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Transcript of indraneel ravindra joshi - AR Network
I NDRANE E L RAV INDRA JOSH II NDRANE E L RAV INDRA JOSH [email protected]
Thane, Maharashta, India (400610)
+91 83695 92104
https://www.linkedin.com/in/indraneel-joshi-95ab3a136/
08.2015 - 04.2020
DOB - 25.02.1998
08.2020 - present
02.2021
06.2021
2019
12.2020
06.2013 - 05.2015
04.2021 - 07.2021
10.2018 - 05.2019
01.2021
02.2019
03.2019 - 05.2019
11.2020
05.2019
02.2018
06.2019
09.2020
09.2018
06.2019
09.2018
04.2017 - 07.2017
08.2017
07.2017
10.2016
02.2018 , 01.2019
10.2020
2018
06.2017 - 05.2018
DAV Public School, Airoli
University of Mumbai, Pillaihoc College of Architecture
Architectural Designer
IIA Thesis Awards
Kala Ghoda Arts Festival
Indigenous Footprints
English, Hindi, Marathi, Kannada
AutoCad, Revit, Rhino, GIS(GLobal Mapper), Adobe CC(Lr,Ps,Pr,Ai,Id,Ae,An,Ch), Sketchup, Vray, MS Office, Blender, Lumion, Enscape, Keyshot
Archi Magazine
TEKTON
Bamboo Pavillion
OOTB Eco Architects
Design Jatra Studio
Mango Architecture Thesis Awards
Festival of Architecture & Interior Design (FOAID)
Cob, Rammed Earth & Wattle & Daub Construction Workshop
Node Bamboo Pavillion Design
Mumbai International Film Festival
Earthen Plasters
Nirmal Toilet Design
Kochi-Muziris Biennale
Laurie Baker Centre
Residence for Future
Vyakhyaan
Delhi International Arts Festival (DIAF)
Auroville Earth Institute
Louis I. Kahn (LIK) Trophy
National Association for Schools of Architecture (NASA)
Annual NASA Design
IIA Belapur Landscape Design
Bachelor’s in Architecture
Freelancer. Turnkey Projects
Nominated for Zonal Level
Art & Architecture Events
Author, Academia
Advanced
Reviewer, Architecture Column
Editor, Architectural Magazine Sports Column
Architect
Architectural Designer
Architectural Designer
Mentions
Responding to the Demands of Context and Community
Assistant Curator, Design Jatra
Mentions, Individual Work
Cinema and Architecture
Dhirty Hands
Participant, Individual Work
Possibilities For A Non-Alienated Life
Cost-effective housing strategies
Top 30 . Closed Competition
Motivational Speaker. LTIADS
International Architecural Design Ideas
Adobe Construction Workshop
Top 5. Group Work . Zonasa
Annual & Zonal Nasa Design Team Member
Honorary Mention. Group Work . Zonasa
Mentions . Closed Competition
High School, CBSE, Physics+Chemistry+Maths
Education
Work Experience
Competitions/Honors
Exhibitions
Publications
Skills
Activities
Indigenous Footprints Hinterland Chira House
A Sustainable Campus for the Ethnic Tribes of Aarey
A flexible bamboo pavillion camp along river coast.
Unique Local Laterite Stone laterite farmstay
02 0301
Mohraan
Built in Traditional Architecture and materials avialabe on site.
04Sundervan
Contemporary style farmhouse in densely crowded urban forest
05Urban Intervention
Town planning design intervention
06
C O N
T
E
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T
S
pg. 5
pg. 29 pg. 25 pg. 21
pg. 13 pg. 17
01I N D I G E N O U S F O O T P R I N T S
A design proposal was developed for a new Tribal Habitat Complex, to meet the current and future needs of Tribal Habitats at Aarey forest, Mumbai.
The complex comprises of a tribal em-powerment programmes that encour-ages sustainable development ac-tivities by empowering tribal cuisine, art and folklore, in consideration with healthy environments.
Interactive spaces are offered, to nur-ture usage of minor forest produce in creation of traditional and cultural artforms and providing a platform for Tribal Entrepreneurship and tradition-al linkages with biodiversity is done which benefits in studying and imple-menting innovative techniques in over-all aspects of tribal living, as well as, creating awareness in the vicinity.
Location : Goan Devi Pada, Aarey Colony, Mumbai, India.
: Community Gathering Space
(Assembly Structure)
: 2020: Design Proposal Approval
: Site area = 3.5 acre B.U.A = 1.28 acre
Typology
YearStatus
Area
DESIGN DISSERTATION (2020)
To propose a comprehensive re-search and autonomous skill devel-opment campus for the ethnic tribes of aarey.
To identify, and study the varied characteristics, traditional architec-ture of indigenous habitats.
By analysing the effect on health and socio-economic conditions and understanding the co-existential re-lationship between the forest and the people.
Thus, evolving nature centric devel-opment approach in the native com-munities.
AIM
OBJECTIVES
ABSTRACT
5
Process models can help to address the challenges in several ways.
These maquettes describe a series of transformation process and extends that the maquette initially intends to include the behaviour of the designed product in it’s environments.
Design Evolution
Maquette helped in understanding the precise use of materials in real scale and determine the volume.
A site context model was done to iden-tify location of hamlets(Left Top image) and pattern of Roads, topography and water shed data in 3D context. Hence, deriving site specific inferences.
Use of Bamboo and Mud in earth-en construction was finalised via trial model making. (Images)
A detailed roofing study was carried at 1:500 scale, with creating multi op-tions and evaluating sloped and ridg-es by considering the basic weather and climate effects.
This study was followed by an interi-or 3D volume study (Top Right Image), which enabled a discussion with the primary user to derive specific experi-ence and high space utility.
8
02
Hands-On Project
H I N T E R L A N D
A group of architects and bamboo enthusiats created a design that was developed as a Bamboo Pavillion for a specific stakeholder residing along the banks of Choral river, choral, In-dore.
The pavillion is aimed to acheive mul-tipurpose spaces like storage, seatout & leisure spaces, overhang pergolas, satellite kitchen, open to night sky hammocks and other miscallaeneous activities.
Location : Choral village, Indore, M.P., India.
: Leisure Camping out Pavillion.
(Temporary Structure)
: Dec 2020
: 80% completion. (finishing remaining)
: B.U.A = 90 sq.m
Typology
Year
Status
Area
To establish multipurpose pavillion at the banks of choral river, for camping out spaces.
To enhance flexibility of space use on site and signify user satisfaction.
To identify suitable orientation of structure to provide shaded spaces on the open site.
AIM
OBJECTIVES
ABSTRACT
13
As a beautiful plant, bamboo has devel-oped a survival strategy in nature with its efficient structure through million years of evolution.
It has been used by man as a useful ma-terial worldwide since the beginning of human civilizations.
In many countries bamboo has played an important role not only in everyday life culture but also in art, literature and phi-losophy due to its elegant shape, prac-tical utilizations and symbolic meanings.
In this context, Bamboo was sourced from nearby local provider. From Seasoning to construction, all of the construction was done Hands-On with hand tools and ex-pertise.
14
Bamboo often gets a bad rep as a “poor” material, but the stigma is lifting as its re-surgence is supported by contemporary projects.Bamboo Drilling Joineries and lashing tech-niques were derived on-site.Bamboo footing poured with cement con-crete were framed. An angle of 30 degrees intersection from ground kept a linear slope towards south facade. A strong structural bamboo member was constructed with 20 units of 4&6 Union Bamboo-Posts, drilled at intervals for pri-mary and secondary bamboo beams.
15
A primary structural frame of thick bamboo beams is used to set up the outer plane edges of the roof with a secondary frame forming the grid onto which the shading fabric will be attached.
With more and more new bamboo objects having been designed with appropriate consideration of its structural and cultural di-mensions getting into people’s modern daily life, bamboo as material can build its new cultural identity in the industrial so-ciety – a cultural identity with multiple modern meanings which represent a harmony of its inner structural and cultural dimen-sion and the outer context.
Bamboo pavilion not only provides relax atmosphere to the res-idents but it is also a landmark of surroundings which is less densed serene area along State highway which contributes im-portant awareness of environment with nature to inhabitants.
16
03
Hands-On Project
C H I R A H O U S E
Sustainable building design has be-come a wide and multidisciplinary re-search endeavor including mechanical, electrical, electronic, communication, acoustic, architectural, and structural engineering.
The evolution of built form can be seen as the result of interaction between the user and his environment, which not only includes the natural, but also the social and the economic environ-ments.
The foremost requirement was of a multidimensional space, at one level, where the family can interact – come together, amidst nature.
Location : Mhalsavade, Malkapur, Maharashtra, India.
: Residential
: 2019-2020
: Completed
: 470 sq.m
Typology
Year
Status
Plot Area
To construct a Farmhouse at peak of mhalsavade peak surrounding wild sahyadri ranges.
To identify best orientation of struc-ture along the mhalsavde peak ridge.To decrease cost of construction whilst aiming for sustainable con-struction methods.
AIM
OBJECTIVES
ABSTRACT
17
C:\Users\VINITA\Documents\ARCHITECTURAL PROJECTS\FORMATS AND LOGO\jatra 1..jpg
NClient:
Architect:
Checked by:
HANS FARMS PVT. LTD
PRATIK H. DHANMER
SHARDUL S. PATIL
FARMHOUSE AT MALKAPUR
Sheet title:NOTES:-THIS DRAWING IS A PROPERTY OF DESIGNJATRA ARCHITECTS AND CANNOT BE COPIEDOR HANDED OVER IN ANY FORMAT APARTFROM THE PURPOSE FOR WHICH IT ISINTENDED.
-ANY DISCREPANCIES WHATSOEVER IS TO BEBROUGHT TO THE NOTICE OF THEARCHITECT BEFORE THE COMMENCEMENTOF WORK.
-DRAWINGS ARE NOT TO BE SCALEDDATE:
20/10/2017
SITE PLAN
18
The houses in the neighboring context show technologies like timber framed structure with adobe brick partition with mud plaster.
Sloping roofs with mangalore tiles are seen as a common feature. Cob walls are seen in the traditionally followed architec-tural context.
Basalt stone foundation and plinth in ash-lar masonry is observed.
Laterite blocks are used to make walls but not foundation due to its porous proper-ties.
Burnt bricks too are amply used and are available in the neighbouring context.Timber floors and lofts are an essential part of the house construction.
The slope could allow employment of methods like cutting and filling to embed structure or spaces partially ocompletely under ground.
This could help regulate year round com-fort temperature due to earth berming.
19
The site being at the highest point,the potential of pano-ramic view was amplified.
Presence of a few mango and other trees on the sloping zone was an aid to plan spaces around them.
The west receives maximum strong wind currents, hence presence of existing structure on site was an advantage in disguise.
20
04
Hands-On Project
M O H R A A N
The contemporary environment today has been undergoing many changes. Particularly the interference of the hu-man activities with the natural environ-ment ends up with universal changes, and thus, these changes add new di-mensions to the ecological equilibrium of the world.This project aims to establish a radical and holistic approach to sustainable ar-chitecture, which is essential in forming a sustainable architectural practice.
Location : Sakurli, Shahpur, Maharashtra, India.
: Agro Tourism Centre(Residential + Commercial)
: 2019-2020
: Completed
: a) 230 sq.m b) 90 sq.m
Typology
Year
Status
Plot Area
To create agro-tourism provisions at the base village of kalsubai moun-tain range.
To construct with sustainable build-ing materials. To enhance native vegetation through architecture.To minimize ground cover and en-hance semi-open spaces around structure
AIM
OBJECTIVES
ABSTRACT
21
The Conference Cottage (above) faces predominant Winds from South West and therfore the strcuture is oriented Longitudnally Parallel to North East. The protruding dining and multipurpose hall facing north east side towards Creek creates an active axis for ventilation and views.
More than average Ecological Balance(enhanced use of onsite materials) has been done with this structures construction.
Native trees like mahua, amngo and coconut trees have been retained and spaces have been built around it.
COCONUT
MANGO
MANGO
MAHUA TREE
MAHUA TREE
MAHUA TREE
NOTES
1. THIS DRAWING IS A PROPERTY OF DESIGN JATRAARCHITECTS AND CANNOT BE COPIED OR HANDEDOVER JN ANY FORAT APART FROM THE PURPOSE FORWHICH IT IS INTENDED.
2. DRAWINGS ARE NOT TO BE SCALED
3. ANY DESCRIPANCIES WHATSOEVER IS TO BEBROUGHT TO THE NOTICE OF THE ARCHITECT BEFORETHE COMMENCEMENT OF WORK.
4. FOR DETAILED DIMENTIONS, A SEPERATECONSTRUCTION DRAWING IS TO BE PREPARED IF NEEDBE. ANY FURTHER DETAILS ARE TO BE CROSSCHECKED WITH THE CONSULTANTS ANDCONTRACTORS.
TITLE
SCALE :
1' = 6"
DATE :
05/1/2019
CHECKED BY :
PRA DHA
DR NO. :
02/CNF/ADBRO/PL 02
REVISION NUMBER :
4
PROJECT
AGRO TOURISM ATSAKURLI VILLAGE
N
E:\DESIGN JATRA\QQ.jpg
CLIENT'S SIGNATURE DESIGNERS
DESIGN JATRA ARCHITECTSSACHIN ADHIKARI AND
SAMEER ADHIKARI
D:\DESIGN JATRA\FORMATS AND LOGO\Untitled.jpg
1'
5'
AREA PLAN(CONFERENCE ROOM)
BARBEQUE PLINTH21'6'' X 13' 6''
FIRE PIT / SAND PIT
DINING/MULTIPURPOSE HALL
33'9'' X 15' 5''
PLATE WASHING/ WASHBASIN AREA5'10'' X 15' 8''
SERVING AREA10'7'' X 15' 8''
LVL + 0'0"
MODERN KITCHEN16'11'' X 12' 10''
TRADITIONALKITCHEN
16'11'' X 7' 2''
KITCHENVERANDAH
16' X 4'
GENTSTOILET
LADIESTOILET
WC / BABY CARE
WC
BATH
BATH
WC
URINALS
COMMON WASHBASINS
STANDING COUNTER
FRIDGE DEEP
STORE
UTENSILWASHING MORI
SITTING COUNTER /CHULHA
WASHINGTROUGH
STANDINGCOUNTER
GHAT TO THERIVER
SIZE : AS PER SITECONDITIONS
SITTING PLATFORM3' WIDE
LANDSCAPEDMAHUA COURT
SITT
ING
PLA
TFO
RM3'
WID
E
WASHINGTROUGH
CUTLERY
STORE
STORE
STORE
STORAGE SPACE10'7'' X 15' 8''
18'
15'
33'-3
"
7'7'
7'7'
6'-7
"
18'
3'
18'-6
"
6'-2
"
8'-4"
1'5'
-6"
12'
3'-2"8'-4"6'-6"
15'
13'
16'
20'-10"
5'-3" 1'-6" 5'-6" 2'-1"
4'-7"
3'-1
1"3'
4'-7"3'
4'-7"
4'
1'-7"
3'-2
"
5'-1
"
2'-2"
3'3'
-11"
4'-7"
4'-7"
6'-1
1"
2'-5
"2'
-5" 3'
4'-11"
14'-4"5'-3"6'-9" 5'-6" 2'-1"
3'-2
"
5'-1
"
6'-8
"
5'-3"
2'
4'-1
0"
15'-7"
26'-10"10"8"1'-2"8"1'-2"8"1'-2"5'-8"6'1'-6"5'-6"1'-6"5'-6"1'-6"4'
5'-1
0"
4"
6'-8
"
4"
6'-8
"
4"
6'-8
"
4"
6'-1
"1'
-6"
2'2'
4'
1'-6" 1' 1'
5'
1' 1'
5' 8' 10'
15'-8"
5'-1
0"
2'-7" 2'-7"
1'-7
"2'
-8"
2'-9
"34
'-9"
1'-6
"1'
-6"
2'-6"
15'-8"
10'-1
0"
13'-7"
15'-1
0"
2'-1"
2'-9
"4'
-9"
6'5'
-1"
6'
3'3'
4'
14'
1'1'1' 1'-6"
2'2'
-9"
5'-6"
4'-3
"4'
-3"
6'
16'-6
"
5'-6"
LVL + 0'0"LVL + 2'6"
LVL + 1'6"
LVL + 1'6"
LVL + 0'6"
LVL - 0'6"
LVL - 1'6"
LVL + 3'0"
LVL + 3'6"
LVL + 4'0"
LVL + 4'0"LVL + 3'6"LVL + 2'6"
LVL + 0'0"
LVL + 0'0"
LVL + 4'0"
LVL + 0'0"
LVL + 3'10"
LVL + 4'0"
LVL + 3'10"
LVL + 3'10"
LVL + 3'10"
LVL + 0'0"
LVL + 3'0"
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22
The facility has two cottages sus-tainably constructed with manga-lore tiles and cow dung floring with two attached bathrooms and a seperate verandah, entry foyer for each cottage and a common living area. Three sides of both the bed-rooms open in to thick greenery around. The conference cottgae opens to-wards creek at the south side (im-age) which creates a leisure space at a lower level from the meeting space. The foundation of this cottage it-self generates seating spaces in the superstructure, acting as a ver-satile structural element.
NOTES1. THIS DRAWING IS A PROPERTY OF DESIGN JATRA
ARCHITECTS AND CANNOT BE COPIED OR HANDEDOVER JN ANY FORAT APART FROM THE PURPOSEFOR WHICH IT IS INTENDED.
2. DRAWINGS ARE NOT TO BE SCALED
3. ANY DESCRIPANCIES WHATSOEVER IS TO BEBROUGHT TO THE NOTICE OF THE ARCHITECTBEFORE THE COMMENCEMENT OF WORK.
4. FOR DETAILED DIMENTIONS, A SEPERATECONSTRUCTION DRAWING IS TO BE PREPARED IFNEED BE. ANY FURTHER DETAILS ARE TO BE CROSSCHECKED WITH THE CONSULTANTS ANDCONTRACTORS.
TITLE
HELPERS UNIT-SECTION BB,CC,DD,EE
SCALE :
1' = 6''
DATE :
08/10/2018
DRAWN BY :
VIN CHI
CHECKED BY :
PRA DHA
DR NO. :
06/HU/SBCDE
REVISION NUMBER :
0
PROJECT
AGRO TOURISMPROPOSAL ATSAKURLI.
CLIENT'S SIGNATURE DESIGNERS
DESIGN JATRA ARCHITECTSSACHIN AND SAMEERADHIKARI
1'
5'
SECTION BB SECTION CC
SECTION DD SECTION EE
ROOM 1BACK VERANDA VERANDA
ENTRYFOYER
ROOM 1BACK VERANDA
TOILET
VERANDA
LOFT TANK
PRODUCED BY AN AUTODESK STUDENT VERSION
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SECTION EE'
SECTION DD'
NOTES
1. THIS DRAWING IS A PROPERTY OF DESIGN JATRAARCHITECTS AND CANNOT BE COPIED OR HANDEDOVER JN ANY FORAT APART FROM THE PURPOSE FORWHICH IT IS INTENDED.
2. DRAWINGS ARE NOT TO BE SCALED
3. ANY DESCRIPANCIES WHATSOEVER IS TO BEBROUGHT TO THE NOTICE OF THE ARCHITECT BEFORETHE COMMENCEMENT OF WORK.
4. FOR DETAILED DIMENTIONS, A SEPERATECONSTRUCTION DRAWING IS TO BE PREPARED IF NEEDBE. ANY FURTHER DETAILS ARE TO BE CROSSCHECKED WITH THE CONSULTANTS ANDCONTRACTORS.
TITLE
SCALE :
1' = 6"
DATE :
5/12/2018
CHECKED BY :
PRA DHA
DR NO. :
08/CNF/ADBRO/ SN 01
REVISION NUMBER :
4
PROJECT
AGRO TOURISM ATSAKURLI VILLAGE
N
E:\DESIGN JATRA\QQ.jpg
CLIENT'S SIGNATURE DESIGNERS
DESIGN JATRA ARCHITECTSSACHIN ADHIKARI AND
SAMEER ADHIKARI
D:\DESIGN JATRA\FORMATS AND LOGO\Untitled.jpg
1'
5'
GENTS TOILET(TILED FLOORING)
LADIES TOILET(TILED FLOORING)
BARBEQUE PLINTH(EXPOSED BRICK PAVEMENT) FIRE PIT
(RAMMED EARTH)
RIDGE OF DINING HALL(AND ALL ARMS COMING OUT OF CORE)
BRICK WALL TOP IN TOILETEAVES OF DINING HALL(AND ALL ARMS COMING OUT OF CORE)
STONE WALL TOP IN DINING HALLEAVES OF ENTRANCE VERANDAHTOILET FLOOR LEVEL
BARBEQUE PLITH FLOOR LEVEL LVL + 1'0"
LVL + 4'6"
LVL + 5'5"
LVL + 6'6"
LVL + 8'8"
LVL + 9'9"
LVL + 20'4"
DINING HALL(COW DUNG FLOOR)
SERVING AREA(COW DUNG FLOOR)
STORE ROOM(TILED FLOOR) PLATE WASHING
AREA(COW DUNG FLOOR
LOTUS POND(IPS FLOOR FINISH)
RIDGE OF DINING HALL(AND ALL ARMS COMING OUT OF CORE)
EAVES OF DINING HALL(AND ALL ARMS COMING OUT OF CORE)
STONE WALL TOP IN DINING HALL
RIVER EDGE
LVL + 6'6"
LVL + 8'9"
LVL + 20'4"
LVL -1'4"
6'-3
"
11'-3
"
10'-9
"
HEIGHT OF BRICK ARCHES
HEIGHT OF ATTIC
TOPS OF FOLDING SEATS IN DININGFLOOR LEVEL OF SERVING HALLFLOOR LEVEL OF DINING HALL
LVL + 0'3"
INBUILT SEAT
INBUILT CUTLERY STORE
DADODADO
PLATE WASHING /HAND WASHING
TROUGH
SLITS IN THEWALL
LVL + 4'8"
LVL + 3'6"
LVL + 2'6"
LVL + 14'3"
LVL + 11'6"
2'-2
"
4'
3'
SECTIONS(CONFERENCE ROOM)
GHAT LEVEL 1 LVL - 1'6"
LVL -6"
LVL +6"GHAT LEVEL 2GHAT LEVEL 3
LVL +1'6"GHAT LEVEL 3LVL + 0'0"
1'1'
1'8"
4'-4
"
14'-1
1"
6'-1
"2'
-6"
3'-4
"
11'-9
"
9'-9
"
LANDSCAPED MAHUACOURT LVL + 0'0"
RIVER EDGE LVL -1'4"
FLOOR LEVEL OF SERVING HALLFLOOR LEVEL OF DINING HALL
LVL + 3'6"
LVL + 2'6"
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23
Earthen Walls with wattle and daub create a sensible environment in the interiors dur-ing all seasons.(Top Right image).A study model of wooden rafter joinery and gable overhangs are shown on site to the local masons, for better design communication. (Top left image)Traditional Brick and Earth Interiors produce a vibrant serene atmosphere during dusk. (Bottom Right Image)
24
05
Semi Hands-On Project
S U N D E R V A N
Designing is intertwined with the oth-er work that takes place in a develop-ment project, we contend that these processes should be understood to-gether.
Therefore, the scope includes both de-sign processes and development pro-cesses.
Location : Khadavli, Maharashtra, India.
: Farmhouse (Residential)
: 2019-2020
: Completed
: a) 140 sq.m b) 120 sq.m
Typology
Year
Status
Plot Area
To create a contemporary design farmhouse amidst densely lushed native trees and plantation area.
To construct low-cost house.To create structural inbuilt interiors.To create passive design strategies through out the structure.To utilize rustic interior fixtures and wooden carvings.
AIM
OBJECTIVES
ABSTRACT
25
Local Ain (crocodile bark tree) has been used in the construction of Rafters and carving mem-bers. Basalt stone (top Image)Wooden Details (Bottom Image)Plan and footing section details (left side imag-es)
24'-4"
3'-1"
2'
11'
2'-10" 2'-10"8'-1"
15'-9"
1'-3"
9"
1'-3"
9"
1'-3"
1'-2"
26'-8"
1'-2" 4'-8" 1'-3" 9" 9" 5'-9"
23'-3"
5'-9"
8'-3"
4'1'-3"
14'-6"
1'-2"
3'-3"
2'
14'-11"
11'
3'-3"
3'-3"
6'-8" 3'-10"
8'3'-8"
8'-4"
5'-8"
7'-2"
4'-8"8'-1"
13'-4"
4'-6"
6'1'-6"
1'
2'2'
4'
3'-6"
11'-1" 13'-4"
1'
2'
4'-2"
6'-6"
7'-3"
1'-6"
3'-6"
2'
2'4'-8"
8'-4" 11'
2"
5'-6"
6'
4'-8"
8'-3"11'
1'-3"
11'
10'-11"
10"
2'
1'-6" 2'
3'-6"
3'-9"
10"
4'1'-6" 2' 3'
2'-10"
3'-3"
59'-5"
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ISO A3 (420.00 x 297.00 MM), 1:2.17668
1. THIS DRAWING IS A PROPERTY OF DESIGN JATRAARCHITECTS AND CANNOT BE COPIED OR HANDEDOVER JN ANY FORAT APART FROM THE PURPOSEFOR WHICH IT IS INTENDED.
2. DRAWINGS ARE NOT TO BE SCALED
3. ANY DESCRIPANCIES WHATSOEVER IS TO BEBROUGHT TO THE NOTICE OF THE ARCHITECTBEFORE THE COMMENCEMENT OF WORK.
4. FOR DETAILED DIMENTIONS, A SEPERATECONSTRUCTION DRAWING IS TO BE PREPARED IFNEED BE. ANY FURTHER DETAILS ARE TO BE CROSSCHECKED WITH THE CONSULTANTS ANDCONTRACTORS.
TITLE
FLOOR PLAN
NAME OF THE DESIGNER :
SHARDUL PATIL
NAME OF THE ARCHITECT :
PRATIK DHANMERSCALE :
1' = 6''
DATE :
29/09/2015
DRAWN BY :
SHA PA
CHECKED BY :
PRA DHA
DR NO. :
01/FLR PL
REVISION NUMBER :
7
PROJECT
HOUSE AT KARAV,VANGANI
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E:\DESIGN JATRA\QQ.jpg
CLIENT'S SIGNATURE DESIGNERS
DESIGN JATRA ARCHITECTSMR. SHARADCHANDRA
PATIL
D:\DESIGN JATRA\FORMATS AND LOGO\Untitled.jpg
A
D:\DESIGN JATRA\FORMATS AND LOGO\Untitled.jpg
1'
5'
EXTERNAL STONE WALL2' WIDE
COW DUNG FLOORMURRUM PACKING
DPC (4" DEEP)
PLINTH PROTECTION (4"DEEP)
RUBBLE SOLING (1' DEEP)
MURRUM BACKFILLING
RANDOM RUBBLE FOOTING
BLACK COTTON LINE
REINFORCED PCC (8MMBARS @ 200 MM C/C)
RUBBLE SOLING 1' DEEP
INTERNAL BRICK WALL9" WIDE
COW DUNG FLOOR
MURRUM PACKING
DPC (4" DEEP)
PCC (4" DEEP)
RUBBLE SOLING (1' DEEP)
MURRUM BACKFILLING
RANDOM RUBBLE FOOTING
REINFORCED PCC (8MMBARS @ 200 MM C/C)
RUBBLE SOLING 1' DEEP
TILES
TIMBER POST 5" X 5"
DPC (4" DEEP)
PCC (4" DEEP)
RUBBLE SOLING (1' DEEP)
MURRUM BACKFILLING
RANDOM RUBBLE FOOTING
BLACK COTTON LINE
REINFORCED PCC (8MMBARS @ 200 MM C/C)
RUBBLE SOLING 1' DEEP
TILES
STONE SEAT
PLINTH PROTECTION (4"DEEP)
32'
20'
30'
6'-5" 11'-8"
6'-5
"9'
12'-8
"
4'-8" 1'-6" 9'-11" 2'2'
10'-1
1"1'
-6"
7'-6
"1'
-6"
4'-8
"
2' 16' 2'
4' 3'-5" 2' 8'-8" 4'
4'9'
-8"
2'7'
2'3'
-5"
4'
4' 14' 4'
4'
3'
2'
3"9"
1'6"
2'-6
"2'
-6"
2'2'4"
2'
3" 3"
1'-6"
2'
1'6"
2'-6
"2'
-6"
2'4"
9"
1'6"
7'-4
"
2'
9"3' 3'-8" 2' 8'-11" 3'
9"
9"3'9'
-11"
2'7'
3' 3'-8" 2' 8'-11" 3'
6'-2
" 16'2' 2'
2'
PLINTH PLAN
PLAN OFREINFORCED PCC
PLAN AT 2' FROMDUG LEVEL
GROUND LEVEL GROUND LEVEL GROUND LEVEL
DUG LEVEL DUG LEVEL DUG LEVEL
A' B B'
C
C'
SECTION BB' SECTION AA' SECTION CC'
INTERNAL BRICK WALL TO SEPARATE THETILE AREA FROM COW DUNG FLOOR9" WIDE
TILES
RUBBLE SOLING (1' DEEP)
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PRODUCED BY AN AUTODESK STUDENT VERSION
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PRODUCED BY AN AUTODESK STUDENT VERSION
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ISO A3 (420.00 x 297.00 MM), 1:2.25364
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PRODUCED BY AN AUTODESK STUDENT VERSION
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ISO A3 (420.00 x 297.00 MM), 1:1.77531
Multiple options like Clay tile sealants (left middle image) were created and finalised with bharat clay tiles.
Wooden fixtures on door and corbellings initi-ated a rustic gesture. (top middle Images)
Twisted columns besides west and east axis for pseudo support (Top right image)
Other interior fixtures were done with brass elements. (Left image)
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06
Design proposal
U R B A N I N T E R V E N T I O N
India is a nation which is constantlyreshaping. It is a witness to rapid ur-ban growth and development in terms of its economy. As a result of urban developmentthere is an increase in developmentalprojects like sez, industries, airports, and cargo hubs etc. for the socio-eco-nomic development of the city. Therefore, it becomes necessary to understand the impacts and influence of such developmental projects.
Location : Shivaji nagar, Mankhurd, Mumbai, India.
: Rurban Policy making
: 2018
: Completed
: N/A
Typology
Year
Status
Plot Area
To study deonar area and it’s differ-ences and create policies and de-sign strategies at grass-root levels.
To document Deonar area.To identify issues of local people.To determine evolution of the public infrastructure.To analyse slum development strat-egies.
AIM
OBJECTIVES
ABSTRACT
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Spatial patterns formed infact are individual activity spaces linked together as one.(above image)A protoype of transformation of space zoning is depicted by studying the hori-zontal and vertical zoning of shivaji nagar along the secondary roads. (left im-ages)A SWOT analysis was undertaken after studying the on filed status.
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