2011 3 443-461
*
The Political Imagination of “Can Rock & Roll Change the World?”
by Shih-Lun CHANG
* Goldsmiths 106 24 1 2-5 2 E-mail: [email protected]
445
1
2
3
been there, done that
不
在回顧音樂人「完整」的傳記生平,而是聚焦在他們「政治化」的創作時
期與作品解讀 Joe
Hill Woody Guthrie
Bob Dylan 1966
1 Joe Hill Woody Guthrie Pete Seeger Bob Dylan Joan Baez Patti SmithBruce Springsteen John Lennon The Clash Billy Bragg
U22 Victor Jara
Charlie Haden The Ballad of the Fallen (1983) Frederic Rzewski The People United Will Never Be Defeated!
(1975) Joan Baez The Clash U2
3
2011 3446
John Lennon
1969 73
icon
「歌詞」文本的深入解讀
justify
本書較無涉獵、甚至可說忽略的,則是
(各種)音樂/聲音的本體性質,以及它們被聽眾經驗(experienced)的
方式
music as it is
誤讀 4 Street,
4
447
2005
聲音與身體
愉悅 pleasure Street, 2006: 55
究竟音樂人的政治,是怎麼操演(performing)出來的?
John Street
Street
音樂人身處的網絡(network)機
制
visible
DIY
opportunity structure
Street, 2006
Joe Hill Woody Guthrie
Depeche Mode 80
20Jeremy Deller The Posters Came from the Walls, or How Basildon
Ended the Cold War, and Other Stories
2011 3448
John Lennon
Bono event
19
214
215
19
genre 5
moral capital Street, 2006:60
visible 6
5 formation
recognizableembedded
self-determination 1964Jazz Composers Guild
6 5
Bob Dylan George Michael
449
fetishise
authenticity
較為古典的「政治」想
像
微政治
(micro-politics)鬥爭
171 Dave Laing One
Chord Wonders: Power and Meaning in Punk Rock 1976 77
Laing, 1985
7
George Michael 80
Bob and Roberta SmithGeorge Michael Has Done more 4 Human Rights
The Jam The Clash Bob Geldof Bono Sting
http://bit.ly/georgepolitics7
Craig O’HaraThe Philosophy of Punk: More Than Noise
2011 3450
DIY community
participant
post-punk
90 Riot
Grrrl 8
9
The Clash
171
召喚 只停留在
結合 182
vanguard representative
60
8 Siouxsie and the Banshees The SlitsThe Raincoats 6
Andrea Juno Angry Women In Rock
9 Gang of Four Entertainment!
Simon Reynolds Rip It Up and Start Again: Postpunk 1978-1984
451
Modern Jazz
10 將黑權運動與音樂的連結侷
限在60年代 70
140
Funk 7011
Afrobeat Fela Kuti
80
118 131
John Lennon 69
73
Mick Jagger
Lennon
10 Max Roach 1960We Insist! Freedom Now
John Coltrane KAlabama Miles Davis
free jazz11 Funk George Clinton Parliament-Funkadelic
George Clinton afro-futurism
Sun Ra Afrika Bambaataa
2011 3452
Primal Therapy 12
68 Beatles
107
Lennon Revolution
1968 108
13
Lennon
Imagine
legacy
2000 John Lennon
12 Lennon Pete Shotton John Lennon: In My Life
13 Beatles 60Ian MacDonald Revolution in the Head: The Beatles' Records and the Sixties
6060
453
Museum 14 Imagine Peace Tower 15 Lennon 2002 Liverpool John
Lennon Airport 16 regeneration
John Lennon
17
無私產
Imagine
branding articulation
Lennon 神化
U2 Bono 政治家
/政客 politician Street, 2006
14 会
Lennon Lennon CynthiaJulian Lennon
2010
15 Imagine Peace Tower 200724
Lennon 2008Frieze Art Fair
Imagine Peace Tower
16 Above Us Only Sky Imagine
17 Lennon CynthiaCynthia Lennon
John
2011 3454
U2
214
U2 80
201
Bono
214 pop star as politician
Bono
U2
2006
Bono
Make Poverty History Bono
Make Bono Pay Tax 2010
U2 6 747 130
55 U2
carbon footprint
Bono
One 2008
One
Bono 2005
455
Edun
Edun
Bono
Bono
Bono
210 這種「歌星政客化」
的社會過程裡,究竟有何「民主」(democracy)、「問責」(accountability)
和「透明」(transparency)可言?而激進批判的政治路徑,真的能穩當
建立在這種凸顯「個人英雄」的政治想像上嗎?
18
18 Bono2004
war criminal Tony Blair Gordon Brown Lennon McCartney Lennon
Blair Bono2009 Bono
2010 David Cameronstatesman Bono U2
Larry Mullen Bono Blair George W. BushU2
2011 3456
fandom
citizenship Street, 2006: 58
represent
representative democracy
215
二
音樂能否改變世界
cause and effect
35
457
representation participation intervention
音樂(或「藝術」)做為一種「代表/再現」
re-present
presentation
音樂做為一種「介入」
音樂做為一種「參與」
participatory art
19
20
19 Claire Bishop Artificial Hells: Participatory Art and the Politics of Spectatorship Participation (Documents of
Contemporary Art) ACT
45 2011 120
2011 3458
政治/抗議音樂
無形間畫出一條「政治/非政治」的界線
the personal is political
cultural rights
everything is political
Jean-Luc Godard
political films 政治地
459
making film politically 21
「音樂政治」的分析重點不再是想像中的「政治音樂
租界」,而是我們如何「政治地」跨界、接合並挖掘各種音樂實踐的激
進潛力。
Jacques Ranciere The Politics of Aesthetics
distribution of the sensible
Ranciere, 2006
21 Godard 1981
Godard To Alter the Image
http://bit.ly/godardchange
2011 3460
Fisher, 2010 Alain Badiou
militant art
artistic vision present
represent
Badiou, 2010
artistic
autonomy
critical distance
representation representative
presentation
art for art’s
sake
461
3
全靠我們自
己
參考書目:
Badiou, Alain (2010), “Does the Notion of Activist Art Still Have a Meaning?” A Lecture presented at the Miguel Abreu Gallery, New York City, October 13, 2010.
Fisher, Mark (2010), “Party for Your Right to Fight,” New Statesman, 29 March 2010, pp. 40-42.
Laing, Dave (1985), One Chord Wonders: Power and Meaning in Punk Rock, London: Open University Press.
Ranciere, Jacques (2006), The Politics of Aesthetics: The Distribution of the Sensible, tr. by Gabriel Rockhill, London: Continuum.
Street, John (2005) Rock, Pop and PoliticsThe Cambridge Companion to Pop and Rock194-202
Street, John (2006), “The Pop Star as Politician: From Belafonte to Bono, from Creativity to Conscience,” in: Ian Peddie, ed., The Resisting Muse: Popular Music and Social Protest, Aldershot: Ashgate Publishing, pp.49-64.
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