Disruption of Circadian Rhythm Genes in Obstructive Sleep ...
Audience Perception of Viewpoint on Rhythm 93.7 FM Port Harcourt
Transcript of Audience Perception of Viewpoint on Rhythm 93.7 FM Port Harcourt
A RESEARCH PROPOSAL
ON
AUDIENCE ASSESSMENT OF ‘VIEWPOINT’ ONRHYTHM 93.7FM: A PORT HARCOURT CITY
SURVEY.
PRESENTED BY
UWALAKA TEMPLE U.BDE:2004/2566
DEPARTMENT OF MASS COMMUNICATION,FACULTY OF MANAGEMENT SCIENCES, RIVERS
STATE UNIVERSITY OF SCIENCE ANDTECHNOLOGY, NKPOLU-OROWORUKWO
PORT HARCOURT.
SUPERVISOR:DR. G.B OKON
JULY 2008.
TABLE OF CONTENTS
Abstract -- -- -- -- -- -- -- --
i
Table of contents -- -- -- -- -- -- --
ii
Chapter one: Introduction
1.1 Background of the study -- -- -- -- --
1
1.1.1 Brief History of Rhythm 93.7 FM -- --
-- -- 7
1.2 Statement of the Problem -- -- -- -- --
8
1.3 Objective of the Study -- -- -- -- --
-- 8
1.4 Research Questions -- -- -- -- -- --
9
1.5 Significance of the Study -- -- -- -- --
10
1.6 Theoretical Framework -- -- -- -- -- 10
1.7 Limitations of the Study -- -- -- -- --
11
1.8 Operational Definition -- -- -- -- --
11
Chapter Two: Literature Review
2.1 Review of Concept -- -- -- -- -- --
13
2.1.1 Broadcast Programmes -- -- -- -- --
-- 13
2.1.2 Broadcast Programmes Classifications --
-- -- 15
2.2 Review of Related Studies -- -- -- -- --
17
2.2.1 Review of Audience -- -- -- -- --
-- 17
2.2.2 Audience Response -- -- -- -- --
-- 19
2.2.3 The Nature of Perception and Cognition
-- -- 21
2.2.4 Perception and Behaviour -- -- -- --
-- 25
2.3 Summary -- -- -- -- -- -- -- -- 28
Chapter Three: Research Methodology
3.1 Research Design -- -- -- -- -- -- --
30
3.2 Sampling Procedure -- -- -- -- -- --
31
3.3 Data Collection Method -- -- -- -- --
31
3.4 Data Analysis Technique -- -- -- -- --
32
References -- -- -- -- -- -- -- --
33
Appendix -- -- -- -- -- -- -- -- 36
Questionnaire -- -- -- -- -- -- --
37
CHAPTER ONE
INTRODUCTION
1.1 BACKGROUND OF THE STUDY
The broadcast industry which consist of Radio
and television like their print counterparts has
many functions to carry out in the society. Harold
Lasswell, a communication scholar identified some
as, surveillance of the environment, correlation of
the different parts of the society and transmission
of cultural heritage from one generation to the
other.
Furthermore, McQuail et al (1992) dovetailed
the role of the media within the framework of
“individual functionalism”. Okon (2001:36). This
framework look at the media from the point of view
of their audience, their motives for media usage
and consequences resulting from media usage. From
their typology, the media audience, their usage and
consequences are sectionalized into the following
categories:
CATEGORY I
Finding out about relevant events and
conditions in their immediate surroundings,
society and the world.
Seeking advice on practical matters or opinion
and decision choices.
Satisfying curiosity and general interest
Learning, self education
Gaining a sense of security through knowledge
CATEGORY II
Finding reinforcement for personal values
Finding models of behaviour
Identifying with values
Gaining insight into oneself
CATEGORY III
Integrating and social interaction
Gaining insight into circumstances of others,
social empathy
Identifying with others and gaining a sense of
belonging
Finding a basis for conversation and social
interaction
Having a substitute for real life companionship
Helping to carry out social roles
Enabling one to connect with family, friends
and society
CATEGORY IV
Entertainment
Escaping or being diverted from problems
Relaxing
Getting intrinsic cultural or aesthetic
enjoyment
Filling time
Emotional release
Distillations of the above functions will in simple
terms show that the media perform the following
functions; news, economic, entertainment,
political, pointing out needs and solutions and
interpreting state and national news, Okon
(2001:42).
Many years ago, there was no competition on the
part of broadcast stations about their market
(audience). This was due to the monopoly of the
broadcast industries then by government stations.
But since the granting of license to private
broadcast stations which brought Rhythm 93:7fm to
life, there have been proliferation of broadcast
stations in the state. In Port Harcourt city
alone we have about five radio stations viz; radio
Rivers, Ray Power, rhythm, Love fm, and Garden city
radio.
The proliferation made the audience the “chief”
and broadcasters the “subjects”.
Apparently, the programmes department of the
station went on “war” of winning the market
(audience) in order to lure advertisers to the
station which is the revenue base of the stations.
It is sequel to the above, that “viewpoint” was
initiated by rhythm 93.7fm. Although media effect
has been posing a lot of problems and controversy,
its opposers raises such puzzle as “who sets the
agenda, the media or the society? This is because
of the heated arguments of effects of the media on
the people.
The notion of all powerful effect of media
which anchors their argument on agenda setting
believes that the audience of a mass media can be
changed through selective presentation. They
further posited that the effect of the mass media
is enormous, no wonder the likes of Napoleon
Bonaparte has stated that “three hostile
“newspapers” are to be feared than one thousand
bayonets” and Thomas Jefferson who posited that
“were it left for me to decide whether we should
have a government without ‘newspapers’ or
‘newspapers’ without government, I should not
hesitate to prefer the latter”.
Conversely, the notion of powerful effect of
the media has been subject of consistent doubt.
Researchers on the minimal effect cite uses and
gratification. Working on this premises, Klapper
(1960) in the effects of mass communication cited
in Okon (2001:118) noted that:
Mass communication ordinarily does notserve as a necessary and sufficient course ofaudience effects, but rather function betweenand among and through a nexus ofmediating factors and influences.
The fulcrum of this work therefore is to
evaluate and determine audience assessment of
‘viewpoint’ on Rhythm 93.7fm while Port Harcourt
city shall be the peripheral domain of this
research.
The researcher will strive to ascertain how the
people perceive ‘viewpoint’, if the programme
serves them the functions of mass media as
enumerated in the opening paragraphs of this work.
Beyond that, the researcher want to know if
‘viewpoint’ influences the opinion of the people on
issues and persons raised through the presentation
of the programmes. In all, the people will be
tested to know if they like or abhor the programme.
1.1.1 BRIEF HISTORY OF RHYTHM 93.7FM PORT
HARCOURT
Rhythm 93.7 which is a wholly owned Nigerian
broadcasting company managed and run by the Morris
Bruce family, commenced her transmission on the
month of October 2002 in Port Harcourt with her
main goals as the achievement of maximum
entertainment and information of her audience. In
order to achieve this ultimate goals of hers, she
was able to run a 24 hours service, this made her
the first broadcasting station to run a 24 hours
shift.
Furthermore, the organization consists of the
following; the administrative head, news
department, traffic, accounting, programmes,
production, marketing and engineering departments.
More so, the radio station has as her vision,
to be the leading entertainment and communication
organization in Africa, driven by creative and
visionary profession and has her mission as
“forecast broadcasting organization, capturing of
exceeding expectation of our universal audiences
through contemporary entertainment”.
1.2 STATEMENT OF THE PROBLEM
The proliferation of radio stations in Port
Harcourt has placed radio stations managers on the
alert and this call for the production of good
programs. In order to ascertain the place of
‘viewpoint’,(i.e) if it is in the locus of good
programme or the other way.
Therefore, the basis for this study was to find
out how much time the audience in Port Harcourt
city spend listening to rhythm 93.7fm.
The selection of Rhythm 93.7fm by advertisers
is an endorsement that many people listen to the
station. The question is: Do viewpoint contribute
to this listening audience?
In addition to that, there shall be an
examination so as to know what callers want and
derive during the programme on Saturdays. What use
is the programme to them (audience). These are some
of the questions to which this study seeks to
proffer answers.
1.3 OBJECTIVE OF THE STUDY
The following are the objectives of this study:
1. To ascertain audience perception of
‘viewpoint’ on Rhythm 93.7fm
2. To evaluate audience assessment of
‘viewpoint’ as an informative programme.
3. To determine the extent to which audience
assessment of viewpoint contribute to
advertisers interest in the station or
advertisers disinterest in the station
1.4 RESEARCH QUESTIONS
As a basis upon which this study is conducted,
the following research questions are relevant;
1. How does the audience perceive ‘viewpoint’ on
Rhythm 93:7fm?
2. What are the effects of Rhythm 93:7fm’s
‘viewpoint’ on their audience?
3. Do ‘viewpoint’ contribute to advertisers’
interest on Rhythm 93:7fm?
1.5 SIGNIFICANCE OF THE STUDY
This study when completed will be beneficial to
Rhythm 93.7fm and advertisers cum
production/manufacturing companies.
Rhythm 93.7 will be able to know how effective
viewpoint is and will adjust where necessary.
More so, this study will give the advertisers
the audience assessment of Rhythm 93:7fm and thus,
leading to effective advertising.
The general public will learn a lot from this
study.
Finally, it would be of great importance to
people wishing to carry out research on similar
topics.
1.6 THEORETICAL FRAMEWORK
The mass communication theory that is best for this
study is the uses and gratification theory.
The theory was propounded by Katz in 1970 and
it is concerned with how people use media for the
gratification of their needs. It propounds the fact
that people choose what they want to see or read
and the different media compete to satisfy each
individual’s need.
1.7 LIMITATIONS OF THE STUDY
The constraints of this study as in most
academic research of this nature has to do with
time factor, financial constraints and finally,
sources of information in order to carryout this
study. This study is also restricted to residents
of Port Harcourt City in Rivers State.
1.8 OPERATIONAL DEFINITION
Some terms used here required clarification as
to their contextual meanings:
AUDIENCE: This is a group of people who listen to a
particular radio station.
VIEWPOINT: This is a current affairs and political
phone-in talk show that is used educating,
informing and mobilizing the audience of Rhythm
93:7fm.
ASSESSMENT: This is an opinion or judgement about
somebody or something that has been thought about
very carefully.
CHAPTER TWO
LITERATURE REVIEW
This chapter will critically review the related
literature of previous scholars which will enhance
thorough investigation of the topic under research.
The chapter is divided into two, the first part
will be the review of concepts and the second part
will be the review of related studies. There will
also be sub-divisions.
2.1 REVIEW OF CONCEPTS
This part of the chapter will commence with
broadcast programmes and likely audience for
‘viewpoint’.
2.1.1 BROADCAST PROGRAMME
The broadcast programme is designed by the
programme department of any broadcast station. It
is the sequential outline of events. Broadcast
programme is the sequential arrangement of
information, music and specialty in a desired form
Okon (2001). The programme of any broadcast station
matters a lot. The production of a good programme
will cause audience preference drive (Station
Loyalty) which will bring about advertisement.
Advertisement is the major source of revenue for
broadcast stations.
The programme department has the onus of
bringing listeners/viewers to the station and it is
sequel to this that Nwanze (2003) posited thus:
As the name suggests the programmedepartment deals with programmes andprogramming. The main function of theprogramme’s department is the scheduling ofdifferent categories of programmes withintime segments that best guarantee highestaudience viewership (listening) preference,attention and penetration.
Okon (2001) made similar point when he stated
that programming is the pulse of every broadcast
station because:
It attracts listeners/viewers to the station. Theabove will in turn attract advertisers whichdefinitely will influence the revenue to thestation.
He is stressing on the fact that good
programmes at good times, wins audience preferences
in favour of the station. Advertisers are attracted
to advertise on the station knowing that they can
reach more consumers of their products and services
through the station.
2.1.2 BROADCAST PROGRAMMES CLASSIFICATION
According to Webster’s Ninth Collegiate
dictionary, “a programme is “a plan or a system
under which action may be taken towards a goals”.
Inferring from this, the goal of broadcasting is to
inform, educate and entertain their audience. The
plan under which this action is carried out is in
three-fold consisting of information, music and
specialty. These three components in professional
circles are taken to encapsulate the programmes of
a given broadcast station.
INFORMATION: This is a packaged bulletin consisting
of timely events and messages that will enable
listeners adapt knowledgeably to the society and
react intelligently to the environment.
It is divided into; all news, all-talks and
talk news. My concern here is in the second “All
talk” which has to do with call-in programmes on
topical and controversial issues. ‘Viewpoint”
belongs to this category.
The audience that may likely listen to
“viewpoint” are information seeking individuals
most likely those between the ages of 26 and above,
the educated, elderly and politically sensitive
persons in the society. Wade and Schramm (1969)
found out in a study that “information programmes
are likely to be used regularly by better educated
groups and elderly than others” in the same study,
they found out that “consumption of sports news,
music and cartoons tend to decrease with the rise
in standard of education” most importantly they
found out that “there is a positive correlation
between age, status and choice of media content.
Ashiem (1949) found out in his study that age
has an important factor in determining what
individual prefer as far as media content is
concerned. Cohen (1949) also observed that with an
increase in such variables like age, education etc
the media are used more for information and less
for entertainment. He succinctly concluded that:
Basically, it is educational level and age cumpolitical drive that seem to be best factors ofusing media content in international affairs.
2.2 REVIEW OF RELATED STUDIES
In this, part, we will look at audience,
perception and cognition.
2.2.1 REVIEW OF AUDIENCE
The numbers of persons that listen to a
particular radio station are the audience of such
stations. We have two types of audience and they
are; active and inactive audiences.
ACTIVE AUDIENCE: The audience of mass
communication is said to be active when they know
how and why they use the media. Different members
of the audience for different reasons are active in
choosing which medium of mass communication to
expose themselves to: listen to radio for instance
rather than read a magazine. Okunna (1999). She
further stated that “they (audience) are also
active in deciding which sections and programmes of
the selected medium to use’.
According to Rao (1975) he posited that:
Studies of the mass communication processshow that everywhere media audiences arenot passive and it is they, infact, who reachout to media of their choice … for articles andother media contents
INACTIVE AUDIENCE: This is for audience that cannot
differentiate the programmes they need. Those are
the people called the “masses, goons, and the
hoipollois” Amadi (2003) He was referring to the
birth of the masses (inactive audience) when he
stated that:
It was found to be so because these masseshaving been uprooted from their ruralcultural roots and marooned into a fledglingurban center, a center without any
established norm, found no moral prop torecline on. In other words, they become asponge very ready to soak up what ever wasthrown at them as a make up norm for theirown traditional norm which the new urbanlife had diluted if not erased.
These are the kind of people about whom Alexis
deTocqueville (1969) quoted in Amadi (2003)
described their grooming and tutelage in the
following manner:
Over this kind of men stands an immense protectivepower which is alone responsible for securing theirenjoyment and watching over their fate. That power isabsolute, thoughtful of detail, orderly, providential andgentle. It would resemble parental authority if, father likeit tried to prepare its charges for a man’s life, but on thecontrary, it only tries to keep them in perpetualchildhood. It likes to see the citizens enjoy themselves,provided they think of nothing but enjoyment. It gladlyworks for their happiness but wants to be the sole agentand judge thereof. It provides for their security, foreseesand supplies their necessities, facilitates their pleasures,manages their principal concerns, directs their industries,makes rules for their testaments and divides theirinheritances. Why should it not entirely relieve them fromthe trouble of thinking and all the cares of living?
2.2.2 AUDIENCE RESPONSE
Researches on media communications has revealed
several dimensions within each of the four levels
of viewers response discussed below (see) Leavith,
H, 1968 Plummer, (1970).
These four levels are;
- The conscious level
- The immediate perceptual level
- The retention or learning level and
- The behavioural level
One indication that unconscious response to media
content takes place maybe seen in the physiological
responses, such as galvanic skin responses and
heart beat rate, that have been measured in the
laboratory. The present knowledge in this area is
that reliable differences between stimuli effects
can be measured. However, what the various
differences means are still equivocal.
The second level of response is seen in the
immediate cognitive responses that a listener has
while listening to a broadcast programme. This
level relates to the feelings, emotions, personal
experiences that the programme arouses in the
listener (Plummer, 1970) Recall of specific
elements or product claims is part of the retention
process, so are the attitudes and image stored and
retrieved at a later time. This level of retention
has been indicated by years of delayed recall at
varying time-delay, the most common, being twenty
four hours (Grass, 1965). In discussing the
findings in a study on response, Plummer (1970)
remarks:
It appears that the amount of person is ableto recall or play back is a function of many
variable such as the interviewing time, thenumber of cues provided to aid recall, theinterest of the person in the product categoryetc. but there can be little question thatretention and recall take place and constitutea major response mode to communicationprocess.
The final level of response is the action or
behaviour that takes place as a result of the
communication experience. This level of response is
less traceable to a particular programme and is
farthest removed in time. Immediate behaviour can
take place.
2.2.3 THE NATURE OF PERCEPTION AND COGNITION
How an individual perceive stimulus, product,
promotional messages, informative messages and even
the source of such message, largely determines how
the individuals act. Berelson and Steiner (1965)
have defined perception more formally as “the
process by which an individual selects, organize,
and interprets information inputs to create a
meaningful picture of the world”.
Individuals can have vastly differing
interpretations of the same situation. Whilst all
human beings receive information through the same
five senses-vision, hearing, smell, taste and
touch, the extent to which they attend to a piece
of information and how information is interpreted
tends to differ. It differs because perception is a
product of three valuable.
The physical stimuli (e.g. the programme). The
relationship between the stimuli and the immediate
environment and the psychology of the individual.
To avoid error in programmes for the audience
will require that we look at the interpretive
communities’ outlook. In this outlook, the audience
of the media is seen as made up of different
interpretative communities. Each evaluation,
behaviour and attitude are concepts whose meaning
determines what an individual consumes and because
such concepts as “belief”, “evaluation”, “attitude”
and “behaviour” feature prominently when culture as
a concept is explained. Thomas Lindlof and Timothy
P. Meyer (1987) argue that whatever media consumed
by a member of the audience depends on the cultural
construction of that member vis-à-vis the audience
members’ culture- induced belief, attitude and
behaviour towards the media and the media’s
content. In other words, our enquiry will require a
deeper search into the psychological/social
variables that govern intention and motive. Such a
search requires that we invoke the theory of
“reasoned Action” propounded by Fishbein and Ajzen
(1980) According to this theory, our resolved to
do something or not to do it (i.e. our-behaviour)
results in parts from intentions, derived from a
complex outcome of attitudes. Put another way, and
in view of our study, intention or do we say, the
intention of people to consumed depends or is
determined by the people’s attitude towards the
media (Attitude object) this attitude on its own,
depends on the people’s belief about the media
(i.e. regarding whether the media are inferior,
superior, contains anything worth checking out)
plus how other people, the native and expatriates
alike want the consuming audience to behave towards
the media. Graphically, this theory goes this way:
B1 = ABW. + (SN)W2
B1 = behaviour intention
AB = Attitudes towards the behaviour
SN = subjective norm (what others thinks about
attitude
towards behaviour)
W1 = Weight of attitude
W2 = Weight of subjective norm.
This formula reads as follows:
Your intention to do something equals your attitude
towards the behaviour times the strength of
attitude plus what others think times the strength
of their opinion. Amadi F (2003).
Adding to the Fray which frowns at using
conscious intentional behaviour in the absence of
social factors to determine the media consumption
behaviour is Carrangee (1991) when he remarked:
“In their desire to examine audience use of the
media content, interpretative studies largely have
ignored the organizational and economic factors
that influences the media text … Their
interpretative projects’ failure to incorporate
research examining encoding processes reduces media
text to autonomous signifying systems; they are
cut-off from their origin in organizational
routines and procedures”
The arguments above tally with the ones of Elihu
Katz, Jay-g. Blumer and Michael Gurevitch (1974)
who stated that the social and environmental
circumstances that lead people to turn to the mass
media for satisfaction of certain needs are so
little understood yet to be given a simplistic-
reductionist interpretation.
As a recap to the implication of their
evidence, that is the evidence of the earlier
mentioned scholars; McQuail, Blumer and Brown
(1972) pointed out that:
The relationship between content categories and
audience needs is farless tidy and more complex
than most commentators have appreciated …. One
man’s source of escape from the real world is a
point of anchorage to another man’s place in it.
2.2.4 PERCEPTION AND BEHAVIOUR
There is more to perception than meets the eye.
What a person perceives depends not only on the
energy charges transmitted from the physical world
through his sense organs, but also on his past
experience. He expectations or wants is used to
seeing some things more than others. The less
information he gets from outside, the more he
supplies from these expectations, needs and habit.
He also ignores or screens out threatening stimuli.
Raymond (1974) noted that perception is selective,
organizational, interpretative and defensive.
There are two basic parameters of a perceiving
organism (Kotler, 2006, Nsuke 2007) these
parameters are the range and sensitivity. His range
begins at the smallest stimulus value he can
perceive (absolute threshold) His sensitivity is
the least energy change he can detect.
(Differential threshold or JND-Just Noticeable
Difference).
Both of those parameters can be changed
overtime (Raymond, 1974). The absolute visual
threshold, for example Raymond (1974) suggests can
be raise by prolonged exposure to a value 100, 000
times as intense as required after the eye has been
in darkness overnight. In a training study, it was
found that the ability to perceive two lines as
joining or not to be equivalent to the ability to
see a fly on a telephone pole 100 yards away.
Just as human receptors can be extremely
sensitive, especially after disuse, Kotler (2006)
and Raymond (1974) holds that they can be
correspondingly insensitive under conditions of
constant stimulation. They holds that while much of
what we see is selected and arranged according to
our needs and habits, it is never wholly unrelated
to objective stimuli (except in hallucinations) one
of the oldest laws of behaviour relate changes in
perception to changes in physical stimuli like a
programme or media content. It shows that the
large, the stimulus, the more it must be increased
for that change to be noticed. (Stigler, 1950 Kisa
and Weber 1961) Steven (1962), puts forward a more
general law that reduces Weber’s fraction to a
specific case called the psychological power law,
it states that any perceive psychological magnitude
is a linear function of the different between the
two physical magnitudes raised to some power
determined by the sense modality involved.
Symbolically:
Y = K(OI)
2.3 SUMMARY
We have tried to look at broadcast programmes
cum programmes contents (classifications) and we
stated that programming is very important to
audience acceptance or rejection of a solution.
Furthermore, we talk about “viewpoint” (i.e.
informative programmes) likely audience and we used
the studies of Ashiem (1949) and that of Cohen
(1949) to see that its likely audience will be the
elderly, educated and politically sensitive.
We also said something about audience that is
active and inactive audience. That led us to
audience response and then the last, the nature of
perception and cognition cum perception and
behaviour. All these point to the fact that the
individuals exposes their self to a programme to be
informed, but the media may use techniques like
priming, receive, acceptance and sample (RAS) Model
cum media cutting and framing to set the agenda for
the people.
CHAPTER THREE
RESEARCH METHODOLOGY
This chapter is specifically designed to show
the various processes involved in obtaining and
analyzing the audience assessment of “viewpoint” on
Rhythm 93.7, Port Harcourt.
According to Ogolo (1996), Research methodology
describes the procedures to be followed in
realizing the goals and objectives of a research.
Ake (1979) also posits that research methodology
“is concerned with the gathering analysis,
measurement and use of research data”. In the same
Vain, Okwandu (2004) states that “the Research
methodology should include each step of the
experiment in the order in which it will be carried
out” they include:
- Research design
- Sampling procedure
- Method of investigation
- Data collection methods and
- Data analyzing technique.
3.1 RESEARCH DESIGN
A research connotes the specification of
methods and procedures for acquiring the
information needed to structure or to solve
problems. It is a programme that guides the
investigator in the process collecting, analyzing
and interpreting observations. It allows inferences
concerning causal relations and defines the domain.
The research design is a framework or plan that
is used as a guide in collecting and analyzing the
data for a study. Baridam (1995).
This, address the issues of how the study’s
subjects will be brought into the scope of the
study and how they will be employed within the
research setting, to yield the required data
(Abbellah and Levine, 1979 in Baridam, 1995).
This study adopts a quasi- experimental
research design. This method is necessary because
the subjects under study are not directly under the
control of the researcher.
3.2 SAMPLING PROCEDURE
The study population comprises of the audience
of Rhythm 93.7fm in Port Harcourt city. This study
adopts a convenient sampling techniques, this is
because the audience (population) is too large for
the period of time allocated for the study. A total
number of 200 questionnaire was distributed, 180
questionnaire was retrieve and the total number of
160 questionnaire are useable.
3.3 DATA COLLECTION METHOD
The questionnaire is used in data collection.
This method was chosen to allow data collection to
be completed within the time frame allowed for the
study because personal interview would have been
time consuming and expensive. The questionnaire are
personally administered and retrieved after a week.
This allowed time for proper responses.
3.4 DATA ANALYSIS TECHNIQUE
Data are presented in frequency distribution
tables and followed by brief explanatory note. Data
are analyzed using simple percentages. This is done
by dividing the response frequency by the total
number of respondents and multiplying the results
by 100 mathematically, it is stated thus:
Percentage% = response frequency x 100 Total number of respondents
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APPENDIX
Department of MassCommunication
Rivers State University ofScience and Technology, PortHarcourt. Date ……………………….
Dear Respondent,
REQUEST FOR QUESTIONNAIRE RESPONSE
I am an undergraduate student of the above
named university, under taking a study on “audience
Assessment of ‘Viewpoint’ on rhythm 93.7 fm Port
Harcourt”.
Your response to the questionnaire will go a
long way in helping me achieve the purpose of this
study.
I ask that you provide these responses
honestly. This study is academic and so will be
used strictly for that.
Yours faithfully,
QUESTIONNAIRE DESIGN
Please kindly read and complete each item sincerely
and according.
(1) Sex (a) male (b) Female
(2) What is your age?
(a) 15 – 25
(b) 26 – 50
(c) 51 and above
(3) Educational qualification
(a) FSLC
(b) SSC/WASSC
(c) Diploma and above
(4) Do you like listening to radio?
(a) Yes (b) No
(5) Have you heard about viewpoint on Rhythm 93.7
FM?
(a) Yes (b) No
(6) How often do you listen to viewpoint?
(a) Every Saturday
(b) At lest once in every three (3) Saturday
(c) At least one Saturday in a month
(7) What will you say about viewpoint?
(a) Informative
(b) Persuasive
(c) Entertaining
(8) What is your assessment of viewpoint in respect
of information provision?
(a) Highly informative
(b) Moderate information
(c) Slight information
(9) How much does viewpoint attract your attention?
(a) Very seriously
(b) Moderately
(c) Slightly
(10)There is a viewpoint message- “news behind the
news” do you believe that message?
(a) Yes (b) No
(11)Have you had a change of opinion after
listening to viewpoint on an issue in the last
two months?
(a) At least one
(b) At least thrice
(c) At lest five times
(12)How do you rate Rhythm 93.7 fm in terms of
believing “viewpoints” Quest speakers?
(a) Strongly
(b) Moderately
(c) Poorly
(13)Does the ownership structure of Rhythm 93.7 fm
affect your perception on the credibility of
viewpoint?
(a) Strongly
(b) Moderately
(c) Slightly
(14) Do you used to call-in during the programme
(viewpoint)?
(a) Yes (b) No