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Satuan Acara Pengajaran (SAP)

Mata Kuliah Literatur Pedalangan II

Om Swastyastu

Prof. DR. I Nyoman Sedana, MA.ASIA Fellow 2005, Research Fellow ARI NUS 2007/8,

IIAS Affiliated Fellow, Leiden, Netherlands 2011, VITA 2012 Butler University Indianapolis

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Deskripsi PerkuliahanLiteratur meliputi semua karya tulis, baik dlm buku-buku, Sastra Lontar, Prasasti,

maupun Candi. Secara umum mata kuliah Literatur Pedalangan adalah kuliah teori yang khusus

mengenali, membaca, memahami, dan mengkaji isi buku-buku yang berkenaan dengan Ilmu Pedalangan.

Secara khusus Literatur II Pedalangan diarahkan untuk membedah beberapa buah buku wajib Pedalangan yaitu buku Pakem Wayang Parwa Bali, Ensiklopedi Wayang Indonesia, Purwa Sesana/Dalang Education, Kama and Kala, disertasi Kawi Dalang: Creativity in Wayang Theatre, buku Sapuhleger, Siwagama, dan buku Sastra Miruda.

Buku penunjang lainnya yang juga penting dalam dunia pedalangan dan pewayangan meliputi buku On Thrones of Gold: Three Javanese Shadow Plays. The Language of Balinese Shadow Theater. The Wayang Kulit (Purwa) and Its Symbolic and Mystical Elements, dan buku Wayang Wong: the State Ritual Dance Drama in the Court of Yogyakarta.

Kegiatan dan Isi Mata Kuliah:• Inti kegiatan kuliah literatur adalah studi kepustakaan atau library research

yang khusus mengkaji buku-buku Pedalangan/Pewayangan.• Setiap mahasiswa sebaiknya menyusun atau membuat sebuah Pustaka

Pedalangan baru yang berguna untuk generasi penerus atau minimal merangkum isi sebuah buku dan mempresentasikannya di kelas.

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Standar Kompetensi:Mahasiswa memahami isi buku-buku wajib di bidang Ilmu dan Seni

Pedalangan dan terbiasa dengan sejumlah karya tulis terkait sebagai bangunan intelektual Pedalangan baik dlm bentuk lontar maupun buku, di dalam maupun luar negeri.

Syarat kelulusan mata kuliah Literatur II, Setiap mahasiwa wajib mengikuti kuliah dan melaksanakan tugas guna mengumpulkan 3 nilai:

1. Nilai Middle dari presentasi salah satu buku/lontar terkait Pedalangan.2. Nilai Tugas dari menyusun satu autobiografi dalang, atau pakem//lakon

yang mencerminkan masyarakat tanpa kekerasan, atau merangkum satu buku / lontar, atau karya lain diserahkan sebelum ujian akhir semester.

3. Nilai ujian akhir semester dari pemahaman komprehensif melalui jawaban soal ujian akhir semester.

Kepustakaan: Lihat rangkuman buku dalam Wayang Theatre in Indonesia: An Annotated

Bibliography by Victoria M. Clara Van Groenendael. Holand: Foris Publication, 1987.

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Brandon, James R. comp. On Thrones of Gold: Three Javanese Shadow Plays. Cambridge: Harvard University P, 1970.

Mangkunagoro, K.G.P.A.A. The Wayang Kulit (Purwa) and Its Symbolic and Mystical Elements. Trans. Claire Holt. Ithaca, N.Y.: Southeast Asia Program, Dept. of Far Eastern Studies, Cornell University, 1957.

Sudarsono. Wayang Wong: the State Ritual Dance Drama in the Court of Yogyakarta. Yogyakarta, Indonesia: Gadjah Mada University P, 1984.

Zurbuchen, Mary Sabina. The Language of Balinese Shadow Theater. Princeton: Princeton University P, 1987.

Selekta literatur pewayangan berbahasa Inggris oleh Sedana, I Nyoman:• Mastering the Theatrical Voice in Indonesian Wayang Kulit” Puppetry International # 23

2008: 30-32.• Performance in Bali (coming up July 2007) co-author with Leon Rubin, published by

Routledge. “Wayang Kulit Shadow Puppet Theatre in the Balinese Culture” The Puppetry Yearbook. Volume Six. James Fisher (Ed.) New York: The Edwin Mellen Press, 2005: 87-102.

• “Theatre in a Time of Terrorism: Renewing Natural Harmony after the Bali Bombing via Wayang Kontemporer” Asian Theatre Journal Vol 22 Number 1 Spring 2005: 73-86.

• “Collaborative Music in the Performance of the Balinese Shadow Theatre” Asian Music vol 36, number 1, Winter/Spring 2005: 44-59.

• “Wayang Arja: Survival and Change” Puppetry International # 15 2004: 16-17. Search for the full version via http://www.unima.usa.org.

• “Dalang Education” Asian Theatre Journal 10. 1 (1993): 61 – 100. semester

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Artikel artikel tentang pewayangan oleh Sedana, I Nyoman:1. 30 Tahun Dinamika Seni Pewayangan: Fakta, Isu, Masalah dan Perspektif. Orasi Ilmiah

Pada Dies Natalis Pertama dan Widusa II Institut Seni Indonesia Denpasar, Rabu 28 Juli 2004.

2. “Interpretasi Peranan Bhagawan Vyasa dalam Epos Mahabharata” Mudra Jurnal Seni Budaya. 13. 3 (2003): 16-24.

3. “Dewa Ruci dalam Teater Tedung Agung” Wayang Jurnal Ilmial Seni Pewayangan. 2. 1 (2003): 1-7.

4. “Teater Tedung Agung Manifestasi Unsur Tradisi ke dalam Fiksi Modern” Wreta Cita No 11 th X Juli 2003.

5. “Tradisi Kreatif dalam Wayang Kulit Bali” Mudra Jurnal Seni Budaya. 11. 1 (2003): 8-31.6. “Meningkatkan Nilai-Nilai Komunikatif Pertunjukan Wayang.” Makalah disajikan dalam

Seminar Semi-Que 5 tgl 27 September 2003.7. “Memberdayakan Seni Pertunjukan Rakyat Lewat Pemanfaatan Teknologi Elektronik”

Buletin Informasi No I, Maret 2003: 16-17. Denpasar: Badan Telematika dan Informasi Daerah.

8. “Konsep Sakral dalam Seni Pertujukan Bali [Sacred Concept in Balinese Theatre.]” Makalah disajikan dalam Seminar dan LokakaryaSeni Sakral oleh Listibya Bali 20-21 Desember 2002.

9. “Sakral dan Profan dalam Wayang Kulit” Wayang Jurnal Wacana Ilmial Vol 1 No I, Desember 2002: 1-11.

10. “Cupak ke Sorga: Sebuah Model Penggarapan Lakon Wayang Kulit” Mudra Jurnal Seni Budaya. 3. III (1995): 103-119.

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11. “Beberapa Lakon Kawi Dalang dalam Wayang Ramayana Gianyar [Some Dalang-constructed Plays for Ramayana Puppet of Gianyar.]” Denpasar: STSI, 1995.

12. “Inovasi Wayang Kulit Bali” Makalah disajikan dalam Pekan Ilmiah Masyarakat Seni Pertunjukan Indonesia 2004 di STSI Pandang Panjang, Sumantra.

13. “Mitologi Yunani dan Wayang Kulit Bali [Greek Mythology and the Balinese Shadow Theatre.]” Mudra Jurnal Seni Budaya. 2. II (1994): 107-118.

14. “Kumbakarna Lina: Sebuah Model Pengolahan Lakon.” Denpasar: P3M STSI Denpasar, 1994.

15. “Festival Wayang Cupak.” Denpasar: P3M Depdikbud, 1996.16. “50 Sinopsis Lakon Wayang Kulit Bali Teraktif Masa Kini.” Bagian I dan II.

Denpasar: Sekolah Tinggi Seni Indonesia, Denpasar, 1997. 17. “Beberapa Lakon Kawi Dalang dalam Wayang Ramayana Gianyar.”

Denpasar: OPF STSI, 1995.

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Selekta literatur pewayangan berbahasa Inggris oleh Sedana, I Nyoman:1. Mastering the Theatrical Voice in Indonesian Wayang Kulit” Puppetry

International # 23 2008: 30-32.2. Performance in Bali (coming up July 2007) co-author with Leon Rubin,

published by Routledge. “Wayang Kulit Shadow Puppet Theatre in the Balinese Culture” The Puppetry Yearbook. Volume Six. James Fisher (Ed.) New York: The Edwin Mellen Press, 2005: 87-102.

3. “Theatre in a Time of Terrorism: Renewing Natural Harmony after the Bali Bombing via Wayang Kontemporer” Asian Theatre Journal Vol 22 Number 1 Spring 2005: 73-86.

4. “Collaborative Music in the Performance of the Balinese Shadow Theatre” Asian Music vol 36, number 1, Winter/Spring 2005: 44-59.

5. “Wayang Arja: Survival and Change” Puppetry International # 15 2004: 16-17. Search for the full version via http://www.unima.usa.org.

6. “Dalang Education” Asian Theatre Journal 10. 1 (1993): 61 – 100.

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MINGGU ACARA PENGAJARAN DAN KEGIATAN KELAS

I9 Feb 09

Penjelasan mengenai kegiatan kuliah, absensi, syarat kelulusan, dan presentasi kelas.Belajar mandiri: mengenal literatur pewayangan nusantara selengkap mungkin sprt: buku Ensiklopedi Wayang Indonesia, Pakem Wayang Parwa Bali,Wimba Wayang Ramayana, Purwa Sesana/Dalang Education, Sapuhleger, Siwagama, Sastra Miruda, Majalah Cempala/Gatra, Komik, lontar-lontar, dll.Setiap mahasiswa memilih dan membedah salah satu buku/lontar untuk dipresentasikan dlm ujian tengah semester. Lihat rangkuman buku dalam Wayang Theatre in Indonesia: An Annotated Bibliography by Victoria M. Clara Van Groenendael. Holand: Foris Publication, 1987.

Rancangan tatap muka dan agenda kuliah yang perlu disesuaikan (Tentatif):

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II 16 Feb 09

Mengenal dan membahas literatur pewayangan dunia seperti:1.Currell, David. The Complete Book of Puppet Theatre. London: A & C Black, 1975 [ I don’t have the 1985 edition]. 2.Wright, John. Your Puppetry. London: Sylvan Press, 1951.

III23 Feb 09

1.Performance Theory (sinkronik) VS Cambidge scholars (diakronik)

IV-VII 2 s/d 30 Maret 09

Memilih dan membahas 2-4 buku diantara literatur wayang India sbb: 1.Lochan, Pramila. Puppetry in South India, a Documentation. Bangalore: Department of Culture Government of India, 1991-1994. 2.Pani, Jiwan. Living Dolls Story of Indian Puppets. New Delhi: Indian Ministry of Information and Broadcasting, 1986.3.Sarma, Nagabhushana M. Tolu Bommalata The Shadow Puppet Theatre of Andhra Pradesh. New Delhi: Sangeet Natak Academy, 1985.4.Subramaniam, Kamala. Srimad Bhagavatam. 8th edition. Mumbai: Bharatiya Vidya Bhavan, 2003. has 293 stories /fragmanted puranas. p# 595-598 is Tarakasura5.Tilakasiri, J. The Puppet Theatre of Asia. Ceylon: Department of Cultural Affair, 1968.6.Tilakasiri, Jayadewa. The Asian Shadow Play. Sri Lanka: A Sarvodaya Vishva Lekha Publication, 1999.7.Venu, G. Tolpava Koothu Shadow Puppet of Kerala. New Delhi: Sangeet Natak Academy, 1990.

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VIII6 April 09

Ujian Tengah Semester: Presentasi salah satu buku/lontar tentang pewayangan/pedalangan

IX13 April 09

Presentasi lanjutan

X - XIII20 April s/d 11 Mei 09

Memilih dan membahas 2-4 buku diantara literatur wayang China sbb: 1.Anand, Mulk Ray. Ed. China Puppets. Bombay: Marg, 1968.2.Blumenthal, Eileen. Puppetry: A world History. NY: Harry N. Abrams, 2005.3.Broman, Sven. Chinese Shadow Theatre Libretti. Bangkok, White Orchid, (Stockholm National Museum of Ethnography Monograph Series 17 ).n.d. [1981?}4.Chandavij, Natthapatra and Promporn Pramualratana. Thai Puppets and Khon Masks. Thailand: Riverbook, 1998.5.Chen, Fan Pen Li. Chinese Shadow Theatre, History, Popular Religion, and Women Warriors. Montreal and Kington. McGill-Queen’s University Press, 2007. 6.Liu, Jilin. Chinese Shadow Puppet Plays. Beijing: Morning Glory Publishers, 1988.7.Obratzov, Sergi. The Chinese Puppet Theatre. Boston: Plays Inc., 1955.8.Ozturk, Serdar. “Karagoz Co-Opted: Turkish Shadow Theatre of the Early Republic (1923-1945)” Asian Theatre Journal Vol 23, num 2, 2006: 292-313.9.Stalberg, Roberta Helmer. China's Puppets. San Francisco: China Books, 1984.10.Suprapta, I Nyoman. Pustaka Gita Santi Geguritan Dalem Balingkang (Asal Usul Barong Landung). Denpasar: Sanggar Sunari, 2005.

XIV18 Mei 09

Presentasi karya literatur

XV25 Mei 09

Akhir presentasi karya literatur

XVI1 Juni 09

Ujian akhir semester

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II 16 Feb 09

Mengenal dan membahas literatur pewayangan dunia seperti:1.Currell, David. The Complete Book of Puppet Theatre. London: A & C Black, 1975 [ I don’t have the 1985 edition]. 2.Wright, John. Your Puppetry. London: Sylvan Press, 1951.

III23 Feb 09

1.Performance Theory (sinkronik) VS Cambidge scholars (diakronik)

IV-VII 2 s/d 30 Maret 09

Memilih dan membahas 2-4 buku diantara literatur wayang India sbb: 1.Kamath, Bhaskar. Story of Kogga Kamath’s Marionettes. Udupi, Karnataka: Regional Resource Centre for Folk Performing Arts, M.G.M. College, 1995.2.Muni, Bharata. Natayasastra. Vol I Manomohan Ghosh (ed.&trans). Varanasi: Chowkhamba Press, 2002.3.Muni, Bharata. Natayasastra. Vol II Manomohan Ghosh (ed.&trans). Varanasi: Chowkhamba Press, 2003.4.Krishnaiah, S.A. Karnataka Puppetry. Udupi, Karnataka: Regional Resource Centre for Folk Performing Arts, M.G.M. College, 1988.5.Lochan, Pramila. Puppetry in South India, a Documentation. Bangalore: Department of Culture Government of India, 1991-1994.

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IX17 April 09

Aplikasi undang-undang HAKI terhadap plagiatisme dan pelanggaran lainnya

X24 April 09

Membedah Orasi berjudul Seni sebagai Indentitas dan Perekat Bangsa dan karya Tulis mahasiswa berjudul Seni sebagai Perekat Bangsa

XI1 Mei 09

Penelusuran nara sumber dan langkah-langkah konfirmasi data

XII15 Mei 09

Aplikasi Undang-undang nomor 14 th 2001 tentang Paten

XIII22 Mei 09

Membedah hasil penelitian th 1999 berjudul “Keragaman Laras (Tuning System) Gamelan Gong Kebyar” dan tesis Pasca sarjana UNUD th 2003 berjudul “Keragaman Laras Gong”

XIV29 Mei 09

Penelusuran nara sumber dan langkah-langkah konfirmasi data

XV5 Juni 09

Aplikasi Undang-undang nomor 19 th 2002 tentang Hak Cipta

XVI12 Juni 09

Ujian akhir semester

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Semoga dana inovasi pendidikan hibah B-Arts senilai 880 juta tidak dikembalikan lagi spt th 2007 melainkan dibelikan buku-buku sbb:

Recent Indian publications on puppetry:1. Chakravarti, Nisith, 1938-

Puppet dance in India : origin and evolution / Nisith Chakravarti. --1st ed. -- Kolkata : R.N. Bhattacharya, 2003.

32 p., [10] leaves of plates : col. ill. ; 28 cm. -- (R.N.B. art series ;no. 3)

With special reference to West Bengal.ISBN 81876613211. Puppet theater--India--History. 2. Puppet

theater--India--WestBengal--History.

USD 25.35 DK-148396

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2. Contractor, Meher R. (Meher Rustom), 1918-

Creative drama and puppetry in education / Meher R. Contractor.

- New Delhi : National Book Trust, India, 2001.

xiii, 122 p., [8] p. of plates : ill. (some col.) ; 22 cm. -- (Creative

learning series)Reprint. Originally published: 1984.

ISBN 8123734220 (pbk.)1. Puppet theater in education--

India. 2. Drama in education-India.

USD 6.15 (pbk.) DK-162194

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3. Devasahayam, Nesaratnam, 1940-Puppets in the collection of the Madras Government

Museum / byN. Devasahayam. -- Chennai : Principal Commissioner of

Museums,1999.

57 p. : ill. ; 28 cm. -- (Bulletin of the Madras Government Museum.

New series. General section ; v. 11, no. 1)Reprint of: 1st ed. 1973.

Includes bibliographical references (p. 85)1. Puppets--India--Catalogs. 2. Tamil Nadu (India).

GovernmentMuseum (Chennai)--Catalogs.

USD 6.15 (pbk.) DK-134073

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4. Ghosh, Sampa.Indian puppetry and puppet

stories / Sampa Ghosh & Utpal K.Banerjee. -- Gurgaon, India : Shubhi Publications, [2007?]128 p. : ill. (some col.) ; 24 cm.Running title: Indian puppetry

& puppet stories.ISBN 9788182901339

1. Puppet making--India. 2. Puppet theater--India--History. 3.Puppet plays, Indic (English). 4. Children's plays, Indic (English).

USD 41.45 DK-181785

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5. Ghosh, Sampa.Indian puppets / Sampa Ghosh and Utpal K.

Banerjee. -- NewDelhi : Abhinav Publications, 2006.

494 p., [240] p. of plates : ill. (chiefly col.) ; 29 cm.

"Global bibliography of puppets" (p. [327]-461)

Includes index.Contents: pt. 1. Overview of puppets -- pt. 2.

Multiple purposes ofpuppetry -- pt. 3. The craft of puppetry -- pt. 4.

Animation in puppetry --pt. 5. Beyond puppets.

ISBN 817017435X1. Puppets--India--History and criticism. 2.

Puppet theater--India-History.

USD 118.40 DK-171448

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6. Jairazbhoy, N. A. (Nazir Ali), 1927-Kathputli : the world of Rajasthani puppeteers / by

Nazir AliJairazbhoy. -- 1st ed. -- Ahmedabad, India : Rainbow

Publishers ; ValleyGlen, CA, USA : Apsara Media ; [New Delhi, India :

Distributors,Bibliophile South Asia], 2007.

viii, 280 p. : ill. (some col.), map ; 21 cm.Includes verses in Rajasthani (roman); with English

translation.Some previously published as articles.

Includes bibliographical references (p. 261-265)Includes index.

ISBN 188051305 (invalid)1. Puppets--India--Rajasthan. 2. Puppet making--

India--Rajasthan.3. Puppet theater--India--Rajasthan. 4. Puppeteers--

Performances-India--Rajasthan.

USD 52.90 DK-183099

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7. Kamath, Bhaskar Kogga.Story of Kogga Kamath's marionettes / Bhaskar Kogga

Kamath ;tr., N.T. Bhat. -- Udupi : Regional Resources Centre for Folk

PerformingArts, M.G.M. College, 1995.

128 p., [24] p. of plates : ill. (most col.) ; 25 cm.Translated from Kannada.

On the puppet theater of Kogga Devanna Kamath, 1888-1971, of

Karnataka and his family.1. Kamath, Kogga Devanna, 1888-1971. 2. Puppet

theater--India-Karnataka.

USD 21.10 (pbk.) DK-104134

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8. Naik, Meena.A handbook of puppetry / Meena

Naik. -- 1st English ed. -- NewDelhi : National Book Trust, India, 2004.

53 p. : ill. ; 28 cm. -- (Creative learning series)

Translated from Marathi.ISBN 8123742061 (pbk.)

1. Puppet making--India. 2. Puppet theater--India.

USD 6.15 (pbk.) DK-166067

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9. Nanjunda Rao, M. S., 1932-Leather puppetry in Karnataka /

M.S. Nanjunda Rao. -- 1st ed. --Bangalore : Karnataka Chitrakala

Parishath, 2000.xxiv, 281 p. : ill. (chiefly col.),

maps ; 29 cm.Includes bibliographical

references (p. 269-270)1. Puppet theater--India--

Karnataka.USD 101.95 DK-131016

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10. Roy, Anurupa.Storytelling and puppetry as tools of conflict

resolution :experiences from Kashmir / Anurupa Roy. -- New

Delhi, India :WISCOMP, Foundation for Universal

Responsibility of His Holiness TheDalai Lama, 2006.

47 p. ; 22 cm. + 1 CD-ROM. -- (WISCOMP special project ; 4)

1. Conflict management--India--Jammu and Kashmir. 2.

Storytelling--India--Jammu and Kashmir. 3. Puppet theater--India-Jammu and Kashmir.

USD 16.90 (pbk.) DK-177531

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11. Venu, G. (Gopalan Nair), 1945-Puppetry and lesser known

dance traditions of Kerala / G. Venu ;with an afterword by Mulk Raj Anand. -- 2nd rev. ed. -- Irinjalakuda,Trichur District, Kerala, India : Natana Kairali, 2004.

xii, 154 p., [5] p. of plates : ill. (some col.) ; 22 cm.

Includes bibliographical references (p. 141-142)

Includes index.1. Puppet theater--India--

Kerala. 2. Dance--India--Kerala.USD 21.10 (pbk.) DK-167846

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12. Venu, G. (Gopalan Nair), 1945-Tolpava koothu : shadow puppets of

Kerala / G. Venu. -- NewDelhi : Sangeet Natak Akademi ; Gurgaon : Hope India Publications,2006.

67 p. : ill. ; 26 cm.Reprint. Originally published: 1990.ISBN 81787109941. Shadow shows--India--Kerala. 2.

Shadow puppets--India-Kerala.

USD 13.60 DK-167261

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Wolf, Gita.Puppets unlimited with everyday materials / Gita

Wolf, AnushkaRavishankar. -- [Chennai] : Tara Pub. : [Distribution,

Goodbooks, c1998]141 p. : ill. (some col.) ; 28 cm.

ISBN 818621125X1. Puppet making. 2. Handicraft.

USD 18.40 DK-120725

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Buku Performance in Bali bisa diakses lewat situs:http://books.google.com/books?id=eDA3jtGjL9MC&pg=PA17&lpg=PA17&dq=Kawi+dalang&source=bl&ots=zHYS6gxu_u&sig=FKkSxOViDobyfyL1hSMukggJnpE&hl=en&ei=V1GVTZ-3FJDQrQfFmNTuCw&sa=X&oi=book_result&ct=result&resnum=1&sqi=2&ved=0CBMQ6AEwAA#v=onepage&q=Kawi%20dalang&f=false

Artikel A COMPARATIVE STUDY OF THE TOLPAVAKOOTHU AND THE WAYANG KULIT SHADOW PUPPET THEATRE bisa diakses lewat situs:http://www.google.com/search?um=1&hl=en&biw=1024&bih=547&q=diss%20prospectus&ie=UTF-8&sa=N&tab=iw#hl=en&sugexp=llsfp&pq=dissertation%20prospectus%20format&xhr=t&q=Kawi%20dalang&cp=11&pf=p&sclient=psy&biw=1024&bih=547&aq=f&aqi=&aql=&oq=Kawi+dalang&pbx=1&bav=on.2,or.r_gc.r_pw.&fp=c99decee79d1fe4a

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Dari Literatur ke Seni Pertunjukan Transformasi narasi kakawin ke dlm dialog pakem Kakawin oleh juru santi = dasar pewayangan

In The Origin and Early Form of Greek Tragedy (1965) Gereld Else argues that Greek tragedy originated from rapsodes (oral performers in religious festivals) who recited passages from the Odyssey and the Illiad.

The first Greek actor, Thespis, dramatized rapsodes recital as the base of tragedy.