L O U I S I A N A A R C H I T E C T UBRARY - USModernist

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L O U I S I A N A A R C H I T E C T J U L Y 1 9 6 3 AMERICAN INSTITUTF OF JUL 2 9 1963 UBRARY OFFICIAL PUBLICATION OF THE LOUISIANA ARCHITECTS ASS OC I A T I O N

Transcript of L O U I S I A N A A R C H I T E C T UBRARY - USModernist

L O U I S I A N A

A R C H I T E C T J U L Y 1 9 6 3

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T H E L O U I S I A N A A R C H I T E C T . O f f i ­c i a l J o u r n a l o f t l ie Lou is iana A r c h i ­t e c t s A s s o c i a t i o n o f the A m e r i c a n I n s l i l u i e o f A r c h i i e c t s , is o w n e d by t l i e Lou i s i ana A r c l i i l e c t s A s s o c i a t i o n , no t f o r p i o l i t . a n d is pub l i shed n i o n l h l y . S u i t e 200 . C a p i l o l House H o t e l . Ba ton R o u q e . La., t e l e p h o n e D l 8 - 4 3 3 1 . E d i t o r i a l c o n t r i b u t i o n s are v / e l c o m e d b u t p u b l i c a t i o n canno t be q u a r a n l e e d . O p i n i o n s expressed by c o n t i i b u l o i s a t e not necessar i ly those o f t he E d i t o r o r t he Louis iana A r c h i ­t ec t s A s s o c i a t i o n . E d i t o r i a l ma te r i a l m a y b e f r e e l y r e p i i n t e d by o t h e r o f f i c i a l A I A p u b l i c a t i o n s , p r o v i d e d fu l l c r e d i t is g i v e n to the a u t h o r a n d t o t he L O U I S I A N A A R C H I T E C T f o r p i l o r use.

. . . A d v e r t i s e m e n t s of p r o d u c t s , ma-t e i i a l s a n d serv ices a d a p t a b l e f o r use In L o u i s i a n a a r e w e l c o m e , b u t men­t i o n o f n a m e s or use o f i l lus t ra t ions o f such m a t e r i a l s a n d p r o d u c t s in e i t h e i e d i t o r i a l or a d v e r t i s i n g co l ­umns d o e s n o t c o n s t i t u t e endorse­m e n t b y t he Lou is iana A r c h i t e c t s As ­s o c i a t i o n . A d v e r t i s i n g m a t e r i a l must c o n f o r m t o s t a n d a r d s o f this p u b l i c a ­t i o n , a n d t h e r i g h t is reserved t o re­j e c t such m a t e r i a l because o f ar­r a n g e m e n t , c o p y , o r i l l us t ra t ions .

P r i n t e d b y F rank l i n Press, Inc.

E d i t o r i a l A d v i s o r s — W . J . Evans. W . R. B t o c k w a y

Edifo .f — M y r o n Tassin

P u b l l s l i e r — L o u i s i a n a A r c h i t e c t s Asso­c i a t i o n

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l a d o i s w h i ( l i I K I N C ( o i U i i h u t c d l o o i i i s u l l i d h o m S o u l l i 1 . o u i s i ; t U i i \

u i n t j u i - ( u l t u i c .

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w.is S o u i l i L o u i s i a n a .VK h i l c ( t u i f ' — a i c x i i w o l ( i i ( u i n s i . i i K c s i u u l i n -

l l u c i H i ' s I c s j j o n s i b i c l o i t h e d i s t i n d n a t i \ c ' h i i c - d o l ; i i ( h i ! f ( I u r r w l i i d i l i ; i s

| > r o | ) o g a l ( (l i n l l i f S o u t l u ' t i i | ) a n o l l l i f .Siau .

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l o r p l a n n i n g a n d i x i c u l i n g i l i c p i o g i a n i . M u d i t i m e a n d ( l l o i I w c i H i n t o

i ts m a k i n g s , l o p r o j e c t a n i m a g e d e s t i s i n u o l i l u |)i () l (ssi( )n h c c a n u - t i n -

g o a l .

( ; o m | ) a r e ( l 1 0 t he u s u a l p u b l i c s i i x i c i s t i x i n g s . i i was .1 i K i k u v a su(

( I ss - i h c s i a l i o n sw iic l i h o a i d w.is s w a m p i d w i t h ( a l l s a t t h e ( o i u l u s i o n o l

t h e p r o g r a m — a r e p r e s e n t a t i v e o l t h e S l a t e L i b r a r y c a l l e d at t h e s t a t i o n o n

t h e \vi \ net I m o i n i n ^ i<> e x p i i s s i n i c i i si i n o b t a i n i n g a ( o p \ o l t h e d i m

l o r i l i e L o u i s i a n a R o o m — t h e S h r e v e p o i t C h a p t e i is w o r k i n g t o a r i a n t ^ c

l o r a s h o w i n g o n a l o e a l s t a t i o n — ( . h a n n c i W ' A K I V L \ ' . is t r y i n g t o 1 1 -

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a r e g u l a r p r o g r a m . L h e S h r e v e p o r t C h a p t e r r e ( e i \ e s e x c e l l e n t c o \ e i a g e f o r

i ts w e l l l o u n d e d j ) i o g r a m .

. \ o d o u b t al)(»ui i l l l u - ( I h a p l c i s a r e l ) ( ( ( ) i i i i i i g p u b l i ( ic l a t i o u s

( n o t m c i c K p u b l i ( i t \ ) ( o n s ( i o u s . i n c r e a s e d a c l i \ i l \ i n t h e \ i i a l h e l d o l

c o m m u n i c a t i o n s c o u l d d o nn ic h l o d i s p e l t h e l l a g i a n i m i s ( ()n( e | ) l i o n s , die

n o t o r i o u s m is ( o m | ) i e h c i i s i o n s a l ) o u l t h e p r o l e s s i o n . I n l o m i l I n h n m l i n -

l o r m l l i e i c i n is l l i e i c a l ( h a l l e n g e .

VV l i a t .1 | ) leasant d c N c i o p m e i n i l . i K h i i e c l s . w h o \ e s i c i c l a \ c o i n p k l c b

i g n o r e d mass m e d i a , w o u l d t o m o i r o w c u i t i v a l e a r i c h sod o l i n l o i n i a l i o n

i n ( h e \ a s i w a s i c l a n d o l n n s i n l o i m a t i o n . i h e l a l e n i is i l i e i e l

L A A O F F I C E R S — 1963

J o s e p h M . Brocato, President • M u r v a n M. Maxwel l , 1st Vice-Presi ­d e n t • D a v i d L. Perkins. 2nd Vice-P r e s i d e n t • C l i f ton C . Lasseigne, S e c r e t a r y - T r e a s u r e r

D I R E C T O R S — J o h n L. W e b b • John A . Ban i • C . Henry W e l l s • W i l ­l i am E . B e r g m a n • F . V. von Osthoff • A u g u s t P e r e z III • C a r l L. O l s c h -ner • R o b e r t E. Middleton • Ralph K i p e r • W a l t e r E . Price • H a l N . Perk ins • J o h n M. G a b r i e l • M. W a y n e S to f f l e , Immediate Past Presi­d e n t • • Myron Tassin, Executive D i r e c t o r

C O V E R HINTS—Communications, Architects. Tobacco Store Indi

IN THIS ISSUE

Leaving the Error Era 4

Medical Plaza 6

Galloping Poll 8

To Do or Not to Do 9

News, Notes, Quotes

I t

CamiUo's Restournnt atid Office Buildinn. Paul J. Moutnn. Architect

WOOD GIVES CAMILLO'S RESTAURANT AND OFFICE BUILDINC BEAUTY AND WARMTH . . .

. . . plus economy and efficiency of construction!

=^aminatecJ woocJ members ancJ wood decking in the new

Camil lo 's Restaurant and Off ice Building in New Orleans

formed an ideal combination for this building where a highly

efficient structure was desired together with presenting a

cordial dining atmosphere," said Paul J . Mouton, Archi tect .

"The laminated beams and columns form a very functional

rigid frame while presenting a simple, clean-cut structure

of warmth and beauty.

"The economy of the structure is reflected in the use of

solid wood decking which provides the finish ceiling in the

restaurant and the walking surface for the offices above,

eliminating the need for separate flooring on the second

story and the need of hanging a ceiling below."

77/ /s III ode y II new hiiildinii in

\('u> Otirafi.s ilhistrates through­

out how any ronunrr( itil strut -

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( rente ii better phtee for husine.s.s.

Its wonderful wfirktihility — / / /

beams, sidinif, paneliniy, t>r floor-

inil — V'^'/ athieve greater

etononiy . . . but never at the

expetise of tjutility.

S E E YOUR L U M B E R D E A L E R

WOODARD-WALKER LUMBER COMPANY Taylor, Louisiana

M E D I C A L P L A Z A CURTIS & DAVIS and Associated Arch i tec ts and Engineers

The Problem I <) ( U ' s i g n ; i i n i d i c a l o l l i c c l ) u i l ( l i n g v v i l h i m i | ) l c p a i k -

i n g i n a ( o n ^ c s l c d h n s | ) i i a l a i c a i n X c w O i l c a n s . I l u

o w i U T s a n d a i ( h i ! t ( t b o i h ( k s i i i d a l ) u i l ( l i n , i ; i n kcv\i iii.iL^ w i i h i h c I c c i i n ^ o l \Uv ( . a r d c n D i s t i i d . o n e o l i h c

l i i R - o l d K ' s i d c n l i a i a i c a s o l l l i c ( i l y . b u t a l i h c s a n i f

l i m e r c c j u i i c d o l i i d - i c i u a l a r e a o l .')().(MIO s(|uai( . ' l e d . i n d | ) a r k i n i ^ l o t O M r '_'()() ( ai s.

The Site:

\ MV2' W i l l i I r o i i l ag t . ' o n l i n t i -n c i g l i l j o r l i o o d is c s s i i i l i a l i x i t s i -

A l o i n R - a s m i n ^ !_'.")(! s i r i i t s . W h i k ' t l u -d c M i i a l , t h e s i l c is l o c a t e d d i n d l y a d o s s I r o n i o n e o l t l u ' ( i t y ' s l a r ^ c h o s p i t a l s , m a k i n g t h e site- p a t t i d d a i h d c ' s i r a h k ' as l l u l o c a t i o n o l a i n c i l i c a l o l l i c e h u i l d i n i ; . A ^( 1 i o u s s h o i t a g c o l o l l - s t i e i t ] ) a i k i n ^ i n t h e \ i ( i n i t \ w as a i i i a j o i i i a s o n l o i i iK h i d i n g a ( o i n n i e i x i a i | )a i k i n g ga t age i n t h e p i o j e c t.

The Sohitioii: T h e h n i l d i n g is l o c a t e d o n a sc jua i c o l p i o p e i t y o l

g i e i i \ a h i e . A g i o u j ) o l l a i g e o l d h i i( k b u i l d i n g s o n t he s i te was d e m o l i s h e d t o m a k e \ \ a \ l o r t h e new b u i l d i n g . I l was t h e des i i c o l t h e o w n e r s a n d t i n a i d i i t e c t t o d e s i g n a ( o m p l e l c h m o d e m b u i l d i n g , b u t at t he same t i m e t o preseiAc- i n t he d e s i g n i h e les i d e n i i a l d i a r a c t c i o l t h e ( . a r d e n D i s t i i d . I h is l a d o i e l i i m ' n a l e d t h e p o s s i b i l i u o l a n u i l i i s i o i i e d b u i l d i n g , l o m a i n t a i n p i o p e i sca le w i t h n e i g h b o r i n g b u i l d i n g s ,

t he j ) a i k i n g I C N C I is s n b i n c i g e d h a l l a s t o i \ . o i a b n i i i (iNc l e d . i n t o the g i o m i d . I h e e n t i l e site w i l l be e \ -c a \ a t e c l a n d u s e d l o r p a r k i n g l o r o x e r cars. I he ol l icc- o r | ) l a / a le \c ' l is l o c a t e d a b o v e i h e | ) a i k i i i g l e \ e l a l ) o u i l i \ c ' I c c i a b o x c the- g r o u n d . T h i s o n e - s t o r i e d <)lli(c lexc l is j ) ro)ec t e d a b o n t h ) u i leet I r o i n t h e p a r k ­i n g l e \ e l b e l o w t o g i x c I he a p p e a r a n c e o l o n e la i g( s i n g l e - s t o r i e d b u i l d i n g , t h u s m i i i i m i / i n g l l i e a j j p e a i a n c e o l the- p a r k i n g l e \ c ' l b e l o w .

THE L O U I S I A N A A R C H I T E C T

Award of Merit

G U L F STATES R E G I O N

1963 C O N F E R E N C E

I he l e v f l ( a i l \)v i c a d u d h o i n i h c s id t w a l k l)y w i d e , g i ' i i l l y s l o p i n g s teps , o r l ) \ a j ) i ' ( l ( ' s l r i ; i i i l a i u j ) . I t (Ml ) r t i i d i c d l i o i n t h e p a i k i i i g l eve l b e l o w l ) \ i w o ( c i i i e i i l IN loc a l i ' d i l e \ ; i l o r s , o i bv s ta i r s .

A | ) a t i e n i v i s i t i n g a d o c t o r i n t h e M e d i c a l IMa/ i i is . ibic t o p a i k h i s cat i n t h e s e m i - b a s e m e n t , r i d e a n e l e \ a t o i u p o n i - S I O I N . t h e n w a l k a l e w s teps t o t h e ( l ( ) ( t o i ' s o l l i c e . a l l ( o m p l e t c U | ) i ( ) t c ( l e d h o m t h e w e a l h e i .

I h e e n t i i f | i i a / ; i l e \ f l has b e e n d e s i g n e d as .1 se r ies o l o f i i t e b u i l d i n g s g r o u p e d a r o u n d b e a u t i l u l l y l a n d -s ( a | ) { ( l p a t i o s . i \ p i ( a l o l N e w O r l e a n s , l-.ac h s u i t e w i l l l i a \ ( .1 p r i \ a t e e n t r a n c e h o m one o l these l u x u i i a n t l y j i l a m e d ( o u t 1 v a t d s , a l l o l w h i c h a i c c o i m e c t e d t o t h e sicleAvalks. c l e \ a t o i s a n d s i a i i s b \ c o x e i e d w a l k s .

l o m a k e a o n e s t o r i e d i ) u i l c l i n g o n a x a l u a b i c | ) ie(C' o l p r o p e r t y e c o n o m i c a l l y l e a s i b l e , it was neces.sary l o k( ( p (os t s t o a m i i u i i u i m . w h i l e s t i l l m a i i U a i n i n g t h e ( .a i c l c i i D i s i i ic l c h a i i n . T o a c c o m j ) I i s h t h i s , a s t i iic t u i a l I r a m e o l p iec ast c o n c i c te was used l o t b o t h t he-p a r k i n g a n d p l a / a l eve l s i n c o n j u n c t i o n w i t h p o u r e d -i n -p l acc ( o n c i c te l l (H)r s l a b a n d i c t a i n i n g w a l l s i n t h e j > a i k i n g l e v e l . A l t e r a d e t a i l e d i n v e s t i g a t i o n o l b u i l d ­i n g h a m e ( o s i s , t h i s p i c c a s l I r a m e was l o u n c i t o b e i l i e mos t a c l \ a m a g e o u s .

1 x K i i o i m a t e i i a l s w e r e c h o s e n t o b l e n d w i t h t h e n e i g h b o r i n g 1 c sidc i x t s. I hc- t w o basic c x t e i i o i w a l l m a u i i a l s a i c b r i c k ( w h i c h is b e i n g le -usec l I r o m t h e d e m o l i s h e d b u i l d i n g s o n t h e site ) a n d < \ p re ss s h u l -t e i s . W h i l e these- m a t e i i a l s a re i n c o m p l e t e - h a i i n o n ) w i t h o t h e r b u i l d i n g s i n t h e s u r r o u n d i n g a r e a , t h e y ate- use-d i n un ic |ue- j j a n e l s t o ae hie-\e- a c le a n c o n i e i n -p o i a i v d e s i g n .

I n d i v i d u a l d o c t o r ' s s u i t e s a r e e u s t o m d e s i g n e d b y t h e a r c h i t e c t f r o m t h e e n t i a n c e d o o r t o t h e m o s t m i n u t e i n t e r i o r d e t a i l t o aehiexe- a i m i l o r m i l \ o l d e s i g n t h r o u g h o u t t h e e n t i r e | ) rc ) jec t .

J U L Y . 1963

D o v o i i r e a d I.OUISKIIUI . \)<hile(l i i i i i i ; ; i / i n ( r ^ i s . LM), N o . n o n e : ( i a i c

l i i l h . 1(1; C . i s u a l h . I . C l u c k y o u r l a x o i i l c a r l i c i c s : P i o j c c i s . I L ' ; I . cg i i l N t w s . I I : K d i i o i la Is. I I :

F c a i m t ' s , 12: N e w s . X n i c s . ( h i o U s. ( i . ( S o m e p c o p i c < I H ( k c d m o i c

i h a i i O I K - . D o \< ) i i r e a d l l i c a d \ c r i i s c - n u i H s r ^ t s. hS; X O . 'J. | | v o m a i i s w c i is U ' s .

( hc ( k N o m | ) i ( 11 1 ( I K {•: X o i i - U c l n i i ( a l , ."): I c c l i i i K a l . 1 0 . XO ; ins \ \ (- i .

I ; B o t h . I .

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issues? \ c s . 17; X o . W. I I y o u r a n s w e r is \ i s . d o v o n l l n n k l l iese s h o u l d

be ( o i u i n u e d e \ e n fhou, i» l i ( h e cos i n i a \ be ( o i i s i d i r a b b In j ^he r l h a i i

o n e O f l \vo-( ( ) l o i | ) i e s e f f l a l i o n s ? \ es, i:?; X o . .Xo a n s w e i .

I I 1 w c i c e d i i o r . I w o u l d " l u r n i l

i n t o a j ^ i r l i e ' f u a g a / i n e , " w a s o n e o l t h e l a r t b e f - o u l c o n n n e n i s ( o i i t t i b u t e d i n l e s j x m s e l o t h e ( | I K S -l i o t i n a i i c i n s e r t e d i n l l i e J u n e issue o f t h i s p u b l i t a t i o n . l i a s i i a l l y . a n s w ' e i s a n d t c m a r k s (<» i i ( e rn i f i t i ^ t h e m a g a z i n e w c t e \ e i y ( o f i s i n u l i \ e . A s i h e ; d ) ( ) \ ( ' ( O f i n n e t i i w o u l d i n d i c a t e . s o m e w e i c l i g h t a n d i i u m o i o u s . b u l t h e s i n \ t \ was n o t i ff t e n d e d l o b e a s i i e n t i l u M a d i s o n A \ c f i u e m o t i \ a t i o n a l r e s e a i ( i i | ) r o i e c t a n y w a y .

r i u ' f n s i 20 r e t u r n s s c c i n c d t o be s u r p r i s i f i g l y l e p t e s e n a t i v e o l t h e l o i a l e i r e u h i l i o n . I ( i i o l i l u ( a i d s ( a i i i e h o r n 1 . \ A i i i e m b c i s ; s i x h o m o u l - o l - s t a t e a r c h i t e c t s . {I .ouisianu Arehitett is ( i r e u l a t e c l t i n o u g l i o u l t h e ( , u H S la tes R e g i o n ) : i w o i i o i i i

m a f i u h n I u r e i s. i i i i d o i u e . i ( l i h o t n a n a i c h i l e d u i a l s i u d e n l a n d a f i -p o f l e i ( l h e d a i i \ n e \ \ s p a p e i s a( ross t h e s t a l e a re i i u h i d e d i n l l i e ( i i ( u i a i i o f i ) .

I h i - ( j i i e s t i o f i — " I I y o u we f t - e d i l o i . w h a t w o u l d ) ( )U d o t o i i n p i o \ c l l u | m b l i ( a l i o n ! ' ' b i o u g h i these d i Nc ise ( O f i i m e n i s . ' ( ) l ' i : i . ( ) r S A . S A R C H I I K C 1 : M O K p i c i m i s o l j j a f l i c u l a r j o b s u n d e r ( ( m s i i u ( l i o n a n d at ( h i tec t i n a l t e f i d e r i n g s. '

S I I K I A l l > ( ) k 1 A R C H 1 I K C I : " M o i e l a r g e p h o l o s o l L o u i s i a n a

b u i h h n g s — n o i n e ( ( ' s s a r i l \ b i a n d f l ew o n e s b u t i n i e r e s i i n g o i u s s h o w us s t u d e i i l w o r k — n i a x b e a

c c i l u m n Of l e a t u K o n s i u d e n i s a n d t h e i r w o i k as a i c g u l a i l e a l u r e -g e l a w a \ i r o m s h i i i x . s l i ( k p a j x i us( m o r e ( ( ) l ( » i . " j A C K S O X . M I S

s i s s i p i ' i A R c : m l i e: r . M o i e a b o u l l o c a l b u i l d i n g s , s h o w i n g

( o s i . . u c a . i i i a i e i i a l s . " M A L I R l A l . S R l P R I SI \ I \ I I \ L: M O K

o l I b u i l d - u p o n l . o u i s i a i i i i p r o d ne t s — show t h e a t d i i t e c l s w h a i L o u i s i a n a h;is l o o i l e r l i i e m i u i d i l u i i ( l i e i i l s . • . . A u n i o n of ( lose i h i n k i f i g b e t w e e n p f a ( l i ( i n g a t d i i -le( Is a f u l s i u d e n i s ( o u l d be . l i d e d \ c i \ w e l l i ) \ L A A n i a g a / i n e . " ( a m e I r o m a n L S L S I L D L X 1 . H O L S I O X . I I X \ S \ R C I I I L L C I : " M o i e ge f fe i a l i f i l o i m a t i o n a b o u t L o u i s i a i i . i \ i ( l i i i e ( I s . m d L o u i s i a n a . \ r e h i t e e t s . \sso( i a t i o n . ' . M O X R O l R L L O R I L R \ X 1 ) I ' O L I I I C A L A X \ L ^ S ^ : ' R u n a ( o l u m n w i l h | ) e i s o n a l s ; d ) o u l m e m b e r s , p r ( ) i e ( I s . p i o g i a f i i s . u p c o f f i i f i g e v e n t s . " M ( ) X K . O M I R^ \ R ( I I I I l ( , I : ' I l a \ e n o m o r e ( o x e i s l i k e i h e j u f i e issue. H o w s i l l \ ( a n a p i o l e s s i o n a l j o u i i i i i l gcL- I l i k e s o u r | ) u l ) l i ( a i i o n . I l o p e i t ( o n i i m i e s t o U i o w . S I I R I A L P O R I A R C I I I L L C L : " I f f d u d e f f i o f i - g o o d ar-

l i ( les I r o m o i l i e r s iaK a n d l e g i o f i a l p u b l i c a l i o n s . " A n o l l i e i SI I R I \ 1 P O R I A R C I I I I L C I : ( . i \ ( i n l o r m a i i o n o n la les i p i o je ( I s o l a i ( h i l e ( l s . i i u l u c l i f f g p h o l o g f a p h s . p l a t t s a n d cosl d a t a . I he a t t i c l e l ) \ D e e ( . l u e ( k i n l l i i s issue was \ e i \ i n l e i e s t i n g . W O f i l d l i k e l o see f i f o r e l i k e i h i s . "

A X L W O R I I \ X S \ R C I I I I 1 ( 1 sa id l o i m p i o \ ( ' i h e | H i b l i ( a l i o n I K w o u l d " s u s p e n d p u b l i ( at i o n . " I I ( ( o n l i n u e d . " M o s l o l i l i e i m p o i l ; i n l ( ( ) i i i i m m i ( al i ons l o i l u p r o l e s s i o n w i l l i i n l l i e s ta le c o u l d Ix b e l le i h a n d l e d l ) \ a i i e w s h i l e i l \ | n ' o l b u l l e l i i i . As l a i as i h e a ( l \ c i l i s e m e n i s are ( o n e c i i i e d . l l i e s ;mu s i u l l ap | )e ; i r s i n t h e n a l i o i i a l | ) u b l i ( a l i o n s . So w h \ ( l u p l i ( ; i U w h a i

is d o n e b e l U i o n a n a l i o i i a l l esc l r I - N C I \ b o d y is h o u s e o r g a n ( i a / \ . " ( I ' d . : w e l i , i \ ( .1 n e w s l e i le r . I h is

h o u s e Of g a n is \ i l a l l o thc' 1. \ \ l ) o d \ i n l e i i n s o l i n o n l h l \ i ( \ < n u c . )

H A r o X R O l ( . 1 A R C I I I I L ( 1 : " I w o u l d a l t e f f i p l l o f a i se l l i e gen ei . i l l eve l o l l l i e ( o n l e i i l o l I l ie p u b i i c a t i o n . subo f d i f i a t c - f f i ) leaf o l ( o n l f o x c i s i a l s t a t e f f U f i t s . ( h ; i l l e i i g e i h e a i c h i l e c l s f a l h e f t h a f f l e i n l o K c -i l i e i i | ) i e s e m l e e l i n g s o l | ) r o l e s s i o i i a l a n d soc ia l l e l h a i g x . assume an c -d i l o i i a l p o s i u i c l i i l h e i i h i u i , i p o s i . p u b l i s h m o K w o i k b \ L o u i s i i i i i i i |>f ac t i l i o n e f s. l educ e g o s s i j j t o / e f o . pos( ( p i e s i i o i i s a n d .isk l o i . n i s w c i s . ( b a r g e a S M A L L S C b S C R I I ' I VV.V. s o l i ( i l a f t i d c s b o t h

i l i e o r e i i ( a l a n d i l i ose w i l h p i a ( t i ( a l a p p l i c a t i o n , ( o i i s i d e i l l i e p f o b l c i i i s o l af c h i t ec ts as i n b a n d e s i g n e r s a n d p l a n n e r s , ge l some g o o d l i b e l i n -s u i a n c c " . " (Kc l . i l . )

\ \ ( w o u l d n e e d

W e m u s i n i l o i g c i these w l i i p | ) c ( l ( l e . i m l o p p i n g s : " K c c i ) u p t he g o o d w o f k . " A ' o i n ( e c h n i c a l at t i d e s u s u a l l y a i c m o s t i n l e i e s t i n g l o t h o s e o l us w h o a i ( i i o l a i c l i i K ( I s . . . . d o n ' i k n o w i l v o n ' r e i i i -i ( i e s i e ( l i n h e a r i n g I r o m us 111,1 K 1 i a l m e n . " b u l I l i f i d Nouf p u b l i -c a l i o f i t nos t i n t c i e s t i n g . " ( l - .d . : WC a i c . ) " I l i k e t h e use o l a Ic-w g o o d . i i l i ( les a n d ( d i l o i ia ls w h i ( h a l l o w ( a r e l u l e . x a f i f i n a I i o f i i n a sho i t l i f f i e . " " X o ( i i t i ( i s m . Is o u i s t a n d ii i<i j o b . I I l u n d s a x a i l a b l e . w o u l d ( i i l a i g e a n d i n so d o i t f g t r y t o g i v e m o i e l i t s l -c lass p h o i o h a t u u ( o \ ( i . ige l o a K i i i l e d s ( o i n p l e t e d w o i k p l u s p i ( l o r i a l news o l w o r k i n p i c l i i n i n a i A s i . i i e . "

( )nc- i t t a i i i i o l i iK h i d e d i n 1 he In si 20 l e s p o n s e s . A L, I R M I X ( . I I A M A R C I M I L ( 1 . w a r n e d l o be h i r e d l o d e s i g n (oNc f s l o r a l e w m o m lis. ( M r . S l i a e l l e i . w h o p l a n s l o gel h is a i ( h i l e c i m a l l i cense some clay, is n o i h i r e d l o d o the- (ox e i s. I h d o n a t e s h i s l i f f ic-. O l h e f c o f U f i b i i -l i o i i s w i l l be ( o n s i e l e r e d . )

I I L \ X KS l o a l l \\\\y) l o o k t i m e o u l l o a n s w e r l l ie ' e | u e i \ . W'v as s u r e s o u t h a i \ o u i ( ) | ) i n i o n s w i l l be g i \ e'n e a i e l u l e o i i s i d e i a l i o n . H y o u l i a x e n i r e s p o n d e d \ e l . i t s n o t t o o laic-.

T H E L O U I S I A N A A R C H I T E C T

T O DO O R N O T T O DO ? By Joj

lip Ins. Agent of Record

I h i s is i l i c c jues l ion a i u i u n c w l i i c l i yuu w i l l ha\c- to d ie id i -a f t e r vvfighing the pros a n d cons a n d "Ihe i fs . ands a n d h n i s " of the •.Sclf-F.in|)l()vc<l l n d i \ i d n a l I ax R c l i i c n i c n l . \ c i «)f \{U\2" ( I l k 10).

I n the N'oMinhci i ssnc of louisiaiin Aidiilfcl . \ l \ i n K n h i i i ;i(l\is<s i h a i if \ (»n were lo | ) i ( ) \ i j | c a r e l i i e n i c n t p l a n >(»n can d c r i x r a d v a n i a g c s f rom inccn p o i a l i n g . V o n w i l l h n d nuis l i i in l io i i i ics ill i i g u c n u - n i w i t h th i s adv ice hecansc nl the a d \ ; n » l.ij;cs j i i d disiidx a n i a g c s o i u l i n c d in M i . k n b i n ' s ; i i l i ( l c .

Uni .sn|)|)(»sc son don't want to i i u o r p o i a l c . can yon nsc I I K lOr I he answer is "NC-S," \<in c a n nsc it in scNcral h) i ins . I ' c iha | ) s

the siinpU-si u a \ is to |>r(>\id(- Ix -nchls t h r n n g h l i fe i n s n r a n i e |)<ili( ICS.

^ ' < ) U ( an e n i | ) l < ) V l i l e i n s n i a n e e po l i t i e s in e i ther of two \sa\s: ( I ) .A I nl lv I n s n r e d P l a n i n i d e r w i d t h al l henel i l s are |)ro\i<led

through l ife i n s n r a n r e po l i t i e s , oi

(2) . \ t « ) i i i l ) i i i a i i on t>f a l i fe i n s u r a n c e |>t)licv a n d f u n d

separate

l-oi e x a m p l e , lei s suppose yon a r e m a r r i e d . I,") \ e a r s t»f age a m i l iaxe no asset ia ies o r einplt)vees. .Suppt)se also that yon have a a l a x a h l e i m t ) m e t)f .$.12,000 a year . I h is m e a n s t h a i you are in a .'>0";, income tax hracke i anti tha i 10' , t)l vt)in e;nnccl i n t o m e is exac tIv 's2.,')00.

Under a Fully-lnsurecd Plan

Your Annual Contribution woulcd be $2,500 The decductible amount would be" * 1,250 Your Tax savings would be 625 Your Annual Net contribution after taxes 1,875

U s i n g y o u r ( t ) n t r i h u t i o n s tt) p u i t h a s e a n lnct )me K n i l o w m e n i

I'tdity woul t l p r t ) \ i d e i m m e d i a t e t ieath p i o i e t l i t ) n in I h e event

of y o u r ear ly death of .$3.S,.100.

Result at Age 65

Total Net Contribution after Taxes $37,500 Guaranteed Cash Value 54.046 Accumulated Dividends''^* 13.022

Total Cash Option at Age 65 $67,068 Monthly Income for Life—10 Years Certain 413 Or—Lump sum distributions with gain taxed at same rate as if spread over five previous years. Monthly Income for Life—10 Years Certain 413

A ( t m d i i n a i l f i n P l a n woul t l result in . i p p i o x i m a t e l y the s a m e

l igures. I l t » w e \ e r . the i m e s i m e n t of a ptirt itm t)f i h e p n ) i e e t l s

wt»ultl he hant l l ed l ln t )Ugh a separate funt i a m i a t l u a l l e s u l l s

wt>ultl tiepenci t)n the i n \ e s l m e n i s tht)sen hv the I r u s i t f .

l iu i wilt) nets .$23,000 t)f earnet l in t tune w i l h t ) u i t inploxt t s:-"

\o i i ask. B u i nt)l)t)dv. st) let's a s s u m e you have t h r e e e m p l o v e e s

Iwt) males a n d o n e female—-named I.t>u. a^e d l e n , age 30;

antI M a r \ , age 2,'>: a m i I h e i i sa laries .ire S7..">00. s.").OOII. antI

•S:?.2 I0 respt t l i \ t l \ .

HERE IS W H A T Y O U C A N D O FOR Y O U R S E L F AND Y O U R L O Y A L E M P L O Y E E S W I T H A FULLY INSURED P L A N . Parti­

Salary Annual Death C a s h at A c c u m u l a t e d Total Monthly

cipant A g e Salary Contribution Benefit Retirement D i v i d e n d s * ' * C a s h Pension

You 45 $25,000 $2,500 $33,300 $54,046 $13,022 $67,068 $413 Lou 35 7.000 700 15.462 25.094 10.985 36.079 222 Glen 30 5.000 500 13.542 21.978 10.871 32.849 202 Mary 25 3.240 324 9.000 16.416 9,117 25.533 139

$4,024 The more you make the better the results for you. If you net $50,000 and your employees get the same as above. then the figures would look like this.

your employees get the same as

You 45 50.000 2.500 33.300 54.046 13.022 67.068 413 Lou 35 7,000 350 7.731 12.547 5.492 18.039 11 1 Glen 30 5.000 250 6.77! 10.989 5.435 16.424 101 Mary 25 3,240 162 4.500 8.208 4.558 12.766 69

$3,262

" H u l . " \ o n i i ia\ o h j e t l . "in the lirsl i l lus l ra l i t )n I have to shel l Mill > 1.021 a n n u a l l y a n d enti u | ) | ) u t i i n g aside for myself o n l \ s2.-)()0. 11 I hatl just kepi the $1,024 I wt)ulcl have $2,012 a f t er laxes antI wt)ulcln'l have lt> wai t u n t i l re t i rement to use i t ." St»—whv titt iL ' T h e r e a r e .several answers: to a.ssure emplt)vee l o ) a l i \ . to prt)\ it le henel i l s for ytnir emplovees at re t i rement . lt> e n h a n c e employee m t ) r a l e - a n t l a l l at a net t:ost to you of onlv $ l ' i7 . Here's ht)w:

Your Deposit Tax Savings @ 5 0 %

On $1,504 762

1.387 For You 2.500

$4,024

3.887

i l i T h e cos t of i n s u r a n c e is not de t luc t ib le a n d w i l l r educe the t a x tle-f luct ion . T i l t s m e a n s tha t the c o s t o f " p u r e " i n s u r a n c e p ro tec t ion c a n not be d e d u c t e d but the r e m a i n d e r o f the po l icy cost is deduct ib le .

Cost to furnish Employee Benefits $137

(2» D i v i d e n d s a r e n e i t h e r g u a r a n t e e d n o r e s t i m a t e d , but a r e b a s e d o n the 1963 s c a l e a n d d i v i d e n d a c c u m u l a t i o n r a t e o f 4 .

J U L Y , 1963

HR 10— ( C o n n m i c d h o m l*;igc '.•)

A n d il i m o i i u i i u i c i s c s. i l u u . i r r \:t\ I)C I K I I I S loo. I I I I I N .

i n tlu- M ( ( ) i i<l i l U i s l i a l i o i i N O I I w o u l d end u|) wilh o i i l \ >l..'t:57 il \ o i i kt | ) i lhe r^2^i2. taxed a l .')!•' , . H o w e v e r , it N O U en le i into l h e p l a n \ o u w o u l d l i a \ e p i o x i d e d heuel i l s loi \ o u i l a u h l u l e n i p l o v ( ( s \ o u t o u l d not o therwise | ) r o \ i d e a n d .ii l lu sauK- l i m e \ o u w o u l d ^el lhe u i a j o r p a r i ol lhe I x u e h i s w h e n \ o u r e a d i a^e (>."».

I i}»urf il ou l loi \ ( . inst i l '

TAX S A V I N G S *

With Wi fe Your Net Maximum Maximum Single Wi fe and 2

Income Contr ibut ion Deduct ion Person Only Chi ldren

$25,000 $2,500 $1,250 $700 $475 $429 35.000 2.500 1.250 775 587 581 45.000 2.500 1.250 862 662 622

Net Gain or Net Cost (After Tax Saxings) of Contribution for Employees on $25,000 of Net Earned Income

Married E mployer Total

Payroll With Wi fe (Those Employer 's Single Wi fe and 2

C o v e r e d ) Contr ibut ion Employer Only Chi ldren

$3,000 $300 $568 $279 $231 5.000 500 480 147 99 7.000 700 390 15 33 9.000 900 296 i 17 165 1 i .000 l.lOO 202 249 297 13.000 1.300 108 381 429 15.000 1.500 14 513 56 i

I I \ o u r Nel K a n i e d l i u o u u - is S")().()(l(l i l u i i (lie l a \ p i d i i r e is more l a x o r a h l e lo \ o i n ( o n l r i h u l i o n lor \ o u i r i i i (<s. Sample helow:

5.000 10.000 15.000

500 1.000 1.500

719 564 409

480 260

40

480 260

35

' A s s u m i n g i(eMiizei l l i e d u c t i o n s e q u a l t.) 10 ' c o m e .

of your net oiisines.s in-

Be sure to read the iatest issue of tlie A I A Journai for

Alvin Rubin's "T & E In '63".

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I he ( h s . » ( l \ . i u i a g e s ol H R - I O h a \ f . i h c \ u l \ h i c n hrou^ht o u l iu \ l \ i u R u h i u ' s a r l i i T e a u d iuehu le :

Cost: A l l r e g u l a r eu ip lo \ ee s w i th three or uiore years of { i n p l o v i u e i i t i i iusi he (oxe i ed . I his is s i r i d e i lhai i tor t rac l i l i o i ia l peus iou plans.

R e d I a|)e: T h e p l a n must he iu w r i t i n g , nuist be a p | ) i o \ e d l)\ the I reasurv D e p a r t i u e u t . n ia \ ie (p i ire a custodian o r trustee a u d the payuient ol ivvs.

Sii \ inos: l o the e m p l o y e r i u a \ he ne_nli^ihle, s ince the pro-|>rielor's e o n t i i h u l i o i i is o n l \ .'»()'„ d e d u d i h l e and that ,")()'', is l u l l \ t axab le to the p r o p r i e t o r when rece ived . T h i s m e a n s that il his presei i l tax h r a c k r l is close to his f u t u r e tax braket , there uiav be no rea l saviugs .

A p l a n may convert a cap i ta l ga in i iUo o ic l iuars iucoiue . I he law niav he l ibera l i zed A p l a n established iu nxi.i m a \ not be ab le e \ e n a year later to acl<j|)t a new p lan or auieud the- old to take a c h a u i a g e c»f nu>re l iberal proxisicnis.

T h e slattUe of l i m i i a l i o u s u e \ e r r i u i s on an e xce ss e inUribut iem. hut il is the on ly | ) l au we ba\e h)r se lI e ui|)lo\e el i u d i \ i d u a l s a n d il inusi be the p l a n wi th w h i c h we- must w o i k . . \ ge-iuial i|( 111*4.iioi \ tone t o w a r d the ac t w i l l iieii a l low the people—who b a \ e not been ab le to do it before —to establ ish ttiists for theii l e t i t en ieu l \ e a i s w i th lhe- sanu- oi s i m i l a r tax beiu-lits as other incli \ iduals .

l he act does h a \ e scnue aehautaf^es loi se ll c'ni|»l(i\eel persons e \ e u iu its present h ) n n . C ioutr ibu l ions eompoiuuliu}> lax-free can pietclme a larger s u m U | ) o n t e l i i c n i e i u than the i n d i v i d u a l could a c c i u n i d a l e a f t er taxes. K a m i l v nu' inbeis in the business can inc iease the p l a n c o i u r i b u t i o u s w h i c h are lOO',, deduct ible . I . u a i p stun paMneuts lo the emplo\ee- a n - ent i t led to capital gains t i eat ineul (but not those lo the c m p l o s c r . ) I 'ropcrtv dll iei than cash can be used to f u n d the plan—such as stocks, boiiels. l ea l estate a iu l o tbe i such assets—and apprec ia ted ptc)|)eit\ ma\ t i aus fer a cap i ta l g a i n l iab i l i tv to the trust w h i c h has no tax to p a \ .

l ' i o | ) e i l \ used. H R - I O i u a \ pro\iclc- a n u a s i i r e of tax rel ief that h IS not heretofore been a v a i l a b l e to the self-ein|)le)\eel. However , there is no u r g e u c \ . s ince c o n t r i b u t i o n s m a d e w i l l have the same tax ellee i regardless of w h e n iu ]9iV.\ tbev are made .

I I R - I O is hir f i o m what has been sought h)r about ten yeais. but it is here a iu l the uu)st s h o u l d be luacle of i t - c a i e f u l l \ a u d caut ious lv . iu the best interests of those who want i l .

10 T H E L O U I S I A N A A R C H I T E C T

S ^ V E NEW ORLEANS, LA

I330 ST. CHARLES AVE. R E P R E S E N T I N G

A L L S T E E L E Q U I P M E N T ( D U X , I N C H E Y W O O D W A K E F I E L D C O R P K I T T I N G E R F U R N I T U R E H E R M A N M I L L E R , I N C J E N S R I S O N D E S I G N R O B E R T J O I C O M P A N Y S T O W D A V I S F U R N I T U R E C O .

L E H I G H F U R N I T U R E C O . C R U C I B L E P R O D U C T S C O R P T H O N E T

N D U S T R I E S

P L A N S A N D M E E T Y O U R

T R O Y S U N S H A D E C O F R E D E R I C K L U N N I N G I N C A N D M A N ' O T H E R S

CONTRACT!

• COMMERCJ^A^- INTERIOR DESIGN

J C f P A R E L A Y O U T S A N D S P E C I F I C A T I O N S F O R F U R N I S H L K G T H E I N T E R I O R O F A N Y B U I L D I N G . E I T H E R F O R T H € A R C H I T E C T O R H I S C L I E N T , O N A F E E B A S I S F O R ^ ^ M P E T I T I V E B I D S .

S P E C I F I C A T I O N S W I L L B E D E S I G N E D T O B U D G E T A N D A L L O T H E R R E Q U I R E M E N T S .

W E W I L L T H E N . A S A C O N T R A C T O R , L I C E N S E D B Y T H E S T A T E L I C E N S I N G B O A R D F O R C O N T R A C T O R S , B I D J O B S

N C O M P E T I T I O N W I T H O T H E R S A T O R B E L O W T H E B U D G E T E D F I G U R E .

A STATEWIDE SERVICE FOR ARCHITECTS!

F U R N I T U R E - C A R P E T - D R A P E R I E S - C O M M E R C I A L K I T C H E N S

Serving Your Community . . .

Texcrete High Pressure Steam Cured Blocks • Quality Controlled Ready-Mixed Concrete • Texcrete Mo-Sai • Corrugated Metal Culverts, Plain and Asphalt Coated • Holiday Hill Stone •

Concrete Culvert, Plain and Reinforced

CENTRAL CULVERT CORPORATION M A I N O F F I C E : 600 D e S O T O ST. P H O N E HI 2-7712

A L E X A N D R I A . L O U I S I A N A

TEXCRETE COMPANY OF SHREVEPORT M A I N O F F I C E : 1200 E. T E X A S ST. P H O N E 4 2 2 - 0 3 2 1

SHREVEPORT, L O U I S I A N A

C O N C R E T E B U I L D I N G P R O D U C T S

J U L Y . 1963 I I

the new dimension in creating wit/i masonry

KHE BRICK FOR UHUSUALLY HANDSOME WALLS WITH

ONE-THIRD LESS BRICK Acme is doing wondrous things with brick. New King Size Brick, for example, makes pos­sible walls that are fascinating in themselves. An Acme King Size Brick wall has a new sweep and proportional cleanness of line, because King Size Brick is larger than regular mod­ular brick (King Size measures 9 % " x 2 % ' ' ) .

An Acme King Size Brick Wall can also be a constant object of interest and attention be­cause of the inspiring range of colors and textures available — which, being genuine new burned clay, will never fade, wear, or require any maintenance. Plan today to spend a few minutes soon at your Acme Brick sales office and examine King Size Brick. It will certainly give you something to think about.

ACME BBICK COMPANY Since 1891 # Sales offices in principal cities

NEWS. NOTES. QUOTES . . . Unconventional Convention

T h e p i o g r a m l o t the- C u l l S ta tes R e g i o n a l ( l o u l e i e i i c e , l o b e h e l d o n

D a u p h i n I s l a n d o n O c t o b e i M i . 17, 18, is s h a p i n g u p i ) t a u l i l t t l l \ . l l e i e s

ht)\ \- it l o o k s :

WORK P L A Y

WEDNESDAY'S PK()(iKAM

. M a i i d y l e g i s t i a l i o n . A s s o o n as y o u c o m p l e t e t h i s e x h a u s t i n g d u t y , y o u e a n r e l a x w i t h c l e a r c o n s c i e n c e . ^ o n m a y a v o i d t h i s c h o i e b y s i g n ­i n g v i a U n i t e d S ta tes m a i l .

C i o c k t a i l s a n d b u l l e t a t I s l e D a u -p i i i f C l u b at six | ) . i n . I I I R I I C O C K 1 A I L H A R S -r i l R K l ( ) \ S I I k l i A K S

A n oNsur note: no eng ineer extant has (lcsij»nc'(l a | )um| ) as rHic i cn l as a P o r t c r s -\ i l l f oNslcT. Noi as l a s i \ .

T H l RSDAY'S PROGRAM

C o m p t e l i c n s i \ c ' Sc r \ icc's S e m i n a l at t h e T e i U . 10 a . m . t o n o o n , 2 t o 1 p . m . Vhv c o n c e | ) t : h o w it j i bes w i t h j j i o k s s i o n a l p r a c t i c e a n d p i " l e s s i o n a l e t h i c s .

C o c k t a i l s i n h o i i u s o n I s l a n d . S u p p e r . w i t h s teaks at t h e l e n t , a t 8 p . m . L . \ I ) 1 K S l . . \ 11-: l i R K . V K l A S I I I a . m . at Isle- D a u i J i n e C l u b *

F R I D A Y ' S PROGRAM

U r b a n D e s i g n S e m i n a l w i t h A l . \ s U D C c m n n i t t e e as P a n e l . P i o g i a m : 10 a . m . t o n o o n : D i s c u s s i o n : L' p.m. t o 1 j ) . m . a t t h e re i i i . l l o m e \ v o r k : . \ 1 . \ ( o u r n a l b r o w n p a p e r ser ies . S t u d e i U s w i l l f i n d t h e F r i c l a \ | ) i o g r a m p a i lic t t l a i h i n t e i e s t i n g , o lFe i -i n g t h e m a c h a n c e t o t a l k tc^ some r e a l - l i l e m b a n d e s i g n e i s . F o r s t u ­d e n t h o i i s i n o . w r i t e l . l l h . \ n n u a l C o n l e i e n c e , H o w e l l C o b b , St . . \ i i t l i o n \ S i i e e l . . M o b i l e 2 . A l . i .

S e . i l o o d D i n n e r a n d D r i n k s o n t h e Pa iac l e C r o u n d a t F o r t G a i n e s a t s u n s e t * . C o m e e a r l y t o see t h e F o r t s M u s e u m . i i i d b r i c k w o r k . I T o n o t a w a i c l s a n d d a n c i n g .

I . A D I F S l . l X C l l :

C i a n c l H o t e l al

P o i m C l e a i . \ ia b o . i t . L u n c h e o n M e e t i n g o l K x e c i t t i \ e C i o i n m i t t e e . C S R C , at Isle- D a u -p l i i ne - C l u b , at n o o n .

SOME O F T H E MEN Y O U ' L L S E E AND H E A R

. . . a c o c k t a i l p a r i \ s p e a k e r is D i . J o h n H . W ' i l d m a n , a u t h o i o l \ i c h i t e c t u r a l Peeves o l a n I g n o i a m M ; i n " ( | ( ) i n i i a l . M a r c h issue) .

Cast for Comprehensive Services P i e s e n t i n g t he c o n c e p t — ( i l i n t o n C a i n b l e , F . M A . S e t i e t a r y o l . \ I A C a i m p i e h e n s i \ e . \ i c h i t e c t — D o n a l d H . L u t e s C i i c M i . \ . \ l . . M . i i i i i i . o l I h M

Urban Design Committee

• ( . l i . i i l e s A. l i l e s s i n o , l A I A C l i a i i i n a n . D i r e c i o i o l I ' l . i n n i n g . D e i i o n • H a i i \ .M. W fese . I \ I A . C h i c a g o • D o n a l d I I . l . i i l c s . Sp i i ng l i c lc l . O i e -goii • R o b e r t L . C e d d e s . P h i l a d e l p h i a • A i d i k . W i i i i e i , . M o b i l e C ( ) R R F S P ( ) \ I ) I . \ C M l M U F K S . K d i n u i i d . \ . B a c o n . P h i l a d d p h i . . • K( in ic i h W . b r o o k s . S p o k a n e • C a r l Feiss, 1 \ l . \ . W a s l i i n g i o n • A l b e n . M a x e i . F . \ l . \ . .New \ o i k • D a n i e l 1). P e i i \ . P o l l JelleVson. N . V . • D e w e y . \ . S o m c l a l . F . \ l . \ . SIne x e p o i t • . V i c h i b a l c l C . R o g e i s . h a l t i m o i e • .N i cho las S a l l e i l e e . W a s l i i n g i o n

APPLAUSE! F r o m s e v e r a l s o u r c e s h a \ e c o n i c h i N o t a b l e e o m m e n i s a b o u t R e d F v a n s " s p e e c h o n U g l i f i c a l i o n a i u l Pe a u l ilic at i o n \\ lii< l i \s as u p i " c l u c e d i c t e n l K i n L o u i s i a n a A r c h i t e c t . F i l e m o s t l e c e n t a p p l a u s e c a m e f r o m Arizona Architect t h i s m o n t h w h e n t h e m a g a z i n e r e p r o ­d u c e d t h e at t i d e v e i b a t i m .

Obituaries . \ L F \ W D I K W I L S O . X . \ ( ) R . M . \ . \ . W. a i t e i a b r i e l i l l n e s s . A n a l i \ e o l N e w O i l c a n s , h e d e s i g n ­e d m a n y s t ruc l u t e s i n t h e p a s t 3 0 \ e a i s . i n c l u d i n g t h e c h a i u e i \ a n d a d m i n i s t r a t i o n b u i l d i n g o l t i n -N e w ( ) 1 lea l is ( ,a l l i o l i c . \ r c h c l i o ( ( sc . l l u C o m m e r c e B u i l d i n g . l l o l \ N a i i K o l . \ l a i \ C a t h o l i c C h u r c h a n d S c h o o l i n A l g i c i > . i l i e P i o \ i i i -c i a l House- a n d . N o \ i t i a t e - l o r t h e M . n i . i n i l e s o l l l o h C r o s s a n d t h e L a b o r a t o r s Sc h o o l ( U n i \ e i s i i \ H i g h ) at I . S L i n B a t o n R o u g e . H e w a s a m e m b e r o l t h e f i r m o f N o l a n . N o r m a n a n d N o l a n .

R O B F R I S I L \ F N B \ R N . \ R F ) , g i a d u a t e o l C e o r g i a T e c h , e m p l o y ­e d l ) \ l l u a i c liitc-c t u i a l f i r m o l B u l k .N L a m a n t i a . S o n o l C . C . i i a r n a r d . a m c i n h c - i o l t h e B a t o n R o u g e F n g i t u - e i i n g f i r m o l I i a r ­n a r d a n d B u l k . B a r n a r d ^ \ as d r o w n e c l i n P a n a m a C^ity o n J u n e 17. He- h a d j u s i passed h i s S t a t e ate h i tec t t n a l e x a m .

Building Industry Consulting N F W ^ ( ) R K . J u n e 17. W i n . D u d -l e \ l l u n i . J r . . . \ l . \ .Vi c h i t e c I h a s o j ) e n e d a n o l l i c c l o pe i r o i i n c o n ­s u l t i n g w o r k l o t a r c h i t e c t s , e n g i -iiee-i s. i i i . i n u h K i u i ei s a n d I hc i i a g e n c i e s , a s s o c i a t i o n s a m i o t h e r s c o n i i e c l e d w i t h l l i e b u i l d i n g i n d i t s II \ . i n suc h areas as d e s i g n , c o i i -s t i i i c t i o n . reseat ( I l a n d d e v e l o p m e m . m a r k e t i n g , a n d p u b l i s h i n g . S i n c e I T ) ! . M i . I I m i l has be-et i e n ­g a g e d i n h i s o w n |)rac ticc- o l a n h i i e ( i u r e a n d i n c o i i s u l i i i i g w o r k l o t a n u m b e r o l b u i l d i n g i n d u s t r i e s a n d | ) u l ) l i s h i n g l i i n i s . I i o u i 19.58 t l n o u g h j u n e o l i l i i s \ e a r . he- sc r v e c l as S e n i o r E d i U ) r o f Arc liitrct ural Kccord i i i a g a / i n e - .

J U L Y , 1963 13

P E N T A W/R

• PAINTABLE (Any Color)

• PRESSURE TREATED

• NON-SOLUABLE IN WATER

C O L F A X C R E O S O T I K G P. O . Box 231 Pineville, L a . HI 2-2467

F l o o r F a s h i o n s Classic l'lcx(i( lir(n}n

VINYL-ASBESTOS F L O O R TILE

7 ' / 7 6 - 7 ' t . v ' SUPER TUFF-TEX ' A S P H A L T - A S B E S T O S greaseproof

Designers Solid Colors

asbestos

THE FLINTKOTE C O M P A N Y F L O O R I N G A N D A D H E S I V E D I V I S I O N

AcJhesives, Accessor ies and Maintenance Products Manufacturer of

America's Broadest Line of liiiildin^ Products

quirements

• F A B R I C A T E D S T R U C T U R A L S T E E L • M I S C E L L A N E O U S I R O N • C O M P L E T E W A R E H O U S E S T O C K S • R E I N F O R C I N G S T E E L

O E L E A M S M A T E E E A L S & EQUIPMENT COMPANY

5501 F R A N C E R O A D NEV^ O R L E A N S 50. L A . P H O N E 288-6361

CUSTOM ALUMINUM FABRICATION . .. S P E C I A L W I N D O W S

S U N S C R E E N S A N D D E C O R A T I V E G R I L L E S

A L U M I N U M D O O R F R A M E S

A L U M I N U M F L U S H D O O R S

W I N D O W W A L L A N D C U R T A I N W A L L

W E A R E A T Y O U R SERVICE . . . C A L L US FOR C O M ­PLETE D E S I G N A S S I S T A N C E A N D P R E L I M I N A R Y ES­T I M A T E S .

J^BUiiumG p n n n i i r T s i B U I L D l l ^ G P R O D U C T S l l \ C . ^

739 S . C la rk St . N E W O R L E A N S 504 486 6581

A. l\ M \ AL DAIS ( O M P A N ^ Buildini): Specialties

816 H O W A R D AVENUE

NEW ORLEANS 12, LOUIS IANA

Representing

PANEL STRUCTURES, INC. TRANSLUCENT BUILDING PANELS

and TRANSLUCENT PARTITIONS & SCREENS

frank lotz miller, a.p.a.

ARCHITECTURAL PHOTOGRAPHY

M e m b e r of A r c h i t e c t u r a l Pho tographers Assoc ia t ion

1115 Washington Ave. - - TW 5-3680

N E W O R L E A N S . LA.

Dependable SOUND and COMMUNICATION SYSTEMS for every building type

O u r broad experience in this speci­alized field is avai lable to you. C o n ­tact us for general planning help. No obligation, of course.

txecSfdne SYSTEMS C O M P A N Y N E W O R L E A N S — B A T O N R O U G E

A L E X A N D R I A — S H R E V E P O R T — M O N R O E L A F A Y E T T E — L A K E C H A R L E S

E L E V A T O R S — ESCALATORS

D U M B W A I T E R S — SPEEDWALKS

E L E C T R I C A N D O I L H Y D R A U L I C

THROUGHOUT LOUISIANA BY

G u l f S t a t e s E l e v a t o r C o r p .

Main Office: 715 CAMP STREET JA 2-2758 N E W ORLEANS

14 T H E L O U I S I A N A A R C H I T E C T

O F / / P I T T 5 B U

c l a s s i c t a p e r e d a l u m i n u m p o s t 1 4 9 - S . S c u l p t u r e d p a t t e r n s h o w n . A v a i l a b l e w i t h a p l a i n s u r f a c e o r I n l a i d n a t u r a l w o o d .

C o m p l e t e c a t a l o g u e o f r a i l i n g s a n d g r i l l e s a v a i l a b l e u p o n r e q u e s t .

P e r m a n e n t d i s p l a y - A r c h i t e c t s

B u i l d i n g , 101 P a r k A v e . , N e w Y o r k , N .Y .

R G H

( W A E L W O O D S T R E E T , P I T T S B U R G H 1 3 , P E N N S Y L V A N I A

THE LOUISIANA ARCHITECT M r . ! : . j r i i R, P u r v e s , E x e c . hir.

Suite 200 — Capitol House Hotel A r r . e r i j i . . i n . ^ t i f J t e o f A r c i i t L 3 Baton Rouge, Louisiana 17 3^ »evy ior-. .• •/-. .....

/ • as . i i r . t : , I on o , I . C .

BULK RATE U. S. POSTAGE

P A I D Baton Rouge, La.

Permit No. 389

T H E S E A R E I K DOORS T H E SHADOW LINE IS HEAV^

• T H E C O S T IS 3 L E S S THAN CUSTOM New s t o c k doors , w i t h concave-edge ra ised p a n e l s 1 1 /16 " t h i c k t o g ive a deep , heavy s h a d o w l ine . C u r t i s makes t h e m , w e s tock t h e m in 4 ex te r io r s ty les — 3 ' - 0 " x 6 ' - 8 " x I W , 2 i n te r io r s ty les — usua l w i d t h s , a n d pa i rs f o r 5 ' -0 " ex te r i o r o p e n i n g s . C u r t i s qua l i t y t h r o u g h o u t . Your m i l l w o r k s u p p l i e r can o rde r f r o m our huge i nven to ry .

BY CURTIS OF COURSE

rcURTIS C O M P A N I E S I N C O R P O R A T E D / C L I N T O N . I O W A

C O C O R O N A L D A. coco / M I L L W O R K D I V I S I O N / DI 2 - 5 2 4 2 FLORIDA B L V D B A T O N R O U G E . LA