoff, Solomon; 21Bran; 5 Palace. 6 Leeds: 7 Acta f.Rose; 8Schroeder; Mills; 10 ameto; I I Willornson; Dunn*, 22 Lynn; 23 Francis Coy and Hunter,)2 Carlin; 13 Springfield; 14 Chardn; 5 Nor- 24 Belinda; 25 Conlin, 26 Gralto; 27 Dickthern Somas; 16 Cot, Cl Leeds; 18 Feldrnon, lorries) 28 Melodist; 29 Carlin) 30 Peter Maurice

11

MARTHA AND THE VANDELLAS

US TOP TENAs I, e 13'.11txxiid "

I l31 SOMETHING STUPIDFrank and Nancy Sinatra, Reprise

2 II) HAPPY TOGETHER Turtles, White Whale3 151 THIS IS MY SONG

Petula Cork. Warner Bros4 (4) BERNADETTE .... Four Tops, Motown5 19) A LITTLE BIT YOU, A LITTLE BIT ME

Monkees, Colgems6 171 WESTERN UNION

Five Arnericarn. Abnok7 181 I THINK WE'RE ALONE NOW

Tommy James, Roulette11 12) DEDICATED TO THE ONE I LOVE

YV-) EEEVER Liggo'sAonIdAAP4411s/lED'1'1aT4t44,44.14/yE Y08, Arena, Franklin, Atlantrc

Mori). cod the Vendettas, Cords

GEORGIE FAME

TOP TEN LPs1 III THE SOUND OF MUSIC

Soundtrack, RCA2 (-I MORE OF THE MONKEES Monkees, RCA3 (21 MONKEES Monkees, RCA

4 131 BEST OF THE BEACH BOYSBeech Boys, Capitol

5 (6) IMAGES Walker Bros., Philips

6 Ili COME THE DAY .. Seekers, Columbia7 I-I HOW GREAT THOU ART

Elvis Presley, RCA

8 CR' GREEN GRASS OF HOMETom Jones, Dec.

9 *FIDDLER AltiTHE ROOFLondon Cost, CBS

IftK101 HALL OF FAME Georgie Fame, Columba

TOP TEN JAZZMANCHESTER- Barry's RecordRendekrous. 19 BlockfriorsStreet) I SWINGING NEW BIGBAND ILPI Buddy Rich IFon.rano); 2 FUSIONS (LP) JoeHarriett and John Moyer (Col-umbtol. 3 THE GOLDEN YEARSVol 2 MP) Billie Halides,lCBS); 4 BLUE BECHET (LP)Sidney Bethel (RCA), 5 BOO-GIE WOOGIE TRIO (LP) Ammons, Johnson and LewisIStoirYille); 6 NEW ORLEANSJAZZ (LP) Odle and De DePierce (Storyyttle), 7 THEELLINGTON ERA Vol 2 (LP)

(COSI' 8 EAST BROADWAYRUNDOWN (LP) Sonny Rollins(HMV). 9 BLUE LIGHT ILP)Ben Web 10

FREE JAZZster (LP)(PolYdOrnetteer), Colnmon (Atlantic),

LIVERPOOL, Rushworth andGreene, WhItechopel) 1 CON-CORDE ILP) Modern 1000Quartet (T 2EASTERN SOUNDS 1LP)ransatlantic), 'fuselLoteof onsatlentle); 3ELLIN Vol I ILP)(C85); r { (LP) JoeHorn(Col-

1, BUDDY'n'PLAblf9 PI BuckClayton '4) d ToteWm)) IMBLOSLIkk. TIME ATRONNIE SCOTT'S TCP) BlossomDeane (Fontana); 7 THEAVANT GARDE (LP) Jahn CO.olJAZZ (Allonticl, 8 SHAPE F

JZ TO COME (LP) OrnelleCOIArnOn ,AlloAtic I; 9 MONK'SMOOD 1LP) Thelonious Monk(Transatlantic); 10 MONDAYNIGHT AT THE VILLAGEGATE ILPI Harbin MannhAtfontic).

COLLETT'S, 70 New OxfordStreet, London) 1 FREE JAZZ

ILP) Ornette Coleman (Allan -2 THE MAGIC CITY ILP)

Sun Ro IScitural, 3 THE GOL-DEN YEARS Vol 2 (LP) Bill,.Holiday (CBS): 4 THE POPU-LAR DUKE ELLINGTON iLP)(RCA), 5 EAST BROADWAYRUNDOWN ILP) Sonny Rollins(HMV): 6 FUSIONS ILP) JoeHarnett and John Moyer (Col-umbia), 7 SWINGING NEWBIG BAND ILPI Buddy RichiFontonol, 8 OTHER PLANESOF THERE (LPI Sun Ita(Soturnl; 9 BOOGIE WOOGIETRIO (LP) Various Artists(Stotyville); 10 ORIGINALTUXEDO JAZZ BAND UPIISabor,

CASTIOtAS imported record.

HUGE U.S. FREAK-OUT I

HEADING

OUR WAYFULL scale American freak out may hit Britain

when International Times, the British "under-ground newspaper" hold their "14 -hour Technl-colour Dream" in London at the end of the month.Frank Zappe and the Mothers Of Invention may be

holidaying here during the free speech rave, andwill be invited, as well as U.S. pop art film makerAndy "Exploding Plastic Inevitable" Warhol, It isrumoured that exploding Quintin Hogg balloons willbe used to demonstrate greetings to the Americanallies. ____

At a prearranged signal 800 bags of flour were flung aboutby fans of the Flies at last Saturday's Chalk Farm (

afe iv 'iceZPlnl*u

Incredible, Too Long Ago to Remember,Sometimes Shouting At People.

ch Mitchell of the Experience mob-bed in Leeds and Liverpool, while Jimi Hendrix cut hisfoot on a broken fuzz -box . . Manfred Mann and MikeHugg writing jingles forjeans and tea . SmallFaces holidaying abroad

Roy Budd for Palla-dium TV Sunday.

Keith Skues' history of pir-ate radio being checkedby "an army of solici.

Who's idea was it to starta " Forgive The Lovin'Spoonful - campaign-andwhy? Engelbert Hum-perdinck lives above a

furniture store in Ham-mersmith . . Platters arerushing chart high with" With This Ring" States.side.

Where did Hilton Valentineget his posh telephone ac-cent? ... Singer Just Janetried 14 groups to get aTamla Motown sound -still can't get the rightgroup . .. Manfred Mannowes Plonk Lane 200 cig-arettes.

CARTONS

WHICH top ten artistwill follow up with

an instrumental? . . .

Watch out for new RoyBudd album.

Buddy Rich's " West SideStory " sensational . . .

Does Hendrix nix vocaltrix? . . . Singer PeteHodges likes milk cartons.

Dusty Springfield fans angryat Buddy Rich's remarks

. . Glum faces amongradio pirates as doomsdaydraws near . SaxistBenny Waters still blow-ing mightily in Paris andhopes to tour Britain.

Huzzah, once again a re-sounding win for the MMfootball team. We beat

The RAUER'S

weekly tonicDomestic and ServiceRovers 4-2 at Harrow.Bob Houston scored ahat -trick and Ray Daviesscored direct from a cor-ner kick ... Derek Greenleft Strike Records to joinRCA Great Britain as pro-motion chief . . NowCat Stevens really lookslike a pop star.

Peddlers drummer TrevorMorals married actressChristina Taylor . . .

Normle Rowe teachingTruly Smith clay pigeonshooting.

Paul McCartney jammedwith San Francisco's Jef-ferson Airplane last week.. . . Jonathan King caus-ing uproar in America.L.A.'s switched -off Eng-hsh colony gave him ahard time . . Claimed as" an honest, truthfulgroup " are Every MothersSon from New York.

7ruesome inevitable-Grey-

HOW TO GET AN LP !

" Daddy wanted a boy and Mummy wanted a girl,"

hound hoses run tripsthrough San Francisco'sdrug and hippie areas .

passports are provided

MANAGERAVEBALFE,d,Its larrnrcrD

player, is now road mana-ger for the Good TimeLosers . . Yardbird'splane had to circle a

Swedish airport for 90minutes using up petrolbecause if was overweightfor landing,

The Cream sat in with theButterfield Blues Band,Mitch Ryder and WilsonPickett in Greenwich Vil-lage last week . Atthe farewell party for theSfax tour-. Mick Jagger,Marianne Faithful), And-rew Oldham, Steve Win -

wood, Lionel Bart andVicki Wickham.

Georgie Fame sat in forseven numbers with Dud-ley Moore, who was play-

ing organ, at the Speak-easy . Giorgio Gomel -

ski has brought a Ferrari,Chris Barber is entering his

new Lotus for Germanrace Paragon havesent 20 colour films ofAlan Price and the "Dan-cing Bemr " to America.plus another 20 to theC nn 1 In e01

THE CURSE

OF THE

REVIVED

45

CENTRE PAGES

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FAMOUS SEANBUCKLEY SETPersonal Management. KENNETH JOHNSON LTD.193 Earlhom Grove Landon, E.7 MAR 7032/7089

BOB DAWBARN REPORTS THE MM TRIP

jE SUIS TRES KNACK-., ERED! After the MM'sweekend trip to Paris with60 readers, London seemsshrouded In mist - actu-ally due to a glazing ofthe eyes formed part byfatigue and part by cog.nac fumes.

Usually when reportingan NM trip to Paris, I lib-erally scatter the articlepima qth uotes front the cus

rs, This time with noset Itinerary like festi-val or concerts, I'm beaten.They hit Paris like a shell -burst and exploded in dif.ferent directions.

Some went to jeer clubs,others to the discotheques.Othen took full advantageof being allowed to drinkat six ant. Many went sight-seig.

I did catch up with twoof them - Alan Robertsonand Frank McMullan whoplay piano and drums re-spectively with the AlmondValley Trio in Edinburgh.

. We've had a fabuloustIme, said Alan. Even

14Wwith

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all the travelling was wort hit. And I even had a sitin ith Benny Waters atthe Cigale. We also had asit -In down the Slow Clubwith a French group.

" It's the first time wevebeen out of Britain and it'sbeen great."

Editor lack Hutton andleft London together on

Friday afternoon - muchto the disgust of Huttonwho regards me as

whomof Jonah aroundplanes have brake failureand cars run off the roadMaybe he's ght, Thistime the coarich dug whowas mg and had to hetaken to a public bus garage for runnIng repairs

We arrived in Parisaround 10 pm and spentthe first night ...Piingthe delights of French foodunder the guidance ofParis' answer to Egon Ron.ay, Mike Hennessey.

The fond was as geed usever and Paris looks evenmore like the most beauti-ful city in Europe - andthe most expensive - un-d r the new campaign towash every building. Theresidents, too, seemed evenmore expert A conning vis-itors than I remembered.Whoever said Paris wastoo good for the Frenchhad point/

After a day's eating,drinking and looking weheaded on Saturday night.for the Gigale - partlyto hear Benny Waters andpartly to satisfy Henne-sey's caving for a siton.We achieved both objec-tives,

Benny told us there Issome hope that the Man-chester Sports Guild maybring him to Britain. I

hope they succeed. Me wasIn excellent form on tenor.also, soprano and clarinetand certainly didn't soundlike a man who was olde nough to play with KingOliver.Unfortunately he is work-ing - until May 9 when hecones the Cloak - with

a group that would getthe bird In almost anyB ritish Pug club. The lead-er Is Jacques Butler, a

trumpeter who has a castiron Ilp, a unique methodof soloing technical prob-lems and a way of phras-ing which can only des-cribe as belonging to theHilarious school of laca. I

would be tempted to des-cribe It as the least re-warding trumpet In ParisIf

proved

hadn't been dis-proved by German gentwho wandered in and in.sisted on glowing from infront of the bandstand.

Some of the party got tothe Chat Qui /eche wherethey reported startlingprices and some aaaaa Jamerrom Dexter Gordon. Othersset elf to hear Pony Pole-debter at the Blue Noteand were never seen again.

Sunday was largelytaken up with nursinghangovers and lurkingaround the Skyways omenawaiting the coaches totake us to Beauvais forthe return nights.

The odd thing is that I

have a dim memory ofplaying drums at the Liv.ins Room while Mike Hen-nessey played piano. ButI couldn't have done, couldIT

WHO SAYS

JIMIHENDRIXCAN'TSING?

(HE DOES!)

JIMIHENDRIX can't sing! ereOo sez so?" outraged Hendrix

fans will demand, at this startling statement. But beforeMM readers who dig the sounds of "Purple Haze," " Hey Joe "and enjoy the stage act of Jimi, Noel Redding and Mitch Mit-chell reach for their red ink ballpoints and search franticallyfor the address of Mailbag, it should be understood the state-ment comes from-Jimi Hendrix.

Jimi, who came to Bri-tain from America last yearunder the aegis of ex -Ani-mals bass player ChasChandler, who is now hismanager, brought tremen-dous excitement to thegroup world with a hard-hitting sound with its rootsin blues and Bob Dylanlaced with freak -out show-manship.

The music is loud, deafen-ing . . . but it has a lot ofsoul and invention. In theterminology of the hippy,it's valid.

Jimi is a happy, uncompli.cated person, who gets hiskicks from playing and hasthe American affinity for show-man ship which Britishers findhard to adopt naturally, oreven understand.

If Eric Clapton appeared ona pop show biting a flamingguitar with his teeth, he wouldbe regarded as a traitor bythousands of dedicated fans.But says Jimi: "I regard my-self as a guitarist and enter-tainer." and that doesn't stophim creating something origi-nal and remaining true to hismusical beliefs.

1 met Jimi at his bright andairy apartment at the top ofa modern block near MarbleArch. He was listening ex-citedly to acetates of tracksfrom his forthcoming LP.

BURNT -OUT

He smoked endless cigaret-tes and crouched on a lowstool dressed in flowery, vio-lently coloured shirt andtrousers in a sparsely furni-shed room. The screen of a

TV set was covered in sootand hadn't been used forweeks. The hi -11 equipmentwas bright and new and inconstant use.

" I can't read a note ofmusic," grinned Jinn, lingeringthe burnt -out wreck of hisguitar which burst into flameson the opening night of histour with the Walker Bro-thers.

How was the tour goitig?"The bosses of the tour aregiving us hel " ealed

e orgachance to

d vul-gar. but we play our act as

we have always played Iteverywhere else, and therehave never been com laintsbets

e refuse to changeact. and the result is my am-plifier sometimes gets cut 0at the fun 'mes

er w But I

don't let them hang me up. I

play to the people and I don'tthink our actions are obscene.We just get excited by themusic, and carried away.

"The thing that surprisesme about the tour is theWalker Brothers. I expectthem to sing all pretty songs,but they have a good variety

BY CHRIS WELCH

of numbers. Cat Stevens isgreat too, and Engelbert Hum-perdinck Is very, very profes-sional, He knows exactlywhat, he Is

ea y unny playlnfor this tour. I don't know ifis like it on all tours but

Just before I go on I turnround and find e guitar stringis broken. or I find my guitaris all out of tune after I lusttuned it. I kinda don't knowhet to say about that. Theyjust ' or

t t ey not ge mgof us unless we are offi-

jolly thrown off the tour."

Where did Jimi find his firsthit number-" Hey Joe " andhad he heard the many otherversio

ey Joe' is a traditionatti'splikrot 1:00 99kr.

erent arrangements of it,and Timmy Rose was the firstto do it slowly. I like it playedslo.sly. There are probably1,000 versions of it fast bythe Byrda, Standelles, Loveand others."

The style of the Experienceseems very well formed. WasIt exported from New York?

" No, the style was formed

songold

MEI 0100 MAKER, April IS, 10117-5110

here in England. When 1 firstcame over I woo having littleplays together with Mitch andNoel. Noel can play really fastbass and Mitch-well ho isone of the best drummers. Hecan do anything."

Who were Jfini's influences?" Well, I like a lot of guitarplayers, but I don't copy. I

like Eric Clapton and someof the things Jeff Beck doesand that cat Vic Briggs. I wasreally surprised to find somany blues guitar playershere. They mostly play thesame style but you can suretell the differences. Pete Town-

shend is very different. He'sridiculous."

Where Is Jimi happiestplaying? " I like playing clubs,hut I don't want to play themfor the rest of my life. Weare satisfied with what we aredoing at the moment, becauseit's playing the way we feel.I just want to make the musicacceptable. It's free form.

' I Just wink I could singreally nice, but I know I can'tsing. I Nat feel the words out.I lust try all right to hit a

pretty note, but It'. hard. I'mmore of an entertainer andperformer than a singer."

new hit singlesTHE

POZO-SECOSINGERS

Excuse MeDear Marthacjw I Believed It All

2681

PANDAMONIUMNo Presents For Me

c/o The Sun Shines From His Eyes 2664

GAYLORD PARRYI'm Coming Homeqw I'm On The Up 2683

JERRY VALEHave You Seen The One I Love Go By

C/vi Signs 2682

The Sound ofEntertainment

on cesst.)

*CORDS

RONNIEJONES

Little BittyPretty One

Ow Put Your Tears Away2699

DAVE WALTONLady

Ow He II Never Know 2709

THE GNOMES OF ZURICHHigh Hopes

c/w Pretender 2694

chart 5hcit6*-PAUL REVERE & THE RAIDERS

Ups & Downs202610

SHIRLEY ELLISSoul Time

202606

JAN & DEANYellow Balloon

202630

BRIAN POOLEThat Reminds Me

202661

THE MARMALCan't Stop Now

202643

GEORGIE FAMEBecause I Love You

202587

THE EXCEPTIONThe Eagle Flies On Friday

202632

THE MAGIC LANTERNSAuntie Grizelda

202637

SIMON & GARFUNKELAt The Zoo

202608

TIM ROSEMorning Dew

202631

Page 4-MELODY MAKER. April 15, 1967

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simply, right on your instrument, this new, lightmini -mike provides full amplification of saxes, clarinets,

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JACK HUTTON. Editor

BOB HOUSTON. Ass. Editor

BOB DAWBARN. Features Editor

ALAN WALSH News Editor

MAX JONES

CHRIS HAYES

CHRIS WELCH

BILE WALKER

NICK JONES

ADVERTISEMENT MANAGER

PETER WILKINSON

Provincial News Editor JERRY

DAWSON, 2-4 Orford Road,Manchester 1. Central 3232

GeorgieFame-Movedue for AmericaGEORGIE FAME goes to Ame-

rica'LP for his first tour as aguest on a Gene Pitney tour forfour weeks from June 30.Georgie will be unable to take hisown band and will be backed on thetour by an American group,His first CBS single "Because I LoveYou reached 18 in the MM Pop 30 thisweek.Georgie and his bond play at Man -

Fame joinschester's Twisted Wheel Club on Sat. -day and " double " in cabaret from Sun-day until April 22 at Club Latino, SouthShields and La Dolce Vita, Newcastle.

Georgie appears with the Harry SouthOrchestra at the Brighton Festival onApril 29.

Negotiations are taking place at the

Beatles next LPstill no details

NO decision has been madeon the material whichwill make up the next

Beatles LP, says press officerTony Barrow.

Various tracks have beenrecorded for the aibu

tit Sere aeartaper

nil."there is no guarantee

that they snumbers namedwill be on the LP," said Bar -

CREAM SINGLETHE single recorded by the

Cream during their recentAmerican tour will be releasedin mid -May.

Around the same time. thegroup will return to NewYork to complete a new album

in the Atlantic studios andmake a number of appear-ances.

They will spend two weeksin the studios followed by twoweeks of club dates in Green-wich Village. The trip willend with a concert at theFillmore Auditorium, SanFrancisco.

POP -FOLK 'DREAM'

AnT,,,,,\IN.TurIre-1..H?uirs 1th-

planned by London's " undef-ground " movement featuringdozens of pop and folk groupsIn aid of International Times,the underground movement

ice,newspaper raided by the pol-

Leading American pop artfilm director Andy Warhol.and " freak out" group theMothers Of Invention are

CHARLES LLOYD TODO LONDON CONCERTS

rNEGHOLI.AldT1CDINaSisonbeAtween the

the Charles Lloyd quargtglscymanand.a- ,,-, agement have been completed, and

--. the quartet will appear at two con-. certs on June 17 at London'si Elizabeth Hall.- .... It is expected that the line-up, .111.44, will be Lloyd (tnr, illutp,, Keith

Jarrett (pro), Cecil McBee (bass) LLOYD and Jack De Johnette (des).91

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GRAHAM BOND ORGANISATION

LESLIE EVANS - and many others in the U.S.

hoped to ahem] the two dayevent to be held at London'sAlexandra Palace from Satur-day, April 29.

On Saturday afternoonteach -ins, discussions and for-ums on free speech will beheld and front 8 pm to 10am Sunday morning groupswill perform, giving their ser-vices free.

RICH ON BBC -2

BUDDYRICH and his orch-

estra, currently touringthis country for the first time,star in BBC -2's SomethingSpecial on Thursday, April20. The Rich band concludesits tour this week and withtwo concerts at Chatham'sCentral Hall on Saturday (15)followed by two at the Cov-entry Theatre, Coventry (16).

FLOYD DROPPED

A LAST minute shake upon BBC TV's Top Of The

Pops last week cancelled ap-pearances by the Pink Floyd'and the Move who were both"in the can" to be on theshow. It was to have beenthe Pink Floyd's first appear-ance an Top Of The Pops.

Producer Stanley Dorfmantold the MM on Monday: " Wefilmed the Floyd and the Movebefore last week's show be-cause they were both playingout of town on Thursdaynight. Naturally we wanted toget the film In the can Incase their new records en-tered the chart. In fact onour combined chart the Floyddropped there places so Itruled them out of the show."

PIRATE RADIO

BRITAINwants pirate rad

That's the result shownby a survey among adults con-ducted by National OpinionPolls.

The survey was conductedon behalf of Radio London.The result was: ban the sta-tions, 18 per cent; let themcontinue, 69 per cent and don'tknow. 12 per cent

Pitney tourmoant for the Move in make their first

sit to the States,Manager Tony Secunda told the MM

on Monday: "Cables are flying about atpresent but it looks as if the tour willcommence on June I for 14 days. It'spossible that they will appear at theBrooklyn Fos, and we'll be doing all theTV and radio we can on our permit."

GREAT CHARITY SHOW

,.A HOST of stars arc appear-ing at a special charity

show for spastics at the F.10 -plea Pool, Wembley, on Sun-day (10). The show Is organ-ised by the Daily Express,theApizaer.ineheoltehrnecisoheosw re

PaulJones, the. Kinks, the Cream,the Troggs, Geno Washingtonand the Ram Jam Band, Lulu,the Alan Price Set, the NewVaudeville Band. David andJonathan, Freddie and theDreamers, Chris Farlowe, CliffBennett, the Eagle Brass Bandand DJ Simon Dee,

The Eagle Brass Band willalso play for the crowd out-side the Pool before the show.

DAVIS JOINS BUDTENORIST Eddie Lockjaw

Davis ended his solo tour,with the Harold McNair quay-tet, at Wimbledon's Dog AndFox on Sunday. He now joinsforces with Ben Webster,Eddie Miller and Bud Free-man for the Tenor Of Jazzconcert package.

There are only three Ten&Of Jazz concert dates: at Lon-don's Queen Elizabeth Hall onSaturday (15), Manchester'sFree Trade Hall (17) and Bris-tol's Colston Hall (18). Groupson the bill are the Alex Welshband and Lennie Felix trio.

AMERICA BOON

THE Alan Bourn Set fly toAmerica on June 29 - for

a one-nighter. They appearthat night at the RiverdaleConcert Hall, New York, andleave early the next day toreturn to England.

On July 1 they are at theCavern Club, Dereham.

Tomorrow (Friday) thegroup flies to Cannes for thepremiere of the Alm, "TheKilling Game," and for cab-aret.

On April 16 they make theirdebut at London's SavilleTheatre on the bill topped byBit Diddley and Ben E. Hine.

C ON FOLKN,1 t MORTAL concert for the

ley, Cot.eDuackrham, toalteosf piercteat Newcastle City Hall on Fri-day, April 28. The guests il-lustrate the breadth of interestof the man who started whatwas (and stilt is, from what Ihear) the best traditional clubin the country-the Spinners,Bob Davenport, the Watersons,Alex Campbell and the localHigh Level Banners.

Proceeds go in aid of can-cer research.

On Thursday, April 20,Bob Davenport's old club atthe FOx, Islington, at whichJack Elliot was a frequentgueSt, presents the Watersonsfor one of their last I.ondonappearances, with gypsy sing-, phoebe Smith and theRakes.

Phoebe has promised tobring along a fiddler friendfrom her local and if I knowher there's bound to he somestep dancing!

As their contribution to Na-tional Folk Week. the Foxis presenting Scan Tester,Fred Jordan, Bob Roberts andthe Rakes on May 4.

Other Fox plans Include avisit by the Happy WanderersIs= hand of street musiciansin early June, Harry Crabb's14 -strong North London Con-certina Band, and a joint even-

ing by Jeremy layliir andSydney Carter.

Julie Felix is on Call MyBluff on BBC -2 this Fridayand on BBC Light's Swing.along for the last time thesame day. She is on Dee Timeon BBC -I next Tuesday andnext Thursday is in The FrostReport.

The Dubliners were on ACellar Full of Folk last Sat-urday r with Bill Clifton andMary O'Hara. The Womenfolkhave a repeat showing oftheir Tonight in Person BBC -

2 show this Sunday.D orlta Y Pepe star in a new

Southern Serenade seriesstarting n BBC Light nextMonday. On Saturday, June 3,they take part In the first con-cert of the BBC InternationalFestival of Light Music atthe Festival Hall.

Tom Rush is to visitBritain in May and blues sing.er Judy Roderick will be herein July. It is expected thatthey will both appear at theCambridge Folk Festival fromJuly 29 to 30.

Brute Dunnet's new clubat the Roebuck, TottenhamCourt Road, is slowly begin -Mtn to take over the placein London's weekly schedulepreviously held by his ScotsNoose sessions. Regulars atthe Roebuck on Fridays are

TREMELOES DISC

'FM 'IR I MELoES, whasOs new disc is "Silence Is

Golden," released on April 21,have lined up a number ofplugs Inc the disc, They willalso be making a film clip

' for promotion of the disc.They are on Easy Beat (April

!Be Top Of The Pops (20);) and then fly to Germany for

appearances on TV from Br11111.

'AIRIER CONCERTS

EDDIE MILLER, U.S. tenorstar, finished his first tour

of Britain, es a soloist withthe Alex Welsh band, at Lon-don's 100 Club tomorrow (Fri-day),

Tonight he appears at theFox And Hounds, HaywardsHeath for the Sussex Jazz Soc.tety. Miller then stays on forconcert engagements with theTenor Of Jazz unit.

NO DONOVAN DISC

nONOVAN's current Ameri--- can single, "Epistle ToDippy," will not be releasedIn England.

The reason, according tohis manager. Ashley Kozak. isthat the presstroyersial drug.taking Impli

instead, Donovan's nextsingle will be another of hisown songs, "Tinker And TheCrab." A release date has

'Yet,..111,Joe. finalised.

SIMONE DUE

NINA SIMONE and conned -

Ian Dick Gregory arrivefor their first British concerttour today (Thursday) andopen at Portsmouth Guildhalltomorrow (Friday).

The rest of their dates hereare Colston Hall, Bristol(April 16), Free Trade Hall.Manchester (18), Royal AlbertHall, London (19), Town Hall,Birmingham (20), Upper Cut,Forest Gate, London (22), andNina appears on her own atthe Ram Jam Club, Brixton(23) and Dick Gregory willappear before invited guests atLondon's Bag (Mails Clubthe same night.

They are due to appear ina BBC TV Dick Gregory Spec-tacular oil April 17, announcespromoter Mervyn Conn andgue

Atst

ol the Simon Dee Showon iril in

Scots group the Brack. ri,,1a Canadian girl, LaverneSquires, for whom Bruce ispredicting great things.

He is looking for a Lon-don venue for an all -Scotsclub he is planning, with NigelDenver as resident, preferablyon a Saturday. Nigel's new LPon Major -Minor is doing well,I hear.

Ashton-under-Lyne folkclub has joined the Lanca.Shire group of clubs whichare booking singers on a co-operative basis. Future book-ings for the circuit are theNatterjacks next week, theWatersons, who'll be in Sal-ford, Blackpool and Accring-ton in April 23, 25 and 26,Dorris Henderson, CopierThree, and Johnny Silvio.

Clubs In the circuit are Sal-ford (Sunday), Blackburn(Monday), Blackpool (Tuesday)Accrington (Wednesday), Burn.fey (Thursday), and Ashton(Friday).

National Folk Weekstarts 011 April 29 when HRHthe Princess Margaret will de-clare it open at Cecil SharpHouse. The programme forthe week includes over 1,000events. On Saturday afternoons,April 29, there'll he dancingin Trafalgar Square. KARL.DALLAS,

VINCE

VINCE HILL'S follow-up single to "Edelweiss" we be

released on May 5.The A side ia bei ke secret, hut the B side will be

"Mirky Dunn," the theme of a new BBC -TV series which starts

Vince is also doing the theme for a new Hollywood filmon May 8.

"The Long Duel," singing a song entitled "When The World I;

Ready" over the credits. an

VreerrsIlismgeer

toe theaStriluTicelialg (IS).ii up.

NO TAKE-OVER

VINCE HILL

SINGLE TO

BE RELEASED

NEXT MONTH

ANEMI take-over bid for

PYe Records and NorthernSongs Ltd - the Beatle musicpublishing company was ruledout as an unfounded rumourby the companies concernedthis week,

An EMI spokesrrian said:"We are not negotiating witheither of them," while Mr DickJames, director of NorthernSongs' told the MM on Mon-day, "There is no truth what-soever in the rumours and

the chairman or my-self have been approached byEMI."

STATES BAN

NEWYORK, Monday - An

embargo on all foreignacts has been slapped on bythe US authorities, reportsRen Grevatt. This is in con-nection with the current strikeby members of the AmericanFederation of Television andRadio Artists against the threemajor TV networks.

At present, the bans seemsto apply to foreign acts withAmerican TV commitments.

First British group to sufferare the New Vaudeville Bandwho cancelled a trip to Ameri-ca last weekend to appear onthe Grammy Awards TV show.

MM CHARITY GAME

THEMelody Maker football

team plays a charitymatch In aid of Dr. Barnardo'sHomes at Ilford Football Clubon April 23. Kick off Is at 3Pm.

The MM hopes to includeRay and Dave Davies, of theKinks; Barry Fenton, actorTom Courtenay: singer HenryTudor; folk star Noel Murphy;and scriptwriter Ian Le Fren-

West Ham's Geoff Hurstwill referee.

McGARITYTO TOUR

BRITAINAMERICAN trombonist

Lou McGarity, wellknown in Britain for hiswork with Benny Good.man's band and variousEddie Condon groups, willmake his first tour of thiscountry in November. Datesare being set by the DavisonAgency for a tour begin-ning on November 25.

BRITISH BUSTER

PRINCEBUSTER open his

British tour on April 27with a double date, playingthe Ram Jam Club. Brixtonand the Bag O'Nalls.

Some of his other doteshave been rearranged and thefull tout- is now: Ritz Ball-room and Digheth institute,Birmingham (28), UppercutForest Gate (29), CarnivalHall, Basingstoke, and Crick-eters Hotel, Chensey (30),London's Crornwellian (May I).Beachcomber, Nottingham (2),Stevenage Locarno (31, Bris-tol tocarno (4), Ric y Tickyclubs, Southampton andHounslow (5). Toft's Ballroom,Folkestone, and Ska Bar,Woolwich (6), Central Hell,Gillingham (7), Cardiff TopRank (8), London's Marquee(8), Dorothy Ballroom. Cam-bridge (10), Skewan's Ball-room, Swansea (II), StaffordAssembly Hall and PowerBallroom, Edgbaston (12).Chelmsford Corn Exchange(13), Iron Curtain Club, StMary Cray and Brixton RamJam Club (I4).

Make sureyou get

The World's BestMusic Weeklyby filling in this coupon andhanding it to your newsagent

Please supply Melody Maker every week

ADDRESS

Hand this to your newsagent

DYLAN: album tracks

NEW singles by BobDylan and the New

Vaudeville Band are re-leased in the next threeweeks.

The Dylan single, releasedon May 5, features twotracks from his recent

" albu-" Leopard Skin

oHat" with "Most Likely,You Go Your Way And I'll.0444113-sIde.is filled " I Centra'lwrti, IA n .

DYLAN SINGLEMAY RELEASE

VAUDEVILLE DISC ALSO OUTAlan Klein. The B-side is"Rosie " by Stephens andJohn Carter. It Is out on May5.

On Saturday, the NVB areat Canterbury Technical Col.lege; they play the MajesticHotel, St Annes.on-Sea (April19) and Romano's, Belfast(22).

HERD RETURN

I Iii Ilerd, who this weekreturned from 16 days In

St Trolley, will be back there

In mid -August for a further16 days of night club work.

The group has signed for anew French film, in whichthey will have acting roles aswell as singing four songsand playing the title music.

CLAYTON SOLO

US.trumpet slur Buck Clay.

ton began a short solotour, accompanied by JohnChiRon's Swiss Kings, at Lon.don's Dopey Dick's yesterday(Wednesday).

JOIN THE MM BERLIN RAVE" A real gas of a weekend - that was the verdict of the 250 jazz fans who went with the MM to

the Berlin Jazz Festival last November. This year, the festival is on again - and stars the Miles DavisQuintet and John Handy's group, as well as Erroll Garner and Sarah Vaughan. Once again the MM isrunning a jazz weekend by air to the festival: for just 25 guineas, YOU could be flown to Berlin, stayat a good hotel for the duration of the festival and then flown back to London.

Don't miss the jazz weekend of the year - from November 3-5. Fill in the coupon Now for fullee. its of this fabulous jazz trip.

r---------------------------------INAME

ADDRESS -----------------------

LPost to Berlin trip, MELODY MAKER, 161 Fleet Street, London EC4.

J

The rest of Buck's datesare Manchester Sports Guild(15). Bull's Head, Barnes(without Chilton band) (17),London's 100 Club (21), DogAnd Fox, Wimbledon (withChilton band) (23), Chanel,ham Town Hall (25) and Herm.liege Ballroom, Hitchin (213).

JONES FILM

TOMJONES finished his re-

cord breaking session atLondon's Talk Of The Townlast Saturday, after a week'sextension.

Tom's entire cabaret act Withrecorded during the show onFriday and will be releasedas an LP at the end of thesummer.

Jones is due to appear onITV's Eamonn Andrews Shownext Sunday.

"Detroit City" dropped outof the MM Pop 30 this week.Jones's latest single, "Funny.,Familiar. Forgotten I:cella:IA

ri11,IO 1)..,r,

NEWS INTHE Dave Brubeek Quartet

andfjuartetwilTi

Modernappear in

Britain thin year. The Briebeck Quartet open at theRoyal Festival Hall on Octo-ber 21 and the MJQ in Glas-gow on November 25.

Eric Burden and the Ani-mals flew from America toAustralia this week . . . thePink Floyd's follow-up to"Arnold Layne" is releasedon May 12. No titles havebeen fixed ... a new GranadaTV hunt for new, originaltalent starts on May 15 . .

ex - Ray Charles RaeletteMargie Hendricks has her firstBritish single released on April21, titled "1 Call You LoverBut You Ain't Nothing But ATramp" . . singer Kenneth

MEL( 1DY MAKER, April th, 1951 --Page

SPOONFUL

TOUR IS

POSTPONED ',Prfil it IP.

THE Levin' Spoonful's British tour has been:-' paned. The tour was due tO start In ml .Pilaopy

and P. J. Proby had been auggexted to share t

billing. the

2s=rititlsare now underler v...................,iym brinilis

Anon

ler Amer can grup, the Young await, nor

in Britain on May 17 for a fortnight's tour. _

BILL COLEMAN FOR R T TOUR

A MERICAN trumpet player Bill Coleman. who

" toured this country successfully last year, re-

turns to tour with the Tony Milliner-Alan Littlejohn

sextet later this month.The opening date is al Osterley Jazz (Tab on Friday,

April 21 and Coleman then appeers at girminghaniSi

Manchester Mord. (25), London's 100 Club 25 ,

Nottingham 291, London's Purcell Room (Mopit tiltollin(3), ilitywor s Heath (4), Blackpool (5) and Manchesterroil.

TERRI QUAYE MAKES RONNIE'S DEBUT

SINGERTerri Quaye makes tier debut at Ronnie

Scott's Old Place on April 22.Terri has lust returned from ten weeks working In

Berlin with an all-star group comprising Carmen Jones

Opt), Leo Wright (alto, (lute), Dave Pyke (vibes), Frits

Faller (ono). Ilona 140(.1M/irk, (bassi and Joe Nay Mrs).

BRIEFWashington hue left the ChrisBarber Sand because his workpermit liar expired. He is re-turning to the States.

Brian Auger is to star Ina series of Monday shows atLondon's Speakeasy Club .

The Move appear on PathePictorial newsreel this week. . the Who return fromtheir GC1111011 tour on April

Dodd stars invariety at the Birminghamtheatre for two weeks fromMay 8.

Negotiations are In hand forBihreitaSitnaninGestogvrbretretntpoe:,?fluur

at the Royal Festival 110)1

on November it . TomJones stars In cabaret at theCrystal Room at the Cran-berry Fold Inn, Darwen fur

AI week from April 24guitarist Jatl Back On swit-ched to Hems Enterprises...a new Searcher!. single"Western Union " will be re-leased on April 21 . JohnDales ha. been anPointed Far.axe repreaentative end dem-onritrator for Southern En:s-lant.

Pete Dyer's Unhand appearat Camberley on Sunday (10)and Peterborough (22) .

Gans Pitney Them Inui Britainfor the charity show for Spas,tics at the Empire Ponl, Wem-bley on Sunday (10)guitarist Al Calais has planedhis third three your C011itartwith United Artiste a

new music publimhIng companyhas been formed by Moldand Jonathan,

sound

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JustingithhBut wait there's more

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a all

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RENDELL

QUINTETWOOINGTHE NON-

-KLIEVERSRENDELL: groat

Soprani)

CAUGHT IN THE ACT

TNa special delights of theRandall/Carr quintet re

now eufficintly well known not. have to mum ... them oncee osin, end on Sunday veninge t the Royal Court TheatreClub, after a somewhat shakystart, due I think to problemsof moustics and imnplification,the band proceeded to *Hencethe bar

proceededTHE MOVE ---believers g Ply with the

.tied and original materialr A LOT of people moan be..Rendell was the INN to break , cause they don't see a TVthrough with rushing head being axed into dust whenlong tenor solo on the third they Ile to see the Move. Therenumber, " Tan Sankt," and is re.een " We feel It'safter the tonsillar " shades" time for audiences to enjoygot ....... tremendous rear- the sound," soy the Move. Andlion for his soprano work on this was the sale at Brighlon'e" aback klotrigolds," one of ',Cadillac Club last SundaY,,rat Carrick compost where not TV or an meows's,'Bens which were featured dug to be seen. The transition froml,ing the evening. gimmickry to music may haver,After the Interval Carr got left the more Immature fans,Into his stride on one of his izilinItat the box mote but

the! they do so well.

ooawan tunes, !n easy S°Icy Maniby this time the bond seemed Move's presence - presence,to be breethIng much more only achieved by on excep,,easily " The Blues" from tienelle deed and 111WWWItfltini4

dm

Mack, Brown and Salo, is g'suRbeautiful arrangement by Cu,.The front line, Trey Burton,'rick, ehowed another spect or Roy Wean, Carl Wayn nMa hand's ility with Ian Chris Belford all sing like leusing Plunger mute and Don Ingers, while drummer Be ,running the gamut of reeds In ...an cooks away behind with'build up surprisingly full Impressive approach Ntim.:'gliington sound, hers Ilk. It's In The PockellAltogether n n programme " Sap," You've aeon Cheat.'"fifrom Ike most satisfying bond Mg." and " I Can Hear Thearound, and this time it eves Grass Grow " demonstrate the'Rndell's night, there should ' Move'. tight, beautifully re -be a innel word for Trevor Tom. hearted wall of soud. Theirkin, surely the most Improved harmonies stab out alike souldrummer on the steno one Beach Boys, yet somehow eachwho Helens Its well as swings singer retains diatInctive In-- CHRISTOPHER BIRD dIviduality which adds to the

, power of the Hove rather than1 confusingar the Issue.

They e herd -working,affected, polished and proles.Monet act with that vital

YBtiMG " sidded Ingredient - theeCanadianie, 7,,17,12:ahis ritish debut 1413 334 at HICKthe Courts" Club, LeicestorMike has Mc., relaxed style

on numbers such as Raythat "*W. P.'""IY EVANS BIG BAND

MICHAEL ROSEN

ers new,.LP, " Pack Up YourSorrows (Ash Records). She -inn the bill lost week W43 AlicreRrennan, a 4004440On 4114talented singer, whose voiceand repertoire ore right In theinstreem of the Englishtradition. ERIC WINTER.

Please Don't Go " nd " Buck-dermer's Choice." Ne play.folk/blues closets, such as" Corn. Rack Baby " and "Pan.

J Limited," softly bilkingwards, so that they don'thtget In the way of the Impres-

sive and sensitive eccompni411314.

At Laireeter, he sang per.rattly Eric Anderson's lovelysong " Com To My Bedside "nd on of his own songs," stand By Me." Look out forMk head Rosen, who will betouring Droll ph clubs duringOm next limo months.

The Couriers Club, et theWhyte gwanne, nor th citymarket pier., Is presiturd overby !sick Harris nd Rea risland lobe Couriers) who areprobably the meet ifstwo -man folk teem on thewna. Their retiiirMir. ncop p..... traditional ballads exPartly sung,Often with mar-vellous undrostetement, conMmr ereri long (Paxton, Dick

reartgr na.a. r °IL% necned) "Piess:re7r2tnd Arnfeoricn tredlilon:1 song's,e nd setting of a W. B. Teetspoem that Is sheer magic.

Anyone who n't Oct ML 4134434, should buy the Cough

COE of the hisrdest tasksmusicians can set them-

selves today is to ake a succase of lass orchemstra Manyhave tried in this country,rnaching the supreme heightsof the New Jam Orchestra.

Now conies the Pat EvansOrcheetra, which holds bigband sessions every Sunday atthe Kings Arms, Peckham, Lon.non Altoist Evens hos gatheredtogether an enthusiastic bunch

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As section the salivawhileweakest t the 41114041,

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MY USUAL OMEN 10........ "J

DRUGS

I resent the question be.cause the word "drugs"nowadays unfortunatelytakes In too many things forcomfort, and I think thereought to be a series of sub-divisions which can warnpeople of the dangers oftaking certain drugs and thepsychological effects ofothers. The subject is beingtreated terribly frivolouslyby people who Indiscrimin-ately condemn everythingunder the one heading-drugs. Or on the other handby hippies who consider itail a good thing. It's a ter.ribly worrying thing. Thisis why I suggested recentlythat comparatively harmlessdrugs like marijuana shouldbe taken off the dangerousdrugs list, although this mayseem paradoxical at first,and to emphasise the clan.sera in heroin in particular.While smoking may not bedangerous, it's not neces.sarlly a good thing and it'sbad to have a mystiqueabout It, and both thesethings helped create one.

ROCKERS

It's a remarkable thingthey have survived, There'snothing fashionable aboutrockers, They were nothelped by the press or TV.In a way it's a good scenethat not everybody hasturned out to be hippies. Alot of rockers are onlypeople who happen to wearleather jackets.

HOMOSEXUALSI deplore the sniggering

gossip that goes on aboutwho's queer and who isn't.

BALLADS

Good ballads are not bor.Mg but at the moment somuch is happening on thatscene that I'm bored. I can'tfigure out why they are sopopular. It's probably be-cause there hasn't beenmuch good happening re-cently with the exception ofAlan Price and the Beatles.

OBSCENITY

Probably something Isobscene when it arises outof a misuse or distortion ofyour natural urges. If twopeople get pleasure out ofsomething without harminganybody else-then It Is notobscene.

DONZO DOG 1300DAII BAND

Jost about the best andfunniest thinet, cm the scene.Ws a pity IDOL when they

NEXT WEEK

THERE ARE FEW PEOPLE

WHO ARE GENUINELY TOLERANT

EVERYBODY HAS PREJUDICES9

MANFRmake It bigger people wiltprobably think they havecopied the New VaudevilleBand, yet the Bonzos havebeen going for years. Noone should miss seeing thembecause they are one of thefew things you can see fora real roar of laughter andfall.about.

ALICE IN WONDER-LAND

To be quite honest Ifound It very slow. I foundmyself slightly bored. Itdidn't raise any laughs.

RIOTS

I think the mob is alwayswrong when it behaves likea mob. Maybe the police arelust as wrong because they

are only an organised mob,but any group acting in aviolent way just terrifies me.Sometimes you can under-stand why they have beenincensed. But I still can'tunderstand how intelligentnice people can get togetherin a mass and behave lowerthan animals, because ani-mals never act that way ex.cept in a stampede and thenthey are only running away.

HAROLD WILSON

A lot of people hateturned against him in thetwo years, I suppose. But,in view of the circumstan-ces and mess this countryhas been in, I think he andhis Government are slowlypulling us out of the mess.There are many things I dis-agree with, but the results

TOM JONESIN POP THINK-INAND FROM AMERICA -THE TURTLES

NEXT WEEK

of what he has done are be-

ginning to show, and even-tually our house will be inorder. I would hate to have

a dogmatic Socialist as our,

leader, as I would hate anydogmatist. This is whatsuspect about Socialism-it's dogmatic nature, al-though I tend to be thatway myself.

MAILBAG

One of the best pages inthe paper. 1 always look invain for a mention of me.

STEVIE WINWOOD

I think anyone as goodas Stevie is bound to makeit, even if he makes mis-takes and releases thewrong records at first. I

don't think he can fail.

INTOLERANCEThis is such a boring

question because everybodyhates intolerance but whenmost people say " I hateintolerance" they don't re.alise that intolerance is verysimilar to prejudice, andeverybody has prejudices.We all have preconceivedideas of other people. If yousee a man with a richbrogue in a huge sweater,smoking a pipe and stridingalong the Cornish coast yousay: " Ah a son of the soil.Wonderful fishermen,y'know" In fact he may bea sex maniac. You may seean Italian covered inpimples outside a strip club.Yet he may be a great pain-ter. Young people have thesame prejudices as the oldbecause they are pre,udiced

ANNagainst the man in the bow-ler hat on the 8.10 train totown and in fact he may bea nice chap. I think youngpeople are more intolerantof older people. When allthe young people of todayhave grown up and theirdaughters want to stay outall night with someone theydon't like-how tolerant arethey going to be? There arevery few people who aregenuinely tolerant and manyhippies are just as intoler-ant. It can be a valid ex-cuse to be intolerant of

something that is going 10

wrong. e.g

you. ThFre's a veryvague dividing line betweenwhat Is right and what Is

while everybodyhates intolerance, could wereally have afforded to betolerant of Flitter?

GUITAR IDOLS

It's funny everybody isdigging guitarists becausethe guitar has been an im-

portant part of the popscene for years. It's prob-ably because some goodguys have emerged, whodon't need mentioning be-cause they have been men-tioned enough, and it's goodto see everybody diggingthem.

RONNIE SCOTT'SCLUB

It has given me a lot ofpleasure-that sounds like awedding speech. A verygood scene, although some-times I have been utterlybored by some of the Eng-lish gear I have seen there,and I'm not talking aboutStan Tracey. I think RonnieScott is underrated as atenor player. By the way,as we are talking about jazzI thought Freddie Hubbardand Max Roach on TV re-cently was a real knock -out.

TOM McGUINNESS

He's capable of playingexcellent guitar as long asthe group isn't playing be-hind him. When we are allplaying together he turnsinto a stuttering wreck. Healternates between beingterribly nice and unbeliev-ably unpleasant.

PUBLICISTS

The best publicist joke Iever heard-no it isn't ajoke, it's the truth - wasabout a person who oncetried to persuade me to lethim do my publicity. Toshow what a good publicisthe was he said he had givena well-known group a" mystery image." And todo this he had refused toallow any press interviewsof the group. So the guywas doing absolutely noth-ing! 1 thought he was quitegood until he said that. Pub-licity is a necessary con-although Brian Sommervilleis quite good.

SANDIESHAW

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Page 8-MELODY MAKER, API,' 15,1967

EDDIE: " those were really happy years."

HAROLD DAVISONpresents

THIS SAT., 15 APRIL, 6.15 & 9.0 p.m.LONDON : QUEEN ELIZABETH HALL

(ADJACENT FESTIVAL HALLI

"THE TENOR OF JAll 77

BEN WEBSTER EDDIE 'LOCKJAW'DAVISBUD FREEMAN EDDIE MILLER

ALEX WELSH AND HIS BANDTHE LENNIE FELIX TRIOTICKETS: 10/6, 14/-, 17/6 & 22/6

A*AAAAAA*********** **TWO SPECIAL JAZZ RECITALS

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PRESENTS

RAY CHARLESHIS ORCHESTRA & THE RAELETS

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EDDIE MILLERNEW ORLEANS STYLE ON

A FIFTY DOLLAR CLARINET

WHEN he thinksof Eddie Miller,

the old jazz lover In-evitably lets his mindwander back to theold Bob Crosby band,In which Miller was apermanent and im-portant sideman,even though Eddieleft the regularstrength 25 yearsago.

Veteran collectors tend tohave a special affectionfor this band, especiallythose who admire Dixie-land. For the Crosbyorchestra managed toplay arranged big -bandmusic which somehow re-tained a good measure ofNew Orleans spirlt andtexture.

Its ranks Included, at onetime or another, suchNew Orleanians as Miller(eh and tnr), IrvingFazola (cit), Sterling Bose(tpt), Ray Bauduc (des)and Nappy Lamare (gtr).And many of the otherplayers - Yank Lawson(tpt) and Matty Matlock(at) prominent amongthem-had an exception-ally fine grasp of the

HERBIE MANNTHE -DO -I -DO -NOWSCHOOL OF FLUTE PLAYING

BY BOB DAWBARN

IF Herbie Mann ever de-cides to give up flute,

he could earn a good liv-ing as a comedian.

I met him in London this weekduring his ten-day visit tostudy the scene and try andfix up a visit for his group.He was wearing a lapelbadge inscribed "ABS ForPresident "-" Anybody ButJohnson," he explained-andthe interview was punctu-ated by a stream of hilariousMann comments and anec-dotes. He was reasonablyserious about music, how-ever.

"I'm on a Middle Easternthing now," he said. "I'vegot an oud player In theband. An oud is a lute, thepremier instrument inMiddle Eastern music."I parted withped the congatedr um. I hel crea a

monster and now everybodywho wants to make a com-mercial record takes a poprecord and adds congadrums. I started hearingconga in my sleep.

"For one thing, I realised thatconga blacks out the soundof the bass. And I've nowdiscovered that Bruno Carris a fantastic drummer. He'sbeen sitting there in myband minding his own busi-ness for years, playing sup-port to a conga drummer.

"The mhaute I let the congago I found out what a fan-tastic soloist Bruno is. Andthen we have Roy Ayers onvibes, Reggie Workman onbass and the oud player isChick Ganimlan.

"Our music is pretty free butwe add a little showbiz-welight incense and have aTurkish rug. And we havefar-out gimmicks like tellingthem the names of thesongs, saying hello, facingthem when we play andstarting on time.

" The audiences enjoy it andall those old-line critics whosay it Isn't jazz are just tooconstipated to enjoy them-selves. They set standardsas to how musicians shouldplay and behave. Then whenhe acts his own characterthey think they have beenlet down. They don't liketo think that most guysplaying jazz go to baseballgames, play with their kidsor even read books.

HERBIE: happy, quiet

"It's like the way I've beentrying to play Europe foryears and I've come to theconclusion that the bookersall have a Crow Jim atti-tude that only Negroes canplay jazz.

" Some of these critics thinkit can only be jazz if it'sin 4/4 with an off -beatdrummer and everybodysweating. Or else it has tobe loud, screaming, yellingand angry. I'm happy, quietand peaceful so what I'mplaying can't be jazz."

I said that Herbie was on oneof my favourite records-the Sarah Vaughan sessionwith Clifford Brown.

"At that time I sounded likea two -year -old taking hisfirst lesson who'd got Intothe wrong studio," saidHerbie with remarkable can-dour. "Brownie was mag-nificent, but my sound be.longed to the early what -do.I -do now school of fluteplaying.

" Bud Shank, Frank WesS,Sam Most, Jerome Richard-son-all those guys startedplaying the flute about thesame time I did. There wasnobody for us to listen to,we had to figure it out our-selves. I thought it wasswinging at the time-it wasswinging like a woodeneg!"l started listening toBrownie, Dizzy, Miles andArt Farmer. The flute iscloser to trumpet in con-cept, than to sax. And Inthose days, Sam Most andBud Shank didn't knowwhat they were doing,either."

"I've also started on bassflute, which needs an ampli-fier."

Herbie says that his VillageGate album is his biggestseller to date topping190,000 copies.

" We all thought the recorddidn't have it and we didn'tlike anything about it," hesaid. "Two of the drum-mers had a fight backstageand actually drew blood,and the bass player hadpicked up three tickets forspeeding because he waslate for the show."

What are the chances ofHerbie touring Britain.

"Hard to say," he admitted."But I was speaking toGeorgie Fame about doingsomething with him. I'drather do a tour withGeorgie, or Dave Clark orthe Rolling Stones, than tourwith another out-and-outjazz group.

"That way of doing it Is theonly hope for jazz over here.People will come to hear theother groups and we hopethey will enjoy what we dotoo.

"It's the young people whosupport jazz in the States.And they won't go to hearColtrane or Ornette Colemanbecause they want to enjoythemselves and those guysjust give them anger.

" We did a thing with SonnyBono in the States recentlyand we are now talkingabout doing a tour withhim and Cher. My groupwould raise the level of in-tellect of his audience. AndI want to get at his people."After all, my first group hadfour drummers because Iknew people liked drumsolos. We did Afro -jazz,then Afro-Cuban, thenBrazilian and now MiddleEastern. I've slowlydeveloped my public toaccept more things, but doneIt in such a way they didn'trealise it.

"After ail, the Beatles havedone the same thing.Theirs Is Involved musicnow. My audience in theStates Isn't a jazz audience-and that is the only hopefor jazz in Europe too' toreach the younger public.

' And the older people whosay that it's not really jazzhave got to realize that jazzis lust the expression of theday. And if they don'taccept It then they are justa load of mouldy figs."

traditional style, dis-

must have enjoyed cordial

offulBlyobrnCtahtse

recordings.

1poinagyedsermiesost

It h always seemed to me

aa

asOmaghthe Crosby band

" family " relationships, and

Eddie Mier confirms this.

" Those really were happy

years. I was with that bandfrom the beginning, Juneof 1935, to the end-whenit disbanded in Decemberof '42, when we all knewwe were going into the ser-vices.

BUDDIES

"And I really enjoyed it.Probably those seven yearswer the ha I everhad,e with allp

piestthe different

musicians who were, orbecame, my friends. Maltyand I are real buddies. Hewas in the Ben Pollackband when I joined, backin 1930, and we've beenclose ever since. And I

knew Ray and Nappy fromNew Orleans.

" After being in England aweek, and getting a chanceto find out what youraudiences appreciate injazz. I realise that the BobCrosby band had a soundthat would have knockedthem out here.

" There were many reasonsfor its success, but one wasthat we were lucky to haveMatty Matlock and BobHenan, Dean Kinealdetoo, who knew how towrite so that, though it wasorganised music, it had a

relaxed Dixieland feeling."Bob Crosby, when he was

made into a leader, tookover the remains of the BenPollack orchestra, in whichMiller. Bauduc Matlock,Gil Rodin, Gil Bowers,Nappy Lamare, Yank Law-son and Joe Harris hadplayed (there was an in-terim period when it wasknown as Clark Randall'sorchestral. How much, Iwondered, did the Crosbystyle derive from Pollack.

UNISON

"It was one of those thingsthat evolved, you know butI'd .y It had a lot of thePollack sound in it. Benny'sidea of using clarinet-tenorunison is one example.

"It arose in Pollack's bandbecause we wouldn't have

:::::Eddie

ieetLiF:iear

regular arrangements andhe'd tell me and Matty towork out something on thelast chorus. We'd do thatoctave thing. I think theCrosby band's use ofclarinet -tenor unison In-fluenced Glenn Miller."

Though best known as a tenorclarinet

player with a distinguishedNew Orleans style. " Wol-verine Blues," " DogtownRampart Street Parade "and "Louise, Louise " areamong the records featuringhis clarinet."It seems like I did clarineton most of the slow bluethings. Maybe it was :throwback to the Pollackband, Ben Idolised LeonRappolo and thought Isounded something likehim. He was my idol toowhen I was starting." ' 'There have been differencesof opinion over the yearss

BOB CROSBY: real buddies

about who played the twoclarinet solos on "Dog.town," which was recordedin '37, though it Is fair tosay that Sandy Brown, for

Millernever doubted that

Miller was responsible forboth.

When I asked him to confirmthis, he said: "It's been sobeog sinceI played thoseTit'secords, hard to say.d have to hear it again.

Then I'll tell you at once,because Matty's so muchthe better Player."

So I played the record toEddie, who said: "It's me,I'm ashamed to say. I'll'phone up Sandy and tellhim he's won his bet."

Like many of the New Orleansmusicians, Eddie favouredthe Albert system instm-ment for jazz work.

" I p/ayed Albert right up un-til I went into the FoxStudios. Then I had tochange to Boehm systembecause I couldn't makesome of those things onmy Albert. And I was thirdclarinet in the orchestra.But I still have this oldclarinet at home.

AWKWARD

"How I got it. I paid JimmyDorsey 50 dollars for IL Itwas made specially for himby Selmer in Europe whenDorsey came over herewith the Ted Lewis bandin 1930. What was funnywas that the first threefingers on the right hand,the awkward stretch on theAlbert, were on the Boehmsystem. The rest was ailAlbert.

"But Jimmy couldn't getused to it, so he sold it tome. This was soon after hereturn from Europe. I'dcome up to New York onmy own In 1930, deter-mined to hear the Pollackband, which was myfavourite. and perhaps geta job in it.

"in fact I joined him aftereight months and realisedmy ambition. And that wasa lucky chance really. Iwas playing alto andclarinet at the time andwas going to replace GilRodin. Then Ben said hehad bad news for me, thatGil had decided to stay, andasked if I played tenor.Apparently Babe Russin wasleaving. I got up somenerve and said Yes' andwent out and borrowed atenor, and that's how I be-came a tenor player.

SYSTEM

"But to return to the oldclarinet: I was workingwith Bob Crosby again,shortly before Jimmy Dor-sey died and Jimmy calledme at the TV studio fromFlorida and said he'd liketo try that clarinet again.

" So 1 sent it down to him,but he sent it back only afew weeks later, thankedme for It and said he stillcouldn't get used to it. Buthe'd had the instrumentcompletely overhauled, Nottoo long after that bepassed away."

Why, I asked, did Eddie Pre-fer the Allaert systemclarinet?

" Well, I don't feel at homeon Boehm though I've beenplaying it quite a few

years. No, forJazz I still preferJimmy's clarinet.I'm sure theAlbert has thebigger tone."

And how is Eddiegetting on inBritain for thefirst time?

" I'm loving it.I've waited yearsto be invited tocome here, andwhen I landed inLondon It was abig thrill for me.As for AlexWelsh, the wholeband is fine. It'sa swinging groupand the guyshave sure set meat ease. I feellucky to be withthem. I'm justhoping thatthey'll ask me tocome here again.Next time I'llbring my clarinetwith me."

MELODY MAKER, April 15, 1967-pag.

TOWARDSA MOREACCURATECHARTWHAT OUR READERS THINKWHILE appieciating the steps taken by MM

to make the public aware of " skul-duggery " in the chart, may I point out thatby leaving the bottom twenty out, the publicis liable to forget there ever was a Pop 50.Could I suggest the tactics used recently inRhodesia over censorship of the press, whereblank spaces were used to emphasise and con-tinually draw attention to the censorship?As you are aware of these " chart parasites "could this method be adopted by your paper,showing the full Pop Fifty but leaving spaceswhere offending records should be, keepingthe public aware of underhand practiceswhile warning others? - FRIDAY BROWN,Worsley, Manchester.

I HAVE been a musician for the best part ofmy life. I have had to work my fingers to

the bone, sing my throat out and persecutemy brain to make ends meet. But I felt utterlysick and angry when I read about the " smellat the bottom of the chart." I hope thesepeople are unearthed soon as I would hate tofeel that some tone deaf, musically illiteratephoney had by financial means achieved in a

matter of days what I have been working foryears to achieve. - PETER T. PEARSON,Kilburn, London NW6.

I'M glad the MM has caught on to these un-scrupulous people. Well done Melody

Maker, - FRANCES COYNE, Kingston Vale,London.

I READ with delight your campaign for a moreaccurate chart.. I sincerely wish the Melody.

Maker good luck in its campaign. - R. L.

CARLOWE, London N16.

DUBLINERS STUMBLE UP THE HIT PARADE

nEGORRAII! After" psychedelic freak -

outs and the big bal-lads, another craze islooming on the pophorizon - the Irishsound is with us. Inthe shape of the Dub-liners, five hairy,huge and hilariousPaddies from the FairCity.

With "Seven DrunkenNights "-an ode to thedelights of the Hard Stuff- they burst Into the5151's Pop 30 last week.

The Dubliners are Indeedfrom Dublin and all havethe natural attributes ofthe Republic - sharp,bawdy wit; a predilectionfor a glass or two orthree and a disarming can-dour about their musicand their lives.

The faces behind the livewildest beards seen inLondon this year belongto Ronnie Drew, an ebul-lient natural spokesmanspewing out thousands ofcurse -intermingled wordsa minute; Luke Kelley,aged 26; BarneyMcKenna, whois 27; 32 year -old ChironBurke and JohnSheahan who is271 - "thehalf's impor-tant," he says.

They were formedfour years agoand have be-come one of themost successfulgroups on the Irish clubanti folk circuits both InIreland and in England." We break up regularlyabout once a week, butwe're always back againfor the gigs," said Ronnie.

They are first class imbibers-with exception of JohnSheahan who gets highon lemonade-and whenasked if they like a pint,they reply: " No. More

DUBLINERS: maned that the public have bought the record.

drop ofthe hard stuff

like four or five." Theyare all married, are stilldomiciled in Dublin, butwelcome the chance tobring their kind of musicto the notice of a widerpublic.

They found their hit in Ire-land. "It was written bya bloke called Joe Heaney,who's from Connemara-it's in the West of Ire-land, you know-and he

didn't mind what we didwith it."

What they did was recordit-and It's become thefirst hit for a new label,Major Minor Records."It's not insulting theIrish-about 90 per centof them drink anyway,"said Barney.

Did they want to expandInto cabaret and concertsin this country? "I don't

mind where I sing. Yousoon get tired of singingto yourself. I want to singto everyone. And theready's very handy, too,you know."

Why haven't Irish artistsmade It in England be-fore now? " Well, theIrish are either too proudor have a failure complex.Basically the Irishman hasan inferiority complex

about his music. We ink

that people didn't accept

Irish singers either untilrecently.

" A German could get up

and sing-or an Irishmancould sing like an Ameri-can, but when an Irish-man' sang like an Irish-man, they thought he wasJoking. Really, I'm amazedthat the general publichave bought the record. I

never expected them to."

The Dubliners are fivefunny, friendly extroverts.They don't claim com-plete harmony - " some-times we fight every day,but we're always togetherwhen we've finished "-yet they seem on firstmeeting to have thosequalities of difference thatgells them together as a

unit.

Play that new Blossom Dearie single on the phonograph,

baby, and lets do the Boston Bounce

AIDOSIILIC11-1111SAVVISCIIIMIEm

11

Even the Fec s like this al

+-ESWEETB b055011B EIIRIECC

Lerx go owner **1"niturn nie on baii. SteViNg tee *lover no more ili'Steret Grorgi, Paine *7'hat's nojokn *"Peel me a gnipe * Onenote Samba * Oa a dear day * onlymiashim when I think of him *Rig Mienfor me * You're gonna hear from me *

0 U M 00

on anal

*"Sweet 3lossom Dearie"*AILSC TL 5399 on ana

3 ossom Time at Ronnie ScottsTL5352 STL5352 on alld

page I0-MELODY MAKER, April 15, 1967

BLIND DATE

CATSTEVENSTIMMY RUFFIN:

" Gonna Give HerAll the Love I've Got"(Tamla Motown).

Four Tops! Temptations!I've heard this already onthe radio. It's a greatsound-that little xylo-phone riff knocks me out.Hell, my mind's gonefuzzy. It's so early in themorning (it was II am).Of course - it's JimmyRuffin. It's so much betterthan his last one. It couldeasily be a hit. It's a good,different soul record. Theytend to be a bit samey, butthis is new.

LULU: " The BoatThat I Row " (Col-

umbia).Lulu! She's already

played this to me. It's aNeil Diamond song. I likethis so much. This is thesort of thing that Lulu

singles outthe new

pop singles

should sing. She's been abit unlucky with materiallately but this is her mat-erial, all right. This feelsgood. It's Neil Diamond'syear, isn't it? Mickie Mosthas managed to get a verycommercial sound - heuses very few instruments.This will definitely be ahit.

yARDBIRDS: "LittleGames" (Colum-

bia).ICs the Yardbirds. Fan-

tastic song. Tremendousbeat. It's great the waythey put the wrong inflec-tion on the words. It'sMickie Most's week, isn'tit? Is Jeff Beck on thisone? It's a beautiful re-cord. A hit. It's directedat the American market.It could be roe of thosethings that doesn't hap-pen here, but I think itmight.

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CRISPIAN STPETERS: "Almost

Persuaded " (Decca).I haven't heard this be-

fore, but I was told thatCrispian St Peters was do-ing a Jim Reeves on hisnew single. He really is,isn't he? It's the kind ofrecord I hear on the pir-ates three times and afterthat I hate it and switchoff when it's played. I

don't think he's got thekind of voice for this, al-though I like the way heuses his voice at times. I

don't think it's workedhere. Won't be a hit.

BACHELORS:"Oh,

How I Miss You"(Decca).

The Bachelors? Funnilyenough, I do like the songsthey sing-they stir me.Con has got a great voiceand I like to listen to thiskind of record. It will be ahit-that's obvious. ButI'm not keen on that gabloping, trotalong beat. Ahit-but not very high inthe chart.

HERB ALPERT ANDTHE TIJUANA

BRASS: "Casino Roy-ale" (A&M).

Takes its time to fallinto the beat there. Couldthis be Herb Alpert's"Casino Royale "? I'm surethe melody will hit meafter about three plays. Alovely clean sound. I reallyliked their " Zorba TheGreek "-it was fantastic.This will no doubt be ahit. I've been waiting agesto see the film. Hasn'teveryone?

MARY WELLS:" Hey You Set My

Soul On Fire" (Atlan-tic).

It sounds like SmokeyRobinson - or someonetaking him off. It sounds abit like an English soulrecord. Really, I've noidea who it is at all. MaryWells? Sorry, I don't likeit at all-and I hate thattwangy guitar there. Thewhole tune is made up ofthree notes. Definitely nota hit

,700T MONEY:" Nick Knack "

(Columbia).No! They must be jok-

ing. It sounds like DaveClark! I can't tell who itis. You must tell me. ZootMoney? Yeah, it is him,isn't it? This is the sort ofrecord the new Top 30 willaffect. It won't be a bighit, though I like the trum-pets.

TANIE JONES:" Tickle Me Tootsie

Wootsies " (Columbia).This is exactly what I

was going to do. It soundslike that bird who did thewitch thing - what washer name? Janie Jones. No.Shut it off-it's horrible.Definitely not a hit. It'shorrible. Take it offstraight away.

PEDDLERS: "What'llI Do" (Philips).

The Peddlers. They aregreat. And I love this re-cord. I used to go andhear them at the Pickwickand just listen to them forhours. They are great per-formers I believe they areoff to the States soon-Ithink they'll wow themthere. The singer's got agreat voice and the drum-mer is fantastic. I dig thesong a lot but I'm not sureit'll be a hit. I'd like it tobe, but I don't think itwill. Which is a pity.

EXPERT ADAND BOB DYPERSONAL LCOULD you find out the personnel on Bob 1::I)

Blonde"? (Mick Farley, Colchester). On whdoes Bob Dylan play harmonica? (Catherine Turronion gook, sung about by Bob Dylan on " I ShaPetherbridge, Holloway, N7).

Efforts to obtain these facts from Bob DOAlbert Grossman, in New York, brought the foilthat time and distance make it impossible for Y

directly from Bob Dylan, but that is an unfortuUntil such time that circumstances change it, tF

to any of your questions.I might point out toy'

and serious composers are interested in speaking I

their writings and through their music. If they rmunicating with their public on a ditferentchoose a different profession, and perhaps betonfor some sensational magazine. It is my firm bt;personal lives and non-professional affairs are

THE CURSEOF THEREVIVED 45

IF you see a pop star walkingabout with a brought -down ex-

pression even though he has arecord In the Top 30, chances arehe'll be suffering from a bad caseof Re -issue Depression or the Curseof the Revived 45.

This dreaded pop disease hits success-ful artists who have had a big hit. Itsmuse is quite simply the lightning re -Issue of old, often inferior single materialby a former record company.

Vince Hill is the latest In a long lineof stars to be affected by it. Lost weekhe complained that on the strength of"Edelweiss," his formerrecord company Pye wererushing out a single re-corded for them.

The record, " If You Knew,"was mode three or four yearsago and released last week.although Pya say they havenever claimed it was Intendedto he VInee's next single.

But it does raise an Immo.tont point: are record en.psalm morally Justified In re.leaning old material by artistsno longer contracted to thembecause they have achievedsucrose with another label?

The list of artists who he,been aublected to the ordealof the Revived 45 is formidable.

Since the Monkeea eruptioncompanies have rushed elegiesby Mickey Dolens and DavyJones on to the market.

It happened to the Whowhen they switched labels re-cently; Manfred Manr, sufferedwhen they moved ii Fontanafrom EMI. Georgie Fameswitched to CBS, yet EMI con-tinued to release tracks andthere were several records outby Ike and Tina Turner after"Raver Deep, Mountain High "-released on London-wan asmuts.

And, of course, the Ovalle.,Wan victims when old tracksrecorded during their obscur-ity were reletwed, They werenot oven the principal artists,merely backing group forsinger Tony Sheridan.

Obviously an artist who in

affected in this way oftenfeels bitter towards his formerlabel, though there is nothinghe can legally do to prevent

ICEAN'S

IFEIan's LP " Blonde Onh Carolyn Hester LP

° er, Ilford). What is anI Be Free"? (Miss I.

s personal manager,awing reply: " I regret51.1 to secure answers

Mate fact that exists.are can be no answers

that serious writers3 their public throughare interested in corn-, perhaps they woulde a journalist or worklief that performers'air own.

'NOBODY

HOODWINKS THE

ARTIST -THEY KNOW THE

POSITION WHEN THEY SIGN A CONTRACT'

the release of the discs.But Is It morally right to

put dated material on the mar-ket? For this material couldwork against follow.up re.cords newly -recorded.

7be MM put this questionto the record companies andto artists in the pop field.Here are their answers.

WHAT THE

STARS SAY TOM JONES: "This can bevmy distressing. I know-It'shappened to me. EMI issuedo couple of my old recordingsafter my first success on Deceithut, fortunately, they weren'thits

" Obviously on artist veryis

worried and concerned whenthis happens because it coulddamage his career. After all,the public isn't very concernedwith labels and a record is-sued after a big hit lookslike a follow-up wherever itcomes from.

"I know it can be saidthat business is business andthat the old record companyspent money making the re-cords, but why didn't tnevissue than at the time theywere made if they were goodenough to release?"

GEORGIE FAME: "I don'tthink It's morally right for thecompanies to do this really.Rather than damaging an ar-tist, it confuses the public.

"When we left EMI forCBS, our situation was slightlydifferent-we recorded independently so the material theyhad was all right. It had beenapproved by us.

"But if this hadn't been thecane, I think I'd have beenheartbroken. The companiessay they spend money on allartist but the artist tries hisbest for the company, too,When the contract hoe run out.the companies should do It Ina gentlemanly way by discus-sing the release with the ar.list first."

MANFRED MANN: ""I

thinkit would be unfair to ay thatIt's wrong of the record com-panies to do this. It's bad forthe artist, but it's good forthe company. They have thelegsl-and probably the moral-right to do this, althoughit's unfortunate an the personwho made the record when ithappens

"I wish there was someway of putting something onthe record label making Itclear that it isn't the latestsingle by that artist.

" It hap ned when wemoved In Fopentana from EMI,I was a bit brought down. butI could see why the companydid it."

CHRIS FARLOWE: "Thishappened to me When 'OutOf Time' was a hit, EMI re-leased 'Just A Dream.'

" I think it'a a bit of a

dirty stroke on the company'spart because too many recordson the market at one timecould make the public tiredof an artist"

TONY BARROW (Spokes.man for the Beatles and

Hems): "Re -issue of vintagerecordings can be valuable incertain circumstances. For in-stance, we agreed on to acurrent series of low-pricedalbums on Music For Pleasuremade up of material recordedover four years by Cliff Ben-

ineiersGerry, J. Kramer andPace

Sounds Inc."The only instances of ' un-

authorised ' re -issues involvingour artists concerned someold Hamburg recordings bythe Beatles, made when theyacted as a session backinggroup. They were not in anyway representative of Beatleswork.

"But it's obvious that thepublic realised this because1 gather they didn't approachanywhere near normal Beatlessales figures."

WHAT THE

COMPANIES SAY

TONY HALL (Deceit):" I deplore this sort of thingbut regrettably it's becomeestahlished record practicethese days.

"Companies sometimesspend vast amounts of moneyon an artist without getting ahit. This Is a way of gettingsome of that money back.DeCCa haven't done this with asingle for a very long time end

can't think of any instancein the immediate future whenIt's likely to happen."

PYE RECORDS: "When tinartist signs a contract with arecord company, they fullyunderstand that the companyretains the tapes and are quiteat liberty to release them atany time.

A company spends a lotof money on an artist and ifthem is a chance of gettingsome of this money back, thecompany owes it to theirshareholders to do so. Nobodyhoodwinks the artist - theyknow the position before theysign the contract. And theyare paid royalties on anysales, even after they haveleft the company.

"The company has an ahoy.lute legal right to release records in this way.

" In fact, we often get ar.lists who have left Pye askingthat their old tapes be usedin our cheap LP series. Thesealbums sell a lot of copiesand they make a lot of moneyin royalties when this happens."

PHILIPS:companywould never release a recordif it thought it would he

detrimental to the artist'scareer. However a record costsa lot of money to produce andthis is a way to recoup someof that money, should the op-portunity arise."

CBS RECORDS. "Anyproducer or company who hasrecorded an artist unsuccess-fully is interested in recoup-ing some of the losses if theartist leaves the company andhas a hit with another one. Ifone can do it by this method,there's nothing wrong with it.

" In general though, our ex-perience Is that it rarelyworks. You sell a few thou-sand records and then salesfall off. The kids are prettysmart these days, after all."

coEMI: "As far as we arencerned, this is a commer-

c al business. If it is a goodroposition to release a disc

I ke this, we will do it."

MELODY MAKER, April 15, 137-Page 11

TOM JONES: could damage calm

*mil

GEORGIE FAME: it confuses the public

CHRIS FARLOWE: bit of a dirty stooks

BEATLES: not in any way representative

irsJIMMY RUFFINGonna give her all the love I've gotTamla Motown 603

SANDY POSEYWhat a woman in love won't doM -C -M MGM1335

411111flomd

Arnold LayneColumbia DB8156

4efalt&-e

My Friend JackColumbia DB8115

EMI RECORDS Its. Gramophone Ca lid I EMI H USE 70 MANCHE-SIDE SQUARE LONDON WI

PeggI - I MAKER, April IS 19117

JAllTODAYIS FINE... BUT TOMORROW?

MAX JONES QUESTIONS DAVISON ON HIS JAll

THE DAVISON EMPIRE. -The Grade Organisation is one of the biggest showbiz agencies in the world

It is currently in the news because of the takeover proposalsfrom EMI.

HAROLD DAVISON. managing director of Harold Davison Ltd.. a big part

of the Grade Organisation. is also a director of the parent company

IS America interested in British jazz,and what in your opinion are the

possibilities for British musicians inthe USA?

Do you you mean just jazz musi-cians? Every beat group member is amember of the Musicians' Union .

he's a musician. I'm not going to dif-ferentiate between a symphony orch-estra, a beat group or a jazz group inthis. The fact is, everyone has a beef.And most people, when they're flops,have a beef against the successful.

Let's be realistic: British jazz assuch didn't mean a thing when wewere sending it to the States. TedHeath was probably the only Britishband that meant anything in the daysof the big band.

We were trying to sell British jazzwhich was a copy of American jazz.Britain wasn't creating anything newor special.

Even Ted's band-what was it doingthat other American big bands weren'tdoing? It wasn't until the Beatles camealong and showed that Britain couldproduce something original that wehad anything big to sell.

It's all right our so-called hip musi-cians laughing at these guys, butthey've managed to get in on a sceneand sell millions of records, and createsomething. Maybe the Beatles. andmaybe the Dave Clark Five, are not

NORMAN GRANZ DUKE ELLINGTON" He's one of the mostbrilliant men I've met."

" At present we're doinggreat business."

the greatest musicians; but they hadsomething the Americans wanted.

We sell, we don't influence. We findout what the public want and go alongwith it. Prior to the Beatles we had ahell of a job selling our music toAmerica. They took it now and againbecause they had to in order to getthe U.S. bands here, not because theywanted it.

THERE Is a feeling here, among mod-ern Jazz musicians especially, that

some kind of conspiracy exists whichprevents them from being popular InAmerica. Is there any truth in it?

We don't control popular taste, we

BUDDY RICH TED HEATH

" We'll lose money first " What was he doing thattime with Buddy Rich." Americans weren't?"

abide by it. As I say, we go alongwith the public. They're our marketand we have to give them what theywant or go out of business.

If you can find me a jazz group thatcan create anything like the impacton the American market that theBeatles did, I'll sell it. I find that theaverage British jazz musician is ter-ribly jealous of the beat groups. May-be is is a superior musician, but he'snot playing what the U.S. publicwants.

TALKING about the jazz marketover here, as distinct from the

USA, is business booming, declining,or in between?

NOVEEKtTREE'

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Two years ago I wouldhave said I was worriedthat jazz business wasdeclining. But during thepast year or so, in our con-cert tours, we've donetremendously well. It's beennothing but successes.

The only thing that stillconcerns me about jazz isthis: jazz today is all right,but what about jazz tomor-row? I cannot see what willbe happening five yearsfrom now. But I know thatthe people we're presentingnow and doing greatbusiness with, like EllaFitzgerald, Duke Ellington,Count Basie and WoodyHerman, are names fromway back.

Where are the newnames, the fresh attrac-tions, we know we musthave tomorrow? Name oneto compare with these.

GRANTEDthat the names

are not exactly new, howabout touring the Clark Terry -Bob Brookmeyer group whichrecently came here just fortelevision shows? This is anewish group which won ourCritics Poll this year,

Yes? Well I'm not interestedin what the critics say-theydon't sell tickets. But I'll tellyou this: if we put on theTerry -Brookmeyer group upand down the country tomor-row, I'll guarantee we'd losemoney and lose heavily. AndI know if we put on CountBasie or Ellington we'll be allright. ELLA FITZGERALDSo far as Terry and Brook-meyer are concerned,

wone'd" In order to make concert tours pay you

I think the point about jazzaudiences is this; there are alimited few who will go alongto see, say, an avant-gardeshow, but in order to makeconcert tours pay you have toget the fringe audience thatDave Brubeck draws on, orElla or Duke, and which theavant garde do not draw on.

When the government, orthe Musicians' Union, or jazz

musicians in general care tosubsidise our business, thenwe'll do what is consideredright by jazz music. Mean-while, we are a commercialorganisation and to be quiteblunt, the question we haveto ask is: what profit can we

alone I admired him.But since I've got to know

him-and he's one of my clo-sest friends - I respect himalso as a gifted, intelligentman. I think Norman is thetype of man that if tomorrowhe finished with jazz and .vasplaced in charge of a nuge,multi -million dollar corpora-tion, that brain of his wouldpenetrate the problems andget that business really crack-ing.

It's My own view that whatthis man is doing with jazzConcerts-though of coursehe's a very wealthy man, soit's really more of a hobby-is in some ways a waste of

probably get by with onefew fringe audience that Ella draws on."don concert for the very

keen fans, but a tour justwouldn't make sense. Asmusicians, I admire them tre-mendously. I hope we're go-ing to bring them over as partof a package we're trying toset up called Top Brass. ButI'm talking about box office,not talent.

afraid to take risks, but theyAnd it's not that we're 1,7. ONLIon.haanveGrsatk,enj.za,boAu

Almust be risks worth taking. The Phil. Has your relation -Now Buddy Rich is

big Yes. As far as Norman

calcu- ship with Granz been an Im-lated risk. We will lose money portant one?the first time with Buddyband; we know, and we've set Granz is concerned. I must saythis aside. But within the next he's one of the most brilliantthree years, when Buddy Rich men I've met in my life. Longwill prove himself at the box before I met him I knew aimoffice, we'll gel our money by reputation. He was doingback. I can't believe we'd do what I always wanted to do inthat with the avant garde the early days: presentingmusicians, great jazz shows. For that

make? This is a public com-pany and we have an obliga-tion to shareholders.

have to

that

he's

minds oaubtr.ilwimiahnatt.

applied to other thingsbeat

hobby.

nz

tdsh1131:

DOES

Syhioajoelui

element

koiefrat

expressed

f

musicia

the

ns,

nali

and

a'

doing because you'd still ilk'seto be doing it yourself?No. not necessarily

tagree

with what he does,

t is not so. don'talways

I'm not directly concernedwith this side of it. Jack Hig-

gins is the jazz expert here,

and half the names Norman

and Jack throw at me I don't

even know.

I know what I like, but whatI like is not necessarily whatthe public likes, and if they

rat upa name to me that the

public likes then we'll presentit. Because we're in the busi-ness basically. I should imag-ine. to make money.

YOU say you know whatyou like In jazz. Is it

true you have a preferencefor big bands?

I like and always have likedbig band sounds. A couple ofmonths ago there was a recep-tion at Ronnie Scott's clubfor Woody Herman, and it wasabsolutely wonderful. Bandsin a concert hall are all rightfor me, but I've never quitecaught the feeling in thiscountry I got in America whenI went into a night club whereI could relax and get stoned,or whatever I wanted to do,and hear a band really swing-ing.

I was so thrilled that nightwith the Herman band inScott's that I thought here

is something we've gotto do. And now, be-cause of that, JazzFrom A Swingingthe whole package, didtwo nights at theRonnie Scott club;Buddy Rich and hishand did two thisweek.

There must be threehundred people inLandon who are pre-pared to pay more fora meal, a drink, and achance to relax andhear a good jazz out-fit in action at a nightclub such as the Scottclub.

I think this could bethe beginning of some-thing new in jazz pre-sentations. The con-cert thing goes on andon, and it's all veryfine. But I feel, speak-ing as an individual,as a fan, that it's a bitcold.

get

IT is said that theDavison Agency

owns a percentage ofthe Scott Club. Is thattrue?

I'll tell you theexact situation. Scottcame along to mesome time ago andwanted to enlarge hisclub, and he lackedfinance. Jazz has been

goodto me and I

anted to do some.thing for it. So Nor-man Granz and I putthe money up.

We put up the fin.ance for the new cluband that's all we didAlthough one can satwe backed the clubwe are not concerns,with its operationI've only been dewsthere a few times.Just feel we neededsomething like fhbclub, and Normalwent along with mesWe put the money in, and Priure Ronnie will agree thewe've never nagged himinterfered in the running 0the club.

the

menwords,

:,alest.rysinOgeatkoing quite realislt:tcallY.the ut cal

viewm a business poinsenseless, I don't mean this ti

Re' Oar, money back. 'But

of what I've got out of jazz

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Buck CLAYTON

BLUES AT

VARIOUSSPEEDS

I The lithe, cleanly melodiclines of Buck Clayton's trum-pet blend agreeably with thehavier, more direct playing oftenorist Caddy Tate on "BUCKAND BUDDY BLOW THEBLUES" (Kira 5021), an easy -sounding blowing session ton,pined by Charles Thompson(Pna). Gene Ramey (bass) andGus Johnson (des.). The music,as you'd expect, is blues at

Krious speeds with a Basin-ansas City flavour Imparted by

the approach of these (with theex Sir Charles) farm-er Basleltes and by the simplerill choruses used, The albumopens in a most businesslikeway with the brisk "Remain' AtRed Bank". exceptional for Buckand the happiest track allround, followed by a familiartheme, here called "BlueCreek", which Features Tateblowing almost Lestorian clari-net, Clayton again plays verywamly and a passage of clari-net-trut interplay has Inter-est. ;Swinging

Doll", withbooting t and "Dallas De-light", buoyeenor, d up by lustyrhythm section playing, are up-pish Clayton originals. Side two

repeatsre the plan, and thoughquintet (and particularly

Buck) plays with assurance andunfailing swing, the musicbaims a somewhat blunt impactecause of repetitious material.

An extra horn and some build.ins arrangements ould havehelped no end_ - N.J.

11 THE BEST OF STANGETZ " (Verve VLP9165) Is arather sweeping claim for a Octof Getz recordings which arclargely bossy nova items madebetween 1962 and 1964. 'Thereare two big band tracks. "dimBoin. and " Nonha De Cara -

Garywith Lett hacked by the

a McFarland Orchestra andsix different small groups teat -urea an the remaining eighttracks. Astrud Gilberto. JoaoGilberto, Charlie Byrd, LutzBanta, Kenny Burrell and Gary

smBurton are among Getes col-leagues in the all groups.The gentle, lyrical music ofbossa always admirably suitedGetz's method or understate.inent and he plays well onevery track, whether or not youwrit want to fork out for the

`tdepedswhethec you

already own ouch items as" Dentinado." " One NoteSamba," " Girl From Wenn."and "Jazz Samba."-B.D.

Kennedy's death was, obvi-ously, a traumatic experiencefar many people in America;and not surprisingly the tragedyInspired a number of songs.B ounty's"Can't Keep From Cry-ing" (BY6035-price 255 Od),sub -titled "Topical Blues On TheDeath of President Kennedy".present 11 of them done by tendifferent is Maers.

Big Joe Wil.liana wrote n AmongstMen", which he sings and playswith introspective feeling, asthough singing to himself.James and Fannie Brewer followwith "I Want To Know Why",Coca! and guitar duetting tothe traditional "Sitting On TopOf The World. theme; thencome John Lee Grandersen's"Nan Far The Nation", some -

hat Blg /111-Isit in style. and"Sad Day In T.46.' sensitivelyrendered by Otis Spann's voiceand piano. The first side is complated by Nary Ross' .PresidentKennedy Gaye His Life" andguitarist -singer Bill Jackson's"22nd Day Of November. Thesecond half has more

November".

and Fannie Brewer -note the re.semblance to Josh White in 111.sguitar work on "Why Did HeHave To Go?" -and a solid

al-planteharmonlca - mandolinec min on Johnny Young's "ITried Not To Cry'. The album,an unusual and sociologicallyInteresting blues set, also in-cludes Avery Brady's "PenKennedy" and Jimmy Brown's

Liolin-accompaniedHe Was

aced By All The People", twoout of the ordinary perform-ances. It Is especially an LPfor people who dig significantlyriu.-M.J.

JAll L BLUES OFFER

OF THE CENTURY

Terminal sleeks of Attentit andleaden 12" LP.s 19/64

Deletion stocks of Riverside, CPhilips end Memory 12" L.P.s ISA

Philips LK 116 Louis Armstrong"yeah" IBA oath

All:::,74.'1'::1.',7,771r,,t7"°

SEND f Oe tilt mai revrva. Pm,* mCADIEDA1 JAZZ CLUB 14 Millinerm est

Cern&I Pomona, 1111/44011AM. 34

JAllMNIKED,

Another fruitful trip downthat old Indo-Jazz trail

REVIEWERS: BOB DAWBARN, BOB HOUSTON, MAX JONES

THE Joe Harriott-John Mayer "Indo-JazzSuite " was voted Best British Jazz LP of

1966 by Melody Maker Readers, and although Iwouldn't go along wholeheartedly with that selec-tion, there can be no doubt that the mixture ofHarriott's quintet with five Indian musicians pro-duced a stimulating and often exciting noise, es-pecially when the Indian and jazz rhythms gotgoing together.

A second helping comes up on "Fusions," and if any-thing it's slightly better than "Indo-Jazz Suite." The mainreason is the presence of Shake Keane, whose trumpetand flugelhorn are outstanding here. Eddie Blair was verysatisfying on the first album, but Keane blows forcefullyand freely and seems entirely at east whether pittedagainst a tabla or straight.forward jazz drums backing.

" Partite" takes up thewhole of the first side, andonce the formalities are dis-pensed with it rolls alongbeautifully with Ganley dove.tailing well with Indians. Mar-riott and Keane both have ex-cellent solos, with Keane'sflugelhorn a delight. Parts ofthis tend to bore, but oncethe combined rhythm sectionswork up a fair bead of steamit more than compensates.

The four shorter tracks areall interesting and most con-tain fine solos from Joe andShake, mainly because theyblow holes right through therather formal framework" Acka Raga " is more or lessa showpiece for Motihar'ssitar: "Subject," a Mayer -

Marriott composition builds toa nicely paced piano solo fromPat Smythe which is one ofthe best things on the record,topped off by a brace of Mar-riott and Keane outbursts.

On " Subject " the jazz con-tent is stronger and conse-quently this is the most satis-fying track by jazz standards.On the remainder, there's stilla feeling that the jazzmenhave to give way more oftenthan the Indian quintet.

If you enjoyed the first al-bum, then you'll certainly gofor this. But I still feel thatthis is a rather restricted ter-ritory to explore and in manyways this set beam this out.There's no real advance on"Indo-Jazz Suite," but never-theless It's well worth hearing

ERIC

DOLPHYERIC DOLPHY: Out-

Dard Bound.. G.W.; Greenolphin Street; Lee; 245;

Glad To Be UnhaPPY. MooTani (Transatlantic PR -

737.1).Dolphy (alto, bk ell,

Freddie Hubbard (lot).Jaki Byard (ono), GeorgeTucker (bass). Ray Haynes(Ors).

THIS made its first appear-ance here in 1961, and

it's good to have It availableagain as it's possibly thefinest Dolphy of what mightbe termed his middle -period.

The formation of this twin.tet is In the neo.bop fashion,and trumpeter Hubbard aseared me during his gig atRonnie Scott's, all the tuneshad chord sequences whichwere adhered to. The Byard-Tucker-ffaynes rhythm sectionfunctions in the normal man-ner, and it N only in Dolphy'sthemes and solos that hintsof what lay beyond the classicbop pattern are given.

Dolphy's playing is muchcloser to the Parker idiomhere than on later albums andfor many listeners this willmake it more enjoyable, liePlays storming alto on "OW,"" Les" and " 245," while"Green Dolphin" and "MissToni" are fine examples ofkla gobbly clarinet, Hubbard,though far from the maturedsoloist he is now, plays welland has several good solos." Glad To Be Unhappy " feat-ures Dolphy's flute, an instrumen) which calmed his wilderinstincts.

This is well worth a placeIn any collection if Ira notthere already; hul once again,

JOE HARRIET I JOHNMAYER: IndoJeu Fu-sions." Partite: Mnklani;Gann; Acka Raga; Subject(CoIntubia 5561.22).,

Harriett (olio/. ShakeKeane 1101, lingo!), PatSmythe (000). ColeridgeGoode (bass), Alan GanleY(drs) John Mayer (vin.harpSlohord). Biwa. Hotlyher (sitar), ChandrahasPalgankar (tambura) KetThay lathe (tabla), Chris

aylor MD

surely it should have been onTransatlantic's cheap label asit's a reissue?--BH,

JOHNNY

HODGESJOHNNY HODGES--WILO

BILL DAVIS: " Blue Pyre-t1,11n ..11.1es For Madeleine;

F Blues, Pyra-mid; Nonchalance; AtDown; The Brown -Skin GolIn The Calico Gown, StormyWelher, Rabbit Out of TheHot. Hash Brown. (VerveVLPg157).

Hodges (alto), Dorisindent, Lawrence Brown(tmbl, Jimmy Hamilton(nth Billy Butler ROD, BobBushnell (bass), JimmyJ (pno) Hedge Lavelle,Joe Marshall or JohnnyHodges Jr (des). 1966.

eONIETHING went wrong upss, there at EMI when theyprinted the covers for this LP.The file reference at the topof the sleeve says "Jazz: Tra-ditional (British)." The musicisn't what is usually under-stood to be traditional; it isn'tBritish, and doesn't sound re-motely like any British -madejazz I ever heard,

In fact, it is the latest inthe long series of Hodges -Davis collaborations: main.stream stuff played by veryexperienced hands and slantedhere and there towards thepop -jazz market.

Creed Taylor produced theLP, and his touch is discern-ible in the choice of material,in the approach to "Feelin'Kinds," for example, and Itsuspect) in the presence ofFender bass and Butler's gui-tar, and In some of the rhyth-mic treatments used.

Taylor is recognised as anastute jazz salesman who hashelped to make best-sellingallnims for Getz, Jimmy Smith,Wes Montgomery and others.He is trying to populariseHodges, I imagine, and findingthe Rabbit a bit resistant -un-willing to work in the 5/4 andso on, or dig deep in SouthAmerican territory.

JOE HARRIOTT AND JOHN MAYER

Here, though, tracks like"Kinds" and "Hash Brown"have en affiliation with popu-lar music, and the former I

would have thought stood achance as a single with anappeal similar to, say, " TakeFive."

It is on attractive 24 -bartheme by Gerald Wilson,as played here by Hodges,melodically but with cunningaccentuation and variations offorce, over a slinky juke -boxbeat, sounds dead catchy.

Slow, gliding allot heardon "Madeleine," a 32 -barHodges song dedicated toFrench writer MadeleineGautier, and there are easy-going solos elsewhere, bythe other Ellingtonians as wellas Hodges, all playing wellwithin limits but adding tothe general proceedings.

Lengths of rather uninvolvedpretty playing, on "Noncha-lance," "Stormy" and" Dawn," dampen my enthu-siasm for this LP, whichdoesn't have the jazz interestof Creed Taylor's " StrideRight," with Hines andHodges, for instance. Still, it'snice to hear Johnny perform-ing something different.. -171.3.

JIMMY

ISMITHJIMMY SMITH: "Peter

And The Wolf." The Bird;The Duck; The Cat; TheGrandfather, The Wolf;The Harder: Peter; DuckTheme; Jimmy And TheDuck; Peter's Theme; MealTune; Cleary For A Duck;Cut In A Tree; Capture OfThe Wolf; Finale (VerveVLP9159).

smith organ, with bigband arranged and con-ducted by Oliver Nelson.November, December toneNew Jersey.

THEmixture of Jimmy

Smith's propulsive bluelyorgan and Serge Prokofiev'schildren's classic is an un-

RADIO JAZZFRIDAY (14)

5.20 pm R1: Jazz. 6.30 111,

Jazz Rondo. 7.0 02: CharlesMing.. 9.30 U: Frank Sinatra.11.5 0: Amateur Jazz Bands.11.15 7: Steve Lawrence, EydieGorme, etc. 11.45 Ti MilesDavis. ,

SATURDAY (1.5)11.50 am BBC T: Jazz

Record Requests (Humph). 2.55pm HI: Radio Jan MagazineB(and

at 4.2). 3.30 E: Rubyran. 5.0 111.: Jen. 7.5 J:

Sammy Davis. 8.0 R2: Jazz Con -Corte. 10.10 Et Pop end Jazz.10.35 01 Pop and Jazz. 11.15 7:Ja Williams. Thad JonesMelLewis Orb. 11.15 AS: Get ToKnow Jas.. 1.45 T: Miles DavisQuintet. 12.30 am J: JanFeStlyal, 1.0 E: Harry Carney.1.20 P: Jan From Holland.

7.0 pm N2: Radio Jan. 8.0fll; Big Band Music withMonica Zetteriund. 9.15 la:Swing and Sweet. 10.30 Al:Free Jazz 11.3 Al: Six TrailBands. 11.30 I12: Java. 11.31BBC L: The Jazz Scene (AckerBilk's Paramount JD, JimmyRushing, Steve Vine' Colinsmith Quartet). 11.45 AI: BigBill arnnaY (Haines Panassie)12.15 am E: Jan and NearJazz.

MONDAY (17)

5,5 em Ml: Jazz. 9.30 J; BigBands. 10.15 NI: From Spirt.loafs To Swinang. 11.10 IC Jazz.

T: Pop d Jazz. 1115 V:Jazz Corner. 11.45 7: Run Olay.Nat Adderley, Drubeck, Kuhnand McFarland, Les McCann.

likely one, but thanks to theskilful work of arranger -con-ductor Oliver Nelson this al-bum is unusual and enjoyablein the main.

Nelson has scored largechunks of Prokofiev for a bigjazz ensemble and in partsSmith comes in to roar away,turning the very Russian musica decidedly blue shade.

Nelson's arrangement of thefirst part of the original"Peter" is cleverly and hum-orously done, while the sec-ond side - from "Elegy" on- are all Nelson originals.

The different characters in"Peter" are given musicalidentities in Nelson's opening- the Bird is flutes and pic-colos; the Duck is the oboe;the Wolf is two french hornsand trombones, etc.

Smith is well up to form,especially on "Cat In A Tree"and Peter Plays Some Blues,"and the whole album is donewith such taste and humourthat what could have been amonstrous, pretentious mish-mash turns out to be enjoy-able. unusual and swinging allthe way. With Smith and Nel-son, though, it couldn't helpbut swing. - B.11.

MEMPHIS

SLIMMEMPHIS SLIM: "Pine -

top's Blues." Pinotop'sBlues; Blue This Evening,Caught The Old Coon AtLost; We're Two Of TheSame Old Kind; In TheEvening; Gain' To KansasCity; Got A Little 010Mama; Rock Me Baby;Don't Think You're Smart;Me, Myself And I. Mem-phis Slim USA. (Interna-tional Polydor 421211.)

Peter Chafman (MemphisSlim) (pno. vac), Alexis Kor-ner (girt. Stan Greta Ides).London, 14/7/60

MENIZISwheSnLIMtcamerec

recordedtrdetl.

ES7.0 pm N2: Sonny Stitt. 9.10

1112, Jan Tempo 10.00 N2: JazzDiscs. 11.0 U. Billie and Ile -DePierce's Presentation Hall All -Stars. 11.5 0: Jan Concert.11.15 T. Wes Montgomery ChrisConnor. 11.45 7: JohnnyHodges,

Rex Stewart, Ellington9404).

WEDNESDAY (19)5,45 om BBC T; Jan Today(Charles Fox). 6.50 H2: NegroSpirituals. 70 N2: Lou Donald -

Quincy Jones BootsRandolph. 9 20 0: Jaea. 4.30Jazz. 10.39 13; lazzLet. 10.55 1.11,

PopRadioand

Jan 11.30 Hl: BoyJan Magazine. 11.15 T:

Edgar's Big Band. 11.45 T( WildBill Davis, Johnny Hodges.THURSDAY (20)

4.35 pm LI: Jan In Poland.

Britain in 1960, back in thedays when Stan Greig wasstill a drummer. The bulk ofthe material was issued herein '61 on the Collector label.

In some ways it's a goodalbum because it offers avaried selection of the thingsMemphis was doing at hispublic appearances, includingthe relaxed explanatory chatover that slow -blues piano hecan drive out as well as any-one living.

In other respects it comesoff less well. Some of Slim'ssinging is a little off, andthere is a sameness of levelabout it which leads to a cer-tain monotony -a fault heavoided on the better of hissubsequent LPs by interspers-ing a number of his fiery pianofeatures.

But that laik-''this can bedescribed as a fair show -casefor Slim's dark -voiced singingand barrelhouse keyboardstyle.

Mixed in with the blues ori-ginals are such classics asLeroy Carr's "In The Even-ing' and Bill Broonzy's"Rock Me Baby" (the orderof events on sleeve and labelis wrong, by the way, and" Evening" actually follows" Rock Me") and the opening" Pinetop's," on which he paysmusical tribute to the boogie-woogie champ. -

" Me, Myself And I " (noth-ing to do with the old popu-lar song) is a slow -rockingblues with Korner guitarchorus; " USA " is meaty me-dium boogie with vocal, while'Kansas City" is the Willie

Littlefield hit tuneMost of the others --includ-

ing "Caught The Old," rathersurprisingly - are slow, plain-tive blues. Collectors of curiosshould note that "Blues ThisEvening" is Slim's notorious

If You See Kay" song.Memphis' British friends ac-company competently withinthe framework, but I tend toprefer him working alone,-M.].

by CHRIS HAYES. LI VeParis Jazz

aClubs. h900 E AndrPrevin Quartet. 10.0 HL CharlieByrd Trio. 10.15 01. JCorner 11.15 7: Will BronsonSingers. 11.30 E: Ella Fitz-gerald. Marty Patch Orb. 11,45Ti Charles Wilgus, Sonny Stitt.Programmes subject tochange.

KEYLENGTHS

ETATIONs AND WAVEIN METRESA: RTF France 1-1029, 2-345.

. NDR Hamburg 309 159St:Hilversum1.402, J. .AFN547, 544 271. 14: Searbrucken211. Ns Denmark Radio 1.1224202, MS; 2283, 210. Er BRMunich 375, 1147. P; RadioNederland 375. Et: HR Ffart 506 R: RAI Italy 1-333,"21:2.355, 290. T: VOA 291. U: RadioBremen 221 V: Radio Eireann530.

ELLA

FITZGERALDELLA FITZGERALD: "Ella

Fifsgerold's Big Sixteen".Ey.ry The We Say Good-bye The Swingrn. ShepherdBlues, Can't We Be Friends;Manhattan, The Lady is ATromp, W011 A Song in MyHeart; A Foggy Day; Like

Con't Bay

Pons,

Do II; Pete Kelly's Blue,:SI. Laws Blues, Midnight

eetest

Peep e

ELLA FITZGERALD( "EllaSwings Brightly With NelsonRiddle." When Your LoverHas Gone; Don't Be ThalWay, Love Me Or LoonMe; I Hear Who)Am I Here For; I'm GonnaGo Fishoi; I Won't DoneeI Only Have Eyes For YouThe Gentlemen is A DoneMean To Me; Alone Togather; P,ck Yourself L112

(World Record Club Store`.55941.

HERE'S a big ration ofElla, and if you like her

-which is practically obli-gatory if you dig singing atall -the records will speakfor themselves.

The first set is probably thebetter simply because it con-sists of 16 handpicked per-formances and scores on thegrounds of variety and muss,cal backdrops.

Not all of the tracks are AIby my standards -I certainlywouldn't have included" Sweetest Sounds," " People"and "Lady Is A Tramp "-and some of the accompani-meets are conventional, evendull. But there are many gemsand the overall standard ishigh.

"Can't We Be Friends," tostart with, is a winner. Ellaand Louis, with the OscarPeterson group, earn four orfive stars all round in com-parison with what's going onelsewhere.

Songs like " Every Time WeSay Goodbye" and "Manhat-tan" are beautifully sang,though the Buddy Bregrnanbackgrounds have a somewhatindeterminate flavour. " AFoggy Day," also from thefirst Ella and Louis set, is lesssuccessful than " Friends "but listenable.

On "April In Paris," Ellasings winningly and has thebenefit of Baste's surging orch-estra; " Let's Do It ' is a sup-erior reading, and " With ASong In My Heart" has agreat deal of languid charm.

Like Young " is one of sev-eral tracks showing thesinger's propulsive swing." Pete Kelly's " and " StLouis " are impressive enoughfor Ella, but I'd like to haveheard her supported by sym-pathetic On instrumentalists

who were inspiring to thesinger. "Midnight Sun" isone melody strong enough tomake an appeal on its ownterms, when it is well sung,even though the lyrics tend tobe over -pretentious.So, on balance, this is aquality release although I'dpersonally quarrel with thetitle. Anyway, check the titlesagainst your collection beforebuying. It is an indication ofElla's consistency and generalexcellence that the second LP,made -in one or 1W,, goes Pre-sumably, stacks lip well forstyle and overall accomplish-ment against the other seleclion which ranges over severalyears

cotaccompaniments are on theRiddle's orchestral

heavy side, but Ella soarsthrough everything with verveand assurance and the oubcome is an album which Fitz-gerald fans should snap up" When Your Lover," '' Oat;Me Or Leave Me."Gonna fin Pishin '," "Mean'In Me" and particularly" Don't!examples

Wayworthy of Ejla'ahighly conlrlilled art. -MA.

MELODY MAKER, April IS. I987-Page /5

Instrumental wit I a

Matting cooing vocal ponyVines. Titles include""Misty.

Me" (best track), Why,"Tie Last Word In

Home'Whew Is Ma," " MY Home

Davy Jones is so much pipbetter with the Monkees! RpmnAVY JONES: "It Ain't Me

Babe " (P)e): Oh dear.Now Pye have lilted a trackoff the old Davy Monkng

r

album to Issue this chi pyversion of what used to bea beautiful BOb Dylannumber. Dylan has a soulwhich Is really his, andonly his, and it's incrediblethat Davy, or anybody else,should want to disfigure theDylan original. However,this will shatter your ear-drums with it's metallic,voluminous sound and thereare one or two fantasticallysubtle Cockney acntuce -ated words left in just sothat we can all get patrioticand rush out to buy a prettydreadful, old, Davy Jonessingle. He's so much betterwith the Monkees.

THE HERD:" I Can Fly" (Fon-t-ening This is a compactlittle group presently doinga ton down at London'sMarquee Club, and nowthey get another airing onrecord under the watchfuleye of Ken Howard andAlan Blalkely who com-posed this, their first, psy-chedelic song, already! Notsurprisingly there is a DaveDee feel to the number, andSteve Rowlands productionleaves me as cold as usual-which is a shame becausethis type of harmonious,atmospheric number-whichrelys mainly on effect -

needs clever production.Without wishing todowner we can only ay-pleaset you're going to freak,do it properly. Be-ll ve it or not, there is goodand bad " psychedelic "music.

DENNY LAINE "Say YouDon't Mind " (Dream): Sincehis split with the MoodyBlues, Denny has beenyPretty quiet, but nowbreaks into song again oehis first solo single hisown composition. Deemhas a very distinctive,exy-pressive sound and it's apleasant lilting record,nicely produced by DennyCordell. Not an instantlycommercial song but theblue, mournful feel incor-porates enough charm tocharm It's way into the 30.

JULIE DRISCOLL: I KnowYou Love Me Not" (Porto -phone): This must be Julie'sfirst serious chart con-tender Giorgio Gomelski'sclimatic production and thesweeping, crashing arrange-ment combined with Julie'sbelting vocal makes itvery overwhelming record.Britain has few good girlsoul singers, and even ifthis record doesn't happen,it's a gas to know that wehave another on the wayup-and that's the direc-tion Julie's going.

That old TomJones magicstrikes again

LPs

TOM JONES: " Green Green Town Sweetheart" and "Afterst as Of Home" (Deets). The Laughter."Toes Jones has an enviable SHIRLEY BASSET. "Anitquality in a singer - the µre wereability to add magic to an Artists). If Miss

(United

ordinary song with his superb sounds a t brassy here,coral treatment. More 1.°U( she can he Porgniver. For she.:that June, is in a class of mercifully played down theown an our top male singer. shrieking and sings exceptionTough as nails voice, power- ally well. Whoever chose thehouse delivery yet a softtender touch when necessary,

songs de""" a eat on "'-ry back, too The album includesAll tats adds tip to another .. The Impossible Dream.'fine album from the Welsh ..D0 -Dwonderboy. The feel is coon- rumege =meg.,We Were Lovers," On A

and the songs often tread Clear Day You Can See for -knee -deep M corn. but It isever" You Gothe Jones voice that putsthe stamp of ChM on it. He

Away.

includn his Gold Disc Hit GENE PITNEY: "Big Six -"Green Green Grass Of teen. Volume Three" (State.Home," the follow-up "De- side). What can you say -troit City" and his new except this is 16 more songsrelease 'Funny Familiar sung in hoe Pitney manner?FM SMUT Feelings," but

well-known,aknown, some not so

there's no abort . vietght but all given

because there are other Gene's brand of song styling.tracks, These range from a Titles Include "Rags To

muscular " Riders In The Sky," Riches," " Through

and a tender "He'll Have To The Eves Of Love,' "There'sGo," to the Johnny Cash hit No Living Without Your

"Ring Of Fire " and the old Loving," " Princess In Rags,"

cowboy Mt "Cool Water." and " All The Way"The other great figega arc. NINA SIMONE: "At Came-

Sbileen Tons," "Two Broth gle Hall" (Golden Guinea).

tfir" My Mother's Eyes," Ninas unique talent comes"A Field Of Yellow Daisies." through marvellously on this

"Say NO T" T°'" "All I cheap release. PianistGet from You Are Heart-nee mien sir -none,

CLIFF"'ha ""'HARD: Sam " shortlytor,

here, has a

L RICH "Don't superb emotional feel. She

Med Me Now" (Colum. concentrates mainly on slower

MO WV'S romantic balladeer tempos and includes a marvel

le harking back to his erner. lovely moving ands tat

geOt years as Britain's top piano solo on the iTtefni.,

Hitt and roll star This album From Samson And Deli a .'mod.

features Cliff On some beat isn't Nina in exuberant mood.

numbers (and a couple of bal- but some fine examples of /ler

lads), and Mr Richard sounds vocal style and exquias; c,

vocally greet 11 a little dated. tasteful piano. 'nher.. tracks

One for the fans who are old include. "Black ,

enough to remember the I Find My nlo.ve ' nannd The

halcyon days of Wham and Other WomaAt

erifear. IM). Titles range from TheTHE PEDDLERS:Oh, Kind New fans - lend

ypB " and "6.°°d Golly three-man Peddlers arc a very

"Miii Molly" to Simon and fine group owing nut a littleGarfunkel's "Homewardm tarty musty.,

Retold" hoivri hod a kit Wdate My

EDDY ARNOLD: "The Lail they have

Victor)..n

Lonesome" (RCA enthusiastic following among

A lightweight album pop people. mmiunrgh rirfot.heirthre7;

from Eddy Arnold, an arti potation ceat

Who walks the thin line he' successful residency Lee'

Nieto pop and country and don's Pickwick, she clue to

theirrover seems to slip completely their lack of commercial

dnwn into e itherre h teas Iles Pr s

tinge mainly sadly romantic standards-they"are high, per.

WMP In vatIoue ferment: "Pihigh

A knockoutIf atrIlle mannered in

vOc lYPIM le arrangement,. theryPocala at time This album,el

recorded with a star.studdedaudience at the Pickwick

should Introduce them to a

wider audience Pete Murraygiven an effusive introduction

APOSTOLIC INTERVENIION:"Have You Ever Seen Me"(Immediate): One of the firstSteve Marriott -Plonk Leinecompositions and produc-tion arising from their len-mediate business deal. Thisis a big, deep, very SmallEaces-like number andsound, but think it's a littleaggressive and Imposing forthe present pop market. Asever with Faces recordsyou feel there are great bitsand then again, it could allhave been so much better.

BILLY J. KRAMER: "TownOf Tuxley Toy Maker PartOne" (Reaction): From theNEMS-Stigwood combinecomes Billy's new disc onthe Reaction label, writtenby new group the Bee Gees.Billy's voice doesn't comeover completely, but thenumber has a lot of appealand certainly might hitwith its cute fantasy line,and child.fike philosophy.Not bad.

tHE PURPLE GANG: "GrannyTakes A Trip " (Transatlan-tic). Prohibition -style Chi-cago raver with this newwell -spatted double breastedBirmingham group. It's avery charming little dittywith nice bluesy harmonica,some of the most appealingcomb and paper on record,and a good lyric aboutGranny taking a trip oncea year to the movie audl-

DAVY: track from an old album.

fions in Hollywood. But she swings along In a vaude-never makes it. Good record, villa good-time way. Pos.nicely produced and it sibly a hit?

JONES: a soh tender touch when necessary

to the record which featuresnumbers like "What'll I Do,""Misty," "Georgia On MyMind," "Over The Rainbow,""Walk On The Wild Side"and "Gassin"."

JULIE ANDREWS ANDCAROLE BURNETT: "Julieand Carole at Carnegie Hall"(CBS), A two -woman tour deforce if a little too American-ised for home consumption.Cut live at Carnegie Hall, itfeatures Julie and Carole in aseries of songs and comedyroutines written round musicalcomedy, ballet - and even aparody of Julie's smash" Sound Of Music " film.Corny, but often clever.

WANDA JACKSON: " Sal-utes The Country Music Hall()I Fame" (Capitol). Wanda's

a leading country artist-hereshe pay tributes to some ofthe greats of country music-Hank Williams, Ernest Tubb,Tex Ritter, Jimmie Rodgers,Roy Acuff. It's to her creditthat her performance of thesewellknown songs doesn't fallflat. Wanda sounds good onnumbers as well known as"Jambalaya," "JealousHeart," "You Win Again,-" Wabash Cannonball" and" Fire Sall Mail."

THE VENTURES: "GuitarFreakout " (Liberty): Hardlythe best material for "freak-ing " on and it's about timethe Ventures stopped makinginstrumental cover versions-at least the Shadows don'thave to stoop that low. Quitehonestly this album is a bitof a joke hut you can't write

it off that easily - becausethere are one or two nicethings happening: " High AndDry " a building twanging" (reak," cannot be ignored;nor can "Mod East" anoriental flavoured track,whereas the title track, sur-prisingly enough, is a corny,square attempt reminiscent ofa pallid Duane Flea number."Week Wads " features thebass guitarist who has drawnfrom the Capitol's "CoolJerkerk" for most of his ideas.Add week versions of "Stand.ing In The Shaven" Of Love.""I'm A Believer." " Snoopyor. The Red Baron," mix oneor two more rather over.tremeloe-armed originals andyou have a bearable gardenparty record but not muchelse.

FOLK LPs

Len Chandler is a youngguitarist -singer who deals inersonal per as they say.

o manner which seems to

Josh 1r:rho a 'lir Dylan. 717:debut album, "TO BE A MAN"(CBS BPG629)1.), contains a

dozen al his songs-some orthem powerful pleas or warn-ngs. The an song is one,

"Bellevue." and "Tae Of The'Lig era others. Be the pret.er ;ide, Chandler writes love

stories such as "Haney Rose"here which are very DylanishIn feeling, also vaguelY chain-sophIcal messages like "ShadowDream Chaser Of Rainbows".And there are humorous talk -songs, "Missionary Stew" forinstance !Vs quite an imPres.sive performance tit a newtempos...singer with somethingof hls own to say To my Tina,the more passionate deliveriesare Just that much too intenseto he fully effective. and I

prefer the relatively under.staled things He plays plentyof guitar. too in an eclecticmanner which suggests agrounding in Josh, Big Bill andall like that. -

Singers and songwritersin the Bob Dylan bag keepappearing on the scene, andthough I am a qualified aderawer of Dylan's later, beatierwork I view each new chal-lenger with mixed emotions.The newest contender to comemy way David Blue, doubtlesshas a personal style which willcome through At the moment,though, much of his singingand some of his writing reflectDylan to an extent that makesit hard to assess his originaltalent. Titles like "Arcade LoveMachine". "Grand Hotel" and"The Gasman" on "DAVIDBLUE" (Elektra ERL 0003), andthe fast, swingy "Justine",seem to be based on Dylan'sconception of song -poetry. vocaldelivery and type of accom-paniment and often we findfragments of lyrics t"steal your meter" and "secretagents" and so non hoout in a crowing voice whiskstrikes us Ilke an echo of somehaierernembered Dylan credo

hope I'm not being unfair toa

sinpromiing

young artist, buteven the comprehensible prosepoem on the LP sleeve Is

Dylanesque. Blue's voice andguitar are supported by MonteDunn (ate). Paul Hams (organpiano, etc), Harvey Brooks(Sass) and drummers BuddySalzman and as the label putsIt, Herbert Lovelle -M.J.

NI On "SONGS OF $15061.TIES" (Philips BLT749), DonPaulin runs through an inter,national selection of songscreated by various minoritygroups Among the attractivethemes Included are "Shit Solt"and "Sherele", Jewish dancetunes of one kind or another;a Russian song called "vow°,ehko": a Spanish pipsy lovesong, "Zorongo": and a Creolenumber, "HICHIE Banjo".Paulin also attempts the BessieSmith classic, "slack mountainBlues", and a version of "BlackGirl" which could have comefrom Lead Belly or Josh White,though this interpretation issomewhat insipid. In asbreadth and character tho,album Is comparable with on.of Theo Bikers, but Don Paulindoesn't yet pack Bikers punchor personality.-M.J.

HIS!

an

JAGGER INCOLOUR BY

BARRYFANTONI

rPLEASE SUPPLY MUSIC MAKER

Name

Address

HAND THIS TO YOUR NEWSAGENT

Foe( IN -MELODY MAKER, April 15, 1967

JACKIE EDWARDSISLAND RECORDS "COME BACK GIRL" WIP6008

MR. ENTERTAINMENT is the only phrase to describethis truly talented singer -composer

TELEPHONE

THE PHILIP BIRCH AGENCY17 CURZON STREET, LONDON, W.1

MAYfair 5361

LIGHT SHOWContinuum

8.ROUNDHOUSE:

ChalkChalk Farm Road, N.W.1

THIS SATURDAY, APRIL 15th, 7.30 till midnight 0

: III SOFT MACHINEE 0THE BLOCK

,,, THE SAM GOPAL INDIAN GROUP with

SANDY and NARDA dancersLIGHTS by PATRIK TREVOR

FILM SHOW by DON HODGSON

LATE LICENSED BAR applied for

Barbecue Food Over 18s only

Admission 7/6 pay at the door

r

e..

HEAR YE

BATSPSYCHEDELIC DISCOTHEQUE

EXPLODES

WED. - THURS. - FRI. - SAT.Underneath 212 WEST END LANE

Near WEST HAMPSTEAD STATION, N.W.6

SAT., APRIL 15th: ALL-NIGHTERMembers and Students 5/-

isp.:Isfslatt,ers

Cor No 5

bolos..r"44.9T P714 o I

N.Deolher Kw, toot wrh

WIT owl elan. anopPrNpole In (Napo., wooo elmlSims 34in .Arim chnsiC1619.0, P. f. P. 5/6,

110/- 4 end 6 relyeyts N 61/6 Credo,mom [22 P 0

oleoe.Soo. Tatmanoleo rworlo814 In tn..NH Drown and EronT.62].19.6

.4

P a P. S/6,

petor 66 e

5.7nd

E .d.,E20 17 A

Co. N6 WITPool tool.. Now Po,on ...rod Spoor Ho.,kronponel rwo 0.0pee Ter Ad mod*Low poelo Sow 3.444 In Improrol MooMarl11119.6, P 6 P. fa,.or 40/. doe end 6 nappp, el 42/. God,ergo II 12.0 Mangy hod goat/moo

Smd tor hoo breeformle London *Moro

Jrvd'w. oder own d lea non r.. term NS di

EZE)< .)Cell.,. **heir <Mort, olio oi

1401*0411 IN lAsholm tOni, Al lop Own.he pa us Mil OW 141) 1141/1111 to. Mew

GROW MAN GROW

LADIES, 1001lver7.47 cm 1.n ewe noremele « mew .lei re. ot.

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tac ..... pa luau swe,also/ ssossisal lull,ac Dewnots4 arrim04,14. bae11 a Wel

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M.O. PHYSICAL CULTURE BUREAU

(Dora. 7617167 30 taker St.. London, w.1

awisCfNIINES0110$1119OGNET RINOwith

REAL Ma STONL'

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orewinnetienkes

Sew) to. el nee finer malls of

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STAR JEWELLERY LTD. IBIA101110 1MTTON G02001, LC 1

FOLK FORUMFOLD /mum. rettoo4 masts-. lei rie4t EC 4 EH 5011. 171/170

THURSDAY

tuLt!7": U'HEAD.cugiJ,,;W_SEARS.

BLACK BULL, High Road,N 20 FFILHARMONIOUS JUGBAND, CHAPTER THREE, DEN-NIS O'BRIEN.

OLDE CROWN, Highgate 11111

JOHN RENBOURNplus other dIstInguished guests

Near Archway Tube

FOLK BARGE Kingston. STEVESPURLING, JOHN MARTIN.

THE FOX, BOB DAVENPORT,The Rakes,

TONITE. Levee Ciders, FolkManna, Feathery House SrUpncy Station. 7.45 pn1.

WHITE BEAR, Kingsley oad,Hounslow. BRIAN MOONEY,RTHESTRAWBS

FRIDAYAt LES COUSINS, 40 Greek

Street, GElt 5413, 7.90.11.00.TIM WALKER

SEB JORGENSENClassical Duo

Al LES COUSINS. Allnighter11.30 - 6 a.m. From the "Cellar full of Folk "

CLIFF AUNGIERRALPH McTELL

AT THE ROEBUCKTHE BRACKENSUSAN TERIESHANJOHNNY JOYCE

9 P.m Scots 1=c, Membership

HILL FOLK - OSTERLEY.

iv FOLK CLUB: Ewell, DAVECAL DERHEACI. Came All Ye.

JOE STEAD, Billericay FolkClub

NORWOOD Freemason's Arms.CLIFF AUNGIER, The LAYMEN.

SHIRLEY COLLINS. EAST HAMTHE CENTRAL, BARKING ROAD

SATURDAYorTEGRL EERA

Ns.T EDO IN GTON -

R

AT HOLE IN THE GROUND. 21Winchester Road. Swiss Cottage,N.W.S. 8.30 p.m.

JOHNNY SILVOAl LES COUSINS, 49 Greek

Street, 7.90.11.90.

BERT JANSCHIn May. The Incredible Stringband, Spider John Koerner andTom Rush -

At LES COUSINS AllnighterTHE

YOUNGTRADITION

AT THE CELLAR Cecil SharpHouse, Camden Town. B p rn.Guest VERA JOHNSON. ResidentsThe Laymen.

FROM ITALY, BRUNO PIANTA,SANDRA MANTOVANI and EWANMacGOLL, PEGGY SEEGER, UnionTavedis Lloyd Baker St., WC17,45,

LIERGA. Ceilidh al OshcyPavillon. Green Lane.

Oahev.Neils. (Station Carpenders Park)WithTONY

RFOXWORTITY.OB DAVENPORT, RAKES.

SYDNEY CARTER, TONY Mc.CARTHY, THE TAPPERS. AtHorseflies Wharf Club. Blaektri.ars. (Near Mermaid Theatre/Members V- guests 7/8 8 p

TROUBADOUR. Earls10 30. DAVID CAMPBELL.

Court,

SUNDAYBERT JANSCH

JOHN RENBOURNHORSESHOE HOTEL

TOTTENHAM COURT ROAD7.30 p.m. PROMPT

BROMLEY. Star and Garter.Cave Ward

COME ALL YE at the MercuryInternational Folk Club. " ThePrince Albert... Notting Hill Gate.7.30 p.m.

HAMPSTEAD. 3 CITY 0. PlusThe Residents. The Enterprise.opposite Chalk arm Station.7.30 p.m.

PSYCHEDELICLIGHTING

Audio controlled lighting, as used 01

rho Roundhouse, April 8th

COLOUR ORGAN £903 Channels, for I kW lamp

LAMP CONTROLLERS £603 Channels, each ikW

Remote moc/lotion facility

OPTECH ELECTRONICS7.6 THOROLD ROAD, LONDON, N.22

Tol 01.999 1609

SUNDAY cont.JOE STEAD, Dowor Folk Club.

" NAG'S HEAD," ilottersea

RON SIMMONDSST ALBANS. Queen's Hotel,

gZik,,Tge. Young Traditionrind

STEVE BENBOW Folk Clab, TheSwan and Sugar Loaf, BrightonRoad, Croydon. GuestartistJohnny Silvo,

243411/140, R 0,90. THE

HOTEL, Surbiton RoadKingston, ROGER EVANS, GAVECALDERHEAD.

MONDAYAT LITTLE HOGGS, Princes,

nf Wales, Abbey Road/hello,Road, NIV.0 8 p.m.

JOHNNY SILVOrrat 0aPk,FTPRelerIG:dad, WVLI a'

stone.

FOLKSVILLE' PUTNEY loniglit.Halt Moon, Lower HICIIMOTHIRoad. ROYD RIVERS and CLIFFAUNGIER present the SUPERCOUNTRY SOUND n( the COAL -CREEKS.

H00, W1Zer, Ourroughs,

,on,7,,

TUESDAYAT DULWICH ' Half Moon,"

Herne Hill. GORDON GIwith residents Bub and Don.

SHIRLEY COLLINS. 3 CKY 4

Club, Three Horseshoes, lIaITIPload. 8 p.m.

TROUBADOUR, e30, TIN HART,MADDY PRIOR plus guesl com-pere LES BRIDGER.

- - - - -

WEDNESDAYARTS FESTIVAL of Haekney,

Folk evening at Stoke NewingtonAssembly Rooms. Church Street,N ID, N 11 to

NOEL MURPHYDIZ DISLEYCHAPTER 3

with HILARY MOODY. TERRYMUNDAY, MEL FLATT. DAVE &ROB LIPSON. TICKETS 6/-, 0/..2/.

DEREK BRIMSTONEAND GUESTS

AT THE MARQUEE

FISHBOWL, HamborOUghTavern, Southall. TIPPERBROTHERS, II p.m.

HOLY GROUND(opposite Ifayseator tube station)

THE JUGE TRUST

SURBITON. Assembly Rooms,8 p.m. DEREK SARJEANT, JOHNFRASER. PAUL MeNEILL

2BC FOLK. The 0th ClassicWashboard Band, April 19th, Nor.folk Arms Ranh Wembley.

AT BLAISESWED., 19th APRIL

BODIDDLEY

122 Clustensisale, London, S.W.7KENsinglen 6228/9971

KLUEJKLUBSermon's Hod.Moh Strew

CHELMSFORDLicensed Bar Dancing

TOP GROUPS LATEST DISCSADMISSION 6/6

EVERY SUNDAY7.30p... -11.00p...

PAT EVANSORCHESTRAEms's Arms, Peckham Rye

EVERY SUNDAY, 7.30

Weald, ismstkols. Swinging Mg lend loll

SHE TRINITYrequire FEMALE

SAX PLAYERirninediotoly contact

VAN 1740

the moyfrar theatre, Stratton street, W I MAY 3036

presents

JAZZ AND VOICESFOR ONE WEEK COMMENCING MONDAY, APRIL 17th

BETTY MULCAHYMICHAEL GARRICK TRIOColeridge Goode, boss Cohn Barnes, drums

JEREMY ROBSON guest poets JOHN SMITH

Pootry and iayx lot the Oral lime In theatrical performance

TICKETS 20/., 10/6, 7,5 Erenir,at Sr Sot 5 ond 8 lo

THE SAVOY BROWN BLUES

BAND

THE LOOSE ENDSSATURDAY, APRIL 15th 7.30-11.30

LICENSED BAR

Tickets 4/6 in advance, 5/6 al door

THE POLYTECHNICLittle Titchfield Street, W.1 Palled C.c.s Tube)

THE FREDDY MACK SHOWFEATURING -

FREDDY MACK - THE MACKSOUND (10 -piece)

Plus Four Vocalists Plus Girl Dancers

BRITAIN'S 1st ANGLO-AMERICAN 15 -pee. TAMLA/SOUL/

R. & B. ROAD SHOW FULL THREE HOURS

NO SUPPORT GROUP NEEDED

Management:JOHNNY JONESI.C.A.LTD189 Word.. Sr.London. W IREG., 3378

Age, PADDY INALYNNDUMONT ASSOCIATES LTDRoyalty Hour& Doan StLondon, W.1REG., 4323

DOPEY DICKS jazzhouseRoilway Hotel, West Hompstead

KLOOKSKLEEK

WEDNESDAYAPRIL 19th

8.0-11.0BEN WEBSTER

PAT SMYTHE TRIO

Wednesday April 26th: SONNY ROLLINS

TREND '67FESTIVAL

Young Communistspresent

MAY 27th -JUNE 3rdDerbyshire Miners Holiday

Centre, Skogness

with THE KINKSSATURDAY DANCE MAY, 279

* Luxury accommodation for1200 teenagers

* Dancing every night* Lata Night Film FestivalFOLK CONCERT, STARRING

THE IAN CAMPBELLGROUP

SUNDAY, MAY 28th* International °Notes and

Aolors horn SociolisI countries88 Full programme - many other

allroclionsJET Everything FREE for residents

Cost LI 1 (week)E6 WhIlssin weekend

Send lot booking formsand deloils to:

Holiday Poslivol (HMI16 King Sheol, W.C.2

--/D -112-;)-11.1 !All

I ems! Gab Centro Weedgranoe .Landon. E.7 Tel 101) 534 6578/9

BILLY WALKERpresents

,r ANTondo, 13NBIG L PARTY NIGHT

ii,,;(?d"Ls ,o, ..T.Tt..;.x. , .

715110,**AAAAAAA******

Frt., 140r porlDANCE NIGHT FOR THE

OVER 18s

'171/imn.at'r''noonSHOW nrnaculAR

nod . UN KRAMER Oa0 0-11 30p m Gonllmon (1/61.nd..7/6Saturday, ISM Broil

THE ALAN PRICE SET7 30.11 45 rim G.Wrown 065. mans 8/0A -*************10Sande, 161M1 ee,ii

DISCOVERIES OFTOMORROW BEAT CONTEST

715-11 0 6 m &Wien.", 6/ loc..,and every Saturday and Sunday

THE WARREN DAVISMONDAY BAND

.11. Rotielont Too Rodro 0 / - a« a

By arrangement with Harold Dawson

Eric Delaney-"BUDDY RICH

AND

HIS BAND

This SUNDAY, APRIL 16

COVENTRY THEATRESr' and830prn

7/6, 10/6, 12/6, 15/ -

0 'inRICKY 11CKRICKW NISA.., TICK

flperloy, April 13111,08ND WASHINGTONAIM SAMAR SAND

Sword,, AO,,I ISM, ME .0ABONDSSeturdoy, Aer.1 20111, ALAN SOWN SO

THE NEW

ALL-STAR CLUB9.3 Artillery Postage, E.1

co. (4,1,114. Si n iftwo1 S. ShiBIS 3047 et 11415

Mon Duro 7 11 p M. Arn.Ooniogond Mot forsaro Cameo/6m lerAmIrePr. & Sat . re all.0. Sirn , en

4 o

friday, April 14.

RAY KINGSOUL BAND

SalurdoY. APr'l

CARL DOUGLAS LTHE BIG STAMPEDE

Sunday. April 16th

JOEY YOUNG

with THE TONICKS

FORTHCOMING ATTRACTIONS

Saturday. April 22nd

BO DIDDLEY horn U 5 A.

Saturday, Aprol 7970

SOUL SISTERS

SEYMOUR HALL(Nem Marble Arch)

EALING TECH

RAG BALLSATURDAY, APRIL 15Th

7.30-11.30

GRAHAM BONDORGANISATION

SWINGINGBLUE JEANS

THE SPECTRESAdmission 10/. Licensed Bar

JAll '67at SURBITON

(ASSEMBLY ROOMS)

TUES., APRIL 18, 8 p.m,

BOB BARTER

ORCHESTRAGuest. BOB BURNS

Adorreeron 4/

SATURDAY SCENECORN EXCHANGE

CHELMSFORDSATURDAY, APRIL 15th

KINGGEORGE

and theHARLEM KIDDIES

MODERN JAZZery Tuesday al the

WELL & BUCKET143 Bellinol Green Rood

Commencing AptIl 101k, 8.11 p.m.

ALAN RUSHTON TRIOVICKI GILLESPIE

LAINT /41.1841118 ilk") IUSSIll

K THE'VELVET OPERA

iSonutthinu riraw Ill 'POP') a

Phone 734: 0327 (enquiries)'J

RICKY TICK, HOUNSLOW 1

Indapr Aprrl 1417DISCOlICK

Somsday, April ISM, ALAN SOWN NTSunday, April 10111..1011N MAYALCSunday, Aerll 23rd. Mt CREAM

1 PLAZA, NEWBURY JAprIl lath. NI CREAM

Sondem. Ape0 nth, KING 010101Sondra, Apo! 23rd, 0040 WASKINGION

NO IIA/AMH SANDre-S-LEMBLY HALL, AYLESBURY I

1u.cloy, April Ills, 5001. BUNT.

THE BIRDCAGE SOUTHPORT ROADPORTSMOUTH

1 be lob Au ALL .NIGHT RAVE

THE MOVETull FDPITOTTing show popos.

8 P.M. TILL DAWN, SATURDAY, APRIL 15th

I31 101TENHAM CI. RDLIF

FRI., APRIL 149h, 10.30 p m 'Soon

The Cram WoPld of Arthur grown *Th. Social Deolonts * Ih. Gionl SunTrolley * Marls Boyle * tvemre*Light * Columbus' Stereophonic*.

APRIL 29/30 - 14 -hour lean.. MAR5,4421 tire knits him.. end Goma rely

SAW

tit PAD 1174

Monday I hursda y

COUNT SUCKLE

LaiILIL SOUND SYSTEM

records Irnm S A &

Friday, April 14Ih

THE SONNYCHILDE SHOW

with THE T.N.T. BAND

April ISth

MARY WELLSSHOW from Americo

with THE PLAYBOYS BANDSunday, April 16111

THE LINKS BANDLodin' tr. Night, .very Mandny

and Wednesday

Open all night EVERY NIGHT

LICENSED BARMeow apply ler TorT1brohip

MELODY MAKER, April IS, 1907-Page 17

100iCLUB.00080 SI . W.I

/ 30 10 11 pm

(So /JO to 11 30 p m IArad I 30,

ALAN ELSDON'S JAllBAND*****-**Inday, April 1411,

Thy Otero Amy onhonir1

EDDIE MILLERALEX WELSH & HIS BAN******** **

Sahaday. Arad I1,1.

BILL NILE'SDELTA JAZZBAND

Sunday, April loll.

KEN COLTER'S JAllMENMonday, April I /ir,

MIKE DANIELS' BIG BAND706idor, A Tall I fill,

IRIAN GREEN'S JAllBANDWadnetsla y, April I VII,

ERIC SILK'SSOUTHERN JAZZBAND

111112DC10 RATH 000 MINNS HUMUSINS Meek 61 Ms Club hers Me Somow,'100 Club, II Omar [Mad

r(OEM MU)

,Clab Trolophom Numbun NUtirunt11931,

KEN COLTER(STUDIO 51) CLUB

IU II GT NIWPORI STRUT111(LS1tR SOUAld (1011

Friday, April 14th.Mit) d lot Pri v ul o fatly

Saturday. April I Sth, 7,30

GOTHIC JAllBAND

11-17 WARDOUR STRICT, W.I

FLAMINGO........**.*.*.Friday. April 1411, IX 11HORATIO SOUL and theSQUARE DEALS

EXPOSURE with Yvonneglut late. munib mthJOHNNY GLOVER5000100, A0111 ISth , IThe "raeirrent al I PBOBBY IOHNSON

and thu ATOMS,ho SOUL SOUNDS of thySUGAR SIMONE

Program..Sunday, April 16th 11111 p.m.1JOEY YOUNG

and the TONICKSJOHNNY GLOVER

Wednesday, April 19th 18-11 p IIridium..? Action!HORATIO SOUL and theSQUARE DEALSEXPOSURE with Yvonne***************

I LAMINGO LATE -NI TI SI sSIONALL-N1TL LONG31-17 Wordour Street, W.IFriday, April 1411, 112-7 a.nyiHORATIO SOUL and theSQUARE DEALSEXPOSURE with Yvonne

rz.u,;,:vv.tr.4with

Saturday, April 1511, (12.6 ar I1111 RAVI ..01.16111 ALL10N13(114,, I AI KING AbOUIBOBBY IOHNSONand the ATOMlusthe SOUL SOUNDS of theSUGAR SIMONEProgrammeEarly morning Bruakf ails

011-1411. Hot Food -Snooks*****4***4444 44

Sunday, April 1601. 7.30

BARRY MARTYR'S JAZZBAND

THAMES HOTEL

BRIAN GREEN'SJAZZBAND

ERIC SILK 8 HISSOUTHERN JAZZBAND

BILL NILE'S DELTAS

THURSDAY

KLOOKS KLEEKRailway Hotel West Ilampsle.ol

CARL DOUGLASand the Btu Starnpad

RAF Wyton

WAGES OF SINFOLLOWING the

Hull, SkylineWHYTE HART. t/iury Lane.

.101111 W1111 Quartet.

FRIDAY

BLUESVILLE '6JOHN MAYALL'SBLUES BREAKERS!

\s, ATE5R- GREEN"0-01

CLUBSCMS, "991001 RiAK10.., 161 Omo mm, IC 4. NA SON, Ira, 171/176

FRIDAY (tint,PRIM STEAD Illg Six PrinceWld. CO1.10111011 Ituild, COr,or Lofting Road.

PROGIALAND JAZZBAND.Brentwood Jou Club. EssexAnne. AdmIttlon free.

SIX BELLSKING'S ROAD, CHELSEASaturday, April 15,11, 0 p.m

SANDYBROWN_WOOD GREEN =',"""""

flaunt'BILL NILE'S GOODTIME1.1

SUNDAY

ALEX WELSH & HIS BANDLOA

THE FIVE PROUD WALKERS

TO FT'S35-38 Grose HIll

St:Wits/ow! .16173Saturday, April 171,

JOHN MAYALLawry Friday (7161Every Sunday 13/-)

RESIDENT BANDS

MIKE COTTON SOUNDLUCAS

Mud Amd I COVENLICI, Maid. PIMA

0001 14 DORF AVM SimoriewMINI CNN

Sot April 11 01.APIONNIMYSM. Apra It. MUM ENO MMI0 Howl

Noe Ti COOKS MIRY INNApal NANWOCH. ChM 11 .11

Wad IV SOUTHMArloN, Imo.fluor .Aw1120 MOOKS KINN

CANA VARIETY AGENCY41(eil 40100000 S10.41 10.00.0 W

1EVERY IRIDA r

the CATRAILWAY HOTEL

HARROW IL WEALDSTONEPLUS Barrio Mtn...

Golden Goodls

CALIFORNIA BALLROOMWloppard Duartyhly PENN

Edda, April 141h, p m -Mo/nigh,

BO DIDDLEYluturrinr, *loll I Pk p Midnighl

MARY WELLS

Hoar "Laundromat Blues"ant, :rut e.r.,,,iter.71..u1S.Insi,..d.iscy

THE MANOR HOUSEammo scow. House TubeNEXT FRI. APRIL -Z1JIMMY JAMES

GOTHIC JAZZEAND, NurthaMP

HIGHGATE VILLAGE. "Thehide tintehouve, KATHY STO.DART, COLIN PETERS QUINTET,MARTIN HART TRIO.

(SUGGEST GROUP Happening el '67

FAMILYLeicester, 'English Metric

CLUB OCTAVEIlumbrough Tavern. Southall

E LITE SYNCOPATERS. CastleHotel. Tontaldge

CROYDON JAZZ Club. MarHotel, Pete Dyer 'm Jassbund

CRUMBLES E JAZZE ASES, Bed 1.1on, Brantford.

ERIC SILK SOUTHERN JAZZ -S AND, Southern Jaw Club. Ex.Servicemen's Glob Hall, HaneyRona. Leytonstone, next door to"6,0 2.101,".

LITTLE THEATRE CLUB. SI,tut tit, Lune EOV 1111110.1,111.10 1001 0i11111,107

SPONTANEOUSMUSIC ENSEMBLE

I:: do I o

MINOR PORTIONROLL BAND

FRIDAY. APRIL 10III PLO

NEW SEDALIA JAZZ 1109 U.WEMBLEY. CLASSIC JAZZCLUE, Norfolk Amos, /Annoyer11111111 19110111 Wembley Under

rotimil

NORTH KENT,tissa.A4vE

OSTERLEY JAZZ CLUB. ALANELSOON'S JAZZBAND. Willweek, BIll Coleman!

REFECTORY, Golder. Gum

TOP D.J.RAY PETERSON

Soham, Cambs.

WAGES OF SINSTARTING GATE, wood Green

.S110 Art Quinn -I

UFOSon display ad.

SATURDAYADMISSION FREE. KING AL.

FRED, SOUTHEND LANE, SM.JAZZ DISCIPLES, TOAD JAZZ.

AT

BLUESVILLE '67THE GORGEOUS

IKETTE

P. P. ARNOLDAND THE SOUL GUYS

ST. THOMAS' HALLBRENTWOOD, ESSEX

CATCH the wounding

FAMILYBirmingham. Rainbow Stale

CRAW DADDYTaegu island Hampton Court

THE LEADERSFeaturing SoulDancerNORMA FAY

Presenting SottlSingerDELROY WILLIAMS1.,,'. Bars 011.30 in: Br

ERIC SILK, ThanirsHamplun Court.

GOTHIC JAZZBAND, ColyeClub.

MINOR PORTIONROLL BAND

Ritz. BournemouthSaturday, April 15

SATURDAY cont.REFECTORY. Goldms Gruen

THE WRANGLERS

ROUNDHOUSE('11111, purm 1.10,

SOFT MACHINETHE FLOCK

SAN COPAL GROUP

WATCH OUT PORI

CRAIG KINGPLUS THE MIDNIGHT TRAIN

SUNDAYAT

BLUESVILLE '67DISCOBLUEBEAT

SOUL-TAMLA"THE MANOR HOUSE'

7.30-11 p.m. VC Lk. Bars(Opp. Manor House Tube)

AT THE JAZZHOUSRGreen Han. Blackheath 11111

DICK MORRISSEYwith IAN BIRD SEXTET

MILEY, KENT. Black PrinceHotel. " 1.110.10 " Mlke Cottonsound.

CLUB OCTAVEHnmhruo I, Tavern,FIRST JAZZ A RANa"

BRIAN AUGER TRINITY

COOKS, CHINGFORDRoyal Potesl HotelBILL BRUNSKILL

COOKS FERRY INN. 11.30-

t"Glint:EPTI 'attikugI, .sIdemen from The Rondo 1,1sell. Woken., FREEMAN, ETC.

CRAW DADDY1'a Nxs thland. Hampton Court

SYSTEM SOULBAND

Blues Star. IVAN ST CLAIRLie. Bur. 8.10.30 p.m. 5/.

co"or.E.. NORDEN, MAX

Ranalagli, Warwick Road, S W.5Lola lino,

HEARTBREAKHOTEL

BLUES CLUBPIED BULL. 1 LIVERPOOL ROAD

CROSS TIES BLUES BAND

HENRY LOWTHER QUARTETSlnrllnp ?0100:1ljtg/2"bWood Green t4,rig t11

PAT EVANS ORCHESTRAKing's Aria. Peckham Rye, 7.30

"THE FOX"ON THE HILL, DULWICH

OLAF VASSBOBBY BREEN

NEXT SUNDAY: TUBBY HAYES

1 HE SUPERLATIVE talentti ofthe

FAMILYNottingham. Boat Club

Wheatshost, Brandon

WAGES OF SIN

ronnie scottPRESENTSat RONNIE SCOTT'S CLUB47 Frith SI., W.I Go. 4752

WINE AND DINE NIGHTLY, 8 30 3 0.01 and hoof the world's Ems, tort mbarSpenot rates he students brio,. 9.30 o rm. Menday.Thursday

Now appearing until Saturday, April 22nd

SONNY ROLLINSwith SIAN TRACEY TRIO RONNIE SCOTT MIKE CARR TRIO

EVERY SUNDAY, 176 holviPtornut spry Awl, tun Mill 1116

HAROLD Mc NAIRd 111E QUARTET

Commancing April 24th

BUD FREEMANwith LENNIE FELIX TRIO

DANNY MOSS QUARTETwith JEANNIE LAMBE

at the OLD PLACE39 Garrard SI., W.I. OR 0217Niohrly (moat Sunday), &II 30Thursday, April 13th

MIKE SCOTT QUINTETfrlday, April 14111

JIMMY PHILIP QUINTETSaturday, April 15th

ALL- NIGHTERMika Wastbrook BonaBob Mackay Cluortat

Stan Jona. TMNsinbarn 7/6 Guist. 10/,Monday, April 17th

RAY RUSSELL QUARTETTuesday, April 11111,

GRAHAM COLLIER SEPTETWMassday, Apra 1911,

BOBBY WELLINS/KEN WRAY QUARTET

Li AAAAA d 11. trint IambsMIMI. I/. Orsufs 7/

JAZZ at the DOG & FOX WImblirdon Hi I, Every Sunday at 7 pre.

Sunday, April 1611,

BEN WEBSTER w,. Johnny Patrick Quartet

Future 011ru0flons inclado SONNY ROLLINS BUCK CLAYTON RONNIE SCOTT QARTET

MONDAYA TREAT for 1110 P011erleN

FAMILYTunatoll, Gorden Torch

Repreantotton I 11.0.DOn Rear

001. CBE 1110

VEXLEY, KENT./111101. Brian Green.

Black l'rin1:,

HAMPSTED, COUNTRYR C,1-111:.

SO yards RelsizeSPINUIRS WASHBOARD

Newmarket

WAGES OF SINMinna N. Hawkins. Royston 7775

READING, closed. 11,111WeekLilly. Nell week, Ken Colytr.

THE FEATHERSEALING BROADWAY

ALAN DOWNCOME EARLY, ADM. 5/6

TUESDAYEVERY TUESDAY id GREEN

MAN, Plumalead High StreetTHREE Da TRIO, TONY LEE(Mono), TONY ARCHER (00001,TED POPE (drums). The MOOR.Section that puts got. Intomodern Jan! (No admksioncharge.)

" GEORGE" NORDEN, MONTYSUNSHINE.

"HIGHWAYMAN," CAMBER.LEY, closed. Garrick Trio appear-ing." JAZZ AND VOICES,' May-fair Theatre. W.I.

ILFORDJAZZ AT THE PLOUGH

Ilford Lane, 3 mins, Ilford Broad.Way Resident: Brian EvrelnClonQUInlet plus guest Ronnie Snack'l'i'lt

KLOOKS KLEEKBO DIDDLEYBO DIDDLEY

WELL & BUCKET, 1411 BethnalGreen Road. ALAN RUSHTONTRIO/VICKI GILLESPIE.

WEDNESDAYAT

BLUESVILLE '67MIKE RAVEN LIVE

RADIO LUX" SOUL -SUPPLY "

"THE MANOR HOUSE"(OPP Manor Mouse Tube)

The only show its kind inLONOON I DIG I

AT THE TROPICANA111 GEORGE STREET, CROYDON

DICK MORRISSEYwith IAN BIRD SEXTET

Dancing, banal, bar 2 a.m.

CAVALIER CLUB, Prince Albert.Golden Green Road, JOHN SUR-MAN, COLIN PETERS QUINTET,MARTIN HART TRIO. 4s. admSnacks. Car park.

E LMER CRUMBLEY1S JAZZB ABES. Royal Vauxhall Tavern.Vauxhall.

E RIC SILK, 100 Club, OxfordStreet.

MILDER MANOR, YonbrIdge.KEN COLTER.

MITCHAM, BUCKS HEAD PHILB ROWN.

NEW SEDALIA JAZZ BAND.Crown and Anchor. Cross Street,/41

AULTLESS TRIO",",7,17,00"

THE PHOENIXCavondIsh Squat., W.1 MAY 1700Wydnasday, April 19th, B. 15-11 p.m

TUBBY

PALM COURT HOTELsiru.nuo

LINEPERMUKUMpresents MODERN JAZZ

Every Friday, Saturday and Sundayf relay, April 14th

DICK MORRISSEYSaturday, April 15th

ART ELLEFSONSunday, Apr!, 161/1

Starimlmaitar Imam 10011 0110 LW sratTERRY SMITH

MOIMISSET and IAN HANSI

90 Werdour Streetanqueo

London W.1Thursday, April 1311117.30 11.0)

*THE MARMALADE* THE NITE PEOPLE

relay, 47,111410730-1101

*TONY RIVERSand the CASTAWAYS

*TIME and MOTIONSalurday, April 15th (EDI 1.301

Jll SYNC -JAM BLUES

Sunday, April loth

CLUB CLOSED

maRquee aoIi$18 iAegc*".17.1,:..w 1 GER BMEngraMen1

Monday, Apra 111717 30 11.01*THE HERD* WARREN DAVIS

MONDAY BANDTue(day, April 1616 17 30-11 01

*CHRIS FARLOWEAND THE THUNDERBIRDS

* WYNDER K. FROG .

Wednesday, April 1911( 17 30.11.6)

FOLK NIGHT

-81 DEREK BRIMSTONEAND HIS GUESTS

C390 BRIXTON RD., LONDON, S.W.9 Tel. RED 3295

MARY WELLSFRI., APRIL 14th THE SHEVELLES7.30-11.30 pm.

SATURDAY EVENING AND All -RIGHTER SESSION

THE PRETTY THINGS7 30 omphTHE ALL-NIGHT WORKERS

PAUL JOHNSON DISC SESSIONSUN.. April 16th3.6 Pm

SUN APRIL loth JIMMY JAMESand THE VAGABONDS

7.30 II 30 out

*STARLITE*ALLENDALE ROAD, GREENFORD HA, LICENSED BARS CAR PARK2 MIN SUDBURY TOWN PICCADILLY LINE TORE WEM 9944

MODERN LOW LIGHTING KNOCKOUT ATMOSPHERE

APRIL 14th THE CREATION siyHE

FRIDAY

SAT.APRIL 15th BIG L. NIGHT

,

SAUP721L CIT:, THE LONG JOHN BALDRY SHOWa, Wall%

-M

* PETERp LINtingMA

JAMESENTERTAINMETHENT

A

GODSGENCY

4,resen

HUMAN INSTINCT- THE SHELL - THE BUNCHTelephone WEMbley 4403/9944

GROUPS AVAILABLE FOR CONTINENTAL WORK

OPEN EVERY NIGHT

WHISKY A' GO GO?RESENTS.

SUNDAY, APRIL 16th

THE SOUL SET ITUESDAY, APRIL 18th

THE BUNCHTHURSDAY, APRIL 20th

THE FLASHBAKKSL33 - 37 WARDOUR STREET, W.1 GER 7676jLONDON CITY AGENCY LTD.

189 WARDOUR STREET, LONDON, W.I REGent 3378/9

BULL'S HEADBARNES BRIDGE PRO 0241

Resident Rhythm SuflornBILL LS SAGE TRIO

(May. Saturday, Madoy, lunch aura.,

Friday, April 14th

RONNIE ROSSSaturday, April 15th

PETE KINGSunday, Apra loth

Lunchliena and Earning

TUBBY HAYESMonday, April 17Th

BUCK CLAYTONluesday, April 18th

DICK MORRISSEY QUARTETWuanonday, April 19th

LENNIE BEST QUARTETIhesday, Apr11 70M

DICK MORRISSEY QUARTET

NOW SECOND LARGEST R. S B. SOUL GOODTIME AGENCY

ARTWOODSLatest Release on E.M.I., 14th April

"WHAT SHALL I DO ?"

SAVOY BROWN

BLUES BANDTHE 'HAPPENING'

BAND

HEART

and

SOULS

SIX -PIECE

DYNAMIC

ALL -COLOURED

SOUL BAND

FIVE PROUD WALKERSWORRYING KYNDE

BILL NILES BANDfeaturing JEAN HART

Now Roloose on Fontana, 14th April

"WALKIN' "

CHAMPIONJACK DUPREE

AMERICAN BLUESARTIST

Also - JAll: COLLIE'S RHYTHM ACE ; LONDON CITY STOMPERS; GOTHICSCABARET: SPENCER'S WASHBOARD KINGS; ROD HANSON; SAM'S MENDS

THE FANTASTIC

JESSE FULLERMAY/JUNE TOUR-Still a few dates available

Phge 114-NIFLODY MAKER, April 15, 1967DILL

Lewingtontoo, "fro

164 Avenue..t.C.2Hnot 9 0 0 0 All day oar

ALTO SAXOPHONESauEnsolot 400, onsethSELMER Mk. VI, ot nst £95

CI I5

SELMER sung ACTION 155CONN lomo 5o,o. po,CLASSIC mmarldth Cos

ma OsTENOR SAXOPHONES

CONN Ida, WOndilopiledautSCHER itomono, ,scond,I04odPENNSYLVANIA, pmlmi CesNEw KING, emondmonod

All arms Homo -=:'7°'

1040N. MOUTHPIECESfell ran. now wadable.

GomPot R7. 0.0 mobNombem 15 0 mode

Standard Sam, Mora a,.0trod. al no moo shores

5mm dom. sopsmr CoraCLARINETS

oath Sadao 9 Boehm 012It IMPERIAL thoolon on 116 RanNORM 5.00. L35STERLING. Iloolun on se C25

TRUMPETS

VINCENT BACH, mcondmened 0140CONN MM, mroaddiond £100NESSON NEW INTERNATIoNal C70cOUVOis. realm, £70SISSON SYMPHONY. emondltIonod LSO

TROMBONESKING SYMPHONY WI. Mond moo LIESCONN 3411 Hoondutonsd L100KING 38 Stlyetsonm mcondononsd 5115a L N IMPERIAL emu chord 030

Highest Port ExchangeAllowance on your present

Horn

SPECIAL NOTICESI 4d. per word

ACKNOWLEDGED as the 002(1IVOR MAIRANTS' POSTALCOURSES for PLECTRUM andFINGER -STYLE GUITAR. Largestselection Of guitars In stock.-Particulars. IVOR MAIRANTS'MUSICENTRE LTD., 56 No UnwisePlace. London, W.I.

HAVE YOUR guitar, group van.en , cuslowpainted.designs. Write NOW to. DavidBrauer, OS Darwin S E.17.

JAZZ RECORD evenings Thumdersley/Benlleet

area RingBrian 01.237.5115 I dad..

THE ACTORS FORUM. Pro.fesslonnt training Eveningcourses, -The Secretory. 42 Sand.with House. Sandwich Street,W.C,1 Telephone ELISton 4900.

VOCALISTS WANTED1/- per word

COLOURED female lo toterEurope. - Mrs Sam, Fit 348-4895 aver 7 p.m.

NORTON YORK AGENCY RE-QUIRES VOCALISTS. - SS Torn.ham Green Terrace, W.4 CHI095

RAVING VOCALIST, for leadingTombs soul group,nol es-sential requirements Good look.ing, group experience. North

one Curacy_ 2114.RECORDING MANAGER seeks

artist g room - 5991.

TALENT COMPETIT',dies. Kings Aram. Old KentRoad 5.E.1. Ring RU1 566'

LENT CONTE T, KiSn

Arms, Old Kent Road, endApril 28. Hurry' -RUT 5665 for

TALENT NIGHT. Boleyn PublicMouse, 1 Barking Road, E.6.Every Sunday 8_30, Vocalist acts

Afall kinds. Chance for stardom

ll artisls Phone 573.3304 Finals

PERE ANDGIRL UIRED FORRESIDENCY

VOCALISTWITHRE BROADCAST.

ING GROUP. MUST RE OF .AYwU IsSMART APPEARANCE ARID HAVE Alan, RA

O TH2008.

a odd group.

AA PPLYPLEABOXSING

5995.PERSONALITY, -

VOCALISTS MAKE a first.classdemo at

sheprim. se JN-

SONS nal hackingU grouEp.Three guitars, drums and organline up available ovary Saturdaybut please book early.-JENSONSSTUDIOS. RAT 3991.

VOCALISTS REQUIRED. ForSouth East suburban lounge.

Flrst rate amateurs or profcs.sinnals will only be considered.Phone it 1533.

PUBLIC NOTICESI/4d. per won/

I BRIAN GORDON LING intendto apply to the London Boroughof Lambeth for a Licence to carryon an Employment Agency forpersons In the EntertainmentsIndustry 111 Nu 39, Scholars Rd.Balham S W_I2. such agency tobe known as Concorde Pooduclions All objections and thegrounds therefor onuat be sub-mitted in writing to the townclerk, Lambeth 1,1011 S IN 2

BANDS1/- per word

vtilatrei7E- e.0774rallalled band

ABOUT 100 top groups anddance bands immediately avail-able. Travel anywhere. Reason-able prices. Now booking forsummer season. - ClaymanAgency, 7.6 Aldgate High Street,E.C.3. Tel. BIS 5531 (10 a.m.-6 p.m.),7,A.LEXANDERS JAZZMEN. KIN

ANYTIME, ANYWHERE. Trios,dance bands and groups. - Rod-ey 9987.ART 'N' SOUL. - HEMEL

HEMPSTEAD 4150.AUSTIN BAPTISTE'S Latin and

steel bands. Also fabulous firedance - FIN 9984.BOB RANTER ORCHESTRA, wit_

J ulie Stevens. 399-5480,COLOURED TRIO / Quartet. -

007.9339.DEN ALLAN SET, TERMINUS

2141.DISCOTHEQUE, powerful, high -away, 111th compere. go any.

where. - LAB 5733 (svgs.)EXCELLENT quartet, available

all functions. Ring POL 7472.GENERATION "X" Young semiP. pop group. - FOR 8451.GIL ROOT TRIO swings all oc-

casions. - 427.2154.GRAWT PROMOTIONS LTD. for

groups. IRS 10s. upwards. -- Telephone WAN 075n.GROVE SWINGTE.-Klp 1342.HAWAIIAN GROUP. Ray Kirk-

wood shows mastery of HawaiianGuitar." The Slag, - HOU5400.

HOWARD BAKER Bands. Ca.'sant. anywhere. - 69 GlenwoodGardens. Ilford Crescent 4049.

JOHNNY PENN TRIO, seeksresidency, London_ Welwyn Gar.den 20960.

LATIN JAZZ. 245855.LOU PREAGER'S PRESENTA-

TIONS. Bands Ind Cabarel,-69Glenwood Gdns ..11191,1, Crc 4043

THE NEWLY FORMED

MASSEY-WADE COMBINE"The ben of bath world,

Invites ormollim-Send for demo disc10 InToodlond Unto Solsdop, SurreySANderstead 7942 - £IPI,ng 1800

4

MUSIC OF TODAYSpectolue sn provrdmg modern bondswho ploy a complete lona of mow

for dancing, hom welt., to pap.No groups

Tel: Laolholheod (1E7) 4976

VOCALISTSI/- per word

ATTRACTIVE GIRL, vocalistcompere. seeks good class loungesork, London area - 01.4324200

EXPERIENCED girl vocalistseeks group or quartet. Notabroad -WAX 7709

GIRL SINGER wants to pro.gross Can someone help. - BM6024

MALE VOCALIST Seeks gigs.

"417 lrfftfg+g-urgntritt.quire group. Age 113 plus. Popstandards - Phone GNA 9721.Sal. RI o'clock Ask for Court.(icy

ROADHOUSE JAZZBAND. -EDAI 2911.

SHOW QUARTETTE , trio. -MAI 2077.

SONNELLI QUARTET / Trio',enable 01-570.4094SUMMER SEASON required

J/ersatile quartet. Age 28 July.!August Club/hotel. UK/Centi.nent - Potters Bar 59596,

THE KRISIS, MOD GROUP.-ELG 2991

THE SETBACK. Group avail-able Soul, Tamla Motown. -SHE 1031

TRIOS/SEXTETS. - 01 -759t1952 -VERSATILE Coloured Quartet. -

BANDS WANTED1/- per word

ALL FEMALE pop group forContinent Enquiries BIS 5531.Clayman Agency.

BASS AND DRUMS REQUIREESTABLISHED SOUL BAND.HOW 4262.

COLOURED POP GROUP (Wil-son Pocket Otis Redding B&Bstyle). For Italy. -Enquiries Clay.mall Agency. BIS 5531.

GROUPS URGENTLY requiredfor Continental work Tel. Clay-man Agency, 7/8 Aldgate HighStreet. E.C.3.

GROUPS WANTED far topmoney in Germany REG 8555

NORTON YORK AGENCY RE-QUIRES GROUPS. - SG TurnhamGreen Terrace. WA. CEO 4895.

TRIO WANTED (thano-bassdrums). northern clubs, excellent

5y..read Enqlnr1eS BIS

Clayman31 AgwteYVOCAL/INSTRUMENTAL trios

wanted Tor long season In Jerseyand quartets wanted for longseason on East Coast to play for

Suite 19,n. -B6

Pilly arkFOreRoadst

SuttonEGoldfield. Works.

THE MONTANA S FINDERS KEEPERSTHE CALIFORNIANS

Sole Ioe,Otanla,on

ROGER ALLEN AGENCYIs) Floor Suite, I1 .13 High Street, Tettenholl

Wolverhampton 53927/8

OWING TO LOSS OF CLUB LICENCE

THE TED TAYLOR FOUR WITH EVE DELROY

Suddenly available for London Residency. 5.0,400 vocol.Onyouroontot woo,'

coveting every sly14 of musty. Senidolv offers please to

Ted Taylor, 5 Porcupine Close, Ellhom, 5.1.9. 857-2761

MUSICIANS WANTED 1/- per wordA CAREER FOR YOUR SONY Is

your son Interested 10 MONO... IIse Why not Id him lurn this interest into a full.time carver. Afully trained Molt headed by Mr.D. R. Kimberley. FTCL, LRAM,ARCM, LOOM, give young en115.17), o

mften with no previous

musical experience, a chance tobecome Orst class instrumental.ISIS. Excellent instruments LOUprovided and training Is carrednit In pleasant surrounding, withother keen .d talentedyoung men Faeillties for allsports and social acliMlles. Ifthis is what yOU are looking for.w Ile for Tull partlovins of pal'and condIllOns to Brigade Band.master, Fusiliers Brigade Depot,Sutton Cnldneld, Warwickshire,

ALL INSTRUMENTS. Summerseason, holiday camp, I.o.W.Send photo with age and noonance, only first class musiciansFeed apply, with Rae. to BIllFindlay, Bramble Chine, 11.C.Freshwater I.o.W.

ALL STRINGS required byRENE Orchestra. 900000105 alsofor clarinet and Dam play rOther Instruments considered.Permanent station near Reading.-Apply Director of Music, REMEStaff Band, Arborfield. Reading,Berks.

AMATEUR BANDSMEN. Theband of the Royal Greenjeckets

Orb.T(T.8OD. He4AVR) 1pmay

re.buildbc lookia ng for

class band in the new TerritorlalArmy. Call.up Ilability-Home De-fence only, - Apply Bandmaster,58 Buckingham Gate'Tuesday and Thursday evenings_

AN EUPHONIUM player and apianist are urgently wanted bythe Band of The WorcestershireRegiment. - Contact BandmasterJ. Long, South Barracks, Gobral-tar.

A PIANIST and bass or bassguitarist urgently required forTeeskode clubs. FIrsbelass, ex.eerie.. musicians only. - Hos8019.

BAR DUO required for holidaycamp summer season. Must beversattle, live in Good workingcondltIons.-Write with full (le.tolls In Entertainment Exece.live. Pontins Ltd. Pine Grange,Bath Road, Bournemouth,

BASS GUITAR good gear. Ley.!oilstone pub reildency, - PhoneJim, BOB' 75115,

BASS GUITARIST / harmonyrequired for N. London semipromoue. - Box 8028.

BASS GUITARIST WIG,. FORPRO. GROUP, - SEV 78311/ING41444.

BASS GUITARIST Weals):seml.pro - WAT 1534_

BASSIST required by two dedicated bluestnen tharmonoca.guitarlst, drunsmer1.-TUL 7123.Tuesday. Thursday 8.10 p.m.

BOBBY JOHNSON and theAtoms urgently require keen,blues and soul len. Pl..' Oa..time work at present). - WAX1604.

COLIN KINGWELL'S Jazz Ban-dits require pianist and Sousa.Phomst. - CHI 3735.

COMPETENT Swiss pianist/seeks musielan to ex.

change with him le learn French/GellORO for 6 or 12 months.Money very good here. - AndreJeancosartier, Bois Noir 21, LaChain -de -Fonds 2300, SWIIIerland.

DRUMMER BASS GUITARIST,vocaIs an asset. 111004 area. -SEV 1274.

DRUMMER VOCALIST (vibes orother instruments if DesSIDIel.summer season May 1.0ciober 16.BIS 5531. Clayman Agency.

EAST COAST Holiday Canon re.quires ptanlst And drummer, livein III per week each, plus bonus.-Apply with phetograph, siatIngago and experience Box 6016.

EXPERIENCED DRUMMER, ageabout 21. required for blues.basedgroup. - ENT 6226 evenings_

EXPERIENCED ORGANIST,gultarlst for Tondo /soul I bluebeat group. - 34 LyntonMord.

FEMALE DRUMMER to min all -

FEMALE GUITARISTS lbass andthody to Join a11.g1r1 POP M.P.-Enquiries. BIS 5531 Clayman

A V11313:Y BOOKED Gene IYPeband regimes new drummerand 3rd sax. - Please ring WOO8347 between 6-7 evenongs

GRENADIERM

GUARDS BANOar.Dnow a vaca rim for Solo

net nd tharinct. -ApplicationsTI Dairector of Munn, GrenadierGuards. Birdcage Walk. London.

GUITARIST WISHES to formcountry and western group. fe-male vocalist, drummer and bassplayer interested. - Phone WIrd0629 after 6 P.m

HAMMOND ORGANIST requiredfor Hotel Band, summer seasonCornwall. - Barrett. Pinhole, StAustell. IN... 350).

I NEED A YOUNG DRUMMER

ahoswings lightly. looks good

lways. is co-operative and neverwants to be out a( work Hardwork Mon -Sat. Liveable moneyevery Friday. I entertain withpops, country, standards, jaTz andsaUre Residency Van Gogh, LatinQuarter. London W 1. - Call 437-3977

KWELAI pennyw his I

players from South Africa, alsodrummer. goolladst and deabOX)bassist required (preferablyAfrican). -For audition apply toFiona Bentley Production Ltd..45 Mount Street, WI, giving 4011.8cations etc.

LEAD' end Bass Guitar re-quired for re.formatIon of TheBirds Contact Alley, West Dray-ton 5492.

LEAD / BASS /DRS. VothIS enoset, C&W group forming, NA.Keen and willing to rehearse,

Phongood

ebeginn

4958.ers

might ..11 -948

LUTON AREA, 530151 wishes to/ form danee / band.- John Bayne, 20 Moor Street,

Luton. Beds.LUXURY HOTEL In Zambia re.

quire organtst vocalist. Annualcontract Must be capable soloentertainer Os well as play dancemusic. - Apply GER 7061.

MANAGER VOCALIST. formingsembnight club quartet. - Box5990.

NEW RADICAL pop group (de-veloping from John Cog, etc I re-quires amazingly creative, ambl.11000, and ee0nlne MIMIC1805.-Rua 6025.

MODERN JAZZ. Me thereans. Modern lass groups withinplaying don:ince of Barnaley761.0 only - Write In: The Man-ner, Civic, Hall, Barnsley, withdetails of fee and where he consee you playing.

ORGANISTload4315 revenIngsi.

ORGANIST / PIANIST for sum-mer season, May 5.0cluber 10

Excellent thiary.-BIS 5531. Clay-man Agency.

ORGANIST / TENOR SAX,.WonLod, North Landon. Group. 2725720 evenings

ORGANIST. Young. under 24,single, required by lop P.- re'cording groop - Ring Sll. 2710

PIANIST/ORGAN

Most Rs good roods(. Willing to goabroad. Orlon supplied. Top money

TEDDY WADMOREHemel Hempstead 2487

PIANIST, EXPERIENCED, NortlLondon outskirts. Plush toWednesdays and Saturdays andOther dates -Details to Box 8019.

PIANIST / GUITAR duublingvocals and drummer to forquartet fora long summer seasonon South Coast -Billy Forest Ent.Ltd.,. Sink' 19. 8 Park Read,Stilton Goldfield, Works.

PIANIST, re, busk. pups.standards. - /dander Naylor,Top Rank Suite, Hanley, Staffs.

PIANIST REQUIRED, mule orfemale. tor holiday camp sUmMer

inmust be able to read and

busk Excellent working condi-loons. Love ow -Write Troth fulldetails to Entertainment Exec.live, Pontins Ltd. Pine Grange.Bath Road, Bournemouth

PIANISTS. DRUMMER / VOCA-LISTS; ORGANISTS; ACCORDION.MTS. THREE PIECE BEATGROUPS; ENTERTAINING TRIOS;LOUNGE WORK. LONDON AREA.BANDWAGON, GRA 9460/5906.

PIANISTS FOR SOUTH LONDONweak -end lounge work. Top rates- Clayman 's BIS 5531 (Day).

PIANIST Southern HolidayCamp. B

tausk

read.m sing songs,concerts. lent thos, et,. goodfollower. Write -Mr A. Oliver,52 Rutland Gardens, Harrongay,London, N.4.

PIANISTS. START WORK THISCOMING WEEKEND. wide choiceof lounge work, 1-5 nights weekly.All areas, New Increased rates.-Cloymons. Blahopsgate 5531 (dad

01 -3PIAN3774IST, young, for season -

57PIANO, SS. alto, trumpet,

tenor, younBAg for Seasons.Write with telephane numbersBox 5998.

ROYAL SIGNALS RAND haslonmedato vacancies for two ex.crienced Tenor Sax plarers p. -

Royal Srgnills Bri°d°, oCalt:ricek

°114114011°X11(11f2o11; Italy: minimumone year IR&B style essential, -Enquiries Clayman agency, 0155531.

TRUMPET PLAYER would liketo contact pmnost with view toforming gig band - FRE 0241evenings.

TWO PROFESSIONAL MANA-GERS, looking for lop groups,to promote. manage and musicalWe have contacts in ail musicalIleitis -Tel after 6.45, 959.1372Write Stuart/Coehran, 123 Kings-ley Road, South HarrOW M1ddX.

URGENT. Tenor, 18.25. POpGroup_ Good pay. 6.8 - WAX1919.

1-70'.T0Y.dr113fnnT

WANTEDfor Somme Smson, Ctomon

LEAD TRUMP. - [30.Deporlmood LEAD 01.70 - C30.

lo, smug.° Doo Band

'keno .10f DANIELS, ARNold 4649 M.Neon 3 and 5 p.m, or pros 22 locksoy

Mein, Wombloy Pork, SAIddlows

WANTED. Glrl musicoans forrecording and Continental work.Good money and conditions. -Box 6026

WANTED. Hawaiian goiter..(gigs). I376-1542

WANTED. Snood, versatile or.gantsi, hotel lounge (North WestCoast). - Details and ...srterms, 0 D.. 31 MothoroughPlace, Leeds 7, Yorks.

WELL KNOWN PROFESSION-AL LONDON GROUP REQUIREFIRST CLASS DRUMMER, 111.24,GUARANTEED WAGE, WRITE DE-TAILS. Box 6017

ENGAGEMENTS WANTED8d. per word

Minimum charge 5/8d.ABLE, ACCOMPLISHED plainsi

ailable -878-4542vaABLE ACCORDIONIST avoid.

able. - 878.4542,ACCOMPLISHED quartet and

steel band. - FIN 3934A SETTER, different piantst.

Johnny Dee. - 21 Wessex Cara.vans, Basingstoke (no phone)

AGEING TENOR, rend or busk.anything. Would welcome newrontams, gigs. lounge, elf, NurubbiSh -TelePhone 01-892.44U

ALTO/CLARINET. 007-3111ALTO CLAR. - UND 3699.ALTO (doubling) requires Lon-

don restdenCy. - 907.3112ALTO, MODERN, husk, seeks

small group work WIllIng torehearse.-EUS 9682.

ALTO/TENOR clar. - CLI 4811.ALTO, TENOR, vlar -Ken GMT

TWI 43411AMPLIFIED VIOLIN Tenet .

Clad available - 01.570 4094BARITONE, alto elan. - 01

383.3139BASS ACCOUSTIC bass

guitar, read or busk, residencywanted. - STR 11002.

BASS/BASS gutter. -11AM 5501.BASS/ELGTR./GIGS. 01 449

3221BASS, DOUBLING bass/gullar.

vocals.i

read busk; transport.reRequires sdences in England

or abroad -Ring 01-546.3660,BASS GUITAR. Bass double

Plano, club, lounge. and drummor. singles - Gladstone 4540.

BASS GUITAR. Gigs - CHE0312

ENGAGEMENTS WANTED(conlinued)

BASS GUITARIST so [sloes tojoin group Beck. Crowon, ilendo lx

type (Marshall etc.) - Phone:Hough 42105

B ASS (STRING), Gigs. Season- Gerry Friedman, PARk 8204BASS tinting). Jazz, dunce.

Jock. 570.0728.B ASS (STRING) VOI.31, season.- 01.864-21177.

BLUES GUITARIST and harpplayer

1111. 9815 n101t!

RIR"'B LUES GUITARIST/Harnionica

seeks pro group - FIN 7989,B LUES GUITARIST/Harp. Lon'

OHO. - Tel 730 2445CHICAGO BLUES guitarist, v.

good, wants band. Own Iran&port - Cruickshank. 21 Lemont

Grays, gst,aCONGA / BONGO DRUMS. Pe-

nis. -FIN 0984.DOUBLE BASS. - FAI genDOUBLE BASS /. vocals. gigs/

perm - 01.759.1952.DRUMMER AVAILABLE, Sarno

vocals, gigs or residency. -PERMs between 5 and 7.30 p.m.

DRUMMER/COMPERE 1371, per.son Illy. some vocals. Broad.

0113°00 °12 "°°11°Yoder. see s good residencysummer or longer Passport.. -CANnock 3014

DRUMMER. eager, ex -pro, gigs.-FIE 9915

DRUMMER, experienced. trans-port, -Brian, Farn (Kent) 54444

DRUMMER, experiericed, trans-port. - SIL 2076-

dRUMMER, experieneed, young,gigs or residency. Own trans.port -Battersea 4913

DRUMMER, gtas.-itemei 1111111D.Stead 58214.

DRUMMER - Johnny EaSeS -MOUntview 9027.

DRUMMER. PASSPORT. Ex.Chris Andrews, Grant Tracey -Romford 47020 6.7 p m,

DRUMMER, READER, expo.enced, transport, gigs. - 874.8619

DRUMMER, READER. FORO Sal'urday - RIP 2001

DRUMMER requires work, ony.thing considered. Box 6020

DRUMMER. Tarola / Soul -018072770

B RUMMER, TOP CLASS.READER. pig band, Imo, cuerequires residency. season, withnrst.elass musicians only. -01 1248585

DRUMMER. TRANSPORT.-DRUMEL

DRUMMER / VOCALIST. youngProfesslona I group, residency,gook - CAN 4173

DRUMMER VOCALIST (271,TOP PRO AT BOTH. ALLSTYLES. - 01-874.4741

DRUMMER/VOCALIST (n), expenencod, Seeks season or rest.deney.-13. 6021

DRUMS / CONGA / BONGOS. -242E055

FEMALE FOLKSINGER requiresImmediate bookings. - Nottm211663.

FEMALE GUITARIST / vocalist.requires season, July.Septentbe

dr.

p oium / fingerstylv excellentminder_ - Box 60an16.

GUITARIST d Dru1gper.summer season. boats. gig!. -GIB 3267

GUITARIST AND VOCAIRSTseek blue, group. - PRO 9080.

GUITARIST, 01151 class read /busk - Art Kent. 574.4310oLGUITrAZ,1=4. gigs Bki,r,t rcralley

HAMMOND ORGANIST 1pr/0.-594.321a.

HAMMOND ORGANIST, Soul /Jam. 22, OW11 organ. 2 Leslie,can pedal, read. sing, Seeks

°° 1"11°°°1'00110 021 200 'Broo fieldand. Burnage AveManehester It.

LEAD, BASS NOW., group,.

Ert=biti.LEAD GUITAR"Vocalist. young,

mod. seeks good pro or bruit/intscm/pro group.-Phone WE34306evenings.

LEAD VIOLIN / Alto Sax wantssummer season - Eiger 7940

MUSICAL SAW. SIDNEY ROOK-IES. - 7 Thorn held Rouse, Pop-lar, E.I4

PETER S. ROBINSON. Pianist,accompanist. enieriamer.accordion. - 223.5431 or 540-3484,

PIANIST / DRUMMER, dun orsolo -Day: SHO 9442, EVE CBE5216

PIANIST, glgs, resideneY -WS 26901

PIANIST. - REG 2040.PIANIST reaidency / Gigs. -

736.2817.PIANIST, VA e. - 807.3939.PIANIST/VOCALS. 01454.6487PIANO / ORGAN. Read !busk,

...pony_ 5/6 nights. - Phoneafter o'clock LEE 1108.

POP GROUP reforming, any one

01interest4ed please phone Paul -

.570 465TENOR / clarinet / flute. young.

experteneed.-Box 6022TENOR, GIGS only. - MAC

3655.TENOR, PIANO, Mlle, vibes.-

MOti 9715.TENOR. Rail/Busk/Jazz. 804

5004.TROMBONE, ARRANGER. Har

ninny srwals - preston 77815.TRUMPET / ACCORDION. -

DOM 6630TRUMPET, Jazz, Blues, Dann.

-73.4813VI1.OLIN, SAXES. Ciro", Open

SUMO., ninon - 01 274.4037

TRANSPORTI/4d. per word

COACH. 14 sealer for bandwork (weekends). - DAL 7070.

COMMER 30 cwt. diesel, win-dows. two double bunks. stacksof room. AI condition, 1200. CLOTHINGTOO 2592

1/- per wordWANTED, Mend piaci

4542

SITUATIONS VACANTI/ per word

CLARINET TUNER requIredThe psition 103113 suitablefur an ex -Army bandana. who,

wunis to remain In ms.lation

1s:101°11 d "r1s15112 11! ,!rd',1;f4,T07.',107,5,musician. There la11 Rday Weekfinishing at 2 ocluM on Fridaysand the usual other gennel

Please telephone tin foron appointment to come and dub'etlxv the position 01111 our ChiefToner 000500 Hawk. Ltd.,Dean'broek Road, Edgwarefilidd: Tel: 01.952.7711

GROUP soaks manager - 007-

0301 evenings.HOLIDAY CAMP enterialronen1

staff wanted, good misers, ablelu organise sports and play In.animists or vocal or novelly,etc. Write, photr. A Oliver,52 Rolland Gardens. litirringay.London N.4.

THE UPPER CUT, for gate,equtres tour female go.go dan.Ors to dance with the rmIdent

olo1v;g0r0co(iltirLd:1,Ei.1110eZerrA'11;riil;I:gfir

541,161I31;n9 to The Manager. Tel.

WAITING for Nosnner Fursex

son? work' - nitemporary work, and high earn-ings In an interesting field. Ring- Mr Lyndon -Dykes at HYDePark 5554

SITUATIONS WANTED1/- per word

YOUNG in., 171, eager to

succeed as ILL Lillie experiencealready gained. - Box 6016.

YOUNG MAN 1201, seeks 01.-11. as driver. etc, with group.- Clark, 02 Granite Street, NOT,stood, 5.0.18.

TUITIONI/4d. per word

A BALLAD singing eartier.Concord School aSnging.London's tending centre for popballad nothing trams you torPritiessionai Career. - let 11

0218 from 4 p.m. to I p.m. forest

ABSOLUTELY FIRST ANDFOREMOST In every way for POPSINGING TUITION. - MauriceBoorman School, 137 DockenballMoneens, Baker Street. W.1uuNter ma.

ACKNOWLEDGED BRITAIN'Sbest leacher. SAXOPHONE /CLARINET private lessons. Begin.nen ! advanced. ADVICE! I test/select INSTRUMENTS. Also pos.tar courses saxophone LESLIEEVANS, 275 Colney ilateli Lane,N. ENTerprIse 4137.

ARRANGING / COMPOSING. -GRAHAM COLNK. PAD 2666.

AUBREY FRANK SAXOPHONECLARINET TUITION. Beginnersto adianeed. - 192 The WhIle110,;.1zi 11LEUS 1200. est 192,

GUITAR tuition In your'home. S. London, Surrey or Kent01.850.9178_

CLARINET SAXOPHONE tuWon 15/. hourly. Jam - Impro-visation, beginners, Advanced.- Telephone Winston Ingram01-451 2540 Instruments supplied.

CLARINET TUITION? NaturallyErie Gilder School of Music. 195Wandoor SI 10.1, Regent 0644

COMPLETELY OVERCOME ALLDRUMMING PROBLEMS ATROGER )(ERR'S DRUM STUDIO-- POL 11020.

DRUM TUITION m West End_- 504.9417.ELECTRONIC ORGAN lessons,

vidual/class. 15s_ per lesson,R/B, fa. organ. - FIN 4376.

FOOTE STUDIOS. Frank Kingteaches drum, - Write, phoneor all, 20 Delman Street, 0,11013.101 ISII.

GUITAR TUITION far begin.fie rs - CUL 9525.

GUITAR TUITION. - MAC8116.

JACKtuition

BONSERSouth, saxLoopndonhone.clarinet'Forgone 01.654.4100.

GOFF. Saxophone.clarinet, 11010 tuition. - TWI4348.

MICKY GREEVE. Specialistdrum tuition -STReatharn 2702

PIANIST -REG 0040.

THE SCHOOL OF CONTEMPORARY

loARRANGINGcoomitoMTECHNIQUES

t ths lollooinp ot 1aam. -not Tothniq. of Aseonetno and Ooluato

irhgrovINI1101. Ayr. NrcapnonSMtlItnust Syn.., 01 Con,ogitoon

Uknril:TV:Ift::V:11t=4wais ia, lowSCAT . SI Ramie. h. leads., N

1.4 0.1. atom your trolesmone anal WeP..

RECORDS FOR SALE1/- per word

BARGAINS OF TTfEWEGUITARS011sON in Mond now 5115

01030N1 0 Mrs, Mond ms, 0160

GUILD Stornm f 1.01, Mond r44 £1030111506 1 5.110, ononmoloto St If01850N 5. EMHIM LraSENDER Glolmosim, tneupolow RS wo,

PINDER Prothloo Rom sok nos 05MAYON floodsEPIPHONE Casino. m own .00ANEMIAS

MARSHALL STOCKISTS 1

IUINf OINI10 Rom* odSomnot

6 10" opsokvo. mbuse to moth OMVOX TAOVOX A.0 IS, 2 12 min L30

M. nateatta mom Amyluie

BRASSMSSoN Mow Creation, nem VP geo

ROOSO a HAWSIES111.Mk VI. S14 L30O 550N 9.10 Dombono, not1USSON Amelonly 402 Dam, 5/14 110

100567 a HAW.. lenporlol 1522,

SAXOPHONESCONN Alm, lots modal. mod said 01KING Alto .0NEW NINO loner GfADOLPHE Imer .1B OOMY a HAWK.Posmnom. tooKOHLER, Alm smIlone son1t0n

Comp's. tempo of Avetdt RildpooCnsol or mom.. PM.

-Easy THIffn and Pon Enhonsavallobls

233/5 Lewisham High St.S.E.13 DUN 2958

PERSONAL1/4d. per word

ELITE INTERNATIONAL, Maidwide, Interesting and coonprehensloe, the only -guaranthed" co,respondence medium. - &ad,to 101 LOWer Ford Strum, Coven.Try', England

EUROPEAN FRIENDSHIP SECO.ETV% BURNLEY. Pen:Ronda anyage, all count.... Send s.a.e.for free details.

EXCITINGLY DIFFERENTTEENAGE Perusals. Intornattonalmembership. 0.0,0_ 10,

Bureau Bel tannin, 13 SycamoreGrove, Rugby, Warwickshire,England.

EXCLUSIVE PEN FRIENDS andintroductIons All areas' All ;igenBeth sexes send s a a for flierderails -Judith, 641Y1, Highgate11111. London. N le.

FREELANCE PHOTOGRAPHER,Spectillthes groups and portraits.- Telephone 01.948 0505.

FREE LIST OF PEN PALS Tillbe forwarded to everyone sendinga stamped addreseed envelope toWorld WIdo Friendship Club, 48

Cemetery Road, Denton, Il an.chaster. Lancs. (Stale age)

FRENCH ponmends, all agall.from 12.21, send Saa. for fr.pondetails. - Anglo French Cortes.pdonce Club, Falcon {loose,Burnley.

INTRODUCTIONS to hundredsof new and caeltIng friends, Panor Personal. All ages and in.terests Send for free dewile -The Eagle Rock introductionService, P.O. Box 155. Warring.In, LAM,

JEAN'S, Queen Street, Exeter.Devon immediate. genuine In.treduentins. 17-70. StOrtly co,fidentlal.

PENFRIENDS everywhcre, Aged10 to 50. S_a.e for details. -Pentrinds, 13 Avenue Rosa,Hampton Middlesex.

PENFRIENDS WANTED. home/abroad Male only. 5.0 a MallClub rA931 . Chorley. Lan.,

RAY CHARLES CONCERT. Willaccompany girl, 20/25, 0110011C

RoOlt "WENFRIENDS.England / abroad. Thousand. of _members. - Details, WorldFriendship Enterprlacs. Y1E74,Anshurst Park, N.16.

UNDER 217 Panels anywhere.- free. Teenage ClUts,Falcon House. Burnley

UNUSUAL PENFRIENDSI In-ternational membershlp, stampedenvelope for reply: (M9), BurmuBritannia, 13 Sycamore Grove,Rugby, Warwockshl re, England.

HOTELS1/4d, per word

STONEHALL HOUSE HOTEL (20minutes West End). Room andbreakfast from 18s. Od, daily. Hotand cold: ftHly centrally heatedand hmters all rooms. LouRAnge.TV and radio. AA and Clisted. -37 Westcombo Park Road.Blackhmth, London. S E.9. Green.wivll 1595.

COLLECTOR selling Wm 78SAlso 0111 Broonsy relics. - 01958 9151.

JUKE BOX POP HITS. Sendlarge we., for lists. - WindsorDiscs, 56 Thames Street, Windsor

RECORD BAZAAR. 50,000 from2s. - Write for lists 1142.0 ArgylaSheol, Glasgow.

RECORDS BY RETURN POSTCredit terms available. For free92.page catalogue 1151100 4.100Mlles, write. HEANOR RECORDCENTRE, Dept MAI, limn.,Derbys.

RECORDS WANTED1/- per word

WANTED, record. "Imago- byAlan Hoven - king NOR 6504,evenings only

FAN CLUBS1/44. per word

CITY SMOKE, Denise, ISONorthborough Road, S W 10 Is.SAX.

76.

REHEARSAL ROOMSI/4d. per word

KENNY BALL Appreciation Sc. BAND REHEARSAL studio avail.rely. - Sao. to Miss Pat Sauxtiers. 18 Carlisle Street. W T.

able.-Sludlo 51, 10,11 GreatNewport Street N' .0 2 PhoneYARDBIRDS (most blueswitil 01.896.2071Ingo Fan Club - s.0 e la 72Dean Stree. W.I.

GROUP REHEARSALS. WarrenStreet area. 713 hr FLA 3545.

DOC HUNT says:Soma SCHOOLS Pun outGREAT MEN - othersEDUCATE thorn WE 1200oat GREAT REPAIRS -old GUARANTEE THEM

"DOC"

HUNT1----1 FOR

PHEMIE0M

*ALL MAKES

ON

OF DRUMS AND EQUIPMENTTHE DOC'S EASY TERMSmoms 5 OLD Of AR 1113l10/41 FOR CAN,

/H EARGAINS REDUCING AllCRAIRS HUNT Too Wens PAN,

extuaNcIts ethrInvinnIon 3.,a,p%, Soo

L. W. HUNT DRUM CO.

DRUINAORL,IDrienOothivoritorn Aselwr 5trool.

VI 1 Imes or;71ntis.tall Erponsol010 6911/2/3

MELODY MAKER, April IS, 1867 -Pogo 10

BERKLEE SCHOOLMUSIC SYSTEMS

HERE NOWBig Band Arrangementsgraded for the student to

the session manTutors for Saxophone,

Trumpet, Bass and Drums

PREMIER DRUMS1104.5 xi. 311 A.M. nod

C230. 00ORETSCN 4 Mums. buteurar

M 00(US WIG Weed dn. C2R7.10.0PREMIER 751 Vdoreamme

El. 7,PREMIER 701 Tangelos..rom (15.8.1001.56 GERMAN Ho. bock i 173. 00

CTECH5w.re bock ! 030.10.0

RA161.16 Cul ...at I 1315. 00GERMAN Ike bed CAS. 00GERMAN 5..11 beck am 00.055041.0 moor000.S CAS. 00GERMAN SwaSoo.4KING, U.S.A., lowinokod.

109.10.0

047.1000,.renda0nERA NUS Bow. loss 035.00

CONN ISARITONE, lomoue

C1 AtAlt LEBLANC CT "eacellen. E.43 00581.9111

'

oNeo4d £15 0 0SOOSSY 936, no. t.77 0.0SOOSly 10.10 Sympbony.

ALTOS. ITUNET S... Dm50710.0

...on, ve.b Cot 10.0BUESCHER good 002.10.0SEIMER IL mmilent 07.10.0

TENORS. HAMER OM 0, new CI St 00

TROMBONES NOLRation as. 00Slrotedyne, nee 1129.10.0KING 34 ....M. minonent C110. 0.0CONN ION Comic,wrygood oolor 195. 0.0

TRUPAPITS COURT015...celecni CAS 0.0115505410 CID. 0.0FLUGEL lee*ur, wee cam 01.15.0HUGEL Impnd 157.30

SUPERB GUS TRUMPETSAVAILABLE NOW

FOOTE'SWITH IT

Orvivoicks CHAS. E. FOOTE LTD.. 20 Damien 34.In. Mame 17/11 + 9l P. Open Sots. MI 5 p.m. GER 1111-2

IN Est. 47 veer- aelRECORDING STUDIOS

1/4d. per wordABANDON ABSOLUTELY yoursearch for a better recording, abetto Forney and price. Aphone all brings you free leaf.

lets. (New, larger stut110.1 -Ton/ Pike Muslc Ltd. PUTney193

A PROFESSIONAL recordingservice at hull the normal nriee'We cot do anything with sound!Compress It. limit It, add echo.reverberation, and record It inmono and stereo' Demo dim, cut.- ling liemel Hempstead 53361

GROUP RECORDINGSdio a spec.10110, West End Stu .2011.3513. EMI. Ampex, Philips equtp-ment. expert attention. eveningsand Saturday afternoon sessionsarranged. tape to disc service.

SENSORS. The discovery atildlowhere 0117POrturillies and Oralclass recording combine with thelowest prices in town. Tel RAY3901.

MANCHESTER Starphonic SoundStmlims. Fallowfield. Demo, and

-Easter. recordings for band,groups, artistes Finest equipmeat. liammond Organ. Berhstein Grand Phone OM,. Itramboll 9132.

SOUND ON ;Recording 511161.1.Hemel Hempstead. Satisfactionguaranteed. Also tape to discmaim - 57136 or Berkhamsledggtl (eVentngs).

SOUND ORGANIZATION. nest2 hours 14 per boor. Thereafter12 per hour. TapeCosy studio with piano and Ham01000Par

king area - PhoneEwell 0603

SOUND RECORDINGSLONDON

THE BEST - TELU

COP 3704STDIO REPUBLIC where the

best groups make Use best demos-Church Farm. Pinner,01.8611 5555

STUDIO SOUND (RITCHIN).Recording Studios Demo's, Ad.vertising ProdurlionS. Tape todisc - 411TCHIN 4537.

STUDIO 19, demo specialist.from 13 ros p hr . siso rehearsalfacilities. -19 Gerrard Street. WGER 1559

THE DODO'S. .1 Made Up MyMind). Released. Polydor labelwere first recorded and then pre.muted by Jenson's.It could beyour turn next. Tel RAY 3991. TheStudio that Is Interested In help.lug you succeed_

VOCAL RECORDING exceptionalaccompaniment itoPelled EDM

WHY J0150115? It's brat andcheapest, Rh op around first thentelephone us. - RAV 39VI

CITY Of LONDON

RKORDING STUDIOS

bog get everything

n.qn ad.n lion is. ALREADY....me, eeck 7 mast ...ma

em... Ail .n o emar 1110000AIMOSIWIRE - eed ogle quo I -

Call vs of ITS 1311-2 or writs his9-13 Dawn Srmr, Alergor. Fair

London, E

HIREFOR

RECORDINGSPrestige dales

[-MARSHALL 200watt I1.11 re... Acrophones

Plot Tr...port24 Mow Scovn

CENTRO HIREIs Uppor Iake4y Sheol

WAMA 0041

SOUND EQUIPMENT- per word

kt-11am7new. otters DI

T. p taken in Par,hlllge - 01.607 3401.

11119 AC SO Super Twin tom'7/boust, 0.81 111M

--Loatherhead IMO NOW,,V.81 EC DC 111111 condition. 176

'S MotPlume 1011 502 MIN 0.7

DUI IMPROVISATION a NMI-MONT (Alen MI..)

3000 11U5KERS rya. 4 Warring3/6

EEG OwIN ARRANGING 61111400 24/ -GLENN MILLER OeCHESTIAL

ARRANGING 31/-YOU CAN LEARN MEI iGes...00.111.1E 110MA. LOOM IC.mor

Solo) 11/-EUGENE MOT DOME BASS

TUTOR 47/_LANG. SAX. TUTOR LASCHORDS a PROGIESSIONS

(romel..1 Bois. 10/6all MILES IN.. POSTALE

G. SCARTH LTD.SS Cherleg Cm. Reed London. W.C.2

01 - 437 7041

MUSICAL SERVICESI/4d. per word

ALL ARRANGING. - RingOPR2-70815

COMPOSING / INGservInes. - a Mefferd Avenue.Barking RIP 4209EARN MONEY SONGWRITING.

Amaaing free book tells how.- L.S.S.

10-11 M. Dryden Chum-tiyerIs. 119 Oxford Street, London.

MUSIC TO LYRICS, Vacs/tape- 36 Sudbury Avenue, WembleYWEIR 3198.

SONGWRITERS. Demo discsMade from manuscripts or tape,piano. guitar, organ. Vocal grou.small combo, orchestra available Pro musicians. Low terms.Music Composed II words onlysupplied No additional chargeSend material to City Music,Radnor House, 03/97 RegentStreet, London, W.1

TOP CLASS, lyric writer. withh. Material creeks area Camposer. on 50,50 basis,-Box 6020

TOP LYRICS fr. outright saleWrite slating offer - Box 6017

SONG P41:4.

WAITERS

GROUPGUITAR 0 PIANO

AN CI VOCAL

par Wieeve 0" hg?..b=TAPE fcv7WEC Perlermarfe

0 c33 Dm,-

SONGWRITERS10. motescel Iss soma risme

ACETATES 0.0 11.1.14.41le. -179. Rams., 09.95.9

Ansyrom Minh 10554.,)LtdII lerethwel

warier.. One.. tau.

MOUTHPIECES1/- per word

MAYNARDS MOUTHPIECE atyour dealer NOW, 001.0191. BurySt. Edmunds, and branches.

Manchesterouthampton,Barratts.

and branches.Browns, Brtstol: Clays. Binning.ham; Cookes. Norwich; HarmonyHall. Bath; Greenahalghs.Exeter: Hammonds, Watford.Hesseys. Liverpool: Kitchens.Leeds and branches; Laws, Ket.tering. Midland Music. Northampler). Moore & Stanworlh.Leics.; blooms. South Wigston:Busmen., Plymouth. MUsICStudio. PaIgnIon, Moores, Brad.ford. Normans. BurtoDon.Trent,Reynolds. Salford, Sanders, P.worth. St. Giles Nude. W.C.I.Stews rts. Sheffield, Stevens.Cambridge: Taphouses. Oxford,Roll Music, Ilford, WhIlwams.Winchester. Ya rdleys. arming.ham- Yardleys, Plymouth - forMAiNARDS MOUTHPIECE.

DRUMS1/- per word

E EVERLEY three drum kit,while pearl, as ew. 132 10s.n- LOng Acre. Rowley EA. StokePuget. Fulmer Hue. 456.

( ROADWAY, four drums, fourcymbals. rases, stool. good con.ditton. 13.5, - CBE 14.122

LUDWIG, mplete Mi. imw talc Adcveodls cymbals. 1150

Bournemouth 38007.oLUDWIG kit iB/D. ,D, tw

Tfral. red glitter, as new fibrerases. Rogers fittings, 1175 on,- 01.848-0915

LUDWIG, Erldpan. 1250 - TUD

1"VElDrtrSgYnern hots

143gel ON eat 5004296

10071PREMIER °SI" Blue Pearl,g c. t15 o n .o -WEN 3567WANTED - LUDWIG SNARE

drum or sunilar Also Avoiltscymbals - Dartford 24419

FOR HIREV. per word

ENGLAND'S FINEST mobile dil.otheque quoted ate from Roger

'Ces mu Tel 01 la 5341 or 02$

9069

;1,. te( AV =VS". GOLD

CORDYLON

STRINGS BRING LIFE

TO YOUR CLASSIC

No. 583 Price per doe.E or 1st. Cordylon £1. 6. 3.B or 2nd, Cordylon El. 12. 0.G or 3rd. Cordylon El. 17. 5.0 or 4th, towered £2. 12. 6.A or 510, covered £2.16.3.E or 6th, covered 03. 3. 9S. sets. 1 each of above El 2 6.

INSURANCE1/44. per word

FREDERICKS INSURANCE Bro-ke!, Cars, vans, Instruments,

Fortgages.etc PINner 1839,

ield End 0315, 15 Grove Road.Pinner, 111040

INSTRUMENTS FOR SALE1/- per word

ALTO, King excellent condi.lion, beginner's Ideal. bargain.030 - 01-799.2135

BRAND new Lafleur PlugelhornWW1 cse. 020. -Write or call 23Roland' Street. St Albans

BURNS TR2 Immac 000n . also SELMEcase. R THUNDER-

B IRD, 050 o n.e Mr Barker. 10Clement, Avenue. London. E 16.

FARFISA COMPACT ogan,brand new condition. f1800Vox AC90 amp, 150 o.n.o. To-gether, 1210. - Phone 534 5879.

FENDER JAZZBASS, £15CASH. - MAR 3793.

GENUINE Indian sitar. likeGeorge Hermon's. - S a., ,

phone.30

East Common, Red.bournHerls.HARMONY 01.71, as new. two

pickups. Rigsby. 145 n n -Phone 720-1909

ROEMER GALAXIE AS NEW.EM. - IMP 11150. EVENINGS.

HOMIER VERITHIN guitar.good condition, 134. - PhoneAntal, Reading 52206 icifficin

NATIONAL steel.bodied guitarfor sale - Offers to P. Nash.

Barnhill Road, Hayes. Middx.NEW KING tenor, as new. With

case,. 150 - GLA 1451TROMBONE. IMPERIAL 5104,

Immaculate, with case. 140 -n1495-5981

VIBES, Max., 3 octave, 5.0155, bargaln. - B. Chid,Westborough Colt. Combe-,,TelGribesid, Newton Abbot.

LW THE LOTI Linter 90 aml'2 I 10 cabinet, tone bender. 2guitars. Harmony Stratatoneand Broadway,- " Mad - 49

Drive, St Albans. Hems

INSTRUMENTS WANTED1/- per word

BASS SAXOPHONE. cash paid- BUC 6702

CASH PAID tor P.A. units andpartli guitar amplifiers. - REG7654

CLARINETS, ELUTES, OBOES.TRUMFETS and good TENORSwanted urgently. - PAN, 33/37Wardour Street, W. GER 1578or IL OIC 0033, after 7 p.m.

GOOD GUITARS. AMPLIFIERSand all Group Equipment forcash. Will call and collect. -GER1578 or HIL 11224 evenings

MUSICAL INSTRUMENTS w.led for cash. - Musical £3.change. Wembley 1970

WANTED pair tympani or odddrums in any cOndltIon. - L. WHunt, 10/11 Archer Strcel W.1GERrard 8911

INSTRUMENT REPAIRSI/4d. per word

A BEAUTIFUL SOB! OVerhains,RelacquerIng. 5-7 days by ap,pointrnent. SaIopholieS / wood.plod/brans. - KEN TOOTELL,LESLIE EVANS, 275 Colney HatchLane. London. N.11, Entered.4137.

AMPLIFIER REPAIRS, modlfie.,I ions, and recOverIng All makes.prompt. guaranleed work - 01-

007 8691.FOOTE DOES IT. Finest croon

ditIonIng tot.. basses, brass,woodwind, drums. ete - ChasE. Foote Ltd 20 Denman St.W I GERrard Hill

FOOTE (Or boon repairs Expert om estimatesfree -Ch. ID Foole Ltd . 20

Denman Street. London. W.1

GERrard 1811.JOE ADAM saxophone, wood

mnd epairs. Instruments loaned.personal service collected -01412 8883

ORGANS1/- per word

HAMMOND organ forOr.

17

per week dong hire>. ml groups! or sale;. rotating organ boosterorgan transporter tr011Ics - FIN4310.

VOX, BIRD, Ws 11il Fioarrit orstroll. organs wanted-REG 7054

RECORDS

PRE-WAR 751 Dance -band.;ex Vamp, light TOE n.

lu.81:d.. e.l.ed..311101$001111_1Stlitayll,le.

23 Arundel Drive West. Saltdean.Susses

GRI1301 Tenn..., es met0110504 Annirervery, 1 P/mGREGO. Correa*. 1 PS.FINDER telermler, whileFINOIR Tam., new011500 335 cherry0115014EPIPNONE lenalse, .46.11111 MONT Rea. 3 Pl. VDMC8E5.40151, Mvp. Mryie body CI II

PA QUALITY INSTRUMENTS33/37 WARDOUR STRUT LONDON, W I TEL 01-734 7054

(Above Homing° Jon Cinbl DI -437 1578

11nd Floor) or Evenaim 01 -WOR 0053

GUITARSGIMISCH Hollow Dm, ./mimmy C135ORMSC. Hollow eedy, 1133

COO

COO

USel25ems1100

LYO

BASS U AR11110/31 Pr.i.ien

hilemob..

HNDER De... w10155 Vitlesenis, a. 06.GIBSON 110 M.N.011505 EDO, us newEPIPHONFRIwili, wnno..14EPIPHONE mink syskvieIMENUI itom... nen

ATKINS...1mnd., BessNAM175 51. Sem, MumVOX/107511

PheCornealnlem. h.Rest, as now

ALL GOOD INSTRUMENTS WANTED FOR GASHDRUMS AU 4.11 KITS COMPLETE ORGANS SECONDHAND BARGAINS

lion11600150LOS0100VS

L70LOS

1.35COS

NOL60590Lts030030150L13

luDwid Rim Mindy b1.0 .1n. 119$ FAMISA DunLUDWIG WM., m r gO« We 0100 PARMA e. mosP1110101 05.000,0. Maier, es new L.C. rmr11011105 whoa eh, et ma 053 LOWREY Halides A. Woe, a mwTRIXON prey pearl geed VO 8AUR Ilua Ribbed, M newPelt Gm. Moans (new) end Steed 104 HOHN18 Srmff...9

AMPLIFICATIONCHIETSCHOIN AiNns Anie. 00vOX 6.0.30 vamo. ea50. 173

VOX A.C.30 Smor Tian, MM. 44.5

SEtrate 100 00.8 mr5 a a 12.meek. o, mw 195

MARSHALL 30 son P.A. Amp,.newSooFENDER Messreen, bird. es new 0110Male P.a. Wed Amp. C50

VOX P.O. 06.09. Per pel C35

IMPACT 2 s 13 Cad..IMPACT 4 II" de luxeIMPACT 4 x It IonderdIMPACT 2 12' do Iv.IMPACT 0 ix to -shed..

IMPACT60 wan A.M.A. Tor WEB.. or

V.A. Now end oserated eed. 132IMSACt C.I.Cm Th 10el 452 10IMPACT Be. Cabin.. I 8- spear.

C37. 030 weirC431.116

690. 0CM. 0GN.10C39. 0

H.P. PART EXCHANGE MAIL ORDER, ETC

INSURANCE REPAIRS BEST SERVICE

Play safe you get the

REAL BARGAINS atSCHEN

SECONDHAND GUITAR BARGAINSArbiter Jumbo Momreferomo Twin. Red, Cam 13 ar.B oons 5661 Sonic Mss 20 omAM*. Des, Md, Twin 35 pmCow.. Ban, bmn. twin 38 gmNeter Cello U.. Di..., Twin 65 emStramosten, Cream 75 on.Fplphom 1..o. 5 D., 0..mmnd 90 ens.0.1.1111m Gress, Blonde 95 Ens...... r less Boss 100 om.Rldonbecket 1.6. Cone 110 pm.Iplphone Cmine. Cam 130550.

SECONDHAND DRUM KITSCdonn. Tnime Ili in red prod cemprium30 Omen, 13 c 9 end 16 16

Torn To., IA 5 Mom Drum Ms. De..pedal, ...1.5101. Or MP Cy... ...-p.m iricki and iamb. - 1E0.0.0.3-.0m. in red Mind, 0e005t.4: 00 .13 Do. N., 11 Mode heed TeroTem.I I 5 Soot* or., 15' lop cymbal, mill

Terms -badness -UstiIT [5s 01 Lt 05 MOORES BRAD ORO

MODERN SOUNDSPRING SALEGENUINE REDUCTIONS

ON ALLMUSICAL INSTRUMENTS

AMPLIFIERS, ACCESSORIESETC.

128 CHARING CROSS RD., W.C.2 COV 1167

GOOD PMICINO

Sue... sod Ms.,. Mee kno [loom iv ssinvivn ov Cumming Smonam.urmat mdum. the mom omens.. ire. CAMERAS. Memo, Goo. Nikon, me. ofl

bur

pNh RECORDERS. orroompe. Amp., eh RIR. 0.04. Lea.Genoa. SHE, etc ORGANS MUSICAL INSTRUMENTS Ondoh.num, Cow,,, AN 1100E CHINE AIROUNS4.5 A., Waam... WATC1413..lobs, ,106,.l eft Nocreerep., tinoculom Typotodecv Add 54.6.. TeoNON, Tod., Oa... Cor Mao, Modern R.ordslHeren, OldSen, 0.0ophonec Ot in Ion .nyAim Speer, Opmol, Moucol,

Eleancol or Household and applionca..... Golf Clam FameGeer Demond., Jeweller. Gold Uphlet./Ceees. Comiog Ivory Norms Up to1200 pod Gold S5 1] Crowns or cot. selm Also Ammo W.p.m.- tool, Armour. Sword.. Nati Gem etc 1.5 lo E200 pod lotCell. iv. andWANG'. Soup Edna,, Gold, mercury, .1.oho he. [30,000 of dimimme roc Me or swordheed, shop-m.1H. or tr.r 3.....hboLk erode. Gvoranueel vac LL roderr oi perste.. M.o. Cosh/0.6/ at Ten. Mat HMI OR CALL 014 ON AT

THE TREASURE CHEST OF TOOTING134 UPPER TOOTING ROAD, S.W.17 BAl 6503/4

-011 n.Ciosse O Wednesdor day Normal 10o m lo 6 p m In 'Sot p ml

Also at IS lower Addiscomba Rood, Croydon. CRO 0399. Goad porkom(5 inns. Evil Croydon R0.1 5tononl

aDOUBLE BASS

Fine Quality English Gutas Got..., 3.9,0114 0 or 01.8 Con730 A or ant wovoe Goi 11/11GNIRK

24/3

MUGS

1.3m

hots 1.81.1 to P.M. 14. wolosim54,10, ,rood ori... dm W..INITISH WPM MUSIC STRINGSISO Shark...II Mom lend.. S

SEND YOUR 'SMALL' ADVERTISEMENTS

TO

CLASSIFIED ADVERTISEMENT DEPT.

'MELODY MAKER'161 - 166 FLEET STREET, LONDON, E.C.4

Telephone: EI-Eet Street 5011, Ext. 176/171

004, mP 73 Rem

re mciLdLERLANC Clerine ,

55 smTo tom. 9aUFSCHER Imomio 459.0.

Sebnun el 5/0 Clod.. Oaths

Ivn

11001.1. feereM Sa.. ohm40.111.1. Mow Pm.

SelmerMusical

InstrumentsZIS Ltd

ORETSCN

011SONE 0 1.. Mem. ode. 100 F.PRE/Alfl P./ Odnmtomato. ma mom.. 90050

1/115/ Neon* Iew1 telneoMr.^ .r.015100 3.15 MC hem.l.a rend 143150

NOINER 0.11. Ras

LINO Pironorac M Bb a F

17Scom.ii web cc. Low

CONN Cendellerlen Trendie.,melenr tel. and condi.. 35 am

37 toISO MI Trernbeee, MR

1015010(3 400 001 0 1/0..11x5Meson pad.. oxsrendin0 borpe.n'160950

507144 Sup, 10, II.n

IMOD Denis Gates

B UR err. OHM,

ATON Sold. 1

WENS 6 9 Mu Oohs 75 gre

.URA5 Ms. Bees G.. 10

DER Stramext. Proo oar 85

MATON Muewid. Mo... incl... R.WATKINS Rea.,non end

11.

7011N.

NCH.. Galeme111.1. Mx. al new 1.1167

00100 DUANE MT,cam 1606.CORDOROX. very 111115 aed, 1,0

Soma MD.,p.m 6. ons.

011505 1.1. 103 ilnk

END. MR de.

ELM1 171111401111150 30 A.,.. WM

B URNS 112. per.. coo. 75

URN VIM° .. .10 om

ITIAM LIG 01118/0I5 A SPNIAIIII FitS11LA51 WONS14016. 500100 MATSON

HIRE PURCHASE - PART EXCHANGES

114,115 Chorine Crei. 11.4. W.C.S.am 032 Opeo ....-aweotidora atlt. mv

5.001,4. ater p mad p.m a ma. .4.1 am.*

OHIO TOMAC 30 MTELMO Twin Bees 20 M.FINN Eche 200. now

Me.38mi'Ions

67 so.61115014 140 isles Mr.. P....

TERRY WALSH & BOBBY KEVINGuitar and Drum Specialists

SALE! SALE! SALE! SALE! SALEISALE!GIDSON 330, chime of two 130 om.11.11510NE Meal Rom 1 onsEPIPHONE 5.1.210119371

es.ns

111AONY N. T.73, ol new .anOSH. Med. Beta

HOF.. PIr. lnlnllee. 5/..led 50 on.MANS T a.1 Sass Ii pn.B URNS Nutenit YO 55 pmBURNS 1/1010 len, choice of Iwo 60p

MANY 015E1 RARGAIN5

AMPS

FEN.0.30Twin shoo. of Me

D. Stela.SEIPME Twin 30 Rove.0.1 P.O., c.a..Pair el Cele..

L 70.wea Mop

Woes45 ons

e."75 ns

r17m111 F. P.N., ...N.'aloft ..rn Lam. 20...

CARLTON. Gold On. MT ensAUTOCRAT. Red .1...r SO iimPREMIER Or, pearl 73 ....OLYMPIC. Chememice 5015

MA 0115 COMPLETE W. CTIMIM55.5135, MC

FARM. Miner, el now 120PARMA COONPON. on. 160.50101.111, 5/11 16058.1014 Ceroort, pl. Selme.

Cob.. 323 wn1050.1 ULECIION Cif

5.4 sti.5 AND ACCE3301.5

BUY NOW AND SAVE POUNDS

42 Upper jootinp,10;tai03lso

..BAL 3997

*IVOR MA/RANTS *-Britain's Leaclin Guitar Ex err .

announces now delivenet direct from 4. makersCoot.,,, Slodent and Folk molarsmod. usecally In the NiONCOVIM10

yjum No 250No 700

19 gns No. 000 2939 gm. No 800 49 6

JOSE IRAS Y BIAS M.1 io .... M.2M.4 15 911 11.7 25 om. M8glSpecial offer or hard mat., len lin.

30 ans.

Obrowoble only et.IVOR MAIRAINM Mr SIC ,,.56 RATIOONE PLACE. LONDON. W I TEL 01 636, leOpe. My 1. Ma ORR itrna Rm., Taw 5.61. 0 III

M.9 Flamenco12 rint28 gm.

got

VIC O'BRIENDRUMS

MI makes some.. U.SAlso w.ed km Complete tiorl of owes.0001, Aro., Lynx. AM., Corneas..Plemcs, oil sox. Mem in. Comm,

coven ..HE tomer, Repoorring100115 PARFEXCNANGES13.um Spacraloil tit 50 van

Al No. 0.1...1 Si. 19.C.1 taaelsomill310

ELECTRONIC REPAIRSTo oll AmSo plifnahon to.p.wan.lawor VOX Emepeac, E

Ring STD el BAT 2090 New Iwith yam Mnp Spear 11 O.. prob..(Goodman.. Rola. la I. la(oddGo

Oe I..So....W,17,.117.

Ire .100.1

RUDALL,CARTE

Buddy RichPLAYS

We stock 'em

- ALSO IN STOCKNEW: AJAX, OLYMPIC, LUDWIG, CARLTON. AUTOCRAT'S/H: PREMIER, TRIXON, AJAX, OLYMPIC, etc., etc

OPEN; Mon. -Fri., 9.30 G m.5.30 p.m. Sat., 9.30 a.m..I p m.

8-10 DENMAN ST., PICCADILLY CIRCUSVir LONDON, W.I TEL. GERrard 1648 lor

Pelle 70-MELODY MAKER. Anti] 15. IRV

SANDIE'SPUPPETWHAT AN

ADVERT FORBRITISH POP!IF "Puppet On A

, String " is the bestwe can do for the Euro-vision Song Contest,then we'd better stayout of the Pop CommonMarket.

The Continent, like theworld, looks to Britain andBritish groups to set thepace in pop. Sandie Shaw'sversion of "Puppet On AString" is an example ofBritish pop being loweredto the dire standards whichexist across the Channel.

All right, the song didwin the Eurovision Contest,but is it worth it to sacri-fice our reputation abroadas the most progressive popnation in the world? -JOHN ROBINSON, Lad -broke Grove, WIT.

AS a 17 -year -old soul fan 1

read the letters from jazzfans with some amusement.

One section, seeminglycalled " avant garde " and theother (God knows what) fightlike cats and dogs. As a com-pletely indifferent neutral andignorant observer I fail to seewhat their arguments are

MM MAILBAG.

0WIN YOUR FAVOURITE Udr( WRITING TO MAMBA'

WOODY HERMAN: automatic TV

about. To be honest, it allsounds the same! Let's hopemy views will bring them to-gether to fight a commonenemy-the pop fan.-HEWDAVIES, Churchill Gardens,London.

RECENTLY outside a Spald-ing record store a young

man with a moustache, beardand hair furtively approachedme.

He carried a sitar under onearm, a Bombay duck under theother and was unobtrusivelydressed in a sari. He handedme a cheque for seven shill-ings and fourpence and in-structed me in a hoarseLiverpudlian whisper to slipinto the shop and buy "Straw-berry Fields Forever.- He

nr,%:''" 'THE RIOT SQUADiesowi man, 2'6 With D.J. CHAS STEVENS

Fri., Apr. 14th7.30-1200AM+ 7/63 mond. man 2;6

HERBIE GOINS It THE NIGHTIMERSPlus D.J. of The Year ContestCompered by BILL KELLIE of TV'sCANDID CAMERA

Sot., Apr. 15th7 30 o" .7 30 am

3Morn I(1/. CNN.. 12/e

3 rnorithi moo 2/6

ALL-NIGHTER

THE EMBERS THE PRESENT TENSE

THE PITYFULPlus D.J s Mike Quinn and Jeff Dexter

Sun., Apr. 16th7 30 I I 30

37- G.No. 7/0

3 months mam 2/0

THE MAGIC LANTERNSWith D.J. JEFF DEXTER

Mon., Apr. 17th30-1130

m I. DC...pi

ammIK onto, 2'0

THE MIKE QUINN SHOWwith RAMJAM HOLDERThe Resident Monday GroupLEE HAWKINSCompetitions - L.P. Prizes

Tues., Apr. 18th RADIO LUXEMBOURG'S DISC NfTE7301,3with Jeff Dexter

7,°,....,:,'"".19th

TILES TAMLA SHOWNew 376 Glonly 4,0 hosted by EFT DEXTER" Has Ural BRIAN CONNELL SOUND

RADIO LUXEMECURGS208 HTIPARMETY=iicsBDISCHOSTED BY JEFF DEXTER

ass is In. II woe is 230 pm kW I Sou. 17 ewe m 3 p m kb 7

IN/ Ol - Rol mea:+a, emmAi.R. WFtn 0.1.613.6% Imam RI

SHOP TILL LATEEVERY NIGHTIN TILES STREET

then dashed into a Rolls Roycewhere three friends were wait.ing. I trust this informationwill aid the MM's bid to pre-vent a great industry beingsmeared by skullduggery.-ROGER WILSON, Spalding,Lincs.

I ALWAYS like It when some.1 pop whizz bang wonderboycomes back from the Statesand belabours British musi-cians and recording tech-niques, like producer DennyCordell.

There are arrangers here whocan conform to Mr Cordell'svery exacting standards. butI should warn you, they tendto be arrangers rather thanfour -chord cobblers. And theyalso have an unforgivable vicein that they expect lots oflolly for manufacturing hitrecords out of some pencilledscrawl of a tune. - BOBSHARPLES, Great PortlandStreet, London.

CO Denny Cordell thinksBritish arrangers are " too

bound by the conventionalsounds of live performances

. and have the wrong con-ception of recording today."

He talks about making"single violin sound ten timesas loud as a trumpet" byclever studio techniques. Sure-ly Mr Cordell is missing thepoint. An arranger's job is towrite music and create attrac-tive sounds by the blending ofvarious instruments. It's therecording engineer's job, andnot the arranger's-to twiddleknobs and create the elec-tronic sounds that are today'sdisc scene.

Some sounds are great. Butisn't it a bit unfair on thelong-suffering public who payto see a band and find theysound nothing like they do onrecord? - ALAN GOWN,Slough, Bucks.

Time for a TVfor British jazzmenTHERE Is Norono justice. p-. ter would dream f risk

g to by the Tubby Hayesor Harry South Bands. yet Onemust presume such tours by

Woody Herman are sfl.Yet after watching two TVs pro-

grammes by the Herd of such

stupefying boredom and ban-

ality as to beggar description,Seems reasonable to ask Just

why every American tour seems

to rate an automatic BBC2 spot.Without raking up the disgrace-ful Albert Ayler episode again,

producersght

be useful to rernind theof the success

or" Under Milk Wood orderto convince them there arethings going on here, infinitelymore interesting than many of

the big commercial shows. -BRIAN BLAIN. hfuswell Hill,London

Will, so many film series ini.

breakported from America for BritishTV why doesn't a TV companybuy some American TV Jar.films, Fair deal for Oar Eons!-WILSON H. BROWN, Falkirk,Scotland

4g lye hve been reading the Mnweek for the last sin

years. but I feel 1 must discon-tinue reading your very enjoy-able paper due to the appear-ance ol Communist propaganda.I feel that you low, the stan-dard of an otherwise excellentpaper by printing advertise.ments by the Young Commun-ists. I buy the MM to read about

ins'music

and strongly resent has -

Red propaganda thrust inmy face. - R. CAMPBELL, PeelStreet, Glasgow.

Bob newborn's feature on"Good Music- Gawd Help Us(MM, April 12 made TO 541.1,111

NEXT WEEK'S JAll SCENE

SONNY ROLLINS

EXCLUSIVE INTERVIEW

although I did think his viewscould be taken as an AprilFools' Day Joke. Hr. DawbarnCan keep his world of phonedrecording, Inane pop songs rapan

long-haired, screaming psingers. Play the white man.Mr Dawbarn! - LESLIE GAY.LOS. Newport, Isle of Wight.

Why don't Pete Townshendand Bob Dawbarn shut up?Don't they realise that withthe success of Engelbert Humpedinck and Harry Secombe thedays of getting into chartwith smashed amplifiers andBashing lights are over. andtalent counts today. - PETERHOLME, Kendal, Westmorland.

What a load or old rubbishfrom Bob Dawbarn. Let thePink Floyd attempt to sing anoperatic aria- Vera Lynn's 711s

will still be wanted in 1997, andif Dawbarn is still around then.let him produce vintage 95s ofthe slosh that's invading theears today! - F. PERRY, Whit -church, Shropshire.

I wholeheartedly agree withthat wizard of the pen BobDawbarn. If Vince Hill andEngelbert HumperdInck aresYrnbolic of ' good music " thenhand me down me walkingcane and let's all do a song anddance over the coffin of

prod

pop. Don't got mewrong, I rave over the InkSpots, Hutch, Layton and John -

and Ambrose, but not their1967 counterparts. - MIKEKIDD, Markfield, Leicester.

.*R.,,

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