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Bos
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August 2,20141
billboard.com
UK
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AMAZINGIN MOTIONA series of global projects showcasing innovative design and
technology through imagination. The latest project combines
50,000 LED lights, 40 expert engineers, 30 stuntmen and one
Hollywood costume designer to create incredible movement.
Discover more at amazinginmotion.com/strobe
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WIL HARt OF theDeLFonics
AnD mope ARtIStS to Be ADDeD!
RUB ELBOWS WITH THE STARS during morethan 25 celebrity hosted events including meet &greets, panel discussions, cooking demonstration,wine tasting, dance classes and more.
Lineup subject to change Y!
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MARILY11 MCCOO& BILLY DAVIS, JR.,
FORMeR memBeRs OFTHe 5t" Dimension
MENTIONtHe CODE
BILLBOARDFOR
SPECIALRATES!
FeBRUARY 22 - MARCH 1, 2015
Ft. LAUDeRDALe GRAM TURKsAn JUACI St. THOMAS
HALF moon CAY
[email protected] : : SoulTrainCruise.com(855) SOUL TRAIN : : (855-768-5872) : : 1J Soul Train Cruise
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(10: (10(10After "Bailando"gave Iglesias hisrecord 25th No.1on Hot Latin Songs,it's now crossingover to pop radio.
WHAT LANGUAGE BARRIER?Enrique's Wailando' Is A Hit
The more I listen to it,the more I seem tolike it," says EnriqueIglesias of "Bailando."
"There's something addictiveabout this song."
The steadily pulsating track -its title translates to "dancing"- surges 23-17 on the BillboardHot loo. The song is spend-ing a 12th week atop Hot LatinSongs (where it's Iglesias' record25th No. 1), but it's breakingboundaries on radio, rising30-25 on the Mainstream Top 4ochart. Notably, "Bailando," firstreleased in Spanish (and featuringDescemer Bueno and Gente deZona), has crossed from Latin totop 4o radio with only a Spanglish
remix (and a Sean Paul guest rap)."This is a classic case of a
data -driven record," says CharlieWalk, executive vp RepublicRecords. "The Spanish versionstarted building at Latin radioaround February in Miami. Wealso saw big Shazam and iTunesnumbers. It's one of the few Latinrecords I've seen react before anypop play. It was delivering."
The song's two official videoshave further grown its profile,earning a combined 225 millionYouTube views at press time.
"Bailando" is "Enrique at hiscore," says Walk. "It just soundslike him. He went back to beingwho he is. That's why it's a hit."
-Gary Trust
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Fancy A lggy Azalea Featuring Charli XCXT.11. ,SIEIE Mt N M RO3f [A. KELLY.GABCHLSON.C, AST.SIOJ FE MORN .,f1AVF K ,100121ELDTEFUNILLS) TURNfIPSTflUSTEEGANG/Df1NM
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MEGHANTRAINORAll AboutThat Bass
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"All About That Bass" doesn't sound likeanything else that's on pop radio right now -especially the chorus, which has a doo-wopfeel. Was that intentional?I hats the best part. I remember when [KevinKadish and I] pitched it as songwriters, everyonewas like, "The chorus isn't a big chorus: We werelike, "No, that's the catchiest part of the song!That's our chorus, and we don't want to change it."So we kept it, and that's everyone's favorite part.
The title is a little bit misleading - the song is
actually about body image. How did you comeup with equating bass to a body?You know how the bass guitar in a song is like its"thickness," or the "bottom"? I related a body tothat. My producer [Kadish] had the title and said
"It's about lovingyour body -and
your booty,"says Trainor.
that none of his prior co -writers could figure outwhat to relate that to. So I said, "What about a
booty? Let's talk about that!" It's about loving yourbody - and your booty.
What inspired you to make a song about naturalbeauty?I saw a feature on The Ellen DeGeneresShowabout a model who was Photoshopped tohave extra -long arms. I was like, "This is gettingout of control. Someone needs to say something!"So when got my record deal [with Epic], andwith this song, I was like, "Perfect: I have theopportunity to say something to the world. I'll takeit." I've struggled with [body image] since I wasvery young. If other girls can relate to the song, itmakes me feel even better, -Gary Trust
5 SECONDSOF SUMMEREverythingDidn't Say
-he sixth song released aheadof this band's self -titled LP (setto debut on the Aug. 9 Billboard2001 bows high on the Hot 100thanks to 149.000 in sales. OnBillboards Twitter Top Trackschart, the song storms in at No. 1.
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Colble Carnet climbs 69-55with "Try." Streamingaccounts for 63 percentof the song's chart points,as it bullets at No. 19 in itssecond week on Stream-ing Songs. Sales make upnearly all the rest of its Hot100 points, with the balladdebuting on Digital Songs atNo. 42 (37,000 downloadssold, up 78 percent, accord-ing to Nielsen Sound Scan).In a bit of a trend, the songranks back to back on theHot 100 with newcomerMeghan Tralnor's "All AboutThat Bass" (No. 54; see Q&A,opposite page); both songsare about being proud ofyour looks. -G.T.
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This track, co -written and co
produced by midi, reached itsNo.10 Hot 100 high point onMay 31 due largely to sales. butairplay continues to build: Thetrack enters Radio Songs atNo.48 with a 12 percent gain to29 million in audience.
O KIESZAHideaway
After topping the Official SinglesCharts in the United Kingdomin April, Calgary singer -dancerMena lands her Hot 100 debutwith this throwback dance track
AUGUST 2. 2014 I WWW.13111.130ARD.COM 5
We've lost a beloved friend and collaborator.Tonight won't be the same without you, Rich.
Love,
Your family at The Tonight Show
Jenny LewisphotographedJune 16at her homein Los Angeles.
ON THE COVERChadwick Bosemanand Mick Jaggerphotographed by JoePugliese on July 21 atthe Mandarin Orientalin New York.
"I feel strong and mighty in thatrainbow suit, like a little Elton John."-Singer -songwriter Jenny Lewis on her "new" '70s look
FEATURES
36 James Brown The burden of bringingthe Godfather of Soul to the big screenfell to an unlikely pair: Mick Jagger,producer of the upcoming biopicGet On Up, and the film's leading man,Chadwick Boseman. Did they pull it off?
44 Jenny Lewis Actresses Kristen Stewartand Anne Hathaway appear in theindie rock "it" girl's new video as shecontinues to connect with upbeatmusic and "lyrics that are dark as night."
Mill:Magic How the Canadian power -pop
-11Irband - led by a one-time go-godancer - is riding "Rude," summer'scatchiest anthem, to instant stardom.
THE BILLBOARD HOT 100
3 "Rude" continues its reign; Enrique's"Bailando" surges.
TOPLINE
11 Why are festival fatalities on the rise?13 SoundCloud vs. illegal licenses.16 Zach Braff's new soundtrack.
THIS WEEK
Volume126 / No.24
THE BEAT
20 7 Days on the Scene22 Parties Premios Juventud Latin Awards,
Pitchfork Festival, Reggae Sumfest.29 Gear Try more than 2 Chainz.
30 Style Jay and Bey's "mobsterlove story"; inside Jack Antonoff'schildhood bedroom.
MUSIC
53 No I.D. and Common, Maddie & Tae,Trey Songz, Babymetal
58 Reviews Spoon, La Roux, ShabazzPalaces, David Guetta featuringSam Martin
61 Backstage Pass Midyear tour report
CHARTS
69 "Weird Al" Yankovic laughs his way tothe top with Mandatory Fun.
70 Charts92 Coda Jim Morrison and The Doors
burned brightly 47 years ago.
PHOTOGRAPHED BY JEFF FORNEY AUGUST 2. 2014 WWW.BI1E8OARD.COM 7
billboardTony Gervino
EDITOR -IN -CHIEF
Shanti Marlar Jennifer LaskiCREATIVE DIRECTOR PHOTO AND VIDEO DIRECTOR
Silvio l'ictroluongo Isabel Gonzalez -Whitaker Matt Bclloni Shirley Halperin Degen PenerDIRECTOR OF CHARTS DEPUTY EDITOR EXECUTIVE EDITOR MUSIC EDITOR CULTURE EDITOR
EDITORIALEDITOR -AT -LARGE Joe Levy MANAGING EDITOR Tari Ayala SENIOR EDITOR Alex Gale FASHION EDITOR Tasha Green
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17 DEATHS AND COUNTING:FESTIVAL FATALITIES ON THE RISE
DRUG -RELATED DEATHS SPIKE ALONG WITH CASUALTIES OF
OVERHEATING, DEHYDRATION AND ACCIDENTAL SELF -IMMOLATION -IS ECSTASY TO BLAME OR IS IT JUST THE COST OF DOING EDM BUSINESS?
On July 18, a student was founddead of undetermined causes atPemberton Music Festival in BritishColumbia. In June, two Glastonburyfestivalgoers died, a 67 -year-old ofnatural causes and another from a
suspected reaction to the anestheticketamine. At Miami's EDM bonanzaUltra Music Festival in March, asecurity guard was trampled to deathand another attendee passed away inhis car. Two more succumbed at LasVegas' Electric Daisy Carnival fromdrug -related causes, and reportedlysix at Future Music Festival Asia.
BY HARLEY BROWN
Perhaps the oddest of all, a man self-
immolated at Utah's Burning Manequivalent, Element ii. So far, a totalof 17 people have died at music fes-tivals around the world. What gives?And is EDM, which seems to see dis-proportionate numbers of deaths andserious injuries at its rave -like events,becoming the scapegoat genre?
There is no question that thenumber of deaths attributable tocontrolled substances is on the rise,but dance music is hardly the onlyhub for excessive partying. Still, it'sworth noting that until 2013, whenat least seven festival attendeesdied of drug -related causes, themajority of news-making festivalfatalities were accidental: ninepeople were crushed to death dur-ing Pearl Jam's set at Denmark'sRoskilde Festival in 2000,11
trampled at Morocco's MawazineFestival nine years later, and is at2010's Love Parade in Germany(not to mention the hit-and-runtragedy at this year's South bySouthwest in Austin when a driverbarreled into a crowd, killing four).
Many of today's festival deathscame after revelers showed symp-toms (dehydration, overheating)associated with taking MDMA, orMolly, the purest form ofecstasycommonly found at EDM events. Infact, while Ultra brought on addi-tional police for its 2013 edition, thelatest casualties prompted eventorganizers to review security con-cerns for 2015 and on, especially aftercity officials tried to ban the festival.Electric Zoo promoters followed suitfor 2014, bringing in drug -sniffingdogs and requiring fans to watch an
THE OVER UNDER
Brian O'Connell, head of LiveNation's country music division, had
a $20 million weekend thanks tosold -out stadium shows by Jason
Aldean and Blake Shelton.
Ultra Records hit YouTube starMichelle Phan with a lawsuit
alleging she has used "dozens" ofits songs in her makeup tutorials.
Asking price: $150,000 each.
David Massey's Island Recordsscored hits with rising stars ShawnMendes, Tove Lo and Kiesza's viral
"Hideaway." Next up: an Aviciialbum due later in 2014.
AUGUST 2, 2 014 WWW.BILLBOARD.COM 11
TOPLINE
anti -drug PSA, and last June, thestate of New York banned the sale of"bath salts," a designer drug that hasbeen linked to festival deaths.
No one died at Electric Zoo thisyear, but such preventive measuresstill may not be enough - especiallyas the EDM industry, valued at $6.2billion, according to an Associationfor Electronic Music report ($1 bil-lion from festivals), continues to risein popularity. This year's ElectricDaisy Carnival alone drew 400,000attendees over three days. "If youhave 5o,000 people for four days atan EDM festival dropping a lot ofecstasy, all weekend, in the sun, inthe summer, you're going to net outat the end with someone not surviv-ing it," says one concert industryinsider. "That's just math."
Legal culpability, like the suc-cessful 2012 suit brought againstInsomniac, Inc. and Los Angeles'Coliseum Commission by the familyof a 15 -year-old girl who died froman ecstasy overdose at EDC 2010,
seems to be of little deterrence. Andpreventative measures by promotersseem minimal too when you considerthe unwieldy number of attend-ees. Pemberton's Royal CanadianMounted Police, for example, "typi-cally plan to have one police officerper soo people," says Staff Sgt. SteveLeClair, who is in charge of companyoperations. Otherwise, efforts tocurb access to drugs at these eventsare practically nonexistent - NewYork Gov. Andrew Cuomo beingthe rare exception. In most cases,it's family members who voice theircomplaints, but rarely loud enough todrown out the pounding bass. 0
Body CountDeaths taint summer fests
Pemberton Music Festival, July 16-20Location: British Columbia, CanadaHeadliners: Nine Inch Nails, OutkastAttendance: 26,000 Deaths: 1
Glastonbury Music Festival, June 25-29
Location: Somerset, EnglandHeadliners: Arcade Fire, Dolly PartonAttendance: 135,000 Deaths: 2
Electric Daiay Carnival, June 20-22
Location: Las VegasHeadliners: Afrojack, Martin GarrixAttendance: 400,000 Deaths: 2
Ultra Music Festival, March 28-30
Location: MiamiHeadliners: Tiesto, David GuettaAttendance: 160,000 Deaths: 2
Says Levy:"Artistsoften tell me thatthey're honoredand thrilled" tobe parodied by
Yankovic (left), whospoofs such A -listtalentsas Lorde,
WilliamsandAzalea (from top)
on his new album.
The Economics Of Weird AlRiding high with Mandatory Fun, his first career No. 1, the king of parodies rewritesthe rule book - with the blessing of everyone from Pharrell to Iggy Azalea
BY GARY GRAFF
Weird AI equals bigbusiness.
The comedian'slatest album,
Mandatory Fun, which tops the Aug.2 Billboard 200, is his 15th chartentry in a career that spans 30 yearsof parodies - and his first No. 1.
Credit an ambitious rollout inwhich eight different clips werepremiered across a range ofonline outlets including Reddit,YouTube and Nerdist, along withthe simple fact that Yankovic, a
viral video trailblazer before sucha term existed, is well -suited forthe immediacy of the Internet.Then there's the music -a take on
Pharrell Williams' "Happy" called"Tacky," Robin Thicke's "BlurredLines" reimagined as "WordCrimes" and Lorde's "Royals"unfurling into "Foil," amongother hilarious sendups - whichhas been blessed by the artiststhemselves.
And therein lies the brilliance ofthe Yankovic economy. Althoughparody falls under the fair use
provision of U.S. copyright laws(meaning Yankovic, 54, doesn't needpermission to parody a song), it haslong been his personal practiceto get approval from the artists,even if it means relinquishing allsongwriting royalties that come withhaving composed new lyrics.
Yankovic's manager of threedecades, Jay Levy, says he offersa boilerplate deal. "For breathinglife into the parody and writing thelyrics, we think Al deserves a portionof the writer's share of royalties," heexplains. But the pair can be justas persuasive by agreeing to takenone of the publishing share. Sony/ATV, for example, allows Yankovicthe right to change lyrics in parodystyle but retains 100 percent of thepublishing for those songs.
What does Yankovic get out ofrelinquishing such earnings hecould rightfully claim? Performanceroyalties, for one, via online viewsand streams, downloads andTV broadcasts, and braggingrights of another kind: An artist'sendorsement via social media cangreatly multiply an audience.
Levy says he deals mainlywith artists' managers, althoughoccasionally with the talent directly- for "Fancy: Yankovic traveled toDenver to meet with Iggy Azaleaand had to track down Williams'personal email address to get"Tacky" approved. Yankovic says he
prefers to stay out of the wrangling,deferring to Levy "for those kindsof discussions. He always goes forthe best deal he can. Mostly I'm justconcerned with whether I can dothe song or not. As long as get agreen light, I'm happy."0
Weird Al's Mandatory FunConquers The InternetA clip -by -clip look at thelead -up for his July 15 release
DATESONG/ SPOOF OR YOUTUBEEVENT ORIGINAL HITS
Monday,July14
Tuesday,July15
Pharrell"Tacky" Williams' 3.8M
"Happy"
"WordCrimes"
RobinThicke's"BlurredLines"
9.8M
Wednesday,July16
Lorde's"Royals"
11.5M
Thursday,July17
"Handy"Iggy Azalea's
"Fancy"N/A
Friday,July18
"SportsSong"
an
originalsong 114K
Saturday, "First World an
July 19 Problems" original song290K
Sunday,July20
"LameClaim toFame"
an
originalsong1.4M
Monday, "Mission an
July21 Statement" originalsong 49K
Sources: Twitter, Google, YouTube and NerdistIndustries, as of July 22. -Compiled by William Gruger
12 BILLBOARD I AUGUST 2.2014
SoundCloud Gets HeatFrom Illegal LicensesPolicing the so-called YouTube of audio has made enemiesof former loyalists like Kaskade
BY MEGAN BUERGER
Arecent rise in the number of tracks flagged and removed bySoundCloud's automatic piracy detection system has some wonder-ing about the uneasy dance between the site and its key users: DJs.
Widely hailed as the YouTube of audio, SoundCloud was once aplayground for emerging producers to upload and share music for free, largelyunpoliced. But with more than 25o million active monthly users, the platformhas outgrown its underground roots and seems to be playing by therules. To wit: Superstar DJ Kaskade (real name: Ryan Raddon)left the platform after 32 of his files were flagged as potentialcopyright violators and taken down. He later posted a letter onhis website begging lawmakers and file -sharing websites to"free the music." It could be a while.
Sources within SoundCloud reveal that the site is in talks(how far along is unclear) with record labels for licensingdeals that would trade equity for the freedom to con-tinue sharing copyrighted songs on the site. Congressis also debating whether current copyright laws shouldbe revised. Some involved believe the hearings couldgo on for at least another year. "They're in the weeds,"says Greg Barnes, general counsel for the Digital MediaAssociation. "I don't see it ending soon."
In the meantime, DJs are struggling to find a home forcovers, mashups and remixes, which often serve as theircreative currency, and there are few, if any, file -sharingalternatives that offer SoundCloud's exposure. Still, addsChristopher Sprigman, who teaches law at New YorkUniversity, "Fair use is not an algorithmic thing. It's a case -
by -case call. Those calls shouldn't be made by robots."0
How To AvoidA Lawyer Letter4 steps to hassle-lite uploading
Opt For The
Public Domain
Anything more than
70 years old should
be fair use and
copyright -free.
Obscure The Obscure"Take a small piece
of an obscure song
and distort the hell
out of it," says Eric
Steuer, media advisor
at nonprofit Creative
Commons, which
facilitates legal
use of creative works
online. "The more you
transform something,
the stronger your
fair -use argument."
Mind The LengthSmaller samples are
a safer bet. Says
Barnes: "Six seconds
of a four -minute
song will cut in your
favor."
Look For A Creative
Commons LicenseMarked by a universal
symbol attached to
photos, videos and
music files online,
these licenses are a
way for artists and
companies to signal
that they have granted
copyright permissions
to their creative
work. -KB.
LET THEM SING 'CAKE'
In pop songs cake rarely means food. Here's a look at the word'salternate meanings in a recent spate of sweet -toothed tunes
"Ws not even mybirthday/But he
want to lickthe icing off"Meaning: Sex
Trey Songz"Cake"
Rihanna"Birthday Cake"
"Lay your bodydown all over my
plate/Once I blow thecandles out,
put it in my face"Meaning: Sex
BY HARLEY BROWN(7---
Verseincludes
pound cake, upside-down cake, clown cakes,carrot cake, icing ...
Meanings: Money,shady individuals,
fools, a pun onkarats, d iamonds
Lupe Fiasco"Light Blue"
JayZinDrake's"Pound Cake/Paris Morton
Music2"
"My cake'spaper/No weightshakes/Tell your
mama thiscake's great"
Meanings: Money,actual cake
sts shouldve a say in
wh t the dealshere they
area d for howlong,"s ys Byrne
of digital pactsmade by labels and
publishers.
0/ADAVID BYRNE BATTLESFOR A BIGGER SHARE
As Congress debates copyright,the icon makes a case for his peers
BY GLENN PEOPLES
Arecording artist, songwriter, labelfounder, producer, author, actor: DavidByrne, 62, has seen the entertainmentbusiness from many sides during his
four -decade career. Amid hearings on copyrightand music licensing before the House JudiciaryCommittee, Billboard reached out to Byrne -amember of the newly formed Content CreatorsCoalition, a group of musicians, authors and othercreators seeking better terms for online use of theirworks - for some thoughts on the state of artists'rights. He responded via email from London. (Readthe full interview on Billboard.biz.)
What can Congress do to help artists?think that artists in general can be given more
agency regarding what happens to their work.I don't own my own old recordings, a similarsituation to many artists, so I have no say whetherthey are licensed to YouTube, Spotify, Beats orApple; for what percentage; and for how long.Philosophically, I think the issue is: Do we alwaysdo what is best for the consumer in the short run,or do we think more long-term about our cultureand quality of life? Is the giant corporation thatunderprices everyone else best for our future?
How has the decline in sales of recordedmusic affected you?I've always been budget conscious, but evenmore so now. I'm lucky: I came up when recordcompanies still spent on marketing -a lot ofthose budgets have dried up now. I tour regularly,yes, but no more than I used to. It is a source ofincome, more than sales of recordings, but alsofeel the concertgoer deserves his or her money'sworth. Tickets aren't cheap ... For creatives, otheravenues could be a way to survive.
How can artists' needs be balanced with theneeds of digital services?There needs to be transparency: Artistsshould have access to data on their streamingincome in a way that's comprehensible. I'vebeen trying to understand my Warner Bros.streaming data for years now.O
AUGUST 2, 2014 WWW.BILLBOARD.COM 13
TOPLINE
HEAR SAY
A Look At Who's SayingWhat In MusicCOMPILED BY KARA CUTRUZZULA
"You know, I haveslept with a lot of
guys in the industry,but none of themhelped me get my
record deals. Whichis annoying."
-LANA DEL REYThe singer, replying to whetherthere was any truth to her song"F-ed My Way Up to the Top."
"Can you be uglyonce? Can you
be normal? You'resuch a jerk -off!"
-LEAH REMINIThe actress, yelling at her
best friend J.Lo for being toofashionable during a poolsideafternoon in the Hamptons.
"We make musictogether. We makemusic. I'm readyto play kickball!"
-CHRISTINA MILIANThe singer, dodging a question
about whether she's datingLil Wayne -who recently signed
her to Young Money Entertainment- while en route to a celebrity
kickball game.
"Curvy and Proud"-LADY GAGA
The singer, captioning a black -and -
white photo of herself sitting atopa car on Instagram, af ter recent
criticism about her weight.
14 BILLBOARD I AUGUST 2, 2014
"They're like: 'It'sa gold toilet.' No.The bathrooms -[normally] Porta-Potty[s] - were
wrapped in a fabricthat was neutral to
match the fort."-KANYE WEST
The singer, refuting that his lavishwedding featured a "golden toilet."
"It happened in a
split second. It waspure instinctive
reaction. I think youjust got to move on."
-TIM McGRAWThe country star, responding toan online video that showed him
slapping an overeager fanwho grabbed his jeans during
a July 13 concert in Atlanta.
"Not in the WhiteHouse, but inthe bathroom."
-SNOOP DOGGThe rapper, replying toJimmy
Kimmel's inquiry about whetherhe has ever smoked at
1600 Pennsylvania Ave.
"Tape the soundofyour baby soncrying. Let him
listen to the tapewhen he is goingthrough pain asa grown man."
-YOKO ONOThe artist and activist, doling out
parenting advice on Twitter.
The Science ofHeadbangingRecent reports of serious injuries - from brainbleed to stroke - are making fans and musicianswonder: Is rocking out hazardous for your health?
BY CHRISTA TITUS
ten a recent report in a British medical journalrevealed that headbanging could cause brain dam-age, as it did for a so -year-old M oto r head fan who,after a January concert in Germany, was discovered
with bleeding on the brain, rockers took note. Vigorous headbang-ing, as doctors surmised was the cause of the man's persistentheadaches, caused the condition, which worsened in the monthsafter the show. Eventually, the man had fluid in his brain drainedvia a hole drilled in his skull and the headaches ceased.
While the story certainly made for an eye -grabbing headline,and prompted visions of everyone from Foo Fighters' DaveGrohl to Korn bassist Fieldy, Dr. Christopher Mandigo, assis-tant professor of neurosurgery at the Spine Center at ColumbiaUniversity Medical Center (who did not treat the patient), says thehubbub was blown out of proportion and that such incidents arerare. "There's nothing inherently dangerous in [headbanging].It's no different than riding a Jet Ski," he says with a laugh. "If youlook hard enough in medical literature, you can find these kind ofsubdural hemorrhages associated with almost any activity."
Still, there is a physiological change that humans experiencearound age so when the brain begins to shrink, so it doesn't fit assnugly inside the skull as it once did. "Think of the brain as a carpassenger. If you're moving your head vigorously back and forth,the brain is moving inside the skull," says Mandigo. "So if it's not
perfectly matched [to the skull's size] anymore, it can tear veins."Unsurprisingly, musicians have suffered repetitive stress
injuries after years of headbanging and thrashing about whileperforming. Slayer singer/bassist Tom Araya developed apinched nerve and two herniated disks, and Megadeth singer/guitarist Dave M u stain e now has a spinal condition calledstenosis. Evanescence guitarist Terry Balsamo and Stone Sourdrummer Roy Mayorga both had strokes after developing ablood clot and a dissected artery, respectively. Mandigo says ofthose cases that headbanging "might have been the match thatlit the kindling of the fire, but it was years of that behavior, ontop of other factors we don't really fully understand" that cre-ated such health problems. 0
Lyor Cohen's 300 EntertainmentHits Its First Home RunBaseballer-turned-rapper Mike Stud surprises with chart -topping debut
BY GAIL MITCHELL
Eight months after launching300 Entertainment,principals Lyor Cohen, ToddMoscowitz and Kevin Liles
are toasting their first No. 1 album:Closer by 25 -year -old Mike Stud.
The college baseball pitcher -
turned -rapper surprised chart -
watchers when he toppedBillboard's Rap Albums tally in theissue dated July 26 with 15,000in first -week sales, accordingto Nielsen SoundScan. Equally
impressive: Stud's out -of -nowheredebut, distributed via WEA/Atlantic, came without the benefitof a costly radio campaign, becausethe deal closed so quickly. Instead,Closer was powered by the titletrack's 300,000 YouTu be views, a
Pandora pre-release album stream,and a 33 -city national tour.
"Mike is developing a strongbase the old-fashioned way," saysCohen, "Growing it city to city, onevenue at a time."0
PLAYLIST: ZOE SALDANAThe Guardians of the Galaxystar dishes about her personal
soundtrack
Bjork, "It's Oh So Quiet"
"I like scaring my mom by
playing it in the car. It
starts out so quiet and then
I blast it. It always makes
my mom really frazzled."
Coldplay, "Magic""I've been listening to Coldplay a lot,
and 'Magic' is a really nice song."
Sia, "Chandelier""I'm obsessed with Sia. I'd love to be
her best friend."
Calle 13, "Latinoamerica""It's a song by a Puerto Rican spiritual
rap band that I listen to at least once
a week."
ILLUSTRATION BY PETER ARKLE AUGUST 2. 2014 WWW.BILLBOARD.COM 15
TOPLINE
The Sound of Hollywood
Can Zach BraffLand AnotherGarden State?The soundtrack to Kickstarter-fundedWish I Was Here mines familiar ground
BY HARLEY BROWN
Zach Braff is pretty confident the soundtrack tohis new film, Wish I Was Here, which openedJuly 18, won't be a platinum blockbuster likethe one from his 2004 directorial debut,
Garden State. "Selling 1.5 million copies in this day andage is ridiculous," says the actor-director. "People don'tbuy music like that anymore." To keep his signatureindie soundtrack style relevant, Braff, 39, assembled a
lineup of covers, rarities and originals "so people wouldwant to relive the film through the music," he says.
OUESTLOVE'SLATEST BEAT
The Roots drummer andFallon bandleader tries hishand at producing a TVseries with Soundclash
BY PHIL GALLO
16 BILLBOARD I AUGUST 2, 2 014
B. "My daydream wasto share what !created
withartists !reallyadmire," says Braff
(right), seen herewith actors Pierce
Gagnon (middle) and'Joey King in a scene
corn Wish Was Here.
Wish I Was Here, in which Braff plays a 35 -year-oldunemployed actor struggling to find his purpose in life,isn't a direct continuation of his first effort, but the twofilms share elements of depression and introspection."I wasn't shy about being a struggling actor again," hesays, adding that he aspires to make identifiable films"like Woody Allen's." That also goes for soundtracks:Braff commissioned songs from The Shins' JamesMercer, Bon bier's Justin Vernon, and a Cat Power/Coldplay tag -team; tracks from Paul Simon andHozier were included as well.
The Vernon and Cat Power songs both peaked atNo. 3 on Billboard's Twitter Trending 14o chart, a
phenomenon that reflects Braff 's and, increasingly,the music industry's reliance on crowd -sourcing. A$3 million Kickstarter campaign funded Wish I WasHere, drawing criticism from some who thoughtBraff didn't need the money. "The cost of releaseis so great," he says. "Social media allows you to godirectly to fans."
The methodology for choosing the soundtrack'sother songs was more intuitive. "We'd point to thehair on our arms, and when it's standing on end," hesays, "that's a candidate." 0
For Sia's July 30 appearance onVH1 and digital cable channelPalladia's Soundclash, the firstseries executive -produced
by Ahmlr"Ouestlove"Thompson,43, the singer -songwriter performs"Chandelier" with her back tothe audience. (She'll later coverBeyonce's "Drunk in Love" withEd Sheeran and Grouplove.)Questlove (left) says booking an
artist renowned for refusing to do
promotional appearances was thelive -music show's first coup.
"Of all the acts, that was thehardest sell," says The Rootsdrummer and The Tonight ShowStarring Jimmy Fallon bandleader."When her name was brought up,
I thought, 'Well, that's not going tohappen.' I gotta say, my first majorexecutive decision - the thing thatmade me feel like this really is my
show - was [to offer her] a situation
'IT MAKES MYHEART EXPLODE'
Actress Jena Malonemoonlights withband The ShoeJena Malone might be best
known for her roles in The
Hunger Games: Catching Fire,
Stepmom and Donnie Darko,
but the 29 -year -old actress
has another passion: the
antique folk she makes with
multi -instrumentalist Lem
Jay Ignacio as The Shoe.
Malone, like her friend Zooey
Deschanel, is one of those
rare Hollywood stars who
can move from blockbuster
to busker. She recently
finished a tour supporting
the duo's debut LP, I'm Okay,
and production for parts one
and two of Mockingjay, the
final installments of the
Hunger Games franchise.
After several years of
performing solo as The
Shoe, she connected with
Ignacio at a Christmas party
when the two freestyled
a 10 -minute "Winter
Wonderland" with "mythical
Portuguese" lyrics.
Such improvisational
live shows often incorporate
letters or quotes from
Malone's devoted fans.
"Getting to be with them
in such a personal way,
it makes my heart explode,"
she says. -H.B.
where we hide her in the back."The unique element for the show,
which featured Fall Out Boy, T.I. andLondon Grammar in the first of 13planned episodes, is its at -star finale,in which the artists gather togetherfor a cover or a rendition of one of the
artists' hits."There's a risk factor involved,"
Questlove notes. "You don't wantto scare people off, but I do want tobring a bit of spontaneity:0
a
!
Jock Jams: The SongsThat Pump Stadiums UpA look at the rock, pop and hip -hop crowd-pleaserstaking over the PA at sporting events
BY ROY TRAKIN
More than a century has passedsince Jack Norworth wrotethe lyrics to "Take Me Out tothe Ballgame" in is minutes
during a train trip to Manhattan. Andanyone who's been to a sporting eventin the past decade knows that the musicprogramming has moved far beyond thestandard stadium organists.
"Rock'n'rollers have taken over thestadium. There's nonstop music, pinballnoises, flashing lasers," says Fred Traube,head of Watertown, Conn. -based ProSports Music Marketing, who works with
major labels and artist managers to pro-mote music to pro and college ballparks.
And even though Michael Steinberg,BMI senior vp licensing, says the moneyearned from blanket licensing of the per-forming rights organization's catalog tosporting venues is a small fraction of itsSi billion annual revenue, it has doubledduring the past decade.
The music in stadiums motivates notjust the fans but also the players. Phish's"Wilson" became a rallying cry for SeattleSeahawks quarterback Russell Wilsonduring the team's drive to the Super Bowl
in 2013, and many players have signature"walk-up" music. "A song can pump youup and get those emotions flowing," saysLos Angeles Dodgers center fielder AndreEthier, whose walk-up songs have included"Royals" and "Team" by Lorde. Anothercandidate: Imagine Dragons' "Demons,"a favorite of his kids, ages 6 and 4.
As perennials like Queen's "We WillRock You" and Blur's "Song z" getworn out, the playlists have gottenmore current - like Pro Sports MusicMarketing's latest top five sporting eventsongs (at right). 0
From left: DodgerscenterfielderEthier,
Lillon,DJSnakeandSeahawks
quarterback Wilson.
Top 5 ArenaAnthems
1. D3 Snake & Lil
Son "Turn Down forWhat"2. Pharrell Williams"Happy"3. Calvin Harris"Summer"4. Dillon Francis &
D3 Snake "Get Low"5. A3R "I'm Ready"
Based on Pro Sports MusicMarketing surveyof stadiumsand arenas in July2014.
CinemaLive
This past weekend Cinemalive distributed the.hest grossing music event of all time
to UK cinemas, as part of a global cinema release.
Will your Artist be next?
+44 (0)20 7100 3333 www.cinemalive.com
TOPLINE
CORNER OFFICE
CHAIRMAN/CEO OF WARNER BROS. RECORDS
AND WARNER/CHAPPELL MUSIC
CameronStrang
With Nico & Vinz and The Black Keysin his stable, he reveals why 'being thebest' matters more in a three-way race
BY ROY TRAKIN
PHOTOGRAPHED BY RYAN YOUNG
The only major -label head to alsooversee a music publishing company,Vancouver native Cameron Strang,47, has his roots in the indic world as
founder of both New West Records and SouthsideIndependent Music Publishing after practicingcriminal law. The latter's acquisition by Warner/Chappell in 2010 led to his taking over jointleadership of both the publishing giant and, in2013, Warner Bros. Records. The son of an operasinger father, who was also a child prodigy pianist,Strang grew up surrounded by classical music andthen The Band, Neil Young, Bob Marley andThe Rolling Stones, learning the cultural powerof rock'n'roll through his politically motivatedparents, who hosted early Greenpeace meetingsat their home.
The low-key exec - who lives in Los Angeleswith his wife and three kids - has proven aneffective leader, guiding Warner/Chappell for thefirst time ever to ASCAP pop, country and rhythmand soul publisher of the year honors. His recentlabel successes include chart-toppers Nico & Vinz("Am I Wrong"), Jason Derulo, The Black Keys(who scored their first No. 1 album), Passenger,Macklemore & Ryan Lewis and Grammy winnerGary Clark Jr.
You started New West, which was Americanabefore it was ever called that.I'd say my tastes were broader than the recordswe were putting out, but I loved those artists-Drive -By Truckers, Ben Lee, Steve Earle,Dwight Yoakam and John Hiatt - and thosealbums. I had seen a lot of them perform, and thatwas really the impetus for signing them.
What did you learn from your indie exper-ience that has proven useful at Warner?As an entrepreneur, it's about the risk, survival,
going against the odds, will ... all of those thingsthat actually mesh very well with the musicbusiness. Learning to communicate with artistsand the creative community, being in the studio,building a team. New West started as one person,me, but grew to include 25 people, a successfulpublishing company and a label that sold millionsof CDs all over the world.
How do the publishing company and therecord label complement each other?Songs need somebody to record them, and artistsneed songs to record. One of the things I love iswe have owners who are willing to think differ-ently, be more nimble and act quickly.
[Warner/Chappell president] Jon Platt is agreat leader, terrific guy, amazing executive andincredible publisher. We populated that com-pany with music fans who understand what we'retrying to accomplish, which isprovide incredible service toour songwriters, producers andpublishing partners. It's aboutgreat songs, getting great artiststo cover them and having a teamof passionate music people atboth companies.
You recently entered a
strategic partnership withShazam.It's a perfect example of being
"The culture here,firstandforemost,
is creative. Second,entrepreneurial.Third,forward-thinking,"says
Strang, who wasphotographed
JulylOin isLosAngeles off ice.
willing to embrace the future and new technol-ogy. Shazam's obviously a company that is at thecutting edge and forefront of music and technol-ogy. Those are the kind of people we want to bein business with, to try to provide more outletsfor our artists and the music they're making.
How do you feel about being third in a three -
company market -share race?Warner/Chappell had the biggest market sharefor one week until Sony/ATV acquired EMI. Wewent from last to No. i in 18 months, and thentwo and three merged to become No. 1. Howsomebody translates two companies buying eachother to become the biggest into being the best isbeyond my comprehension. We were the biggestfor only a week, but I think we've been the bestthe whole time. And I look at it the same on therecorded -music side. 0
=11111111641
1. One of the firstPono Music players,autographed by Young.2. A 2012 Billboardarticle marking Warner/Chappell's f irsttime as
No. 1 in market share.3.A bobblehead dollof That Thing You Do!co -producer GaryGoetzman. 4. A ukulelemade out of a gourd, withStrang's initials carvedinto the body.
18 BILLBOARD I AUGUST 2. 2014
07-17
07-18
07-19
ss
ki
Levine(right) and
Prinsloo
Richard Nichols, who managedand produced The Roots fortwo decades, died in his nativePhiladelphia after a long battlewith leukemia. He was 55. "Hewasn't just a manager: He wasour Peter Grant, our GeorgeMartin, our Malcolm McLaren,"says Roots drummer Ahmir"Questlove" Thompson. "He wasour brain trust, the adhesive thatkept us together all this time."
Alicia Keys parted ways withmanager Will Botwin at RedLight to sign with Maverick's RonLaffitte and Guy Oseary.
eHarmonyhired LimpBizkitfrontmanFred Durst todirect threecommercialsfor the datingsite, titled"Caroline and Friend," "Witch/Ogre" and "Bouquet." The formeris currently testing, while thelatter two ads are slated to hit themarket in August and September.
Maroon 5 singer Adam Levinemarried Victoria's Secret modelBehati Prinsloo at Flora Farmsin Cabo San Lucas, Mexico. Theceremony was officiated by actorJonah Hill, brother of Maroon 5manager Jordan Feldstein, infront of more than 200 guests.
Glee star Naya Riveramarried actor RyanDorsey in Cabo SanLucas. Longtimefriends, theirrelationship blossomedinto a romance shortlyafter her engagementto rapper Big Sean ended in April.
Centenarian jazz musicianLionel Ferbos, believed to be theoldest working jazz musician (he
07-21
07-22
performed regularly until 2013),died at his home in New Orleans.He was 103.
"Blurred Lines" singer RobinThicke and his estranged wife,actress Paula Patton, put theirHollywood Hills home on themarket for nearly $3 million.
Country star Shania Twainannounced she will end her LasVegas residency on Dec. 13, twoyears after she began her run atCaesars Palace.
Capitol Music Group signeda multiyear, worldwideagreement withGrammy -winningsongwriter/producerRodney Jerkins' EvolveMusic Group.
Veteran Primus drummerTim Alexander successfullyunderwent open-heart surgeryand is recovering, after suffering a
heart attack on July 18.
All Def Digital, the entertainmentnetwork co-founded by musicmogul Russell Simmons,appointed Sanjay Sharma as
its first president/COO. Sharmapreviously served as executivevp strategy and businessdevelopment at the gaming -
focused YouTube multichannelnetwork Machinima.
Reggaeton star Yandel signedwith Creative Artists Agencyfor worldwide representation inall areas.
Pandora hired former vp digitalmedia at Columbia Records LarsMurray for the new position of vp
industry relations. Murray will workin the company's New York office.
07-23
07-24
BIRTHDAYS
July 24 July 27Kristin Chenoweth Pete Yorn (40)
(46) July 28Jennifer Lopez (45) Soulja Boy (24)July 25 July 29Thurston Moore (56) Martina McBride (48)July 26 John Sykes (55)Mick Jagger (71) July 30Darlene Love (73) Kate Bush (56)
Paul Anka (73)
Singer -actress Hilary Duffsigned to RCA Records, withher upcoming fifth studio LPdue out this fall. The firstsingle, "Chasing theSun," will be releasedJuly 29.
Ocho Mule Records,Guster's own label,and Nettwerk MusicGroup announced theirpartnership in Guster's upcomingseventh album for worldwiderelease in 2015.
AEG's Lee Zeidman was namedpresident of Los Angeles' StaplesCenter; Nokia Theatre and L.A.Live fall under his purview as well.
Nick Jonas signed with IslandRecords. His solo album is due outlater this year.
OVERHEARD
Please, Jagger, Don't Hurt 'EmHollywood hit Harlem for the afterparty tothe July 21 premiere of Get On Up. At a tenterected across the street from the ApolloTheater, film producer Mick Jagger workedup a cold sweat of his own, dancing to classicJames Brown jams DJ'ed by one of the film'sstars, Craig Robinson. Plenty gotto see Jagger's moves as TheRolling Stones frontman boogiedalongside actors Octavia Spencerand John Slattery, SaturdayNight Live executiveproducer Lorne Michaelsand some local elders. Allwas going swimminglyuntil Robinson decided totake a piano solo and run
through a medley of suchRbinson
hits as "Purple Rain" and "IWill Survive" and clearedout the room.
BeatalyKip Kouri, founder of Tell All Your FriendsPR (Yoko Ono, Sylvan Esso), was allegedlyinvolved in an altercation with staff at MarioBatall's Eataly food emporium in New York inwhich a plate glass window was shattered.Says a rep for Eataly: "Our staff has the dutyand obligation to maintain our premises safeand orderly for all the other guests." Kourideclined to comment.
Lose SomebodyKings of Leon have parted ways with BigHassle Media, which had handled the band'spublicity for 11 years.
Got gossip? Send to tips@
billboard.com.
Igt Kings of Leon
AUGUST 2, 2014 WWW.B1LLBOARD.COM 19
Top left: The
Replacements'Tommy Stinson(left) and PaulWesterbergduring theForecastleMusic Festival atLouisville, Ky.'sWaterfront Parkon July 20. Middle:Selena Gomez at theIschia Global Film andMusic Festival on July18 in Ischia, Italy. Right:Billy Joel at Chicago'sWrigley Field on July 18.Left: Ellie Goulding atthe Benicassim MusicFestival on July 17 inBenicassim, Spain.
Top left: Snoop Dogg(right) with Bob Sagetat the Pemberton MusicFestival on July 19 inCanada. Top right: StylistCleo Wade, DJ Mia Moretti,singer Margot and artistKate Greer (from left)at the Emporio ArmaniSounds), Standard SoundsMusic Series -Vol.1 atthe Standard on July 22 inNew York. Bottom right:Emmylou Harris at theBuckle Up Music Festivalon July 19 in Cincinnati.Bottom left: Ringo Starrat the Greek Theatre onJuly 19 in Los Angeles.
re
20 BILLBOARD I AUGUST 2. 2014
PAUL 4 LIM:
Top left: Kiss' GeneSimmons at theCruzen Amphitheatreon July 22 in WestPalm Beach, Fla. Topright:Asher Monroe,Chris Brown. KevinMcCall (eke K -Mac)and DJ K haled (from
left) at the Kiclen liferCharity Celebrity KickBell Game on July 19in Glendale. Calif.Right: Ne-Yo at BET's1065Park on July 21in New York.
Far left: GustavoDudamel,JohnWilliamsand Gustavo Santaolalla(from left) arBehindthe Score: The Art ofthe Film Composer" atthe BIngTheateron July21 in Los Angeles. Left:Body Count's Ice -Tatthe Roc kstar EnergyDrink Mayhem Festivalon July 17 in Clarkston,Mich. Right: VinceGillhosted "Insight:IconicArtists and the GearThat Inspires Them" tokickoff Summer NAMMon July 16 at MusicCityCenterin Nashville.
0,1..410,5: SPLASH IIIWSAIROW, ILINI11.<111VIS. /IMO: BENNETT gn4LIIVBIT/ 401, 14.4E5. GILL. RICRIMMOSD/4111,601.11. vookonvicerr.1.04[5.4.10.0.4.641118UVREOrf06.11, WAGES ST NS.: ...Ate
AUGUST 2, 2014 I WWW.BILLBOARD.COM 21
The Beat
PremiosJuventud(Latin YouthAwards)MIAMI JULY 17
"Every time I'm onstage I'm close to my fans andI'm the happiest person in the world," beamedsuperstar Enrique Iglesias to the deafen-ing crowd at Univision's Premios JuventudAwards, held at Miami's BankUnited Center.The fan -voted "youth awards" showcased theartists who were this year's top dogs, and Iglesias'spirits visibly soared as he accepted the SupernovaAward from actress Roselyn Sanchez. The event,which averaged 4.3 million viewers through the night(according to Nielsen), also feted bachata croonerRomeo Santos, who tied Iglesias with five honorsduring the telecast. Gerardo Ortiz and Pitbull alsosnagged top nods, with Ortiz taking the My RegionalMexican Artist category and 33 -year-old Pitbullwinning the Youth Idol title. During his speech, theMiami -bred rapper thanked his hometown ("WithoutMiami, there is no Pitbull") and also got political witha reference to the immigration issues dominating thenews, dedicating the honor to "the children and fami-lies trying to cross the border, looking for the Americandream." The real surprise of the evening, though, waswhen Ricky Martin and Jennifer Lopez stunned theaudience with a virtual performance of a special ver-sion of "Adrenalina" with Wisin . -Leila Cob o
Above: Singer Leslie Gracearrived in style. Aboveright: Austin Mahone sang"Mmm Yeah." Right: Santostied Iglesiaswith five wins,including for Voice of theMoment. Bottom left:Theever-present Pitbull.
univision
Left: Ortiz finds himselfin a tight spot. Right:Prince Royce onstageaccepting an award.
IN1/4ihr 1
Above: BrothersMarcelo, Andres andAlex Michelli of theband Sonus in thepress room. Right:Iglesias with one ofhis five accolades.Below: Becky Gperformed her hit"Shower" with a
backup dancer.
22 BILLBOARD I AUGUST 2, 2014
I
Gibson Brand'sAP Music AwardsCLEVELAND, JULY 21
Left Carlos Visesalso performed.Right The late lenniRivera's daug hter,Chiquis Rivera, glowsIn agolden matador -
Or;inspired gown.
ir-
Top left: The Smashing Pumpkins' BillyCorgan received the APMA's VanguardAward.Top right TwentyOne Pilots'Josh Dun heft) and Tyler.loseph.Above:Cleveland rapper Machine Gun Kelly.Left: Aerosmith's Joe Perryonthe redcarpet at the Rockand Roll Hallof Fameand Museum. Right Paramore's HayleyWilliams. Below: Icons Joanlett andSlash rockedout together.
AUGUST 2, 2014 I WWW.BILLBOARD.COM 23
The Beat
Pitchfork Music FestivalCHICAGO, JULY 18-20
The ninth annual Pitchfork Music Festival seemed to be havinga stroke of bad luck in the weeks leading up to it (as detailed inBillboard's July 18 article "Is Pitchfork Fest Cursed?"). But per-haps the pall has been lifted, as it was all smiles in Union Park,with some of Chi -Town's most pleasant temps to date (high 7osall weekend). Beck played a hits -heavy headlining set on July 18,while camera -shy Neutral Milk Hotel toplined a reverent set onJuly 19 celebrating the band's limited '9os discography. KendrickLamar graduated from 2012 side -stage performer to closing out thewhole shebang with a ferocious crowd-pleaser the night of July 20,
with "Backseat Freestyle" hitting hardest. Elsewhere, GiorgioMoroder celebrated his disco legacy on the Red Stage, Grimespreviewed mainstream R&B-leaning material from her upcom-ing sophomore album, and St. Vincent redefined headbangingwhen she used her own visage as percussion for her set the nightof July 19. ("Icing my face after the crazy fun show at PitchforkFest. Thank you, all!" she later tweeted.) One of the best appear-ances at Pitchfork, however, wasn't on a stage: Marnie theDog, a iz-year-old female Shih Tzu who has become a bit of anInstagram sensation, posed with musicians throughout the fest.
-Andrew Hampp
NOW YOU KNOW
Marnie the DogAGE: 12
OWNER:TVproducer ShirleyBraha
BREED: Shih Tzu
INSTAGRAMFOLLOWERS:51,567
CELEB FANS:Perfect Pussy'sMeredith Graves
(left), EarlSweatshirt, MileyCyrus, Sky Ferreira,Neon Indian
Reggae SumfestMONTEGO BAY, JAMAICA, JULY 13-19
Left: DIIV's ZacharyCole Smith (right)andgirlfriend Sky Ferreira.Top: Lamar during hisheadlining set. Upperright: Rothko's TomPage (left)and Ben Pagewith Neneh Cherrybackstage. Bottomright: Grimes, flankedby her backup dancers.
Left: Fans took a self ie
backstage with KatDahlia (right). Center:Wiz Khalifa. Right:Sean Paul (in blue suit)backstage with hisdancers and band.
24 BILLBOARD AUGUST 2, 2014
Left: Singer JasonDerek,. Right: TheVoice season -f lye
inner, Jamaica'sown Tessanne Chin.Far right:I-Octene.Bottom: Nature(left) with Dann -Ibackstage.
I. AI., L 111.401neTrrenTwwes. SI, EORC. TILIW &MONA. I0111. MMBLGRIMES MATT MM... NEINIVPAGE.NIEL 80.415X /MEL NE/WRY RIGCAI LAVES, Pi101.11.1.11 9,41.1110/LOMY
Top left:St. V'ncent. Top right:Songwriter -producer Moroder(center)visited music agencyComma's Chicago studio withhis wife, Francisca Moroder(far left), pictured with (fromleft) Comma's Bryan Rheude,former BillboardstafferMichael Paoletta and BonnyDolan. Right: Beck. Bottomright: Isaiah Rushed, EadSweatshirt and SZA (from left)backstage.
AUGUST 2, 2014 WWW.BILLBOARD.COM 20
The Beat
Interior of Kinmont Restaurant (above); a
cocktail from Three Dots and a Dash
Clockwise f rom top:Lollapalooza 2013,NicoOsteria's lobster spaghettiand the Hideout
THE BUZZ
10 Windy City Wow SpotsHow to lounge about in Chicago between acts at Lollapalooza
BY ALIA AKKAM
Music will dominate your days(and nights) at Grant Park, siteof Lollapalooza 2014 (Aug. 1-3).But in between the festival's
performances, which will include Eminem,Outkast and Lorde, take in some of the bestChicago has to offer. The Windy City, inparticular the art gallery -lined River Northneighborhood just beyond the Loop, is rifewith impressive food, drink and, if you haven'tquite had your fill of live music, a number ofoffbeat venues and new hotspots.
1. The Godfrey Hotel Chicago,127 W. HURON ST. The hotel's expansive (andrelatively new) indoor -outdoor rooftop loungeoffers a sleek fire pit, exhilarating skyline viewsand a bar cranking out Cognac -laced root beerfloats. The 221 fashionable guest rooms flauntartwork and wet bars.
2. SoHo House Chicago, 113-125 N. GREEN ST.Officially opening in August, the members -
only club will host private events Aug. 1-2during Lollapalooza. Expect lots of modelsper square foot at the post -show lounge,where they'll be checking out a lineup of DJsand guest performers.
3. Kinmont Restaurant, 419 W. SUPERIOR ST.
Towers teeming with shellfish and garlickyclam -and -mussel -laden fisherman's steware among the centerpieces of this shrine tosustainable seafood - the city's first.
4. Thalia Hal1,1807 S. ALLPORT ST. Modeledafter the Prague Opera House, this Pilsenlandmark first flung open its doors in 1890.Today it has been reimagined as a cocktail
bar for listening to the likes of Los LonelyBoys, indie jazz band Lake Street Dive andsinger -songwriter Anders Osborne.
5. Delilah's, 2771 N. LINCOLN AVE. Rock'n'roll-loving whiskey aficionados gravitate to theLincoln Park institution for its vast collection(hundreds of varieties), plus its pool table,video games and nightly DJ sets.
6. The Winchester, om N. WINCHESTERAVE. Early birds make the morningpilgrim age to this sun -filled joint formascarpone-brushed smoked troutsandwiches while late risers come for crispychicken thighs.
7. The Hideout, 1354 W. WABANSIA AVE.Surrounded by factories in industrial NobleSquare, this tiny spot is the place to hearbands including California -inspired TheDonkeys and progressive rockers New WorldAncients.
8. Nico Osteria,1015 N. RUSH ST. The BattleCat (bourbon, sherry, Branca Menta) is a
boozy meal kickoff at this Italian joint fromacclaimed chef Paul Kahan.
9. Three Dots and a Dash, 435 N. CLARKST. Enter this tiki respite's breezy, bambooworld, and the city fades away. Barman PaulMcGee's concoctions make umbrella drinksperfectly acceptable.
10. Smart Bar, 3730 N. CLARK ST. In the shadowof Wrigley Field, underneath the iconic Metro- the site of a legendary early R.E.M. show - isthis sleek space devoted to E DM.
0/A
SHEPARD FAIREY:A LOLLAPALOOZADJ ALSO?!BY NICK WILLIAMS
Contemporary artist Shepard Fairey will bring hiscuration skills and unique brand of punk -rock pop art toChicago July 31 -Aug. 4 for the biggest street exhibit
in the United States. Timed to coincide with Lollapalooza,the exhibit, Art Alliance: The Provocateurs, will feature 40artists including Keith Haring, Swoon, Ryan McGInness andCamille Rose Garcia at event space Block 37 (108 N. StateSt.) and on large-scale street murals around downtownChicago. Need more of a Fairey fix? Catch his DJ set too.
How did you first get involved with Art Alliance?Lorrie [Boula, my manager] and were in Austin andwe actually had dinner with Charlie Walker from [eventproduction company] C3. We were just talking about howgreat it would be if there was an art component to one ofthe bigger festivals. I had also done the art for the pastcouple of years for the Orion Festival [in Detroit], as I'mfriends with some of the Metallica guys.
Which musicians Influence your art?Conceptually, it's people like The Clash, Public Enemy, BobMarley, [Bob] Dylan, The Sex Pistols: People who usedtheir music as a way to also speak their mind socially andpolitically.
Tell us what we can expect from your DI set on Saturdaynight [Aug. 2] with Deltron 3030.The cool thing about DJ-ing at something like Lollapaloozais that I know can be a bit more eclectic and allow some of
my punk rock stuff to bleed through. I've done club nightswhere I've had to do all dance stuff or hip -hop. That's funtoo, but I'm going to be able to play everything from TheClash to Grand Master Flash, The White Stripes, M.I.A. 0
Shepard Fairey's lggy Pop (left) andObey'95.I nset: Fai rey
26 BILLBOARD I AUGUST 2, 2014
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Style/Onstage
How To DressJay And BeyOn TourThe Queen's stylist and thecouple's go -to designers spillthe details behind the duo'sfiercest On the Run looks
BY BRAD WETS
Every night that fans pourinto stadiums to watch layZ and Beyonce's On theRun Tour, they're treatedto hit singles from R&B'sreigning queen and potentraps from hip -hop's king.It's a Super Bowl halftime -
level show stretched out to 120 minutes:pyrotechnics, mind-blowing digital displaysand glossy movie clips starring the pair as abank -robbing, badass couple. Naturally thedecadence continues through to their styl-ing, with Mr. and Mrs. Carter dressed likestreet-chic royalty.
"The whole Bonnie and Clyde mobsterlove story was the overall approach," saysBeyond's stylist Ty Hunter, who has workedwith the star since her Destiny's Child days.For a modern, hyperstylized take on the bankrobbers -on-the -lam theme, a collection ofelite fashion houses were called upon, includ-ing Versace, Tom Ford, Givenchy, AlexanderWang, BLK DNM and Diesel.
The duo's show opens with "'03 Bonnie& Clyde" and Beyond in what might be thesexiest outfit a would-be criminal has everworn: a custom long-sleeved Atelier Versaceblack bodysuit with a plunging neckline anda matching black sequined net headpiece. It'snot the only one-piece she dons during theshow. For "Yonce" she wears a long-sleevedAtelier Versace bodysuit that features a decid-edly '9os-inspired combo of leopard print,Medusa heads and Greek keys. She completesthe look with a black knit beanie that has a
gold Medusa medallion on the front.Playing on the current cutoffs craze, for
"Run the World (Girls)," Diesel outfittedBeyond in a sexy jean short -shorts jumpsuit."She loved our destroyed -denim feeling, sowe focused on that," says Diesel creativedirector Nicola Formichetti, Lady Gaga'sone-time stylist. "But it was important to bevery light and comfortable because she hasto perform daily. We used our knowledge ofdenim to create pieces in which she would beable to dance and move freely."
Hunter echoes the need for costumes that
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are performance -ready. After all, Beyond has notime to be tangled up in buckles and straps whenshe has to be onstage in mere seconds, ready todance to "Single Ladies (Put a Ring on It)." SaysHunter: "Stern zippers are a must, and every-thing has to be quick -change friendly."
Jay Z's edgy, street -inspired looks mostlycome courtesy of BLK DNM. The mogul hasbeen a fan of the New York label for a while; heeven wore its Leather Jacket 5 with the GardarEide Einarsson print on the back in the fauxmovie trailer for the On the Run Tour. For hisstage performances, BLK DNM came up withadditional custom graphic designs, which wereprinted onto leather jackets and vests. "Jay Z
was very involved in the creative process,"explains Mallory Passuite, BLK DNM directorof marketing and PR, "from selecting the printsand color to choosing the exact super-soft, but-tery lambskin we ended up using." The labelsmartly subbed in special lightweight liningsfor all the jackets so the rapper never overheats,even in leather.
When the two need to channel sportier looks,Jay opts for a Rodarte jersey emblazonedwith 99, which he wears, appropriately,for "99 Problems." Beyonce pops out for"Diva" in a cropped hooded bomber byAlexander Wang (paired with Wang'scustom bodysuit and leather garterbelt, it's also arguably one of her moreBDSM-inspired styles).
As far as Hunter is concerned, thebest look of the evening is Beyond'slast, a noir sleeveless one-piece with ablack -and -white stars-and -stripes traindesigned by Givenchy creative direc-tor Riccardo Tisci. Hunter loves it notfor the reasons one might think: "It'smy favorite because I know the show isover and we made it through." 0
HOUSTON FAN STYLE AT THE ON THE RUN CONCERT
Name: Bridnee King Age: 19
What are you wearing?: "My
clothes are from Zara."
What inspired your look? "I
wanted something that was
appropriate but still classy
and eye-catching." What's
the most Beyonce thing about
your look? "Definitely the
Valentino pumps."
Name: Asher Brown Age: 18
What are you wearing? "An Eleven
Paris Tee, Hood by Air pants and
Adidas shoes." How many outfits
did you try on before deciding
on this? "This was the first.
I bought the outfit for the
concert."
Name: Jennifer Salas Age: 18
What inspired your look?
"Beyonce! She wore something
similar in one of her concerts.
I was going for a Yonce fierce
look! I feel like the Timbs,
gold accessories, red lipstick
and attitude are all very her."
AUGUST 2, 2014 WWW.BILLBOARD.COM 31
From top: TheCarmichaeloptical frame inBlack Cherry, thesame frame withsunglass lensesand the CarmichaelCrystal frame.
Style
PRET-A-REPORTERWhat To Buy, Wear And Know Now
Beck modelsthe Carmichael,sales of whichbenefit the Buy a
Pair, Give a Pairprogram fernWarby Parker.
DOUBLE UP Set your sights onmatehy-matehy separates
Effortless dressing gets a boost by virtue of this season'sdynamic duo trend: matching tops and bottoms. Alsoknown as co-ords, midriff -baring crop tops and high -
waisted skirts graced the spring/summer 2014 runways ofAlexander McQueen, Vivienne Tam and Mulberry, in printsand monochromatic hues. Solange Knowles' insect -printtwinset designed by Azede lean -Pierre was all the, ahem,buzz at the Spotify and Troy Carter Pre -Grammy Music +
Tech Party in L.A. earlier this year. "Solange is fun and confi-dently unapologetic," says Jean-Pierre. "This piece works wellon her because it conveys her bold, free spirit." Whether you
go mild or wild, perhaps the best part of these looks is theirversatility, since twofers can be worn asa unit or separately. -Wendy Sy
32 BILLBOARD AUGUST 2. 2014
Loser -Proof SpecsWarby Parker's collaboration with Beck keeps theinnovative eyewear brand's love of music in focus
Ily ELIZABETH QUINN BROWN
Fans of last year's partnership between quirky rockdarling Beck and cool eyewear line Warby Parker willbe pleased to know there's more where that camefrom. July 29 saw the launch of a new Beck -designed
version of the Carmichael, a roundish, stylized unisex frame,which is available for $95 at warbyparker.com and WarbyParker stores nationwide. The Black Cherry features black on
the exterior of the frame and a pop of red on the inside andjoins Root Beer (tortoiseshell) and Crystal (clear) from theoriginal debut.
Thank intellectual literary journal McSweeney's, which releasedBeck's Song Reader back in 2012, for the genesis of the partner-ship. The Song Reader wasn't a recording but rather a bookwith a collection of scores for 20 compositions by Beck. Theunique endeavor resonated with Warby Parker's founders and,in concurrence with a performance of the songs by musicians(including Jack Black and Jarvis Cocker), the company intro-duced Beck x Warby Parker.
"Beck is democratizing his music much in the way that we'retrying to democratize good design - or at least great eyewear,"says Warby Parker co-CEO/co-founder Neil Blumenthal, wholaunched the direct -to -consumer and affordable, stylized eye -
wear company in 2010 with partners Jeffrey Raider, AndrewHunt and David Gilboa.
The reissue of Beck x Warby Parker is timed with the releaseof Warby Parker Presents Beck SongReader, an album produced byBeck and Randall Poster for Capitol Records with interpreta-tions of the songs by Jack Black and Jarvis Cocker, as well as Fun,
Jeff Tweedy and Jack White. (Beck himself presents a versionof "Heaven's Ladder.") The album will be available exclusivelyat Warby Parker stores and at warbyparker.com.O
From left: TaylorSwift keeps itsweet, Knowles isunapologeticallyavant-garde andJessica Szohrsizzles.
NOW ONLINEPretaReporter.com
INSTAGRAM@pretareporter
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Style/Spaces
Wow.This Is ReallyJack Antonoff'sChildhood BedroomBleachers and Fun were both born out of the same"hopeful darkness" of his early suburban years
BY JOE LEVY
PHOTOGRAPHED BY ANDREW HETHERINGTON
Alittle more than two years ago, JackAntonoff celebrated Fun's No. 1 single, "WeAre Young," in an unusual way: by startingto write songs for a new band, Bleachers.
"The Beatles did 12 songs every six months,"says Antonoff, who chafes at the idea thatif you're as successful as Fun was with its
second album, Some Nights - 5.1 million sold, with "We AreYoung" moving another 7 million copies, according to NielsenSoundScan - you get the chance to make and tour just i2 newsongs every three -and -a-half years. "Everybody should havetwo bands if you look at it like that. Everyone should have lof-ing bands. It's not enough."
Antonoff is the very definition of a man -child - boyish look-ing and not one to shycould be described as pixie-ish, he's forceful and clear whendiscussing his music. He remains so attached to his childhoodthat he likes to say he has only recently, at age 3o, moved outof his parents' house in Woodcliff Lake, N.J. (In truth, he gota place in Manhattan a year-and-a-half ago with his older sis-ter, fashion designer Rachel Antonoff, and now lives with hisgirlfriend, Lena Dunham, in Brooklyn Heights.) On a recentSunday, he made the drive back to Jersey to show Billboard thewellspring of his creativity: the childhood bedroom he callsan art project. And also to clean up his stuff. His parentswere redoing the floors and replacing the carpets.
In Fun, Antonoff plays guitar, and the trio shares song-
writing credit. For Bleachers' Strange Desire (which debutsat No. 11 on the Billboard 200 dated Aug. 2), he wrotealone and played almost every instrument. An obsessivewho traces his commitment to music back to trading insome Stars Wars collectibles for a Gibson SG guitar, hehad Bleachers focus on music made around the time hewas born, 1984. He describes the result as "sonically '80s,emotionally '9os." The songs are both grand and raw -Depeche Mode and Bruce Springsteen were touchstones- and they capture the "hopeful darkness" of growing upin the suburbs. "There was this darkness about beingfrom New Jersey," he says. "We're in the shadow of thegreatest place in the world, New York City."
There are other shadows for Antonoff, as well. Thedeath of his younger sister, Sarah, from cancer at 13, whenhe was 18, left him with more -or -less permanent anxiety,which he sings about on Bleachers' first single, "I WannaGet Better." "Worst -case -scenario thinking- I go downthis rabbit hole with the way I'm wired, and it can makelife very unenjoyable. So I try to stop myself as much asI can." But getting better doesn't mean moving on fromhis feelings of loss. "Those aren't the ones that tortureme. Those are the ones that drive me." 0
34 BILLBOARD I AUGUST 2, 2014
"TheTower Records in
Paramus was 10 minutesaway. I'd go there with my parents
and they'd be like, 'You get two CDs.'It was a really incredible time.There was
so much mystery, these things just poppingout- Nirvana and Pearl Jam and all these
great bands. Things were great so you couldjusttrust stuff. I remember someone beinglike, 'Did you hearthat new Weezer single
"Buddy Holly"? It's amazing!' And we
went to the roller rink that night andthey played it twice, and that
was howl heard it."
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"You're ina world right now
of Star Wars memorabilia.I don't even like the films thatmuch. I just loved collecting. It
started with stamps, then it wassigned baseballs, and then it worked
into Star Wars. Star Wars is likeparadise for collectors - Kellogg's
would have a translucent Obi -
Wan in only 1,000 boxes, andthat would become
really special."
j"We're in
New Jersey but moreimportantly we're in my room,
which I grew up in and lived in untilsomewhat recently. I've pretty much
written everything that I've done in this house.I started writing music in this room, and then I
moved to my sister's room, and then at one pointI moved to my parents' room, which was really
contentious. I had all of my stuff there, and I toldthem they couldn't be in their room during theday because I had to write. That didn't workoutwell. Then I took over the living room, and the
basement for a while.lwas always tryingto find a space within the house I
grew up in that was my own totry to write in."
"I got intoskateboarding and
adding skateboardingcollages, started buying CDs,
so there were CDs everywhere. Istarted collag ing and drawing on shit.Then I had my first band experience,
which was at 13.1 think we played[Weezer's]'The Sweater Song,' and
remember falling in love with itimmediately and wanting to go to
shows, and seeing bands live,and wanting to have my
own songs."
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For an exclusive interview and behind -the -scenes video, go to Billboard.com and Billboard.com/ipad. AUGUST 2. 2014 WWW.BIILBOARD.COM 35
Boseman and JaggerphotographedJuly 21 at the MandarinOriental in New York.Boseman wears an EmporioArmani jacket and shirt,Dolce & Gabbana pantsand Christian Louboutinboots. Jagger wears a DiorHomme blazer and trousers,Balenciaga shirt, Lanvinbelt and Nike sneakers.Right: Boseman as Brown.
What's it like when Mickmakes
you his Movie'sleading
man?
the legendaryrocket-turned-l-lollyWood
producerand
Get On Up star ChadwickBoseman
reveal what Went on behind
the scenesto bring the late Godfather
of Soul back to life
Dancing.tots ot
111 N61ST TATIANA
S1EGEl
PHOTOGRAPHED
BY 10E PlIGOESE
AUGUST 2, 2014 I WWW.BILLBOARD.COM 37
"It's good to be back," says Mick Jagger,sweeping a hand across the grand view infront of him at the historic Apollo Theaterin Harlem. The Rolling Stones frontman,who moonlights as an increasingly busyHollywood producer, is here to discussUniversal's James Brown biopic Get OnUp, two days before the film premieres atthe same venue. It has been years sinceJagger, who turns 71 on July 26, last vis-ited the majestic Apollo. He can't recallexactly when.
"I came a lot like in the '8os, and thenit was closed for repairs a lot," he says. It'sclear that Jagger is feeling slightly nostal-gic. "Over the years, I've been in and outof here quite a few times."
For Jagger, Get On Up - directed by TateTaylor of The Help and opening Aug. 1 -proved to be a formidable journey, takingeight years to reach the big screen. Theproject has been around longer than that,though - at least 12 years. Producer BrianGrazer, fresh off a best picture Oscar winfor A Beautiful Mind, signed a deal withBrown in 2002 to secure the Godfatherof Soul's life rights. A parade of directorslike Spike Lee and actors including EddieMurphy and Chris Tucker floated in andout of the Brown orbit, with things becom-ing more complicated after the three -timeGrammy -winning icon died in 2006,with his estate in disarray (a court battlebetween his widow and his children con-tinues to this day, with the South CarolinaSupreme Court saying the estate has anundetermined value between $5 million
and more than $100 million).Jagger began working on the project
when Peter Afterman -a music supervi-sor since the mid-'8os on films from TheBig Easy to Juno who now runs the Brownestate - approached him about doing adocumentary on the late singer. (Jaggerwound up enlisting for both a narrativefeature and an upcoming doc directed byAlex Gibney.) After all, Jagger and Brownare forever entwined in music historyafter appearing on the same bill for the1964 concert film The T.A.M.I. Show -the Stones were top-billed, much to thedismay of Brown, who famously upstagedthe young British rockers in a legend-ary 18 -minute performance sequence.(Michael Jackson, among others, wasobsessed with the footage.) Still, the tworemained friends for decades, with Jaggerconceding that he was greatly influencedby the singer.
The Apollo offers an apt setting for a
conversation about Brown. Jagger firstsaw Brown perform here in the early '6os,seated next to a woman smoking "a bigjoint." (He didn't partake.) Seated now nextto the film's star, Chadwick Boseman, anddressed in a brown fitted jacket, the slightJagger never breaks a sweat despite thesteamy summer temperatures of New York.The 32 -year-old Boseman, by contrast,looks like he just played a game of pickup inthe Harlem heat, muscles bulging beneatha black T-shirt and running pants. But theyseem perfectly in sync when it comes totalking about Brown. They also discuss thechallenges of re-creating the legend, wherethe film deviated from reality and whythere's no heir to Mr. Dynamite.
Can you describe the first meeting youtwo had?Chadwick Roseman: It was in L.A. in
38 BILLBOARD I AUGUST 2, 2 014
-
'HE WAS ALWAYS THE BOSS'Jagger and Brown - shown here at The T.A.M.I. Show at the SantaMonica Civic Auditorium in 1964 - met many times over the years. 1was impressed with the fact that he was always the boss," says Jagger.
"I was just a guy who turned up in a taxi on my own. He had valets andpeople looking after him and dressers and people fluffing his fur coats."The producers of The T.A.M.I. Show (a one-off Teen Awards MusicInternational concert) drew on Jagger's relationship with Brown. Whenthey changed the show's running order and gave The Rolling Stonestop billing, they asked Jagger to talk with Brown and try and smooththings over. This backstage photo was shot by Bob Bonis, the U.S. tourmanager for both The Rolling Stones and The Beatles. A selectionof his photographs can be seen in a national touring exhibit with theGrammy Museum. Go to bobbonis.com for further information.
September [2013]. Mick had me over for tea.Mick Jagger: We talked a lot. We talkedgenerally about how it is to be a performerand more specifically about James. Weput on [Brown's] Live at the Apollo album,which was a very big part of my earlymusical education. I asked Chad howhe felt about [playing Brown] becauseit's a big ask to do this part. There's thenuance of the acting and the changes ofage [Boseman plays Brown starting as ateenager and ending in his 6os].
What did you take away from thatconversation?Baseman: You [looking at Jagger] identifiedthe points when James Brown was charm-ing the crowd and directing the band, andsometimes he's teasing the audience withthe moments where he'd step away fromthe microphone and sing. Then you can't
ioseman (center) in asequence that re-creates a
1971 concert at the Olympiaheater in Paris. "To play
es Brown is one of theostdifficult tasks you
naskofan actor," says
producer Grazer.
really hear him. There are all these [shifts]just to seduce everyone.Jagger: That's what every good performerhas. Any performer is one person privatelyand then he's another person when hesteps on the stage. And James Brown, ofcourse, was that. If you're an actor play-ing this role, that's another layer in yourinterpretation.
How closely did the film's T.A.M.I. Showsequence align with reality?Jagger: A lot of poetic license was taken. Ithappened kind of like that, but not exactly.I would have liked to have done it as itactually happened, but we couldn't that dofor various reasons, mostly due to money.The true part of it is James was very miffedabout not being the top of the bill. In reallife, they asked me to go and chill him outbecause I'd already met him and alreadytalked to him. They thought I'd be a goodperson because they didn't want to do thedirty work. So, they asked me to try and gochill him out, which I did to a certain extent.But, of course, he wanted to show the realthing that we show in the film - he wantedto go out there and kill, you know. And thatprobably made for a better performancethan normal. He talked about that a lotafterwards and it meant a lot to him. And Ithink it was probably the first time that hisentire show had been put down on film likethat. That's important for you as an artist.
Mick, you knew lames Brown. What washe like as a person and artist?Jagger: He was always so very nice tome,polite to me, respectful. Even when I wasvery young, he didn't treat me like I was awhippersnapper. He always was encourag-ing to me. I watched him a lot, and I thinkhe inspired me and I learned a lot fromhim. Not like doing imitations but just
WHO IS CHADWICK BOSEMAN?When Get On Up directorTate Taylor began searchingfor his leading man, he
auditioned both musiciansand actors.
"Hundreds of them,"recalls Get On Up producerBrian Grazer. "But it justcame down to Chad. Heplayed the older JamesBrown, the non -flashy parts,in a very human way. Someof the other possibilities welooked at could do the bigger -
than -life part, the flashierside of James Brown, butthey couldn't do the quieter,human side of him. Chad hadthat range."
Remarkably, the 32 -year -
old South Carolinian hadno formal music or dancetraining, much like he
had only Little Leaguebaseball experience beforetackling Dodgers legendJackie Robinson in BrianHelgeland's 2013 sportsdrama 42. So before readingfor Taylor, he began trawlingfor footage of the late singer.
"The first thing didwas start watching him on
YouTube," he says. 1 probablywatched two hours straight."
Grazer calls hisperformance transformative,aging from a teenager tohis 60s and capturing theexplosive stage energy. "AndChad did so much to becomehim beyond the performancepieces. He actuallyreadjusted his mouth so thatit would have that underbitelike James Brown." -T.S.
Boseman playedRobinson in 2013'ssports biopic 42.
With RachelRobinson,
Robinson's widow,at the 42 premiere.
AUGUST 2, 2014 WWW.BIL BOARD.COM 39
learning his general attitudes and the wayhe worked. I'll always admire him for whathe did.
Chadwick, unlike Mick, you didn't knowlames Brown. But what was your experi-ence with him prior to this movie?Boseman: I don't ever remember therenot being a James Brown in my life. I wasprobably listening to James Brown in thecrib [Boseman grew up in South Carolina].My aunt listened to him. My mom and dad.There was always James Brown all day.
Do you think James Brown has an heir?Jagger: Chad is. [laughs] But no, I don'tthink so. But this is another time, andthings are different. There's lots of peopleobviously that are very influenced by him.Boseman: The whole idea of the business-man and the artist. You see that in hip -hopnow.Jagger: I mean, you look at Jay Z, forinstance, and Puff Daddy. They're verymuch into that business thing. I was neverthat interested in business, to be honest. Ido the minimal amount of business as pos-sible because I'm not actually interested init as a thing. But some people are interested
in it, and there's nothing wrong with that.They want to make deals for the deal's sake.James Brown was definitely a progenitor ofthat kind of businessman/performer. BeforeJames there was a dearth of people from theAfrican -American community who wereentrepreneurs. You weren't expected to bean entrepreneur. If you were an entertainer,you were just paid and were told what to doand where to go. And you just did it. He wasone of the first people that said, "No. I wantto take control."
Chadwick, what was your background insinging and/or dancing prior to this?Boseman: Minimal. I had done some hip -
hop theater. That's not really singing anddancing, but it incorporates some of thosemovements to tell a story. But performingand dancing like a professional? Not at all.
How did you prepare?Boseman: We had AJ [choreographerAakomon "AJ" Jones]. He was a drill ser-geant. I just showed up every day and didwhat he told me to do.Jagger: I've worked with AJ on a couple ofmusic videos and some prep for shows andstuff. He's a really good guy. Chad worked
with him for a lot longer than me. A lotmore hours than me.
How much did you help Chadwickprepare for the dancing?Jagger: I didn't do any of that. I let AJ doall that. I never said, "Oh, that wasn't right,because he did it that way." AJ and Chadworked so well and the results are so good.I didn't have to. You know, that wasn't myjob to be nitpicking dance moves.Boseman: AJ taught the vocabulary beforewe actually knew what songs we wereusing in the movie because I think that ittook a whole month before we actuallyknew which ones [would be used].
BEHIND THE STYLE
Boseman wears about 60 differentoutfits in Get On Up, 35 of whichwere custom made. Production
designer Mark Ricker andcostume designer Sharen Daviswere sticklers for details aboutwell -documented venues andevents, like The TA.M.I. Show
from 1964 (above)." replicatedthe houndstooth sport coat," saysDavis of Bose man's costume (left).
"If it's iconic James Brown, I'musing it," is how Davis summed
up her approach to directorTate Taylor. "I don't want to putsomething obscure in and havepeople think he never wore it. It
had to be believable."
How did you choose the songs?Jagger: We wanted the songs to fit in withthe narrative. There are a lot of songs tochoose from. We kept changing the songs.
Mick, you have a well -documentedfascination with African -American culture.Was James Brown your entry point?Jagger: No, definitely not. When I wasmuch younger, like 1.1 and 12 years old, weused to have people come to England andplay, like blues singers Big Bill Broonzy andgospel singers like Sister Rosetta Tharpe.My mother was very fond of these perform-ers, too. She would say, "Sister RosettaTharpe's on the TV. Come and watch."That was my intro - TV. When I was alittle older, I used to be able to go and seethese shows that came. Like there was TheCaravans. There was folk blues, a groupof to, 12 performers, and they would playin London, and I would go and see themin the theater. I didn't come across JamesBrown until I was a little bit older becausehe didn't come (to London]. I was awareof his records, but I was more of a blues,a country blues person. But I liked every-thing, like Elvis and Buddy Holly. I likedcountry music, like George Jones.
There have been grumblings that thismovie should have been directed by a
black director. Thoughts?Boseman: When I look at this situation, Iask, "Who could have done this with theamount of money that was the budgetthat we had?" I look at the work that Tate[Taylor] put into it. I look at how he foughtfor certain things and how he brought outwho the man was. He developed a relation-ship with the family. I think there's no colorin that. The people that are grumblinghave no idea of the nuances of that and thedetails of this specific situation.
Craig Robinson (right)
took 41111111111Mont lessons
:5!",.:epf:rrkle:!Arseo.
ia
pictured: David LaFleur( left) and Tario Trotter
ka Black Thought of Thewit'it foots)as Pee Wee Ellis.
GET ON UP'S MUSICAL BOOT CAMPKeith Jenkins spent 12years playing guitar inJames Brown's finalband, The Soul Generals.He was enlisted for GetOn Up to give the 80 or
so musicians cast asmembers of Brown'slegendary bands, TheFamous Flames and The1E3s, a taste of life workingfor the Godfather of Soul.
"We wanted them tofeel like a real band: says
Margaret Yen, Get OnUp's music supervisor."The James Brown band,whatever incarnation itwas, rehearsed and playedall the time. I wanted thesame kind of bonding andcamaraderie, and I wanted
it reflected on camera."It worked. The
musicians, who appear in13 different configurationsthroughout the film,hung out after shootingand played music atbars around Natchezand Jackson, Miss. Manywere college students atAlcorn State and JacksonState, a few were localmusicians, and some drovethe three hours from NewOrleans. They rehearsedin the basement theaterof an unheated, shutteredmiddle school in Natchez.
More than two dozenon -camera performancesform the film's musicalspine, giving audiences
Jagger: I would hate to say as a non -
African -American person that it would bewrong for a black person to direct whitepeople in a movie. Wouldn't that be awfulof me to say that? The only sympathizingthing I might say for people that want to[grumble] is that a filmmaker should havean understanding for the place where thepeople you're portraying are coming from.If I was going to make a movie about Koreanpeople, it would be stupid of me just to makeit with no understanding and sympathy. Iagree with all that Chad says [about Taylor].
an overview of Brown'sinnovations and themotivation behind hismusic as it evolved. Pro-ducer Brian Grazer likensthe music team's efforts toa lesson he learned filmingthe 2002 Eminem movie8 Mile.
"Ultimately, Dr. Dresaid, 'Man, just don'tclown out our world.' Igot it. That just meant,'Be authentic,' "saysGrazer. "That's somethinga producer can control. Ican't control the scenesbecause I'm not thedirector, but I can have a
high level of influence on
a movie's authenticity."-Phil Gallo
How involved was the family?Boseman: They were involved every day.They read the scripts beforehand. Theywere asked their opinions about all thedrafts of the shooting. We interviewed dif-ferent people in the family, different sidesof the family.
Chadwick, how did you deal with thehuge age range you play, from a teen-ager to his 60s? Did you shoot linearly?Boseman: No. Some days, I was 63 in themorning and 17 after lunch, and then 35.
INTRODUCING JB TO A NEW GENERATIONA flood of never -before -heard music will accompany Get On Up,including updates from a Chris Brown and Britney Spears producer
The soundtrack to Get On Up features20 James Brown recordings, includingunreleased live versions of "Please, Please,Please" and "It's a Man's Man's Man'sWorld" from a 1966 show in Tampa,Fla. And it provides Universal MusicEnterprises, owners of Brown's extensivecatalog, a shot at expanding his fan base.
"We have the opportunity to grow thelegacy and brand," says UMe president/CEO Bruce Resnikoff. "That's the bigpiece of the puzzle we haven't seen in priorsoundtracks."
Brown's singles charted consistentlyfrom 1958 to 1977, and his music hasechoed in decades after, especially withinhip -hop. He may well be the most -sampledartist of all time, but contemporary hip -hopfans are often unaware of the source, adisconnect that Resnikoff hopes to rectify."The film becomes a great tentpole," hesays. "It allows us to reach an audiencethat in the past we haven't been successfulnecessarily with his music."
Producers tapped Chris Brown and BritneySpears producer Harvey Mason Jr. - who
also worked on the soundtrack to Oreamgirls- to sweeten tracks with newly recordedrhythm sections and horn tracks in order to"fill the room in the 2014 theater way," says
Get On Up music supervisor Margaret Yen.Five cuts on the soundtrack are the enhancedversions, with "Caldonia" being the mostextreme: It's Brown's vocal from 1964 withbacking tracks from 2013.
"We wanted to play versions people hadn'theard before: says Yen. "If we just playedmusic off Live at the Apollo, it just wouldn'thave been as exciting. We wanted it so whatyou're seeing is what you're hearing."
The coming months will bring even moreBrown material, including an unreleasedLive at the Apollo show from 1972. AndUMe will also handle distribution of theAlex Gibney -directed documentary onBrown next year.
"We live in a very visual world and asidefrom the movie, we have to get people tosee the original footage that shows JamesBrown performing these songs," saysResnikoff. it's as important as the songsthemselves." -P.G.
The Get On Up
soundtrack (top)joins the compilations
that are Brown'sbiggest sellers.
AUGUST 2. 2014 I WWW.BILIBOARD.COM 41
Jagger: I would turn around and go, "Waita minute. He looks different now."
Despite re-creating everything from theApollo Theater to Vietnam, you kept the
lion. How were you able to do that?Jagger: We shot it in 49 days. [laughs]Boseman: We could have shot for a wholeother month.
As a producer, how important would itbe to win an Oscar? Is that somethingyou care about?Jagger: I think everyone in the movieindustry wants to win an Oscar. I don'tthink that's why you make movies. But win-ning an Oscar is not just about making a
great movie, unfortunately. It's also havinga good Oscar campaign. It's not somethingto think about right this second.
How is the HBO rock'n'roll series goingwith Martin Scorsese?Jagger: It's going well. I was down therelast night on the set on Crosby Street. Itlooks really interesting. Some great shotswe saw last night and some great cameramovements and like some really amazingstuff. It should be amazing.
Mick, you have another biopic in theworks with the Elvis story, Last Train toMemphis, at Fox 2000. What is its status?Jagger: We've got a new script and it'smoving forward. But no actor yet.
Speaking of musical biopics, will thereever be a Stones one?Jagger: Who knows? Who knows,my dear?O
In September 2006,James Brown playedthe Hollywood Bowl
(above). It was one of hisfinal concerts before his
death in December ofthat year. Jazz bassist
Christian McBride,wholed the band backingBrown for that 2006show, has organizedatributeconcertto
celebrate Get On Up atthe Hollywood Bowl on
Aug.13. D'Angelo, AloeBlacc, Bettye LaVetteand others will sing.
and almuni of Brown'sbands will play.
42 BILLBOARD AUGUST 2, 2014
Boseman says he wasn'taunted having Jagger -o knew Brown -on set.
,nce I'm shooting, I'm in a
ne and Chadwick's fears.don'tshow up as much.James Brown certainly
n'thave been scaredof Mick Jagger."
JAGGER RATES THE COMPETITIONWith Get On Up under his belt and the Elvis film Last Train to Memphis in the works, producerMick Jagger has some sharp insights on how his fellow musicians are portrayed on film
Walk the Line (2005)Nominated for five Oscars; winner of one(best actress for Reese Witherspoon)
"It was quite a goodmovie ... It's not like[Chadwick Bosemanis playing] a countrysinger that standsthere playing theguitar. I think that's a
bit easier than playingJames Brown. Youknow what I mean?"
'I BECAME THESON HE LOST'In his own words, MSNBChost Al Sharpton recalls hisbond with Brown
It was 1979, and I was just 26 years old.I knew James Brown for about eightyears, as his son Teddy and I were goodfriends until he was tragically killed in a
car accident a few years earlier. It wasactually after that horrific disaster that myrelationship with James Brown grew evenstronger; became the son he lost, and hebecame the father I didn't have anymore.And in 1979 he came up to me and said:"Let's do a gospel rap record."
I had no idea what a gospel rap record was. James didn't wasteany time breaking it down. He told me he was going to sing andI would preach. We flew to Augusta, Ga., and recorded "GodHas Smiled on Me." The record was never released, but thatexperience altered the trajectory of my life.
I ended up staying in Augusta for over a year and helped Jameswith the business, and he helped me with my civil rights work andthe national youth movement was involved with. One night, hepulled up in front of a church and asked me: "Do you hear that?"All I heard was people singing. James said: "Do you hear the band?That's where I learned music."
We sat outside and listened. He explained that they start playingon the "one," unlike others who start from a "two, four" beat. That'show he did his music, starting from the one, changing the dynamicfrom a two, four beat to a "one, three" beat. He made it popular to
Ray (2004)Nominated for six Oscars; winner of two(including best actor for Jamie Foxx)
"It's somewhat similarbut Get On Up hasdifferent ways oftelling the story. Itcomes at it from a
different angle.I think Ray is moreof a linear story, andthere's nothingwrong with that."
Amadeus (1984)Nominated for 11 Oscars; winnerof eight (including best picture)
"1 saw it the other dayon TV It really heldup well. And it was verycrazy the way it wasput together. Thatwasn't normal, theway it's shot. But itstill held up. It hadabsolutely brilliantperformances."
ghterDwnand
ptarom left)atiA -cuttingin Brooklyn during
Sharpton's run for theU.S. Senate.
be on the one and transformed black music. As the years went by, I
learned that he always operated from the one. He told me to preachon the one - to be slightly off beat, because that's what he did.
James never conformed and always defined himself. Hewasn't the first black artist to go mainstream, but he made themainstream go black. He represented us in a way where the worldstarted imitating our authentic music.
There will be others that will sell as many or more records, butyou've got to have the courage and self-confidence of a JamesBrown to take the world to a different beat.
Wherever he is, I want him to know that I've tried to stay on theone.O
Al Sharpton is the host of PoliticsNation weeknights at 6 p.m. onMSNBC.
AUGUST 2. 2014 I WWW.811.180ARD.COM 43
diACTRESSES
KRISTEN STEWART ANf§tNNE HATHAWAY APPEARIN JENNY LEWIS' NEW
IDEO AS THE INDIE ROCKGIRI:CONTINUES TO
ONNECTWITH UPBEAT,
IC AND "LYRICS THATDARK AS NIGHT"
"My first memorieswere of my babysitter,
who was a female Elvisimpersonator," recalls
Lewis of her quirkyupbringing, which ledher from child actor toindie rock crush. She
was photographedJune 16 at her home in
Los Angeles.
BY MATT DI
PHOTOGRAffiED BYJEFF FORN Y
out of my Ford Focus in these mules," says Jenny Lewis, point-ing to her purple -bowed footwear. Settling into an airy cafe nearher Laurel Canyon home in Los Angeles, the one-time childactor who turned indie rock "It" girl evokes a glam version ofSeinfeld's Elaine: retro shades, straw boater, Pippi Longstockingbraids, slinky dress.
"I almost wore a tracksuit, but I wore a dress for you," sheadds, quickly correcting herself: "I wore a dress for me."
For Lewis, the clothes make the woman. On the cover of hernew solo album, The Voyager, she rocks a super-'7os white pant-suit airbrushed with psychedelic rainbow motifs that might havemade even The Beatles pause.
"I feel strong and mighty in that rainbow suit, like a little EltonJohn," says Lewis, 38. "I thought about wearing all black duringthe first half of my show and then changing into my rainbow suitlike, 'I'm back!' "
The Voyager is Lewis' long-awaited return to recording, and itisn't quite like anything she has done before. It follows 2oo6'soffbeat, rootsy masterpiece Rabbit Fur Coat and 2008's looserAcid Tongue. But The Voyager stands alone, in many ways. Forone, it's Lewis' first release under her own name since the 2011
breakup of Rilo Kiley, the beloved, L.A.-based alt -rock band thatlaunched her musical career.
"I needed to be free creatively," says Lewis. "I recentlydirected my first video for [the single] 'Just One of the Guys.'That couldn't have happened in Rilo Kiley - everyone would belike, 'We want to direct, too!' "
What The Voyager shares with the rest of Lewis' discographyis its combination of catchy pop with soul searching. "From thevery first song Rilo Kiley wrote, that was the idea - very upbeat,with lyrics that are dark as night," she says.
But in between all the catchy, sing -along hooks, The Voyager'semotionally wrenching material is particularlyintense. It encompasses a grueling periodduring which Lewis' father passed away, herband of more than a decade broke up, and sheconquered two years of chronic insomnia.
Top left: Lewis (left)acted alongside ShelleyLong (right) in the 1989movie Troop BeverlyHills. She held a starringrole in The Wizard(above) the same year.Bottom left: Jammingwith Rilo Kiley atBonnaroo in 2005.
"I feel strong and midfityin [this) rainbow suit,
likea little Elton John,"says Lewis, inside her
Los Angeles home.
"All these things pushed me over the edge," shesays. "In your mid-3os, you have to take inventory,or you'll stumble."
Characteristically, Lewis found catharsis throughwork. She appeared on alt -rock supergroup ThePostal Service's era-defining 2003 debut, Give Up,and when Postal Service/Death Cab for Cutie front-
man Ben Gibbard invited her to play lead guitar andsing on The Postal Service's 2013 reunion tour, itprovided a perfect impetus to face her issues headon. "I got the call from Ben about a year beforethe tour, so I gave myself a timeline to get myselfhealthy again," she notes.
The Voyager is the perfect album title, consider-ing the singer's long, winding journey. She grew
up in a bohemian family that moved from Las Vegas to the L.A.suburb of Van Nuys. There, Lewis began acting on TV showslike Growing Pains and Roseanne. "My first memories were of mybabysitter, who was a female Elvis impersonator," recalls Lewis."Then I went to Beverly Hills High School. I'd hitchhike therefrom the Valley until I got kicked out when they discovered I hadenrolled under a fake address."
In the late '9os, Lewis teamed up with fellow child actor Blake
46 BILLBOARD AUGUST 2, 2014
is s
St
53oa
"IT WAS A PERFECT STORM I DIDN'TEVEN REALIZE WAS HAPPENING. IT'SJUST SOMETHING THAT HAPPENS INYOUR MID -30S. YOU HAVE TO TAKEINVENTORY OR YOU'LL STUMBLE."
Sennett to form Rilo Kiley, which releasedits final studio album, Under the Black Light,in zos:v. Along the way, Lewis became arole model for a new generation of left -fieldfemale artists who saw themselves in hercontradictory persona: kind of emo, sort ofdetached, sometimes wounded, ultimatelydefiant. It's no coincidence that Lewiswas asked to compose a new track withVampire Weekend's Rostam Batmanglij forLena Dunham's HBO series Girls, or thatactresses Anne Hathaway, Kristen Stewartand Brie Larson hilariously co-star in thevideo for "Just One of the Guys" (see story,below). Meanwhile, two members of sistertrio Haim played in the singer's backingband. "It was amazing to go on the roadwith someone I admired so much growingup," says Danielle Haim.
"Ten years go by, and suddenly I'm theelder person in the room! That sucks, butpeople love Rilo Kiley because we werearound when they were coming into theirown," says Lewis. "I do find connectionswith the women that come to my shows.Those little moments when they're reallygetting it are intimate, and kind of scary -but they also help me to keep going."
Keeping going also meant saying goodbyeto Rio Kiley. "I was always trying to make
something different," she says. "I felt limited, like I couldn't rocktoo hard because it would be like cheating on Rilo Kiley. Workingon The Voyager was different; I was suddenly a free woman -single and ready to mingle! We weren't afraid to rock out, whichreally reflects Ryan's influences."
The Ryan she's talking about is roots-rock maverick RyanAdams, who produced the majority of The Voyager. The two metthrough Twitter when Lewis direct -messaged Adams, request-ing help with a new song, "She's Not Me," which was inspired byKeith Richards' 2010 memoir, Life. "I was reading Keith's book,and I thought I'd tinker with his open-tuning style," says Lewis."That ended up being the first thing we recorded."
Together, Lewis and Adams laid down The Voyager in a whirl-wind week -and -a -half session at L.A.'s famed Sunset Soundstudio, where classics by Miles Davis, The Doors, The BeachBoys, Led Zeppelin and Fleetwood Mac were captured. Adamsforbade Lewis to listen to the music she had just recorded, push-ing her to move on after she had finished a take. Along the way,he provided plenty of blunt songwriting advice.
"He got really involved in the songs," according to Lewis."He'd say things like, 'God, I can't take this campfire bullshit -it's so fatiguing. Put an E minor in there.' I'd try it, and it wouldbe the right choice. He really focused on making everything
more universal. The song 'Love You Forever' became so muchmore vulnerable and direct. It was originally 'Love Him Forever,'but I made a mistake while recording it and sang, 'Love youforever.' Ryan said, 'That's the song!' "
"We all dug in," recalls Adams. "Past the point where I press`Record,' my job is to get people excited. Jenny was very muchready for that ride. Her songs were horses; we just kicked downthe fence and watched them blast off across the horizon."
Adams isn't the only notable person who helped Lewis on TheVoyager. Guests include The Watson Twins, First Aid Kit, Z Bergof The Like/Jjamz, Lavender Diamond's Becky Stark and singer -
songwriter Johnathan Rice, Lewis' boyfriend of so years andfrequent musical foil. Plus, the song "Late Bloomer" featuresartists one would never expect to hear together: Tom Petty &The Heartbreakers keyboardist Benmont Tench and singer-
instrumentalist Lou Barlow of Sebadoh/Dinosaur Jr. And Beckproduced "Just One of the Guys," giving Lewis a needed jolt.
"I didn't have the last verse and Beck said, 'Go in the other roomand write it,' " she remembers. "It was pretty cool to have Beck tellyou to go finish something- because you know you will."
Despite Lewis' casual, self-effacing persona, the impres-sive collective she put together speaks of an ambition thatThe Voyager's artful expanse makes abundantly clear. "Jennyis a great record maker," says Lenny Waronker, the legend-ary Warner Bros. Records executive who helped bring out bigrecords from such icons as The Everly Brothers, Randy Newmanand R.E.M.; he also served as Lewis' A&R mentor on TheVoyager. "She's more than a voice and a good songwriter; she's a
big musical brain capable of almost anything. She's always goingto make something special, real and a little unexpected."
In that unpredictable spirit, Lewis is already planning her nextmove. "I'm a huge reggae fan," she says. "I want to go to Jamaicaand make, like, Bob Marley 'One Love' positive songs. That'swhat the world needs."
Describing the idea out loud makes her laugh. "It would benice to create something that's healing," she says, "rather thanslightly creepy and darkly judgmental!" 0
1From lett: Stewart,
Thomas, Lewis,Larson (also lower right) andHathaway (also upper right)
LEWIS' A -LIST, CROSS -DRESSING CO-STARSAnne Hathaway, Kristen Stewart and Brie Larson go drag king in awesome new video
Being popular in Hollywood,as is apparently the casewith Jenny Lewis, has its
benefits. If you didn't notice,the recently released video forher song "Just One of the Guys,"which Lewis directed, featuresthree of the most in -demandactresses right now: KristenStewart, Brie Larson and Oscarwinner Anne Hathaway. Alongwith Lewis' pal TennesseeThomas, the drummer for LosAngeles alt -rock band TheLike (and a sometime actress
herself), the women play thesinger's backup band, lip -
syncing her lyrics and goofingoff while dressed up as dudesin Adidas tracksuits, facial hairand wigs - and, in Hathaway'scase, a rattail.
"The song and the comedicperformances are brilliant - theday of the shoot, I laughed morethan I have in God knows howlong," says Thomas, who hasbeen friends with Lewis for "13years, or something crazy."
Larson, who sported a blond
mustache in the shoot, wasequally over the moon. "It wasa dream to collaborate with an
artist who has given so muchinsight into my own life: saysLarson, who has starred in21 Jump Street, Scott Pilgrim vs.the World (alongside Thomas)and last year's Spectacular Now.(She is currently filming TheGambler with Mark Wahlberg.)"Jenny has always representedtruth, curiosity and what a bad -
ass lady looks like."-Meg Hemphill
AUGUST 2, 2014 WWW.131l I. BOA R D.COM 47
The power -pop band just shot to No.1 with the year -old reggae -influencedsong "Rude," the season's catchiest anthem about rejection.How it will handle its second act is another matter entirely
From left Spivak, Atweh, PeDiner andTanas stormed U.S. marketsthis summer.They were photographed July Slat Battery
Harris in Brooklyn. For an exclusiveinterviewand behind -the -scenes video,
go to Billboard.corn or Billboard.com/ipad.
48 BILLBOARD I AUGUST 2, 2014
It certainly didntake long forMagic to liveup to its name.Virtuallyunknown in theUnited Statesa year ago, the power -pop band is currentlydominating charts across the board with"Rude," a reggae -infused smash single thatmay well go down as 2014's quintessentialsummer song.
The story of a well-intentioned guy whogets dissed by his girlfriend's father- "Whyyou gotta be so rude?" protests singer NasriAtweh. "Don't you know I'm human too"- "Rude" is No. i on the Billboard Hot zoodated Aug. 2 for a second week. It's also No.
on Digital Songs and No. 2 on Radio Songs.Since its release in August 2013, "Rude" hassold 1.8 million downloads, according toNielsen SoundScan, and ranks as the year'seighth -best-selling pop digital song.
This wry reggae tale of rejection was writ-ten by four Canadians now based in LosAngeles: Atweh, guitarist Mark Pellizzer,bassist Ben Spivak and drummer Alex Tanas.(Another co -writer, fellowCanadian Adam Messinger,is Atweh's partner in the pro-duction duo The Messengers,who helped revive New Kidson the Block.)
Magic began with a sim-ple premise. "We were justlike, 'Let's start a band thatsounds kind of like ThePolice and The Wailers,' "recalls Pellizzer, age 34
That approach is evidentthroughout the band's debutalbum, Don't Kill the Magic,which debuted at No. 6 on theBillboard zoo, selling 36,000copies in the first week after itsJuly z release.
Like "Rude," the album'szo other songs are punchy,compact and equipped withan irresistible hook. Someare languid reggae tunes,accented with guitar solos inthe vein of Bob Marley's "Stir
Top: Tanas, Atweh, Pellizzer and Spivak (from left) played fora crowd of 20 people at Webster Hallonly 10 months ago. Nowt rontman -and former go-go dancer -Atweh is grooving in front of packed
audiences. Bottom: A July 10 appearance on The Tonight Show Starring Jimmy Fallon is perhapsasign of moretocome. the band will remain on the collegeand festival circuit through early 2015.
It Up." Others boast an uptempo, drivingrhythm. It all adds up to the kind of "reg-gae action" that Atweh, 33, promised thediverse crowd that packed Webster Hall inNew York on a hot night earlier in July. Toappreciate just how far Magic has come inless than a year, consider this: 10 monthsago, the turnout was dramatically differ-ent when the band played the same venue."We had 20 people," recalls Cara Lewisof Creative Artists Agency, which handlesbooking for Magic. "And 18 of them weremy staff."
Atweh dances with loose-limbed exuber-ance throughout the set, a showcase of Don'tKill the Magic songs interspersed with cov-ers, from Stevie Wonder's "Master Blaster"to Cyndi Lauper's "Girls Just Wanna HaveFun." Like every smart frontman, the for-mer go-go dancer knows how to work a
50 BILLBOARD I AUGUST 2. 2014
room, at one point taking time out to thankthe Sony Music suits in the audience, "ourteammates on this great journey." The nighttrip ends, of course, with "Rude" and a mas-sive sing -along. The crowd's voices are stillreverberating off the walls as Magic scootsfrom Webster Hall to Rockefeller Center fora performance on The Tonight Show StarringJimmy Fallon.
The sudden success of Magic and "Rude"would seem unlikely in an era whenAmerica's musical consciousness is rarelydented by reggae. A decade ago, Atweh wasjust another struggling solo artist. He signedwith Universal Canada at 19 and, using onlyhis first name, released two modestly suc-cessful R&B singles.
He eventually relocated to L.A., sleepingon friends' couches, taking acting classes andeven working as a go-go dancer at a WestHollywood club called Eleven to make endsmeet. But by the turn of the decade Atwehwas better-known for his production workas one of The Messengers and writing hitsfor the likes of Justin Bieber, Chris Brownand Pitbull. Then he met Pellizzer, who wasalready an accomplished studio musician.
"When I met Mark and he started playingthat reggae groove, I was like, 'This feelsgood,' " says Atweh. "I started to be happyaround him. When he would play, I startedto feel like an artist, like I had value, like Iwas being heard. He makes me feel that waywhen we write. And he's competitive, so wepush each other."
Despite "Rude" catapulting to the top ofthe charts, Magic's low-key, Rasta -friendlyjams have proven to be easy marks for crit-ics. The Los Angeles Times recently called"Rude" one of the summer's worst songs,mocking the record's conceit of a dudeasking his girlfriend's dad for permissionto marry. "Wisely, the father says no," theTimes cracked, "perhaps fearing decadesof casino and state fair gigs in his would-beson-in-law's future."
The New York Times' review of the group'sWebster Hall show concludes with a similarlypessimistic fortune that plays off the title ofanother Magic song, "How Do You Want toBe Remembered": "Maybe, for a band, thereare five words that are even more worrisome:What was your name again?"
But those bad vibes don't easily harsh theworld of Magic. In the Webster Hall dress-ing room prior to the show, there was thepalpable giddiness that comes from ridingthe wave of a huge hit as the band mingledwith friends and record -label employees.The group's manager, Charles Chavez,recounted how he met Atweh when thesinger produced the "big or hit" "Feel ThisMoment" for Pitbull, who Chavez has man-aged since 2007. But the exec says he wasblown away when he first saw the original
"Rude" YouTube stream in April 2013. "Isaid, 'Holy shit, I love this record,' " recallsChavez, a tall, bald man with impossiblyperfect teeth and a long history of hits. "Itold Nasri, 'Just let me sign the record. I'lltake it and I'll do my best to make this thebiggest song on earth.' "
That enthusiasm paid off when SonyInternational got onboard. But by the timeChavez drummed up interest in "Rude," thesummer of 2013 was nearly over. So it wasdecided to pitch the single in the SouthernHemisphere, where summer was justbeginning. The song soon shot to No. 1 inAustralia and New Zealand. The migrationthen continued to the band's home country,Canada.
"The Canadian airplay started bleedingover into some of the U.S. border towns likeBuffalo [N.Y.] and Detroit, spiking sales inboth of those markets," says RCA MusicGroup president/COO Tom Corson. "So weknew we had an active record on our handsearlier this year. If we weren't convincedbefore, we were completely convinced atthat point."
By the time this summer rolled around,"Rude" was one year old - but its Americanodyssey was just beginning. "This is a six-
format record," claims Corson. "It hascharted significantly in six different [radio]formats. Records like 'Blurred Lines' and`Happy' have done that - but very, very few.
"That's part of the big story here," headds. "It ticks a lot of boxes," includingmainstream top 4o, alternative, adult con-temporary, adult top 4o, Latin pop, rhythmicand triple A.
Meanwhile, Lewis has Magic crossingthe country, performing at festivals andcolleges until first-quarter 2015, when thegroup will support another act on a yet -to -
be -announced arena tour.Seemingly everyone in the business of
working Magic has unwavering confidencein the band's prospects. Chavez comparesthem to the Eagles and suggests that "LetYour Hair Down" - another reggae -inflectedslow jam from Don't Kill the Magic - is des-tined to be a follow-up smash.
The band itself, however, acknowledgesthe challenge of overcoming its potentialstatus as a one -hit wonder. " 'Rude' hasachieved so much international successthat it's a blessing and - I'm not going tosay a curse," says Pellizzer, who once playedguitar in a gospel R&B group called DivineWorship. "But the success of that recordcould eclipse some things that are possiblygoing to follow."
Atweh is more cocky: "If Magic sticksaround - which we will - you'll hear moreabout my life," he says, affecting the voice ofa born showman with a fascinating story totell. "In my autobiography ..." 0
BY THE NUMBERS: 'RUDE'In only its 12th week on the Billboard Hot 100, Magic's first hit, "Rude,"jumped to No. 1, bumping Iggy Azalea's "Fancy" from the top slot after a
seven -week reign. With the song's No. 1 achievement on the July 26 list,the tune became the 1,037th chart -topper in history, and one of only a
handful of reggae -flavored leaders. -KEITH CAULFIELD
KPlays on U.S. radio, translating to 1 billion in cumulative audience
SoundCloud plays on management Latium Entertainment's channel
Downloads sold in the United States
Number of radio formats on which the song has charted
YouTube views of official video and lyric video
2.5MSootily streams
Source: Sales according to Nielsen SoundScan. through July 20. On the approximately 1.240 stations thatreport to the Billboard Hot 100. according to Nielsen WS. through July 20.
AUGUST 2, 2014 WWW.BILLBOARD.COM 51
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DIGS, UNIVERSALCM,
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1411111.ftall
Common and Def Jam executive/producerNo I.D. reunite for a back -to -basics LP
By PAUL CANTORPhotographed by DUSTIN AKSLAND
COOLSTORY BRO
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"I'm trying not to do anything stereotypical,"No I.D., the renowned producer-turned-Def Jam executive, tells a photographer ata shoot at the Skylark, a chic rooftop bar inNew York. He puts his hand under his chin,like Auguste Rodin's The Thinker.
"Oh, man," says rapper Common, seatednext to him on a plush couch. "That's oneof my poses."
It's not the first time the pair has takencues from each other. Twenty years ago, NoI.D. produced the bulk of Common's 1994LP, Resurrection, the album that vauntedthe rapper into hip -hop's pantheon. On July22, their newest collaboration, Common'sNobody's Smiling, hit stores via No I.D.'s DefJam -distributed ARTium Records.
"I named my second album Resurrectionbecause it was like we were coming to life,"says Common, 42. "This album now is like
we're coming to life again."With Manhattan's skyscrapers rising
in the windows behind them, the pair area long way from Chicago's rough SouthSide, where they met in the fourth gradeand came up together, collaborating onCommon's first three albums. "It wasgangbanging, drugs, broken homes," recallsthe rapper, born Lonnie Rashid Lynn Jr.,before turning toward the camera and flash-ing a grin. Besides music, he has a decadeof acting under his belt, starring in AMC'sHell on Wheels and films like Just Wright andAmerican Gangster; for him, this is businessas usual. But No I.D. (born Ernest DionWilson) is known for his behind -the-sceneswork, crafting soulful beats and developing
No I.D. (left),Common werephotographed
July18attheSkylark,v York.
talent. He's not used to flashing lights.That could soon change, however,
because while Common is already a bonafide star, No I.D., 43, is having a momentof his own. In April, after three years as anA&R exec at Def Jam - where he inked
"No I.D. knows where I comefrom, what we been through."R&B singer Jhene Aiko and executive -
produced albums by Big Sean and Nas,among others - he was named executivevp/co-head of A&R of the historic label. It'sa fitting title for a true music man, one whoisn't inclined to chase trends for quick hits,and who's still remarkably hands on withproduction despite his cushy title.
"My wife says I'm like a little black dress- it never goes out of style," explains NoI.D. "My career would go up and down,but I was learning how to be that dress
- not the guy who had a two-year run andwore out his welcome."
Common's new record will be ARTium'sfirst full-length release, but he and No I.D.,who are now neighbors in Los Angeles,haven't always been on the same page.
By the rapper's fourthalbum, 2000's Like Waterfor Chocolate, Commonhad traded in his pal's dustygrooves for J Dilla and The
Roots' coffee -shop funk. He spent the nextdecade working with a laundry list of rapsuper-producers, most notably No I.D.'sformer protege Kanye West, who signedCommon to his G.O.O.D. Music imprint in2004. No I.D. spent the early aughts belowthe radar, then became a staff producer forJermaine Dupri, landing credits with Jay Z.He parlayed that into a similar role for West,which led to him becoming president atG.O.O.D. Music, and, later, his Def Jam job.
No I.D. "reminds you why we're doing
54 BILLBOARD AUGUST 2, 2014
Resurrection (1994)259,000 sold
One Day It'll All MakeSense (1997)285,000 sold
The Dreamer/TheBeliever (2011)
154,000 sold
COMMON &NO I.D.:
BY THE NUMBERS
Can I Borrow a Dollar?(1992)
137,000 sold*
"I make my best work when I'mwith someone who shares a
similar vision," saysCommon of his 30 -year -plusfriendship with No I.D. Foran exclusive interview andbehind -the -scenes video,go to Billboard.com and
Billboard.com/ipad.
this," says Common. "His agenda is hip -hop- being true to what hip -hop is about."
That much became evident when theduo reunited for The Dreamer/The Believer,Common's 2011 LP. The album was animpressive return to the boom -bap soundthey had cut their teeth on, and proved that
when Common wasn't busyfilming movies and TV, hewas still a formidable artist.He even went tit for tat withDrake, laying into him onthe song "Sweet." (The twohave since reconciled.) Still,the project was only a mod-erate commercial success,selling 154,000 copies,according to NielsenSoundScan, which No I.D.blames partly on himself.
I _ "There's nothing thathighlights him," he says. "It\ , was like me showing off."
The pair began workingon Nobody's Smiling with a
renewed sense of purposeearlier this year. "The songswere inspired by hours ofconversations at No I.D.'shouse and studio. "We'dtalk about anything fromlife to music to the MiamiHeat," says Common. "Imake my best work whenI'm with someone whoshares a similar vision."
The results are obvious:Nobody's Smiling is a greatlisten. "Diamonds" is builton a catchy Big Sean hook,and could earn Common hisfirst real radio play in years.And with rising Chicago
stars Lil Herb ("The Neighborhood")and Dreezy ("Hustle Harder") onboard,Common shows he hasn't forgotten hisroots. He explores them even more on"Rewind That," which details his some-times strained relationship with No I.D.And maybe that's the best thing about themreuniting yet again. Twenty years afterResurrection, Common is back home.
No I.D. "knows where I come from,"says Common. "He knows what we beenthrough. It's good to have people around youthat can make you remember. Because youdon't always see ... yourself." 0
The Antidote To Bro-countryNashville newbies Maddie &Tae take on the rage in tailgates andtrucks (and their own labelmates) with "Girl in a Country Song"
BY JILL MENZE
As the first act to sign with the revived Dot Records, a Big Machine LabelGroup (BMLG) imprint, Maddie Marlow and Tae Dye seem primed to beNashville's newest sweethearts. Think again. The blonde, bubbly 18-year -
olds, who perform as Maddie & Tae, may look harmless, but the duo's bolddebut single, "Girl in a Country Song," has become the talk of Music City - and theHot Shot Debut on the Aug. 2 Hot Country Songs chart at No. 39.
Co -written with Big Machine Music's Aaron Scherz, the song skewers the "bro-country" trend of acts like Florida Georgia Line and Luke Bryan. "We were listeningto all the songs on country radio right now that we love by artists we love," says Dye."We started writing this checklist: girls, tailgates, trucks, cutoffs, dirt roads."
The songs "all have this super-smoking -hot girl in it. She's always barefoot on atailgate dancing in cutoff jeans and a bikini top," adds Marlow. "We thought it wouldbe fun to come at this topic from a different perspective: how the girl would feel, orat least how we would feel, being in those songs. We want to look good for theseboys, but that's not all we have to offer."
Catchy and sassy, "Girl" sends "these boys" - particularly Billy Currington, thesinger behind 2013's "Hey Girl" -a clear message, with lyrics including: "I hear youover there on your tailgate whistling/Saying 'Hey girl' but you know ain't listening."But Dye says they're just having fun. "A lot of people hear the song and are like, 'Whyare you bashing them?' We're not! We love these songs and these guys."
"WetWant tolook good for
these boys,but that's notall we have to
offer," says
Marlow (right,with Dye).
Adds Marlow: "We're just giving the girls a voice."The song's message might seem like a jab at fellow BMLG acts like Florida
Georgia Line, but president/CEO Scott Borchetta doesn't see it that way. "Our goalis to always sign artists that have their own point of view," he says. "As for other art-ists whose music this speaks to, they totally understand it's all in good fun."
Marlow and Dye, who hail from Sugar Land, Texas, and Ada, Okla., respectively,met through a vocal coach at a showcase. They began writing and performingtogether while still in high school, spending weekdays collaborating via video chatand weekends working in Nashville. ("Which is crazy," notes Dye, "because Nashvillesongwriters don't write on weekends.") After being discovered by BMLG Music vpcreative Mike Molinar, the girls teamed with Scherz, who "really helped develop us,"says Marlow. When they played "Girl" for Borchetta for the first time, "We're like, 'Oh,my gosh, what if he hates it?' But we play the song and he's just dying laughing."
Maddie & Tae are currently on the road promoting "Girl" in between writing andrecording their debut full-length, which may ruffle a few more feathers.
"We want girls to know it's OK to feel what you're feeling," says Dye. "We writefrom real experiences - we're not taking anything out. We're dropping names."0
*All sales figures according to Nielsen SoundScan. AUGUST 2, 2014 WWW.1311.1.BOARD.COM 55
Music
CHART MOVER
How HeBucked TheR&B SlumpFresh off back-to-back No. 1albums, Trey Songz spillsthe secrets to his success
BY GAIL MITCHELL
PHOTOGRAPHED BY EMILY BERL
rey Songz has every reason to besmiling. It's been a good monthfor the 29 -year -old R&B star (real
name Tremaine Neverson). He scored hissecond consecutive No.1 on the Billboardzoo with his sixth album, Trigga, whichalso helped him top Billboard's first Artist100 chart, unveiled July so. His single "Na
Na" peaked at No. 21 on the Billboard Hot100 on July 19 - his 19th hit on the chartduring his career. Here, one of R&B'shardest -working singer -songwriter-sexsymbols reveals how he did it, from shirk-ing the EDM trend to reconciling withAugust Alsina.
R&B has been struggling commercially.Why is Triggs doing so well?Yeah, it's difficult these days, but I thinkTrigga is actually my best album. It's a
cohesive body of work, all inside of oneconcept. But I also attribute it to having a
loyal fan base. What we were able to createwith Trigga is a sense of belonging. Overthe last several years, R&B singers havebeen changing it up, doing different thingslike EDM. I kind of stuck it out for the longhaul, especially with [2012's] Chapter V,when dance was really big. It's so easy tobuy into this single or that single versusbuying into an artist's whole experience. Ithink labels and artists are more concernedwith that immediate grab versus engagingthe audience for a whole span of music.
"558 singers havebeen changing up,
doing different thingslike EDM," says Songz,photographed June 25
in Los Angeles. "I stuck itout for the long haul."
What was your game plan in terms ofengaging fans consistently?We started to build a black -and -white con-cept. I erased all my Instagram pics beforeI dropped "Na Na." Everything new wasblack and white. It's about giving fans a
continuous experience versus saying, "Thissingle is for this radio station, this singleis for that radio station." Because as anartist you've got to think, buying music isprobably dead last at the end of someone'slist when you have children to take care of,you have school, work, personal issues, andthen you have to go get music - which youcan get for free if you want to.
The videos are a continuous experi-ence, too. They could be edited into a
single movie. Was that intentional?Yes. That was to captivate fans more.People [have] is -second spans on Insta-gram and six seconds on Vine. So wecalculated that a fan would probably watcha YouTube video for an average of two min-utes. Then it was about figuring out how totap into their minds and get them to wantmore. We hit them first with the song, thenthere would be a [preview], then the actualvideo. It was different steps of engage-ment. All were black-and-white-themed,just like the album. Those things subcon-sciously make fans become more engulfedin the experience.
When can fans expect your nextalbum, Tremaine?It isn't far behind. I've recorded 6o songs.
One of the highlights at this year'sBET Awards was seeing Chris Brown,you and August Alsina, who criticizedyou in the press earlier this year,perform together. How did you feel atthat moment?It was very special, not only for me as anartist but as a young man. I was thinkingabout the young men out there, thinkingabout what that moment meant to ourculture to see three young men, doing theirthing in separate ways, coming together tomake a moment in history. You don't see alot of people joining forces if they're not inthe same clique. It was something biggerthan we could ever imagine it to be.
You're coming on 10 years in the game.What's behind your staying power?Hard work. People don't realize how hardthis job actually is, or how fleeting successcan be. I've had to kind of reinvent myselfa couple of times. I love being No. a, butwhen you know you've made a body ofwork that truly resonates with people -asoundtrack for people's lives - that's theultimate success. And we accomplishedthat with Trigga.O
Babymetal: Gaga's Kooky FindJ -pop's trio is equal parts goth and giggles
BY JEFF ROSENTHAL
Babymetal are unlikely ascendantsto the black -metal throne, to say theleast. They're a girl group, Japanese
and each barely 5 feet tall. (The pigtailsadd an extra inch.) Oh, and they smile.And dance. But they're racking up millionsof YouTube views, selling out shows andopening for Lady Gaga. They name -dropthe band Anthrax, as in, "We were talkingwith Anthrax backstage in London, after weperformed for io,000 people, and ..."
Their novel brand of music - which theycall "kawaii" (meaning cute) metal - com-bines the fire and fury of Slayer with thevocals, choreographed dance moves andapple-cheeked innocence of tween J -pop."We have a song called `Fleadbanger,' "says lead singer Su -Metal, through a trans-lator over Skype, before checking herself:"Well, it's a baby headbang. Instead ofdoing it forwards, we do it from side toside, to make it cute."
Ifyou ask Babymetal how it cametogether, the girls giggle about being placedon Earth by "the Fox God," a being they saythey came upon by mistaking metal's devil -
horn hand sign for the ears of a fox. (Metalhas always loved its mysticism, after all.) Inreality, Suzuka "Su -Metal" Nakamoto, i6,started off as a cog in one of Japan's manu-factured "idol" pop groups. Neither she norvocalist/dancers Yui "Yuimetal" Mizonoand Moa "Moametal" Kikuchi (both 15) hadeven heard metal before being recruited byKey "Kobametal" Kobayashi, the producerbehind the group.
"I picked the girls because they're sym-metrical in height, and, well, because theFox God - it comes to me in the bathtub,"he says. "This scene is older. It can be bor-ing- the same old guys doing metal! It's notbad, but this is something new. That's how I
came up with this, just trying to do some-thing no one had heard before."
Indeed, the video for "Gimme Chocolate"has the girls shrieking under strobe lightsand adorably pantomiming eating the titularsnack, before ending with the cryptic mes-sage "See you in the mosh'sh [sic] pit." Onone hand, they encourage concertgoers to"be good to one another," but they also sticktheir tongues out and wink when they say"death" (a word they use an awful lot).
The group has attracted a strange mix offollowers. "In Japan, most fans at shows arefans of Japanese pop idols," says Su -Metal."In Europe, it's a lot more metal fans."
Babymetal will invade America for thefirst time this month, playing a sold-outshow at Los Angeles' Fonda Theatre on July27 and then sweeping east for five dates withGaga. But Su -Metal isn't intimidated - she'scoming with teeth bared. "In America, Iwant to try steak," she says. "I want to eat abig, America -sized steak."0
Babymetal's Yuimetal,2 Su-Metaland
Moametal (from left). -
Tomorrow's Hits
SHMURRA'S'HOT'STARTBrooklyn rapper and new Epic
signee Bobby Shmurda gains
ground with his drill track
"Hot N ---a." The song rises
4-1 on the Billboard Twitter
Emerging Artists chart thanks
to its accompanying viral
Vine "Shmoney Dance." The
20-year-old's moves have
attracted enough buzz that
even Beyonce is using them
during the On the Run Tour.
PRIORY'S 'WEEKEND' BEGINSPortland, Ore.'s Priory bows
at No. 36 on Alternative
with its new wave -influenced
"Weekend" (Warner Bros.) The
duo previously toiled in day
jobs (and even sold their own
plasma to pay rent) before
committing to music full
time. Helping break the song:
tastemakers KROQ and KYSR Los
Angeles, KITS San Francisco
and SiriusXM's Alt Nation.
ANZEL ASCENDSAnzel bubbles under the
Tropical Airplay chart with
the tender "Juegas" (Musa
Latina). The bachata newcomer
(aka Ariel Abreu) first
dabbled in reggaeton before
homing in on a more classic
sound. Anzel is prepping the
release of his debut album,
De Corazon a Corazon.
-William Gruger, Amaya
Mendizabal and Gary Trust
NUMBERS:JASON MRAZ
Jason Mraz says YES! to another
No. 2 debut on the Billboard 200, as
his new album arrives in the runner-up
slot. Mraz is denied his first No. 1
by "Weird Al" Yankovic's own first
chart -topper, Mandatory Fun.
YES! sold 81,000 copies in its first
week (ending July 20), according to
Nielsen SoundScan - less than the
arrival of Mraz's last set, 2012's
Love Is a Four Letter Word (102,000)
but more than the bow of the album
before that, 2008's We Sing. We Dance.
We Steal Things. (73,000).
5E9Despite Mraz's solid history with
radio (10 entries on the Adult Top 40
chart, eight on the Triple A tally),
he has yet to earn an airplay hit from
the new album. Still, its current
single, "Love Someone," is nearing
Adult Top 40, having gained by 55
percent in plays in the week ending
July 20, according to Nielsen BDS.
Mraz's promotion of the album yielded
a 63 percent increase in Twitter
mentions of his handle in the week
ending July 21, according to Next
Big Sound. But, while people were
talking, they weren't necessarily
following: He saw a 25 percent drop in
new followers for the week.
-Keith Caulfield
AUGUST 2, 2014 WWW.BILLBOARD.COM 57
ALBUM
Spoon,They WantMg Soul
ON 2002'S KILL THE MOONLIGHT, THEsecond of five great albums Spoon releasedbetween barn and 2010, frontman Britt Danielsings about a guy named Jonathon Fisk who usedto beat him up in middle school. He sounds likea real creep, but as Daniel revealed in a recentinterview, the two are now friends, and Fisk hasbecome a Spoon superfan. That's pretty muchhow it goes with these Austin indie rockers: Ifyou don't love them at first, just wait. You will.
And it's no wonder: As Gloria Estefan oncesang, "The rhythm is gonna get you." Spoon'sclipped rock'n'soul grooves have set it apartfrom just about every other indie outfit on theplanet. On They Want My Soul, Spoon's eighthalbum (and first in four years), the band fallsright back into step. Each of these io songshas a taut, terrifically Spoon -like skeleton,and even if the group had opted to once againself -produce and stick to its usual bag of tricks,it would have easily extended its winningstreak to six.
Instead, Spoon handed the controls to Dave
Fridmann, the man behind all the bestFlaming Lips discs, and the result is a
record that manages to splash bright,unexpected colors in between veryclearly drawn lines. Fridmann achievesthis by tweakingthe many sonic ele-ments that compriseSpoon's deceptivelyminimal sound. Onthe dark and anxious"Rainy Taxi," he dialsin some extra distor-tion, one of his peteffects. On "KnockKnock Knock," hekeeps the guitarsmostly unpluggeduntil the end, whennew member AlexFischel unleashessome vicious noise."Outlier," meanwhile,earns its name with adancy beat and laser-
Backed by producerDave Fridmann's bold
swatches, Spoon charmsyet again- even whilemaking sly digs at the
religious right, childhoodbullies and Garden State.
eighth -note pulsing is that it can evokeboth nervousness and excitement, andon the album's best cuts, the summery"Inside Out" and "Do You," these lock-step Texans are softer but also funkier
than ever before. Theformer centers on thereligious blowhardsLINER NOTES
PRODUCER: Dave Fridmann
LABEL: Loma Vista
RELEASE DATE: Aug 5
BEST SONGS: "Inside Out,""Do You," "New York Kiss"
beam synth tones. It'sthe closest Spoon will likely come togoing psychedelic or EDM. And whilethe boys still sound pretty buttoned up,there's a looseness that suits the song'slyrics - all about some freethinkingfriend or lover who "walked out of [thefilm] Garden State 'cause you had taste."
The real beauty of Spoon's patented
Daniel sees as threatsto his independence."I won't be theirsoldier," he insists,stringing his wordsout like backyardparty lights acrossthe spiky piano notes.
That message- not getting hood-winked, not sellingout-carries overto the title track, a
scratchy, punkishjam more on parwith vintage Spoon.Among the soul -
sucking foes Danielmentions by name is his former nem-esis Fisk. Daniel is clearly having alaugh- that sweet and lively hook is a
dead giveaway. But even if Fisk were tomisunderstand and get offended, hisanger once again likely wouldn't lastlong. When the groove's this good, howcould it? -Kenneth Partridge
co)OUT JULY 22
5 Seconds of Summer5 Seconds ofSummer(Capitol)
CommonNobody's Smiling(Atrium/De( Jam)
Jesse McCartneyIn Technicolor(Eight0Eight/INgrooves)
La RouxTrouble in Paradise(Cherrytree/Interscope)
YesHeaven er Earth(Frontiers/Universal)
KeskadeI Remember(Ultra)
AlvvaysAlvvays(Polyvinyl)
FreemanFreeman(Partisan)
FozzyDo You Wanna Start a War(Century Media)
58 BILLBOARD I AUGUST 2, 2014
ALBUM
La Roux, Trouble In ParadiseWHEN LA ROUX ARRIVED IN 2009 WITH ITSGrammy -winning self -titled debut, the U.K.duo's music smacked of the future. Sure, thesongs were rooted in '8os synth-pop, but thesteely beats and singer Elly Jackson's unflap-pability suggested that mainstream musicwas morphing into something mechanicallysleek, stylish and forward -looking. And thenthe group disappeared, as Jackson's vocalproblems, exhaustion and friction with band -
mate Ben Langmaid stalled album No. 2. Now,Jackson, 26, is back as a solo artist still using theLa Roux name, with an enjoyable but unspec-tacular album.
The lean nine -track offering finds Jacksonswiveling away from icy electronica towardTechnicolor disco, with cheekily titled songs like"Sexotheque" flashing funk guitar and percus-sion. Jackson's piercing wit is still present, buther vocals are warmer, her words now soaringalongside tracks instead of stabbing into them."I hope it doesn't seem like I'm young, foolishand green/Let me in for a minute, you're not mylife but I want you in it," she laments on "Let MeDown Gently." La Roux's sound, now overseenby Jackson and co -producer Ian Sherwin, hasbecome more organic, and Jackson's presenceas a frontwoman has evolved alongside it.
Trouble in Paradise is buoyant enough to
soundtrack hipster barbecues during the nextfew months, but La Roux's music should be morethan just background noise. The act's debut, ledby top 10 hit "Bulletproof," had the potentialto rearrange the rules of pop. Its follow-up is awelcome, long-awaited return after a troubledhiatus, but it hums along comfortably withoutstriking any innovative poses. In the past Jacksonhas demonstrated the ability to dazzle, and per-haps she will again on future projects. Until then,Trouble in Paradise provides a pleasurable butdispensable stopgap. -Jason Lip shu tz
LABEL: Cherrytree Records/Interscope
PRODUCERS: Elly Jackson, Ian Sherwin
RELEASE DATE:July 22
Shabazz Palaces, Lese MajestyTHE SOPHOMORE LP FROM SEATTLE'SShabazz Palaces reads like a futuristic, BlackPowered, counterculture thesis draft writtenunder some kind of influence. Palaceer Lazaro(aka Ishmael Butler of influential '9os alt-rapoutfit Digable Planets and early-200os future -
funk project Cherrywine) begins Lese Majestyby name -checking Kalashnikov rifles andaudio engineer Rupert Neve on opener "Dawnin Luxor." On follow-up track "Forerunner
LABEL: Sub Pop
PRODUCER: Palaceer LazaroRELEASE DATE: July 29
Foray," he slant -rhymes Rod Lavers with theLakers. Three songs in, he's critiquing wealthand vanity through the lens of Moby-Dick andmaking up words - "blackophilic peodolisticpedestrophic" - as he goes.
Lese Majesty - which Lazaro recorded andproduced without Shabazz Palaces' other half,percussionist Tendai Maraire - draws on a lotof history for a style of music that has little prec-edent, save the group's thrillingly experimental2011 full-length debut, Black Up, and Lazaro'sastral R&B projections as Cherrywine. Over a
shivery guitar twang on "Noetic Noiromantics,"Lazaro murmurs, "Comes in a new light thestrangest strongest I've had the pleasure";indeed, Lese Majesty is perhaps the strangest,strongest Shabazz Palaces project yet.
Here, Lazaro sinks his many, many wordseven further into a heady swirl of galactic synthsand dizzyingly fragmented vocal effects. Yet hedoesn't take himself too seriously, at least on thesurface: He finds room to reference the world'scheesiest instrument on the insistent yet warped"Mind Glitch Keytar TM Theme" and twistshashtags into a tongue-in-cheek ode to "boos"and hedonism on "#CAKE." With Lese Majesty,Shabazz Palaces' sonic vision skyrockets evenfurther into the stratosphere. -Harley Brown
GERM]
DAVID GUETTA FEATURINGSAM MARTIN, "LOVERS ON THE SUN"
Superstar French Di -producer David Guettawas at the forefront of merging EDM with popon The Black Eyed Peas' 2009 smash "I GottaFeeling." But five years later, his new single feelslike it's following rather than leading. All foot -
stomp kicks, harsh strings and twangy guitar,with an overall spaghetti western vibe, "Loverson the Sun" (Big Beat/Atlantic/Parlophone)seems like Guetta's attempt at concocting hisown "Wake Me UV -style mashup - even itsbreakdown sounds eerily reminiscent of Avicii'scut. He's aided by a stellar vocal from SamMartin: "Close your eyes and hold your breath/Because it feels right," Martin sings over LoneRanger whistles. "Lovers on the Sun" radiatesgood vibes, but compared with recent EDMcrossovers that sounded bold and risky, Guetta'sfeels late to the party. -Dan Hyman
USHER FEATURING
NICKI MINN"She Came to Give It to You"
RCA Records
One year before "GetLucky" and "Blurred Lines,"Pharrell Williams produced"Twisted," a sleek standouton Usher's Looking 4 Myself.On new single "She Cameto Give It to You," Williamsonce again lets Ursh shineover spiraling funk bassriffs, although guest NickiMinaj predictably deliversthe most memorable line:"Tell your man play the backlike a spine/He only last sixseconds like a Vine."
-Jason Upshutz
INTERPOL
"All the Rage Back Home"
Matador Records
"All the Rage Back Home,"the first listen off Interpol'supcoming fifth album, isa bit of a bait and switch.Languid twangs lead PaulBanks' reedy voice to theedge of calm before plung-ing into a morass of guitarsfrothing around a kick drum.The song builds to a climaxwithout ever breaking,sustaining tension in con-tinuously shrill tones.
-Harley Brown
MEGHAN TRAINOR
"All About That Bass"
Epic Records
Body -image awareness ishaving a moment in pop.from Colbie Caillat's "Try"and John Legend's "You &(Nobody in the World)" videoto Mary Lambert's "Secrets."But the most fun result ofthe trend is "All About ThatBass," on which MeghanTrainor proclaims, "I'mbringing booty back." It fea-tures a doo-wop-meets-hip-hop beat and a sassy hook,delivered by a 20 -year -oldtalent who suggests SaraBareilles at a Nashville jazzdub. More to love, we say.
-Andrew Hampp
JOSH THOMPSON
"Wanted Me Gone"
Show Dog/Universal
With "Wanted Me Gone,"Josh Thompson turnsheartache into a damn goodtime. "I guess took a detourwhen you told me to go tohell/Cause I'm in heavenevery weekend," he tellsthe no-good ex who is nowbegging him to come back.A rousing, repetitive chorushelps deliver a send-off thatsticks. Who knew breakupscould be so fun? -Jill Menze
AUGUST 2. 2014 WWW.B1LLBOARD.COM 59
ffi
IT
aI
Backstage Pass /Midyear Touring Report
Global BoxscoreTallies RiseJustin Timberlake,the Stones andBeyonce scorebig whileNorth Americanresults softenBy Ray Waddell
The concert industry has been riding a hugewave of growth for the past four years, andstakeholders are bullish on the health of thebusiness. And according to the BillboardBoxscore charts, business for top acts is solid.
For the midyear chart period, whichincludes concerts reported to Boxscorefrom Nov. 13, 2013 through June 10, 2014,global results are rising, even while NorthAmerican numbers raise some concerns.
The number of shows reported to Boxscoreare up from the sameperiod last year, 14.7percent worldwideand 7 percent in NorthAmerica. Global tour-ing grosses are up 6.3
percent, but globalattendance is down 4.2 percent. That trendof grosses outpacing attendance boils downto higher ticket prices, and it's a telling returnto a pattern last seen when business was in aslump more than four years ago.
In North America, the returns are lesspositive: The $1.2 billion total Boxscore grossis down 16 percent from a year ago, and theattendance of 17.2 million is down 23 percent,while the number of shows reported is up7 percent. Again, the decline in attendanceexceeds the decline in gross by a significantmargin - not a healthy trend.
Among tours currently on the road,Justin Timberlake leads the way, with hisdominating 20/20 Experience World Tourgenerating nearly $15o million in box office
"We're in very goodshape. It feels verysolid right now."
-BOB ROUX, LIVE NATION
Strait seta Boxscore record on his2013-2014 farewell tour, promoted byLouis Messina.
and 1.3 million in attendance. JT could quitepossibly end up as the top tour of the year,though One Direction, which is currentlyplaying North American stadiums, couldrival him, having already reported $loomillion and 1.2 million in attendance forthe year. The Eagles, in the midst of theirblockbuster History of the Eagles Tour thatbegan in July 2013, have earned $70 mil-lion in box office since November, and thetour to date has grossed $145 million andcounting, according to Boxscore. Headlinersof tours, ongoing or completed, that roundout the midyear top io are Beyonce, BruceSpringsteen & The E Street Band, George
Strait, Depeche Mode, PaulMcCartney, Bon Jovi and TheRolling Stones.
For all of this accounting,midyear Boxscore numberscan be a slippery barometerof the overall health of thetouring industry. Many toptours have not tallied theirnumbers, other big tours arejust getting underway, andmany of the results come from2013 shows reported after thecutoff for Billboard's year-endtouring report.
Among the top 10touring acts on themidyear Boxscorecharts are (clockwisefrom left) Timberlake,The Rolling Stones,Beyonce and
One Direction.
Yet the less -than -robust North Americannumbers follow a record year for the concertindustry in 2013. The industry has reboundedto unprecedented levels since 2010, largelydriven by the growth of international tour-ing, increased efficiency in digital marketing,prudent booking and, most important, a focusby the industry at large on improving the valueproposition of the live experience - especiallyas ticket prices for some events edge upward.
From festivals to packaging to pricing, theindustry has zeroed in on giving fans theirmoney's worth, and that seems to hold true inwhat's out there in the summer marketplace.Higher ticket prices generally are attached to"event" tours, festivals and double -headliners.Festivals like Bonnaroo, for example, typi-cally carry the highest prices in the business ataround $200, but the cost per band is a fractionof seeing these bands on their own.
Rather than a downturn in the businessthen, midyear Boxscore results most likelyreflect a cycle with fewer large -venue showsand higher traffic - the number of acts ontour. And, without exception, executives inthe concert industry remain optimistic thatlive music will continue to be robust.
"I don't focus on [the numbers] as muchas [the question], 'Is the live touring businesshealthy?' Yes," says Rob Light, managing
AUGUST 2, 2014 WWW.BILLBOARD.COM 61
Backstage Pass /Midyear Touring Report
Erykah Badu (right) sang in April at Australia'sByron Bay Bluesfest (below). Bottom: Bon Jovifilled Melbourne's Etihad Stadium in December.
partner of Creative Artists Agency. "I believethat people love going to shows more thanever, and I believe we are on a great path. Idon't see it wavering."
Marc Geiger, head of music at WilliamMorris Endeavor Entertainment, categorizes2014 as a " 'steady Eddie' year, with modestgrowth. I can't find a bad story."
Bob Roux, co-president of North Americanconcerts for Live Nation, the world's largestpromoter, says, "We're in very good shape."Roux says Live Nation's amphitheaters arehosting more shows than a year ago, andaverage ticket volumes in the sheds are up "afew percentage points" from that time frame."It feels very solid right now, with nearly zerodisappointments and some overperformers."
And, while arena show counts are downslightly, Roux says that's offset by an increasein the number of stadium shows. Live Nationwill promote about 7o stadium shows in2014, "and every one ... is in profit and thevast majority are already sold out."
The focus on giving fans value for theirmoney remains a priority. "I don't see a lot of
TOP 10 TOURS AT MIDYEAR
ACT
Justin Timberlake
GROSS ATTENDANCE NO. OF SHOWS
One Direction 1 $99,486,030 1 1,155,326 : 21;
!
The Eagles i
!
$70,029,080 1 516.504:
;
41
Beyoncd $69,002,966 599.786 421 i
Bruce Springsteen & The E Street Band ! $64.929,714 554.032 32
George Strait : $58,236,945 541,652 24;
Depeche Mode $48.989,069 588.213 44
Paul McCartney 1 $43,476,160:
273,171 7
Bon Jovi 1
:$41,881,658 ! 320,811
::
9
The Rolling Stones 204,044 7 rTOP 10 BOXSCORES AT MIDYEAR
ARTIST/EVENT,TICKET PRICES = GROSS i
VENUE, DATESATTENDANCE SHOWS PROMOTER(S)
Co, I:
I
Music and Arts FestivalEmpire Polo Field, Indio, Calif.
$799/$375.
$78,332,000 1 579,000 ; 6Goldenvoic4
PresentsApri111-13 and 18-20,2014
The Rolling Stones:
(2,860,350.000:1
!
1 Concerts West/Tokyo Dome, Tokyo $781.63/$97.70 yen) i 147,493 ! 3 i AEG Live,
Feb. 26, March 4 and 6,2014 $27.946.751 1 i Kyodo Tokyo.
;
1 (2,354,126,500:Paul McCartneyTokyo Dome, Tokyo $164.67/$54.89 i yen) 146,845 3 Kyodo Tokyo
Nov.18-19 and 21,2013 $23,493,800 i
:
!
(E14,716.968) !
$20,115,900
.
235.008 1 3
.
One Direction,5 Seconds of Summer
Croke Park, Dublin$106.61/$73.88 MCD
May 23-25,2014 .
One Direction, ! ;
5 Seconds of Summer (£11,940,511) i
Wembley Stadium, London$116.52/571.25 (
$20,017.900 1
236,566 1 3 I SJM Concerts
June 6-8,2014 . . :
Stagecoach: California'sCountry Music Festival
.
.
:
!
.
.
.
i GoldenvoiceEmpire Polo Field, Indio, Calif.
$799/$249 $18,615,000 1 190,200 1 3 i
PresentsApril 25-27,2014 : '
:
'1
George Strait :
AT&T Stadium, Ar lington, Texas :
.1
'
i:
2 $18,194,374 1
The MessinaGroup/$250/5199/
104,793
i
1
1 $147.50/$25E
June 7, 2014 i AEG Live
.25th Annual Byron BayBluesfest ($14,072,157 i
Tyagarah Tea Tree Farm. $603.84/$139.49 Australian) 1 104.526 1 5 Bluesfest$13,174,200Byron Bay, Australia
April 17-21,2014::
One Direction,5 Secondsof Summer I
Etihad Stadium, Manchester,U.K. 1
$108.66/$71.05(£7,721,330) I
$12.908.000 i
158,579 1 3 SJM Concerts
May 30-31, June 1, 2014:
Bon Jovi, Kid Rock 1 . ($13,412,388 1
E
:
Etihad Stadium, Melbourne $453.72/$68.06 Australian) 91,505 2 Dainty GroupDec.7-8,2013 i $12,170,951
stupid stuff being done," says Geiger.Traffic is still an issue. "The numbers don't
lie: Traffic is up," says Mark Siegel, co-headof music at ICM Partners. "The main reasonstraffic is up are, one, acts want to keep work-ing, because [touring] is their primary sourceof income. But also the labels are pushingacts to [tour more] to support new music."
When reviewing midyear engagementstats, one figure looms above all: The
Lionel Richie: Legend Of LiveLionel Richie will receive the 2014 Legend of Live honor at the 11th annual Billboard Touring Awards
on Nov. 20 in New York. The award honors individuals or bands who have made significant and lastingcontributions to live music and the touring industry. From his early days on the R&B circuit with The Commodores
and his breakout as a solo performer through his current blockbuster All the Hits, All Night Long Tour,Richie has built a reputation for professionalism and delivering crowd -pleasing performances. The awards reception
is the finale of the two-day Billboard Touring Conference, which will take place at The Roosevelt Hotel on Nov. 19 and 20.
Coachella Valley Music and Arts Festival atthe Empire Polo Field in Indio, Calif., forthe second time, set a new Boxscore recordat $78,332,000 with attendance of579,000.Goldenvoice Presents produced Coachella,as well as the $18.6 million Stagecoach coun-try festival.
The Tokyo Dome was the site of two topBoxscores: The Stones in February andMarch ($28 million) and McCartney lastNovember ($23.5 million). Interestingly, theStones' ticket range was $98-$782, whileMcCartney's was $55-$165.
Bottom line: There are few surprises inthe list of the big successes at midyear. "Theones that are happening now are the onesthat are supposed to happen," says Geiger."You could have picked it when they madethe deal." 0
62 BILLBOARD I AUGUST 2, 2014
/A
_
4. ..1- ' ''' a ';,.."',..,:er '1'
.-;,.. . ' /-.1-114i 4.- " : . - r
./
.1rf..!.;:t
ARENA CONCERT HALL THEATRE18,000 2,800 1,000
seats seats seats
Susette HunterDirector of Sales and Marketing205-458-8441 or [email protected]
BIRMINGHAM JEFFERSON CONVENTION COMPLEX
Backstage Pass /Midyear Touring Report
VenueConnect Hosts Live Nation
Executives of the world's top concert promotioncompany, Live Nation Entertainment, are among thespeakers at VenueConnect, the annual conference andtrade show of the International Association of VenueManagers, to be held July 26-29 in Portland, Ore. For adiscussion of what Live Nation values in venues, Cole
Gahagan, executive
Live Nation tops the vp client revenue,Ticketmaster, will
promoters chart moderate a panel
with reported grosses featuring Live Nation
above $797 million. Global Touring CEOGerry Barad, LiveNation Arenas presi-dent Mike Evans and
Brad Wavra, senior vp, Live Nation Touring/Live NationConcerts. Live Nation leads the midyear Billboard Box-
score chart of top 10 promoters, with reported grossesexceeding $797 million. During the four days of sessionsat VenueConnect, other highlights include discussionson sponsorships, capital planning and expense manage-ment. But perhaps most compelling will be the panelwith the irresistible title "Top io Online Tips to GetButts in Seats." -Thom Duffy
TOP 10 PROMOTERS AT MIDYEAR
PROMOTERTOTAL GROSS-
ALL PROMOTIONS i
!
.
TOTALATTENDANCE i
!
.
NO. OFSHOWS
Live Nation $797,266,802 ;
.
I
9785306 ;
i
l
1,146
AEG Live .1,366$467,160,824 i 5,482,513
ii iOCESA-CIEi$126,643,801 2,667,384 i 1,591
T4F-Time for Fun i $117,334,200 i 1,723,854 i 593
; I
SJM Concerts .
.
$101,630,494 1,270,335 71
I;
Dainty Group $96,690,295'
788,018i
36
Frontier Touring Co. $88,368,950 738,642 54
;! !
Kyodo Tokyo $68,646,221 400,183 i 9
! !
i
MCD . $38,602,874 .
.
609,815i
273
!
.
Evenpro Group 1 $34,415,883 387,501 32
'Swifties' Fete Taylor In London
Taylor Swift's five sellouts in February contributed tothe No. i ranking of London's 02 Arena on the midyearBillboard Boxscore chart for venues of 15,00i capac-ity and greater. Her fans, the "Swifties," packed the23,000 -seat arena and, as they do Stateside, brought anoverwhelming number of posters in tribute to the super-star singer -songwriter.
"Her mum even picks out the best ones and invites thefan backstage to meet her," says 02 Arena GM RebeccaKane. Meanwhile, Beyond scored six sellouts at the02 in late February and early March, produced by SJMConcerts, grossing $11.3 million. Fans really lost it, saysKane, when Jay Z stepped onto the stage each night toperform "Drunk in Love" with his superstar wife. "Thescreams of excitement were legendary," says Kane.Dates by Justin Timberlake, Katy Perry and Drake alsoled the 02's top bookings for the midyear chart period.
-Mitchell Peters
Mr.TOP 10 VENUES CAPACITY 15,001 OR MORE
VENUE, CITY CAPACITY TOTAL GROSS ATTENDANCE SHOWS
02 ArenaLondon
23.000 $114,041,120 1.530.373 140
Madison Square GardenNew York
20,697 $64,851,205 775,587 60
Phones 4u ArenaManchester, U.K.
21,000 $55,811,937 803,129 86
Barclays CenterBrooklyn, N.Y.
19,000 $43,437,636 619.609 93
Allphones ArenaSydney
21,000 $32,500,757 296,641 31
I i;
Rod Laver ArenaMelbourne, Australia
16,820 $31,249,674 290,499 29
Wells Fargo CenterPhiladelphia
21,000 1 $24,535,403 I 426.146
I I
1 52
1
American Airlines CenterDallas
20,021 I $21,887,740 1 328,178 ! 29
Verizon CenterWashington, D.C.
20,000 i $20,395,090 i 220,220 I 20
Staples CenterLos Angeles
20,000 $19,770,533 239,729 1 24
Swift played five sellouts at the 02Arena in February.
64 BILLBOARD AUGUST 2. 2014
In March, John returned to CaesarsPalace in Las Vegas.
Williams (left) brought his Swings Both WaysTour to Zurich in June.
Backstage Pass /Midyear Touring Report
Stars Vie With Hockey In Zurich
Despite balancing dates for professional hockeyplayoffs with sold-out concerts, the Hallenstadion inZurich leads the midyear Billboard Boxscore chart forvenues with capacities between 10,001 and 15,00o."This was a period with narrow time frames becauseour home -based ice hockey team, the ZSC Lions,won the national championship after a long seriesof playoff matches, so we often needed the flexibil-ity of the promoters, production teams and staff,"says Hallenstadion director/CEO Felix Frei. JustinTimberlake, Robbie Williams, Depeche Mode, MichaelBuble and Kings of Leon helped the 14,000 -seat arena
top the chart withgrosses exceed-ing $42 million."A highlight wasthe appearance ofEnnio Morricone [onFeb.13], when themaestro conducted a160 -member orches-tra in a fantasticsold-out concert,"says Frei. -MP
TOP 10 VENUES CAPACITY 10,001 TO 15,000
VENUE, CITY CAPACITY TOTAL GROSS ATTENDANCE SHOWS
HallenstadionZurich
14,000 $42,151,548 448,174 61
02 WorldBerlin
15,000 $29,988,852 426,406 55
Perth ArenaPerth, Australia
15.000 $28,459,267 238,309 25
Brisbane Entertainment CentreBrisbane. Australia
13,500 $27,104,217 243,042 34
02 WorldHamburg
15,000 i $22,554,167 370.153 65
02Dublin
14,500 $20,513,439 242,334 31
MGM Grand GardenLas Vegas
14,500 $15,887,734 112,569 9
1..G Arena
Birmingham, U.K.12,500 $14,389,898 136,543 18
Qantas Credit Union ArenaSydney
13,250 $9,686,175 96,806 16
Budweiser GardensLondon, Ontario
10,500 $8,604,217.
157,430 44
w
Smaller Halls - But Bigger Stars
New York's Radio City Music Hall and the Colosseumat Caesars Palace in Las Vegas rank No.1 on theBillboard Boxscore midyear charts for venues,respectively, between 5,001 and 10,000 capacityand those of5,000 or less. Radio City's numbersget a boost from the annual Radio City ChristmasSpectacular. "What other live holiday production hascamels, sheep and a donkey that never miss a cue andare always given a standing ovation?" asks Bob Shea,MSG Entertainment executive vp bookings. "Fromthe dazzling costumes to the innovative Rocketteschoreography and state-of-the-art technology, theChristmas spectacular is a cornerstone production."
The Colosseumhosted residenciesby Celine Dion,Shania Twain, EltonJohn, Rod Stewart,and Jerry Seinfeld."Our artists are hereso frequently, they'relike family," saysJohn Nelson, vp atAEG Live Las Vegas."Where else couldyou go to work andhave a pizza partywith Shania Twainafter work?" -MP
TOP 5 VENUES CAPACITY 5,001-10,000
VENUE, CITY CAPACITY TOTAL GROSS ATTENDANCE SHOWS
Radio City Music HallNew York
5.901 $77,991,342 1,043,013 213
Auditorio NacionalMexico City
9,683 $42,839,300 892,776 126
The Axis at Planet HollywoodLas Vegas
7,000 $19,736,851 132,861 i 30
Mohegan Sun ArenaUncasville. Conn.
10,000 $18,868,090 242,691 40
The Theater atMadison Square Garden 5.610 $17,237,718 305.785 88
New York
TOP 5 VENUES CAPACITY 5,000 OR LESSVENUE, CITY
The Colosseum at Caesars Palace
CAPACITY TOTAL GROSS ATTENDANCE SHOWS
Las Vegasq,00c $52,294,793 i 379,901 105
Fox TheatreAtlanta
4,600 $21,811,632 339,237 108
Adrienne Arsht Centerfor the Performing Arts 2,400 $15,265,772 1 213,246 223
Miami
Durham Performing Arts Center i
i
Durham, N.C.2,712 I 514,098,514 i 259.665 i 113
Teatro TelcelMexico City
1,400 $11,760,927 174,894 208
66 BILLBOARD I AUGUST 2, 2014
VENUECONNECTAnnual Conference & Trade ShowJuly 26-29, 2014 // Portland, Oregon
iavm .org/VenueConnect
SHOWS & CONCERTS PRIVATE & GROUP EVENTS THEATRE TOURS FOKIHEATRE.ORG
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Honoring MY CUE, Senior Vice President. Internet Software and Services. Apple
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68 BILLBOARD I AUGUST 2. 2014
AJR'S "I'M READY"SALES
54, 0000 53% THIS WEEK
After A 31 -Year Wait,`Weird Al' Hits No. 1
VAMPS' ''SOMEBODY TOYOU" STREAMS
310,0000 20% THIS WEEK
ARIANA GRANDE'S"BREAK FREE" AUDIENCE
35.1 MILLION0 49% THIS WEEK
MARKET WATCHA WEEKLY NATIONAL MUSIC SALES REPORT
Weekly Unit Sales
ALBUMS DIGITALALBUMS
DIGITALTRACKS
This Week 4,345,000 1,924,000 20,374,000
The comedian -singer's Mandatory Fun is the first Last Week 4,046,000 1,760,000 20,276,000
chart -topping comedy album since 1963 Change 7.4% 9.3% 0.5%
This Week Last Year 4,707,000 2,034,000 22,793,000
Change -7.7% -5.4% 40.6%BY KEITH CAULFIELD
After more than 3o years on the charts,comedian -singer "Weird Al" Yankovicearns his first No. i album on the Billboardzoo, as Mandatory Fun debuts atop the list.The first comedy set to top the chart since1963, it logs the largest sales week for a com-edy album since 1994.
Yankovic arrived on the Billboard zoo backon May 21, 1983 with his self -titled album, fea-turing "Ricky," his spoof of Toni Basil's No.1Billboard Hot loo single "Mickey."
Mandatory Fun was released July 15 throughWay Moby and RCA Records and sold 104,000copies in the week ending July zo, accordingto Nielsen SoundScan. It was promoted bya well -received daily viral video campaignthat launched Monday, July 14. Starting withhis parody of Pharrell Williams' "Happy,"Yankovic released eight music videos forthe album through the week on various sites,like The Wall Street Journal, Yahoo, Nerdist,CollegeHumor and YouTube.
Mandatory Fun is the first comedy album to top the Billboard 200 since AllanSherman's My Son, the Nut spent eight weeks at No.1 beginning on the chartdated Aug. 31, 1963. A couple of comedy sets came close since then, includ-ing Steve Martin's No. 2 -peaking A Wild and Crazy Guy back in 1978 and apair of No. 2 Cheech & Chong titles in the early 3.970s. In general, comedyalbums don't sell incredibly well; accounting for just .6 percent of album vol-ume in 2014. In 2013, comedy sets generated just .5 percent. (A fun funny stat:Mandatory Fun represents 13 percent of all comedy albums sold in 2014.)
Yankovic's sales week is not only his biggest since SoundScan startedtracking sales in 1991, it's also the largest for a comedy album since 1994,when The Beavis and Butt -Head Experience sold 118,000 copies in the weekending Jan. z. That compilation album was presented by the animatedduo and had comedy skits interspersed with rock songs from the likes ofAnthrax and Aerosmith.
In total, Mandatory Fun is the third top io album for Yankovic, who previ-ously visited the region with 2006's Straight Outta Lynwood (No. 10) and hislast album, 2011'S Alpocalypse (No. 9). The latter debuted with 44,00o in its firstweek - less than half of his new album's first -week sales. (Yankovic's previousbest SoundScan-era sales week came when Lynwood bowed with 73,000.) 0
CHART BEAT
Three Stars, Four Decades As"Weird Al Yankovic debutsatop the Billboard 200 withMandatory Fun, the set's "WordCrimes," his grammar -lessonparody of Robin Thicks's"Blurred Lines," enters theBillboard Hot 100 at No.39.The comic icon scores hisfourth top 40 Hot 100 hit,following "Eat It" (No. 12, 1984)."Smells Like Nirvana" (No.35,1992) and "White & Nerdy"(No. 9.20061. Reinforcinghis longevity, he has sent a
new single into the top 40 ineach of the last four decades,something that only two otheracts have done: MichaelJackson and Madonna, bothof whom he has parodied in histrademark good-natured way.
-Gary Trust
"WEIRD HPINKOVIC
ilk -6,
MIANORTORM FUN
'Digital album sales are also courted within album sales.
Weekly Album Sales 0,
15
10
4.3M
20142013
u A
YEAR-TO-DATE
ASO
Overall Unit Sales
Albums
2013 2014 CHANGE
156,539,000 133,536,000 -14.7%
Digital Tracks 752,178,000 655,497,000 -12.9%
Store Singles 1,818,000 1,352,000 -25.6%
Total 910,535,000 790,385,000 -13.2%
Album w/TEA 231,756,800 199,085,700 -14.1%
intLdes track equivalent album salts 11EA1with 10 bad dpwnl0ads efpuivalem toone Mbumsale.
Digital Track Sales
2013
2014
Sales by Album Format
2013 2014 CHANGE
CD 86.171,000 69,495,000 -19.4%
Digital 67,031,000 59,315,000 41.5%
Vinyl 3,148,000 4,464,000 41.8%
Other 189,000 263,000 39.2%
Sales by Album Category
2013 2014 CHANGE
Current 79,229,000 65,222,000 -17.7%
catalog 77,309,000 68,314,000 -11.6%
Deep Catalog 62,226,000 55,978,000 -10.0%
Current Album Sales
2013
2014
Catalog Album Sales
2013
2014
Illon
Nielsen SoondScan counts aScut teal 011),Sate, mill 110, lost 18 months 01 an album, releasefl 2 months for classical and HU albums, Titles that Slay in the tap hall of the Billboard 200.hooey.. remain as current. Titles olden Man 18 months are catalOg. Deep Cataleg iS a Sabel ofcatalog for titles out more than 36 months.
nicisen:=117:0Vatot======s<t!' SoundScan
DOT COM
Read moreChart Beat at
billboard.com/chartbeat.
LEGEND
Bullets indicate titles withgreatest weekly gains.
Album ChartsRecording IndustryAssn. of America (RIAA)certification for physicalshipments & digitaldownloads of 500,000albums (Gold).
A RIAA certification forphysical shipments &digitaldownloads of 1 millionunits (Platinum). Numeralnoted with Platinum symbolindicates album's multi -
platinum level.RIM certification forphysical shipments & digitaldownloads of 10 millionunits (Diamond). Numeralnoted with Diamond symbolindicates album's multi -
platinum level.0 Latin albums certification
for physical shipments& digital downloads of50,000 units (Oro).Latin albums certificationfor physical shipments& digital downloads of100,000 units (Platino).Numeral noted withPlatinum symbol indicatesalbum's multi -platinumlevel.
Digital Songs Charts RIAA certification for
500,000 paid downloads(Gold).
A RIM certification for 1million paid downloads(Platinum). Numeralnoted with platinumsymbol indicates song'smultiplatinum level.
In addition, 100 on -demandaudio and/or video streamswill count as I download forcertification purposes.
AwardsPS (PaceSetter for largest %
album sales gain)GG (Greatest Gainer for
largest volume gain)DG (Digital Sales Gainer)AG (Airplay Gainer)SG (Streaming Gainer)
Publishing song index available onbillboard.com/biz. Visit billboard.com/biz for complete rules andexplanations.
Data for week of 08.02.2014 Go to BILLBOARD.COM/BIZ for complete chart data 69
HOTNEW
CHART
OO4.Ci)
01:1
The 81,000 copies sold ofMraz's album YE.Slaccounfor 87 percent of hisArtist 100 points.
2 WKS
AGO
LAST
WEEK
THIS
WEEK ARTIST IMPRINT/DISTRIBUTING LABEL
I EIJI SAM SMITH
PEAK
POS.
CAPIT04.1
S
CHART
3
3 0 IGGY AZALEA TURN FIRST/HUSTLE GANG/DEF JAM 2 3
NEW 0 WEIRD AL YANKOVIC vim, mOBWRCA 3 1
4 MAGIC! umuwacA 3 3
NEW 0 JASON MRAZ ATLANTIC/AG 5 1
8 25 0 5 SECONDS OF SUMMER Hey OR HI/CAPITOL 6 3
6 6 7 ARIANA GRANDE REPUBLIC 6 3
23 0 8 FLORIDA GEORGIA LINE REPLIBLIC WASHvILLE/EHALG 4 3
7 9 9 KATY PERRY CAPITOL 7 3
9 12 0 JASON DERULO
13 0 11 ONEREPUBLIC MOSLEY/INTERSCOPE/IGA10 3
10 11 12 LUKE BRYAN CAPITOL NASHVILLE/UMGN10 3
5 7 13 ED SHEERAN ATLANTIC/AG 5 3
14 0 14 MAROON 5 222/INTERSCOPE/IGA 13 3
12 16 15 NICO & VINZ WARNER BROS.12 3
11 14 16 PHARRELL WILLIAMS I AM OTHER/COLUMBIA11 3
2WKS
AGO
LAST
WEEK
THIS
WEEK ARTISTPEAK
IMPRINT/DISTRIBUTING LABEL POS.
lAmSOUND/AG
JOHN LEGEND G.O.O.D./COLUMBIA
WKS ON
CHART
15 3
15 3
1 8 20 TREY SONGZ SONGBOOK/ATLANTIC/AG 1 3
NEW 101 KIDZ BOP KIDS RA2OR 8 TIE 21 1
38 0 22 SIA MONKEY PUZZLE/RCA 5 3
33 0 0 DRAKE YOUNG MONEY/CASH MONEY/REPUBLIC 23 3
24 0 0 LORDE LAVA/REPUBLIC 21 3
20 23 25 EMINEM wEB/SHADY/AFTERMATH/INTERSCOPE/IGA20 3
29 el ID BRUNO MARS ATLANTIC/AG 26 3
36 39 0 BLAKE SHELTON WARNER BROS. HASHvILLE/wim 27 3
19 18 28 CALVIN HARRIS DECONSTRUCTION/FLY EYE/ULTRA/ROC NADON/COLUHERA 18 3
26 28 Q BEYONCE PARKw000/COLUMBIA 26 3
21 0 30 JUSTIN TIMBERLAKE RCA20 3
22 24 31 IMAGINE DRAGONS KIDINAKORNER/INTERSCOPE/IGA22 3
27 0 32 COLDPLAY PARLOPHONE/ATLANTIC/AG 26 3
18 19 33 MIRANDA LAMBERT RCA NASHvILLE/SmN 18 3
16 22 34 LANA DEL REY POLYDOR/INTERSCOPE/IGA 16 3
70 Go to 811.1.80ARD.COM/812 for complete chart data Data for week of 0 8.0 2.2 014
6
at
ijA
AGO
LAST HIS
WEEKWEEKARTIST IMPRINT/DISTRIBUTING LABELP AKPO
KS 0
CHART
51 0 0 SHAKIRA SONY MUSIC LATIN/RCA35 3
40 0 0 DISCLOSURE METHOD/PMR/CHERRYTREE/INTERSCOPE/IGA36 3
32 30 37 MICHAEL JACKSON MD/EPIC30 3
28 29 38 BRANTLEY GILBERT VALORYMMLG28 3
34 0 39 ONE DIRECTION SYCO/COLUMBIA32 3
67 0 40 JUSTIN BIEBER SCHOOLBOY/RAYMOND BRAUN/ISLAND34 3
37 41 0 CHRIS BROWN RCA37 3
57 0 0 KONGOS TOKOLOSHE/EPIC42 3
39 0 43 DIERKS BENTLEY CAPITOL NASHVILLE/UMGN 37 3
46 0 44 LADY ANTEBELLUM CAPITOL NASHVILLE/UMGN 42 3
64KEMOSAIN/RCA
45 3
60 NI
-1 ...
WIZ KHALIFA
II. I Ji ILALinimilms.
46 3ROSTRUM/ATLANTIC/AG
58 §§ Q ENRIQUE IGLESIAS UNIVERSAL MUSIC LATINO/REPUBLICMMLE 47 3
47 44 48 KENNY CHESNEY (FLUE CHAIR/COLUMBIA NASHMLE/SMN 44 3
35 38 49 PARAMORE FUELED BY RAMEN/AG 35 3
41 47 50 JAKE OWEN RCA NASHVILLE/SMN41 3
NEW 0 BLEACHERS 51 1
44 49 52 DEMI LOVATO NOLLYWoo0 44 3
45 48 53 BASTILLE VIRGIN/CAPITOL 45 3
43 46 54 MKTO COLUMBIA 43 3
52 53 SS SCHOOLBOY Q TOP DAWG/INTERSCOPVIGA 52 3
48 52 56 PITBULL MR. 305/FAMOUS ARDST/POLO GROUNDS/SONY MUSIC LATIWIKAMEA48 3
42 43 57 NICKI MINAJ YOUNG IAONEY/CASH MONEY/REPUBLIC42 3
66 0 58 LEE BRICE CARE58 3
50 62 59 AVICII ORMD/IHANO 50 3
25 35 60 MILEY CYRUS RCA25 3
75 79 0 AMERICAN AUTHORS DIRTY CANVAS/ISLAND 61 3
56 57 62 ERIC CHURCH EMI NASHVILLE/UKIGN 56 3
49 63 63 LINKIN PARK MACHINE SHOP/V/ARNER BROS. 49 3
65 0 64 USHER RCA64 3
0 65 JOE NICHOLS RED BOW/BBMG 65 3
NEW 0 ROMEO SANTOS SONY MUSIC LATIN 66 1
0 0 SELENA GOMEZ Hocc,i,E000 67 2
55 59 68 LIL WAYNE YOUNG MONEY/CASH MONEY/REPUBLIC 55 3
73 0 69 RIHANNA SRP/DEF JAM 68 3
2 WKS
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SARA BAREILLES
PEAK
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MONCHART
59 60 71 ZAC BROWN BAND SOUTHERN GROUND 59 3
69 0 72 JASON ALDEAN BROKEN BOW/BOLIG64 3
85 0 73 KID INK THA ALUMNI GROUP/08 CLASSIC/RCA 70 3
0 0 COLBIE CAILLAT REPUBLIC 74 2
84 0 0 CHRIS YOUNG RCA NASHVILLE/SMN 75 3
NEW 0 MARSHA AMBROSIUS RCA76 1
74 73 77 YG PUSHA2 INK/C/E/DEF JAM 73 3
NEW Q MEGHAN TRAINOR 78 1
- -
72 01
79 ARCTIC MONKEYS DOMINO 69 3
NEW CD CHILDISH GAMBINO GLASSNOTE 80 1
95 0 81 ADELE XL/COLLIMOIA 72 3
87 0 82 PINK RCA 82 3
80 (1) 83 TIESTO MUSICAL FREEOOM/MAM/CASABLANCA/REPUBLIC 80 3
62 67 84 SNOOP DOGG DOGGYSTYLE/PRIORITY/CAPITOL62 3
98 0 85 INGRID MICHAELSON CABIN 24/M011 POP 84 3
NEW 0 TOVE LO ISLAND86 1
94 II 87 COLE SWINDELL WARNER BROS. NASHVILLE/WMN 86 3
NEW 0 MORRISSEY HARVEST88 1
NEW
.
1, ,
0 CLEAN BANDIT
:
.-14,1111M
BIG BEAT/AG
i i
89 1
77 83 90 RIXTON SCHOOLBOY/GIANT LITTLE MAN/MAD LOVE/INTERSCOPE/IGA 77 3
0 91 CROSBY, STILLS, NASH & YOUNG CSNY/RHINO 45 2
76 87 92 LIL JON 76 3
NEW Q SUICIDE SILENCE NUCLEAR BLAST 93 1
NEW 0 AJR AJR/WARNER BROS.94 1
83 0 95 ELLIE GOULDING CHERRY/REE/INTERSCOPE/IGA 81 3
63 77 96 LED ZEPPELIN ATLANTIC/RHINO 63 3
NEW 0 T.I. GRANO HUSTLE/COLUMBIA 97 1
89 97 98 CARRIE UNDERWOOD 19/ARISTA NASHVILLE/SMN 89 3
NEW Q SAM HUNT MCA NASHVILLE/UMGN 99 1
88 91 100 THE BLACK KEYS NONESUCH/WARNER EROS.88 3
BleachersAre RisersSam Smith leads theBillboard Artist 100 fora second week, aided bystreaming gains after hishit "Stay With Me' becameavailable on Spotify on
July12; it bounds 15-5on the Streaming Songschart and pushes 5-3 on
the Billboard Hot 100.Meanwhile, "Weird Al"Yankovic lands the Artist100's top debut at No. 3.The parody master startswith 89 percent of hischart points owed to thebow of Mandatory Fun atNo. 1 on the Billboard 200with 104,000 copies sold,according to NielsenSoundScan.
Like Yankovic,Bleachers parlays itsnotable Billboard 200debut into an Artist 100arrival. As the act'sStrange Desire beginson the Billboard 200 atNo. 11 (21,000 sold), itenters the Artist 100 atNo. 51, with 78 percentof its points from the set.Lead single, Wanna GetBetter' also contributesto the group's Artist 100standing: it reaches theHot Rock Songs top 10(12-10) in its 19th weekand spends a third weekat its No. 2 high point onAlternative, logging itsbest plays sum in its 20thchart week. The track alsosurges by 78 percent to723,000 U.S. streams in theNielsen BDS tracking weekending July 20. Its videowas directed by actressLena Dunham, girlfriendof Bleachers frontman(and Fun member) JackAntonoff (above).
-Gary Trust
Data for week of 08.02.2014 Go to 811.1.80ARD.COM/81Z for complete chart data 71
ON
Ca0
CN1 cr
= CV03
2 WKS
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HOT SHOT ftDEBUT
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TiTt
flWEIRD AL YANKOVIC Mandatory FunWAY MODY/RCA
WKS. OM
CHART
NEW 0 JASON MRAZATLANTIC/AG
YES! 2 1
NEW 0 RISE AGAINST1NTERSCOPE/IGA
The Black Market 3 1
NEW 0 KIDZ BOP KIDSRAZOR & TIE
Kidz Bop 26 4 1
0 5 SOUNDTRACK AWALT DISNEY
Frozen 1 34
3 3 6 SAM SMITH,'.PITCH
In The Lonely Hour 2 5
2 57 ED SHEERAN
ATI ANT, /AG
x 1 4
VARIOUS ARTISTS SONY MUS1C/UNIVERSAL/UME
With 23,000 sold in the week ending July
20, this is the sixth album to sell more than
500,000 copies in 2014 (520,000 to date).
A year ago, there were 18 half -million sellers.
TREY SONGZSONGBOOK/ATI ANTIC/AC,
BLAKE SHELTON A Based On A True Story3 69
WARNER BROS. NASHVILLENIMN
NEWCo BLEACHERS
RCA
Strange Desire 11 1
NEW 0 MARSHA AMBROSIUSRCA
Friends & Lovers 12 1
7 9 13 MIRANDA LAMBERT RCA NASHVILLE/SMN
Platinum 1 7
NEW Q MORRISSEY World Peace Is None Of Your BusinessHARVEST
14 1
12 11 15 BRANTLEY GILBERT VALORY/BMLG
Just As I Am 2 9
NEW 0 SUICIDE SILENCENUCLEAR BLAST
You Can't Stop Me 16 1
tif) 5a 0 JASON DERULOBELUGA HEIGHTS/WARNER BROS
Talk Dirty 4 14
8 10 18 LANA DEL REYPOLYDOR/INTERSCOPERGA
Ultraviolence 1 5
1000 Forms Of Fear 1
With an 18 -position fall to No. 19,
Sia makes the biggest drop from
No. 1 since the Feb. 2, 2013 -dated
chart, when Chris Tomlin's Burning
Lights tumbled 1-22. Sia's album
sold 14,000 in its second week,
down 73 percent.
2
30 49 0 LORDE ALAVA/RE PUB1 IC
Pure Heroine 3 42
. 6 21 JUDAS PRIESTEPIC
Redeemer Of Souls 6 2
19 16 22 IGGY AZALEATURN FIRST/HUSTLE GANG/DEF lAil
The New Classic 3 13
44 Jo 0 SOUNDTRACKAL XNDR/222/POLYDOR/INTERSCOPE/IGA
Begin Again 23 3
14 14 24 COLDPLAY PARLOPHONE/ATLANTIC/AG
Ghost Stories 1 9
2 WKS
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TB. I WAS ON
CHART
20 20 25 LUKE BRYAN ACAPITOL NASHVILLE/UIAGN
Crash My Party 1 49
35 0 26 ONEREPUBLIC MOSLEY/INTERSCOPE/IGA
Native 4 69
0 27NEIL DIAMONDCAPITOL/UME
All -Time Greatest Hits 15 2
18 21 28 SOUNDTRACKRHINO
Jersey Boys 15 4
NEW415.....
TRAMPLED BY TURTLES Wild AnimalsBANIODAD/THIRTY TIGERS
29 1
6 12 30 MAGIC!LATIUM/RCA
Don't Kill The Magic 6 3
16 23 31 LINKIN PARKMACHINE SHOP/WARNER BROS.
The Hunting Party 3 5
25 0 32 FLORIDA GEORGIA LINE AREPUBLIC NASHVILLE/BMLG
Here's To The Good Times 4 85
21 18 33 MICHAEL JACKSONMWEPIC
Xscape 2 10
17 24 34 JACK WHITETHIRD IAAN/COLUIABIA
Lazaretto 1 6
199 e 0 PSSARA BAREILLES The Blessed Unrest 2 49EPIC
42 0 Q IMAGINE DRAGONS AKIDINAKORNER/INTERSCOPE/IGA
Night Visions 2 98
39 0 37 JOHN LEGENDG.00.0./COLUMBIA
Love In The Future 4 46
24 32 38 VARIOUS ARTISTS NOW That's What I (all Country: Volume 7UNIVERSAL/SONY MUS1C/UME
10 7
84 88 Q KONGOSTOKOLOSHE/E PIC
Lunatic 39 14
NEW0 VOLUMES
MEDIASKARE
No Sleep 40 1
31 38 Q THE BLACK KEYSNONESUCH/WARNER BROS
Turn Blue 1 10
4 19 42 SEETHERTHE BICYCLE MUSIC COMPANY/CONCORD
Isolate And Medicate 4 3
SOUNDTRACKFOCUS FEATURES/COLUMBIA
The soundtrack, which features
hand-picked songs by the film's
director Zach Braff, opens with
8,000. Braff's ear for music
also gave us the Garden State
soundtrack, which spent 57 weeks
Wish I Was Here 43 1
CM L11 (.11d11. c111,1 511I1.1 I.D 11111110F1. WISH WAS HERE
0 4CROSBY, STILLS, NASH & YOUNG CSNY 1974STARBUCKS/CSNY/RHINO
36 2
10 28 45 COLT FORD Thanks For ListeningAVERAGE IDES
10 3
34 37 46 ARCTIC MONKEYS AMDOMINO
6 45
NEW 0 JOHN HIATT Terms Of My SurrenderNEW WEST
47 1
ig 35 48 PHARRELL WILLIAMS GIRLAM OTHER/COLUMBIA
2 20
38 42 49 ERIC CHURCH The OutsidersEMI NASHVILLE/UMGN
1 23
36 45 50 KATY PERRY PRISMCAPITOL
1 39
72 Go to B111.130ARD.COM/BIZ for complete chart data Data for week of 0 8.0 2.2 014
S
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ARTIST ccaTIKKATiow
IMPRINT/DISTRIBUTING LABEL
'1'1 PEAK
POS.
WKS 0
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70 90 0 VARIOUS ARTISTS Vans Warped Tour '14: 2014 Tour CompilationSIDEONEDUMMY
42 6
(1)1 52 CROSBY, STILLS, NASH & YOUNG CSNY 1974 (Deluxe)CSNY/RHINO
17 2
151 ei in DISCLOSURE Settle.....r METHOD/PAIR/CHERRYTREE/INTER.OPVIGA
38 13
33 34 54 FRANKIE VALLI AND THE FOUR SEASONS The Very Best OfWARNER STRATEGIC MARKETING/RHINO
33 5
64 74 0 LINDSEY STIRLING Shatter MeLINDSEYSTOIAP
2 12
48 46 56 LANA DEL REY A Born To DiePOLYDOR/1NTERSCOPE/IGA
2 129
ij 44 57 AUGUST ALSINA TestimonyNNTME NIUCOIDEF 1AM
2 14
67 65 0 BRUNO MARS A Unorthodox JukeboxATLANTIC/AG
1 84
p 47 59 BIG SMO Kuntry Livin'BIG S140/ELEKTRA NASHVILLE/WAIN
31 7
59 57 0 BASTILLE Bad BloodVIRGIN/CAPITOL
11 46
28 40 61 SOUNDTRACK The Fault In Our StarsFOX/ATLANTIC/AG
5 9
PENNYWISEEPITAPH
Yesterdays 62 1
The rock band, which made its chart debut
in 1993, enters with 5,000 sold. It's the act's
highest -charting set since 2003, when From
the Ashes debuted and peaked at No. 54.
41,) 63 DIRTY HEADS Sound Of ChangeFIVE SEVEN
8 2
26 43 64 G-EAZY These Things HappenGlAlY/RVG/BPG
3 4
65 71 0 BEVONCE A BeyoncePARKWOOD/COLUMBIA
1 32
117 11,5 CHILDISH GAMBINO Because The Internet....' GLASSNOTE
7 32
58 51 67 DIERKS BENTLEY RiserCAPITOL NASHVILLE/UMGN
6 21
104 106 0 JAKE OWEN Days Of GoldRCA NASHVILLE/SMN
15 31
1§ 48 69 OLD CROW MEDICINE SHOW RemedyATO
15 3
55 64 70 EMINEM A The Marshall Mathers LP 2WEB/SHADY/AFTERMATH/INTERSCOPE/IGA
1 37
54 61 71 5 SECONDS OF SUMMER She Looks So Perfect (EP)HEY OR HI/CAPITOL
2 16
57 62 72 RASCAL FLATTS RewindBIG MACHINE/EMIG
5 10
63 0 73 VARIOUS ARTISTS NOW 49SONY AILISIC/UNIVERSAL/UME
1 24
NEW 1114 JERRY GAROA BAND Gardaliye: Volume Four, March 22nd 1978, Veteran's Hal
...... ROUND/ATO
74 1
56 68 75 LED ZEPPELIN A Led Zeppelin IIIATLANTIC/RHINO
1 49
96 lj 5 BRUNO MARS A Doo-Wops & HooligansELEKTRA/AG
3 195
81 91 ED COLE SWINDELL Cole SwindellWARNER BROS. NASHVILLE/WIAN
3 22
1112 WEEK
THIS ARTIST CE.FICATION
IMPRINT/DISTRIBUTING LA
iTI
LABEL
49 60 LED ZEPPELIN AATLANTIC/RHINO
Led Zeppelin 102
45 59
RE-ENTRY 0
87 116
LED ZEPPELIN ATLANTIC/RHINO
EMINEM ASHADY/AFTERMATH/INTERSCOPE/IGA
Led Zeppelin II
Curtain Call: The Hits
105
1 217
The Google Play store dropped the
price of this album to $3.99 duringthe tracking week, which AmazonMP3 then matched. Downloadscomprise 72 percent of its totalsales for the week (4,000, up 140
percent).
BOB MARLEY AND THE WAILERS Legend: The Best Of... 18 286
TUFF GONG/ISLAND/UME
PARAMORE Paramore 1 62
FUELED BY RAIAEN/AG
PUSS N BOOTS No Fools, No Fun 83 1
BLUE NOTE
JUNGLE Jungle 84 1
XL
Previously tipped as a "Tomorrow's
Hite artist in the June 28 issue, the-
London band debuts with 4,000
sold. The group will launch a U.S.
tour on Sept.19 in Los Angeles,
following an Aug. 2 appearance at
the Lollapalooza festival.
Junes F
5 29RE-ENTRY 0 HILLSONG UNITED ZionHILLSONG/SPARROW/CAPITOL CMG
52 67 86 50 CENT Animal Ambition: An Untamed Desire To WinG UNIT
4 7
100 97 0 ENRIQUE IGLESIAS Sex And LoveREPUBLIC
8 18
76 76 88 VARIOUS ARTISTS Disney Karaoke Series: Frozen (EP)WALT DISNEY
17 14
fij 75 89 SCHOOLBOY Q OxymoronTOP DAWG/INTERSCOPE/IGA
1 21
51 66 90 WILLIE NELSON Band Of BrothersLEGACY
5 5
77 77 91 ONE DIRECTION A Midnight MemoriesSYCO/COLUMBIA
1 34
32 53 92 MASTODON Once More 'Round The SunREPRISE/WARNER B.S.
6 4
90 0 93 JUSTIN TIMBERLAKE A The 20/20 Experience (2 Of 2)RCA
1 42
47 58 94 PHISH Fuego1EMP/ATO
7 4
133 0 95 TOBYMAC Eye On ItFOREFRONT/CAPITOL CMG
1 47
g 50 96 HILLSONG No Other NameHILLSONG/SPARROW/CAPITOL CMG
13 3
ui 107 0 LUKE BRYAN A Tailgates & TanlinesCAPITOL NASHV1LLE/UMGN
2 154
83 96 0 DRAKE Nothing Was The SameYOUNG MONEY/CASH MONEY/REPUBLIC
1 43
68 72 99 PHILLIP PHILLIPS Behind The Light19/INTERSCOPE/IGA
7 9
64 87 100 ARIANA GRANDE Yours TrulyREPULIC
1 42
Kidz BopCharts40thAlbumThose darn Kidz are at itagain. The Kidz Bop Kids,that is.
The franchise scores its40th charting album on
the Billboard 200 as KidzBop 26 bows at No. 4, with46,000 sold in the weekending July 20, accordingto Nielsen SoundScan.The latest effort in the
kids -sing -the -hits seriesalso lands the line its 19thtop 10 album. The new setfeatures kid -friendly (andkid -sung) covers of suchhits as Pharrell
-Happy," Katy Perry's "DarkHorse" and One Direction's
"Story of My Life."And to the surprise of no
one, Kidz Bop 26 also entersat No. 1 on the Kid Albumschart - Kidz Bop's 28thleader on the list. The Kidzalso debut four tunes on the
Kid Digital Songs chart.While earlier Kidz Bop
albums mostly featuredanonymous studio singers,recent sets have focusedon branding name talent.The new album's fiveyoung singers (JayneBrown, Ashlynn Chong,Grant Knoche, MatthewMartinez and BrediaSantoro) are even on tour,with concert dates lined up
through October.Kidz Bop is a major
player in the world ofchildren's music, with theseries owning 21 percentof all kids music albumsales this year (486,000of 2.3 million). In 2013,Kidz Bop accounted for19 percent of children'smusic sales (1 million of5.6 million).
-Keith Caulfield
Data for week of 08.02.2014 Go to 8111.80ARD.COM/BIZ for complete chart data 73
Pity & the Heartbreakers
Best OfBest -
SellersTwo of the biggest -sellinggreatest hits albumsreturn to the Billboard 200,as Tom Petty and TheHeartbreakers' GreatestHits and James Taylor'sGreatest Hits both hop backonto the list.
Both titles were includedin a promotion in the iTunesstore during the trackingweek (ending July 20),which saw them priced at$7.99. Petty climbs backon at No.137 with 3,000sold (up 48 percent) andTaylor returns at No. 155with 2,000 (up 31 percent),according to NielsenSoundScan.The two sets represent
the best-selling albumsfor each artist sinceSoundScan startedtracking sales in 1991. Infact, they are among thetop 10 best-selling greatesthits sets in the SoundScanera (see list, below). Thebest-selling best -of is TheBeatles' 1, with 12.4 million.The all-time biggest -
selling greatest hitsalbum is Eagles TheirGreatest Hits 1971-1975,with 29 million shipped,according to the RecordingIndustry Association ofAmerica. The album hassold 5.7 million sinceSoundScan launched.
-Keith Caulfield
TOP 10 BEST-SELLINGGREATEST HITS ALBUMSOF THE SOUNDSCAN ERA
2WKS. LAST
AGO WEEK
THIS
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ARTIST CERTIFICATION DTI r
IMPRINT/DISTRIBUTING LABEL
PEAK
POS.
WKS ON
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@ 41 101 ROBIN THICKE PaulaSTAR TRAK/INTERSCOPE/IGA
9 3
.h41@`
COLBIE CAILLAT Gypsy Heart: Side A (EP)r REPUBLIC
32 3
143 140 0 ROMEO SANTOS A Formula: Vol. 2SONY MUSIC LATIN
5 21
M §§, 104 KIDZ BOP KIDS Kidz Bop 25RAZOR & TIE
3 27
101 103 0 ADELE <> 21%l/COLUMBIA
1 178
119 122 0 CASTING CROWNS ThriveBEACH STREET/REUNION/ENG
6 25
121 115 0 FALL OUT BOY Save Rock And RollDECAYDANCE/I5LAND
1 66
n 95 LH JOURNEY* Journey's Greatest HitsCOLUMBIA/LEGACY
10 314
71 85 109 SARAH MCLACHLAN Shine OnVERVE/VG
4 11
102111
le-.....
JOHNNY CASH A The Legend Of Johnny CashLEGACY/COLUMBIA NASHVILLE/AMERICAN/ISLAND/UME
5 175
0 111 CHELSEA GRIN Ashes To AshesARTERY/RAZOR . TIE
27 2
89 104 ll2 KENDRICK LAMAR A good kid, m.A.A.d cityTOP DAWG/AFTERMATH/INTERSCOPENGA
2 91
131 AlIV 113W SOUNDTRACK A Pitch PerfectUME
3 91
lf) 129 0 MICHAEL JACKSON A Number OnesMWEPIC
13 185
115 118 0 BECK Morning PhaseFONOGRAF RECORDS/CAPITOL
3 21
134 132 0 THE 1975 The 1975DIRTY HIT/VAGRANT/INTERSCOPE/IGA
28 36
109 120 G HUNTER HAYES StorylineATLANTIC/WMN
3 11
61 86 118 JHENE AIKO Sail Out (EP)ARTCLUB/ARTIUM/DEF lAM
8 35
78 99 119 ED SHEERAN +
ELEKTRA/AG
5 102
108 123 0 LINDSEY STIRLING Lindsey StirlingLINDSEYSTOMP
23 86
2/ 92 in JENNI RIVERA 1969 -Siempre: En Vivo Desde Monterrey: Parte 2FONOVISA/UMLE
27 3
gl 105 122 MILEY CYRUS A BangerzRCA
1 41
139 149 e) NEEDTOBREATHE Rivers In The WastelandATLANTIC/AG
3 14
(!) lb SYLVAN ESSO Sylvan Esso-TT PARTISAN
39 3
yo 125 0 BLAKE SHELTON A Red River BlueWARNER BROS. NASHVILLE/WAIN
1 118
40 89 126 JOE BridgesPLAID TAKEOVER/BMG
17 4
116 113 127 AVENGED SEVENFOLD Hail To The KingWARNER BROS.
1 47
0 328 RICHARD MARX Beautiful GoodbyeZANZIBAR/KOBALT
39 2
RE-ENTRY ED STURGIU. SIMPSON Metamodern Sounds In Country MusicHIGH TOP MOUNTAIN/THIRTY TIGERS
59 3
2WKS
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TIT. WKS ON
CHART
53 79 130 JENNIFER LOPEZ A.K.A.CAPITOL
8 5
112 134 0 LINKIN PARK* [Hybrid Theory]WARNER BROS
2 146
0/ 0 132 EMINEM * The Eminem ShowWEB/AFTERMATH/INTERSCOPE/UME
1 174
106 117 133 SHAKIRA Shakira.SONY MUSIC LATIN/RCA
2 17
0 134 LEELA JAMES Fall For Youl&T/SHESANGZ/BMG
69 2
126 145 0 CREDENCE CLEARWATER REVIVAL A Chronicle The 20 Greatest HitsFANTASY/CONCORD
22 197
154 167 0 THE PRETTY RECKLESS Going To HellGO. DOWN/RAZOR & TIE
5 18
RE-ENTRY 0 TOM PETTY AND THE HEARTBREAKERS Greatest HitsMCA/UME
5 180
ill is 138 PINK FLOYD 0 The Dark Side Of The MoonCAPITOL
1 870
RE-ENTRY 0 JASON MRAZ A We Sing. We Dance. We Steal Things.ATLANTIC/AG
3 99
(Th 140 DEMI LOVATO Demi 3 46
85 126 141 VG My Krazy LifePUSHA7 INK/CTE/DEF LAM
2 18
142 143 142 JASON ALDEAN A Night TrainBROKEN BOW/BBMG
1 92
@@ 135 143 FLEETWOOD MAC* RumoursWARNER BROS
1 180
187 193 0 TWENTY ONE PILOTS VesselFUELED BY RAMEN/AG
58 19
137 150 145 MICHAEL JACKSON A The Essential Michael JacksonEPIC/LEGACY
53 106
0 146 CROSBY, STILLS, NASH & YOUNG CSNY 1974 (Selections)CSNY/RHINO
81 2
95 121 147 MALI MUSIC Mali IsBYSTORKI/RCA
16 5
122 138 148 AUSTIN MAHONE The Secret (EP)CHASE/CASH MONEY/REPUBLIC
5 8
lig 127 149 KATY PERRY A Teenage DreamCAPITOL
1 186
160 157 ME FINGER DEATH PUNCH The Wrong Side Of Heaven...Volume 2PROSPECT PARK
2 35CI
RE-ENTRY 0 MERCYME Welcome To The NewFAIR TRADE/PLG
4 13
141 173 0 MICHAEL JACKSON ThrillerEPIC/LEGACY
1 215
145 148 153 AC/DC Back In BlackCOLUMBIA/LEGACY
4 135
ilk156 IV 154 INGRID MICHAELSON Lights Out
CABIN 24/OIA POP
5 14
RE-ENTRY 0 JAMES TAYLOR Greatest HitsWARNER BROS /RHINO
15 61
ANDRA 11001M10 lady Day At Emerson's Bar & Grill (Original Broadway cast) 156 1
PS CLASSICS
McDonald's turn as Billie Holiday arrives
%, in album form, with 2,000 sold. The Tony
winner also bows atop Heatseekers Albums,
Traditional Jazz Albums and Cast Albums.
74 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 08.0 2.2 014
S LAST
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THIS
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ARTIST CERT, !CATION
IMPRINT/DISTRIBUTING LABEL
BOSTON AEPIC/LEGACY
I THE BREATHERwUERIAI
Greatest Hits
PEAK
POS.
WKS 0
CHART
47 21
Life Reaper 158 1
The hard rock act also
enters in the top 10 on
Christian Albums, startingat No. 9 with 2,000 sold. Its
last chart entry, 2012's Truth
and Purpose, reached No. 15
on the Christian list.
132 4) 159 ZAC BROWN BAND A The FoundationROAR/BIGGER PICTURE/HOME GROWN/ATLANTIC/AG
9 273
RE-ENTRY CI REND COLLECTIVE The Art Of CelebrationREND COLLECTIVE/INTEGRITY/PLG
13 8
1.56 161 GUNS N' ROSES A Greatest HitsGFEFEN/UME
3 287
178 0 0 VARIOUS ARTISTS WOW Hits 2014PROVIDENT/WORD-CURB/CAPITOL CMG
25 43
190 oQ,RCA
The Truth About Love'1
PINK A 1 94
NEW 0 BETRAYING THE MARTYRS PhantomSUMERIAN
164 1
147 163 165 BLAKE SHELTON Loaded: The Best Of Blake SheltonREPRISE NASHVILLE/WMN
18 151
173 182 0 CHEVELLE La GargolaEPIC
3 16
168 169 167 FIRST AID KIT Stay Gold1AGADAIABA/COLUMBIA
23 6
IP 186 0 RICK ROSS MastermindMAYBACH/SLIP N SLIDE/DEF MIA
1 20
iyj 1§§ 189 EAGLES A The Very Best Of The EagleslkaHNER STRATEGIC MARKETING
3 129
1j§ 162 170 NICKELBACK A All The Right ReasonsROADRUNNER/AG
1 201
118 133 171 KACEY MUSGRAVES Same Trailer Different ParkMERCURY NASHVILLE/U1AGN
2 63
10 160 172 WILLIE NELSON A Super HitsCOLUMBIA/LEGACY
98 95
140 158 173 ZAC BROWN BAND A You Get What You GiveSOUTHERN GROUND/ROAR/BIGGER PICTURE/ATLANTIC/AG
1 168
80 124 174 MARIAH CAREY Me. I Am Mariah... The Elusive ChanteuseDE F LAM
3 8
RE-ENTRY CS PANIC! AT THE DISCO Too Weird To Live, Too Rare To Die!DECAYDANCE/F UE LED BY RAMEN/AG
2 30
171 (Th 176 O.A.R. The Rockville LPVANGUARD/WELK
13 6
Co 1-il EAGLES 0 Their Greatest Hits 1971-1975ASYLUWELEKTRA
1 156
165 175 178 METALLICA 0 MetallicaBI ACKENED/WARNER BROS.
1 315
IN 139 179 BEASTIE BOYS A Licensed To IIIDEG /AM/UNIE
1 143
(11) 180 RAY LAMONTAGNE SupernovaRCA
3 11
111 159 181 FOREIGNER Juke Box HeroesTRIGGER/RAZOR & TIE
109 36
2 WKS. LAST THIS ARTIST CERTIFICATIONAGO WEEK WEEK IMPRINT/DISTRIBUTING LABEL
135 192 0 LANA DEL REY Paradise (EP)ROLYDOR/INTERSCOPE/IGA
PEAK
PBS.
WKS.ON
CHART
10 54
130 146 183 ZAC BROWN BAND A UncagedROAR/SOUTHERN GROUND/ATLANTIC/AG
1 99
1§6 177 i84 ELVIS PRESLEY Heart And SoulRCA/SONY MUSIC CMG
166 9
66 131 185 DEADMAU5 while(1<2)MAUSTRAP/ASTRALWERKS/CAPITOL
9 5
417) 186 THE BEATLES 0 1
APPLE/CAPITOL/UME
1 179
RE-ENTRY 0 JASON MRAZ Love Is A Four Letter WordATI ANT, V-,
2 34
RE-ENTRY (a) THE NEIGHBOURHOODRIF
The album was
promoted on iTunes
as part of a chart -
topper sale, helping
its overall sales
rise by 43 percent
(downloads were up
by 55 percent). The
set scores its first
weekly gain since
May 11.
I Love You. 25 54
19§ 195 189
-.i.MOTLEY CRUE Greatest HitsNIOTLEY/ELEVEN SEVEN
94 56
RE-ENTRY 0 FRANK SINATRA Sinatra: Best Of The BestREPRISE/C APITOL/UME
23 29
RE-ENTRY 0 MUMFORD & SONS A Sigh No MoreGENTLEMAN OF THE ROAD/GL ASSNOTE
2 213
161 181 192 BRANTLEY GILBERT A Halfway To HeavenVALORY/BMIG
4 133
RE-ENTRY ALOE BLACC Lift Your SpiritCDALOE BLACC/XIX/INTERSCOPE/IGA
4 16
IN§ 185 194 COMMODORES. The Best Of The Commodores: 20th Century MastersMOTOWN/1111E
155 11
107 161 195 FUTURE HonestA I/FREEBANDZ/EPIC
2 13
RE-ENTRY 0 PASSENGER All The Little LightsBLACK CROW/NETTWERK
26 48
,Th 197 SOUNDTRACK ChefAL DAKIISA/KIILAN
160 7
186 4r) 198 EMINEM 0 The Marshall Mathers LPWEB/AFTERMATH/INTERSCOPE/UIAE
1 162
1§1 199 199 PRINCE AND THE REVOLUTION . Purple Rain (Soundtrack)WARNER BROS.
1 88
RE-ENTRY A GREAT BIG WORLD Is There Anybody Out There?BLACK MAGNETIC/EPIC
3 17
For only the fourth
time since Nielsen
SoundScan started
powering the
Billboard 200 in1991, the chart's
sales threshold falls
below 2,000 units.
(This album sold
just under 2,000.)
-Keith Caulfield
A
MarshaAmbrosiusFriends and Lovers, whichdebuts at No.12 on theBillboard 200, is a sequelto 2011's Late Nights andEarly Mornings. Does itpick up where you left off?The album is about all thefriends and lovers I met as a
result of all those late nightsand early mornings. There'sthe one guy I can neverescape, where keep goingback to that relationshipeven though know it willnever work out. Then there'sa best friend who onceyou've had that completelywild night where all thoselines are crossed andcompletely blurred, how doyou go back?
You were signed toDr. Dre's Aftermath butreleased your first soloalbum through RCA. Howdid Dre end up on yourcover of Sade's "Love IsStronger Than Pride"?I had a session In L.A. withDr. Dre, and he went crazywhen he heard "Stronger: Isaid, "Do you wanna get inon it?" and before knew it,I had co -production withDr. Dre and my song'sfeaturing him. I couldn't topthat moment.
You're an in -demandsongwriter, recentlyworking with JanetJackson and Train. Whatare you writing for them?I've signed waivers, whichis crazy - but I've heard a
rumor that Janet Jacksonis a very nice person, andthat there's a duet withme on the new Trainalbum. I wanna surpassgenres, surpass decades.I'm looking forward to a
lifetime achievement award50 years from now. don'tbelieve I've written my bestsong yet. -Andrew Hampp
Data for week of 08.02.2014 Go to BILL8OARD.COM/BIZ for complete chart data 75
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10 DARK HORSE Katy Perry Feat. Juicy J 31CAPITOL
AIN'T IT FUN Paramore 16FUELED. RALIT
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14 N OT A BAD THING Justin Timberlake 18KA
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O 0 WHISKEY IN MY WATER Tyler Farr 9COLUMBIA NASHVILLE
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O 0 BAILMIDO Etter Iglesias Feat. DuemerButood Getek Ito/ 6UNIVERSAL MUSIC LATINO/REPUBLIC/UMLE
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TURN DOWN FOR WHAT DJ Snake & Lil Jon 16Cam.
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Billy Currington 8
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TALK DIRTY Jason Derulo Feat. 2 Chainz 26BELUGA HEiGHTS/WARNER BROS
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WIGGLE Jason Derulo Feat. Snoop DoggBELUGA ILEIGHTSAVARNER BROS.
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BREAK FREE Ariana Grande Feat. ZeddREPUBLIC
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LATCH A Disclosure Feat. Sam SmithMETHOD. PAIR,CHERRyTREE/INTERSCOPE/ICA
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LOVE RUNS OUTMOST F .RSCOPENGA
OneRepublic 10
AMERICAN KIDS Kenny ChesneyItt of CHAIR/COLUMBIA NASHVILLE/SUN
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BOSS Fifth Harmony
SUMMER A Calvin HarrisDECONSTRUCTION/ELY EYE/ULTRA/ROC W./COLUMBIA
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ALLow516, John Legend 31
DRUNK ON A PLANE Dierks BentleyCAPITOL NASHVILLE/UMGN
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CHANDELIERmONKFT Pima F/PCA
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Ed Sheeran 13
REALLY DON'T CARE Demi Lovato Feat. Cher LloydHOLI.N11000
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PLAY IT AGAIN AAWOL NASHVIL EAMON
Luke Bryan 18
LEAVE THE NIGHT ON Sam HuntMCA NASH. LE HMO.
ALL ABOUT THAT BASS Meghan TrainorEPIC
BELIEVE ME Lit Wayne Feat. DrakeYOUNG MONEY/CASH MONEY/REPUBLIC
7
HABITS (STAY HIGH)let AND
Tove Lo 4
PILLS N POTIONSOuNC. MUNI WC. MONEY/REPUBLIC
Nicki Minaj 8
MWIR!!) Paramore 18
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GIRLS CHASE BOYS Ingrid MichaelsonCABIN 2.1,104 I>,
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Trey Songz 11
YEAHRED BOW/88.116
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SHE LOOKS SO PERFECT 5 Seconds Of SummerKt/ OR Iii/CAINIOL
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MIA/MIHILE BACK AT MAMA'S Tim IkGraw Feal. Faith HillBIG ACHRIE, BRIG
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WIGGLE Jason Derulo Feat. Snoop Dogg toBELUGA HEIGHTS/WARNER BROS
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Pharrell Williams 25
TURN DOWN FOR WHAT DJ Snake& Lil Joe 22COI UVRIA
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Sia 9
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DARK HORSE Katy Perry Feat. Juicy J 38 il1
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VIRGIN/CAPITOL iiii!!BREAK FREE Ariana Grande Feat. Zedd j ii a
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Idina Menzel 27
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Colbie Caillat j
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TALK DIRTY Jason Derulo Feat. 2 Chainz 29BELUGA HEIGHTS/WARNER BROS.
OR NAH Ty Dolla Sign Feat. Wiz Khalifa & DJ Mustard 16AILANTIC/RRP
LATCH Disclosure Feat. Sam Smith toME Iii00/PLIR/CHERRYIKE/INIERSCOPE
WORKTURN FIRST/HUSTLE GANG/DEF MM
Iggy Azalea jj
TIMBER Pitbull Feat. Ke$ha 37UP. 305/ROLOGROUNOS/RCA
SUMMER Calvin Harris 14DECONSTRUCTION/FLY EYE/ULTRA/REX NAT./COLUMBIA
Tove Lo 7
BOOM CLAPEOVATLANTICiRRP
Charli XCX 2
REPUBL IC
WE DEM BOYZ Wiz Khalifa 5 lifROSTRUM /ATLANTIC
RATHER BE Clean Bandit Feat. Jess Glynne 2BIG BEAT/RRP
2 ON Tinashe Feat. ScHoolboy Q 2
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1RCA 111DIRT Florida Georgia Line jREPUBLIC NASHVILLE
IWASTED Tiesto Feat. Matthew Koma 4MUSICAL THE f DOLVPM AM/EANABL ARM. PUBLIC
REALLY DON'T CARE Demi 'ovate Feat. Cher Lloyd 3HOLLYWOOD
RADIOACTIVE Imagine Dragons 79 EiKIDIAANORNER/INTERSCOPf 1E L
ATLANTIC
SING Ed Sheeran 5 lifTHISISNOWWEROLL FlonchGeorginine Feat. luke Man 6REPUBLIC NASH.IE
BIRTHDAYCAPITOL
Katy Perry 12
BAUM Brig IgItsiEFM.Dexemer6moo &Ceti:that sREPUBLIC
CUT HER OFF KCamp Feat. 2 Chainz 4OAT RE At/F TEA 27/INIERSCOPE
NO MEDIOCRE T.I. Feat. Iggy Azalea jGRAND HUSTLE/COLUMBIA
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Coldplay s
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76 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 07.26.2014
S
fag
EI
Smith'sSpotify-FueledDebutSam Smith (below)soars into the top 10 ofStreaming Songs (15-5)as "Stay With Me" benefitsfrom its parent album'sdelayed debut on Spotifyon July 12. His In the LonelyHour was withheld fromthe streaming serviceduring its first three weeksof retail availability tomaximize sales of theset. Hour debuted andpeaked at No. 2 on theBillboard 200 with 166,000on the chart dated July 5and has sold 320,000 todate, according to NielsenSoundScan. "Stay With Me"posts a 70 percent gain inU.S. streams to 5.9 million,with Spotify accounting for37 percent of that sum. On
the subscription service -
based On -Demand Songschart (of which Spotify isgenerally the main driver),the title debuts at No. 3with 2.6 million streams(up 386 percent).
Elsewhere on StreamingSongs, "Timber" by Pitbullfeaturing Kesha rebounds28.16 with a 67 percentincrease in user -generatedYouTube views. The viralvideo culprit is a clip,uploaded July 11, of a fatherdancing with his daughterto the song after arrivinghome from work. Overall,
"Timber" improved to3.4 million U.S. plays forthe week, with 46 percentattributed to nonofficialYouTube clips.
-William Gruger
Clin EVERYTHINGIDIDN'T SAY 5 Seconds Of Summer j
babocrdV TORNIKKER'STm -7'
NEW CO
O 0 ALL OF ME John Legend
0' REALLY DON'T CARE Demi Lovato Feat. Cher Lloyd
4 4
12 06 6
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HAPPY Pharrell Williams 8
PROBLEM Ariana Grande Feat. Iggy Azalea
SHOWER Becky G 4
O 0 CHANDELIER Sia
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21
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13 14
II 15
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LIFE OF THE PARTY Shawn Mendes 4
STAY WITH ME Sam Smith
FANCY Iggy Azalea Feat. Charli XCX 8
A SKY FULL OF STARS Coldplay
MAPS Maroon 5 5
DIRTYYW SkrialNk 003.4Drapri Rao BEANIGHL Free 2IC
WORD CRIMES Weird Al Yankovic
SUMMER Calvin Harris
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BREAK FREE Ariana Grande Feat. Zedd 3
ILL MIND OF HOPSIN 5 Hopsin
FEEL THAT Vic Mensa
COUNTING STARS OneRepublic
KNOW WHO YOU ARE Pharrell
HUNNID STAX AB -Soul 2
SIDE PIECES Drake
RICH Kirko Bangz Feat. August Alsina
24 32
NEW IED
PILLS N POTIONS Nicki Minaj 8
FIRST FLIGHT HOME Jake Miller
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DON'T STOP 5 Seconds Of Summer 3
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HOME Naughty Boy Feat. Sam Romans 2
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SHOW ME THE WAY Dilated Peoples
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SOUND BITE Ces Cru
OUR LOVE Sharon Van Etten
ALL THIS COULD BE YOURS Cold War Kids
LOVE LOCKDOWN Glass Animals
ANYWHERE FOR YOU John Martin
FALL FOR YOU Leela James 3
AROUND THE WORLD Ransom
NEBULA Chris Jay 3
AFTERGLOW Wilkinson 8
MONEY BABY KCamp Feat. Kwony Ca$h 8
MATAMOROS The Afghan Whigs 2
SOUND OF CHANGE Dirty Heads 4
HERE FOR YOU Gorgon City Feat. Laura Welsh 8
MISTAKES LIKE THIS Prelow
TWO WEEKS FKA twigs 4
BACK IN THE DAY Rochelle Jordan
TRAINWRECK1979 Death From Above1979 2
THE HAMPTONS Little Simi
COLD Rae Morris
PARADE Audio Push 2
ELYSIUM Bear's Den 2
TALK IS CHEAP Chet Faker
READY FOR YOUR LOVE Gorgon City Feat. MNEK
SHINE LIKE GOLD Gipp 2
6 IN THE MORNING Raven Felix
TAKE SHELTER Years and Years 2
THE SUN Parov Stelar Feat. Graham Candy 6
DAYS WITH YOU Snakehips 3
HARD TO FORGET IT Boaz
CHEAP SUNGLASSES RAC Feat. Matthew Koma 3
THE WALKER Fitz And The Tantrums 8
DREAMING Smallpools 8
NO FUN
MY SWEET SUMMER The Dirty Heads 3
BEWARE THE DOG The Griswolds 2
GOLD Chet Faker 3
DO YOU Spoon 3
GHOSTS Big Wreck
FORERUNNER FORAY Shabazz Palaces
DECKCHAIRS ON THE MOON Bipolar Sunshine 4
THE BIG BANG Katy Tiz
ESPYsBoostDrake'sProfileFollowing his turn as hostof ESPN's ESPY Awardson July 16, Drake (above)returns to the Social 50chart, re-entering at No. 24with a 116 percent gain inchart points.
Twitter contributed thegreatest to Drake's rise inthe tally, as the companyreports more than 1.1 milliontweets sent during theshow. Conversation peaked(20,325 tweets per minute)during Drake's performanceof the skit "Sterling NeverLoved Us." Drake alsoreceived a boost in tractionto his lnstagram, where hisweekly followers increasedby 347 percent in the weekending July 20, as morethan 3.5 million peopleliked his posts.
Drake even starredin a sketch during thebroadcast with former rivalChris Brown, causingBrown to rise 42-26 on theSocial 50. Conversation atthat moment in the showreached 7,600 tweets perminute. Brown jumps on
the chart with a 59 percentincrease in weekly Twitterfollowers and a 212 percentincrease in reaction onInstagram (2.6 million post-
likes for the week).Keeping things Drake -
related, his OVO Soundimprint earns the topdebut of the week on theTwitter Top Tracks chart,as PartyNestDoor's
"Recognize" enters at No. 9."Recognize" is the first singlefrom his EP PartyNextDoorTwo, due July 29.
-William Groper
Data for week of 08.02.2014 Go to BILLBOARD.COM/BIZ for complete chart data 77
SOCIAL 5QTM
ARTISTIMPRINT/LABEL
#1NR
JUSTIN BIEBERSCHOOLBOY/RAYMOND BRAUN/I, AND 191
O 00O0
SELENA GOMEZHOLLYWOOD 189
SHAKIRASONY MUSIC LATIN/REA 190
B EYONCEPARIDY000/COLUMIN4
S SECONDS OF SUMMERHEY OR HUCAPITOL
190
18
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JENNIFER LOPEZCAPITOL 177
MILEY CYRUSRCA 119
ARIANA GRANDEPLUM K 87
0 AUSTIN MAHONECHASE/CASH WAIWREPUBLIC 57
11LIARROUADORA BANDA EL LEON DE ROE CANACHODIWIMILE 12
12 KATY PERRYCAPITOL 191
00
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DEMI LOVATOHOLLYWOOD
IGGY AZALEATURN FIRST/HUSTLE GANG/OEF MIA
188
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B OB MARLEYTUFF GONG/ISLAND/UNE 132
ROMEO SANTOSSONY MUSIC LATIN 41
EMINEMWEB/SHADWAFTERMATWINTERSCOPE/KA
LUDACRISOTP/DEF JAM
190
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DRAKEYOU. MONEY/CASH MONEY/REPUBLIC 168
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JASON DERULOBELUGA HEIGHTS/WARNER BROS. 9
DAVID GUETTAWHAT A MUSIC/PARLOPHOAE/ATIANTIC/AG 179
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STAY WITH ME Sam SmithCAPITOL
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AM I WRONG Nico & VinzWARNER BROS.
SUMMER Calvin HarrisDECONSIRUCDON/F LT EYE/ULTRA/ROC NATION/COLUMBIA
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Becky G 4
WASTED Tiesto Feat. Matthew KomaAWC.ASABLANCA/REPUBLIC
BOOM CLAPf OAiAILANI ICiuki,
7
Charli XCX 3
A SKY FULL OF STARS ColdplayPARINI/IOW/ATEA/OK
TURN DOWN FOR WHAT DJ Snake & Lil JonCOLUMBIA
10
22
19 Q DARK HORSE Katy Perry Feat. Juicy .1CAPITOL
© 0 RATHER BE Clean Bandit Feat. Jess GlynneBIG BEAT/RRPO 0 RIPTIDEUBCRADOeur.STOP/ATIANTIC
Vance Joy
SINGARAM15
39
16
6
Ed Sheeran II
26 SHE LOOKS SO PERFECT 5 Seconds Of SummerHEY OR HUCAPITOL
12
25 POMPEIIVIRGIN/CAPITOL
Bastille 58
CHRISTIAN STREAMING SONGSTMUST
WEEK WFEKTITLEIMPRINT/LABEL
Artist
MONSTER Skillet 3,ARDENT/FAIR TRADE
oamis (WHERE FEET MAY FAIL) Hillsong UNITED 35HILLSONG/SPARROW/CAPITOL CMG
s
Oh00O 6
HEROARDENT/FAIR TRADE
AWAKE AND ALIVE SkilletARDENT/FAIR TRADE
Skillet 35
35
GOD'S NOT DEAD (LIKE A LION) newsboysINPOP
27
N OT GONNA DIE SkilletATLANTIC/WORD CURB
26
CO0O 9
10,000 REASONS (BLESS THE LORD) Matt RedmanSIXSTEPS/SPARROW/CAPITOL CMG
35
WHISPERS IN THE DARK SkilletARDENT/SITE/FAIR TRADE
35
00H AHH Grits Featuring tobyMacElm GOSPEL
35
11
0Oi4
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RISEATLANTICAVOROCURB
Skillet
WHAT LOVE IS THIS Kari JobeSPARROW/CAPITOL CLOG
COURTESY CALL Thousand Foot KrutchTFX
29
35
30
THIS IS AMAZING GRACE Phil WickhamFAIR TRADE
22
O0O 19
00O n
OUR GODclYtiFcti VA.. (.:011/11 0.16
MIGHTY TO SAVE
WE BELIEVESPAR
Chris Tomlin
Hillsong
34
2
newsboys 17
INIONSHAIL I FEAR (60D OF ANGEL ARMES) IlitS1011SIXSTEPS/SPARROW/CAPITOL CMG
B OOMATUNTIC/WORD CURB
ALL AROUND ME FlyleafAMA/OCIONE/INTERSCOPE
22
27
34
WHO AM 1BEACH STREET/REUNION/PEG
DARE YOU TO MOVEAINTOL CMG
Casting Crowns
Switchfoot
32
35
WAR OF CHANGE Thousand Foot KrutchTFX
35
GOLD Britt NicoleSPARROW/CAPITOL
34
SHIPS IN THE NIGHT Mat KearneyAWARE/REPUBLIC
LEAD ME TO THE CROSS Hillsong UNITEDHILLSONG/INTEGRITY
13
3
MAINSTREAM TOP 40TMLAST THIS TITLE
WEEK WEEK IMPRINT/PROMOTION EASEL
O 0O 0O 0O ©0
E2 AM I WRONGWARNER BROS.
RUDELATIUM/RCA
Artist WKS.0,CHART
Nico & Vint
MAGIC!
PROBLEM Ariana Grande Feat. Iggy AzaleaREPUBLK
SUMMER Calvin HarrisDECONSTRUCTION/FLY EYE/ULTRA/INK NATION/COLUMBIA
STAY WITH ME Sam SmithCAPITOL
LATCH Disclosure Feat. Sam SmithMETHOO/PMR/CHERRY1REE/INTERSCOPE
FANCY Iggy Azalea Feat. Charli XCXTURN FIRST/HUSTLE GANG/DEF JAM
MAPS Maroon 5222,NT T
16
13
12
7
10
22
17
5
LOVE RUNS OUT OneRepublic 10
REALLY DON'T CARE Demi Lout° Feat. Cher Uoyd 8
it
CLASSIC MKTO 28
BOOM CLAP Charli XCX
AIN'T IT FUN ParamoreFUELED BY RAVE,.
COME GET IT BAE Pharrell WilliamsJAM OTHER/COLUTAWA
ALL OF ME John LegendWatt/COLUMBIA
COME WITH ME NOW KONGOSTOKOLOSHEAPK
CHANDELIER SiaNONI(EY FUME/RCA
WIGGLE Jason Derulo Feat. Snoop DoggBELUGA HEIGHTS/WARNER BROS
RATHER BE Clean Bandit Feat. Jess GlynneBIG EMAT/ITRP
5
lit
23
8
24 s
13 Is
!E10
9
10
4
BREAK FREE Ariana Grande Feat. ZeddREPUBLIC
SHOWERXEMOSABE/RCA
Becky G
WASTED Tiesto Feat. Matthew KomaMUSICAL FREEDOWPAIAM/USABLATKIJREPUBLIC
TEN FEET TALL Afrojack Feat. WrabelWALL/PIA AWDEF JAM
BLACK WIDOW Iggy Azalea Feat. Rita OraTURN FIRST/HUSTLE GANG/DTI LAM
&ALUM° Enipm Iglesias Fa Oesrema ano&Gerite de ZonaREPUBLK
ADULT CONTEMPORARYTMLAST no TITLE Artist
WEEK WEER IMPRINT/PROMOTION LABEL CHART
7
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12
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ALL OF MEr.0.0.0./COLUMBIA
John Legend 27
BEST DAY OF MY LIFE American AuthorsDIRTY CANVAS/IS/AND/REPUBLIC
COUNTING STARS OneRepublicMOSLEY/INTERSCOPE
STAY WITH ME Sam SmithCAPITOL
STORY OF MY LIFE One DirectionSYCO/EOLUANA
HAPPY Pharrell WilliamsBACK l01/COLUMBIA
9
LET HER GO PassengerBLACK CROW/NETTWERILATARNER BROS.
DARK HORSE Katy Perry Feat. JuicyCAPITOL
NOT A BAD THING Justin TimberlakeRCA
WAKE ME UP! AlijaPRMODSLAND/REPUINK
42
10 LOW NEVER FELT S06000 Michael Whom% Man TimberlakeMH/EPIC
AM I WRONG Nico & VinzWARNER BROS.
ME AND MY BROKEN HEART RixtonSCHOOLBOY/GIANT LITTLE MAN/MAD LME/INTERSCOPE
POMPEIIVIRGIN/CAPITOL
Bastille
RAGING FIRE Phillip Phillips19/INTERSCON
23
14
10
26
16
O 0O 0O 0O 0
RUDELATIUWRG
MAGIC!
AIN'T IT FUN ParamoreFUELED BY RAIAEN/RRP
SINGATLANTK
Ed Sheeran 11
MAPS222/INTERSCOPE
Maroon 5 3
20 HUMANATIANTK/RRP
Christina Perri 16
16 I CHOOSE YOUEPIC
Sara Bareilles IS B
ANGEL IN BLUE JEANS TrainCOLUMBIA
3
22 GIRLS CHASE BOYS Ingrid MichaelsonCABIN 24/MOM POP/RED
9
23 COLOURSOWANKA
Margo Rey 11
27 LOVE RUNS OUT OneRepublicmOSEEWiNTERSCOPE
4
rot all genre streaming charts.. billooaoicom/b4.
78 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 08.0 2.2 0 14
ADULT TOP 40T"LAsr This TITLE
WEEK WEEK IMPRINT/PROMOTION LABEL
41111 n RUDELATH, .CA
AM I WRONGARTIER BROS.
0/01 GG
0 0 GIRLS CHASE BOYS Ingrid MichaelsonCABIN 24/MOM POP/RED
O 010
O 0
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CHART
MAGIC! 12
STAY WITH MECAPITOL
Nko & Vinz
Sam Smith
18
15
AIN'T IT FUNWIETED BY RALIEN/RRP
Paramore 23
LOVE RUNS OUTIMALEY/INTERSCOPE
OneRepublic 13
MAPS222/NWERSCOPE
Maroon S
22
ME AND MY BROKEN HEART RixtonSCHOOLBOY/GIANT LITTLE MAN/MAD LOYE/INTERSCOPE
16
PROBLEM Ariana Grande Feat. Iggy AzaleaREPUBLIC
10
ALL OF ME6.0.0.D./COLUMBIA
John Legend 32
A SKY FULL OF STARSpARLOPHONE/ATLANTIC
Coldplay 8
9 SINGATLANTIC
Ed Sheeran 15
N OT A BAD THINGRCA
Justin Timberlake
SUMMER Calvin HarrisDECONSTRUCTION/FLY EYE/ULTRA/ROC NATIONKOLUMBIA
ANGEL IN BLUE JEANSCOLUMBIA
PEACEVANGUARD
CLASSICCOLUMBIA
Train
()A.R.
MKTO
B ELIEVER American AuthorsDIRTY CANVAS/ISLAND/REPUBLIC
TENNIS COURTLAVAMPUBLK
COME WITH ME NOWTOKOLOSHE/EPIC
B REAK YOUR PLANSEPIC
Lorde
KONGOS
The Fray
LATCH Disclosure Feat. Sam SmithMETHOCUTTOUCHERRYTREE/INTERSCOPE
FANCY Iggy Azalea Feat. Charli XCXTURN FIRST/HUSTLE GANG/DEF JAM
COOL KIDSWARNER BROS.
B IRTHDAYCAPITOL
Echosmith
Katy Perry
20
9
6
19
13
9
13
10
14
5
8
3
14
COUNTRY"'IASI INS TITLEilILN aw WIPP N l PROMOTION LABEL
Artist vicx,x,,/,i
2
9
10
4
11
YEAHRED BOW
Joe Nichols 25
WHO I AM WITH YOU Chris YoungRCA NASHVILLE
WE ARE TONIGHT Billy CurringtonMERCURY
I DON'T DANCE Lee Bricecos
DRUNK ON A PLANE Dierks BentleyCAPITOL NASHVILLE
RIVER BANK Brad PaisleyARTSTA NASHVILLE
NEAMMILEUCK AT IIMUS TimMarroFeat.FdlhoillHACHINE
28
35
4
16
16
14
BEACHIN'NASHVILLE
Jake Owen
BARTENDER Lady AntebellumCAPITOL NASHVILLE
WHISKEY IN MY WATER Tyler FarrCOLUMBIA NASHVILLE
AMERICAN KIDS Kenny ChesneyBLUE CHAIR/COLUMBIA NASHVILLE
WHERE IT'S AT (YEP, YEP) Dustin LynchBROKEN BOw
SONG ABOUT A GIRL Eric PaslayEMI NASHVILLE
HOPE YOU GET LONELY TONIGHT Cole SwindellWARNER BROS./10o+
914110111I1141DOWA BrairegibaireatlAtinkoviltenasblevALORY
DIRTREPUBLIC NASHVILLE
DUSTRI Pu8LIC NASHVILLE
Florida Georgia Line
Eli Young Band
LATER ON The Swon BrothersT lTA NASHVILLE
SOMETWIF BAD Miranda Lambert Duet with(arriellnderroalARISTA NASHVILLE/RCA NASHVILLE
READY SET ROLL Chase RiceMCA TANIETS/COLUMBIA NASHVILLE
26
10
37
18
21
20
SO
2
25
22
9
36
ROLLER COASTER Luke BryanCAPITOL NASHVILLE
ALL ALRIGHT Zac Brown BandSOUTHERN GROUND
LEAVE THE NIGHT ON Sam HuntMCA NASHVILLE
COLD ONEEMI NASHVILLE
Eric Church
SUNSHINE & WHISKEY Frankie BallardWARNER BROS./WAR
5
13
6
9
16
ALTERNATIVE"'THIS TITLE
WEEK IMPRINT/PROMOTION LAPELArtist
CHART
ElFEVER 17
NONESUCH/WARNER BROS.
The Black Keys
I WANNA GET BETTER BleachersRCA
DANGEROUS Big Data Feat. JoywaveCRUSH MUSIC/WILCASSETTES/Y/ARNER BROS.
COME WITH ME NOW KONGOSTOKOLOSHEAPIC
RIPTIDE Vance JoyLWERATION/T;STOWAH ANTIC
lEffDYOUONLYCAUMEWHERYOU'REHIGH? ArclkilonlyisDOMINO/ADA
20
19
26
12
20
12
11
HO 0 o o
BAD BLOOD BastilleVIRGIN/CAPIT01.
A SKY FULL OF STARS ColdplayPARLOPHONE/ATLANTIC
MY SWEET SUMMER Dirty HeadsFIVf SEVEN
LAZARETTO Jack WhiteTHIRD MAN/COLUMBIA
STOLEN DANCE Milky ChanceLICHTDICHT/REPUBLK
DO I WANNA KNOW? Arctic MonkeysDOMINO/ADA
THE WALKER Fitz And The TantrumsDANGERBIRWELEKTRA/ATLANTIC
TAKE IT OR LEAVE IT Cage The ElephantDSPACA
I DOIrT WANT TO BEHERE ANYMORE Rise Against1NTERHOPE
CARDIAC ARREST Bad SunsVAGRANT
TENNIS COURT LordeLAVA/REPUBLK
LEFT HAND FREE alt -JINFECTIOUS/CANVASBACK/ATLANTIC
REVERSE SomeKindaWonderfulDOWNTOWN
BEST FRIEND Foster The PeopleSTARTIME 1/111/COUITABIA
RUDE
UNTIL IT'S GONE
ONE MINUTE MORE
MAGIC!
28
9
10
13
7
46
32
18
6
23
9
2
15
14
9
Linkin Park 8
Capital Cities
HABITS (STAY HIGH) Tove LoISL ANI RI IC
TAKE ME TO CHURCHRimy, COLUMBIA
Hozier
R&B/HIP-HOPTMLAST mu TITLE
WEEK IMPRINT/PROMOTION LABEL
oO 2
SI1RS
Artist
LOYAL ChrisBrownFeat.1.0 wayne& Tyga 28RCA
BELIEVE ME Lil Wayne Feat. DrakeYOUNG MONEY/CASH LIONEWREPUBLIC
11
4)4
O 0
GOOD KISSER UsherRCA
11
FANCY Iggy Azalea Feat. Charli XCX!Up,; ;;ISTIE GANG/DEC JAM
9
STUDIO ScHoolboyQ Feat.13.1 The Chicago KidTOP RSCOPE
11
7
0100
in
TROPHIES Young Money Feat. Drakeyou-, ; KASH MONEY/REPUBLIC
THE WORST Jhene AikoART,. PLIWDEF 1411
2 ON Tinashe Feat. ScHoolboy QRCA
WE DEM BOYZ Wiz KhalifaROSTRUM/ATLANTIC
SHE TWERKIN C.a$h OutBASES LOADECMEONE
11
01)PARTITION BeyoncePARKWOOD/COLUMENA
DON'T TELL 'EPA Jeremih Feat. YGNICK SaiuLTUDET JAM
13 13HAPPYBACK LOT/COLUMBIA
Pharrell Williams
14
O 0CUT HER OFF KCamp Feat. 2 ChainzDAT REAVITE/4.27/INTERSCOPE
WENDS FR15060641 lidaellarkson&luslinlinberlakeM11/EPIC
20
26
17
14
16
28
6
26
21
12
17
FIGHT NIGHT MigosQUALITY CONTROL
ALL OF ME John LegendumMA
O 019
16
19
20
010O 0010O ©
25
MAIN CHICK Kid Ink Feat. Chris BrownTH., CROUP/88 CLASSIC/RCA
PART II (ON THE RUN) Jay Z Feat. BeyonceROC NATION
MOVE THAT DON Future Feat.Pharrell,PuthaT& Casino,6,rumoorrevic
NO MEDIOCRE T.I. Feat. Iggy AzaleaAVO HUSTLE/COLUMBIA
10
45
16
28
21
WALK THRU Rich Homie Qum Feat. ProblemRICH HOITIEZ/THINKaSAGALTE
17
MONEY CAN'T BUY NeYo Feat. JeezyMOTOWN/UM.
SMARTPHONES Trey SongzSONGBOOK/ATUPITIC
SHOW ME Kid Ink Feat. Chris BrownT50 ALUMNI GROUP/811 CLASSIC/RCA
10
36
RHYTHMICT"
10
THIS TITLEwt.( IMPRINT/PROMOTION LABEL
Artist WILSON
CHART
2 ON Tinashe Feat. ScHoolboy QRCA
PROBLEM Ariana Grande Feat. Iggy AzaleaREPUBLIC
MAIN CHICK Kid Ink Feat. Chris BrownTHA ALUMNI GROUP/88 CLASSK/RCA
AM I WRONG NicO & VinzWARNER BROS.
RUDELATIUM/RCA
MAGIC!
FANCY Iggy Azalea Feat. Charli XCXTURN FIRST/HUSTLE GANG/DEF JAM
BELIEVE ME Lil Wayne Feat. DrakeYOUNG MONEY/CASH MONEY/REPUBLIC
WIGGLE Jason Derulo Feat. Snoop DoggBELUGA HEIGHTSAvARNER BROS.
LATCH Disclosure Feat. Sam SmithLIETHOD/PmR/CHERRYTREE/INTERSCOPE
18
10
12
DON'T TELL 'EM Jeremih Feat. YGMILK SCHULIVDEC LAY
PILLS N POTIONS Nicki MinajYOUNG MONEY/CASH LIONEY/REPUBLIC
V. 3005GUSSNOTE
Childish Gambino
16
12
18
9
11 SchoolboyRulesTwo ListsSchoolboy Q (above)gives a lesson in leading
9 Billboards airplay charts, as
he takes over two tallies.6 He's featured on
21 -year -old R&B singerTinashe's maiden entry,
"2 On," which conquersRhythmic (2-1) in its 16thweek. The DJ Mustard -
produced track reigns with25 a 4 percent gain in plays
at the format, according
8
16
9
14
13
WHO Do YOu LOVE? YG Feat. Drake
NA NA
19
Trey Songz
SUMMER Calvin HarrisDECOASTRUCTION/ELY EYEARMAMOC RAHOR/COLHIABIA
STUDIO ScHoolboy Q Feat. BJ The Chicago KidTOP DAMANTERSCOPE
N UMB August Alsina Feat. B.o.B & Yo Gottiwain MUCCL/OU MM
COME GET IT BAE Pharrell Williams'a/OMER/COLUMBIA
STAY WITH ME Sam SmithCAPITOL
N O MEDIOCRE T.I. Feat. Iggy AzaleaGRAND HUSTLE/COLUMBIA
2AM. Adrian Marcel Feat. Sage The Geminiomptax
24 HOURSEPIC
TeeFLii Feat. 2 Chainz
WE DEM BOYZ Wiz KhalifaROSTRuM/ATTANTIC/RRP
BLACK WIDOW Iggy Azalea Feat. Rita OraTURN FIRST/HUSTLE GANG/DEC IAN
FOREIGNSONGBOOKATLANTK
Trey Songz
MAINSTREAM R&B/HIP-HOP"'UST THIS TITLE Artist ezcirT.
WEEK WOK IMPRINT/PROMOTION LA Bi
15 to Nielsen BDS. It jumps17-12 on the all -format
8 Radio Songs chart, up by
10 percent to 54 millionaudience impressions. Theactivity spurs a new peak for
"2 On" on the Billboard Hot5 100, where it pushes 27-25.
While "2 On" likewise
9
4 grants Schoolboy Q hisfirst Rhythmic No. 1, the
16 rapper also earns his firstleader on Mainstream R&B/
9 Hip -Hop, where "Studio"
6(featuring 131 the ChicagoKid) hops 4-1. The track
4gains by 7 percent in playsat the format, with WCIOK
5 Raleigh, N.C., spearheadingits exposure (111 plays
STUDIO ScHoolboy Q Feat. B1The Chicago KidTOP DAWG/INTERSCOPE
BELIEVE ME Lil Wayne Feat. DrakeYOUNG MONEWCASH MONEY/REPUBUC
thisBromrilitme&FresillotwOrToollertOrTygaRCA
FANCY Iggy Azalea Feat. Charli XCXTu. FIRST/HUSTLE GANG/DER JAM
TROPHIES Young Money Feat. DrakeYOUNG MONEY/CASH LIONEWREPOBLIC
2 ONRCA
Tinashe Feat. ScHoolboy
SHE TWERKIN Ca$h OutBASES LOADED/EONE
WE DEM BOYZROSTRUM/ATLANTIC
Wiz Khalifa
GOOD KISSER UsherRCA
CUT HER OFF KCamp Feat. 2 ChainzOAT REAL/T TEA 21/1NTERSCOPE
FIGHT NIGHT MigosQUM.,' .1ROL
DON'T TELL 'EM Jeremih Feat. YGMICK s, JAM
during the tracking week).'Studio" concurrentlygraduates from theHeatseekers Songs chartafter leading the list in theJuly 26 issue, as it rises 53-
12 47 on the Hot 100. (Oncean act hits the Hot 100's
11
28
9
20
17
top half in a lead role, itis no longer eligible forHeatseekers Songs withany title as a lead.)
Meanwhile, as it topsthe Hot 100 for a secondweek, Magic's "Rude"rules its first airplay chart,lifting 2-1 on Adult Top 40.
16 The song continues toexpand its multiformat
14 reach, climbing 3-2 on
Mainstream Top 40 and8-5 on Rhythmic. It alsoreached the Dance Mix/Show Airplay top 10 (11-10).-Amaya Mendizabal and
Gary Trust
11
22
6
PARTITIONPARK, ,UUMA
Beyonce 25
THE WORST Jhene AikoAraCt MART tum/DEC TAM
27
O 0O 0O 0O 0O 0O 0O 0O 0
MAIN CHICK Kid Ink Feat. Chris BrownINA ALUMNI GROUP/88 CLASSIC/RCA
16
N O MEDIOCRE Feat. Iggy AzaleaGRAND HUSTLE/COLUMBIA
5
PILLS N POTIONSYOUNG MONEY/CASH MONEY/REPUBLIC
Nicki Minaj 7
SMARTPHONESSONGBOOK/ATLANTK
Trey Songz 10
WALK THRU Rich Homie Quan Feat. ProblemRICH HOMEZAHINIUTSO.GAME
14
MONEY CAN'T BUY Ne-Yo Feat. JeezyvoTowrocApuoi.
7
N O FLEX ZONE!! Rae SremmurdEARDRUMA/INTERSCOPE
4
Not FUME Chris Brown Rat. Usher &Rick ROSY 2RCA
I KNOW Yo Gotti Feat. Rich Homie QuanCOCAINE MUZIK/EPK
TURN DOWN FOR WHAT DJ Snake & Lil JonCOLUMBIA
OR KA/I Ty Della Sign Feat. Wiz Khalifa & DJ MustardATLANTIC
18
9
9
Data for week of 08.02.2014 Go to BILLBOARD.COM/BIZ for complete chart data 79
TITLEIMPRINT/LABEL
Artist WM.001CHART
DPUBLIC Georgia Line 2
AMERICAN KIDS Kenny ChesneyBLUE EHAIR/COLUMBLA NASHVILLE/SSA
BARTENDER Lady Antebellum 9CAPITOL NASHVILLE/W.16N
DRUNK ON A PLANE Dierks Bentley mCAPITOL NASHVILLUUMGN
BEACHIN' Jake Owen 23RLA NASHVILLE/SMN
I DON'T DANCE Lee Brice 21CURB
SOIRTNIf IAD Wanda laden Dua Wit Carrie 'WanedRCA NASHVILLE/SIAN
LEAVE THE NIGHT ON Sam Hunt ,MCA NASHVILLE/LAM
MIS SHOW WE ROLL FloriJa GeorgU line feat Luke Bryan 34REPUBLIC NASHVittE/BMtG
PLAY IT AGAINCAPITOL NASHVILLE/WAGN
YEAHRED BON.'88MG
Luke Bryan 34
Joe Nichols 20
MEANWHILE BACK AT NANA'S Tim McGraw Feat. Faith BillBIG MACHINE/ROLL
WHERE IT'S AT Dustin Lynch 14BROKE./ BOW BBMG
RIVER BANK Brad Paisley isARISTA NASHVILLE/SMN
WHO I AM WITH YOU Chris Young 21RCA NASHVILLE/SMN
READY SET ROLLPACK MNIELS
Chase Rice 33
ROLLER COASTER Luke Bryan 4CAPITOL NASHVILLE/MGN
SUNSHINE & WHISKEY Frankie Ballard 8WARNER BROS./WMN
MY EYES Blake Shelton Feat. Gwen Sebastian 16WARNER BROS/WWI
DAY DRINKING Little Big Town 7CAPITOL NASHVILLE/UMGN
WHISKEY IN MY WATER Tyler Farr 27COLUMBIA NASHVILLE/SIAN
COLD ONEENI NASHVILLE/MICR
Eric Church 7
CRUISE Florida Georgia Line a0REPUBLIC NASHVILLE /WAG
SMALITOWNTWORIWN Brook,/ Oho Rai lob liotodthrairCelt 10VALOR/AAR,
BOTTOMS UPVALORWINALG
LATINTm
,Ad THIS TITLEWEEK WEEK IMPRINT/LABEL00
2
000
Brantley Gilbert 31
Artist wvs.ov
BAIAWO &OWE gleses feat Maw Piero & 6erAe t tau isREPUBLIC
DANZA KUDURO Don Omar & Luce nzo 205YANIS/ORTANATO/MACINTEAMLE
ERES MIASONY MUSIC LATIN
Romeo Santos 21
6 AM J Balvin Feat. Farruko nCAPITOL EMINNIAL F
ADRENAUNA Wisin Feat. Jennifer Lopez & Rkky Martin 21SONY MUSK LATIN
COMO YO LE DOY Pitbull Feat. Don Miguelo 9FAMOUS ARTIST/MR. 30S
VIVIR MI VIDA Marc Anthony 65SONY MUSK LATIN
ESA NO SOY YO ChiquisSWEET SOUND
VIDLISILIONSTIEFORDWA) %MEHL Fre9WWWW 219EPK/SONY MUSK (ATM
7 HIPS DON'T LIE Shakira Feat. Wyclef bean 237EPIC
9 0 EL PERDEDOR Enrique Wesias Feat Marco Antonio Saks 35UNIVERSAL v uSIC lAII NO LHALE
000ODIO Romeo Santos Feat. Drake 24SONY MUSK LATIN
PROPUESTA INDECENTE Romeo Santos 50SONY HUSK LATIN
12 0UNIVERSAL MUSIC
Feat. Romeo Santos 47
PASSION WHINE Farruko Feat. Sean Paul 1414 CARGON LIBER/SIENTE/UNIVERSAL MUSIC LAYNIONML6
15 DARTE UN BESO Prince Royce nSAY MUSK LATIN
1111IM NatoRatGerledamadlosCallatsMAC
QUIEN SE ANIMABAD SIN/DEL/SONY MUSK LATIN
Gerardo Ortiz 12
HEROE Enrique Iglesias 237I.RSCOPE/UNIVERSAI. MUSIC LATINO/UMLE
LIMBOEL CARTEL/CAPITOL LATINA*.
Daddy Yankee 93
CREO EN MI Natalia Jimenez 2SONY MUSK LATIN
MOMENDOCADERAS Yandel Feat. Daddy Yankee 24SONY MUSK LATIN
I KNOW YOU WANT ME (CALLE OCHO) Pitbull 183ULTRA
CANCIONCITAS DE AMOR Romeo Santos 22Sow MUSIC TA.
TENERTE Luis Coronet 3EMPIRE PROAKT IONS/DEL
ROCKTM
LAST
WEEKTITLEIMPRINT/LABEL
Artist
nCOME WITH ME NOWTOKO10511E /L RIC
HABITS (STAY HIGH)ISLAND
RIPTIDELIBERATION/ESTOP/ATLANTIC/AG
YKS ONCHART
KONGOS 22
Tove Lo
Vance Joy 9
A SKY FULL OF STARS Coldplay lIPARLOPHONEATLANTICAG
AIN'T IT FUNFUELED BY RAMEN/AG
Paramore 23
6 POMPEIIVIRGIN/CAPHOL
Bastille 55
8 B EST DAY OF MY LIFE American Authors 41DIRTY CANVAS/ISLAND
15
TENNIS COURTLAVA/REPUBUC
STOLEN DANCELINIMENT/REPUBLIC
Lorde 41
Milky Chance 5
ON TOP OF THE WORLD Imagine Dragons 24KIDINAKORNERANTERSCOPE/IGA
I WON'T GIVE UPATIANTKAG
Jason Mraz 127
RADIOACTIVE Imagine Dragons 104KIDINAKORNERANTERSCOPEAGA
PEACE O.A.R. 14VANGUARD/WELK
ROYALSLAVA/REPUBLIC
Lorde
TAKE ME TO CHURCH Hozier IDRAP/WORKS/COLUMBA
I WANNA GET BETTER Bleachers 14RCA
DEMONSKIDINAKORNERANTERSCOPEAGA
Imagine Dragons 85
17 LET HER GOMACK CROW/NETTWFRII
Passenger s9
18 TEAMLAVA/REPUBLK
Wile 45
I'M, MRS Jason Mraz 161
SAILRED BULL
B ORN FREETOP DOGMTLANTK/AG
AWOLNATION 172
Kid Rock
DO I MANNA KNOW? Arctic Monkeys 45DOMINO
DANGEROUSra Bata Feat. Joywave 8
JUNGLE Jamie N Commons & X Ambassadors ILA,uomucoRmRnmnascoffik.A
DANCE/ELECTRONICTmusr Res TITLE
IMPRINT/LABEL
3
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:u61
Artist
LATCH Disclosure Feat. Sam Smith 45METHOO/PMR/CHERRYTREE/INTERSCOPEAGA
BREAK FREE Ariana Grande Feat. Zedd 3
SUMMER Calvin Harris 18ToN/FLY EYE/ULTRA/ROC NATIONKOLUMBA
RATHER BE Clean Bandit Feat. Jess Glynne 19L WAG
TURN DOWN FOR WHAT DJ Snake & Ul Jon 31COLUMBIA
WASTED Tiesto Feat. Matthew Koma 13MUSICA FUTURA/PMAWCASAMANCA/REPUBLK
O 0O 0
A SKY FULL OF STARS Coldplay 3PARLOPHONE/ATLANTIC/AG
HIDEAWAYLOKAL lEGENDNITH 8 BROADWAY/ISLAND
Kiesza 7
0NEW 0
WAKE ME UP! Avicii 56PRMD/tSIAND
WAVESLEFT LAME/ULTRA/RCA
Mr. Probz
TEN FEET TALL Afrojack Feat. Wrabel 16WALL/PM AM/DEF MIA
O r
DARE (LA LA LA)RCA
Shakira 13
O 0 DRIMIRSOIONEIFSS) Stew Aoki. Cris Lake Afujamo Feat. ICO Ink 3DIM STAK/UCIRA
13
15
00
01110166 MEOW icsan MA Sara FeaL lbe Woolf IslaR 24WATERTCAVER
ANIMALS Martin Garrix 54SCH001.BOWSPINNIN7SILENT/CASABUNCA/REPUBLIC
14 16 HEY BROTHER Avicii 44PRAIDASUND
16 SUMMERTIME SADNESS Lana Del Rey & Cedric Gervais 51POINDORANTERSCOPEAGA
O isTITANIUM David Guetta Feat. Sia iTsWHAT A MUSIC/PARLOONONE/WARNER BROS.
0 BAD David Guetta & Showtek Feat. Vassy 14WHAT A MUSK/TACK BACK/PARLOPHONUWARNER
gellk SHATTER ME Lindsey Stirling Feat Lz2y Hale 9LINDSEYSTOMP
21 JEALOUS (I AIN'T WITH IT) Chromeo 12BEG BEAT/ATLANTIC/AG
21 11., RED LIGHTSMUSICAL FREEDOWPMAWCASABLAACA/REPOBLIC
Mello 25
12 23 LOVERS ON THE SUN David Guetta Feat. Sam Marlin 3WHAT A MUSIC/PAR1.0.0./AG
19 24 SSELFIE The Chainsmokers 23OIM MAK/REPUBt IC
23 25 GET LUCKY Daft Punk Feat Pharrell Williams 66DAFT LIE E/COWNIBIA
R&B/HIP-HOPTM
WEEK
EMS
WEEKTITLE...RIMY/LABEL
Artist WKS ON
CHART
FANCY Iy Azalea euat. Char II XC X 20
WIGGLE Jason Derulo Feat. Snoop DoggBELUGA HEIGHTS/WARNER BROS.
BLACK WIDOW Iny Azalea Feat. Rita OraTURN CIRST/HSTLE GA. G/M LAM
ALL OF MEG0.0.0./(01.1.11ABIA
HAPPYBACK LOT/COLUMBIA
John Legend
Pharrell Williams
0 TO 100 / THE CATCH UP DrakeYOUNG MONEWCASH MONEY/REPUBLIC
COME GET IT BAE Pharrell WilliamsI AM OTHER/COLUMBIA
WE DEM BOYZ Wiz KhalifaROSTRUM/ATLANTIC/AG
DON'T TELL 'EMSTICK SCHATZ/DEC MIA
Jeremih Feat. YG
B ELIEVE ME Lil Wayne Feat. DrakeYOUNG MONEVCASH MONEY/REPUBLIC
UNEIVRIFHT506000 liduelladoonlJustilliniterlakeM11/ERIC
YOUNG MONEY/CANT MONEY/REPUBLICNicki Minaj8 PILLS N POTIONS
13
6
49
33
15
16
6
8
12
9
13 2 ONRCA
Tinashe Feat. ScHoolboy 16
14 TALK DIRTY Jason Derulo Feat. 2 ChainzBELUGA HEIGHTS/WARNER BROS.
29
12 sLOYAL Chris Brown Feat LII Wayne & TygaRCA
27
15 STUDIO ScHoolboy Q Feat. Bilge Chicago KidTOP DAVVGANTERSCOPEAGA
N A NA Trey SongzSONGBOOK/ATIANTK/AG
NO MEDIOCRE T.I. Feat. Iggy AzaleaGRAND HUSTLE/COLUMBIA
WORK Iggy AzaleaTURN 'MST/HUSTLE GANG/DEr MR
OR NAH Ty Dada Sign Feat. Wiz xhalifa &DJ MustardAT LANTICAG
11
26
5
15
20
SEIV 0O 0O 21
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KK Wiz Khalifa Feauring Project Pat & Juicy 1ROSTRUM/ATLANTIC/AG
1AUTPChildish Gambino 15
MAIN CHICK Kid Ink Feat. Chris BrownTHA ALUMNI GROUP/B8 CLASSIC/RCA
15
FIGHT NIGHTQUALITY CONTROL
Migos 6
YOU & I (NOBODY IN THE WORLD) John LegendGA10.0./COUIMILIA
s
COMEDYTmLAST THIS TITLE
WEEK WEEK IMPRINT/LABEL.
NEW 0NEW 0NEW 0NEW 0NEW 0NEW 0
00
NE LY
11
R 03 t3
Artist w.5 TIN
WORD CRIMES Weird Al YankovicWAY MORIOKA
TACKYWAY 110BY/RGT.
Weird Al Yankovic
FOILWAY MOBY/RCA
Weird Al Yankovic
N OW MAT'S WHAT I CAU. POLKA! Weird Al Tato*WAY MOBY/RCA
HANDYWAY MO6WRCA
weird Al Yankovic
ARTISTS YS TIMMS Epk Rap Battles Of HistoryMAKER STUDIOS
WHITE & NERDY Weird Al YankovicWAY MOBY/VOLCANO/LEGACY
tornorLA,ItovelaL, Aga, Al Yankovic
AFTER EVER AFTER 2 Jon Cozart'ON (:WART
217
94
4
INACTIVEWAY MOBY/RCA
Weird Al Yankovic
DIGGY DIGGY HOLE The Yogscast,ST STUDIOS 2
PARTY IN THE CIA Weird Al Yankovic 10
AFTER EVER AFTER Jon CozartJON (WART
71
EAF. ITL Mitt Yankovic 53
DON'T MINE AT NIGHT Brad KnauberBEEMPV0X
IR'Nutlil A BOAT The lonely Island Feat. T -Pa in
YODA Weird Al YankovicWAY MOBWVOLCANO/LEGACY/SONV MUSK
THE SAGA BEGINS Weird Al YankovicWAY MOBT/VOLCANO/TEGACY/SONY MUSK
MY OCDOF IBA
Rhett And Link
/MINER ONE RIDES THE BUS Weird Al YankovicT.K./LEGACY/SONY v
SR PAC NEWTON VS BILL NYE Epic Rap Battles Of HistoryMAKER STUOIOS
I JUST HAD SEX The Lonely Island Feat AkonREPUBLK
PERFORM THIS WAY Weird Al YankovicWAY MOBY/VOLCANO/AG
IMIGEWASHINTONISIMUNIIMUM EMIMMIsNINIMMARL R SKIMS
SPORTS SONG Weird Al YankovicWAY MOBY/RCA
84
235
16
32
5
6
188
8
3 C
1
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80 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 08.02.2014
HEATSEEKERS ALBUMST'THIS ARTIST Title
WEEK IMPRINT/DISTRIBUTING LABEL
0 An AUDRA MCDONALD Lady DayN Emerson's Bar&Gal lOriOal Broalveyrzt Rearing),- PS CLASSIC,
2005.LASTAGO WEEK
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0 BETRAYING THE MARTYRS Phantom 2 i
0 VANNAPURE WISE'
Void 3 4
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ANTHEM/ZOF/ROUNDERS COSCORDGhosts 4 1
NEW0RAFFI
ROUNDER;COVORDLove Bug 5 I
11 Q 0 MILKY CHANCELKNIDICHT/REPUBI IC
Stolen Dance (EP) 5 9
6 16 0 HOZIERRUBYISORNSJEOL WARM
Take Me To Church (EP) 1 19
9 8 WANNERIs I T HTalking Dreams 3
0 0 Pa THE CLARKSCIARKSHOUSE
Feathers & Bones 9 2
NEWQMAJID JORDAN
ovo SOIAD,NARAFR RR.A Place Like This (EP) 10 1
NEw0REIGNING SOUND
MERGE
Shattered 11 1
NEW0LW KEKE
SEVEN 13 SY...USEMoney Don't Sleep 12 1
14 24 0 TOVE LOISLAND
Truth Serum (EP) 13 20
IS 14 KIESZALOKAL LEGEND/4TH & BROADWAY/KUNO
Hideaway (EP) 14 2
0 us is'c'itTmIT.FA,I,<A,ABLA.A,, icGold Skies EP 6 2
0 Q 7TH HEAVENNW
Spectrum 16 2
4 8 17 PHOXPARTISAN/ KNIT TING FACTORY
PHOX 1 4
NEwQRICKY KEJ/WOUTER KELLERMAN
LISTEN 1 ALR,EAWinds Of Samsara 18 1
17 35 0 GHOST TOWNFUELED BY RAMELVAG
After Party 1 5
NEw0LITTLE DAYLIGHT
CAPITOL
Hello Memory 20 1
NEw0FRED HERSCH TRIO
PAINE HoFloating 21 1
NEw0JAY BRANNAN
JAY BRANNANAlways Then Now 22 1
24 0 CLEAN BANDITBIG BE ATIAG
New Eyes 4 5
al 30 0 HOZIERRUBYDORKs. (Won,
From Eden EP 7 11
16 28 0 DAVE ALVIN & PHIL ALVINVP ROE
Common Ground 3 7
HEATSEEKERS SONGST'
00000000000000
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TITLE0.1PRINT, PROMOTION LABEL
Artist
ALL ABOUT THAT BASS Meghan Trainor 2EPIC
LEAVE THE NIGHT ON Sam HuntAKA NASHVILLE
I'M READYAJR/wARNER BROS.
RIPTIDEEWER/010N/,STOP/ATLANTIC
V.3005GLASSNOTE
COOL KIDSWARNER BROS.
READY SET ROLLDER JAKIELS/COLUMBIA NASHVILLE
AIR
Vance Joy
Childish Gambino
Echosmith
Chase Rice
ROPE YOU GET LONELY TONIGHT Cole SwindellWARNER BROS. NASHIALEE/wMN
IIFESTYIEYOU. MONEY/CRAltlftRUEL KThug & ii"eQuan
FIGHT NIGHTQUALITY CONTROL
Migos
5
8
8
19
4
12
9
3
5
HIDEAWAY KieszaLORAL LEGENDATH B BROADWAY/ISLAND/REPUBLIC
SUNSHINE & WHISKEY Frankie BallardWARNER BROSAVAR
STOLEN DANCELKUTO1047/REPUBt IC
Milky Chance
3
6
2
I WILL NEVER LET YOU DOWN Rita OraROC NATION/COL...
LATER ONARISTA NASHVILLE
WAVESLEFT LANE/ULTRA/RCA
The Swon Brothers
Mr. Probz
3
6
7
010NEW 0
Try
CDOCEANS (WHERE FEET MAY FAIL) Hillsong UNITED1111.I.S01.4.sPARROW,CAPi ICH. (MC
0.0
I WANNA GET BETTER Bleachers 5
NO FLEX ZONE!!EARORov,INIERS(OPE
Rae Sremmurd
31
2AM.Adrian Marcel Feat. Sage The GeminiL7/REPUBLIC
4
21 FEVERNONESUCTIDNARNER BROS
The Black Keys 17
0 0NEW 0
20 24
24 HOURSEPIC
TeeFlii Feat. 2 Chainz
ARTISTIMPRINT/DISTRIBUTING LABEL
Title PEAK
26 GIcIiiLtAtii,Before The Waves 3 2
15 25 27 ,1411,,$?, No Label II 4 7
Jry 0 0 FLUMEFUTURE CLASSIC/MOM POP
Flume 20 13
NEW 0 VOICESROYAL MOUSE
The Magic Of Voices: A Capella Dreams 29 1
NEW 0 FINKRCMP DAIWA TUNE
Hard Believer 30 I
13 0 31 VANCE JOYl'ElE RATIO, STOP/ARAN I iC/AE,
God Loves You When You're Dancing (EP) 13 8
REENTRY 0 AJRAIR/WARNER BROS.
I'm Ready (EP) 32 2
NEW 0 DRIVER FRIENDLYHOPELESS
Unimagined Bridges 33 1
NEw 0 AUSTIN JONESAUSTIN ,oti(s
We'll Fall Together lb -sides) (EP) 34 1
0 35 AARON WEST AND THE ROARING TWENTIES We Don't Have Each OtherILOPFIFS,
1 2
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Passerby 36 1
Ok 0 37 GLASS ANIMALSWOLF TOSE /HAWES'
Zaba 17 5
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?iiici,1EiTo4L T Omnipresent 10 2
0 ABOUT A MILEWORD CURB/WARNER CURB
About A Mile 39 1
NEW 0 NOVEMBER DOOM1HE RFC INNINGMEDIA,. FAO
Bled White 40 1
REENTRY (D THE DEAD RABBITTSTRAGIC HERO
Shapeshifter I 2
42 BRAID No Coast 4 2
NEW (D SLOW CLUBIN 'CHITA
Complete Surrender 43 i
REENTRY 0 LUCIUSmou POP
Wildewoman 5 26
REENTRY (D STURGILL SIMPSONNIGH TOP MOD/emu/DKR, v KERS
High Top Mountain 17 6
0 46 IirRliFUiEunicNNEWGOREORDER 5 2
0 Q ICE NINE KILLSOUTERLOOP
The Predator Becomes The Prey 3 5
REENTRY 0 THIS WILD LIFEEPITAPH
Clouded 1 7
NEw 0 FEED MESOTTO VOCE
Feed Me's Psychedelic Journey (EP) 49 1
0 50 '68GOOD FIG.EONE
In Humor And Sadness 2 2
REGIONAL HEATSEEKERS #1 ALBUMST"
PACIFICSTOLEN DANCE (EP)MILKY CHANCE
MOUNTAINPHANTOM
BETRAYING THE MARTYRS
MAW) IORD,
Duo Majid Jordan,which was featured onDrake's No. 1 Hot R&B/Hip-Hop Songs hit "Hold On,We're Going Home," hasstruck out on its own withdebut EPA Place Like This.Released on Drake's OVOSound imprint throughWarner Bros., the set arrivesat No. 10 on Heatseekers
2 Albums and No. 19 onR&B Albums, selling 1,000copies in the week endingJuly 20, according toNielsen SoundScan.
-Keith Caulfield
DflIM016(801111ESS) %eat Oris tale &TujamoNald Mc0, Ft AN,LITRA
KEEP THEM KISSES COMIN' Craig CampbellBIGGER PIE FORE
18
22 2 5 I KNOW Yo Gotti Feat. Rich Homie QuanCOUPLE MUZIN/FRIC
12
WEST NORTH CENTRALZABAGLASS ANIMALS
EAST NORTH CENTRALZABA
GLASS ANIMALS
SOUTH CENTRAL
LIL' KEKE MONEY DON'T SLEEP
BETRAYING THE MARTYRS PHANTOM
DRIVER FRIENDLY UNIMAGINED BRIDGES
DAVID DUNN CRYSTAL CLEAR (EP)
ECHOSMITH TALKING DREAMS
BIG WRECK GHOSTS
HOZIER TAKE ME TO CHURCH (EP)
LIKE THIS (EP)
MILKY CHANCE STOLEN DANCE (EP)
LOSIGUALADOS NI ME ENMIORO,MTEENAMORAS
NORTHEASTVOID
VANNA
SOUTH ATLANTICPHANTOM
BETRAYING THE MARTYRS
MIDDLE ATLANTIC
THE CLARKS FEATHERS & BONES
VANNA VOID
AUDRA MCDONALD LADY DAY AT EWRSOWS BA286111.
REIGNING SOUND SHATTERED
utairstoarnaisntems 1100111ROTECHOTO
GHOST TOWN AFTER PARTY
BETRAYING THE MARTYRS PHANTOM
HOZIER TAKE ME TO CHURCH (EP)
ICE NINE KILLS DE PREDATOR 13ECOLIFS THE PREY
Data for week of 08.02.2014 Go to BILLBOARD.COM/BIZ for complete chart data 81
HOT COUNTRY SONGSTM
TITLE CERTIFICATIONPRODUCER (SONGWRITER)
DIRTIC.TOMPIONS.R.CL AMON)
ArtistIMPRINT/PROMOTION LABEL
Floricia,,,Georgia
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0 AMERICAN KIDS Kenny ChesneyBCANNON.K.CHE SKY (R.CLAWSON.SMCANALLKLAAIRD) Btu( CHAIR/COLUMBIA NASHVIT lE
2 5
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0BARTENDER Lady Antebellum11.04APMANIADY ANTEBELLUM (C.KELLEXDPAIMOODHSCOTT.R.CIAWSON) CAPITOL NASHVILLE 4 9
0I DON'T DANCE Lee BriceLARK( 0..BRICF.R.HATCH.0.0AvIDSONI ante 5 21
6 BEACHIN' A Jake Owen1.401oioNNSTON.LIA.NITE.I.NOBBINS) RCA NASHVILLE
I 26
0 YEAH Joe NicholsTBROWN.M.LCONES (EISIMPSON.A.GOREEW RED BOW
7 23
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Georgia Line Featuring Luke il, 1 34
I, E 0 WHO I AM WITH YOU CharciAl2r1ISTROUD(TAGREEN.T.SELL ERSP.IENKII6) 8 26
6 10 to SOMETHIN' BAD Miranda Lambert Duet With Carrie UnderwoodF LONNI,CHNLAVAIROM N. DESTUARDBM TT LAVESPRISCILLA R(NIA) TWARISTA NASHMUI/Ra MAUNA LE
1 9
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9 17 0LCROWELL.S.MCANALLY ISMUNKSAICANALLY.LOSSORNE)
Sam Hunt ,IMI LEAVE THE NIGHT ONLICA NASHVILLE
12c5
3 13 RIVER BANK Brad PaisleyB.PAISLEY.K.MARCYLWOOTEN W.PAISLEY.K.LOVEUCE) ARISTA NASHVILLE 16
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16
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16 ilD WE ARE TONIGHT Billy CurringtonD.HUFF OLEMESONAOSBORNE.SHUNT) NERCO. 13 29
1 0 WHERE IT'S AT (YEP, YEP)MACONES (C.R.BARLOWUCROWELLICIENKiNS)
Dustin LynchBROKEN BOW - 15
16 PAY EYES Blake Shelton Featuring Gwen SebastianSHENDRICKS (1.0SETOMEALIAmESA.DOW I ) WARNER BROSIWN
4 16
I, 0 READY SET ROLL Chase RiceE. DESTEFANO (C. DESTEFANMAMINS.C.RICO DACK MNIELS/COLUMBIA NASHVILLE
.7 33
21 0 HOPE YOU GET LONELY TONIGHT Cole Swindell.CARTER (C.SWINDELL.M.CAR1ER.T.HUBBARD.B.KELLEY) WARNER BROS./V.
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6' 0 MEM ROLLER COASTER le Bryan 19LSTEVENS (C.SWINDELL.M.CAINER)
21) 20 SONG ABOUT A GIRL Eric PaslayIIALTIAAN (E.PASLAY,I.AL .ANDER.G.SAMPSONT EMI NASHVNLE
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i R-22 0 SMALL TOWN TIIROWDOWN Brantley ['Ebert Featuringlustin Moore& Thomas Rhett
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12
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0 DAY DRINKINGLiClip!r!iffalfiCivrEMOM DC.FAIRCHILD.LIVESTBROOK.P.SWEET.TMERGES.B.DEAN) 22 7
19 CI) COLD ONE Eric Church25L., c NuRCH.EHYDE.L.HUITM) EMI NASTIvilt E
28CI, LATER ON The Swon Brothers26.i. NvOCJ.WILSON) ARISTA NASHVIELE 19
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28
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13
34 0 FEELIN' IT Scotty McCreary31F.ROGERS(E.ROGERS.M.WLSO IWINIERSCOPE/MEREURT
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38 0 RUM Brothers Osborne34B HILLBROTHERS OSBORNE O. OSBORNE.T.I. OSBORNE...X.0 EMI NASHVILL 8
1 37 0 DIRT ROAD KipB.MMESM.MOORC.D.COUCH.W.DAYIST VfNttf,e, 5 13
35
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Keith Urban37IT RED/CAPITOL NASHVILLE 2
3,, 38 KISS YOU TONIGHT NailLiF2vNiPs.L
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36 40 I WISH I COULD BREAK YOUR HEART Cassadee PopeD.HUFF 1G.SALIPSONAMONROCATLEON REPORT IC NASHVILLE/BIG MACHINE 35 12
31 33 41 CLOCKWORK Easton Corbin31C.CHAMBERLAIN M.CHAMTARTAIN.WAIR.A.CARLEYT MERCURY
18
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46 46 J 0 NIGHT THAT YOU'LL NEVER FORGET1.110(D.DAVIDSON.A.GORLET)
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7 4 0 LIKE A COWBOYD.GEORBEIR.HOUSER.ELLOK1
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50 0 47LOVE Jana KramerSHENDRICKS (C.GRAVTTT.I.ROBBINS) !AKIRA NASHvBEE/wAR 37 8
0 0 TATTOOD.HUFFILKAYESKITAYES.T.VERGESB.DEANI
Hunter Hayes48ATLANTIC/VERN
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4 49 0 GOD WADE GIRLS341.401(RAILTNN.N.GALYONA.MCKENNA.L.ROSE)
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GlorianaEMBEEM/WARYER BROS/wAR 5
TOP COUNTRY ALBUMSTmLAST ni's ARTIST CERTIFICATION TitleWfFK WEEK IMPRINT/DISTRIBUTING LABEL
0 GG MA1(1511E0011/. &Bed OnATrue SIM.. 69WARNER BROS/NIA
2 MIRANDA LAMBERT Platinum 7RCA NASHVILLE/SMN
BRANTLEY GILBERT Just As I Am 9VALORT/BMIL
LUKE BRYAN A Crash My Party soUPHOL NASHVILLE/WAGN
O 5
FLORIDA GEORGIA UNE A Here's To the Good TimesREPUBLIC HASRviLLE/BiALG
85
YAWNS ARISES NOW That's What !Call Country: Volume 7 7UNIVERSAL/SONY MUSIC/CAME
COLT FORD Thanks For Listening 3AVER. TOES
ERIC CHURCH The Outsiders 23EMI NASHVILLE/WAGN
BIG SMOBIG SMO/FLEKTRA NASHVILLE/MN
Kuntry Livin' 7
O0O to DIERKS BENTLEY Riser 21
CAPITOt NASHVILLE/OHM
JAKE OWEN Days Of Gold 33RCA NASHVILLE/MA
12 OLD CROW MEDICINE SHOW Remedy 3ATO
13 RASCAL FLATTS Rewind toBIG u4CHIRE/83316
COLE SWINDELL Cole Swindell 22WARNER BROSIVIMN
13 IS WILLIE NELSON Band Of Brothers 5LEGACY
HUNTER HAYES Storyline 1116 ATLANTIC/VAIN
28
19
00 PS
0S1S6111911PSON IletakeriketIsloOxilffNek 10HIGH TOP MOUNTAIN/THIRTY TIGERS
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19 KACEY MUSGRAVES Same Trailer Different Park 70PAERCURY/UIA.
20
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O 23
GEORGE STRAIT Love Is Everything 62....VILLE/W.16N
KEITH URBAN Fuse 45NIT RED/CAPITOL NASHVILLE/U.4N
CHRIS YOUNG A.M. 44R. NASHVILLE/SRN
THE BAND PERRY Pioneer 68REPUBLIC NASHVILIE/MEG
RE 0 WESTAILERBROTHEPS Bert From The Farewell (oxen 13GAITHER/CAPITOt CMG
DAN + SHAY where It All Began 16WARNER BROS/WW1
2 26 CHASE RICE Ready Set Roll (EP) 39DACK MNIELS
27 JUSTIN MOORE Off The Beaten Path 44VALORY/BMIG
C LADY ANTEBELLUM* Golden 63CAPITOL NASTIVILLUIDAGN
29 LUCY HALE Road Between 7MG NASHVILLUBIGGER PICTURE/HOLLYWOOD
30 TYLER FARR Redneck Crazy 42COLUMBIA NASEEVILLE/SIAN
31THOMAS RHETT It Goes Like This 38VALORWBIALG
O 0 FRANKIE BALLARD Sunshine & Whiskey 15WARNER BROS/WAIN
33 DARIUS RUCKER True Believers 6dCAPITOL NASTIVILLEJWAG/4
0 JENNIFER NETTLES That Girl 27wulcuRvumBN
35
O "O 57
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JOHNNY CASH Out Among The Stars 17COLUIABIA/LEGACe
JOE NICHOLSRED BOW/BBMG
Crickets 23
BIAOMERRYSMOKE leayeAScatliveNorthCarolina 23 LEGG/ El RECORDS
SCOTTY MCCREERY See You Tonight 4019/INTERSCOPE/MERCURWUMGN
39 VARIOUS ARTISTS Mud Digger: Volume 5 c,AVERAGE TOES
O 0 VARIOUS ARTISTS NOW That's What I Call A Ccuntry Party 33UNIVERSAUSONY MUSICNME
41 JERROD NIEMANN High Noon 17SEA GAYLE/ARISTA NASHVILLE/SMN
42
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ZAC BROWN RAND The Grohl Sessions: vol. I (EP) 18SOUTHERN GROUND
JON PARDI Write You A Song 17CAPITOL NASHVIELE/WAGN
ELI YOUNG BAND 10,000 Towns 20REPUBLIC NASRvillIJEWG
DOLLY PARTON Blue Smoke toDOILY/SONY MASTERWORKS
CD
!AJIDEIcTIR,AZILIctr,n8ns: 17 Timeless Songs Of Faith 3
LUKE BRYAN Spring Break... Here To Party 61CAPITOL HASHVILLFAILIGN
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VADOUSARTISTS NOW That's What I Call Country Volume 6 50UNIVERSAL/SONYEAUSICATME
RANDY HOUSER How Country Feels 64STONEY CREEK/KING
SO TIM MCGRAW Two Lanes Of Freedom 67BIG MACHINE/BIAIG
Blake'sBig ReturnEnding the longest gapbetween stands at No. 1for a title on BillboardsTop Country Albums chart,Blake Shelton's Based on
a True Story ... surges 12-1to spend a sixth cumulativeweek at the summit. Ithadn't ranked at No. 1 sinceJune 22, 2013. Shelton's13 -month, two-week spanbetween No.1 ranks withthe same set surpassesWaylon Jennings' six-month, three-week hiatuswith his Greatest Hits in1979-80.
Shelton's set also makesthe biggest leap for an
album returning to No. 1in the 23 -year -old NielsenSoundScan era, toppingDixie Chicks' Taking theLong Way, which flew 11-1on the March 7, 2007 list.
Shelton's vault is duelargely to a $5.99 salepricing on iTunes duringthe tracking week endingJuly 20. The album sold22,000, according toSoundScan (up 386percent), with downloadsales accounting for88 percent of the sum.Shelton's popular Twitterand Facebook accountstouted the sale pricing,no doubt driving traffic toiTunes.
Shelton's well -attendedTen Times Crazier Tourcontinues to roll on as well.It boasted a 40,000 -strong,sellout crowd at Chicago'sWrigley Field on July 19.
Meanwhile, on HotCountry Songs, FloridaGeorgia Line's "Dirt" logsa second week at No.1, as
rookie duo Meddle & Taesnares the Hot Shot Debutat No. 39 with "Girl in aCountry Song." The lattertitle is the first charted songon the latest incarnationof the legendary Dotimprint, which was recentlyrelaunched by the BigMachine Label Group.
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10 1
HOT ROCK SONGSTMEAST
WEEK
2
4
TITLE CERTIFICATIONPRODUCER (SONGWRITER/
AIN'T IT FUN ATAIELDAL 1011/1SEN.T.YORK (IEWILLIANISZNORIO
COME WITH ME NOWVANS (1.I.KONGOSI
ArtistIMPRINT/PROMOTION LABEL
ParamoreFUELED BY RAMENiRRP
KONGOSTOKOLOSHE/E PIC
26
25
POMPEII AL.. RI W.D.SIZITHID.S1.11110
BastilleVIRGIN/CAPITOL
62
BEST DAY OF MY LIFE A American AuthorsCYAN NI/ELIELOCONANSACEVISZ RPT,(ANNASISLANEMPLIELK
IMFA SKY FULL OF STARS ColdplayEARMARUMIDU
7 8 7
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HABITS (STAY HIGH) Tove LoIHL SIRUIS,HIPPIE SABOIA, I L0.1, SIROM.LSOOERBERG.ASALMER.K.SAUREM ISIANO(REPUBLIC
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BleachersRcA 10 19
10 STOLEN DANCE Milky Chance
P.OAUSCII IC REHBENO lICHTDICIIVREPUBLIC,,- 7
12 12 FEVER The Black KeysDANCE MOUSEEHE BLACK KEYSID.AUERBACII.P.CARNEY.BOURTON) NONESUCH/WARNER BROS.
12 17
2? !4 13 PEACE O.A.R.GNATTENBERG INEROBERGE.N.CHAPMAN.B.DAVN VANGUARD
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15 0 DANGEROUSBIG DATA IA Wil KISAARLIBRUSTFRI ( Rt%Du
DatafeaturingtssETEsarag. 15 10
17 0 WHY'D YOU ONLY CALL ME WHEN YOU'RE HIGH? Arctic MonkeysLEOROR ORION IA TURN( R1 DOMINWADA 16 27
HOTSHOT JUST ONE OF THE GUYSB.NANSEN (ELEM.
Jenny Lewis17
15 16 18 MAGICCM FOJI=a/11YE 3 20
18 19 MY SWEET SUMMER Dirty Heads11,101.LOWELL.DNAR ILWAISON.D.BUSHNELL.R.R.RAIOREZ.NMOLLOWELIONARI FIVE SEVEN
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19 20 20 WORDS AS WEAPONS Seether8.0BRIEN ISMORGAN.SEFINER) THE BICYCLE MUSK COMPANY/CONCORD/0AG
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36eVBELIEVER American Authors
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33 el at I DON'T WANT TO BE HERE ANYMORE Rise Againstlaw B.STEVENSON.I.LIVERMORE (RISE AGAINST.T.MCMPATH) Qp, 21 6
25 21 23 HEAVEN KNOWS The Pretty RecklessIGKMENDWALA IT.MOUSENAPNILLIPSI GOIN DOWN/RAZOR & TIE 17 24
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24 24 JUNGLE Jamie N Commons & X Ambassadors.WOW CO ROOMAMMEO ROSIELISIECISARARISSIMAIEWIEVOCUASS IINJARINIRIRINTROK 10 9
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7,-- 3
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32 30 30 ALL I WANT KodalineSMARMS IS.GARMAMM.PRENDERGRAST.I.FIANSIGAN) SOMME/RCA
23 9
41 35 0 ONE MINUTE MORE Capital CitiesRATERCIUMIESSIMONWI(RAIERCHANI.S.SIMONLANI MARVEL/HOLLYWOOD/LAZY NOOKS/UNTO
31 4
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0 40 0 EVERYBODY WANTS TO RULE THE WORLDP.SHURKINU.STANLEyROREABAIX.HUGHES, I IONS GATE/RE
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0 27 36 BATTLE CRYIMAGINE DRAGONS (IMAGINE DRAGONS) MICT.!&/%1S!XE 24 5
47' 0 0 BALLAST Nothing MoreWHCFIWIN 07MAWKINS.EINOLLELUMA.D.OUVERVOIOIRELY.S.CMCVENVESIRAON FLOE/IMAM
37 4
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34 15
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40 3
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44 46 42 CAR RADIO Twenty One PilotsGMT ELS II LOSE PIO FUELED BY RAWN/RRP 20 15
34 37 43 NOT ABOUT ANGELS 8irdyWAN DEN BOCAERDE.R.CVAMS (EVAN DEN BOGARD° ATLANTIC
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RISE AGAINST The Black MarketINTERSCOPENGA
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MORRISSEY World Peace IS None Of Your NosinessliAlIvISI
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JUDAS PRIESTEPIC
Redeemer Of Souls 2
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Ghost Stories 9
8 LINKIN PARK The Hunting Party 5MACINNE SHOP/WARNER BROS.
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14
RiseAgainstRises ToNo. 1Rise Against scores itssecond No. 1 on Top RockAlbums and fourth top 10on the Billboard 200 (No. 3),as The Black Market openswith 53,000, accordingto Nielsen SoundScan.The title also marks theChicago hardcore punk
SEETHER Isolate And Medicate 3 band's second leader onTHE BICYCLE MUSK COMPANY/CONCORD Hard Rock and Alternative
Wish I Was Here I Albums. It follows thegroup's previous studioalbum, Endgame, whichdebuted and peaked at
t,01,1,53IC MONKEYS AM 45 No. 1 on Top Rock Albumsand No. 2 on the Billboard200 with 85,000 in 2011.The new album's first single,
IS16ISM1515 Wes Rod km14:2014Toolomiaite 6SIDEONEDUMMY
"I Don't Want to Be HereAnymore; ranks at No. 22on Hot Rock Songs andleaps 13-9 as the GreatestGainer on the radio -basedMainstream Rock chart, the
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O 20CROSBY, STILLS, NASH &YOUNG CSNY 1974 (Deluxe) 2(WY RHINO
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Born To Die 129
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Bad Blood 46
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29 MASTODON Once More 'Round The Sun 4RE PRISE:WARNE P BROS
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THE NEIGHBOURHOOD I Love You. 53lalcvoniticouniela
act's third top 10 on the list.With a little help from
her video co-stars AnneHathaway, KristenStewart and Brie Larson.singer -songwriter JennyLewis (also of Rilo Kiley.Jenny and Johnny andThe Postal Service)notches her first solo entryon Hot Rock Songs. TheBeck -produced "Just Oneof the Guys" takes the HotShot Debut at No.17 with85 percent of its chartpoints from streaming.On July 15, GQ Magazinedebuted the track's musicvideo, which features thefamous ladies as membersof Lewis' band (see story,page 46). The song alsodebuts at No. 18 on RockStreaming Songs with1.1 million U.S. streams,93 percent of them fromYouTube plays. "Guys" isthe first single from Lewis'forthcoming album TheVoyager (due July 291.
-Emily White
Data for week of 0 8.0 2.2 014 Go to BILLBOARD.COM/BIZ for complete chart data 83
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HOT R&B/HIP-HOP SONGSTMUSTWEEK El TITLE CERTIFICATION
PRODUCER (SONGWRITER)
ArtistIMPRINT/PROMOTION LABEL
rirm FANCY A Iggy Azalea Featuring Charli XCXn RT.
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20
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7 8 7 TALK DIRTY A Jason Derulo Featuring 2 Chainz.1:1).501,...., Hi.CIPAGULSOOKAAWF.AVJAVAIX.) KW NEWISMAKAR OM 2 33
5 6 8 NA NA Trey !ong:fEV MUSTARD (T.NEVERSONDAKFARLANESKLOOKOM
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AmbrosiusBenefitsFrom`Friends'Marsha Ambrosiusclaims the Hot Shot Debutat No. 2 on Top R&B/Hip -Hop Albums with hersophomore set, Friends& Lovers, moving 17,000units, according to NielsenSoundScan. The Englishsinger -songwriter alsosteps 15-14 on Adult R&Bwith album cut "Run,"scaling to 550 spins at theformat (a 6 percent rise),according to Nielsen BDS.Ambrosius last landed onTop R&B/Hip-Hop Albumsin 2011 with her debutset, Late Nights & EarlyMornings, which entered atNo.1 with 96,000.
On Hot R&B Songs,Jeremih's "Don't Tell 'Em" aj)(featuring YG) hops 12-8 to 15lock in his first top 10 sincethe October 2012 inceptionof the chart. The trackcollects Greatest Gainerhonors on the Rhythmicchart, where it climbs 15-10,rising 23 percent (to 2,385plays) and granting thesinger his fourth top 10.On R&B/Hip-Hop DigitalSongs, it skips 11-9, sellingnearly 35,000 downloadsits best sales week yet.
Win Khalifa steps 11-10on Hot R&B/Hip-HopSongs with "We DemBon," earning the rapperhis sixth top 10 on the list.The song enjoys its greatestsales week, selling 37,000downloads (a 66 percentincrease), soaring 18-8to its best peak in its 16weeks on R&B/Hip-HopDigital Songs and markinghis 12th top 10. "DemBoyz" recorded 2.4 milliondomestic streams (a3 percent rise), withYouTube views prompting63 percent of overall clicks.
-Amaya Mendizabal
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Iggy's`Widow'Moves ToTop FiveIggy Azalea continuesher chart domination as
'Black Widow," featuringRita Ora, hops 8-5 on HotRap Songs, landing therapper her second top fiveeffort. The song shifted59,000 downloads in theweek ending July 20 (up42 percent), according toNielsen SoundScan - itshighest sales week to date.On Rap Airplay, Azaleascores her second top 10due to her feature on
'No Mediocre," as it ascends12-8 with a 22 percent rise(to 18.4 million audienceimpressions), accordingto Nielsen BDS. The jumpgives T.I. his 23rd top 10,the sixth -most No. ls inthe history of the chart.(Lil Wayne leads with 40.)
Elsewhere, Drake arriveson Hot R&B/Hip-HopSongs with to 100/The Catch Up' openingat No. 33. The Hot ShotDebut moved 39,000downloads in its firstweek of availability. Thetrack becomes Drake's20th title to enter Hot RapSongs in the top 20. Hishighest-ranking arrival onthe chart was seven weeksago as a featured artist on
Lil Wayne's 'Believe Me,'which debuted at No. 3.(The song currently retainsthat position.)
Lastly, DJ -producerSteve Aoki makes hisfirst appearance on HotRap Songs, along withChris Lake & Tujamo,as 'Delirious (Boneless),"featuring Kid Ink, arrives atNo. 25. Originally a mostlyinstrumental dance track(titled "Boneless"). thenew version tapped theLos Angeles rapper for a
vocal revamping. The tracksold 12,000 downloads(a 67 percent climb),catapulting 31-20 on RapDigital Songs.
-Amaya Mendizabal
Data for week of 08.02.2014 Go to BILLBOARD.COM/BIZ for complete chart data 85
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TE TOCO PERDER Remmy ValenzuelaTONS REKORDMONOMA/ULILE
PASSION WHINE Farruko Feat. Sean PaulCARBON EWER/WENN
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25 SIGUE La Poderosa Banda San JuanHR./DU/ME 6
Royce's`Mismo'No.1Shooting 6-1 on TropicalAirplay, Prince Royce's"Soy el Mismo" grants the25 -year-old bachata singerhis ninth No. Ion the chart.The song grows by 44percent in plays, accordingto Nielsen BDS. earningGreatest Gainer honors. OnHot Latin Songs, it reachesa new peak, jumping 26-17.Its digital sales soar by195 percent, accordingto Nielsen SounclScan,due, in part, to Royce'sperformance on PremiosJuventud, a fan -voted awardshow broadcast July 17 on
Univision.
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group from Sinaloa, Mexico,scores its highest -chartingalbum with the entrance.having previously peakedas high as No. 20 withSeremos Eternos ... Pero
por Ahora Somos los QueEstamos in 2011. On HotLatin Songs, "El de losLentes Carrera" (availableas a bonus track on the newset) bullets at its No. 12highpoint, up by 19 percentin digital sales.
Romeo Santos "EresMia" grasps a new peakon Hot Latin Songs (4-21.The release of its videoon July 16 prompted a 215percent hike in streamingto 710,000 domestic Vevoviews on YouTube in thechart's tracking week. Forthe third week, Santosholds three of the chart'stop five, remaining the onlyartist to achieve the featas a lead performer. VVIeln& Yandel locked up threeof the top five on Jan. 28,2006, although they did iton two titles as lead singersand one as a featured act.
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45 nod (4,000 copies sold,up 121 percent, according
17 to SoundScan), Zion flies8-1 for a third cumulative
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7 Reunion Volume Two did so,
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9
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DisclosureDoubleDipsAfter almost a year on HotDance/Electronic Songs(47 weeks), Disclosure(above) reaches thepinnacle as "Latch:featuring Sam Smith,jumps 2-1 to dethroneCalvin Harris' -SummerDisclosure's lengthy trekto the top surpasses(and nearly doubles) themark previously held byAvicil's "Hey Brother - itneeded 25 weeks to reachNo.1 on the chart, whichlaunched in January 2013.Concurrently, DisclosureJust misses setting thesame record on Dance/Electronic Albums, as
Settle slides into No.1 forthe first time in its 59thweek. That deliberateclimb is second only to ThePostal Service, whoseGive Up did the opposite ofits title and reached No.1after 65 weeks, on July 17,
2004. "Latch' also returnsto No.1 for a second weekon Dance/ElectronicDigital Songs, selling74,000 digital downloads,according to NielsenSoundScan (1.3 million todate).
Daft Punk deftlyreinvents "Derezzed:originally an under -two -
minute track from the 2010Tron: Legacy soundtrack,into its seventh No.1 onDance Club Songs (2-1).Avicii remixed the track on
Tron: Legacy Reconfiguredin 2011 and then tinkeredwith it again for Disney'sDconstructed compilationthis year, adding a vocal byNegin. Listed as -Derezzed(2014): the track was thenpromoted to club DJs withnew mixes by Chris Coo,Dank and others, adding toits resurgence.
-Gordon Murray
Data for week of 08.02.2014 Go to BILLBOARD.COM/BIZ for complete chart data 89
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WANTED ON VOYAGE George EzraCOLUMBIA/SONY MUSIC
CAUSTIC LOVE Paolo NutiniATI ANTIC/WARNER
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MARSHALL ARTS USA
$1,009,214 CHER, CYNDI LAUPER610830/$88.0/ SCOTTRADE CENTER. ST. LOIAS
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13163
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MARSHALL ARTS USA
$1,003,106 DAVE MATTHEWS BAND175340 AARON, AMPHITHEATRE AT LAKEw0005 ATLANTA
MAY 24
18.748
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LIVE NATION
$1,000,814 LADY GAGA, LADY STARLIGHT, HATSUNE MIKUQUICKEN LOANS ARENA. (LEYELAND 12.792
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LIVE ANToNcaoeAL TOURING
$998,608 TAYLOR SWIFT, IAMNEETA(3203035 RINGGITS) STADIUM PUTRA. KUALA LUMPUR, 1.1A.vsla
1226710/971.97 JUNE 11
7.525
SELLOUT
AEG LIVE ASIA/THE
mESSINA GROUP
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CHER, CYNDI LAUPERPEPSI CENTER, DENVER
MAY 28
11.176
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1183.17432.05 MAY SELLOuT
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$969,530(E570..0)1IO2OS/S9L02
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JUNE 22 10112
$961,090120415
LADY GAGA, LADY STARLIGHT, HATSUNE MIKUCON. ENERGY CENTER. P1TTS8uRGH 12.185
MAY 8 SELLOUT
UVENATENGLOBAL TOURING
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11415934001 MAY 31
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$951,607 AEROSMITH, WALKING PAPERS1(697.690) 02 WORLD. KRUMsiononscsei TUNE 9
11.691
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$948,253sysisso
MICHAEL JACKSON THE IMMORTAL WORLD TOUR BY CIRQUE DU SOLEILSEARS CENTRE, HOFFMAN ESTATES. ILL. 11003 CIRQUE DU SOLEIL
JUNE 2748 11.688 IWO SNOWS
Perry'sPrismaticPowerKaty Perry places nineentries on the Boxscorechart, with ticket salesreported following theNorth American launchof her Prismatic WorldTour. After opening with a
nine -city trek in the UnitedKingdom during May, thetour began its four -monthrun through U.S. andCanadian markets with asold -out arena performancein Raleigh, N.C., on June 22.
Touring in support ofher 2013 album Prism,the pop star played tosellout crowds at arenasin Nashville, Atlanta,Washington, D.C., and threecities in Florida beforeheading to the northeasternUnited States followingthe July 4 holiday weekend.Perry played the first of fiveshows in the metropolitanNew York and New Jerseyarea on July 9, drawinga crowd of 13,846 for a
sold -out performance atMadison Square Garden.Two -show engagements atNewark's Prudential Centerand Brooklyn's BarclaysCenter followed, beginningwith the Newark arena onJuly 11 and 12. PrudentialCenter claims the tour'stop North American grossso far, landing at No. 2 onthe chart with almost $3.4million in ticket sales.
Providing support duringthis first stage of thePrismatic Tour's NorthAmerican trek (throughAug. 8) are Los Angeles -
based pop duo CapitalCities and Ferras, thefirst artist to sign withPerry's new record label,Metamorphosis Music.Kacey Musgraves andTegan and Sara are bothtapped to open upcomingshows during the NorthAmerican run that ends inOctober. -Bob Allen
Data for week of 08.02.2014 Go to BILLBOARD.COM/BIZ for complete chart data 91
REWINDINGTHE
CHARTS
Billboard 3 8 12 LIGHT MY FIRE.. .
lektrr
oaredNon (7r41 A. RHAchild),
4$415
* 6 11 19 I WA$ MADE TO LOVE HER.. 8
$14414 111.4*, (II. WO), Took 54511
® 1 1 1 WINDY .................. 1
Assearlien, Mors Kinn), Weser tres 7041
2 3 3 CAN'T TAKE MY EYES OFF
O YOU ................04.N.M. VON MO to 1.01110 444
Ar 8 10 13 A WHITER SHADE OF PALLPrwel Sawa r 407
47 Years AgoJIM MORRISONAND THE DOORSBURNEDBRIGHTLYOn July 29,1967 the Los Angeles band,led by its infamous frontman, toppedthe Billboard Hot 100 with itsbreakthrough hit, "Light My Fire"
WITH HIS SKINTIGHT LEATHER PANTS,
come -hither looks and sex appeal, The Doorsfrontman, Jim Morrison, was the quintessentialrock god of the late 196os. And on July 29,1967,acolytes of the Los Angeles band propelled TheDoors' first hit on Elektra Records, "Light MyFire," to the top of the Billboard Hot 100.
More hits would follow- as would erraticbehavior. Most notoriously, Morrison wasconvicted of public profanity and indecentexposure stemming from a March 1,1969 con-cert in Miami. Little more than two years later,he was found dead in a bathtub on July 3, 1971
in Paris. The 27 -year-old died of heart failure,according to officials, despite rumors of a
Morrison (left) andManzarek performedat the Roundhouse in
London in 1968.
her se. (No autopsy was performed.)Krieger and Ray Manzarek
sha uties,-the surviving membersma L i ree albums - one featuring spoken-woretry previously recorded by Morrison- beThie disbanding in 1973. But The Doors- and Morrison's - legacy lives on. Eleven oftheir is charting singles preceded Morrison'sdeath, while 20 of 28 charting albums followedit. (Most were compilations, live sets or archivalrecordings.) Oliver Stone chronicled their storyin the 1991 film The Doors, and the band wasinducted into the Rock and Roll Hall of Famein 1993 and received a Lifetime AchievementGrammy in 2007. -Keith Caulfield
0Copyright 2014 by PrometheusGlobal Ltedia,LIC. All rights reserved. Nopart of this publication may be reproduced, stored in any retrieval systemor transmitted, inane tormor by anymeans,electronic, mechanical, photocopying, recording°, otherwise,without the prior written permissionof thepublisher. BILLBOARD MAGAZINE (ISSN0006-2510;USP5056400) ispublished weekly except tor the 2nd week in January. Island 3rd week inApril, Ist week inlune, 2nd and 3rd week inlely, 1st week inSeptember,and Ist and 4th week in December by Prometheus Global Media, LI.C.,770Broadway. New York, NY 10003.9595.Subscription rate: annual rate,Continental U.S. $299.00. Continental Europe 229 pounds. Billboard,Tower House,Sovereign Park, Market Harborough, Leicestershire, England LE169EF. Registeredasa newspaper at the British Post Office. Japan 109,000yen. Periodicals postagepaidat Newyork, N.Y.,andat additional mailing offices. Postmaster: Pleasesend all uAAteCFS.SendNonPostalandmilitary Facilitieschangesof addressto Billboard, P.O. Box 45, Congers, N.Y.,10920.0045.Current and back copiesof BIllboardareavailableon microfilmtromICraustakrotorm,Route 100,1011wood, N.Y. 10546 or Xerox University iticrolilms,P.0.13ox 1346. Ann Arbor,11148106. For reprintscontactiWrighrs Media, pgmWwrightsmedia.com,14177.6524295. Under Canadian Publication MailAgreement No.414S0540 return undeliverableCanadianaddressestoLISI P114414S0540, P.O. Box 2600, Itississauga,ONIAT OAP. V61.1261ssue 24. Printed in the U.S.A. For subscription information,a11800684.1873(U.S.Toll free):845.267.3007 (International) or email SubscriptionsgBillboard.bir. For any other information,call 212493-4100.
92 BILLBOARD I AUGUST 2, 2014
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