RICHARD HAYS AND THE ART OF HEARING THE SCRIPTURES OF PAUL
Transcript of RICHARD HAYS AND THE ART OF HEARING THE SCRIPTURES OF PAUL
RICHARD HAYS AND THE ART OF HEARING
THE SCRIPTURES OF PAUL
A Paper
Submitted to Dr. Robert Stewart and Dr. Charles Ray
of the
New Orleans Baptist Theological Seminary
In Partial Fulfillment
of the Requirements for the Course
Philosophical Hermeneutics: PHIL 9402
in the Research Doctoral Program
Jesse B. Coyne
BS, University of Georgia, 2003
MA, New Orleans Baptist Theological Seminary, 2009
ThM, New Orleans Baptist Theological Seminary, 2012
March 21, 2013
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CONTENTS
PREFACE . . . . . . . . . . . . . . . . . . . . . . . . iv
Sections
Introduction . . . . . . . . . . . . . . . . . . . . . . . 1
The Narrative Substructure of Hays. . . . . . . . . . . . . . . . 2
Echoes of the Scriptures of Paul . . . . . . . . . . . . . . . . . 4
Hays’ Moral Vision . . . . . . . . . . . . . . . . . . . . . 19
Summary and Synthesis . . . . . . . . . . . . . . . . . . . . 26
Critiques and Evaluation . . . . . . . . . . . . . . . . . . . . 27
Conclusion . . . . . . . . . . . . . . . . . . . . . . . . 34
APPENDIX 1. . . . . . . . . . . . . . . . . . . . . . . . 36
APPENDIX 2. . . . . . . . . . . . . . . . . . . . . . . . 37
BIBLIOGRAPHY . . . . . . . . . . . . . . . . . . . . . . 38
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PREFACE
The title of this study embodies my own modest attempt at having my imagination converted by
one of my personal heroes in the faith, not Paul but Richard Hays.1 If one’s ear is properly
attuned, then echoes of many of Hays’ major works can be heard reverberating off the narrative
substructure upon which the title is built. This attempt at creativity is not merely an homage to
Hays’ deft pen – though it is that – but rather a reflection of the larger coherent narrative that
forms the essence of Hays’ work. Each of the elements within the title will be explicated in the
subsequent discussion, but immediate attention needs to be drawn to the latter portion of the title,
as it sets the course for the following portrayal of Hays’ work. While not a particularly “loud”
echo, “the Scriptures of Paul” is a rather “satisfying” reference – if I do say so myself – to Hays’
published dissertation, The Faith of Jesus Christ: The Narrative Substructure of Galatians 3:1-
4:11.2 In this work, which will not be a particular focal point in the present study, Hays engages
the question of whether to render the Greek phrase πιστις Ιησου Χριστου as an objective
(someone’s faith in Jesus) or subjective (Jesus’ own faithfulness) genitive (he opts for the latter),
by appealing to what he refers to as the narrative substructure underlying Paul’s thought. Hays
1 I should presume to think that Hays’ imagination and proclamation have been thoroughly reformulated in
lengthy conversation with the great apostle so that my own interaction with Hays has brought me into dialogue with
Paul as well. I have attempted to get inside the mind of Hays – to whatever degree that may be possible – and the
view through his eyes is decidedly more interesting and the biblical landscape more vivid and alive. Jim Leonard is
fond of recounting the tale of Hays’ Sunday morning sermon at one of the academic conferences at Oxford that had
all the stuffy Brits amening and praising God like they were at a Luter-led Southern Baptist revival.
2 The second edition of the book is bolstered by the recommendation of Luke Timothy Johnson, who helps
put the success of the book into perspective: “Most Ph.D. dissertations in New Testament studies are read only by
the committee for whom they were written, are bound and shelved in the research library, and are happily forgotten
by everyone except the author. A few dissertations find publication in a monograph or dissertation series, or even a
university press, and can claim readers beyond the boundaries of the writer’s department. This is known as academic
success. But when a dissertation has stayed in print for twenty five years and is then reissued by a major publisher –
without alteration – for a still wider readership, we can speak of real influence and importance.” Richard B. Hays,
The Faith of Jesus Christ: The Narrative Substructure of Galatians 3:1-4:11 (2d ed.; Grand Rapids: Eerdmans,
2002), xi. Hays’ own title is of course an allusion to the foundational work of C. H. Dodd, According to the
Scriptures: The Sub-Structure of New Testament Theology (London: Nisbet, 1952).
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suggests that the phrase has taken on a particular metonymic character that incorporates a larger
narrative about Jesus’ life, death, and resurrection, somewhat like seeing the proverbial tip of the
iceberg.
Likewise, I endeavored to capture this metonymic character in the title, as a way of
inviting the reader to look below the surface to the ongoing story and conversation that
comprises Hays’ hermeneutical program. As in “the faith of Jesus Christ” one should be
prompted to ask whether “the Scriptures of Paul” should be rendered as an objective or
subjective genitive. Are we talking about how Paul uses Scripture, namely the OT, or how we
should use the Scripture that Paul himself produces? At this point, the bridge between the two
titles begins to collapse because, as will be seen clearly later, Hays’ approach to Scripture
incorporates both aspects of this genitival construction. In essence, Paul’s artful way of reading
Scripture and applying it to his communities sets the pattern for the way we also should be
reading Scripture and applying it to our own faith communities, namely by rereading ourselves
within the narrative framework of the text.
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Introduction
My investigation began with the attempt at isolating a particular strand of Hays’ thought or
approach to Scripture whether in regards to the structuralist background of his dissertation, the
philosophical underpinnings of his intertextual approach, or his broader hermeneutical concerns
manifested in his struggle with NT ethics.3 As I became more entrenched in Hays’ work, I
realized that attempting to pull out one strand would unravel the approach as a whole and
ultimately distort the picture Hays had labored to assemble. Hays’ description of Paul’s use of
Scripture (intertextuality) becomes the paradigm for modern readings and applications of the
biblical text (ethics), which is all built upon an underlining narrative substructure, or, more
appropriately, a metanarrative of “God’s action of creating, judging, and saving the world.”4
Appropriately, the most explicit example of this system can be found in Hays’ most overtly
“intertextual” work, The Conversion of the Imagination, which is an anthology of previous
articles that Hays has expanded, edited, and spliced together into a coherent presentation with
specific goals in mind. Hays identifies three theses in the opening paragraph of the book:
(1) the interpretation of Israel’s Scripture was central to the apostle Paul’s thought; (2) we
can learn from Paul’s example how to read Scripture faithfully; (3) if we do follow his
example, the church’s imagination will be converted to see both Scripture and the world
in a radically new way.5
As much as it is possible to isolate a fragment of Hays’ thought, Hays’ exhortation to “imitate
3 These represent the order of Hays’ three major monographs, which all reside in somewhat different
spheres of NT studies.
4 Ellen F. Davis and Richard B. Hays, eds., The Art of Reading Scripture (Grand Rapids: Eerdmans, 2003),
1. For an excellent description of metanarrative in a postmodern world, see Richard Bauckham, “Reading Scripture
as a Coherent Story” in The Art of Reading Scripture (eds. Ellen Davis and Richard Hays; Grand Rapids: Eerdmans,
2003), 38-53. One of the most salient features of Bauckham’s essay is his use of Gerard Genette’s distinction
between story and narrative. Narratives are performances of the story that can be done in a variety of different ways.
5 Richard B. Hays, The Conversion of the Imagination: Paul as Interpreter of Israel’s Scripture (Grand
Rapids: Eerdmans, 2005), viii.
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the example of Paul’s dialectical engagement with Scripture” will form the coherent center of the
present analysis, while still recognizing that this fragment is contingent upon the narrative
framework that gives it shape and support.
Thus, this paper will attempt to demonstrate how Hays uses Paul’s hermeneutic as a
model for his own. A description of Paul’s use of Scripture as prescriptive for his churches can
and should be extended to encompass modern faith communities. With that in mind, the paper
will: (1) broadly describe Hays’ work and contributions; (2) Give a more detailed analysis of
Hays’ use of intertextuality and its application to biblical studies; (3) Demonstrate the connection
between Hays’ descriptive task (intertextuality) and prescriptive task (ethics); and (4) Evaluate
the usefulness of Hays’ hermeneutical agenda.
The Narrative Substructure of Hays
While the work in Hays’ dissertation will not factor greatly into the present analysis, it does lay
the groundwork for understanding Hays’ emphasis upon story and narrative in both Paul’s
thought and Christian ethics. Hays states his central thesis for the book in the lengthy preface to
the second edition: “A story about Jesus Christ is presupposed by Paul’s argument in Galatians,
and his theological reflection attempts to articulate the meaning of that story.”6 Hays was
concerned with describing Paul’s role as an interpreter of stories and not his role as a storyteller
– a point that has been frequently misunderstood.7 Hays acknowledged, and continues to
6 Hays, Faith of Jesus Christ, xxiv.
7 See the collection of essays in Bruce W. Longenecker, ed., Narrative Dynamics in Paul: A Critical
Assessment (Louisville: Westminster John Knox, 2002). In essence the book is an attempt to evaluate the narrative
approach to Paul’s letters established by Hays, yet inexplicably Hays was not involved in the project. While the
contributors are all established scholars in Pauline studies, they are not all versed in narrative approaches to
Scripture, and several of them (Barclay, Lincoln, and Marshall in particular) fail to make the distinction noted
above. Also, see Hays’ response to the book in Richard Hays, “Is Paul’s Gospel Narratable?” (review of Bruce W.
Longenecker, ed., Narrative Dynamics in Paul: A Critical Assessment), JSNT 27.2 (2004): 217-39.
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acknowledge,8 the influence of theologians like Karl Barth and Hans Frei and their impact upon
his understanding of narrative theology. In his dissertation Hays utilized the structuralist
methodology of Greimas to analyze the “syntax of narratives,” but Hays has not since worked
with structuralism and admitted that he would gladly “consign to the flames” much of the
“methodological overkill” in the work.9
The real heart of Hays’ dissertation was to draw attention to the centrality of narrative
elements in Paul’s thought. For Hays the “framework of Paul’s thought is constituted neither by
a system of doctrines nor by his personal religious experience but by a ‘sacred story,’ a narrative
structure, and he does not “simply retell the story in his letters…he assumes that his readers
know the gospel story and his pervasive concern is to draw out the implications of this story for
shaping the belief and practice of his infant church.”10 Hays makes clear, however, that he is not
attempting to make sweeping generalizations about the narrative character of human
consciousness or that all human existence is best explained within stories. In fact, part of Hays’
8 This is one of the points where Hays diverges from his good friend, Tom Wright, and Hays identifies this
disagreement as one of the factors leading to the “blowup in Boston” where Wright sharply criticized a book co-
edited by Hays, Seeking the Identity of Jesus: A Pilgrimage, at an annual SBL meeting. Richard Hays, “Knowing
Jesus: Story, History and the Question of Truth,” in Jesus, Paul and the People of God: A Theological Dialogue
with N. T. Wright (ed. Nicholas Perrin and Richard Hays; Downers Grove, Ill.: IVP Academic, 2011), 42-44. Hays
attributes the disagreement to Wright’s caricature of the positions of Frei and Barth and what Wright suspects to be
an “escapist denial of critical history.” Both Hays and Wright want to overcome the “pernicious dichotomy between
story and history” and both appeal to a metanarrative to make sense of the Gospels, but Hays grounds his narrative
in the “complex polyphony” of the canonical Gospels, whereas Wright’s narrative is based on the reconstructed
picture of his historical Jesus. I would suggest that the primary difference here is that Wright attempts to go behind
the narratives of the Gospels while Hays attempts to go over or in front of them to draw unity from the diversity. In
fact, Hays has continually moved to embrace both tradition and theological interpretation of Scripture, which has not
been the case for Wright. For example, see Richard B. Hays, “Spirit, Church, Resurrection: The Third Article of the
Creed as Hermeneutical Lens for Reading Romans,” JTI 5.1 (2011): 35-48; idem, “Reading the Bible with Eyes of
Faith: The Practice of Theological Exegesis,” JTI 1 (2007): 5-21; Beverly Roberts Gaventa and Richard B. Hays,
“Seeking the Identity of Jesus,” in Seeking the Identity of Jesus: A Pilgrimage (ed., Beverly Roberts Gaventa and
Richard B. Hays; Grand Rapids: Eerdmans, 2008), 5-17.
9 Hays, Faith of Jesus Christ, xxvii, 274 n.5.
10 Ibid., 6.
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argument is that Paul’s thinking is shaped by a story in a way unlike most others. Thus, Hays
does not base his thesis on “a phenomenology of consciousness but on the basis of an
examination of the ‘logic’ of Paul’s arguments.”11 Hays then appeals to the work of Northrop
Frye, Paul Ricoeur, and Robert Funk in order to develop a model to understand the theological
portions of Paul’s letters as elements within a story that only derive their meaning from their
placement in the story.
In the dissertation, Hays was concerned specifically with Paul’s role as an interpreter of
the story of Jesus. Only later when Hays returned to reflect on the subject did he then attempt to
situate the story of Jesus within the larger story of Israel and God’s election and promise in the
OT. Hays’ next monograph, Echoes of Scripture in the Letters of Paul, was partially written to
address this question. But, writing after Echoes, Hays admitted that he would reformulate his
characterization of Paul’s hermeneutic as being “relentlessly ecclesiocentric” in favor of saying
that “Paul finds in Scripture the story of Israel as a prefiguration of the story of Jesus the Messiah
and of the church that he brings into being, ‘the Israel of God’ (Gal 6:16).”12 In this transition
one can already see Hays moving toward an all-encompassing metanarrative that not only
bridges the gap from the OT to the NT but also to the modern church as well.
Echoes of the Scriptures of Paul
In Echoes of Scripture in the Letters of Paul, Hays unfolds his most comprehensive program for
understanding intertextuality in Paul’s letters. Yet, while Hays continues to use the tools of
literary critics as “hearing aids” for understanding Paul, he does not always employ these tools
11 Ibid., 11.
12 Ibid., xxxviii.
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exactly in the way they were designed to be used.13 While space does not permit a detailed
methodological overview, a few words should be said about the history and use of the concept of
intertextuality. Ever since Kristeva’s theory was first applied to the study of the Bible, it has been
exploited for various reasons and in various ways, so that “almost everybody who
uses it understands it somewhat differently.”14 Those who apply (or misapply) her theory within
the field of biblical studies can be divided into two camps. Those who embrace the postmodern
context and the instability of meaning out of which Kristeva’s theories were born approach the
text from a purely reader-oriented perspective that amplifies the synchronic meaning of the text.
A synchronic approach will ignore the original context of a writing because a text is merely a
collection of dead words until it is inscribed with meaning by a reader. Most “traditional” (i.e.
historical-critical) scholars follow a more diachronic method of analysis, which amounts more-
or-less to a “study of sources.”15 In this sense, the focus remains on the original intent of the
author and how the author has appropriated his sources, so discussions of date and availability of
a text remain relevant.16 A diachronic intertextual approach, however, should not be confused
13 Hays, Echoes, xii.
14 Julia Kristeva, “The Bounded Text,” in Desire in Language: A Semiotic Approach to Literature and Art
(ed. Leon S. Roudiez; trans. Thomas Gora, Alice Jardine, and Leon Roudiez; New York: Columbia University
Press, 1980), 36; repr. from σημειωτική (Paris: Seuil, 1969). Heinrich F. Plett, “Intertextualities,” in Intertextuality
(ed. Heinrich Plett; Berlin: de Gruyter, 1991), 3.
15 Kristeva, who coined the term “intertextuality,” actually came to prefer the term “transposition” due to
the way some had misappropriated her work. “The term inter-textuality denotes this transposition of one (or several)
sign system(s) into another; but since this term has often been understood in the banal sense of “study of sources,”
we prefer the term transposition because it specifies that the passage from one signifying system to another demands
a new articulation of the thetic – of enunciative and denotative positionality.” Julia Kristeva, Revolution in Poetic
Language (New York: Columbia University Press, 1984), 59-60. Ironically, most scholars within the guild do not
really care what the term meant to the original author but only how they can appropriate it for their own concerns
today.
16 For an excellent summary of the differences between the synchronic and diachronic approaches, see
Geoffrey D. Miller, “Intertextuality in Old Testament Research,” CBR 9.3 (2010): 283-309. In reality most scholars
would fall somewhere between the extremes of the two positions, and there are some who (mistakenly) think that the
two approaches can be harmonized. Stefan Alkier has identified a three-part division of intertextual approaches:
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with earlier approaches of source hunting where the goal was simply to identify the passage and
text utilized by the author. Questions concerning the identification of quotations and allusions
have expanded to incorporate broader themes and motifs.17 So, questions about what texts an
production-oriented, reception-oriented, and experimental. The production-oriented perspective is concerned with
how identifiable texts are used in the new texts in which they occur. Reception-oriented critics examine two
interwoven texts in historically verifiable readings. The experimental perspective is focused on the production of
meaning between two or more texts that have no necessary historical relationship. Alkier’s production-oriented
category roughly corresponds to the diachronic pole and his experimental category to the synchronic. The reception-
oriented perspective would fall somewhere in the middle, but it could probably be seen as a sub-category of the
production-oriented class. Stefan Alkier, “Intertextuality and the Semiotics of Biblical Texts,” in Reading the Bible
Intertextually (ed., Stefan Alkier, Richard Hays, and Leroy Huizenga; Waco: Baylor University Press, 2009), 10.
Alkier’s short definition of intertextuality as a method is still one of the best available: “Intertextual investigation
concerns itself with the effects of meaning that emerge from the references of a given text to other texts. One should
only speak of intertextuality when one is interested in exploring the effects of meaning that emerge from relating at
least two texts together and, indeed, that neither of the texts considered alone can produce. One must also remember
that within the paradigm of intertextuality, that intertextual generation of meaning proceeds in both directions: The
meaning potential of both texts is altered through the intertextual reference itself. Since a text can be brought into
relationship not only with one but also with many other texts, intertextuality involves the exploration of the
decentralization of meaning through references to other texts.” Ibid., 9. One could likewise divide the categories into
historical (production and reception; diachronic) and ahistorical (experimental; synchronic) approaches, which sets
the line for where the real battles in the discipline are fought.
17 A note of clarification should be made about the terminology of “quotation,” “allusion,” and “echo.”
Hays does not clearly distinguish between allusions and echoes because the distinction usually is determined by the
original audience, which modern readers only know through Paul’s letters. Hays admits that he uses the categories
flexibly, but he generally uses “allusion” to refer to more obvious intertextual references and “echo” to more subtle
ones. Hays, Echoes 29. Hays’ broad distinction has been common in subsequent literature. Stanley Porter has
attempted to bring some measure of clarity and consistency to the often loosely-defined and haphazardly-used terms.
In his first article Porter attempted to clarify Hays’ usage of the term “echo.” See Stanley Porter, “The Use of the
Old Testament in the New Testament: A Brief Comment on Method and Terminology,” in Early Christian
Interpretation of the Scriptures of Israel: Investigations and Proposals (eds. Craig A. Evans and James A. Sanders;
JSNTSS 14; Sheffield: Sheffield Academic Press, 1997), 79-96. Acknowledging that the first article had limited
success, Porter once again attempted to correct the abuses, which he perceived to have expanded. See Stanley Porter,
“Further Comments on the Use of the Old Testament in the New Testament,” in The Intertextuality of the Epistles:
Explorations of Theory and Practice (eds. Thomas L. Brodie, Dennis R. MacDonald, and Stanley E. Porter;
Sheffield: Sheffield Phoenix Press, 2006), 98-110. Literary allusions are particularly difficult to define, and the line
between allusion and echo is often indeterminate; some even use the terminology of allusive echo, which just blurs
the lines even further. Porter’s best distinction is found in his most recent work, where he identifies allusions as
referring to specific people, places, or works and echoes as invoking more broadly thematic language of general
concepts, but he admits that the latter category may simply be too diffuse to offer any real way forward. See Stanley
Porter, “Allusions and Echoes,” in As It Is Written: Studying Paul’s Use of Scripture (eds. Stanley E. Porter and
Christopher D. Stanley; SBLSymS 50; ed. Victor H. Matthews; Atlanta: Society of Biblical Literature, 2008), 29-40.
Sylvia Keesmaat distinguishes between allusions (intentional) and echoes (unintentional) based on the intentionality
of the author. The distinctions appear helpful, but they ultimately remain subjective to the reader as Hays
recognized. Sylvia Keesmaat, “Exodus and the Intertextual Transformation of Tradition in Romans 8.14-30,” JSNT
54 (1994): 32.
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author has appropriated have shifted to include how an author has used them and how much he
has used.
In large part, this shift began with the pioneering work of Dodd, who demonstrated how
the NT authors made use of the larger context when quoting or alluding to OT material. Much of
Hays’ work could really be seen as an extension of Dodd as he attempted to incorporate the
theories of literary critics to expound upon Dodd’s initial observation. Hays’ use of the term
“metalepsis” provides a concise way of dressing up Dodd’s work up in fancy, new, literary
garb.18 Of course, that is not to suggest that Hays has only relabeled an existing model with the
terminology of a new method. As will be made clear in the following discussion, Hays has
furthered the discussion in a number of diverse ways.
Hays does not develop his intertextual method based on the work of theorists like
Kristeva or Barthes but on the observations of literary critics like John Hollander and Thomas
Greene.19 Hays acknowledges the contributions of Kristeva and Barthes, but he is quick to insist
18 Beale accused Hays of this very thing, but Beale has failed to recognize how Hays has moved the
discussion forward. G. K. Beale, review of Richard Hays, The Conversion of the Imagination, JETS 50.1 (2007):
191.
19 Concerning Hays’ use of the concept of intertextuality as it relates to the broader field of literary
criticism, see William Scott Green, “Doing the Text’s Work for It: Richard Hays on Paul’s Use of Scripture,” in
Paul and the Scriptures of Israel (ed., Craig A. Evans and James A. Sanders; JSNTSS 83; ed. Stanley E. Porter;
Sheffield: Sheffield Academic Press, 1993), 58-63. Green critiques Hays for not using the term ‘intertextuality’ as
most literary critics use it to question the stability of meaning in a text. Green suggests that Hays “employs a
minimalist notion of intertextuality, using it to mean simply the presence of an older text in a newer one.” Green, 59.
Hays’ response is blunt and dismissive: “If Green should insist on denying me permission to use the term
‘intertextuality’ (since my work does not properly reverence its ‘larger purpose’), I will surrender it with a shrug.
Nothing is at stake for me in the use of the term.” Richard Hays, “On the Rebound: A Response to Critiques of
Echoes of Scripture in the Letters of Paul,” in Paul and the Scriptures of Israel (ed., Craig A. Evans and James A.
Sanders. JSNTSS 83; ed., Stanley E. Porter; Sheffield: Sheffield Academic Press, 1993), 81. A similar critique about
methodological purity was lobbed by Barry Matlock against Hays’ dissertation. R. Barry Matlock, “The Arrow and
the Web: Critical Reflections on a Narrative Approach to Paul,” in Narrative Dynamics in Paul: A Critical
Assessment (ed. Bruce W. Longenecker; Louisville: Westminster John Knox, 2002), 47-50. Hays is quite
comfortable dropping Greimas’ model as he later admitted, but Matlock’s critique fails to recognize how often
methods are adapted to fit the needs of the interpreter. Moreover, no doubt Matlock does not adhere to the entire
theoretical basis for the intertextual approach that he proposes in favor of the narrative one. Perhaps, Matlock
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that his approach is not ahistorical; Hays is firmly in line with the diachronic approach that
focuses on actual citations and allusions from some identifiable “pre-text.”20 From John
Hollander, Hays appropriates the concept of “metalepsis”21 which is in no way systematic
enough to be “a methodology or even a theory of literary allusion.”22 Hays suggests that he was
already beginning to describe the concept of metalepsis in his early work before Hollander ever
released the book that introduced Hays to the technical terminology.23 Hays provides a more
concise definition of the term in his later anthology:
Metalepsis is a rhetorical and poetic device in which one text alludes to an earlier text in
a way that evokes resonances of the earlier text beyond those explicitly cited. The result
is that the interpretation of a metalepsis requires the reader to recover unstated or
suppressed correspondences between the two texts.24
focuses his critique on the method because he has very little to say about the actual essay he was supposed to be
critiquing (Adams’) other than that he finds it “congenial” (51).
20 Plett, 8. See Hays, Echoes, xii for Hays’ comments about the historical sensitivity of his readings. But,
while Hays is concerned with diachronic issues, he does not “make them the center of attention.” Ibid., 198 n. 52,
30. His primary method of study is a literary analysis, but “historical knowledge both informs and constrains” his
readings. Ibid., 28. Likewise, Hays, like any good biblical scholar, is concerned to avoid anachronism. Ibid., 21, 200
n. 75.
21 “I propose that we apply the name of the classical rhetoricians’ trope of transumption (or metalepsis, in
its Greek form) to these diachronic, allusive figures. Quintilian identified transumption as a movement from one
trope to another, which operates through one or more middle terms of figuration…there is a general sense that it is a
kind of meta-trope, or figure of linkage between figures, and that there will be on e or more unstated middle terms
which are leapt over, or alluded to, by the figure…[it] is generally understood as a form which likens A to B in that
X is palpably true of them both, but with no mention of W, Y, Z, which are also true of them both. As a heuristic
fiction, the simile will eventually call on the reader to consider the unmentioned W, Y, Z, or whatever. It will also
ask why these, frequently more significant or pressing, should seem less immediately apparent than Z; and what this
implies about the relations among the predicates (W, X, Y, Z), and the distance between the A and B that are likened
with respect to them.” John Hollander, The Figure of Echo: A Mode of Illusion in Milton and After (Berkley:
University of California Press, 1981), 114-15. For a lengthier description of how Hollander uses the terms
“transumption” and “metalepsis,” see the appendix at the end of the volume (133-50).
22 Hays, Echoes, 19. Likewise, Hays refers to intertextuality not as a specific method but as a “phenomenon
to be explored” that “characterizes some texts more than others” where the “intertextual weavings are in some cases
denser, more complex, more semantically fraught than in others.” Richard B. Hays, “Intertextuality: A Catchall
Category or a Specific Methodology?” (paper presented at the annual meeting of the SBL, San Antonio, Tex., 21
November, 2004), 2.
23 Hays, Conversion, xi.
24 Ibid., 2.
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Hays applies this concept not only to faint echoes but to explicit quotations and allusions as well
because Paul uses Scripture “not as proofs but as tropes” that generate new meaning by linking
the two texts together to produce surprising correspondences that “suggest more than they
assume.”25 Thus, the correspondences require an act of interpretation to uncover the suppressed
connections. In other words, by bringing together two texts an author is making an explicit
connection between them, but other connections may exist as well where the “transumptive
silence cries out for the reader to complete the trope.”26 Moreover, part of the efficacy of these
figurative modes of speech derives from their initial obscurity.27 As Hays puts it, “the trope
invites the reader to participate in an imaginative act necessary to comprehend the portrayal.”28
By requiring the reader to fill in the gaps, so to speak, “we must always wonder what our
own contribution was – how much we are always being writers as well as readers of what we are
seeing.”29 This observation leads Hays into a discussion of textuality and how one determines the
testability of the meaning effects. He identifies five possible locations for the hermeneutical
event to occur: (1) the mind of the author (Paul); (2) the original audience; (3) the text; (4) the
modern reader; and (5) the modern reading community. Hays sees obvious deficiencies in any of
the positions in isolation and instead proposes to hold all five loci of meaning together in
“creative tension.”30 Hays’ attempt to justify his position needs to be stated in full:
25 Hays, Echoes, 24.
26 Ibid., 63.
27 Hays, Conversion, 33. For the logicians of the group, I find the description of an enthymeme to be a
rough analogy to the type of metalepsis described by Hollander and Hays. The unstated premise is still a part of the
argument, and the rhetorical force can be amplified by letting the audience complete the connection themselves.
28 Hays, Echoes, 23.
29 Hollander, 99.
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Stated positively, my design is to produce late twentieth-century readings of Paul
informed by intelligent historical understandings: to undertake a fresh imaginative
encounter with the text, disciplined and stimulated by historical exegesis. The legitimacy
of such a project rests on a single key hermeneutical axiom: that there is an authentic
analogy – though not a simple identity – between what the text meant and what it means.
One might call this a proposal for ‘common sense’ hermeneutics: common sense not only
because it is the way that sympathetic critics and faith communities have ordinarily read
Scripture but also because it rests upon an assumption that readers ancient and modern
can share a common sense of the text’s meaning…The hermeneutical event occurs in my
reading of the text, but my reading always proceeds within a community of interpretation,
whose hermeneutical conventions inform my reading. Prominent among these
conventions are the convictions that a proposed interpretation must be justified with
reference to evidence provided both by the text’s rhetorical structure and by what can be
known through critical investigation about the author and original readers. Any
interpretation must respect these constraints in order to be persuasive within my reading
community. Claims about intertextual meaning effects are strongest where it can credibly
be demonstrated that they occur within the literary structure of the text and that they can
plausibly be ascribed to the intention of the author and the competence of the original
readers.31
30 Hays, Echoes, 27. Whether maintaining such a tension is possible is open for debate. Stanley Porter
denies that Hays can hold the five positions together unless “the rules of contradiction and exclusion are suspended.”
Stanley E. Porter, “Allusions and Echoes,” in As It Is Written: Studying Paul’s Use of Scripture (ed., Stanley E.
Porter and Christopher D. Stanley; SBLSS 50; ed., Victor H. Matthews; Atlanta: Society of Biblical Literature,
2008), 37. Similarly, William Scott Green applauded Hays’ efforts at historical sensitivity, but he maintains that
Hays inevitably slipped into a focus on the reader as an intertextual method rightly requires. Green, 61. On the other
hand, James Sanders affirms that Hays has succeeded remarkably well in holding all five in tension because it
“allows him to admit from time to time that the answer to the question may lie in the third or fourth option given
above, rather than the first or second.” James A. Sanders, “Paul and Theological History,” in Paul and the Scriptures
of Israel (ed. Craig A. Evans and James A. Sanders; JSNTSS 83; ed. Stanley E. Porter; Sheffield: Sheffield
Academic Press, 1993), 53. Moreover, in support of Hays, a very similar hermeneutical model is suggested by
Wright: “what we need, then, is a theory of reading which, at the reader/text stage, will do justice both to the fact
that the reader is a particular human being and to the fact that the text is an entity on its own, not a plastic substance
to be moulded to the reader’s whim. It must also do justice, at the text/author stage both to the fact that the author
intended certain things, and that the text may well contain in addition other things – echoes, evocations, structures,
and the like – which were not present to the author’s mind, and of course may well not be present to the reader’s
mind. We need a both-and theory of reading, not an either-or one. N. T. Wright, The New Testament and the People
of God (Minneapolis: Fortress, 1992), 62. Wright’s “hermeneutic of love” also comes quite close to Hays’ proposed
“hermeneutic of trust.” Cf. Ibid., 64 and Hays, Conversion, 190-201. Both Hays and Wright in their own ways
attempt to overcome what they see as a false dichotomy between story and history. But, as demonstrated by the
“blowup in Boston” (see above) some fault lines still exist between their two positions. One of the primary
differences between the two is how they view the role of tradition. For Wright (within a certain strand of his thought
at least), tradition is a barrier to be overcome, while Hays views tradition as a source for insight and a critique of the
readings of present reading communities.
31 Ibid., 27-28. By commonsense hermeneutic, Hays refers to the ability to hear the same “echoes” that Paul
or his audience would have heard based on common familiarity with the texts involved. Hays’ perception of what
Paul’s audience would have heard has been critiqued frequently by Christopher Stanley, “‘Pearls Before Swine’:
Did Paul’s Audiences Understand His Biblical Quotations?” NovT 41.2 (1999): 124-44; idem, Arguing with
Scripture: The Rhetoric of Quotations in the Letters of Paul (New York: T&T Clark, 2004), 38-61; idem, “Paul’s
‘Use’ of Scripture: Why the Audience Matters,” in As It Is Written: Studying Paul’s Use of Scripture (eds. Stanley
E. Porter and Christopher D. Stanley; SBLSymS 50; ed. Victor H. Matthews; Atlanta: Society of Biblical Literature,
11
Thus, while Hays draws on historical considerations, allows them to constrain his
arguments, and provides data for later historical investigation, his study primarily relies on
literary observations.32 How then is one able to test or evaluate Hays’ observations? How can
one “know” when Paul was alluding to or echoing Scripture or whether his audiences would
have been able to hear the references? Hays developed seven tests in Echoes that he later refined
and clarified in Conversion.33 Hays acknowledges that identifying allusions and echoes is not a
“strictly scientific matter” where one can have conclusive “proof;” the identifications are more of
2008), 125-56. One of the key points of disagreement between Hays and Stanley is the assumed reader of the text.
Hays approaches the matter from the perspective of a modern reader, while Stanley attempts to envision Paul’s
actual audience made up of various levels of competency and abilities to hear and recognize Paul’s quotations,
allusions, and echoes. Stanley also sees most of Paul’s citations as a rhetorical strategy to defend his own apostolic
authority. Stanley argues for a much more minimalist approach to Paul’s use of Scripture. He is far more concerned
with highlighting that which Paul has explicitly used rather than that which may (or may not) be lurking beneath the
surface. See Watson’s critique of Stanley’s position and in agreement with Hays: Francis Watson, “Scripture in
Pauline Theology: How Far Down Does It Go?” JTI 2.2 (2008): 181-92. “It now appears that the epistles’
indebtedness to the Old Testament goes far beyond the immediate scope of some explicit quotations, often marked
with quotation formulas. The Old Testament is not merely confirming or corroborating what the epistle-writer wants
to say. Rather, it is constitutive; it is essential to the text; in some sense it actually forms the text. The quotations of
the Old Testament within the New thus emerge as the tip of a vast iceberg of literary connection and inter-
connection.” Thomas L. Brodie, Dennis R. MacDonald, and Stanley E. Porter, “Introduction: Tracing the
Development of the Epistles – The Potential and the Problem,” in The Intertextuality of the Epistles: Explorations of
Theory and Practice (eds. Thomas L. Brodie, Dennis R. MacDonald, and Stanley E. Porter; Sheffield: Sheffield
Phoenix Press, 2006), 5. The most poignant critiques made by Stanley will be evaluated further below. Suffice it to
say at the moment that Stanley and Hays are really not doing the same thing.
32 In a rare moment of scholarly humility, Hays forthrightly acknowledges his hypocrisy for conducting the
same type of literary analysis without deriving specific historical conclusions, which Hays criticized Norman
Petersen for a few years prior. Richard B. Hays, review of Norman Petersen, Rediscovering Paul: Philemon and the
Sociology of Paul’s Narrative World, JAAR 55.1 (1987): 174-75. Hays also distinguishes between the two goals for
historical and literary readings. Whereas a historical reading may attempt to prove a direct influence of Isaiah upon
Paul’s interpretation of Christ’s atoning sacrifice, a literary and/or theological reading may seek to “understand the
way in which an author (Paul) creates meaning effects in a text through artful reminiscences of another text.” Hays,
Conversion, 30.
33 Hays, Echoes, 29-32; idem, Conversion, 34-45. Hays’ seven tests have frequently been used by
subsequent interpreters, and one could argue that his strict attention to methodology is what has caused his work to
continue to be perpetuated. Stanley insinuates this very possibility. Stanley, “Paul’s ‘Use’ of Scripture,” 127. Of
course Stanley first acknowledged Hays’ influence and accomplishments before attempting to thoroughly repudiate
them. Christopher Stanley, “Paul and Scripture: Charting the Course,” in As It Is Written: Studying Paul’s Use of
Scripture (ed. Stanley E. Porter and Christopher D. Stanley; SBLSymS 50; ed. Victor H. Matthews; Atlanta: Society
of Biblical Literature, 2008), 6; idem, “Paul’s ‘Use’ of Scripture,” 125-56.
12
an art requiring “aesthetic judgment.” 34 One can no more prove the existence of an echo or
allusion than one can prove the existence of quarks or black holes. The evidence for a particular
allusion or echo, no less an allusive framework, is based on the explanatory power of the system.
Does the connection of certain texts unlock new potential pathways of meaning that allow the
reader to see the text on a new plain? Inevitably, certain texts will resonate louder for some than
others. The goal is to properly attune one’s ear so as to stand within the same “cave of resonant
signification” as Paul, namely Scripture.35 Thus, having sufficiently qualified the validity of
Hays’ tests, each one will be briefly described in turn.36
1. Availability – Was the proposed text available to the author and/or original audience?37
2. Volume – How loud is the echo, and how insistently does it “press itself upon the reader?”38
The primary factor is the degree of verbatim repetition of words and syntactical patterns;
however, one also has to factor in the distinctiveness and general popularity of the text in
question (e.g. one or two words from the Shema or the Lord’s Prayer would be easily identified
in the appropriate reading community).39 Hays also suggests that one should take note of the
rhetorical stress of the passage both within the old and new text (e.g. Gen 1:3-5 in 2 Cor 4:6).
3. Recurrence, Clustering, or Multiple Attestation – How often does the author allude to the same
passage?
4. Thematic Coherence – How does the echo fit within Paul’s argument? Does the author
demonstrate a coherent and sustained reading of a particular text?
34 Hays, Conversion, 29.
35 Hollander, 65. Hollander suggests that while such resonances may be lost to many modern audiences,
they can be recovered by scholars who attend to the context in which the work was originally written.
36 Several of the tests have come under question at various times, but on the whole those involved in the
study of Paul’s use of Scripture have affirmed Hays’ approach. Christopher Stanley acknowledges this to be the case
for those involved in the Paul and Scripture seminar at SBL (2005-2010). Christopher Stanley, “What We
Learned—And What We Didn’t,” in Paul and Scripture: Extending the Conversation (ed., Christopher Stanley;
Atlanta: Society of Biblical Literature), 323-24. Stanley Porter has perhaps been the most vocal opponent to Hays’
criteria. Porter attempts to find problems in all of Hays’ criteria, but none of his critiques are particularly persuasive.
Porter, “Allusions and Echoes,” 36-40.
37 This test has been the source of much of Stanley’s ire.
38 Hays, Conversion, 35. Hays admits that this has been the most misunderstood of his criteria probably
because he failed to explain it sufficiently. He spends a good deal more time unpacking his thinking in Conversion
than he did in Echoes.
39 In the later volume Hays recognizes the difficulty of identify the exact text (LXX) that Paul may have
used, but that does not mean that one need lapse into complete agnosticism of the subject either.
13
5. Historical Plausibility – Does the allusion make sense within Paul’s context and the context of
his audience? Can one find analogies or parallels of similar usage within the writings of Paul’s
contemporaries?
6. History of Interpretation – Have other readers (pre-modern, modern, or post-modern) heard
the same echoes?
7. Satisfaction – Does the proposed echo make sense and does it illuminate the author’s
argument? Hays distinguishes this criterion from thematic coherence by shifting the emphasis
from the pre-text to the subsequent text. Is Paul’s discussion in the later text enhanced or given
new weight by appeal to the intertext?
Having applied these seven tests to a variety of texts (though not always explicitly), and
having rejected the categories of midrash, typology, and allegory as insufficient for illuminating
the distinctive properties of Paul’s interpretations, Hays turns to the work of Thomas Greene for
aid in clarification. Hays weighs the four options of literary imitation supplied by Greene, and he
concludes that Paul’s method of interpretation most closely resembles a “dialectical imitation.”40
Greene describes this category of imitation as a “conflict between two mundi significantes”
where “the text is the locus of a struggle between two rhetorical or semiotic systems that are
vulnerable to one another and whose conflict cannot be easily resolved.”41 Greene contrasts this
with his previous category of heuristic imitation where the relationship between the two texts is
made clear by the deliberately competitive stance of the later text, so that one is forced to
recognize the separation and distance themselves from the pre-text. In effect, in heuristic
imitation “the new is not a pale imitation of the old but its true successor.”42 So, whereas in
heuristic imitation the pre-text is consumed in the later text, in dialectical imitation neither text is
overwhelmed by the other and both are able to engage in mutual criticism. By way of illustration,
40 Hays, Echoes, 174.
41 Thomas M. Greene, The Light in Troy: Imitation and Discovery in Renaissance Poetry (New Haven:
Yale University Press, 1982), 46.
42 Steve Moyise, “Intertextuality and the Study of the OT in the NT,” in The Old Testament in the New
Testament: Essays in Honour of J. L. North (ed., Steve Moyise; JSNTSS 189; Sheffield: Sheffield Academic Press,
2000), 119.
14
Hays suggests that the Epistle to the Hebrews is characteristic of heuristic imitation and Romans
of dialectical imitation.
Thus, in Paul’s dialectical imitation: “the word of Scripture is not played off as a foil for
the gospel, not patronized as a primitive stage of religious development, not regarded merely as a
shadow of good things to come. Paul’s urgent hermeneutical project, rather, is to bring Scripture
and gospel into a mutually interpretive relation, in which the righteousness of God is truly
disclosed.”43 Paul does not seek to fully explain his allusive way of using Scripture for the
reader; Paul leaves space for Scripture to answer back and challenge his interpretations where
necessary. Readers are invited to take part in this dialogue between Paul and Scripture through
their recognition of the tension between the two positions. For Hays, this dialectical imitation is
clearly witnessed in Paul’s thoroughly ecclesiocentric hermeneutic, whereby Paul saw Scripture
directly addressing the new eschatological communities of God’s people, who being empowered
by God’s Spirit were freed to generate new meaning through their own interaction with the
biblical texts. The scriptural texts maintain their original voices even as Paul attempts to apply
them to new situations and audiences. “The ‘original’ meaning of scriptural text, then, by no
means dictates Paul’s interpretation, but it hovers in the background to provide a cantus firmus
against which a cantus figuratus can be sung.”44
Of course the immediate hermeneutical question that arises from such a statement is “do
modern believers have the same freedom of interpretation exhibited in Paul’s letters?”45 Hays
43 Hays, Echoes, 176.
44 Ibid., 178. This falls in line with Hollander’s description of an echo as something that is not merely a
repetition of a previous sound but that is to some extent an original sound. Hollander, 20.
45 Hays acknowledges that some will dismiss such a question based on Hays’ introduction of the concept of
intertextuality into the equation, which would seem to prohibit questions of truth and falsehood. Hays does not fully
address the question, but he offers two provisional responses in a lengthy footnote. He insists that literary-critical
operation of tracing the meaning effects of Paul’s intertextual compositions is “in principal neutral with regard to
15
divides this question into three parts dealing with Paul’s: (1) specific interpretations; (2)
methods; and (3) constraints. Theoretically one could answer “yes” or “no” to the three questions
in any combination. Perhaps the most common position (at least among many Evangelicals) is
that represented by Richard Longenecker who would answer “yes” to question 1 and “no” to
question 2, with modern historical methods serving as the constraints. Thus, in the places where
Paul’s seems to be appropriately applying modern historical-critical methods, then we can affirm
both his process of interpretation and his conclusions. As Longenecker sees it:
our commitment as Christians is to the reproduction of the apostolic faith and doctrine,
and not necessarily to the specific apostolic exegetical practices…we may appreciate the
manner in which the interpretations of our Lord and the New Testament writers were
derived and may reproduce their conclusions by means of historico-grammatical
exegesis, but we cannot assume that the explication of their methods is necessarily the
norm for our exegesis today.”46
In effect, Longenecker places Paul on a “theological pedestal,” so that we can affirm the ends but
not necessarily the means (unless they are commensurate with modern exegetical practices) of
Paul’s interaction with Scripture.47 Hays likens this approach to “intellectual schizophrenia” that
arbitrarily privileges past interpretations while at the same time condemning their faulty
exegetical practices.48 Hays questions the logic of forcing Paul to submit to a critical method that
would have been entirely foreign to him. Hays’ main objection, however, is that he believes
Longenecker to be far too optimistic about the possibility of neatly extracting apostolic faith and
metatheories about language and truth.” Hays, Echoes, 227 n. 60. Overall, Hays does not feel the need to justify his
position in the main text, since he presumes to be writing from a community where such questions are relevant to
individuals in similar communities.
46 Richard N. Longenecker, Biblical Exegesis in the Apostolic Period (2d ed.; Grand Rapids: Eerdmans,
1999), 198.
47 Hays, Echoes, 181.
48 Ibid. Hays muses that under this approach, Paul would certainly fail our introductory exegesis courses.
16
doctrine from apostolic exegesis. Dodd had already convincingly demonstrated that Christian
interpretation of the OT was the substructure of NT theology. “Scripture interpretation is the
theological matrix within which the kerygma took shape; removed from that theological matrix,
it will die. Longenecker would like to pluck and preserve the flower of apostolic doctrine, but
severed from its generative hermeneutical roots that flower will surely wither.”49
Hays maintains that the only appropriate response is to answer “yes” to both of the first
two questions. “Paul’s readings are materially normative (in a sense to be specified carefully) for
Christian theology and his interpretive methods are paradigmatic for Christian hermeneutics. His
letters help us to understand both what the Old Testament means and how it should be read.”50
For Hays, of course, this means that modern interpreters need to learn how to develop the same
type of dialectical imitation exemplified by Paul, which means “bringing Scripture’s witness to
God’s action in the past to bear as a critical principle on the present, and allowing God’s present
action among us to illumine our understanding of his action in the past.”51 Paul’s frequent
exhortations to become imitators of him almost certainly should include his approach to reading
and applying Scripture. Thus, to read Scripture as Paul did is to read it as a narrative of God’s
promise and election that is focused on God’s dealings with his people (ecclesiocentric) as part
of the eschatological drama that is designed for the service of proclamation. Ultimately,
however, to read Scripture as Paul did is to read it with freedom.
49 Ibid., 182.
50 Hays clarifies his use of “paradigmatic” in a footnote. He does not mean to suggest that Paul’s example
should exactly determine how modern believers should read and apply Scripture but merely that they should be
informed by Paul’s method. Hays recognizes that there are other voices in the NT who interpret and apply the OT in
different ways. Ibid., 228 n. 70.
51 Ibid., 183.
17
But, if one answers “yes” to the first two questions (as does Hays), then one is
immediately confronted with prospect of the third: what are the constraints? If modern believers
are free to interpret the text with the same imaginative freedom as did Paul, then how does one
know if they are being faithful either to the text or to the paradigm established by Paul? Hays
tackles this question by first emphasizing the metaphorical character of the text and of Paul’s
subsequent construal of the text. To be faithful to Paul’s model of reading is not to absolutize it;
indeed, “Paul’s own example would lead us to expect that the community, under the guidance of
the Spirit, will remain open to fresh readings of the same text, through which God will continue
to speak.”52 Moreover, modern interpreters should regard Paul’s own letters with the same
degree of hermeneutical freedom as with the rest of the biblical text. Paul’s letters now form part
of the same scriptural network; so, to hear echoes of Galatians in Romans, even if Paul did not
intend such a thing, is perfectly legitimate as a form of literary observation now that the texts
have been brought together within the confines of the canon. Therefore, do we nullify the canon
by the interpretation? μὴ γένοιτο! We establish the canon!
Hays recognizes the dangerous nature of such a reading strategy. Different communities
could produce readings so divergent that they are virtually unrecognizable as orthodox Christian
faith. The safer option would appear to be to follow the path of Longenecker and others and
consign the period of the writing of the NT to a different dispensation altogether so as to
preserve their exegetical practices and conclusions in shrink wrap. Their practices may be
observed but never touched or handled. Hays identifies two problems with this position: (1) the
ideal of a perspicuous authoritative text that contains an unchangeable meaning is untenable
because it denies the necessary contribution of the reader and the reader’s community in the act
52 Ibid., 186-87.
18
of interpretation; and (2) separating Paul’s hermeneutical freedom from ours cuts off the word at
its roots.53 Thus, for Hays, to adopt the position of preservation is to deny the role of the reader
and reading community in the process of interpretation, which would be in contradiction to
Hays’ position of “creative tension.”
Thus one must return to the question of constraints so as to avoid the ever-present
dangers of “self-deception and radical discontinuity.”54 Unsurprisingly, Hays answers the
question by returning to the constraints that were operative for Paul. One side effect of this
position is that it would rule historical criticism out of bounds as a constraint for Christian
theological reflection and proclamation (as it functioned for Longenecker and others). Hays
offers three criteria for identifying constraints that were functional for Paul and thus for modern
believers. First, God is faithful to his promises, so Paul’s interpretive freedom must be seen in
continuity with the story of Israel. Second, Scripture should be read as a witness to the gospel of
Jesus Christ whose death and resurrection are the “climactic manifestation of God’s
righteousness.”55 Finally, the most powerful constraint is that “no reading of Scripture can be
legitimate, then, if it fails to shape the readers into a community that embodies the love of God as
shown forth in Christ.”56 The formation of communities shaped by the gospel of Christ crucified
and poured out unto God’s service offers the greatest constraint against false readings.
Hays’ approach to Paul’s use of Scripture has been laid out rather exhaustively because it
sets the paradigm for Hays’ fuller approach to NT interpretation and ethics. Hays acknowledged
in a footnote that all of the NT writers did not have the same approach to Scripture as did Paul,
53 Ibid., 189.
54 Ibid., 190.
55 Ibid., 191.
56 Ibid.
19
so Hays will have to wrestle with this implication when he brings the other voices into the
conversation. How does one reconcile the dialectical imitation of Paul with the heuristic
imitation of the author of Hebrews? This adds one further aspect to the problem of unity and
diversity in the NT with which Hays must contend as he attempts to work out the ethical
implications of his approach to interpretation.
Hays’ Moral Vision
In Moral Vision Hays brings the conclusions from his descriptive work on Paul’s use of
Scripture and the role of story to bear upon the prescriptive task of determining normative
beliefs and practices. Hays identifies the problems to be addressed concerning the church’s use
of Scripture as the rule for faith and practice in the opening paragraph: “the Bible itself contains
diverse points of view, and diverse interpretive methods can yield diverse readings of any given
text.”57 So, when one attempts to address questions scriptural normativity, one is forced to
reckon with questions of unity and diversity and interpretive pluralism. How does one deal with
the interpretive diversity both within the text and that is derived from the text? The common
assertion that “God said it, I believe it, that settles it,” is not an adequate response because
merely attending to careful exegesis exacerbates the problem rather than solves it because it
“heightens our awareness of the ideological diversity within Scripture and of our historical
distance from the original communities.”58
Hays begins by establishing the four steps involved in the task of New Testament ethics:
descriptive (exegesis); synthetic (canonical context); hermeneutical (bridging the gap); pragmatic
57 Hays, Moral Vision, 1.
58 Ibid., 3.
20
(application).59 Before launching into the actual study, Hays addresses several possible
objections to his project. First, Hays makes clear that his focus will be on the canonical
documents and not the sources behind them, the trajectories they produce, or their impact in the
early Christian communities. Hays’ primary focus is not on the descriptive task of situating the
documents within their historical contexts but on how these documents should serve as ethical
norms for the present.60 At first glance Hays’ neglect of the OT seems contrary to the rest of his
agenda, but he admits that the decision was partially a practical one (size of the book) but also
partially motivated by the fact that the NT is only intelligible as a continuation of the story of
Israel as presented in the OT.61
Perhaps the most serious of the possible objections that Hays tackles comes from those
“influenced by the postmodernist turn in hermeneutics, who would insist that there is no ‘text’
external to the interpretive traditions and practices of particular reading communities” to which
Hays cites Stanley Hauerwas and Michael Cartwright.62 Hays buttresses his argument by
appealing to the “general human conviction that texts have determinate ranges of meaning” and
59 The divisions are merely for heuristic purposes, as the interpretive task is generally a much more organic
process where the categories overlap.
60 As the survey of Hays’ previous work should make clear, he is not oblivious to the observations of
historical-critical work. One of Hays’ primary critiques of Stanley Hauerwas is that he does not sufficiently ground
his work in exegesis of the texts in question. Ibid., 258-60. For Hauerwas’ response to Hays’ criticisms, see Stanley
Hauerwas, “Why ‘The Way the Words Run’ Matters: Reflections on Becoming a ‘Major Biblical Scholar,’” in The
Word Leaps the Gap: Essays on Scripture and Theology in Honor of Richard B. Hays (ed., J. Ross Wagner, C.
Kavin Rowe, and A. Katherine Grieb; Grand Rapids: Eerdmans, 2008), 1-19. On a personal note, Hauerwas’
response is one of the most frustrating things I have ever read. In the process of criticizing Hays for assuming that
any text or even any word has “a meaning,” Hauerwas adds a footnote about how Wittgenstein has helped us
transcend such a possibility only to go on and criticize others who do not have the correct understanding of
Wittgenstein. Ibid., 9-10.
61 Hays also includes a section later in the book dealing with the role of the OT in NT ethics. Hays, Moral
Vision, 306-309.
62 Ibid., 8. As becomes clear later, Hays assumes Stanley Fish to be the real culprit behind Hauerwas’
postmodern turn, but Hauerwas later corrected him on this position. Ibid., 254, 286 n. 178.
21
the “commonsense acknowledgement that texts do have determinate ranges of semantic
possibility and that a text’s world of signification can be meaningfully distinguished from the
tradition’s construal of it.”63 Although not the most persuasive of Hays’ arguments, he supports
his contentions by footnoting the ‘general human conviction’ that “apart from the assumption
that texts have limited ranges of meaning, ordered social discourse would be impossible. For
example, the signifier STOP on a traffic sign is not susceptible of infinitely various construals.”64
Finally, in regard to the authority of Scripture, Hays does not see it as his task to offer an
apologetic argument. Hays envisions his audience to be other Christians in faith communities
who acknowledge the Bible to be normative for faith and practice as part of their confession.
Thus, Hays summarizes his working assumption as such:
the canonical Scriptures constitute the norma normans for the church’s life, whereas
every other source or moral guidance (whether church tradition, philosophical reasoning,
scientific investigation, or claims about contemporary religious experience) must be
understood as norma normata. Thus, normative Christian ethics is fundamentally a
hermeneutical enterprise: it must begin and end in the interpretation and application of
Scripture for the life of the community of faith.65
Hays devotes about one-third of the book to the descriptive task of exegesis for a range of NT
books and authors, so questions about his attention to historical matters should be properly
formulated within that framework. Obviously, due to limitations of space, Hays is not able to
produce a full biblical NT theology that covers every book and interpretive difficulty, so he
selects a few representative examples (Paul, Mark, Matthew, Luke-Acts, Gospels and letter of
John, and Revelation).66
63 Ibid.
64 Ibid. 8 n. 24.
65 Ibid., 10. 66 The Catholic Epistles are notably absent from the book, particularly Jude and 2 Peter which both only
receive a single reference.
22
By comparison, Hays devotes the smallest amount of space to the synthetic task (15
pages). The primary task here is to attend to the unity and diversity of the biblical texts. Hays
positions himself clearly at the outset by denying the possibility of complete harmonization. One
cannot force univocality from the polyphony, but one does not need to surrender to a cacophony
either. The individual witnesses must be allowed to speak with their own voices, and only from
there is one allowed to proceed through a process of trial and error to come to some sort of
synthesis of the material. To aid in the process, Hays offers three guidelines for the task: (1) The
entire canonical witness should be consulted; (2) the tensions must be allowed to stand; and (3)
genre must be respected.
Hays proposes three focal images for uncovering the unity within the diversity:
community, cross, and new creation.67 These images are not a new way of deriving a systematic
theology but of calling attention to the fact that all the NT documents “retell and comment upon
a single fundamental story,” although they emphasize different aspects of it.68 Hays then derives
his focal images from the aspects of the story that all the various documents share.69 For anyone
67 Obviously, the three focal images Hays derives from the texts are a matter of debate, but they do help
bring coherence to the distinct emphases and concerns of the NT writers. I am sympathetic to the suggestion made
by Judith Gundry-Volf to include “creation” as an additional focal image. Although one could argue that “creation”
is effectively captured in Hays’ “new creation, the addition would bring a nice balance to the images and incorporate
a characteristic of God that is fundamental to understanding the biblical text. Judith M. Gundry-Volf, review of
Richard B. Hays, The Moral Vision of the New Testament: Community, Cross, New Creation; A Contemporary
Introduction to New Testament Ethics, BBR 9 (1999): 271-6. For Hays’ response, see Richard B. Hays, “The Gospel,
Narrative, and Culture: A Response to Douglas J. Moo and Judith Gundry-Volf. BBR 9 (1999): 289-96. The addition
of “creation” would also be welcome in light of Hays’ emphasis on the order of the images as points within the
larger story of God’s saving action of the world. Hays, Moral Vision, 199.
68 Ibid., 193. Hays acknowledges that his appeal to a metanarrative will not be accepted by all. He does not
attempt to defend the position, but he references the work of a few other scholars for justification. Ibid., 204 n. 1.
69 Hays attempts to clarify his use these “images” in various ways. By using images one is able to account
for the various genres of literature in the NT, so that contingent letters do not need to be forced into a narrative. He
refers to the roots metaphorically as roots that draw our attention to the common ground they share or as lenses that
help produce clear images from the blurry multiple impressions. Ultimately, he likens the images to the Rule of
Faith that served to summarize the story and provided guide for interpretation. Ibid., 194-95. Hays also offers three
criteria for evaluating the images. First, they need to be found in all the canonical texts. Second, the image cannot be
23
familiar with Hays’ work, the choice of “community” as one of the images should not be
surprising. For his present purposes Hays focuses on the fact that “the church is a countercultural
community of discipleship, and this community is the primary address of God’s imperatives.”70
The choice of the “cross” is a way of drawing attention to the univocal witness of the imitatio
Christi as the way of obedience. Hays uses the image of “new creation” as shorthand for the
“dialectical eschatology” that cuts through the NT as is punctuated by the resurrection of Jesus.71
Hays then situates these three images within a single narrative structure: “The New Testament
calls the covenant community of God’s people into participation in the cross of Christ in such a
way that the death and resurrection of Jesus becomes a paradigm for their common life as
harbingers of God’s new creation.”72
Based on his summary and critique of five other representative hermeneutical strategies
(Niebuhr, Barth, Yoder, Hauerwas, and Fiorenza), Hays identifies four different modes by which
the ethicists appeal to the biblical text: principles, rules, paradigms, and symbolic world. Hays
believes all four modes to be operable in the New Testament itself, and so the church likewise
should operate with these four modes of ethical discourse. Hays derives a normative guideline
from this observation: “New Testament texts must be granted authority (or not) in the mode in
which they speak.”73 Additionally, one should be careful about using one mode to overturn an
ethical appeal in a different mode. That being said, Hays believes the texts themselves grant
in tension with major emphases in other biblical texts. Finally, the image has to highlight concerns that are central
and substantial.
70 Ibid., 196.
71 Ibid., 198.
72 Ibid., 292.
73 Ibid., 294.
24
primacy to the one particular mode because of the overall narrative shape of the Bible. Because
so much of the biblical material is presented in story form, one should most frequently be drawn
to the paradigmatic mode of ethical discourse, so that modern Christians seek to find analogies
between the stories told in the biblical text and their lives.
Thus, for Hays, to truly “understand” any text is to be able to formulate an analogy
between the words on the page and one’s personal experience. To some degree at least, every act
of reading is to participate in this process of analogy-making. For Hays the central point is that
using the NT as an ethical norm “requires an integrative act of the imagination, a discernment
about how our lives, despite their historical dissimilarity to the lives narrated in the New
Testament, might fitly answer to that narration and participate in the truth that it tells.”74 Every
appeal to the authority of the NT necessarily involves one in the process of metaphor-making, by
placing one’s life within the story world of the text.
Such an imaginative process would scarcely be necessary if in fact it were possible to
distill the “timeless truths” from the various “culturally conditioned” pieces. If one could get to
the kernel of timeless truth, then the culturally-conditioned husk could easily be assigned to the
flames. For Hays, this common strategy is “wrongheaded” and “impossible” because “every jot
and tittle of the New Testament is culturally conditioned” and they “bear the marks – as do all
human utterances – of their historical location.”75 Christians should be seeking to honor the texts
in the forms in which they are given, which is primarily narrative and occasional, rather than
attempting to rescue the general principals from the confining particularities in which they are
74 Ibid., 298.
75 Ibid., 299.
25
found. The more promising hermeneutical strategy is to involve oneself in the metaphor-making
process of juxtaposing the world of the text with one’s own world.
Metaphors are produced by the juxtaposition of two incongruous images that upon closer
inspection demonstrate some type of connection not previously seen. Metaphors prompt new
analogies that previously remained hidden, and thus they reshape perception. Likewise, the NT
should be functioning to reshape the perceptions of modern believers as their lives are placed in
juxtaposition of the biblical story. “The hermeneutical task is to relocate our contemporary
experience on the map of the New Testament’s story of Jesus. By telling us a story that overturns
our conventional ways of seeing the world, the New Testament provides the images and
categories in light of which the life of our community (the metaphorical “target domain”) is
reinterpreted.”76 By allowing the story of Jesus, however, to become the paradigm for modern
ethics does not mean that one will be exactly replicating Jesus’ steps in their own situations. One
of the remarkable features about a metaphor is its ability to maintain the tension of dissimilarity
while at the same time opening new connections of similarity. Consider Hollander’s description
of an echo that was noted above as something that is not merely the repetition of a previous
sound but is in some sense an original sound.77
As with his position in Echoes, Hays recognizes the danger in such an approach to NT
ethics. How is one able to test the validity of any given metaphorical appropriation? Hays
assumes that one’s community of faith should offer some of the necessary constraints, but he
also suggests one further way of adjudicating between readings: does the interpretation cohere
with the fundamental story represented by the three focal images? If the reading creates tension
76 Ibid., 302.
77 See note 43 above.
26
with one of the focal images or does not fit within the plotline of the larger biblical story, then
the reading is likely to be invalid.
Finally, the process of metaphor-making culminates in the dialectical relationship
between the church and the biblical story. The church is an embodied metaphor in that as the text
shapes the community into the image of Christ, the community in turn embodies and illuminates
the meaning of the text. If the biblical story is not transforming the community of faith that
stands under it, then the text is not being read rightly. An understanding of the text is not
completed in the exegetical task of analysis and commentary but in the performance of the text.
New Testament hermeneutics is necessarily a self-involving act but also a communal one.
Summary and Synthesis
The work that Hays began in his dissertation and expanded in Echoes, finally culminated in
Moral Vision. That is not to suggest that these three works form three volumes of a single series
like Wright’s Christian Origins and the Question of God. These three works demonstrate a
sustained and progressive struggle to come to grips with the way that Paul interpreted the grand
story of God’s deliverance of his people through the death and resurrection of Jesus, so that they
would be transformed and embody that story. The story of the faith of Jesus Christ was placed in
its proper place as the climax of God’s relationship with his faithful communities awaiting the
denouement of new creation. The focal images function metonymically as plot markers within
the larger story of God’s redemption of his creation, which Paul alludes to in his writings as a
way to convert the imaginations of his audiences to see themselves within this unfolding drama.
As was noted in the introduction, Hays’ most recent anthology, Conversion of the
Imagination, illustrates and encapsulates this trajectory fairly clearly. The essays in this serve as
27
probes into the inner workings of Paul’s “imaginative narrative world.”78 The book narrates the
same story Hays tells in the monographs in a slightly different way by emphasizing and
reordering different portions of the plotline, but the conclusion to this drama (i.e. Conversion)
provides a somewhat more satisfying ending for the tale being told here (i.e. this paper). When
various essays in the collection are viewed together as a whole, Hays notes several themes that
resurface repeatedly. First, Paul’s readings of Scripture are always a “pastoral, community-
forming activity.”79 Second, Paul does not read Scripture as a historian or systematic theologian
but as a poetic preacher who embraces the imaginative analogies between the scriptural stories
and the lives of his congregants. Third, Paul reads Scripture narratively as a drama of God’s
redemption, and his churches are the heirs to the promises made to Israel. Fourth, Paul reads, and
teaches his churches to read, Scripture eschatologically, as the death and resurrection became the
hermeneutical key for seeing the true unity and completion of the story. Finally, Paul reads
Scripture with a hermeneutic of trust that God will be faithful to his promises to finish the task of
setting the world right again. Paul calls his readers to a conversion of the imagination to
understand that their new identity in Christ is only comprehensible within the metanarrative of
God’s dealings with Israel, which should refocus the moral vision of the communities both then
and now.
Critiques and Evaluation
Unsurprisingly, by attempting to maintain a moderate or centrist position, Hays has drawn
criticism from both sides. On one hand Hays is not historically conscious enough, but on the
other he is too historically conscious. Hays’ attempt at “creative tension” is either too focused on
78 Hays, Conversion, x. 79 Ibid., xv.
28
the original author and audience or too focused on the modern reader and reading community.
Hays is either too modern or too postmodern in his thinking depending upon which side is
making the critique. To be fair Hays has intentionally positioned himself between liberal
programs of demythologizing and conservative literalism, for as he notes, “in contrast to the
demythologizing hermeneutic, Paul celebrated Scripture's witness to the real and radical
apocalyptic action of God in the world; in contrast to the literalist hermeneutic, Paul engaged
Scripture with great imaginative freedom, without the characteristic modernist anxiety about
factuality and authorial intention.”80
As was noted above, one of Hays’ most outspoken and prolific critics is Christopher
Stanley. Stanley has attacked Hays’ intertextual method from a variety of angles, but only a few
are relevant to the present purposes. Most of Stanley’s critiques are of relatively minor points
that are not in danger of undermining the entire hermeneutical project and can be left aside. The
fundamental divide between Hays and Stanley derives from their substantially different
understandings of the role of intertextual analysis.81 Stanley himself acknowledges that while
Hays approaches the text from a literary perspective, he is more concerned with a rhetorical
80 Hays, Conversion, ix.
81 Concerning Paul’s use of Scripture, Steve Moyise has helpfully divided contemporary scholarship into
three distinct groups: intertextual, narrative, and rhetorical. Moyise places Hays in the intertextual group and Stanley
in the rhetorical one. Moyise suggests that the intertextual approach focuses on the broader OT context of a
quotation or allusion, the narrative focuses on the narrative framework within which a text is found, and the
rhetorical emphasizes the rhetorical effect produced by Paul’s quotations. Steve Moyise, Paul and Scripture:
Studying New Testament Use of the Old Testament (Grand Rapids: Baker, 2010), 111-25. As has been shown, Hays’
work would clearly span the intertextual and narrative categories. Another way of dividing the approaches is to
separate the minimalists from the maximalists. Until Echoes the minimalist approach was the norm, but the work of
Hays and Watson in particular has opened up the conversation for people to see that “the vocabulary and cadences
of Scripture…are imprinted deeply on Paul’s mind.” Hays, Echoes, 16. For a defense of the maximalists position,
see Watson, “Scripture in Pauline Theology,” 181-92. Based on Watson’s description, most of those following
Moyise’s intertextual and narrative approaches would fall into the maximalist position while those attending to the
rhetorical features would mostly be in the minimalist category.
29
analysis of Paul’s use of Scripture.82 Nevertheless, Stanley finds ample opportunity to pit the two
methods against each other.
While Stanley’s primary avenue for criticism concerns questions about the competency
of Paul’s original audiences, he does attempt to attack Hays’ methodology and philosophical
presuppositions in a few places, albeit still in connection with questions of audience. To begin,
Stanley suggests that Hays has pressed the methodological insights of Hollander and Greene
beyond where the authors would likely be comfortable. 83 Stanley contends that Hays’ appeal to a
“common sense hermeneutic” assumes that one can establish a rough analogy between the
ancient and modern audiences. This observation opens the door for Stanley to then criticize
Hays’ understanding of Paul’s original audiences. For Stanley, Hays and many others following
him, simply assume the competency of Paul’s audiences without attending to the actual first-
century data, so that Hays “underestimates the demands that this view of Paul’s rhetoric places
on a first-century audience.”84 Stanley bases his critique on the reconstructed literacy rates in the
first-century and the evidence from Paul’s letters that seems to suggest how Paul crafted his
arguments to suit the biblical capabilities of his audiences.
Stanley’s own proposal for literacy rates in the ancient world and their applicability for
Paul’s audiences is open to critique on a number of points, 85 but the way Stanley uses this
82 Stanley, “Charting the Course,” 6. 83 Stanley, “Paul’s ‘Use’ of Scripture, 129. Stanley also alleges that all of Hays’ conclusions could have
been arrived at through an examination of Paul’s quotation without needing to appeal to the so-called “echoes.”
Thus, for Stanley, Hays hasn’t shown anything beyond that which could be arrived at by traditional methods of
interpretation, which is really what Hays has used to arrive at his conclusions rather than some new theoretical
approach. Ibid., 129-30.
84 Ibid., 132.
85 For one, Stanley does not define what he means by “literacy rate,” which is defined in different ways by
different people. But, to his credit, Stanley does attempt to narrow the focus from the general Hellenistic world (10-
20%) to Paul’s Jewish synagogual context. Unfortunately, Stanley’s consistent appeal to the literacy in the setting is
somewhat baffling, as though each of the congregants were sitting and reading the text on their own. The fact that
most of the congregants in the synagogues and early churches could not “read” would not preclude them from
30
historical reconstruction to critique Hays’ use of Hollander is by far the more suspect. Stanley
contends that
Hays overlooks the vast gulf that separates the cultured readers of Milton’s poetry (the
subject of Hollander’s study) from the ancient audiences to whom Paul addressed his
letters. The materials that Hollander analyzes in his book were written for alliterate
audience that was familiar with many classic works of literature and attuned to the
presence of poetic echoes and allusions. Paul’s letters, by contrast, were written for a
very different type of audience, one that was largely illiterate and possessed only a
limited acquaintance with the text of Scripture (emphasis added).86
One can almost hear the reverberations of Bultmann and the myth of the modern man resounding
in the background. Aside from the unjustified assertion about Milton’s “cultured readers,”
Stanley’s suggestion that Paul’s audiences possessed a “limited acquaintance” with Scripture
strains credulity. Should one expect a cultured reader of Milton to be in a better position to hear
allusions from the wide swath of literature used by Milton than a mixed congregation of Jews
and Gentiles to recognize references to their sacred literature? To view the “massive biblical
illiteracy” of modern churches as more closely analogous to Paul’s churches than the synagogues
of Paul’s day is misguided and anachronistic.87 Thus, Stanley’s pronouncement that Hays’ model
is “historically invalid” warrants little consideration.88
recognizing Paul’s allusions to the scriptural text. Stanley assigns to a footnote the counterevidence concerning the
capacity for even illiterate people to memorize great quantities of material and that in the synagogues even the
illiterate people “were trained to know the content of their Scriptures from childhood.” Ibid., 140 n. 46. Stanley’s
attempt to focus efforts on Paul’s predominantly Gentile audiences does not improve the situation much either. Even
if one discounts the reliability of Luke’s portrayal of Paul’s missionary endeavors beginning in the synagogues and
with success among the God-fearers, one can appeal to Paul’s own letters for support. If Paul did not think that his
audiences would be able to follow his references to the OT texts then why would he appeal to them so often in
places like Rom 9-11 that forms the climax of the letter? Stanley far undervalues the process of enculturation, which
was taking place within these early Christian communities whose identities were being transformed by appeal to the
Scriptures. 86 Ibid., 145
87 Ibid., 140 n. 46.
88 Attacking Hays for his faulty conception of Paul’s historical audiences actually has very little to do with
Hays’ primary purpose in the book, which was a literary investigation. Stanley also acknowledges that focusing on
Paul’s rhetorical use of Scripture does little to help reconstruct the various responses in the churches. This, in turn,
“causes problems for any attempt to determine the ‘meaning’ of a Pauline quotation. We would do better to think of
Paul’s quotations as poetic devices open to multiple interpretations than to argue over whether a given interpretation
31
Concerning historical considerations, a more persuasive critique of Hays’ work has been
made by Craig Evans. Evans chastised Hays for failing to adequately account for the interpretive
tradition that flowed from the OT texts through the Second Temple Period and into the first-
century world of the NT writers. Paul and the other NT writers were not reading the OT in a
vacuum but were drawing on the interpretive tradition that had been reflecting on these texts for
centuries. Evans suggests (rightly) that “it would be more accurate to speak of the echoes of
interpreted Scripture in the letters of Paul.”89 In his response essay in the same volume, Hays
admitted that Evans had a valid critique because he was more adequately equipped to hear from
the interpretive tradition than Hays himself.90 The efficacy of reading Paul alongside other
Jewish interpreters of Second Temple Judaism has been persuasively demonstrated by Francis
Watson.91 Paul may not have been as free and creative in his interpretation as Hays would like to
imagine if he were in the midst of an ongoing discussion about how to properly interpret the text.
Dale Martin has also criticized Hays on a number of points, though from different angles.
In his critique of Moral Vision, Martin does not reserve judgment on Hays’ work for the latter
part of the review. He makes his intention clear in the opening sentence: “Richard Hays’ most
recent book is a disappointment.”92 Martin accuses Hays of bypassing the most challenging
constitutes the ‘meaning’ of a particular reference to the Jewish Scriptures. Richard Hays’s approach is exemplary in
this respect.” Christopher D. Stanley, Arguing With Scripture: The Rhetoric of Quotations in the Letters of Paul
(London: T&T Clark, 2004), 180 n. 15. Stanley’s concluding footnote sounds suspiciously like what Hays proposed
to be doing in his book.
89 Craig A. Evans, “Listening for Echoes of Interpreted Scripture” in Paul and the Scriptures of Israel (ed.
Craig A. Evans and James A. Sanders; JSNTSS 83; ed. Stanley E. Porter; Sheffield: Sheffield Academic Press,
1993), 50.
90 Richard Hays, “On the Rebound: A Response to Critiques of Echoes of Scripture in the Letters of Paul,”
in Paul and the Scriptures of Israel (ed. Craig A. Evans and James A. Sanders; JSNTSS 83; ed. Stanley E. Porter;
Sheffield: Sheffield Academic Press, 1993), 72.
91 Francis Watson, Paul and the Hermeneutics of Faith (London: T&T Clark, 2004).
32
issues of interpretation and epistemology when Hays assumes that the Bible speaks as an
independent agent that modern interpreters only need to hear independently of the culture or the
interpreter. Martin’s primary critique is that Hays’ insistence on the use of the historical-critical
method is stuck in modernist assumptions that have been recently challenged and are summarily
dismissed by Hays. Martin also accuses Hays of using his norms (scripture, tradition, reason,
experience) inconsistently so that he can emphasize whichever suits his present needs. Martin
insists that Hays’ method is far too malleable to provide any concrete conclusions, and, as usual,
the conclusions are ultimately reached by the interpreter independently of the method. Likewise,
exegesis is always more variable than Hays allows.
Martin’s primary critique of Hays is a valid one. Hays dismisses pressing questions about
the limits of the historical-critical method without defending his own position. Some of Martin’s
criticism could be mitigated by attending to Hays’ prior works, but Hays’ engagements with
questions of meaning in Moral Vision could be further substantiated. His anticipation of
arguments from those “influenced by the postmodernist turn” amounts to little more than special
pleading (c’mon everyone knows it right?) (8). Martin is right to chide Hays for not engaging
philosophical questions about the determination of meaning that have been pressed by those with
a ‘postmodernist turn.’ Likewise, Hays entertains the idea that the different texts may speak with
different voices, but he does not consider whether a single text can also be multivocal. Hays
assumes a singular correct meaning for the texts he explores in the first part of the book, and he
assumes that he has in fact arrived at the correct meaning; he does little to engage different
interpretations of the texts in question. For example, what if some disagree about the explicitly
92 Dale B. Martin, review of Richard B. Hays, The Moral Vision of the New Testament: Community, Cross,
New Creation; A Contemporary Introduction to New Testament Ethics, JBL 117.2 (1998): 358.
33
sectarian nature of the Johannine community (as some have) which Hays identifies? How do
different readings impact the later synthetic, hermeneutical, and pragmatic tasks?
Perhaps the most pressing question is whether Hays’ attempts to bridge the divide
between the author and the audience (both ancient and modern) have been successful and
whether the use of story, narrative, and intertextuality are helpful tools for accomplishing such a
task. Stanley Porter has clearly responded that such a “creative tension” is inconceivable “unless
the rules of contradiction and exclusion are suspended.”93 Porter clearly seems to think that
adopting any one of the five positions automatically makes the others invalid. Porter believes
that Hays quickly abandoned this position in favor of the singular position of a common sense
hermeneutic because it was clearly nonsensical. Unfortunately, Porter finds little common sense
in the latter position as well, though he does not elaborate his reasons for this skepticism.
Overall, Porter’s critique amounts to nothing more than counter-assertions without any
substantive argument for his rejection of Hays’ position. Of course the complex issues of
textuality cannot be answered here, but Hays has found some worthy allies to support his larger
hermeneutical project.
Hays’ development of Paul’s dialectical hermeneutic and his emphasis upon the self-
involving nature of Paul’s use of Scripture would fit comfortably within Thiselton’s broader
hermeneutical project. Also, Thiselton’s use of Bakhtin’s (the precursor for Kristeva’s theories of
intertextuality) concepts of dialogic discourse and polyphony to formulate his views of canon
would be perfectly at home in Hays’ work.94 While this may be a somewhat loose connection,
Vanhoozer’s relationship to Hays’ work is more explicit. The title of Vanhoozer’s work alone,
93 Porter, “Allusions and Echoes,” 37.
94 Anthony Thiselton, The Hermeneutics of Doctrine (Grand Rapids: Eerdmans, 2007), 134-44.
34
The Drama of Doctrine, intimates the close connection between the two.95 More importantly,
Vanhoozer explicitly counts Hays among his dialogue partners in his discussion of how one
moves from text to context, and he lists several emphases that connect the two projects: “the role
of imaginative judgment (metaphor making), his insistence on the dialogical quality of Scripture
and on the importance of attending to literary genre, and his occasional references to
improvisation.”96 Likewise, Vanhoozer focuses on the paradigmatic mode of ethical discourse
and criticizes the “principlizing” approach of “discarding the culturally specific husk in order to
get at the transcultural kernel.”97 Moreover, Vanhoozer praises Hays’ work as an “excellent
example of the way in which theological themes are communicated in canonically embedded
ways.”98
Conclusion
Having spent some time with Hays and his critics, I am reminded of a quote by David Hay: “It
may be necessary to live with uncertainty as an alternative to living with a closed mind.”99
Richard Hays has much to offer the conservative, historically-oriented, biblical scholar. He
attends closely to the biblical text and its historical context. He is canonically conscious. He uses
Scripture as the foundation for ethical discourse and transformation. But, what Hays does not
offer is certainty. He does not offer black and white positions to complex questions. He does not
95 Kevin J. Vanhoozer, The Drama of Doctrine: A Canonical-Linguistic Approach to Christian Theology
(Louisville: Westminster John Knox, 2005).
96 Ibid., 315 n. 15.
97 Ibid., 316-17.
98 Ibid., 316 n. 20.
99 David Hay, Exploring Inner Space: Scientists and Religious Experience (London: Penguin Books, 1982),
207.
35
offer propositions but stories. In place of dogma, Hays offers drama. Hays offers a portrait of the
apostle Paul as a creative and imaginative thinker embedded in the story of God’s redemption of
humanity, and he calls his readers to see their position there as well.100
Hays has not answered every question, but he has thoughtfully, creatively, and faithfully
opened the dialogue to reexamine the complex relationship between story and history. Hays has
shown us a Paul whose mind is engraved with the cadences of Scripture and who calls all his
readers to immerse themselves there as well. Hays presents us with a poetic pastor who writes
his readers into the story of God’s reconciliation of the world through Jesus Christ. The
conservative critic may ask “how do you justify your reading and application of the biblical
text?” To which Hays could quite honestly answer “Paul, and a hermeneutic of trust.” “And how
do you justify your reading of the biblical text?” to which the scholar would answer “my
modernist, post-Enlightenment method built on a hermeneutic of suspicion.” The one who has
ears to hear, let him hear.
100 The antecedent to “he” is intentionally ambiguous as the description works comfortably with either
figure.
36
APPENDIX 1: NINE THESES FOR THE ART OF READING SCRIPTURE
1. Scripture truthfully tells the story of God’s action of creating, judging, and saving the world.
2. Scripture is rightly understood in light of the church’s rule of faith as a coherent dramatic
narrative.
3. Faithful interpretation of Scripture requires an engagement with the entire narrative: the New
Testament cannot be rightly understood apart from the Old, nor can the Old be rightly
understood apart from the New.
4. Texts of Scripture do not have a single meaning limited to the intent of the original author. In
accord with Jewish and Christian tradition, we affirm that Scripture has multiple and complex
senses given by God, the author of the whole drama.
5. The four canonical Gospels narrate the truth about Jesus
6. Faithful interpretation of Scripture invites and presupposes participation in the community
brought into being by God’s redemptive action – the church.
7. The saints of the church provide guidance in how to interpret and perform Scripture.
8. Christians need to read the Bible in dialogue with diverse others outside the Church.
9. We live in the tension between the “already” and the “not yet” of the kingdom of God;
consequently, Scripture calls the church to ongoing discernment, to continually fresh rereadings
of the text in light of the Holy Spirit’s ongoing word in the world.
37
APPENDIX 2: HAYS’ PROPOSED GUIDELINES FOR NT ETHICS
1. Serious exegesis is a basic requirement. Texts used in ethical arguments should be understood
as fully as possible in their historical and literary context.
a. New Testament texts must be read with careful attention to their Old Testament
subtexts.
2. We must seek to listen to the full range of canonical witnesses.
3. Substantive tensions within the canon should be openly acknowledged.
4. Our synthetic reading of the New Testament canon must be kept in balance by the sustained
use of three focal images: community, cross, and new creation.
5. New Testament texts must be granted authority (or not) in the mode in which they speak (i.e.,
rule, principle, paradigm, symbolic world).
a. All four modes are valid and necessary.
b. We should not override the witness of the New Testament in one mode by appealing to
another mode.
6. The New Testament is fundamentally the story of God’s redemptive action; thus, the
paradigmatic mode has theological primacy, and narrative texts are fundamental resources for
normative ethics.
7. Extrabiblical sources stand in a hermeneutical relation to the New Testament; they are not
independent, counterbalancing sources of authority.
8. It is impossible to distinguish “timeless truth” from “culturally conditioned elements” in the
New Testament
9. The Use of the New Testament in normative ethics requires an integrative act of the
imagination; thus, whenever we appeal to the authority of the New Testament, we are necessarily
engaged in metaphor-making.
10. Right reading of the New Testament occurs only where the Word is embodied.
38
BIBLIOGRAPHY
Monographs
By Hays
Hays, Richard B. The Conversion of the Imagination: Paul as Interpreter of Israel’s Scripture.
Grand Rapids: Eerdmans, 2005.
________. Echoes of Scripture in the Letters of Paul. New Haven: Yale University Press, 1989.
________. The Faith of Jesus Christ: The Narrative Substructure of Galatians 3:1-4:11. 2nd ed.
Biblical Resource Series. Grand Rapids: Eerdmans, 2002.
________. The Moral Vision of the New Testament: Community, Cross, New Creation. San
Francisco: HarperSanFrancisco, 1996.
By Others
Dodd, C. H. According to the Scriptures: The Sub-Structure of New Testament Theology.
London: Nisbet, 1952.
Greene, Thomas M. The Light in Troy: Imitation and Discovery in Renaissance Poetry. New
Haven: Yale University Press, 1982.
Hay, David. Exploring Inner Space: Scientists and Religious Experience. London: Penguin
Books, 1982.
Hollander, John. The Figure of Echo: A Mode of Illusion in Milton and After. Berkley:
University of California Press, 1981.
Kristeva, Julia. Revolution in Poetic Language. New York: Columbia University Press, 1984.
Longenecker, Bruce W., ed. Narrative Dynamics in Paul: A Critical Assessment. Louisville:
Westminster John Knox, 2002.
Longenecker, Richard N. Biblical Exegesis in the Apostolic Period. 2d ed. Grand Rapids:
Eerdmans, 1999.
39
Moyise, Steve. The Old Testament in the New: An Introduction. London: T & T Clark, 2001.
________. Paul and Scripture: Studying New Testament Use of the Old Testament. Grand
Rapids, Baker, 2010.
Schenck, Kenneth. Understanding the Book of Hebrews: The Story Behind the Sermon.
Louisville, Ken.: Westminster John Knox, 2003.
Stanley, Christopher D. Arguing with Scripture: The Rhetoric of Quotations in the Letters of
Paul. New York: T&T Clark, 2004.
Thiselton, Anthony. The Hermeneutics of Doctrine. Grand Rapids: Eerdmans, 2007.
Vanhoozer, Kevin J. The Drama of Doctrine: A Canonical-Linguistic Approach to Christian
Theology. Louisville: Westminster John Knox, 2005.
Watson, Francis. Paul and the Hermeneutics of Faith. London: T&T Clark, 2004.
Articles
By Hays
Hays, Richard B. “The Future of Scripture.” Wesleyan Theological Journal 46 (2011): 24-38.
________. “The Gospel, Narrative, and Culture: A Response to Douglas J. Moo and Judith
Gudry-Volf. Bulletin for Biblical Research 9 (1999): 289-96.
________. “Intertextuality: A Catchall Category or a Specific Methodology?” Paper presented at
the annual meeting of the SBL. San Antonio, Tex., November 21, 2004.
________. “Is Paul’s Gospel Narratable?” (review of Bruce W. Longenecker, ed., Narrative
Dynamics in Paul: A Critical Assessment). Journal for the Study of the New Testament
27.2 (2004): 217-39.
________. “Knowing Jesus: Story, History, and the Question of Truth.” Pages 41-61 in Jesus,
Paul and the People of God. Edited by Nicholas Perrin and Richard B. Hays. Downers
Grove, Ill.: IVP Academic, 2011.
40
________. “Mapping the Field: Approaches to New Testament Ethics.” Pages 3-19 in Identity,
Ethics, and Ethos in the New Testament. Edited by G. van der Watt. BZNW 141. Berlin:
de Gruyter, 2006.
________.“The Palpable Word as Ground of Koinōnia.” Pages 19-36 in Christianity and the
Soul of the University: Faith as a Foundation for Intellectual Community. Edited by D.
V. Henry and M. D. Beaty. Grand Rapids: Baker Academic, 2006.
________. “Paul’s Hermeneutics and the Question of Truth,” (review of Francis Watson, Paul
and the Hermeneutics of Faith). Pro Ecclesia 16.2 (2007): 126-33.
________. “Reading the Bible with Eyes of Faith: The Practice of Theological Exegesis.”
Journal of Theological Interpretation 1 (2007): 5-21.
________. Review of Norman Petersen, Rediscovering Paul: Philemon and the Sociology of
Paul’s Narrative World. Journal of the American Academy of Religion 55.1 (1987): 173-
75.
________. “Spirit, Church, Resurrection: The Third Article of the Creed as Hermeneutical Lens
for Reading Romans.” Journal of Theological Interpretation 5.1 (2011): 35-48.
By Others
Bauckham, Richard. “Reading Scripture as a Coherent Story.” Pages 38-53 in The Art of
Reading Scripture. Edited by Ellen Davis and Richard Hays. Grand Rapids: Eerdmans,
2003.
Beale, Greg K. Review of Richard Hays, The Conversion of the Imagination. Journal of the
Evangelical Theological Society 50.1 (2007): 190-94.
Evans, Craig A. “Listening for Echoes of Interpreted Scripture.” Pages 48-57 in Paul and the
Scriptures of Israel. Studies in Scripture in Early Judaism and Christianity 1. Edited by
Craig A. Evans and James A. Sanders. Journal for the Study of the New Testament
Supplement Series 83. Edited by Stanley E. Porter. Sheffield: Sheffield Academic Press,
1993.
Green, William Scott “Doing the Text’s Work for It: Richard Hays on Paul’s Use of Scripture.”
Pages 58-63 in Paul and the Scriptures of Israel. Studies in Scripture in Early Judaism
and Christianity 1. Edited by Craig A. Evans and James A. Sanders. Journal for the Study
41
of the New Testament Supplement Series 83. Edited by Stanley E. Porter. Sheffield:
Sheffield Academic Press, 1993.
Gundry-Volf, Judith M. Review of Richard B. Hays, The Moral Vision of the New Testament:
Community, Cross, New Creation; A Contemporary Introduction to New Testament
Ethics. Bulletin for Biblical Research 9 (1999): 271-6.
Hauerwas, Stanley. “Why ‘The Way the Words Run’ Matters: Reflections on Becoming a
‘Major Biblical Scholar.’” Pages 1-19 in The Word Leaps the Gap: Essays on Scripture
and Theology in Honor of Richard B. Hays. Edited by J. Ross Wagner, C. Kavin Rowe,
and A. Katherine Grieb. Grand Rapids: Eerdmans, 2008.
Keesmaat, Sylvia. “Exodus and the Intertextual Transformation of Tradition in Romans 8.14-
30.” Journal for the Study of the New Testament 54 (1994): 29-56.
Kristeva, Julia. “The Bounded Text.” Pages 25-50 in Desire in Language: A Semiotic Approach
to Literature and Art. Edited by Leon S. Roudiez. Translated by Thomas Gora, Alice
Jardine, and Leon Roudiez. New York: Columbia University Press, 1980.
Martin, Dale B. Review of Richard B. Hays, The Moral Vision of the New Testament:
Community, Cross, New Creation; A Contemporary Introduction to New Testament
Ethics. Journal of Biblical Literature 117.2 (1998): 358-60.
Matlock, R. Barry. “The Arrow and the Web: Critical Reflections on a Narrative Approach to
Paul.” Pages 44-57 in Narrative Dynamics in Paul: A Critical Assessment. Edited by
Bruce W. Longenecker. Louisville: Westminster John Knox, 2002.
Miller, Geoffrey D. “Intertextuality in Old Testament Research,” Currents in Biblical Research
9.3 (2010): 283-309.
Moyise, Steve. “Intertextuality and the Study of the OT in the NT.” Pages 14-41 in The Old
Testament in the New Testament: Essays in Honour of J. L. North. Edited by Steve
Moyise. Journal for the Study of the New Testament Supplement Series 189. Sheffield:
Sheffield Academic Press, 2000.
Plett, Heinrich F. “Intertextualities.” Pages 3-29 in Intertextuality. Edited by Heinrich Plett.
Berlin: de Gruyter, 1991.
Porter, Stanley E. “Allusions and Echoes.” Pages 29-40 in As It Is Written: Studying Paul’s Use
of Scripture. Edited by Stanley E. Porter and Christopher D. Stanley. Society of Biblical
42
Literature Symposium Series 50. Edited by Victor H. Matthews. Atlanta: Society of
Biblical Literature, 2008.
________. “Further Comments on the Use of the Old Testament in the New Testament.” Pages
98-110 in The Intertextuality of the Epistles: Explorations of Theory and Practice. Edited
by Thomas L. Brodie, Dennis R. MacDonald, and Stanley E. Porter. Sheffield: Sheffield
Phoenix Press, 2006.
________. “The Use of the Old Testament in the New Testament: A Brief Comment on Method
and Terminology.” Pages 79-96 in Early Christian Interpretation of the Scriptures of
Israel: Investigations and Proposals. Edited by Craig A. Evans and James A. Sanders.
Journal for the Study of the New Testament Supplement Series 14. Sheffield: Sheffield
Academic Press, 1997.
Sanders, James A. “Paul and Theological History.” Pages 52-7 in Paul and the Scriptures of
Israel. Studies in Scripture in Early Judaism and Christianity 1. Edited by Craig A. Evans
and James A. Sanders. Journal for the Study of the New Testament Supplement Series
83. Edited by Stanley E. Porter. Sheffield: Sheffield Academic Press, 1993.
Schenck, Kenneth. “Hebrews as the Re-Presentation of a Story: A Narrative Approach to
Hebrews.” Pages 171-88 in Reading the Epistle to the Hebrews: A Resource for Students.
Edited by Eric F. Mason and Kevin B McCruden. Vol. 66 of Resources for Biblical
Study. Edited by Tom Thatcher. Atlanta: Society of Biblical Literature, 2011.
Stamps, Dennis L. “The Use of the Old Testament in the New Testament as a Rhetorical Device:
A Methodological Proposal.” Pages 9-37 in Hearing the Old Testament in the New
Testament. Edited by Stanley Porter. Grand Rapids: Eerdmans, 2006.
Stanley, Christopher D. “Paul and Scripture: Charting the Course.” Pages 3-12 in As It Is
Written: Studying Paul’s Use of Scripture. Edited by Stanley E. Porter and Christopher
D. Stanley. Society of Biblical Literature Symposium Series 50. Edited by Victor H.
Matthews. Atlanta: Society of Biblical Literature, 2008.
________ . “Paul’s ‘Use’ of Scripture: Why the Audience Matters.” Pages 125-56 in As It Is
Written: Studying Paul’s Use of Scripture. Edited by Stanley E. Porter and Christopher
D. Stanley. Society of Biblical Literature Symposium Series 50. Edited by Victor H.
Matthews. Atlanta: Society of Biblical Literature, 2008.
________. “‘Pearls Before Swine’: Did Paul’s Audiences Understand His Biblical Quotations?”
Novum Testamentum 41.2 (1999): 124-44.
43
________. “What We Learned—And What We Didn’t.” Pages 321-30 in Paul and Scripture:
Extending the Conversation. Edited by Christopher Stanley. Atlanta: Society of Biblical
Literature.
Watson, Francis. “Response to Richard Hays.” Pro Ecclesia 16.2 (2007): 134-40.
________. “Scripture in Pauline Theology: How Far Down Does It Go?” Journal of Theological
Interpretation 2.2 (2008): 181-92.
Webb, Robert L. “The Use of ‘story’ in the Letter of Jude: Rhetorical strategies of Jude’s
Narrative Episodes.” Journal for the Study of the New Testament 31.5 (2008): 53-87.