Brahms Piano Quintet in F minor Know the Score? - Apple

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Brahms Piano Quintet in F minor A-Level Seminar Know the Score? London Symphony Orchestra LSO Discovery 1

Transcript of Brahms Piano Quintet in F minor Know the Score? - Apple

Brahms Piano Quintet in F minor

A-Level Seminar

Know the Score?

London Symphony Orchestra

LSO Discovery

1

JohannesBrahms(1833–97)

2

JohannesBrahms

Piano Quintet in F minor

(Completed 1865)

Movt 1 Allegro non troppo

Movt 2 Andante un poco Adagio

Movt 3 Scherzo and Trio

Movt 4 Finale

10

Movt 3 Scherzo and Trio

Structure

TERNARY FORM

AScherzo

B

Trio Scherzo

A

11

A Scherzo (Bars 1–193)

Sneaky and SinisterTheme: A

12

Theme: A

SYNCOPATION

Sneaky and Sinister

13

14

15

Augmented 6th chord on Ab

Tonic Pedal

16

A Scherzo (Bars 1–193)

Spiky and JerkyTheme: B

17

Theme: B Spiky and Jerky

18

Theme: B Spiky and Jerky

19

I IV V(minor)

I IVb V V

20

A Scherzo (Bars 1–193)

Grandeur and PompTheme: C

21

Theme: C Grandeur and Pomp

Homophony22

Theme: C Grandeur and Pomp

Polyphony23

Theme: C

24

Motif ‘y’ knocking

27

Motif ‘x’ playful turn

Augment the rhythm

28

Tonic Pedal (bars 47-52)

30

A Scherzo (Bars 1–193)

Theme: A

Theme: B

Theme: C

Theme: A1

featuring ‘x’

featuring ‘x’ and ‘y’

with ‘y’ as accompaniment

Theme: B1 focus on D, modulating to Bb major

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A Scherzo (Bars 1–193)

In the style of a fugue

Fugal passage

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Fugue Subject

Counter-Subject 1

Counter-Subject 2 (syncopation)

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Fugue Subject

Counter-Subject 2

Counter-Subject 3

Counter-Subject 1

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10 notes 10 notes 5 notes

5 notes 5 notes 5 notes 3 notes 3 notes

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A Scherzo (Bars 1–193)

The narrowing/telescoping of imitative parts so entries come in sooner

Stretto

36

39

40

Motif ‘y’ knocking

41

E natural

Tierce Di Picardi

A major third in the final TONIC chord of a passage in the minor key

42

A Scherzo (Bars 1–193)

A B C A B Fugue B C A BCm CCm

Ab GmCm

Bb Many keys

Eb Ebm EbEbmBbCm Cm

Cmaj43

Trio (Bars 193–261)B

44

TrioA – section opening

45

46

TrioB section

47

TrioA1 – Slipping pedal

Plagal Cedence

IV:I

48

Movt 3 Scherzo and Trio

3 scherzo themes

2 unifying motifs (x and y)

Contrast between 2/4 and 6/8

Pedal and Cadences

Ternary form A B AScherzo ScherzoTrio

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A Scherzo (Bars 1–193)

A B C A B Fugue B C A B

50

Trio (Bars 193–261)B

A B A

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A Scherzo (Repeat)

A B C A B Fugue B C A B

52

Structure

TERNARY FORM

AScherzo

B

Trio Scherzo

A

Movt 3 Scherzo and Trio

53