Download - Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Transcript

Page 1: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 2: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 3: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 4: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 5: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 6: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 7: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 8: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 9: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 10: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 11: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 12: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 13: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 14: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Page 15: Martonova, A. The Corpus titled “Primitive” (or on the Interpretation of the Thai Palme d`Or in Cannes). - In: Art Readings`2011, Sofia Institute for Art Studies, 2013, p.301-308

Top Related

Ceramics - Art or Science?

Ceramics - Art or Science?

Cannes do - London Chamber of Commerce

Cannes do - London Chamber of Commerce

Federal Courts: Art. III(1), Art. I(8), Art. IV(3)(2), Art. II(2)/I(8)(3 ...

Federal Courts: Art. III(1), Art. I(8), Art. IV(3)(2), Art. II(2)/I(8)(3 ...

Au cinémA le 18 mAi 2011 - Festival de Cannes

Au cinémA le 18 mAi 2011 - Festival de Cannes

Collaboration or confrontation? Local and non-local actors in the Echigo-Tsumari Art Triennial 2010

Collaboration or confrontation? Local and non-local actors in the Echigo-Tsumari Art Triennial 2010

Art calligraphy

Art calligraphy

THE THEATRE OF RADICAL ART (or WHY IS 'LESS MORE'?)

THE THEATRE OF RADICAL ART (or WHY IS 'LESS MORE'?)

To double or diffuse: Art and the mobility of images, ca. 2005

To double or diffuse: Art and the mobility of images, ca. 2005