Licensing, Access, and Innovation in the New Music ... - CORE

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Journal of Business & Technology Law Volume 7 | Issue 1 Article 3 Beer Mousetraps: Licensing, Access, and Innovation in the New Music Marketplace Casey Rae-Hunter Follow this and additional works at: hp://digitalcommons.law.umaryland.edu/jbtl Part of the Intellectual Property Law Commons is Articles & Essays is brought to you for free and open access by the Academic Journals at DigitalCommons@UM Carey Law. It has been accepted for inclusion in Journal of Business & Technology Law by an authorized editor of DigitalCommons@UM Carey Law. For more information, please contact [email protected]. Recommended Citation Casey Rae-Hunter, Beer Mousetraps: Licensing, Access, and Innovation in the New Music Marketplace, 7 J. Bus. & Tech. L. 35 (2012) Available at: hp://digitalcommons.law.umaryland.edu/jbtl/vol7/iss1/3 brought to you by CORE View metadata, citation and similar papers at core.ac.uk provided by Digital Commons @ UM Law

Transcript of Licensing, Access, and Innovation in the New Music ... - CORE

Journal of Business & Technology Law

Volume 7 | Issue 1 Article 3

Better Mousetraps: Licensing, Access, andInnovation in the New Music MarketplaceCasey Rae-Hunter

Follow this and additional works at: http://digitalcommons.law.umaryland.edu/jbtl

Part of the Intellectual Property Law Commons

This Articles & Essays is brought to you for free and open access by the Academic Journals at DigitalCommons@UM Carey Law. It has been acceptedfor inclusion in Journal of Business & Technology Law by an authorized editor of DigitalCommons@UM Carey Law. For more information, pleasecontact [email protected].

Recommended CitationCasey Rae-Hunter, Better Mousetraps: Licensing, Access, and Innovation in the New Music Marketplace, 7 J. Bus. & Tech. L. 35 (2012)Available at: http://digitalcommons.law.umaryland.edu/jbtl/vol7/iss1/3

brought to you by COREView metadata, citation and similar papers at core.ac.uk

provided by Digital Commons @ UM Law

Journal of Business & Technology Law 35

CASEY RAE-HUNTER*

I. INTRODUCTION

Before the turn of the millennium, recorded music was

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II. DIGITAL TECHNOLOGY: HISTORY AND IMPACT

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III. THE CURRENT LICENSING ENVIRONMENT

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IV. BROADER POLICY AND TECHNOLOGY CONCERNS

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V. CONCLUSION

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