2014/15 - 香港藝術發展局

香港藝術界年度

調查報告

HONG KONG ANNUAL ARTS

SURVEY REPORT

2014/15

目錄 CONTENTS

OVERVIEW簡述1

02

VISUAL ARTS視覺藝術3

22

FILM ARTS電影藝術4

28

HIGHLIGHTS要點總結5

38

PERFORMING ARTS表演藝術

04

12 舞蹈 Dance 14 音樂 Music16 戲劇 Theatre 18 戲曲 Xiqu 20 綜藝及流行表演 Variety & Pop Shows

2

NOTES ON THE SURVEY資料說明

40

41 統計調查簡介 The Survey42 分類及定義 Definitions 48 鳴謝 Acknowledgement

6

0302

2014/15年度超過450個本港場地進行了約

7,600個不同種類的文化藝術活動（見圖1），

平均每周約有29個電影節目、90個表演藝術

節目、27個展覽在不同場地進行。其中6,189

個表演及放映節目共進行了11,245場次，較

上年度增加約2.6%（見圖2）。

There were around 7,600 different arts and cultural activities held at 450 venues

in Hong Kong (see Chart 1) in 2014/15. On a weekly average, the public had around

29 film arts programmes, 90 performing arts programmes and 27 exhibitions to

choose from. The total of 6,189 programmes resulted in 11,245 performances and

screenings, up around 2.6% from 2013/14 (see Chart 2).OVERVIEW簡述1

個不同種類的文化藝術活動 DIFFERENT ARTS AND CULTURAL ACTIVITIES

7,600約 AROUND

電影藝術Film Arts

圖1 文化藝術活動節目／展覽數量

Chart 1 Number of Arts and Cultural Activities / Exhibitions

10/11 4,2201,1791,164

11/12 4,0361,2461,164

12/13 4,2161,586

1,261

13/14 4,5681,440

1,328

14/15 4,6641,404

1,525

圖2 文化藝術活動總場次／放映／累積展期

Chart 2 Total Number of Performances / Screenings / Cumulative Exhibition Days of Different Arts and Cultural Activities

10/11 11/12 12/13 13/14 14/15

33,122

8,138

1,838

29,989

7,958

1,806

36,438

8,705

2,540

36,669

8,642

2,320

43,696

8,497

1,738

表演藝術Performing Arts

視覺藝術Visual Arts

視覺藝術 (天)Visual Arts (days)

表演藝術 (場次)Performing Arts (performances)

電影藝術 (場次)Film Arts (screenings)

表演及放映節目場次增加約

PERFORMANCES AND SCREENINGS UP AROUND 2.6%

0504

表演藝術節目增加

2014/15年度資料涵蓋主要的25座演藝設施

共49個場館，包括於2014年10月啟用的高山

劇場新翼演藝廳，較上年度新增了一個場館。

該49個場館進行的表演節目共有4,664個，達

8,705場次，分別較上年度輕微增加2 .1%

及0 .7%。

從圖3及圖4所見，增加的表演藝術節目以戲曲

最顯著，數量及場次升幅分別為5.1%及9.9%。

至於舞蹈節目數量及場次均有所下降，因芭

蕾舞、中國舞、外國民族舞演出減少，即使現

代舞的演出數量略有增加，亦令整體的演出

量下降（詳見舞蹈部分，頁12）。

圖

舞蹈Dance

音樂Music

戲劇Theatre

戲曲Xiqu

綜藝及流行表演Variety & Pop Shows

舞蹈Dance

音樂Music

戲劇Theatre

戲曲Xiqu


3 表演藝術節目總數

Chart 3 Total Number of Programmes

總數Total

總數Total

10/11

11/12

12/13

13/14

14/15

1,053 1,196 577 1,178 216

1,054 1,129 570 1,065 218

1,229 1,052 563 1,146 226

1,412 1,167 541 1,213 235

1,435

4,2204,0364,2164,5684,664

2.1%

1,227 564 1,230 208

1.6%5.1%4.3%1.4%11.5%

圖4 表演藝術節目總場次

Chart 4 Total Number of Performances

0.7%

10/11

11/12

12/13

13/14

14/15

1,967 1,483 2,738 1,446 504

1,510 2,752 1,357 493 1,846

1,684 2,754 1,370 512 2,177

2,448 1,663 2,529 1,503 499

2,368

8,138 7,958 8,497 8,642 8,7051,828 2,572 1,476 461

3.3%9.9%1.7%1.8%7.6%

14/15較上年度之百分比增/減幅Percentage Increase/ Decrease from previous year to 2014/15


INCREASE IN NUMBER OF PERFORMING ARTS PROGRAMMES

The 2014/15 survey included data collected from a total of 49 venues housed in 25

arts and cultural facilities. There had been one more venue when compared to the

previous year: the New Wing Auditorium at Ko Shan Theatre which commenced

operation on October 2014. At these 49 venues, a total of 4,664 performing arts

programmes with 8,705 performances were recorded, a slight increase of 2.1%

and 0.7% respectively from the previous year.

Chart 3 and Chart 4 indicate that Xiqu posted the most prominent increase in

the number of programmes, with the number of programmes and performances

increased by 5.1% and 9.9% respectively. Both the number of programmes and

performances under the Dance category dropped as the number of Ballet,

Chinese Dance and Foreign Folk Dance performances decreased, leading to a

drop in total number of Dance performances even when the number of Modern

Dance increased slightly (refer to the Dance Section on Page 12).

PERFORMING ARTS表演藝術

表演節目共有 A TOTAL OF

4,664個PERFORMING ARTS PROGRAMMES

2

06 07

表演藝術 PERFORMING ARTS

公帑資助的節目數量上升

2014/15年度獲公帑資助1的節目數量較上年

度略為增多，主要由於增加了獲場地資助的

流行表演節目，從圖5可見獲公帑資助的綜藝

及流行表演節目出現較顯著的增幅。至於以

其他經費進行的節目數量則有所下降，主要

在舞蹈、綜藝及流行表演類別出現減幅（見

圖6）。整體公帑資助的節目數量比例由上年

度的72%上升至74%。

1 公帑資助－包括「行政資助」、「節目資助」及「場地資助」，

詳見資料說明部分。

藝文組織主辦的節目數量上升

圖5 公帑資助的表演藝術節目數量

Chart 5 Number of Publicly-Funded Programmes

* 另有13個節目資料不詳 Data for 13 performances were unavailable

10/11*

11/12

12/13

13/14

14/15

781 1,115 411 946 172

713 1,033 411 826 164

754 852 390 897 159

925 914 360 935 156

1,038

3,4253,1473,0523,2903,449

4.8%

950 377 937 147

12.2%3.9%4.7%0.2%5.8%

圖6 其他經費的表演藝術節目數量

Chart 6 Number of Programmes Run by Other Funds

4.9%

10/11*

11/12

12/13

13/14

14/15

270 70 166 232 44

341 96 159 239 54

475 200 173 249 67

487 253 181 278 79

397

782889

1,1641,2781,215277 187 293 61

18.5%9.5%3.3%5.4%22.8%



舞蹈Dance

音樂Music

戲劇Theatre

戲曲Xiqu


總數Total

舞蹈Dance

音樂Music

戲劇Theatre

戲曲Xiqu


總數Total

圖7 藝文組織為單一主辦單位的節目數量

Chart 7 Number of Programmes presented by Arts Organisations as Sole Presenter

10/11

11/12

12/13

13/14

14/15

521 806 318 556 130

539 788 342 578 148

588 773 354 596 149

773 906 276 664 150

849

2,3312,3952,4602,7692,909957 320 643 140


舞蹈Dance

音樂Music

戲劇Theatre

戲曲Xiqu


總數Total

5.1%9.8%5.6%15.9%3.2%6.7%

INCREASE IN NUMBER OF PUBLICLY-FUNDED PROGRAMMES

In 2014/15, the number of programmes subsidised by Public Funding1 increased

slightly when compared to the previous year, with the increase stemming from

the higher number of Pop programmes that received rental subsidies. Chart 5

indicates a more prominent increase in the number of publicly-funded Variety &

Pop Shows programmes. The number of programmes run by Other Funds dropped

somewhat, with decreases observed in the Dance, and Variety & Pop Shows

categories (see Chart 6). The percentage of programmes subsidised by Public

Funding climbed to 74% from 72% last year.

1 Public Funding includes Administrative Grant, Project Grant and Rental Subsidy. Please refer to the “NOTES ON THE SURVEY” section.

INCREASE IN NUMBER OF PROGRAMMES PRESENTED BY ARTS ORGANISATIONS

For programmes organised by sole presenters, the number of such arts organisations

increased to 1,329 from 1,288 in the previous year. These arts organisations

presented a total of 2,909 programmes, an increase of around 5% from the year

before. The increase in number of programmes was more prominent within the

Theatre and Variety & Pop Shows categories (see Chart 7).

782 out of the 1,329 arts organisations presented performing arts programmes in

both 2013/14 and 2014/15.

藝文組織數量增加至

NUMBER OF ARTS ORGANISATIONS AS SOLE PRESENTERS INCREASED TO1,329

若按單一主辦單位計算，藝文組織數量由上

年度的1,288個增加至1,329個，獨自主辦了

2,9 0 9個節目，較上年度增加 5%，當中以

戲劇、綜藝及流行表演的節目增幅較顯著

（見圖7）。

該1,329個藝文組織中共有782個組織連續在

2013/14及2014/15年度主辦表演藝術節目。

個

08 09


收費及免費場次均有增長

圖8 表演藝術節目收費場次

Chart 8 Number of Paid Performances

10/11*

11/12

12/13#

13/14+

14/15^

671 828 2,533 890 418

767 867 2,585 932 426

871 996 2,547 939 427

993 889 2,352 991 415

946

5,3405,5775,7805,6405,667

0.5%

964 2,396 960 401

4.7%8.4%1.9%3.1%3.4%

圖9 表演藝術節目免費場次

Chart 9 Number of Free Performances

0.9%

10/11*

11/12

12/13#

13/14+

14/15^

1,079 611 144 440 76

1,079 643 167 425 67

1,296 668 207 431 85

1,455 770 177 512 84

1,420

2,3502,3812,6872,9983,025864 175 508 58

2.4%12.2%1.1%0.8%31.0%



* 另有448場次資料不詳 Data for 448 performances were unavailable

# 另有30場次資料不詳 Data for 30 performances were unavailable

+ 另有4場次資料不詳 Data for 4 performances were unavailable

^ 另有13場次資料不詳 Data for 13 performances were unavailable

舞蹈Dance

音樂Music

戲劇Theatre

戲曲Xiqu


總數Total

舞蹈Dance

音樂Music

戲劇Theatre

戲曲Xiqu


總數Total

INCREASE IN NUMBER OF FREE PERFORMANCES AND PAID PERFORMANCES

Data from the previous five years indicate continual increase in the number of free

performances. The number of paid performances dropped in the previous year and

increased slightly in 2014/15 (see Chart 8 and 9). With the New Wing Auditorium

at Ko Shan Theatre being a newly added venue allowing more performances by

Chinese music associations and opera troupes, both the number of free and paid

Xiqu performances increased prominently (refer to the Xiqu section on page 18).

本地演出場次增加，整體平均

票價上漲

若按本地及海外演出單位劃分，2014/15年

度訪港演出的場次有所減少。上年度由本地

與訪港藝文團體同台演出的場次，在每個

藝術組別均有雙位數字的增長，當中以音樂

的增幅最多，以致整體的混合演出場次增至

161場。2014/15年度則回落至5 0場，接近

2012/13年度的場次量。（見圖10）

本年度把最高票價定於$1,0 0 0或以上的

場次（165場）較上年度（99場）多。若撇除

慈善籌款的節目後，本地及訪港的音樂節目

最貴（分別達$1,980及$2,000）。當綜合全數

5,667收費場次的最高票價平均數時，訪港

節目中以舞蹈節目最高（約$468），本地節目

則以戲曲節目為最高（約$259）。

INCREASE IN NUMBER OF PERFORMANCES BY LOCAL GROUPS AND AVERAGE TICKET PRICES

When classifying performances into categories of local groups and visiting

groups, the number of performances by Visiting Groups decreased somewhat in

2014/15. In the previous year, there had been an increment of more than 10 in the

number of performances across all the categories for Mixed Productions in which

local and visiting groups collaborated. The largest increase was observed in

Music performances and led to a total of 161 performances in Mixed Productions.

In 2014/15, the number of Mixed Productions dropped back to 50, similar to the

2012/13 figure (see Chart 10).

Increase was noted in the number of performances (165) with top price tickets set

at $1,000 and above when compared with the previous year (99). Both local and

visiting Music productions hit the highest ($1,980 and $2,000 respectively) when

charity programmes are excluded. When calculating the average highest price

of all 5,667 paid performances, Dance performances have the highest (around

$468) among Visiting Productions whereas Xiqu performances have the highest

(around $259) among Local Productions.

綜觀過去五個年度的紀錄，表演藝術的免費

場次一直持續增長，收費場次於上年度回落

後，14/15年度亦略為回升（見圖8及圖9）。至

於新增了高山劇場新翼演藝廳可讓更多曲藝

社及劇團演出，戲曲的免費及收費場次顯著增

多（詳見戲曲部分，頁18）。

圖10 本地及訪港場次

Chart 10 Number of Performances by Local Groups and Visiting Groups

總數Total

10/11*

75

734

7,303

11/12∆

42

634

7,276

12/13#

44

835

7,613

13/14+

161

843

7,629

14/15^

50

772

7,875

8,112

7,952

8,492

8,633

8,697

0.7%8.4% 3.2%68.9%


本地Local

訪港Visiting

混合Mixed

*另有26場次資料不詳 Data for 26 performances were unavailable

∆另有6場次資料不詳 Data for 6 performances were unavailable

# 另有5場次資料不詳 Data for 5 performances were unavailable

^另有8場次資料不詳 Data for 8 performances were unavailable

+ 另有9場次資料不詳 Data for 9 performances were unavailable

10 11


整體觀眾人次略為回升，收費

場次的觀眾人次輕微增加

本年度的整體觀眾人次略為回升，共接觸約

336萬觀眾人次（見圖11）。戲劇類別中話劇、

音樂劇及偶劇的觀眾人次均有所增加，當中

尤以音樂劇觀眾人次的升幅更為突出，主要

由於有個別著名音樂劇節目於大型場館上演

（詳見戲劇部分，頁16）。至於舞蹈節目觀眾

下降則與整體節目數量和場次減少有關（詳見

舞蹈部分，頁12）。

上述336萬入場人次中，約236萬為收費觀眾

人次，較上年度多2%，而免費場次的觀眾人次

則較上年度輕微減少1%至100萬人次。

整體票房紀錄上升

由於整體票價及收費觀眾人次均上升，

2014/15年度表演藝術節目的票房紀錄較上

年度上升13%，至4.8億元（見圖12）。除舞蹈

以外，各類演出的票房紀錄均較上年度高，

以戲劇的增幅最大（詳見戲劇部分，頁16）。

圖11 表演藝術節目總觀眾人次

Chart 11 Attendance of Performing Arts Programmes

註：由於進位原因，數字相加結果及增減幅之百分比可能不等於所列總數

Note: Due to rounding, totals and percentages may not correspond with the separate figures.

1.1%7.7%13.9% 14.2% 6.9% 3.2%

10/11 3,290,000261,000 746,000 768,000 878,000 637,000

11/12 3,422,000

243,000 751,000 775,000 1,040,000 613,000

12/13 3,404,000

271,000 771,000 761,000 946,000 655,000

13/14 3,320,000

260,000 792,000 640,000 945,000 684,000

14/15 3,358,000

224,000 731,000 731,000 1,010,000 662,000


舞蹈Dance

音樂Music

戲劇Theatre

戲曲Xiqu


總數Total

圖12 表演藝術節目票房紀錄

Chart 12 Box Office Income of Performing Arts Programmes

票房紀錄（以百萬港元計）Box Office Income (in HKD million)

12.9%7.3%12.1% 33.8% 6.5% 11.8%


舞蹈Dance

音樂Music

戲劇Theatre

戲曲Xiqu


總數Total



10/11 $394$43 $100 $146 $87 $18

11/12 $455$43 $110 $142 $115 $45

12/13 $452$50 $113 $150 $93 $46

13/14 $425$58 $110 $130 $93 $34

14/15 $480$51 $118 $174 $99 $38

SLIGHT RETURN TO GROWTH IN TOTAL ATTENDANCE AND SMALL INCREASE IN ATTENDANCE OF PAID PERFORMANCES

Total attendance among the performances held in 2014/15 was 3.36 million, a slight

return to growth in total attendance (see Chart 11). Among Theatre attendance, the

attendance of Drama, Musical and Puppetry performances increased. The notable

increase in attendance of Musical performances was primarily due to particular

famous Musical programmes being presented at large-scale venues (refer to the

Theatre section on page 16). The drop in attendance of Dance programmes was

attributed to the decrease in both the number of Dance programmes and the

number of Dance performances (refer to the Dance section on page 12).

Out of the afore-mentioned attendance of 3.36 million, attendance of paid

performances was 2.36 million, 2% more than the year before. Attendance of

free performances dropped slightly by 1% from the year before to 1 million.

RISE IN TOTAL BOX OFFICE INCOME

As both ticket prices and attendance of paid performances increased, the 2014/15

total box office income of performing arts programmes increased by 13% from the

previous year to $480 million (see Chart 12). Box office income in all performing

arts categories except Dance increased, with Theatre having the highest increase

(please refer to the Theatre section on page 16).

表演藝術節目的票房紀錄上升

TOTAL BOX OFFICE INCOME OF PERFORMING ARTS PROGRAMMES

INCREASED BY 13%

12 13


圖13 舞蹈總場次

Chart 13 Total Number of Dance Performances

10/11 11/12 12/13 13/14 14/15

10582

118 158

12410 28

18

30

17

217 221 186 138218

53 5553

58

48

119 10786

115105

14/15較上年度之百分比增/減幅Percentage Increase/ Decrease

from previous year to 2014/15

504 493 512 499 461 7.6%

34.8%

40.0%

8.6%

25.3%

25.2%

總數Total

現代舞Modern Dance

芭蕾舞Ballet

中國舞Chinese Dance

外國民族舞Foreign Folk Dance

綜合及其他Combined and Others

圖14 舞蹈總觀眾人次

Chart 14 Total of Dance Attendance

13/14

14/15

總數Total

13.7%32.3%

現代舞Modern Dance

10.6%

中國舞Chinese Dance

13.7%

外國民族舞Foreign Folk Dance



33,000 32,000 24,000

18.9%

芭蕾舞Ballet

95,000

77,000 44,000 29,000 21,000

28.7%


75,000

54,000 224,000

260,000


DECREASE IN PERFORMANCES AND ATTENDANCE

In 2014/15, a total of 461 dance performances featuring 208 dance programmes

were held at 35 venues. Both the number of programmes and performances

were at the lowest within the past five years. The number of Ballet, Chinese

Dance and Foreign Folk Dance performances decreased, leading to a drop in

overall number of dance performances even when the number of Modern Dance

performances increased slightly (see Chart 13). Therefore, the attendance for

dance performances dropped notably to 220,000, also the lowest within the past

five years.

The decrease in total number of performances was attributed to the decrease

in performances held at the 35 venues by schools, dance schools/centres

and community organisations. As these organisations may present Ballet and

Showcase programmes, the number of performances under these two categories

was affected.

The number of large-scale dance performances increased in 2014/15.

Performances by the Hong Kong Dance Company as well as large-scale dance

performances presented by visiting groups including The Legend of the Condor

Heroes and Peacock all belonged to the Chinese Dance category. However, as the

biennial World Cultures Festival was already held in the previous year and that the

event featured relatively more folk dance performances from different regions

(including Chinese Dance), the number of Chinese Dance and Foreign Folk Dance

performances in 2014/15 was affected. Chart 14 indicates the change in attendance

corresponding to the number of performances in each of the Dance category.

The highest ticket prices of Local Performances on average dropped by 4%.

However, an overall increase of 7% of the highest ticket prices was found because

ticket prices of Visiting Productions as well as Mixed Productions increased

considerably. The lowest ticket prices on average increased among both Local

Productions and Visiting Productions, with an overall increase of 12% when

compared to the year before. Although the average ticket prices increased

when compared to the previous year, total box office income dropped by 12%

to $51 million as both the number of performances and attendance for paid

performances dropped noticeably in 2014/15.

場次及觀眾人次減少

2014/15年度共有35個場館進行了208個

舞蹈節目，演出共461場次，節目數量及場次

為近五個年度中最少。本年度的芭蕾舞、

中國舞、外國民族舞演出均減少，即使現代

舞的演出數量略有增加，整體的演出量仍見

下降（見圖13）。因此，本年度的觀眾人次

顯著下降至22萬人次，亦為近五個年度中

最少。

整體演出場次減少的原因之一，包括由學界、

舞蹈學校/中心及社福機構等團體在該35個

場館進行的演出量下降。這些主辦單位的

演出涉及芭蕾舞和匯演節目，故影響該組別

的演出場次數量。

2014/15年度大型舞劇的演出量有所增加，

包括香港舞蹈團的演出、訪港團體的大型

舞劇《射雕英雄傳》及《孔雀》，均屬於中國舞

類別。但由於兩年一度的世界文化藝術節已於

上年度內舉行，該藝術節有較多不同地區的

民族舞蹈（包括中國舞）演出，故影響了14/15

年度內中國舞及外地民族舞蹈的演出量。

從圖14顯示，觀眾人次亦大致隨著各組別的

演出場次量而變化。

本地場次的平均最高票價下調4%，但訪港/

混合演出的平均價格大幅上調，故此整體的

最高票價較上年度上調7%。至於最低票價方

面，不論本地或訪港演出的平均價格均上升，

整體升幅較上年度上升12%。即使票價的

平均價格較上年度上升，但14/15年度的演出

量及收費觀眾人次顯著下降，票房收益仍下降

12%，錄得5,100萬元。

舞蹈

DANCE

14 15


圖15 音樂總場次

Chart 15 Total Number of Music Performances

10/11 11/12 12/13 13/14 14/15

116 79 9511878

165 162 136123111

128 163 152197

145

182187

167184

185

3924 272938

816742

899852

813



1,446 1,357 1,370 1,503 1,476 1.8%

22.8%

9.2%

10.6%

6.9%

19.5%

5.5%

總數Total

合唱Choir

西樂演奏Western Music

中樂演奏Chinese Music

歌劇Opera

聲樂/演唱Vocal/Concert


116 79 9511878

BOX OFFICE INCOME ROSE AMID DROP IN NUMBER OF PERFORMANCES AND ATTENDANCE

In 2014/15, there were 1,230 Music programmes held in 40 venues, accounting for

1,476 performances, a slight drop of 2% from the year before. Total attendance

dropped by 8% from the previous year’s historical high of 790,000 to 730,000, the

lowest within the past five years. The drop in attendance was attributed primarily

to the decrease in the number of Choir, Chinese Music and “Combined and

Others” performances when compared to the previous year (see Chart 15) which

consequently led to a drop in the attendance of the respective categories.

Chart 15 indicates a continual rise in number of Western Music performances

for three consecutive years. The number of 899 performances in 2014/15

reached an historical high and reflected an increasing trend in this category of

music performances. However, the attendance for Western Music performances

fluctuated (refer to ‘Overview on Performing Arts Attendance 2008/09 to 2012/13’

which is uploaded to website of HKADC), and slightly rose in 2014/15 (see Chart 16).

The number of Vocal/Concert performances gradually returned to growth in the

past three years. However, attendance for this category of music performances

tends to fluctuate and be affected by the number of Vocal/Concert performances

featuring famous vocalists during that particular year. Although there were more

Vocal/Concert performances in 2014/15 when compared to the previous year, the

attendance dropped by 9% to 47,000 in 2014/15.

Although the total attendance of Music programmes dropped considerably in

2014/15 when compared to the previous year, ticket prices for both Local and

Visiting performances tended to be higher. The programmes with the most notable

ticket pricing included the concert in which pianist Lang Lang performed with the

Hong Kong Philharmonic Orchestra. Ticket prices for the concert ranged from

$980/$1,180 to $1,980. This trend led to a higher total box office income at $118

million, an increase of 7% when compared to the previous year.

場次及觀眾人次回落，但票房

紀錄上升

2014/15年度共有40個場館進行了1,230個

音樂節目，共1,476場次，較上年度略為回落

2%。整體音樂觀眾人次從上年度的最高紀錄

79萬人次回落8%至73萬人次，低於過去五個

年度的紀錄。觀眾人次的下跌主要由於合唱、

中樂演奏及「綜合及其他」類別的音樂場次

均較上年度少（見圖15），令相關類別的觀眾

人次相應下降。

從圖15可見，西樂演奏的場次量出現連續三

年上升，本年度錄得的899場次更是有紀錄以

來最高，反映此類音樂節目在近年越趨活躍。

但西樂演奏的觀眾人次反覆上落（詳見本局

網上之《表演藝術觀眾人次概況2008/09至

2012/13》報告），於14/15年度略有回升（見

圖16）。

聲樂/演唱的場次在過去三個年度漸次回升，

但這類音樂節目的觀眾人次較反覆不定，會

受該年度有多少場由著名歌唱家演出的聲樂/

演唱場次而影響。2014/15年度的聲樂 /演唱

場次雖然較上年度多，但觀眾人次卻較上年

度少9%，錄得47,000人次。

雖然2014/15年度的整體音樂觀眾人次從上

年度大為回落，但無論純由本地或訪港團體

演出的音樂節目，均傾向訂定較高的票價。

而票價最為突出的節目包括由鋼琴家郎朗與

香港管弦樂團合作演出的音樂會，大部分座位

的票價幅度由$980/$1,180至最高$1,980，

促使票房受惠，較上年度上升7%，達1.18億元。

圖16 音樂總觀眾人次

Chart 16 Total of Music Attendance



13/14

14/15

7.3%

中樂演奏Chinese

Music

78,000

77,00073,000

26.8%

合唱Choir

125,000

44,00091,000

11%

歌劇Opera

23,000

29,00025,000

9.2%

聲樂/演唱Vocal/

Concert

52,000

21,00047,000

0.5%

西樂演奏Western

Music

445,000

77,000447,000

31.1%

綜合及其他Combinedand Others

69,000

47,000

總數Total

7.6%

731,000

792,000


音樂

MUSIC

16 17


RETURN TO GROWTH IN ATTENDANCE AND SIGNIFICANT INCREASE IN BOX OFFICE INCOME

In 2014/15, there were 2,572 performances out of 564 Theatre programmes held in

40 venues. The number of programmes and performances increased respectively

by 4% and 2% when compared to the previous year.

Chart 17 indicates large-scale changes in the Puppetry and Physical/Mime Theatre

categories when compared to the previous two years. The number of Puppetry

performances in 2013/14 was exceptionally low. One of the reasons was that

some of the Puppetry programmes were presented outside of the 49 collected

venues (such as exhibition halls) whereas the 2014/15 data indicated an increasing

trend of Puppetry performances being held at these 49 venues. As for the nearly

50% drop in the number of Physical/Mime Theatre programmes in 2014/15, some

of the organisations focused on Physical Theatre that performed in the previous

year did not perform in 2014/15.

Although the number of Musical performances dropped when compared to the

previous year, attendance rose by 24% to 220,000. This was mainly because of

famous musical programmes such as Mamma Mia! being held at large-scale

venues. Both the attendance of Drama and Puppetry performances returned to

growth as the number of Drama and Puppetry performances increased. Theatre

attendance on a whole rose by 14% to 730,000.

The increased number of performances in 2014/15 were primarily Local productions.

The number of Visiting performances dropped from the previous year's peak

(356 performances) to 286 in the current year. In each of the previous two years,

there had been a small number of Mixed productions in which both the local group

and visiting group performed on the same stage. However, there were no instances

of Mixed productions in the current year.

As for ticket prices, the highest and the lowest ticket prices of Local productions

increased respectively by 11% and 5% on average. The ratio of performances with

lowest ticket price set at $100 or lower continued to decrease from 26% in 2012/13

to 18% in the current year. On the other hand, the ratio of performances with

lowest ticket price set at $200 or above continued to increase from 13% in 2012/13

to 19% in the current year. As overall ticket prices increased and attendance

of paid performances returned to growth, total box office income of Theatre

performances increased sharply by 34% to a record high of $174 million.

觀眾人次回升，票房紀錄大幅

攀升

2 014 /15年度共有4 0個場館進行了5 6 4個

節目，共2,5 72場次，分別較上年度增加4%

及2%。

從圖 1 7 可見，偶劇和形體 / 默劇於過去兩

個年度均有大幅變化。1 3 / 14 年度偶劇場

次特別少的原因之一，是部分偶劇節目在

調查涵蓋的 4 9 個場地以外（如展覽廳等）

公演，而14 / 1 5 年度的資料顯示偶劇場次

使用該4 9 個場地的情況回升。至於本年度

的形體/默劇節目數量減少近一半，個別專注

於形體劇場的團體於去年度演出後未有在

14 /15年度進行演出活動。

雖然音樂劇的場次較上年度回落，其觀眾

人次卻上升約24%，至22萬人次，主要由於

有個別著名音樂劇節目，如《Mamma Mia!》

於大型場館上演。至於話劇及偶劇的觀眾人

次均隨著場次增加而回升。總括而言，戲劇

的整體觀眾人次回升14%，至73萬人次。

2014/15年度增加的場次以本地團體演出

為主，訪港場次則從上年度的高峰（356場）

回落至本年度的286場。根據資料顯示，過去

兩個年度均有少量演出由本地及外地團體

合演，本年度卻沒有混合演出的紀錄。

票價方面，本地場次的最高及最低票價的平

均價格分別上漲11%及5%。最低票價定於

$100或以下的場次佔本地總場次的比例，由

2012/13年度的26%連續下降至18%；而最

低票價定於$200以上的本地場次比例，則由

2012/13年度13%連續上升至19%。由於整體

票價上升，加上收費的觀眾人次回升，戲劇的

票房紀錄大幅攀升34%，達1.74億元的紀錄。

圖17 戲劇總場次

Chart 17 Total Number of Theatre Performances

10/11 11/12 12/13 13/14 14/15

126 147 11059128126 147 11059128

627

337 454476457

68 35 156837

1,887 2,1991,9681,914

2,127



2,738 2,752 2,754 2,529 2,572 1.7%

4.6%

86.4%

77.9%

108.3%

2.8%

30 251253430 2512534

總數Total

音樂劇Musical

話劇Drama

形體/默劇Physical/Mime Theatre

偶劇Puppetry


圖18 戲劇總觀眾人次

Chart 18 Total of Theatre Attendance

13/14

14/15

9.2%

話劇Drama

438,000

77,000478,000

65.5%

形體/默劇Physical/

Mime Theatre

9,000

44,0003,000

136.8%

偶劇Puppetry

10,000

29,00023,000

19.2%

綜合及其他Combinedand Others

2,000

21,0003,000

23.6%

音樂劇Musical

181,000

77,000223,000

總數Total

14.2%

731,000

640,000




戲劇

THEATRE

18 19


戲曲

XIQU

圖19 戲曲總場次

Chart 19 Total Number of Xiqu Performances

10/11 11/12 12/13 13/14 14/15

742 762

954

907958

508 471630

514503



1,483 1,510 1,684 1,663 1,828 9.9%

58 56 716078

5.2%

18.3%

22.6%

4.9%175 173182145221

總數Total

粵劇Cantonese Opera

曲藝演唱Chinese Operatic Song

其他戲種Others Chinese Operas


圖20 戲曲總觀眾人次

Chart 20 Total of Xiqu Attendance



13/14

14/15

7.3%

粵劇Cantonese Opera

561,000

77,000602,000

12.1%

曲藝演唱Chinese Operatic Song

245,000

44,000275,000

27.8%

其他戲種Others Chinese Operas

34,000

29,00043,000

14.1%


105,000

21,00090,000

總數Total

6.9%

1,010,000

945,000


INCREASE IN XIQU ATTENDANCE AND BOX OFFICE INCOME

In 2014/15, there were 1,828 performances out of 1,227 Xiqu programmes staged at

26 venues. The number of programmes and performances increased respectively

by 5% and 10% from the previous year, with the highest number of performances

since 2007/08. This was attributed to the additional venue of New Wing Auditorium

at Ko Shan Theatre which commenced operation on October 2014. Over 70%

of performances at the venue were Xiqu programmes with the majority being

Cantonese Opera programmes.

As the New Wing Auditorium at Ko Shan Theatre is a facility designed for staging

Cantonese Opera performances, this newly added designated venue is used

frequently by Cantonese opera troupes and Chinese music associations. For Xiqu

productions organised by sole presenters, the number of Arts Organisations

increased from 436 in the previous year to 490 in 2014/15 while the number of

performances increased from 1,287 in the previous year to 1,389.

Chart 19 indicates that the increase in Xiqu performances was most notable

in the Chinese Operatic Song category. Both the number of Cantonese Opera

and Other Chinese Operas performances increased and closed to the figures

in 2012/13. Overall speaking, both the number of free and paid performances

increased by respectively 12% and 8% when compared to the previous year. The

corresponding attendance also increased respectively by 4% and 9%. Total Xiqu

attendance rose by 7% to a total of 1.01 million.

The increased number of performances recorded in 2014/15 were primarily Local

productions. The highest ticket prices and the lowest ticket prices of Local

productions increased respectively by 4% and 6% on average. Attendance of paid

performances also increased by 10% and led the total Xiqu box office income to

rise by 6.5% to a total of $99 million.

戲曲觀眾人次及票房增加

2014/15年度共26個場館進行了1,227個戲曲

節目，達1,828場次，分別較上年度增加5%及

10%，場次量是自2007/08年度以來最高。

原因之一是受惠於2014年10月啟用的高山

劇場新翼演藝廳，七成以上的演出均屬於

戲曲節目，當中以粵劇節目較多。

由於高山劇場新翼演藝廳是為演出粵劇節目

而設計的設施，新增的專屬演出場地吸引了

更多的粵劇團及曲藝社使用。以單一主辦

單位計，有進行戲曲表演的藝文組織由上年

度的436個，增加至2014/15年度的490個，

演出的戲曲場次由1,287場增加至1,389場。

從圖19可見，戲曲場次以曲藝演唱的整體

增幅最顯著，粵劇及其他戲種的場次均回升

至接近2012/13年度的場次紀錄。整體而言，

免費場次及收費場次均較上年度多，分別增加

12%及8%，相關的觀眾人次亦分別增加4%

及9%。戲曲觀眾人次較上年度上升7%，達

101萬人次。

2014/15年度增加的場次主要為本地團體的

演出，所有本地演出的最高和最低票價的平均

價格分別上升4%及6%，收費觀眾人次亦增加

10 %，帶動整體戲曲的票房上升6 .5%，達

9,900萬元。

整體戲曲的票房上升

TOTAL XIQU BOX OFFICE INCOME ROSE BY 6.5%

20 21


圖21 綜藝及流行表演總場次

Chart 21 Total Number of Variety & Pop Shows Performances

10/11 11/12 12/13 13/14 14/15

435 393

374460

368

445 605

1,074872779



1,967 1,846 2,177 2,448 2,368 3.3%

190122

184199

199

18.7%

7.5%

23.2%

19.7%897

736917

831726

總數Total

綜藝Variety Performances

流行表演Pop Performances

跨媒體Multi-arts

比賽Competitions

圖22 綜藝及流行表演總觀眾人次

Chart 22 Total Number of Variety & Pop Shows Attendance

13/14

14/15

35.5%

跨媒體Multi-arts

77,000

77,00050,000

18.0%

綜藝Variety Performances

167,000

44,000137,000

30.8%

流行表演Pop Performances

235,000

29,000307,000

17.9%

比賽Competitions

205,000

21,000168,000

總數Total

3.2%

662,000

684,000




GROWTH IN BOX OFFICE INCOME AMID SLIGHT DROP IN NUMBER OF PERFORMANCES AND ATTENDANCE

In 2014/15, there were 2,368 performances out of 1,435 productions of Variety &

Pop Shows held in 44 venues. When compared to the previous year, the number

of programmes increased slightly by 2% while the number of performances

decreased slightly by 3%. Chart 21 indicates that performances in the Multi-arts,

Variety Performances and Competitions categories decreased when compared

to the previous year. The number of performances under the Pop Performances

category, on the other hand, increased notably and reduced the overall drop in

total number of performances. Due to the decreased number of performances,

attendance also dropped accordingly by 3% to a total attendance of 660,000 (see

Chart 22).

The number of performances by Local productions remained similar to the

previous year at 2,213. The number of performances by Visiting productions and

Mixed productions dropped by around 30% from 212 in the previous year to 151.

The large increase in performances under the Pop Performances category

was attributed to Fringe Club's commencement of operation in 2014/15 after

improvement works. The number of jazz concerts and band performances

doubled when compared to the previous year. The number of oldies concerts

presented by arts organisations and Chinese music associations at particular

venues also increased by around 30%.

As for ticket prices, the highest and lowest ticket prices of performances under

Multi-arts, Variety Performances and Competitions categories among Local

Productions on average increased by 19% and 34% respectively when compared

to the previous year. On the other hand, price rise was observed primarily among

Visiting Productions for Pop Performances. Both the highest and lowest ticket

prices increased by one-third compared to the previous year, around $412 and

$275 respectively. The overall ticket price increase in conjunction with the

increased number of concerts featuring pop singers this year, total attendance

of paid Pop performances increased by 22% when compared to the previous year

and total box office income in Variety & Pop Shows performances increased by

12% to a total of $38 million.

整體場次及觀眾人次略減，

但票房紀錄上升

2014/15年度共有44個場館進行了1,435個

綜藝及流行表演節目，較上年度輕微增加2%，

而場次則略為減少3%，共2,368場。從圖21

可見，跨媒體、綜藝及比賽類別的場次均較

上年度少，流行表演的場次則有顯著增幅，把

整體的場次減幅收窄了。整體觀眾人次亦按

場次減幅下降3%，錄得66萬人次（見圖22）。

由本地團體演出的場次與上年度相若，共

2,213場。而由訪港團體及本地與訪港團體

同台演出的場次則下降約三成，由212場減至

151場次。

至於流行表演場次大幅增加的部分原因，

是藝穗會完成改善工程後於14/15年度全面

啟用，爵士樂音樂會和樂隊演出的節目增加

一倍。另外由藝團、曲藝社在個別場館進行的

懷舊/金曲演唱會亦增加約三成。

票價方面，本地跨媒體、綜藝及比賽節目的

最高及最低票價較上年度分別上漲19%及

34%。而訪港的流行表演節目較票價亦上漲

三分一，平均的最高及最低票價分別為$412

及$275。加上本年度有較多流行歌手演唱會

場次，流行表演的收費場觀眾人次較上年度

上升22%，促使綜藝及流行表演總票房上升

12%，達3,800萬元。

綜藝及流行表演

VARIETy & POP SHOWS

2322

共進行了 THERE WERE

個專題展覽活動 EXHIBITIONS 1,386

整體展覽數量輕微下跌

2014/15年度超過290個場地進行共1,404個

視覺藝術展覽活動，較上年度的1,440個減少

2.5%。若撇除常設展的數量，2014/15年度

共進行了1,386個專題展覽活動。

SLIGHT DROP IN NUMBER OF EXHIBITIONS

There were 1,404 visual arts exhibitions held in over 290 venues in 2014/15,

a decrease of around 2.5% compared to the 1,440 exhibitions from the year before.

Excluding permanent exhibitions, there were 1,386 exhibitions in 2014/15.

13/14+ 14/15^



2.0%1,3861,415專題展數量Number of Feature Exhibitions

44.4%1018常設展數量Number of Permanent Exhibitions

2.5%1,4041,440展覽總數量Total Number of Exhibitions

2.5%35,75236,669累積展期天總數量Total Number of Exhibition Days

0.0%2525展覽平均展期天數Average Exhibition Days

^另有8個展覽日期不詳 Cumulative days of 8 exhibitions were unavailable

+ 另有7個展覽日期不詳 Cumulative days of 7 exhibitions were unavailable

圖23 展覽數量、累積展期天數及平均展期天數

Chart 23 Number of Exhibitions, Total Number of Exhibition Days and Average Exhibition Days

VISUAL ARTS視覺藝術3

2524

視覺藝術 visual aRTs

圖24 以藝術媒介劃分的展覽數量(撇除常設展)

Chart 24 Number of Exhibitions by Medium (Excluding Permanent Exhibitions)

6.8%

4.8%

4.4%

7.7%

2.7%

10.0%

41.7%

19.0%

12.5%

166.7%

48.4%

33.3%

56.5%

20.9%68

395

217

214

211

109

36

34

25

18

16

16

10

10

86

424

207

205

196

112

40

24

21

16

6

31

15

23

13/14+ 14/15^

1.9%



1,406 1,379總數Total

繪畫Painting

書畫篆刻Chinese Painting, Calligraphy & Seal Carving

綜合展Mixed Art Forms

攝影Photography

混合媒介及裝置Mixed Media & Installation

雕塑Sculpture

新媒體藝術New Media Art

設計Design

兒童藝術Children Art

陶藝Ceramics

版畫Prints

文物Antiquities

其他*Others*

電子藝術Electronic Art

圖示

Legend 1-100 101-200 201-300 301-400 401-500

^另有7個展覽媒介資料不詳 Medium of 7 exhibitions were unavailable

+ 另有9個展覽媒介資料不詳 Medium of 9 exhibitions were unavailable

* 其他藝術媒介包括：建築、行為藝術、玻璃藝術等 Other media include Architecture, Performance Art, Glass Art, etc.

各藝術媒介的展覽數量

若以藝術媒介分類，繪畫展覽數量出現連續

兩個年度下跌，本年度較2013/14年度減少了

29個（見圖24），下跌原因主要是個人繪畫展

數量減少。

雖然整體展覽數目輕微下跌，但書畫篆刻、

綜合展、攝影、設計、陶藝、版畫及電子藝術展

覽數目皆有所上升，當中書畫篆刻、設計及版畫

展的數目更是歷年最多。資料顯示，2014年6月

啟用的中環元創方於2014/15年度錄得58個

展覽，當中設計類別佔最多，共17個，為整體

設計展覽數目帶來增長。設計展覽類的例子

包括：由設計講舉辦的「JIA我的碗筷特展」。

縱然香港大型藝術展「巴塞爾藝術展 ( Ar t

Basel)」在2015年由以往5月改為於3月舉行，

令2014/15年度的數字涵蓋了兩屆的巴塞爾

藝術展，同時首屆 Art Central 藝術展於

2015年3月舉行，但2014/15年度整體的展覽

數量並未有因此而增多。

NuMBER OF EXHiBiTiONs BY MaJOR MEDiuM

As for exhibitions categorised by medium, the number of Painting exhibitions

dropped for the second consecutive year, a decrease of 29 from 2013/14 (see

Chart 24) attributed to the decrease in the number of solo painting exhibitions.

Although the overall number of exhibitions decreased slightly, the number of

Chinese Painting, Calligraphy & Seal Carving, Mixed Art-forms, Photography,

Design, Ceramics, Prints and Electronic Art exhibitions increased. In particular,

the number of exhibitions of Chinese Painting, Calligraphy & Seal Carving, Design

and Prints reached a record high. In 2014/15, 58 exhibitions were held at PMQ in the

Central district which commenced operation in June 2014, 17 of which were Design

exhibitions, the highest number among the different media, and contributed to

an increase in the number of Design exhibitions for the year. Examples of Design

exhibitions included “JIA Bowl & Chopsticks Exhibition”.

The large-scale Hong Kong exhibition “Art Basel” was held on March 2015 instead

of the month of May in previous years. As a result, the 2014/15 figures covered

both editions of Art Basel. At the same time, the first-ever Art Central exhibition

was held on March 2015. Nevertheless, the total number of exhibitions in 2014/15

did not consequently increase.

超過OVER290個場地進行

展覽活動VENUES HOLDING EXHIBITIONS

2726

視覺藝術 visual aRTs

平均展期天增加

撇除常設展後，2014/15年度視藝展覽的累

積展期為34,020天，平均每個展期為25天，

較上年度增加6%。

除繪畫、書畫篆刻、混合媒介及裝置外，其餘

類別的平均展期均有較大幅度的浮動，大多

數類別的平均展期均較上年度上升，當中以

設計類別的升幅較多（見圖25）。綜合而言，

綜合展、攝影、設計及電子藝術的展覽數量及

平均展期天雖然在2013/14年度出現下跌，但

在本年度均已回升。

雕塑、新媒體藝術及文物展雖然在展覽數量

較上年度減少，但其平均展期天均有增加，而

雕塑的平均展期天更是歷年最高，達47.6天。

iNCREasE iN avERaGE EXHiBiTiON DaYs

Excluding permanent exhibitions, the cumulative exhibition days of visual arts

exhibitions were 34,020 days. The number of exhibition days was 25 days in

average, an increase of 6% from the year before.

Other than Painting, Chinese Painting, Calligraphy & Seal Carving, Mixed Media

and Installation exhibitions, the average exhibition days of the remaining media

fluctuated widely, most of which increased when compared to the previous year

with Design exhibitions having the largest increase (see Chart 25). Although both

the number of exhibitions and average exhibition days decreased for Mixed Art

Forms, Photography, Design, and Electronic Art in 2013/14, the figures rebounded

in 2014/15.

The number of Sculpture, New Media Art and Antiquities exhibitions decreased

when compared to the year before while their average exhibitions days increased.

The number of average exhibitions days for Sculpture exhibitions even reached an

all-time high at 47.6 days.

圖25 以藝術媒介劃分的平均展期天數(撇除常設展)

Chart 25 Average Exhibition Days by Medium (Excluding Permanent Exhibitions)

4.7%

19.7%

24.7%

5.7%

8.6%

39.0%

15.9%

35.6%

23.5%

8.1%

34.8%

25.6%

53.5%

1.7%

13/14 14/15

6.4%

* 其他藝術媒介包括：建築、行為藝術、玻璃藝術等 Other media include Architecture, Performance Art, Glass Art, etc.



23.1 24.6總數Total

繪畫Painting

書畫篆刻Chinese Painting, Calligraphy & Seal Carving

綜合展Mixed Art Forms

攝影Photography

混合媒介及裝置Mixed Media & Installation

雕塑Sculpture

新媒體藝術New Media Art

設計Design

兒童藝術Children Art

陶藝Ceramics

版畫Prints

文物Antiquities

其他*Others*

電子藝術Electronic Art

24.8

16.7

24.6

22.2

29.6

47.6

29.8

29.6

28.4

27.4

19.3

78.1

3.3

26.9

26.1

16.4

20.6

17.8

31.3

43.8

21.5

35.2

44.1

22.2

17.9

57.9

4.4

17.5

圖示

Legend <7 days/日 7-28 days/日 28-56 days/日 >56 days/日

視藝展覽的累積展期為THE CUMULATIVE EXHIBITION DAYS OF VISUAL ARTS EXHIBITIONS WERE

34,020天DAYS

2928

放映場次達THE NUMBER OF SCREENINGS REACHED

2,540場

電影節節目數量回復增長

2014/15年度電影節活動計有41個，包括：第

三十八屆香港國際電影節2、第四十三屆香港

法國電影節等，活動數量較上年度增加5個。

首次出現的電影節活動包括跳線獨立電影節、

珠三角環保電影節等，部分則未有繼續於本年

度內再出現，如博群電影節、國際動畫節等。

本年度電影節的節目數量為過往五年錄得

最多，合共827個，較上年度上升約24%（見

圖26）。

NUMBER OF FILM FESTIVAL PROGRAMMES RETURNED TO GROWTH

There were 41 film festivals in 2014/15, including the 38th Hong Kong International

Film Festival (HKIFF)2 and the Hong Kong French Film Festival 2014, five more

than the previous year. Film festivals which made their debuts included the JUMP

CUT Independent Film Festival and the Pearl River Delta Ecocinema Festival.

Some film festivals like the I.CARE Film Festival, International Animation Festival

2013 were discontinued.

The number of film festival programmes was 827, the highest within the past

five years, up 24% when compared to previous year (see Chart 26).

2 The duration of the HKIFF spans across two financial years. Data from the 38th HKIFF were counted in 2014/15, data from the 39th HKIFF were counted in 2015/16, and so on.

圖26 放映節目數量

Chart 26 Number of Screening Programmes

10/11

11/12

12/13

13/14

14/15

1,164

1,164

1,261

1,328

1,525

14.8%

393 771

425 739

520 741

661667

698 827

24.0% 5.6%


總數Total

電影節Film Festivals

獨立/專題放映Independent/ Feature Screenings

2 每年香港國際電影節舉行時期橫跨兩個年度，2014/15年度只計算第三十八屆，2015/16年度則計算第三十九屆，如此類推。

FILM ARTS電影藝術4

3130

電影藝術 film ARTS

獨立/專題放映活動持續增加 NUmBER Of iNDEPENDENT/ fEATURE SCREENiNG EVENTS CONTiNUED TO iNCREASE

The number of Independent/Feature screening events was 119, including

“100 Must See Hong Kong Movies”, “Reading Xixi” Film Screening & Post-

Screening Dialogue presented by the 10th Hong Kong Literature Festival, 28 more

than the previous year. The total of 689 programmes resulted in 1,255 screenings

(see Chart 27).

A number of live screenings3 such as the “Metropolitan Opera Live in HD” and

“Nutcracker (Bolshoi Ballet) at 43rd Hong Kong Arts Festival Plus” continued to be

screened in 2014/15. The content covers different categories of performing arts

including opera, drama and ballet.

圖27 放映場次

Chart 27 Number of Screenings

10/11

11/12

12/13

13/14

14/15

670 1,168

788 1,018

787 951

1,1211,199

1,838

1,806

1,738

2,320

2,540

9.5%

1,255 1,285

7.2%

總數Total



12.0%


3 指以錄像播放曾在劇場內進行的現場演出。 3 Refers to video screening of live performances held in theatres.

獨立/專題放映活動共有119個，包括百部不可

不看的香港電影、第十屆香港文學節《我們

總是讀西西》電影放映及座談會等，活動數量

較上年度增加28個。合共689個獨立/專題放映

節目數量，已達1,255放映場次（見圖27）。

2014/15年度亦繼續出現不少以劇場實錄形

式 3出現的專題放映，例如大都會歌劇院：高清

系列、第43屆香港藝術節加料節目：胡桃夾子

（莫斯科大劇院芭蕾舞團）等，內容涉及不同

表演藝術類型，例如歌劇、話劇、芭蕾舞等。

圖28 不同場地類型的放映節目數量

Chart 28 Number of Screening Programmes in Different Types of Screening Venues

10/11 740 424 1,164

11/12 764 400 1,164

12/13 823 438 1,261

13/14 869 459 1,328

14.8%

14/15 1,525946 579

26.1% 8.9%


總數Total

商業影院Commercial Cinemas

其他場地Other Venues

各場地放映活動持續活躍 SCREENiNG EVENTS REmAiNED ACTiVE AT DiffERENT VENUES

In 2014/15, film arts programmes were screened at 20 commercial cinemas and

81 other venues4. Both types of venues increased by 30-35% when compared

to the previous year, and indicated an expansion in venues for screening

programmes.

Chart 28 indicates that both Commercial Cinemas and Other Venues held more

Film Festival screenings and Independent/Feature Screenings, resulting in a

15% increase of the total number of screening programmes.

2014/15年度有20間商業影院及81個其他

場地 4放映電影藝術節目，兩者的場地數量均

較上年度增加30-35%，可見放映電影藝術

節目的場地愈益擴闊。

從圖28可見，商業影院及其他場地均放映

更多電影節及獨立/專題放映節目，故令整體

節目數量較上年度增加15%。

4 新增的商業影院放映場地有：MCL德福戲院、荃灣百老匯戲院；新增的其他放映場地例子有：西九文化區Clockenflap電影棚。

4 The new commercial cinemas screening film arts programmes are MCL Telford Cinema and Broadway Tsuen Wan. An example of newly added Other venue is the Clockenflap Film Tent at West Kowloon Cultural District.

3332


放映1,379位導演作品

以不重覆影片計算，2014/15年度共播放2,384

部影片，當中90%由單一導演拍攝（共2,099

部）。再撇除不同城市/國家合拍的製作後，

共有1,814部影片由1,379位不同的導演拍攝。

圖29顯示該1,814部影片出品地區分布，當中

61%為亞洲出品（共1,114部），歐洲及美洲

出品則分別佔約27%及10%。亞洲影片數量

的增長主要來自香港及日本。歐洲影片數量

連續四個年度上升，而美洲影片數量的變化

則不穩定。

SCREENiNG Of filmS BY 1,379 DiffERENT DiRECTORS

Excluding repetitions, 2,384 films were screened in 2014/15, 90% of which were

directed by a sole director (2,099 films). Further excluding joint productions

between different cities/countries, a total of 1,814 films were directed by 1,379

different directors.

Chart 29 indicates that of the 1,814 films, 61% were from Asia (1,114 films) whereas

the number of films from Europe and America were respectively around 27% and

10%. The increase in the number of films from Asia mainly stemmed from Hong

Kong and Japan. The number of films from Europe increased for four consecutive

years whereas the number of films from America fluctuates.

圖29 各地區出品影片數量（單一城市/國家及導演出品計）

Chart 29 Number of Films from Different Regions (Works from a single city/country and directed by a sole director)

* 其他地區包括非洲、大洋洲地區 Other Regions include Africa and Oceania

10/11 1,255 727 325 175 28

11/12 1,177 717 286 164 10

12/13 1,496 914 380 195 7

13/14 1,463 883 425 140 15

14/15 1,814 1,114 498 183 19

24.0%26.2% 17.2% 30.7% 26.7%


總數Total

亞洲Asia

歐洲Europe

美洲America

其他地區*Other Regions*

圖30 香港（單一導演）出品之影片數量

Chart 30 Number of Hong Kong Films (Sole Director)

10/11 191 139 330

11/12 217 138 355

12/13 278 221 499

13/14 228 208 436

14/15 633250 384

84.6% 9.2% 45.2%


短片Short Films

長片Feature Films

總數Total

香港短片增幅超過八成

2014/15年度共放映740部香港出品的影片。

若以單一導演拍攝作品計算，共有633部影片

由417位香港導演 5拍攝，較上年度多逾100

位。從圖30可見，2014/15年度的短片數量較

上年度大幅上升約85%，改變了以往長片

數量較短片數量多的情況，新增的短片節目

主要出現於《港人情繫獅子山》系列、《平地

學生電影節》、《anifest仲夏動画祭2014》

等電影節活動。

HONG KONG SHORT filmS iNCREASED BY OVER 80%

In 2014/15, 740 films from Hong Kong were screened. Considering works by sole

directors, 633 films by 417 Hong Kong directors5, an increase of more than 100

from the previous year. Chart 30 shows that the number of Short Films in 2014/15

increased sharply by around 85% from the previous year, bucking the previous

trend of the number of Feature Films exceeding the number of Short Films. The

increased number of Short Films consisted of films mainly screened at Film

Festival events including the “People Below the Lion Rock” series, “Ground Up

Student Film Festival” and “Anifest 2014”.

5 該417位香港導演包括已故導演的名字。 5 The 417 Hong Kong directors included deceased directors.

短片增幅超過SHORT FILMS

INCREASED BY OVER 80%

3534


圖32 首五個歐美城市／國家影片數量（單一城市／國家出品計）

Chart 32 Number of Films from the Top 5 Countries in Europe and America (Works from a single city/country)

10/11

11/12

12/13

13/14

14/15

18 43 79 131 151

15 40 51 103 130

28 56 99 113 172

36 68 54 130 153

38

422

339

468

441

460

4.3%

68 70 131 153

0.0% 0.0%0.8% 29.6% 5.6%


總數Total

美國United States

英國United Kingdom

法國France

德國Germany

意大利Italy

歐美國家影片仍以美國及法國為首

圖32顯示首五個歐美國家影片數量，一如過往

年度，美國影片數量持續居首位，達153部，

其短片及長片均較其他歐美國家多。除德國

影片出現近三成的增幅外，其他主要歐美國家

的影片數量與上年度相若。

雖然整體影片數量穩定，但歐美國家在短片及

長片的數量卻有不同變化。在2014/15年度

放映的英國、法國及意大利的短片均有增加，

英國短片增加至41部，增幅主要來自Both

Sides Now — Somewhere Between Hong

Kong And The UK 專題放映。而以上三個國家

的長片卻有所減少。至於美國及德國則出現

相反的情況，兩個國家的長片均有增加，美國

長片的增幅主要來自「電影節發燒友」的專題

放映，而德國長片的增幅主要來自香港國際

電影節。

AmERiCAN AND fRENCH filmS REmAiNED AS mAJORiTY

Chart 32 shows the number of films from the top 5 countries in Western. Similar to

the previous year, the number of films from the United States continued to be on

top of the list at 153, with both the number of Feature Films and Short Films exceeding

other countries in Europe and America. Other than an increase of nearly 30% in films

from Germany, the number of films from all other major countries in Europe and

America remained similar when compared to the previous year.

Although the overall number of films remained steady, the trends among the

number of Short Films and Feature Films from countries in Europe and America

were different. The number of short films from the United Kingdom, France and

Italy all increased in 2014/15, with the number of Short Films from the United

Kingdom increased to 41. The increase was attributed to Feature Screenings

from the “Both Sides Now – Somewhere Between Hong Kong And The UK” event.

However, the number of Feature Films from the three aforementioned countries

decreased. The United States and Germany displayed opposite trends as the

number of Feature Films from both countries increased, with the increase in

Feature Films from the United States stemming primarily from HKIFF Cine Fan

screening events whereas the increase in number of Feature Films from Germany

was attributed to HKIFF.

32 124 49 100 415

55 73 54 100 414

44 95 86 109 562

61 87 124 86 518

圖31 首五個亞洲城市/國家影片數量（單一城市／國家出品計）

Chart 31 Number of Films from the Top 5 Asian Cities/Countries (Works from a single city/country)

10/11

11/12

12/13

13/14

720

696

896

876

54 92 124 142 74014/15 1,152

31.5%42.9%14/15較上年度之百分比增/減幅Percentage Increase/ Decrease from previous year to 2014/15

總數Total

香港Hong Kong

0.0%

台灣Taiwan

65.1%

日本Japan

5.7%

內地Mainland

China

11.5%

韓國Korea

日本影片出現顯著增幅

除香港以外，2014/15年度放映的亞洲影片

中以日本最多，從圖 31可見，日本影片在

2014/15年度大幅上升 65%，達142部，為

過往五年錄得最多。其短片及長片數量均見

增長（短片由28部增加至48部，長片由58部

增加至9 4部），增幅主要來自香港國際電影

節，及《世界電影經典回顧：19 8 0年代日本

電影新貌》專題放映。

雖然2014/15年度的台灣影片數量與上年度

相同，但其短片比例大幅度上升（由上年度的

58%升至76%），達94部，主要來自《第十屆

InDPanda國際電影節》等電影節活動。

內地影片數量在過往三個年度均維持約90部

左右，仍以長片為主（佔71%）。

NOTABlE iNCREASE iN filmS fROm JAPAN

Besides Hong Kong, Japan accounted for the largest number of films from Asia

in 2014/15. Chart 31 indicates that the number of films from Japan rose to 142 in

2014/15, a sharp increase of over 65% from the previous year and at a five-year

high. Both the number of Short Films and Feature Films increased (with Short

Films increased from 28 to 48 and Feature Films increased from 58 to 94). The

increase mainly stemmed from Feature Screening events at HKIFF and “Repertory

Cinema 2014 – New Japanese Cinema in 1980s”.

Although the number of films from Taiwan in 2014/15 was similar to the previous

year, the proportion of Short Films rose sharply (from 58% in the previous

year to 76%) at 94 films. The rise mainly stemmed from screening events at film

festivals including the 10th InDPanda International Film Festival.

The number of films from Mainland China remained steady over the previous

three years at approximately 90, and continued to be primarily Feature Films

(around 71%).

3736


圖35 放映活動之票房紀錄（以百萬港元計）

Chart 35 Box Office Income of Screening Events (in HKD million)

16.2%32.0%6.6%


總數Total





10/11 $9.57$7.51 $2.05

11/12 $10.07$7.77 $2.30

12/13 $10.35$7.85 $2.50

13/14 $11.30$7.03 $4.27

14/15 $13.13$7.50 $5.64

觀眾人次回復增長，整體票房

收入增加

圖33-35資料顯示，2014/15年度的觀眾人次

約26萬人次，較上年度增加約8%。電影節及

獨立/專題放映的售票場次均有增加，為過往

五年錄得最多，合共2,117場次，票房紀錄達

1,313萬元，較上年度增加16%。

從圖34及35可見，2014/15年度的電影節觀眾

人次略為回升（共151,000人次），當中售票

場次的觀眾人次由上年度的134,000人次

上升至140,000人次，票房收入回升至750

萬元。獨立/專題放映的觀眾人次及票房收入

於過往五個年度均有上升趨勢，票房收入較

上年度增加超過三成，合共564萬元。

獨立 /專題放映票房的升幅大部分來自劇場

實錄 (如：National Theatre Live）及「電影

節發燒友」的放映活動。特別是劇場實錄的

戲票一般定價接近$200一張，當該些放映場

次和觀眾增加時，對票房紀錄有較大影響。

劇場實錄的放映場次已由上年度151場增加至

2014/15年度175場，並吸引近15,000觀眾人

次入場，其票房佔整體獨立/專題放映票房的

43%，約245萬元。

ATTENDANCE RETURNED TO GROWTH AND iNCREASE iN OVERAll BOX OffiCE iNCOmE

Charts 33 to 35 indicate the attendance in 2014/15 to be around 260,000, approximately

8% more than the previous year. Both the number of paid screenings for Film

Festivals and Independent/Feature Screenings increased to a five-year high with

a total of 2,117 screenings and box office income of $13.13 million, 16% more than

the previous year.

Chart 34 and 35 indicate that the attendance for Film Festivals recovered slightly

in 2014/15 (151,000 in total), with attendance for paid screenings increasing from

134,000 in the previous year to 140,000 and box office once again rising to $7.5

million. Both the attendance and box office income of Independent/Feature

Screenings had been on the rise for the last five years with box office income

totaling $5.64 million, an increase of more than 30% from the previous year.

The increase in box office income for Independent/feature Screenings mainly

stemmed from live screenings (such as National Theatre Live) and HKIFF Cine Fan

screening events. With ticket prices of live screenings approaching $200, there

was considerable influence towards the overall box office income when both the

number of such screenings events and its attendance increased. The number

of live screenings increased from 151 in the previous year to 175 in 2014/15 with

attendance of nearly 15,000. Its box office income was around $2.45 million,

constituting 43% of all Independent/feature Screenings box office income.

圖33 售票放映場次

Chart 33 Number of Paid Screenings

10/11 611 1,078 1,689

11/12 688 935 1,623

12/13 645 881 1,526

13/14 934 1,053 1,987

6.5%

14/15 2,117976 1,141

8.4% 4.5%


總數Total



圖34 放映活動觀眾人次

Chart 34 Attendance of Screening Events

8.8%19.8%2.0%

10/11 234,000167,000 67,000

11/12 259,000176,000 83,000

12/13 230,000158,000 72,000

13/14 239,000148,000 91,000

14/15 260,000151,000 109,000


總數Total





3938

綜觀2010/11年度至2014/15年度，值得留意

的情況包括：

1. 舞蹈界別的場次量及觀眾人次，較受每個

年度不同的藝術節內編排了多少場舞蹈表

演場次而影響，例如：2014/15年度舉行的

《新視野藝術節》令現代舞的場次有所增

加。而另一個影響舞蹈場次及觀眾人次的

因素，是舞蹈學校/中心等團體主辦的場

次量，由於2014/15年度由舞蹈學校/中心

等團體主辦的場次較上年度少，令該年度

的整體舞蹈場次及觀眾人次下降。

2. 綜觀過去五個年度戲曲的總場次紀錄，

場次量在2012/13及2014/15年度均出現

較顯著的增長，而該兩個年度均有新場館

啟用：分別是2012年7月啟用的油麻地戲院

及2014年10月啟用的高山劇場新翼演藝廳，

可見新場館的啟用能刺激場次量增加。

3. 2014/15年度各表演藝術界別的整體節目

票價均有所上漲，即使音樂和綜藝及流行

表演節目的收費場觀眾人次有所減少，該

兩個類別的票房紀錄仍見增長。除節目

票價對票房有直接影響外，每個年度是

否有著名表演者演出或著名劇目上演，亦

直接影響票房。例如：2014/15年度有鋼

琴家郎朗演出的音樂會及著名音樂劇節目

《MammaMia!》上演，這些賣座節目的票

價定位較高，能大大增加票房收入。

4. 視覺藝術方面，縱然香港大型藝術展「巴

塞爾藝術展（Art Basel）」在2015年由以

往5月改為於3月舉行，令2014/15年度的

數字涵蓋了兩屆的巴塞爾藝術展，同時

首屆ArtCentral藝術展於2015年3月舉行，

但2014/15年度整體的展覽數量並未有

因此而增多，未來將繼續留意巴塞爾藝術

展的效應。

5.電影藝術方面，2014/15年度電影節及獨

立 /專題放映的售票場次均為過往五年錄

得最多。而獨立 /專題放映的觀眾人次及

票房收入均連續兩個年度攀升，2014/15

年度的票房收入升幅主要來自劇場實錄的

專題放映。

An overview of the period from 2010/11 to 2014/15 reveals several notable points:

1. The number of performances and attendance under the Dance category is

more susceptible to changes in the number of dance performances presented

in different arts festivals each year. For example, the New Vision Arts Festival

held in 2014/15 led to an increase in the number of Modern Dance performances.

Another factor influencing the number of performances and attendance under

the Dance category is the number of performances presented by organisations

such as dance schools/centres. As the number of performances presented by

the aforementioned organisations decreased in 2014/15 when compared to the

previous year, the total number of performances and attendance under the

Dance category for the year also decreased.

2. Examining the total number of Xiqu performances in the past five years, the

number of performances increased notably in the year 2012/13 and 2014/15.

The two periods coincided with the operation of two new venues: Yau Ma Tei

Theatre commenced operation on July 2012 and the New Wing Auditorium at

Ko Shan Theatre commenced operation on October 2014. It is evident that the

opening of new venues stimulates the number of performances.

3. Overall ticket prices for programmes across all performing arts categories

increased in 2014/15. Although the attendance of Music and Variety & Pop

Show performances dropped somewhat, the box office incomes of these two

categories increased. Besides the factor of ticket prices, box office income

was also directly influenced by the presence of a famous performer or popular

production. Examples in 2014/15, concert featuring pianist Lang Lang and the

famous musical Mamma Mia! drew large audiences and commanded higher

ticket prices, resulting in higher box office incomes.

4. As for Visual Arts, the large-scale Hong Kong arts exhibition Art Basel was held

on March 2015 instead of the month of May in previous years. As a result, the

2014/15 figures covered two editions of Art Basel. At the same time, the first-

ever Art Central exhibition was held on March 2015. Nevertheless, the total

number of exhibitions in 2014/15 did not consequently increase. The effect of

Art Basel will be monitored.

5. As for Film Arts, the number of paid screenings events in 2014/15 for both

Film Festivals and Independent/Feature Screenings categories were at their

highest within the past five years. Both the attendance and box office income

of Independent/Feature Screenings increased for two consecutive years. The

rise in 2014/15 box office income was mainly attributed to Theatre Recording

screening events.

HIGHLIGHTS要點總結5

4140

統計調查簡介

作為推動香港藝術發展的法定機構，香港藝

術發展局（以下簡稱藝發局）非常關注各項

與藝文發展有關的議題。自政府建議把西九

龍土地發展為國際級的藝術文化區以來，社

會對藝術文化的發展關注有所提升，有關討

論愈來愈多，要進行有效益的討論，就必須

要有更多客觀的數據支持。

2008年，藝發局追溯自1999年至2007年獲

公帑資助的表演藝團的發展情況，為全面收集

及反映藝術界發展狀況作一次準備。在研究的

過程中，藝術團體可提供的現成數據或因定

義、記錄方法及涵蓋範疇參差，收集得來的數

據缺乏一致性的基準，難以反映一個較為

可靠、全面及縱貫性的本地藝術活動現況。

考慮到發展任何調查、統計、推算的機制和

系統之前，收集基本數據是最踏實可行的第

一步，藝發局在2008年中決定開展一項恆常

的「香港藝術界年度調查」計劃，期望建立一

套資料搜集的指標藍圖，為業界提供更新的

資料，以持續跟進及觀察本港文化藝術生態

環境和發展趨勢。

首年計劃鎖定追蹤業界2007/08年度進行的

展覽活動及表演節目。第二年涵蓋的範疇已

包括了電影藝術節目。計劃第三年，表演藝

術節目增加蒐集跨媒體藝術及流行表演。調

查範圍和收集資料範圍的深度及廣度逐年遞

增，業界的參與和支持有助逐步完善這項計

劃，並為香港藝術的發展提供重要依據。

長遠而言，建立一套適合的指標，以衡量本地

藝術文化的行業生態，以及評估它為社會帶

來的文化價值、經濟價值和公共價值效益，

實有賴同業及研究機構的參與及支持。我們

歡迎關心本港藝術發展的政策部門、研究機

構、業界組織與本局合作，進行下一階段的

相關研究項目，推動本地的藝術發展。

THE SURVEY

As a statutory body to facilitate arts development in the local community, the

Hong Kong Arts Development Council (hereinafter referred to as the HKADC) is

concerned in all arts and cultural issues. Ever since the HKSAR Government

proposed to develop West Kowloon into a world-class arts & cultural district,

public awareness concerning the development of arts & culture has been

raised and relevant discussions are on the rise. In order to conduct discussions

effectively, it is essential to validate them with objective quantitative data.

In 2008, HKADC traced the development of performing arts groups that had

received public subvention between 1999 and 2007. The research was devised

to serve as the groundwork for a full-scale study on the development of the arts

sector. During the study, the data provided by the arts groups lacked consistency

due to varying definitions, recording methods and scope. Since no standard

means of measurement was applied, the analysis of local arts activities was far

from comprehensive and lacked longitudinal perspective.

In the development of any framework and mechanism for purposes including

surveys, statistics and calculations, the collection of raw data is always the most

practical and feasible first step to be taken. With this in mind, HKADC initiated

in 2008 the first of its “Hong Kong Annual Arts Survey” project with the aim of

establishing a set of blueprints for data collection standards, which would enable

HKADC to provide up-to-date information on the arts sector and continue to follow

and observe the local arts and culture milieu and its development.

The first survey focused on exhibitions and performances that took place in

2007/08. Film arts programmes have been incorporated since the second survey.

Data collection was expanded to multi-media arts and pop performances in the

third survey. The scope of the survey has gradually expanded with increased data

coverage and depth. Participation and support from the arts community has

contributed to the polishing of the survey and provided vital reference for the arts

development in Hong Kong.

In the long run, the participation and support of all arts groups, practitioners and

research institutions are indispensable in coming up with a suitable benchmark

to measure the ecology of the local arts and cultural industry, and to assess the

cultural, economic and social impact for local life. We welcome anyone concerned

with the arts development of Hong Kong, be it policy making bodies, research

institutions or arts organisations, in the implementation of the next stage of study

for the further development of local arts and culture.

NOTES ON THE SURVEY資料說明6

4342

資料說明 NOTES ON THE SURVEY

表演藝術

表演藝術範疇主要包括舞蹈、音樂、戲劇、戲

曲節目。資料搜集分兩部分，一方面從香港的

主要演藝場地管理者直接取得觀眾人次、演

出場次及票房紀錄，以反映演出實況；另一方

面則從節目表進行統計分析，理解全年節目

的種類分布、票價分布和主辦單位分布等情

況，為業界提供更多參考資料。自2009/10年

度起，本計劃增加蒐集綜藝及流行節目，故此

調整了各藝術類別的定義。目前展示的資料

分析已按新定義重整。

內文提及的表演藝術統計分類及定義如下：

1. 舞蹈－指現代 /傳統舞蹈、民族舞、爵士

舞、芭蕾舞，但不包括體育舞蹈。是次研

究將舞蹈節目分為芭蕾舞、現代舞、中國

舞、外國民族舞、綜合及其他。

2. 音樂－指中西古典 /傳統音樂、聲樂、歌

劇，但不包括流行音樂、懷舊金曲演唱、

樂隊表演。是次研究將音樂節目分為中

樂演奏、西樂演奏、合唱、歌劇、聲樂/演

唱、綜合及其他。

3. 戲劇－指中西方話劇、偶劇（現代及傳統）、

音樂劇，但不包括歌劇。是次研究將戲劇

節目分為話劇、音樂劇、默劇/形體、偶劇、

綜合及其他。

4. 戲曲－指中國各地方戲曲及戲曲演唱會。

是次研究將戲曲分為粵劇、曲藝演唱（包

括其他戲種之演唱）、其他劇種、綜合及

其他。「其他劇種」是指粵劇以外的戲

曲，例如京劇、崑劇、越劇等。

5. 綜藝及流行表演包括以下四項：跨媒體、

綜藝、流行表演及比賽。

6. 跨媒體－指演出包含多於一種藝術類型，

及/或包含如多媒體、雜耍、朗誦表演等。

例如：雜技芭蕾舞、音樂及朗誦（但不包

含比賽及頒獎環節）。

PERFORMING ARTS

The scope of performing arts includes Dance, Music, Theatre and Xiqu programmes.

Data were collected from two streams. The first involved collecting attendance

figures, number of performances and box office records directly from venue

operators of major arts and cultural facilities in Hong Kong. In the second stream,

statistical analysis was derived from event calendar information of these facilities

which helps to understand the annual distribution of production, ticket prices,

presenters and production units, and provides further reference materials for the

industry. In 2009/10, the Survey expanded its coverage to Variety & Pop Shows and

the definition of art forms was adjusted accordingly. The data analyses shown in

this report were adjusted in accordance with the newly revised definition of art forms.

The categories and definitions of art forms included in the Survey are as follows:

1. Dance – It refers to modern/traditional dance, folk dance, jazz dance and

ballet, but not including sports dance. The Survey divides Dance productions

into: Ballet, Modern Dance, Chinese Dance, Foreign Folk Dance, Combined and

Others.

2. Music – It refers to Chinese and Western classical/ traditional music, vocal

and opera, but not including pop music, oldies concert and band performance.

In this Survey, Music productions are classified into: Chinese Music, Western

Music, Choir, Opera, Vocal/ Concert, Combined and Others.

3. Theatre – It refers to Chinese and Western play, puppetry (contemporary and

traditional) and musical, but not including opera. The Survey divides Theatre

productions into: Drama, Musical, Physical/Mime Theatre, Puppetry, Combined

and Others.

4. Xiqu – It refers to Chinese opera and Chinese operatic song originating from

different parts of China. In this Survey, Xiqu productions are classified into:

Cantonese Opera, Chinese Operatic Song, Other Chinese Operas, Combined

and Others. Other Chinese Operas refers to any Chinese Opera other than

Cantonese Opera, such as Beijing Opera, Kun Opera and Yue Opera.

5. Variety & Pop Shows – It includes four types of productions: Multi-arts, Variety

Performance, Pop Performance and Competition.

6. Multi-arts – It refers to performance encompassing more than one art form,

and/or containing other forms of performances including multi-media,

acrobatics and oral recitals. Examples are acrobatics ballet, music and choral

speaking (excluding competitions and awards presentations).

DEFINITIONS

Hong Kong Annual Arts Survey 2014/15 collected data on performing arts

performance, visual arts exhibitions and film arts programmes held or screened

between April 2014 and March 2015.

分類及定義

「香港藝術界年度調查2014/15」主要蒐集

2014年4月至2015年3月期間進行的表演藝

術節目、視覺藝術展覽及電影藝術節目資料。

7. 綜藝－指所有滙演、慶典、才藝/綜藝表演

之節目。

8. 流行表演－指所有懷舊金曲演唱、樂隊表

演、流行音樂/演唱、棟篤笑等節目，但未

有包括由流行歌手/藝人在指定的49個場

館以外進行的流行表演。

9. 比賽－包括所有藝術範疇的比賽項目，例

如舞蹈比賽、音樂及朗誦比賽、流行歌唱

比賽、才藝比賽等。

10.本計劃已涵蓋主要的25座演藝設施共49

個不同的場館節目資料，其中可供表演用

的附屬設施如大堂、露天廣場、排練室、

展覽廳等演出並不包括在內（各年度計劃

涵蓋的場地數目逐年增加，名單已上載於

本報告之網頁內）。

11.行政資助－即由民政事務局直接撥款資助

的藝團，包括獲「躍進資助」（自2011年

推出）的藝團、獲藝發局「一年/兩年/三年

資助」的藝團，以及「香港梨園新秀粵劇

團」三年資助計劃，主要資助藝團的運作，

同時亦包括資助這些藝團主辦 /製作的

部分節目。

12.節目資助－指由康樂及文化事務署（康文

署）主辦/贊助的節目、獲得粵劇發展基金

資助、由藝發局推出各項計劃資助的節目、

由其他政府部門/公營機構（如教育局、

區議會等）主辦/合辦的節目、香港演藝

學院及香港藝術節主辦/製作的節目。

13.場地資助－指獲得康文署減免場租計劃

或場地贊助等優惠的節目及藝發局推出

的「表演場地資助計劃」（自2009年8月

推出）的節目。

14.公帑資助－即指「行政資助」、「節目資助」

及「場地資助」。

15.其他經費－指未有獲得上述任何一種公帑

資助的節目。以其他經費進行的節目可包

括獲得不同基金會或政府以外的其他機構

贊助而主辦/製作的節目。如香港賽馬會慈

善信託基金於2009年3月推出「賽馬會表

演藝術場地資助計劃」，資助本地中、小

型藝團、藝術家及新進藝術工作者免費於

賽馬會創意藝術中心黑盒劇場演出。

7. Variety Performance – It refers to production such as variety events,

celebration and talent performance.

8. Pop Performance – It refers to production such as oldies concert, band

performance, pop music/concert and stand-up comedy, excluding pop shows

performed by pop singers/artists outside the 49 designated venues.

9. Competition – It includes competition in all arts genres, such as dance

competition, music and speech contest, pop singing competition and talent

competition.

10. This Survey includes data collected from a total of 49 venues housed in 25 arts

and cultural facilities. Other ancillary facilities also hosting performances,

such as lobbies, piazzas, rehearsal rooms and exhibition halls, are not included

(The number of venues has increased every year. The list has been uploaded on

the website of this report).

11. Administrative Grant – It refers to the performing arts groups directly

subvented by the Home Affairs Bureau including arts groups receiving

"Springboard Grants" (launched in 2011), and arts groups receiving "One-

Year / Two-Year / Three-Year Grant" from HKADC including the "Hong Kong

Cantonese Opera Troupe for New Talent" Three-Year Grant Scheme. Such

funding mainly supports the operation of the arts groups and parts of the

productions organised/produced by them.

12. Project Grant – It refers to productions presented/sponsored by the Leisure

and Cultural Services Department (LCSD), productions receiving subvention

from the Cantonese Opera Development Fund and/or HKADC’s Project Grants,

productions presented/jointly presented by other governmental departments/

statutory bodies (e.g. Education Bureau, District Council, etc.) and productions

presented/produced by the Hong Kong Academy for Performing Arts and the

Hong Kong Arts Festival.

13. Rental Subsidy – It refers to productions covered by the Rental Subsidy

Scheme or Hire Charge Reduction Scheme from the LCSD, and “Performing

Arts Venue Subsidy Scheme” (launched in August 2009) through HKADC.

14. Public Funding – It refers to Administrative Grant, Project Grant and

Rental Subsidy.

15. Other Funds – They refer to productions which have not received any of the

above Public Funding/subsidies. However, they might have received funding

from various foundations or from non-governmental bodies, such as the

“Jockey Club Performing Arts Venue Subsidy Scheme”, launched by HKADC

in March 2009 with the support from the Hong Kong Jockey Club Charities

Trust. The scheme aims to support small-to medium sized local arts groups,

individual artists and emerging arts practitioners to perform at the Jockey

Club Creative Arts Centre Black Box Theatre for free.

4544


16.舉辦者類型的定義將按節目的主辦/合辦

單位分類，協辦單位並不計算在內。

17.藝文組織－指藝團、藝術組織或協會、藝

術工作室，主要業務屬藝術創作及推動藝

術發展。例如：動藝有限公司、香港戲劇

協會、沙田文藝協會、香港八和粵劇學院

有限公司、美聲曲藝社、法國文化協會、香

港藝術節協會有限公司、香港藝穗會等。

18.學界組織－指本地各中、小學和幼稚園

及所屬的辦學組織、香港演藝學院和各

大學/院校、聯校/學界的組織（如香港學

校音樂及朗誦協會），及上述單位之所屬

的藝術組織（如演奏團、合唱團等）。

19.公營機構－指政府各部門、法定機構、各

區區議會及其工作小組。例如：荃灣藝術

節統籌委員會。

20.商業機構－泛指一般商業運作的機構組

織，如：書店、拍賣行、品牌商店、娛樂 /

製作公司、琴行等，以及商業機構名下所

屬的計劃、工作小組等。

21.混合類型－當合辦機構中涉及多於上述

一種機構/組織類型，如法國駐香港總領

事館及法國文化協會。若主辦單位為香港

中樂團及中英劇團則歸入「藝文組織」。

22.有關本地、訪港或混合演出分類，只以該

節目之演出團體界定。由本地團體/個人

藝術表演者演出之節目歸入「本地演出」；

由境外團體/個人藝術表演者演出之節目

歸入「訪港演出」；由本地團體及境外團體

演出、或本地及境外個人藝術表演者演出

之節目歸入「混合演出」。由本地樂團演出，

並有個別外地演奏家/音樂家參與某環節

演出，並不視為混合節目。

23.平均票價－計算方式為每場的最高票價

及最低票價的平均數。

16. Presenters are defined according to the nature of the presenter/joint presenter

units, and supporting organisers are excluded.

17. Arts Organisations – They refer to arts groups, arts organisations or

associations and arts studios whose main business operations involve creating

art and promoting arts development such as: Dance Art Hong Kong Ltd., Hong

Kong Federation of Drama Societies, Sha Tin Arts Association, The Cantonese

Opera Academy of Hong Kong Ltd., Bel Canto Singers, Alliance Française de

Hong Kong, Hong Kong Arts Festival Society Ltd. and Hong Kong Fringe Club.

18. Educational Institutions – They refer to local secondary schools, primary

schools, kindergartens and their sponsoring bodies, the Hong Kong Academy for

Performing Arts, universities/colleges, interschool/educational associations

(such as the Hong Kong Schools Music and Speech Association) and arts

organisations affiliated to the above (such as ensembles and choirs).

19. Public Organisations – They include governmental departments, statutory

bodies, District Councils and their working groups, such as Tsuen Wan Arts

Festival Coordinating Committee.

20. Business Organisations – They include commercial-run companies such as

book stores, auction houses, brand name stores, entertainment/production

companies, music instruments stores, and projects and working groups

affiliated to commercial organisations.

21. Mixed Presenters – When joint presenters involved belong to more than

one category of the above bodies/organisations, they are considered Mixed

Presenters, e.g. Consulate General of France in Hong Kong & Macau and Alliance

Française de Hong Kong. If the presenters are the Hong Kong Chinese Orchestra

and Chung Ying Theatre Company, it will be categorised as Arts Organisations.

22. The classification of local, visiting or mixed productions should be made

according to their performing organisations. Any production that is performed

by a local group(s) should be classified as “Local Production”; any production

that is performed by a non-local group(s) should be classified as “Visiting

Production”; and any production that is performed by local and non-local

groups should be classified as “Mixed Production”. Individual participation of

visiting artists/musicians in any parts of such productions is not classified as

“Mixed Production”.

23. Average Ticket Price refers to the average of the highest ticket price and the

lowest ticker price in each performance.

視覺藝術

視覺藝術範疇以《香港視覺藝術年鑑》為依據，

將原始記錄進行次級資料分析（secondar y

data analysis）。《香港視覺藝術年鑑》由香

港中文大學藝術系編製，主要收錄本地展覽，

以及香港藝術家於境外策劃或參與的展覽。

蒐集資料來源廣泛，包括主辦機構及個別人

士提供的展覽資料、媒體報道等。取材編撰

及建立之網絡已累積十年，對展覽的定義及

選取有較嚴謹的界定。

根據《香港視覺藝術年鑑2015》，收錄的展覽

可按藝術媒介分為16種，包括：繪畫、攝影、

書畫篆刻、綜合展、混合媒介及裝置、雕塑、設

計、文物、兒童藝術、陶藝、版畫、新媒體藝術、

電子藝術、建築、行為藝術、其他。部分媒介的

定義如下：

1.雕塑－包括以雕刻、焊接、鑄造及模塑技

巧創作出立體雕塑作品的展覽。

2.電子藝術－包括使用電子媒體創作之展覽。

3.新媒體藝術－包括互動藝術、互聯網絡藝術、

聲音藝術等利用新媒體作主要創作媒介之

藝術展覽。

4.建築、設計－只收錄以視藝創作為重心的

展覽。

5.綜合展－指同一展覽包含多於兩種媒介的

展品，例如院校畢業展。

因應《香港視覺藝術年鑑2013》新增了「新媒

體藝術」，內文的統計數字亦已調整。

VISUAL ARTS

The Visual Arts Secondary data analysis was conducted with reference to the

Hong Kong Visual Arts Yearbook. The Hong Kong Visual Arts Yearbook published

by the Department of Fine Arts, the Chinese University of Hong Kong contains

records of local and overseas exhibitions either curated or participated by Hong

Kong artists. The sources of the data are varied, including exhibition data from

presenters, media coverage and so on. Data collection for the compilation of the

yearbook has been accumulated over ten years and a network has been established

for such purposes over time. Relatively strict definitions and inclusion criteria were

adopted for the exhibitions.

Exhibitions are categorised by medium according to the Hong Kong Visual Arts

Yearbook 2015 and divided into 16 types. They include “Painting”, “Photography”,

“Chinese Painting, Calligraphy & Seal Carving”, “Mixed Art forms”, “Mixed Media

& Installation”, “Sculpture”, “Design”, “Antiquities”, “Children Art”, “Ceramics”,

“Prints”, "New Media Art", “Electronic Art”, “Architecture”, “Performance Arts”,

and “Others”. The definitions for some of the medium are as follow:

1. Sculpture – It includes exhibitions of three-dimensional artworks in which

involve sculptural creation process such as carving, welding, casting and molding.

2. Electronic Art – It includes exhibitions of artworks with the use of electronic media.

3. New Media Art – It includes exhibitions focusing on artworks created by new

media technology e.g. Interactive Art, Internet Art, Sound Art.

4. Architecture, Design – They only include exhibitions focusing on creative works.

5. Mixed Art-forms – They include exhibitions involving art works of different

media, such as graduation shows.

Figures have been adjusted according to the updated medium categorisation at the

Hong Kong Visual Arts Yearbook 2013.

4746


電影藝術

以往坊間公布的全年電影票房為商業發行影

片的資料6，只反映電影產業/市場的狀況。至

於獨立電影、藝術電影、各個電影節的放映紀

錄只有零星公布，故未能真正反映本港電影

業的多元發展面向。本調查自2008/09年度

計劃起，增加蒐集上述兩大類電影放映資料，

從主要的獨立/專題放映及電影節主辦單位取

得觀眾人次、放映場次及票房紀錄，同時收集

獨立/專題放映及電影節的節目表進行統計分

析，以理解這類放映的情況。

內文提及的電影節、獨立/專題放映統計分類

及定義如下：

1.電影節目－只計算公開宣傳放映的節目。

2.放映活動－包括各類型的電影節、獨立/專題

放映。一個放映活動，如第三十七屆香港國

際電影節，可進行多達百個公開放映節目。

3 .商業影片節目－指在香港的商業影院正式

放映商業發行影片的節目。商業發行影片的

定義由香港影業協會界定，開畫日子以正式

上映日期為準，不計算午夜場或優先場，並

作公開售票，而影片長度必須是六十分鐘

或以上。

4.長片節目－指本計劃主要收集上述的電影

節、獨立/專題放映活動中，公開放映一部六

十分鐘或以上長度影片的節目。

5.短片節目－指在上述電影節、獨立/專題放映

活動中放映一部/多部少於六十分鐘長度的

影片，或在節目表內註明屬短片節目、短片精

選節目。

6.商業影院－指各商業運作的院線/戲院，包

括：MCL院線、百老匯院線、新寶院線、嘉禾

院線、UA院線、影都戲院、華懋戲院、影藝戲

院、寶石戲院、馬鞍山戲院、巴黎倫敦紐約戲

院、THEGRAND戲院、元朗戲院等。

7.其地場地－指「商業影院」以外的放映場地。

例如：香港藝術中心、香港電影資料館、香港

太空館、香港大會堂各表演場地等。

2014/15年度計劃面對以下限制：

• 部分場地管理者及主辦單位未能提供詳盡資料，影響各項目分類的準確性。

• 表演藝術的統計數字只計算經常進行藝文活動的場地，未能包括於戶外、學校或商場

進行的表演。

• 流行表演只計算於49個場館內進行的懷舊

金曲演唱、樂隊表演、流行音樂 /演唱、棟

篤笑等節目，未有包括香港體育館(簡稱紅

館)、伊利沙伯體育館、香港會議展覽中心、

亞洲國際博覽館、九龍灣國際展貿中心等

場館。

• 康文署轄下的博物館/美術館記錄了入場人

次，但入場人次除參觀展覽外，亦包括入場

參與其他活動的人次，現階段無法提供調查

範圍所需的個別展覽之參觀人次作參考。

• 至目前為止，大部分主辦/策展單位未能向

《香港視覺藝術年鑑》提供展覽活動的參觀

人次，故本計劃亦未能掌握視覺藝術展覽的

參觀人次。

• 由於香港中文大學香港視覺藝術年鑑網站不時更新展覽資料，是年度的原始資料只

根據《香港視覺藝術年鑑》於2015年提交

的資料作準。

• 部分場地管理者及主辦單位未能提供每個放映節目的觀眾人次及票房紀錄，有關商業

發行電影的放映場次及入場人次暫時未能

提供。

• 每年香港國際電影節舉行時期橫跨兩個年度，香港國際電影節協會提供的票房數

字及入場數字未能按研究計劃的統計年度

劃分。故此2014/15年度只計算第三十八

屆，2015/16年度則計算第三十九屆，如此

類推。

• 統計數字與場地管理者提供的數字差異經再三核實，差異若仍出現均視為記錄/統計

誤差。

6 據香港影業協會表示，商業戲院提供的數據只限於商業發行影片放映範圍，影片長度必須為六十分鐘或以上、在香港戲院正式

上映（不計算午夜場或優先場），並作公開售票之放映。

6 According to Hong Kong Motion Picture Industry Association, figures provided by commercial cinemas are limited to commercial released films. The film shall last at least 60 minutes or longer and must be released in Hong Kong registered cinema (except the mid-night or advanced show). Film tickets shall be opened for public sales.

FILM ARTS

In the past, annual box office data only reflected information about commercially

released films6, showing the state of the motion picture industry/market. Screening

records of independent films, art films and film festivals were scarcely published.

Consequently, the multifaceted development of Hong Kong’s film sector was not

genuinely reflected. Since 2008/09, the Survey has taken into account screening

information about films from these two categories: audienceship figures,

numbers of screenings and box office records obtained from major organisers of

independent/feature screening events and film festivals. Based on event calendars

of independent/feature screenings and film festivals, statistical analysis was also

conducted to understand screening conditions specific to such film types.

Film festival and independent/feature screening statistics referred to in this

report include:

1. Film programmes – In this Survey, they include only those which were publicly screened.

2. Screening events – These include various types of film festivals and independent/

feature screening events. As many as 100 programmes can be screened during

one screening event, e.g. The 37th Hong Kong International Film Festival.

3. Commercial Film Programmes – They refer to commercially released films

officially screened in local commercial cinemas. The definition of “commercially

released film” is given by the Hong Kong Motion Picture Industry Association.

The official premiere date is considered as the first day of screening. Midnight

or preview screenings are not considered. Tickets must be publicly sold. The

duration of the film must be 60 minutes or longer.

4. Feature Film programmes – They refer to programmes showing one publicly-

screened film lasting 60 minutes or longer of any film festival or independent/

feature screening event.

5. Short Film programmes – They refer to any programme of the film festivals or

independent/feature screening events in which one/several films lasting less

than 60 minutes are played, or where the programme schedule specifically states

that the programme is a “short film” or “selected short films” programme.

6. Commercial cinemas – They refer to a commercially operated cinema chain/

cinema, such as: MCL Cinema, Broadway Circuit, Newport Circuit, Golden

Harvest, UA Cinemas, Century Cinema, Chinachem Golden Plaza Cinema, Cine-

Art House, Lux Theatre, Ma On Shan Classics, Paris London New York Cinema,

THE GRAND Cinema, Yuen Long Cinema.

7. Other venues – They refer to screening venues other than “commercial cinemas”,

such as Hong Kong Arts Centre, Hong Kong Film Archive, Hong Kong Space

Museum, Hong Kong City Hall.

2014/15 SURVEY WAS SUBJECT TO THE FOLLOWING LIMITATIONS:

•Some of the venue operators and presenters were not able to provide detailed

data, so the accuracy of the classification was affected.

•Figures for Performing Arts programmes were based on those held at venues with

regular arts activities, not covering programmes held at outdoor venues, schools

and shopping centres.

•Pop performances refers to programmes such as oldies concert, band performance,

pop music/concert and stand-up comedy held at the 48 designated venues, and

excluded venues including Hong Kong Coliseum, Queen Elizabeth Stadium,

Hong Kong Convention and Exhibition Centre, AsiaWorld-Expo, Kowloonbay

International Trade & Exhibition Centre, etc.

•The museum/art museums under the LCSD recorded attendance figures.

However, these figures cannot distinguish visitors of exhibitions from those who

went for other activities. At this stage, the exact number of people visiting the

exhibitions who are relevant to the study in this Survey could not be obtained.

•So far, most of the organisers/curatorial units have not yet submitted visitor

numbers of exhibitions to the Hong Kong Visual Arts Yearbook. Therefore, the

Survey was not able to obtain such information.

•As information on exhibitions get updated from time to time at the Hong Kong

Visual Arts Yearbook website operated by the Chinese University of Hong Kong,

raw data for this year is based solely on the information submitted by the Hong

Kong Visual Arts Yearbook in 2015.

•Some of the venue operators and presenters were not able to provide audienceship

figures or box office records for each and every performance/feature screening/

film festival. The screening number and attendance figures of commercially

released film could not be obtained.

•The duration of the Hong Kong International Film Festival presented by the Hong

Kong International Film Festival Society spans across two financial years. The box

office and attendance figures supplied by the Society did not fit into the survey

period. Data from the 38th HKIFF were counted in 2014/15, data from the 39th

HKIFF were counted in 2015/16, and so on.

•The statistics were verified repeatedly against data supplied by venue operators.

Any persisting discrepancies will be considered as recording/statistical errors.

4948

資料說明 NOTES ON THE SURVEY資料說明 NOTES ON THE SURVEY

鳴謝

謹此鳴謝以下機構 /團體提供協助（按字母

排列）：

百老匯電影中心、CCDC舞蹈中心、城市當代

舞蹈團、法國駐港澳總領事館、香港中文大

學藝術系、電影文化中心（香港）、亞洲藝術

音樂推廣基金會、香港歌德學院、香港演藝

學院、香港藝術中心、香港舞蹈團、香港藝穗

會、香港國際電影節協會、香港兆基創意書

院、香港話劇團、賽馬會創意藝術中心、康樂

及文化事務署、前進進戲劇工作坊、亞洲協會

香港中心。

ACKNOWLEDGEMENT

Special thanks to the following institutions/organisations for their support (in

alphabetical order):

Broadway Cinematheque, CCDC Dance Centre, City Contemporary Dance

Company, Consulate General of France in Hong Kong and Macau, Department

of Arts of the Chinese University of Hong Kong, Film Culture Centre (Hong Kong),

Foundation for the Arts and Music in Asia, Goethe-Institut Hong Kong, Hong Kong

Academy for Performing Arts, Hong Kong Arts Centre, Hong Kong Dance Company,

Hong Kong Fringe Club, Hong Kong International Film Festival Society, Hong Kong

Institute of Contemporary Culture Lee Shau Kee School of Creativity, Hong Kong

Repertory Theatre, Jockey Club Creative Arts Centre, Leisure and Cultural

Ser vices Department, On & On Theatre Workshop Co. Ltd., The Asia Society

Hong Kong Centre.

香港藝術發展局

香港藝術發展局(藝發局)於1995年根據香港

藝術發展局條例(香港法例第472章)成立，是

政府指定全方位發展香港藝術的法定機構。

藝發局的角色包括資助、政策及策劃、倡議、

推廣及發展、策劃活動等。

藝發局的使命為策劃、推廣及支持包括文學、

表演、視覺藝術、電影及媒體藝術之發展，

促進和改善藝術的參與和教育、鼓勵藝術評論、

提升藝術行政之水平及加強政策研究工作，

務求藉藝術發展提高社會的生活質素。

為可達至推動藝團發展、提升藝術水平、開拓

藝術家的發展空間之三大目標，本屆採取以下

的發展策略：

• 扶植具潛質的藝術家/藝團，培育卓越發展

• 推動藝術行政，提升藝團的管理能力• 關注藝術環境，提出政策建議• 擴闊參與群眾，開拓藝術空間• 締結策略伙伴，凝聚藝術資源

HONG KONG ARTS DEVELOPMENT COUNCIL

Established in 1995 under the Hong Kong Arts Development Council Ordinance,

Chapter 472, the Hong Kong Arts Development Council (HKADC) is a statutory

body set up by the Government to support the broad development of the arts in

Hong Kong. Its major roles include grant allocation, policy and planning, advocacy,

promotion and development, and programme planning.

HKADC is to plan, promote and support the broad development of the arts including

literary arts, performing arts, visual arts as well as film and media arts in Hong Kong.

Aiming to foster a thriving arts environment and enhancing the quality of life of the

public, HKADC is also committed to facilitating community-wide participation in

the arts and arts education, encouraging arts criticism, raising the standard of arts

administration and strengthening the work on policy research.

To achieve the three major goals of fostering the development of arts groups,

raising the level of artistic standards and exploring development opportunities for

artists, the following development strategies will be adopted:

•Supporting promising artists and arts groups for artistic pursuits

•Promoting arts administration to improve the management of arts groups

•Focusing on the arts environment and proposing policy recommendations

•Enhancing public participation and exploring arts space

•Fostering strategic partnerships and bringing arts resources together

相關刊物

香港舞蹈界聯席會議，《香港舞蹈年鑑》。

香港舞蹈界聯席會議，2009-2010年、2011-

2012年、2012-2013年、2013-2014年及2014-

2015年。

國際演藝評論家協會（香港分會），《香港劇場

年鑑─舞蹈、戲劇及戲曲》。國際演藝評論

家協會（香港分會），2015年。

國際演藝評論家協會（香港分會），《香港古典

音樂年鑑》。國際演藝評論家協會（香港分會），

2014年及2015年。

國際演藝評論家協會（香港分會），《香港戲劇

年鑑》。國際演藝評論家協會（香港分會），

20 0 9年至2014年。

香港中文大學藝術系，《香港視覺藝術年鑑》。

香港中文大學藝術系，20 0 9年至2015年。

國際演藝評論家協會（香港分會），《香港戲曲

年鑑》。國際演藝評論家協會（香港分會），

20 0 9年至2014年。

RELATED PUBLICATIONS

Hong Kong Dance Yearbook, 2009-2010, 2011-2012, 2012-2013, 2013-2014 and

2014-2015, Hong Kong Dance Sector Joint Conference.

Hong Kong Theatre Yearbook – Dance, Drama and Xiqu, 2015, International

Association of Theatre of Theatre Critics (Hong Kong).

Hong Kong Classical Music Yearbook, 2014-2015, International Association of

Theatre of Theatre Critics (Hong Kong).

Hong Kong Drama Yearbook, 2009 to 2014, International Association of Theatre of

Theatre Critics (Hong Kong).

Hong Kong Visual Arts Yearbook, 2009 to 2015 Department of Fine Arts, the

Chinese University of Hong Kong.

Hong Kong Xiqu Yearbook, 2009 to 2014, International Association of Theatre of

Theatre Critics (Hong Kong).

研究團隊

余雅怡、彭秀慧、劉國璇、楊浩汶

RESEARCH TEAM

Angela Yu, Sally Pang, Tweety Lau and Homan Yeung

香港藝術界年度調查報告

HONG KONG ANNUAL ARTS SURVEY REPORT 2014/152017 6 First Edition, June 2017

Hong Kong Arts Development Council Universal Brothers Communications

10/F, 1063 King’s Road, Quarry Bay, Hong Kong Tel 2827 8786 Fax 2519 9301 Website www.hkadc.org.hk

© 2017 © Hong Kong Arts Development Council 2017

This report can be downloaded from the official website of the Hong Kong Arts Development Council. In the event of discrepancies between the Chinese version and the English version of this report, the Chinese version shall prevail.

Edition Published by

Design & Production

Hong Kong Arts Development Council

如果本調查報告的中文和英文文本有任何不相符之處，應以中文為準。

香港鰂魚涌英皇道1063號10樓

香港藝術界年度

調查報告

HONG KONG ANNUAL ARTS

SURVEY REPORT

2014/15

2014/15 - 香港藝術發展局

Documents

Transcript of 2014/15 - 香港藝術發展局