Bärenreiter Choral Music

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Bärenreiter Choral MusicA selection 2018/2019

Y o u r n e x t p e r f o r m a n c e i s w o r t h i t

Bärenreiter Urtext

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AbbreviAtions And key to figuresEd. EditorBc/bc Basso continuoCz Czech textEng English textFr French textGer German textItal Italian text Lat Latin textBA Bärenreiter EditionBE Bosse EditionH Bärenreiter PrahaPoD Print on Demand SM Süddeutscher Musikverlag TP Study score V.s. Vocal score (includes all solo voices, choral voices and a piano reduction) Contents

Review Performance material available on sale Performance material available on hire Best Edition Prize awarded by the German Music Publishers Association

Content valid as of April 2018.Errors excepted and delivery terms subject to change without notice.

Artists' photos pages 1, 3:Marco Borggreve Design of pages 1, 3:Dave Warden Cre8tive

The Bärenreiter blue vocal scores are the gold standard for singers all

over the world. These editions represent our Urtext choral catalogue and are

musicologically sound as well as practical. For the majority of the choral works

orchestral parts are available for sale. In addition to the Urtext editions we also

publish choral collections and high-quality facsimiles of choral works.

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sacred and secular Works .........................................................................................4–41Popular Choral Music and Collections ...............................................................42–43 facsimiles ................................................................................................................... 44–47

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Sacred choral editions Musicologically sound …lscholarly-critical editionslAt the cutting edge of scholarshiplPreface on the genesis and historylinclude all source discrepancies and editorial decisionslWith notes on performance practice lWith a Critical Commentary and source descriptions

… and practicallspaciously laid outlstraightforward idiomatic piano partlexcellent print qualitylHigh-quality paper and binding

Y o u r n e x t p e r f o r m a n c e i s w o r t h i t

Bärenreiter Urtext

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Sacred and Secular WorkS

Bach, Carl Philipp Emanuel(1714–1788)

Magnificat Wq 215Choir & Organ series → page 34 BA 7517 Score

Bach, Johann Sebastian(1685–1750) Cantatas

BWV 1Wie schön leuchtet der Morgenstern / How bright and fair the morning star (Ger/Eng)Cantata for the Feast of Annunciation DayUrtext / Ed. M. WendtPiano reduction by M. FockeBA 10 001-90 ° V.s.BA 10 001-91 Choral scoreTP 1001 Study score

BWV 4Christ lag in todes Banden /Christ lay by death enshrouded (Ger/Eng) Cantata for Easter SundayUrtext / Ed. A. DürrPiano reduction by E. R. BarthelBA 10 004-90 ° V.s.TP 1004 Study score

BWV 6Bleib bei uns, denn es will Abend werden (Ger)Cantata for Easter MondayUrtext / Ed. A. DürrPiano reduction by H. RufBA 10 006-90 ° V.s.

BWV 10Meine seele erhebt den Herrn / now my soul exalts the Lord (Ger/Eng)Cantata for the Feast of Visitation B. V. M.Urtext / Ed. U. WolfPiano reduction by M. GrünertBA 10010-90 ° V.s.TP 1010 Study score

BWV 12Weinen, klagen, sorgen, Zagen / Weeping, crying, sorrow, sighing (Ger/Eng) Cantata for the Sunday JubilateUrtext / Ed. A. DürrPiano reduction by M. FockeBA 10 012-90 ° V.s.TP 1012 Study score

BWV 18gleichwie der regen und schnee vom Himmel fällt / Like as the raindrops and snow from Heaven fall; Leipzig Version (Ger/Eng)Cantata for Sunday Sexagesimae Urtext / Ed. W. NeumannPiano reduction by W. StockmeyerBA 10 018-90 ° V.s.BA 10 018-91 Choral scoreTP 1018 Study score

BWV 21ich hatte viel Bekümmernis / Lord my god, my heart and soul were sore distrest (Ger/Eng)Cantata for the 3rd Sunday after TrinityUrtext / Ed. P. BrainardPiano reduction by M. FockeBA 10 021-90 ° V.s.TP 1021 Study score

BWV 31der Himmel lacht! die erde jubilieret / the Heavens laugh, the earth exults in gladness (Ger/Eng)Cantata for the 1st Easter DayUrtext / Ed. A. DürrPiano reduction by O. KroupovaBA 10 031-90 ° V.s.TP 1031 Study score

BWV 36schwingt freudig euch empor(Ger) Cantata for the First of AdventUrtext / Ed. A. DürrPiano reduction by G. MüllerBA 10 036-90 ° V.s.TP 1036 PoD Study score

BWV 39Brich dem Hungrigen dein Brot / Break with hungry men thy bread (Ger/Eng)Cantata for the 1st Sunday after TrinityUrtext / Ed. A. DürrPiano reduction by J. EichhornBA 10 039-90 V.s.TP 1039 Study Score

BWV 45es ist dir gesagt, Mensch, was gut ist (Ger)Cantata for the 8th Sunday after TrinityUrtext / Ed. A. DürrPiano reduction by W. StockmeierBA 10 045-90 ° V.s.TP 1045 Study score

BWV 51Jauchzet gott in allen Landen / Praise ye god thruout creation (Ger/Eng)Solo Cantata for the 15th Sunday after Trinity Urtext / Ed. M. WendtPiano reduction by M. FockeBA 10 051-90 ° V.s.TP 1051 Study score

BWV 56ich will den kreuzstab gerne tragen / i will my cross-staff gladly carry (Ger/Eng)Cantata for the 19th Sunday after TrinityUrtext / Ed. M. WendtPiano reduction by A. KroupovaBA 10 056-90 ° V.s.TP 1056 Study score

BWV 61nun komm, der Heiden Heiland (Ger)Cantata for the First Sunday of AdventUrtext / A. DürrPiano reduction by G. RaphaelBA 10 061-90 ° V.s.BA 10 061-91 Choral scoreTP 1061 Study score

BWV 62nun komm, der Heiden Heiland (Ger)Cantata for the First Sunday of AdventUrtext / A. DürrPiano reduction by G. RaphaelBA 10 062-90 ° V.s.TP 1062 Study score

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From: Bach, A Mighty Fortress is Our God BWV 80 · BA 10080-90


Bach, Johann Sebastian(1685–1750) Cantatas

BWV 68Also hat gott die Welt geliebt (Ger)Cantata for Whit MondayUrtext / Eds. A. Dürr, A. MendelPiano reduction by A. DürrBA 10 068-90 ° V.s.BA 10 068-91 Choral score

BWV 78Jesu, der du meine seele / Jesu, by thy Cross and Passion (Ger/Eng)Cantata for the 14th Sunday after TrinityUrtext / Ed. W. Neumann Piano reduction by W. H. BernsteinBA 10 078-90 ° V.s.TP 1078 Study score

BWV 80ein feste Burg ist unser gott / A Mighty fortress is our god (Ger/Eng) Cantata for the Feast of ReformationUrtext / Ed. F. RemppPiano reduction by E. R. BarthelBA 10 080-90 ° V.s.TP 1080 Study score

BWV 91gelobet seist du, Jesu Christ (Ger)Cantata for Christmas DayUrtext / Eds. A. Dürr, G. RaphaelPiano reduction by G. RaphaelBA 10 091-90 ° V.s.BA 10 091-91 Choral scoreTP 1091 Study score

BWV 106gottes Zeit ist die allerbeste Zeit / Mighty god, His time is ever best (Actus tragicus) (Ger/Eng) Urtext / Ed. R. HiguchiPiano reduction by E. WernhardBA 10 106-90 ° V.s.TP 1106 Study score

BWV 130Herr gott, dich loben alle wir /Lord god, we praise thee all of us (Ger/Eng)Cantata for the Feast of St. MichaelUrtext / Ed. M. HelmsPiano reduction by E. WernhardBA 10 130-90 ° V.s.TP 1130 Study score














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Bach, Johann Sebastian(1685–1750)

Cantatas

BWV 132Bereitet die Wege, bereitet die Bahn (Ger)Cantata for the 4th Sunday of AdventUrtext / Ed. A. DürrPiano reduction by G. RaphaelBA 10 132-90 ° V.s.BA 10 132-91 Choral score

BWV 134ein Herz, das seinen Jesum lebend weiss (Ger)Cantata for Easter Tuesday; third versionUrtext / Ed. A. DürrPiano reduction by G. RaphaelBA 10 134-90 ° V.s.BA 10 134-91 Choral score BWV 140Wachet auf, ruft uns die stimme / Wake ye maids! hark, strikes the hour (Ger/Eng) Cantata for the 27th Sunday after TrinityUrtext / Ed. A. DürrPiano reduction by A. DürrBA 10 140-90 ° V.s.TP 1140 Study score

BWV 143 Lobe den Herrn, meine seele/ Praise thou the Lord, o my spirit (Ger/Eng) Urtext / Ed. A. GlöcknerPiano reduction by A. KöhsRevised editionBA 10 143-90 ° V.s.TP 1143 Study score

BWV 147Herz und Mund und tat und Leben / Heart and lips, thy whole behaviour (Ger/Eng) Cantata for the Feast of Visitation B.V.M.Urtext / Ed. U. WolfPiano reduction by O. KroupováBA 10 147-90 ° V.s.TP 1147 Study score

BWV 158der friede sei mit dir (Ger)Cantata for Easter TuesdayUrtext / Ed. A. DürrPiano reduction by the editorBA 10 158-90 ° V.s.BA 10 158-91 Choral score

BWV 166Wo gehest du hin (Ger)Cantata for the 4th Sunday after EasterUrtext / Ed. A. DürrPiano reduction by the editorBA 10 166-90 ° V.s.BA 10 166-91 Choral score

BWV 172erschallet, ihr Lieder (Ger)Cantata for Whitsunday; C maj versionUrtext / Ed. D. KilianPiano reduction by D. KilianBA 10 172-90 ° V.s.BA 10 172-91 Choral scoreTP 1172 Study score

BWV 175er rufet seinen schafen mit namen / He calleth His own sheep each by name (Ger/Eng)Cantata for Whit Tuesday Urtext / Ed. A. DürrPiano reduction by the editorBA 10 175-90 ° V.s.BA 10 175-91 Choral scoreTP 1175 Study score

BWV 176es ist ein trotzig und verzagt ding (Ger)Cantata for Trinity SundayUrtext / Ed. R. FreemanBA 10 176-91 ° Choral scoreTP 1176 Study score

BWV 208Was mir behagt, ist nur die muntre Jagd“Congratulatory Cantata” (Ger)Urtext / Ed. A. DürrPiano reduction by the editorBA 10 208-90 ° V.s.

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Johann Sebastian BachThe Complete Cantatas, Chorales

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19 study scores in paperback · TP 2004“Best Edition 2008”

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BWV 211schweigt stille, plaudert nicht / Be quiet, chatter not “Coffee Cantata” (Ger/Eng)Urtext / Ed. W. Neumann Revised editionPiano reduction by A. KöhsBA 10 211-90 ° V.s.TP 1211 Study score

BWV 212Mer hahn en neue oberkeet/the Chamberlain is now our squire “Peasant Cantata” (Ger/Eng)Urtext / Ed. W. NeumannPiano reduction by A. KöhsBA 10 212-90 ° V.s.TP 1212 Study score

festive Choral settings from CantatasChoir & Organ series → page 34BA 7527 Score

Ascension oratorio BWV 11 (Ger/Eng)Urtext / Ed. P. Brainard Piano reduction by J. EichhornBA 10011-90 ° V.s.TP 1011 Study score Christmas oratorio BWV 248 (Ger/Eng)Urtext / Eds. W. Blankenburg, A. Dürr Piano reduction by A. DürrBA 5014-90 ° V.s.Choral parts also available separately TP 85 Study score Choral movements from the Christmas oratorio Part i-iii BWV 248Choir & Organ series → page 34BA 7525 Score

freut euch alle BWV 207a (Ger)Festive chorus for mixed choir (SATB) and piano; woodwind ad lib. Arranged by U. Zimmer, Piano part by R. SchweizerBA 6905 ° Score; Choral score

Lutheran Masses BWV 233-236 (Lat)Urtext / Ed. E. PlatenPiano reductions by A. Köhs- Mass in F maj BWV 233BA 5182-90 ° V.s.BA 5182-91 Choral score- Mass in A maj BWV 234BA 5183-90 ° V.s.BA 5183-91 Choral score- Mass in G min BWV 235BA 5184-90 ° V.s.BA 5184-91 Choral score- Mass in G maj BWV 236BA 5185-90 ° V.s.BA 5185-91 Choral score

Magnificat in d maj 2nd version with the 4 inserts from the E-flat maj version (transposed) BWV 243 (Lat)Urtext / Ed. A. DürrPiano reduction by E. Müller

BA 5103-90 ° V.s. New revised edition→ page 11

BA 5103-91 Choral scoreTP 2 Study score

From: Bach, Christmas Oratorio BWV 248 · BA 5014-90

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J. S. Bach · Mass in B Minor BWV 232 in a Revised Edition

Mass in B min BWV 232 (Lat)Urtext / Ed. U. WolfPiano reduction by A. KöhsBA 5935-90 ° Vocal score TP 1232 Study score

For the first time the “Dresden parts” of 1733 which were largely written by Bach are included as valuable additional source material.

Also for the first time, annotations by J. S. Bach and C. P. E. Bach can be differentiated by using ink analysis (x-ray spectography of over 500 places in the score). This method also enables in-depth-analysis of areas which have been eroded to a large extent by iron ink gall erosion.

“Uwe Wolf’s masterful treatment of the sources and problems presented in the Mass in B Minor should afford scholars and performers for generations to come many

opportunities to carefully examine the diverse complexities of Bach’s masterpiece.” (notes)


Magnificat in e-flat maj BWV 243a (Lat)Urtext / Ed. A. DürrPiano reduction by E. Müller, C. Heimbucher BA 5208-90 ° V.s.TP 58 Study score

Mass in B min BWV 232facsimile editionISBN 978-3-7618-2194-7→ page 44

Still available: Mass in B min BWV 232 (Lat)Urtext / Ed. F. SmendPiano reduction by G. MüllerBA 5102-92 ° V.s.

Mass in B min, early versionsMissa BWV 232I (version of 1733). Credo in unum Deum BWV 233II/1 (early version in G maj). Sanctus BWV 232III (version of 1724) (Lat)Urtext / Ed. U. WolfPiano reduction by A. KöhsBA 5293-90 ° V.s.







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Bärenreiter Urtext

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Motets BWv 225-230 (Ger)Urtext / Ed. K. AmelnPiano reduction by O. Kroupová BA 5193-90 V.s.BA 5193 Choral score

separate editions:

singet dem Herrn ein neues Lied BWV 225 (Ger)Motet for two mixed choirs (SATB+SATB)Urtext / Ed. K. AmelnBA 5129 ° Score; Choral score

der geist hilft unser schwachheit auf BWV 226 (Ger)Motet for two mixed choirs (SATB+SATB) Urtext / Ed. K. AmelnBA 5130 ° ScoreBA 5131 Choral score

Jesu, meine freude BWV 227 (Ger)Motet for mixed choir (SSATB)Urtext / Ed. K. AmelnBA 5132 ° Score; Choral score

fürchte dich nicht, ich bin bei dir BWV 228 (Ger)Motet for two mixed choirs (SATB+SATB)Urtext / Ed. K. AmelnBA 5133 ° Score; Choral score

komm, Jesu komm BWV 229 (Ger)Motet for two mixed choirs (SATB+SATB)Urtext / Ed. K. AmelnBA 5134 ° Score; Choral score


Lobet den Herrn, alle Heiden BWV 230 (Ger)Motet for mixed choir (SATB) and bcUrtext / Ed. K. AmelnBA 5135 ° Score; Choral score

Motets of doubtful Authenticity Ich lasse dich nicht, du segnest mich denn BWV Anh. 159 / Jauchzet dem Herrn, alle Welt BWV Anh. 160 (Ger)Motets for two mixed choirs (SATB+SATB)Urtext / Ed. F. RemppBA 5239 Score

st. John Passion BWV 245 (Ger/Eng)Urtext / Ed. A. MendelPiano reduction by W. H. BernsteinBA 5037-90 ° V.s.Choral parts also available separatelyTP 197 Study score

st. Mark Passion BWV 247 A reconstruction (Ger) Ed. A. H. GommePiano reduction by the editorBA 5209-90 V.s.

st. Matthew Passion BWV 244 (Ger/Eng)Urtext / Ed. after M. Schneider by A. DürrPiano reduction by A. DürrBA 5038-90 ° V.s. New revised editionTo appear in June 2018→ page 11

Choral parts also available separatelyTP 196 Study score

facsimile editionISBN 978-3-7618-2294-4→ page 44

st. Matthew Passion early version BWV 244b (Ger/Eng)Urtext / Ed. A. GlöcknerPiano reduction by M. Focke BA 5099-90 ° V.s.

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From: Bach, Motets BWV 225–230 · BA 5193


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l newly engraved with a generous layout

l same pagination as previous editions This means that you can rehearse and perform these works with some singers using these new editions and some the old Bärenreiter editions.

l fully compatible with all existing performance material These vocal scores can be used in line with the material of BA 5038 and BA 5103 respectively

l include a new revised piano reduction The reliable Alfred Dürr piano reductions have been maintained but have been corrected and uncluttered; the new piano reductions are easier to read and to play.

l improved legibility for singers A larger notation and improved spacing of underlaid words in the vocal parts has been provided.

Vocal scores of Bach’s Magnificat and St. Matthew Passion NEW 2018


From: Bach, St. Matthew Passion BWV 244 · BA 5039-90

st. Matthew Passion BWV 244BA 5038-90 V.s.To appear in June 2018

Magnificat in d maj2nd version with the inserts with the 4 inserts from the E-flat maj version (transposed) BWV 243 (Lat)BA 5103-90 V.s. In preparation


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La damnation de faust (Fr/Ger)Urtext / Ed. J. RushtonPiano reduction by E. WernhardBA 5448-90 V.s.

L’enfance du Christ /the Childhood of Christ (Fr/Eng) Sacred Trilogy Urtext / Ed. D. Lloyd-JonesPiano reduction by E. WernhardBA 5451-90 (Fr/Ger) V.s.BA 5451-73 (Fr/Eng) V.s.


Hector Berlioz Year 2019 (1803–1869)

Beethoven, Ludwig van(1770–1827)

Mass in C maj op. 86 (Lat)Urtext / Ed. B. CooperScore with full realization of the organ partPiano reduction by A. CamporaBA 9039-90 ° V.s.

The Mass in C major, completed and premiered in 1808, is a self-contained and, for its time, decidedly modern piece of church music.

Drawing on the rich body of sources, Beethoven specialist Barry Cooper suggests practical solutions to this work’s musical and interpretative problems. His deep study of the sources

convinced him to include a fully realized organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.

Missa solemnis in d maj op. 123 (Lat)Urtext / Ed. B. CooperPiano reduction by A. CamporaBA 9038-90 ° V.s.BA 9038-91 Choral score In preparation

grande messe des morts “requiem” (Lat)Urtext / Ed. J. KindermannPiano reduction by M. Töpel, D. Woodfull-HarrisBA 5449-90 V.s.TP 332 Study score

Messe solennelle (Lat)Urtext / Ed. H. MacdonaldPiano reduction by E. WernhardBA 5463-90 V.s.TP 333 Study score

roméo et Juliette (Fr)Symphonie dramatiqueUrtext / Ed. D. K. HolomanPiano reduction by E. WernhardBA 5458-90 V.s.TP 334 Study score

te deum (Lat)Urtext / Ed. D. McCaldinPiano reduction by O. TaubmannBA 5782-90 V.s.

symphony no. 9 in d min op. 125. Finale (Ger)Urtext / Ed. J. Del MarPiano reduction by E. WernhardBA 9009-90 ° V.s.TP 909 Study score

symphony no. 9 op. 125. Facsimile of the autograph score in the Staatsbibliothek zu Berlin – Preußischer Kulturbesitz BäRENREITER FACSIMILEISBN 978-3-7618-2169-5 → page 45

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Brahms, Johannes (1833–1897)

Ein deutsches Requiem op. 45(Ger)Urtext / Eds. P. Schmitz, M. WerthmannPiano reduction by the composerBA 7600-90 ° V.s.BA 7600-91 Choral scoreIn preparation

Brahms, Johannes (1833–1897)

Sacred Choral Music a cappella (Ger)Urtext / Ed. P. Schmitz BA 7575

“This volume represents a competitively priced treasure trove of the finest German unaccompanied choral music … How monstrously fine music is this, and how well printed it is here.” (Choir & Organ)

Bruckner, Anton(1824–1896)

Sacred Songs (Lat/Ger)for mixed choir (SSAATTB, SATB and SSATB)SM 2815 Singing score

Te Deum WAB 45 (Lat)Choir & Organ series → page 34BA 7524 Score

Bunk, Gerard (1888–1958)

Sacred Choral Works (Ger)Urtext / Eds. J. Boecker, K. E. MüllerBA 7548

Buxtehude, Dietrich(1637–1707)

Befiehl dem Engel, dass er komm / Command the Angels BuxWV 10 (Ger/Eng)Choral cantata for mixed choir (SATB), strings and bcEd. B. Grusnick BA 541 ° Score with parts BA 541-91 Choral score

Cantate Domino /Lobsinget Gott, dem HerrnBuxWV 12 (Lat/Ger) Motet for soloists (SB) ad lib., choir (SSB) and bcEd. B. GrusnickBA 542 ScoreBA 542-91 Choral score


Der Herr ist mit mir BuxWV 15 (Ger) Cantata for mixed choir (SATB), strings and bcEd. B. Grusnick BA 3198 ° Score with partsBA 3198-91 Choral score

Erhalt uns Herr, bei deinem Wort BuxWV 127 (Ger)Chorale cantata for mixed choir (SATB)BA 3196 ° Score with partsBA 3196-91 Choral score

In dulci jubilo BuxWV 52(Lat/Ger/Eng) for mixed choir (SAB), two violins and bc Ed. B. Grusnick BA 620 ° Score with partsBA 620-91 Choral score

Jesu, meine Freude / Jesu, my heart’s treasure BuxWV 60 (Ger/Eng) Cantata for soloists (SSB), mixed choir (SSB), two violins, bassoon (violoncello) and bc Ed. B. Grusnick BA 487 ° Score with partsBA 487-91 Choral score

Magnificat anima mea BuxWV-Anh. 1 (Lat/Ger/Eng) Motet for mixed choir (SSATB), strings and bcEd. B. Grusnick BA 543 ° Score with partsBA 543-91 Choral score

Missa brevis (Kyrie and Gloria) (Lat) for mixed choir (SSATB) and bcEd. W. GurlittBA 265 Choral score, playing score

Das neugebor‘ne Kindelein /The newborn babe, the heavenly child BuxWV 13 (Ger/Eng)Cantata for mixed choir (SATB), strings and bc Ed. B. Grusnick BA 717 ° Score with partsBA 717-91 Choral score


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Caldara, Antonio (1670–1736)

regina coeli laetare (Lat/Ger)for choir (SATB), piano (organ) ad lib.Ed. T. KohlhaseBA 6236 Choral score, playing score

Charpentier, Marc-Antoine (1643–1704)

in nativitatem domini canticum H 416 (Lat)Urtext / Ed. J. SchwindtPiano reduction by the editorBA 7673-90 ° V.s.


Caldara, Antonio (1670–1736)

stabat Mater (Lat)for soloists (SATB), mixed choir and orchestraPiano reduction by A. KöhsBA 8955-90° V.s.

The Stabat Mater is the best-known of Caldara’s smaller vocal works. This publication is based on E. Mandyczewski’s edition which has, until now, been the definitive edition. The notation and key signatures have been adapted to today’s standards. Any discrepancies between the score and vocal score have been corrected, and the work is presented in a modern, clear layout. The orchestral parts are available in computer print for the first time.

Messe de Minuit pour noël H 9 (Lat) Urtext / Ed. H. Schauerte-MaubouetPiano reduction by M. FockeBA 7592-90 ° V.s.

te deum H 146 (Lat) Urtext / Ed. H. Schauerte-MaubouetPiano reduction by A. KöhsBA 7593-90 ° V.s.

te deum H 148 (Lat)for mixed choir (SATB) and bcUrtext / Ed. H. Schauerte-MaubouetBA 7591 Score







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Cherubini, Luigi (1760–1842)

requiem in C minor (Lat)Missa pro defunctisUrtext / Ed. H. SchellevisPiano reduction by the editorBA 8961-90 ° V.s.

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist's manuscript.

Distler, Hugo (1908–1942)

Choralpassion nach den vier evangelien op. 7 (Ger)for soloists (TB), mixed choir (SSATB)BA 633 Choral score

es ist ein ros entsprungen (Ger)Chorale motet from the Weihnachtsgeschichte op. 10 for mixed choir (SATB)BA 681 Singing score


From: Cherubini, Requiem in C minor · BA 8961-90

Distler, Hugo (1908–1942)

Lobe den Herren, den mächtigen könig der ehren (Ger)Chorale-motet op. 6/2,1 for mixed choir (SATB)gothic printBA 589 Choral score

singet dem Herrn ein neues Lied (Ger)Motet on Psalm 98/1, 4-9a op. 12/1 from Geistliche Chormusik op. 12 for mixed choir (SATB). gothic printBA 751 Choral score

totentanz (Ger)Motet no. 2 from Geistliche Chormusik op. 12 for mixed choir (SATB) and flute ad lib.BA 752 Choral score

die Weihnachtsgeschichte (Ger) for soloists (SSTB) and choir (SATB)gothic printBA 690 Singing score

Dvořák, Antonín (1841–1904)

Mass in d maj op. 86 (Lat)Choir & Organ series → page 34BA 7511 Score

requiem op. 89 (Lat)Piano reduction by K. ŠolcH 2924-90 V.s.

requiem op. 89 (B165) (Lat)Arrangement for Soloists, Choir and Chamber Orchestra by J. LinckelmannBA 9582 ° ScoreInstrumental parts available separately

This edition is based on the full score from the Complete Edition of the Works by Antonín Dvořák.

The edition is in keeping with the vocal score H 2924-90.









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Urtext edition of Fauré’s Requiem

Fauré, Gabriel (1845–1924)

requiem op. 48 (Lat)Urtext / Eds. C. M. Stahl, M. StegemannPiano reduction by M. FockeBA 9461-90 ° V.s.

BA 9461-91 Choral score

The Messe de Requiem is probably the internationally best-known and most frequently performed work by Gabriel Fauré. The composer’s first version was limited to just five movements and small-scale forces with low strings, harp and organ. The work was then expanded several times culminating in the version for large orchestra of 1900. This orchestral version forms the basis of this edition.

Despite its comparatively long period of gestation, the Requiem forms a stylistic unity. Unlike other requiem settings, the composer foregoes any theatrical gestures in this work.

A restrained dynamic range together with graceful melodic writing for both soloists and choir give the work a gentle and optimistic character. It is important to note that the vocal and choral scores are compatible with the first small-scale version as well as the second chamber orchestra version.

l High-quality Urtext based on the Complete Works of Gabriel Fauré l First systematic evaluation of all sources l Based on the large orchestral version of 1900l Foreword (Ger/Eng)l Vocal and choral scores suitable for all versions of the requiem

“Of particular interest is the clear engraving and the well-presented layout with optimum page-turns - much more appealing than in earlier publications of this work.” (La Lettre du Musicien)


NEW 2017

Dvořák, Antonín (1841–1904)

six Moravian duets (Cz/Ger)for mixed choir (SATB) and pianoarranged by Leoš Janáček Ed. V. NimecH 7718 Choral score

stabat Mater op. 58 (Lat)Version in ten movementsPiano reduction by K. ŠolcH 1882 V.s.

stabat Mater op. 58 (Lat)Version in ten movementsUrtext / Eds. J. Kachlík, M. SrnkaVocal score based on Dvořák‘s original piano versionH 7920 V.s.

te deum op. 103 (Lat)Piano reduction by K. ŠolcH 4523-90 V.s.

the spectre‘s Bride op. 69 (Cz/Ger/Eng)Eds. F. Bartos, A. CubrPiano reduction by K. Šolc BA 9544-90 V.s.

Eben, Petr(1929–2007)

salve reginaCantico della Creature / Canticle of the sun of francis of Assisi (Lat/Ital [Umbrian])for mixed choir (SATB) BA 6429 Singing score

Ubi caritas et amor dei (Lat/Ital)for mixed choir (SSATBB)BA 5404 Singing score

Fauré, Gabriel (1845–1924)

requiem op. 48 (Lat)Choir & Organ seriesBA 7513 Score→ page 34 requiem op. 48 (Lat) Bärenreiter Female Choir seriesBA 5695-90 ° V.s→ page 28

Furrer, Beat (*1954)

enigma i-iv and vi (Ital) (2007) for mixed a cappella choirTexts by Leonardo da Vinci from Profezie (2006-13) BA 11052

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https://www.baerenreiter.com/en/shop/product/details/H7718/










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Messe solennelle (ste Cécile) (Lat)for Soloists, Choir and OrchestraUrtext / Ed. H. SchellevisPiano reduction by the editorBA 8966-90 ° V.s.BA 8966-91 Choral score

Today Charles Gounod is associated most of all with his opera Faust yet a large part of his œuvre is taken up by sacred music and it is the Messe solennelle en l'honneur de Sainte-Cécile which established his fame as a church composer. Its melodic invention and effective treatment of the orchestra bear witness to his close ties to opera.

This new Urtext edition of Gounod's Mass is primarily based on the autograph score, which for unknown reasons was divided into two sections. The first section, preserved in the British Library, contains the Kyrie, Gloria, Offertory and Domine, salvum, fac. The second, with the Credo, Sanctus and Benedictus, is preserved in the library of Northwestern University, Chicago, and was consulted

NEW 2017

for the first time for our edition. As the Agnus Dei is missing entirely from the autograph, our edition draws on the original print in full score (1856), which was also consulted as an important source for the clarification of ambiguities.

An extensive critical commentary clarifies the differences between the two main sources and provides an insightful introduction, thereby enabling choruses and orchestras to perform the Mass on a solid foundation.

Charles Gounod Year 2018 (1818–1893)



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Handel, George Frideric(1685–1759)

Acis and galatea HWV 49b Serenata in tre parti (2nd version) (Eng/Ital/Ger)Urtext / Ed. A. HeinrichPiano reduction by A. KöhsBA 10700-90 V.s.

Alexander’s feast or the Power of Musick HWV 75 (Eng/Ger)Text by J. DrydenUrtext / Ed. K. AmelnPiano reduction by the editorRevised edition BA 4001-92 V.s.

Athalia HWV 52(Eng, partially Ital)Text by Samuel Humphreys after Jean Racine's AthalieUrtext / Ed. S. BlautPiano reduction by A. KöhsBA 4082-90 V.s.

dixit dominus HWV 232 (Lat)Psalm 109Urtext / J. H. MarxPiano reduction by A. KöhsRevised editionBA 10704-90 ° V.s.BA 10704-91 Choral score

esther HWV 50a (Eng)First Version 1720. Text by J. Arbuthnot and J. PopeUrtext / Ed. H. ServerPiano reduction by A. KöhsBA 4047-90 V.s.

israel in egypt HWV 54 (Eng/Ger)Includes versions 1739 and 1756-7Urtext / Ed. A. LandgrafPiano reduction by A. KöhsBA 4063-90 V.s.


Jephtha HWV 70 (Eng)Urtext / Ed. K. NottPiano reduction by M. FockeBA 4014-90 V.s.

Messiah HWV 56Urtext / Ed. J. TobinPiano reduction by M. SchneiderBA 4012-02 Score (soft-cover)→ page 27

BA 4012-90 (Ger/Eng) ° V.s. BA 4012-73 (Eng) ° V.s.TP 175 Study score facsimile editionISBN 978-3-7618-2109-1→ page 46

occasional oratorio HWV 62 (Eng). Text by N. HamiltonUrtext / Ed. M. ChannonPiano reduction by A. KöhsBA 4089-90 ° V.s.

ode for the Birthday of Queen Anne HWV 74 (Eng/Ger) Urtext / Ed. W. Siegmund-SchultzePiano reduction by I. Chrysander, W. Siegmund-SchultzeBA 4007-90 V.s.BA 4007-91 Choral score

La resurrezione HWV 47 (Ital) Oratorio in two partsUrtext / Ed. T. BestPiano reduction by A. KöhsBA 4096-90 V.s.

samson HWV 57 (Eng) Text by N. HamiltonUrtext / Ed. H. D. ClausenPiano reduction by A. Köhs BA 4099-90 V.s.

saul HWV 53 (Eng/Ger)Oratorio in three actsUrtext / Ed. P. M. YoungPiano reduction by H. Moehn, A. KöhsBA 4020-90 V.s.

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Anthems: Anthem for the funeral of Queen Caroline HWV 264(Eng/Ital) Original unabridged versionUrtext / Ed. A. LandgrafPiano reduction by M. FockeBA 4267-90 ° V.s.

As pants the hart HWV 251e(Eng/Ger)Urtext / Ed. G. Hendrie Piano reduction by A. KöhsBA 4265-90 ° V.s.

i will magnify thee HWV 250b(Eng/Ger)Urtext / Ed. G. Hendrie Piano reduction by A. KöhsBA 4264-90 ° V.s.

Let god arise HWV 256b(Eng/Ger)Urtext / Ed. G. Hendrie Piano reduction by A. KöhsBA 4266-90 ° V.s.

the Lord is my light HWV 255(Eng/Ger)Urtext / Ed. G. Hendrie Piano reduction by A. Köhs BA 4268-90 ° V.s.

My song shall be alway HWV 252 (Eng/Ger)Urtext / Ed. G. HendriePiano reduction by A. Köhs BA 4292-90 ° V.s.

o come let us sing HWV 253(Eng/Ger)Urtext / Ed. G. Hendrie Piano reduction by A. Köhs BA 4293-90 ° V.s.

o praise the Lord with one consent HWV 254 (Eng/Ger)Urtext / Ed. G. Hendrie Piano reduction by A. Köhs BA 4291-90 ° V.s.

o sing unto the Lord HWV 249a (Eng/Ger)Urtext / Ed. G. Hendrie Piano reduction by A. KöhsBA 4263-90 ° V.s.





























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Zadok the Priest HWV 258 (Eng)Urtext / Ed. S. BlautPiano reduction by A. KöhsBA 10258-90 ° V.s.

the king shall rejoice HWV 260 (Eng)Urtext / Ed. S. BlautPiano reduction by A. KöhsBA 10259-90 ° V.s.

Zadok the Priest and The King shall rejoice are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment, HWV 260 his actual coronation.

The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the Halle Handel Edition.

Handel, George Frideric(1685–1759)

solomon HWV 67 (Eng)Oratorio in three acts HWV 67Urtext / Ed. H. D. ClausenPiano reduction by A. KöhsBA 10709-90 V.s. te deum for the victory at the Battle of dettingen HWV 283 (Lat)Urtext / Ed. A BabingtonPiano reduction by A. KöhsBA 10706-90 ° V.s.


“The scholarly background to these editions is clear and convincingly laid out in the Prefaces […] and the clarity of the presentation of both vocal scores, excellently printed on noiseless (!) quality paper, are admirable” (The Organ)

te deum for Cannons in B-flat maj HWV 281 (Chandos Te Deum) (Lat)Urtext / Ed. G. BeeksPiano reduction by A. KöhsBA 10708-90 V.s.In preparation

theodora HWV 68 (Eng) Text by T. Morrell after R. Boyle’s The Martyrdom of Theodora and Didymus (London, 1687) and the play Théodore, vierge et martyre by P. Corneille (1645). Urtext / Ed. C. TimmsPiano reduction by M. Focke, A. Campora Revised editionBA 4085-90 V.s.

Utrecht te deum HWV 278 (Eng)Urtext / Ed. G. HendriePiano reduction by L. H. NystenBA 4246-90 ° V.s.

NEW 2018

° = Performance material available on sale = Performance material available on hire

From: Handel, Zadok the Priest HWV 258 · BA 10258-90


with

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Haydn, Joseph (1732–1809)

die drei- und vierstimmigen gesänge (Ger)No. 1 Hob. XXVb:3 for STB and piano, No. 2 Hob. XXVb:1 for SAT and piano, Nos. 3-11 Hob. XXVc:1-9 for SATB and pianoEd. P. PaumgartnerBA 901 Choral score, playing score

Missa brevis in f maj Hob. XXII:1 (Lat)Urtext / Eds. J. Dack, G. FederPiano reduction by A. Köhs BA 4644-90 ° V.s.

Missa brevis sancti Joannis de deo “Little organ Mass” Hob. XXII:7 (Lat) Urtext / Eds. H. C. Robbins Landon, K. H. Füssl, C. LandonPiano reduction by H. MoehnBA 4653-90 ° V.s. Missa brevis sti Joannis de deo "Little organ Mass" (Hob. XXII:7) (Lat)Bärenreiter Female Choir seriesBA 5694-90 ° V.s. → page 28

Missa Cellensis in honorem Beatissimae virginis Mariae “Cecilia Mass”Hob. XXII:5 (Lat)Urtext / Eds. J. Dack, G. FederPiano reduction by O. KroupováBA 4643-90 ° V.s.

Missa Cellensis “Mass for Mariazell” Hob. XXII:8 (Lat)Urtext / Eds. H. C. Robbins Landon, K. H. Füssl, C. LandonPiano reduction by H. MoehnBA 4654-90 V.s.BA 4654-91 Choral score

Missa in Angustiis “nelson Mass” Hob. XXII:11 (Lat)Urtext / Ed. G. ThomasPiano reduction by H. MoehnBA 4660-90 ° V.s.

BA 4660-02 Score (soft-cover)→ page 27

TP 98 Study score


Joseph Haydn: The Creation

the Creation / die schöpfung Hob. XXI:2 (Ger/Eng)Libretto by Gottfried van Swieten.Urtext / Ed. A. OppermannPiano reduction by A. E. Müller, A. KöhsBA 4648-90 ° V.s.


l Based on the G. Henle Complete Edition of the Works of Joseph Haydn

l The contemporary piano reduction by A. E. Müller has been revised by A. Köhs

l The musical text of the full score is closely reflected in this piano reduction “Bärenreiter offers its

usual high standard of scholarly precision married to musical accessibility and practicality, as well as affordability”.

(The Organ)

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Missa sancti Bernardi von offida “Heilig” Mass Hob. XXII:10 (Lat)Urtext / Eds. H. C. Robbins Landon, K. H. Füssl, C. LandonPiano reduction by H. MoehnBA 4651-90 ° V.s.BA 4651-91 Choral score

Missa sancti nicolai “nicolai Mass” Hob. XXII:6 (Lat)Urtext / Eds. J. Dack, M. HelmsPiano reduction by O. KroupováBA 4645-90 ° V.s.

six Psalms Hob. XXIII: Anhang (Eng/Ger)Based on an English psalm adaptation by J. Merrick for mixed choir (SAB)Ed. U. ZimmerBA 6232 Choral score

stabat Mater Hob. XXbis (Lat)Urtext / Eds. M. Helms, F. StoltzfusPiano reduction by E. R. Barthel BA 4642-90 ° V.s.


the seasons /die Jahreszeiten Hob. XXI:3 (Ger/Eng/Fr)Libretto by G. van SwietenUrtext / Ed. A. RaabPiano reduction by A. E. MüllerBA 4647-90 ° V.s.


l Based on the G. Henle Complete Edition of the Works of Joseph Haydn

l New straightforward piano reduction

l Clear and uncluttered appearance on the page

the seven Last Words of our saviour on the Cross Hob. XX:2 (Lat) Libretto by Gottfried van SwietenUrtext / Ed. H. UnverrichtPiano reduction by the editorBA 4655-90 V.s. TP 92 Study score

Haydn, Michael (1737–1806)

Laudate pueri dominum (Lat)for female/boys’ choir (SSA), strings and bcEd. I. SulyokBA 6219 ° ScoreBA 6219-91 Choral score

Janáček, Leoš (1854–1928)

three Pieces (Cz/Ger)for mixed choir (SATB)Ed. J. TrojanBA 6389 Choral score

Mša glagolskaja / glagolitic MassFinal authorised version(Old Church Slavonic)Urtext / Eds. J. Zahrádka, L. FaltusPiano reduction by M. ZehnBA 6862-90 V.s.TP 862 Study score

the Lord’s Prayer (Cz/Ger)for mixed choir (SATB) and ensembleEd. B. ŠtĕdroňH 3712 Score

Mass in e-flat maj “Unfinished Mass” (Lat) for soloists (SATB), choir (SATB) and organEd. V. PetrzelkaBA 5421 Score

true Love (Folk Poetry) (Ger/Eng) for male choir (TTBB)H 3026 Choral score

Jansson, Mårten(*1965)

sacred Choral Works à page 22-23

Krenek, Ernst(1900–1991)

six Motets op. 169 (1959) (Ger) after words by F. Kafkafor mixed choir (SATB)BA 3945 Score



Missa in B-flat maj “Creation Mass” Hob. XXII:13 (Lat)Urtext / Ed. I. Becker-GlauchPiano reduction by J. SommerBA 4656-90 ° V.s. BA 4656-91 Choral score

Missa in B-flat maj “Harmony Mass” Hob. XXII:14 (Lat)Urtext / Ed. F. LippmannPiano reduction by H. MoehnBA 4659-90 ° V.s.TP 97 Study score

Missa in B-flat maj “theresa Mass” Hob. XXII:12 (Lat)Urtext / Ed. G. ThomasPiano reduction by H. MoehnBA 4661-90 ° V.s.

BA 4661-02 Score (soft-cover)In preparation → page 27TP 99 Study score

Missa in e-flat maj in honorem Beatissimae virginis mariae“great organ Mass” Hob. XXII:4 (Lat)Urtext / Eds. J. Dack, M. HelmsPiano reduction by O. KroupovaBA 4646-90 ° V.s.

Missa in tempore Belli “Mass in time of War” Hob. XXII:9 (Lat)Urtext / Eds. H. C. Robbins Landon, K. H. Füssl, C. LandonPiano reduction by H. MoehnBA 4652-90 ° V.s.BA 4652-91 Choral scoreTP 94 Study score

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Cantate Domino Psalm 96: 1-3 (SSAATTBB) (Lat)BA 7414 Choral score

Cantate DominoPsalm 96: 1-3 (TTBB) (Lat) BA 7416 Choral score

De sancto Pelagio et sancto Theodolo

(SATB) and Organ (Lat)BA 8523 Organ reduction

Es ist ein Ros entsprungenArrangement for SSAATTBB (Ger/Eng/Swed) BA 7418 Choral score

Fear Thou Not(SSMezAA) (Eng) BA 7411 Choral score

God Rest Ye Merry, GentlemenArrangement for SATB (Eng)BA 7419 Choral score

I Never Saw a Moor (SSMezMezAA) (Eng)BA 7415 Choral score

Ingenting utanför /Nothing Beyond

(SSMezAA) (Swed/Eng)BA 8522 Choral score

In The Light Of God(SMezATB) (Swed/Eng) BA 7417 Choral score

Maria (IV)(SATB) (Swed/Eng)BA 7412 Choral score

Sample score for download:

www.baerenreiter.com

“My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as “so sad that it sounds like birds who have lost their wings” but also as “the happiest classical music that we have ever heard”.

“My compositions are almost all sacred. They express not only my ownfaith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.”

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Sacred Choral Works by Mårten Jansson

Missa brevis in E-flat minor(SATB) (Lat)BA 8521 Choral score

Missa Popularis(SS[TB ad lib.]) and String quartet (Lat)BA 7420 Score BA 7420-90 Vocal score BA 7420-22 Parts in slipcover

The Choirmaster’s Burial(SSATBB [Lat SSA/Eng TBB])BA 7413 Choral score

Two Poems(SATB) (Swed/Eng)BA 8524 Choral score

From: Jansson, Missa Popularis · BA 7420-90

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Order our flyer (SPA 50_64) and sample score (SPA 227). Both are available for download at: www.baerenreiter.com.

Tonight I Dance Alone Libretto by C. A. Silvestri(SATBSATB) (Eng) BA 8525 Choral score

Video samples on

This work for double choir a cappella deals with three poignant episodes from the life of an old man; before his wedding, before celebrating his wedding anniversary and now as a widower talking to his grandson.The libretto together with the descriptive music are deeply moving and constitute an ideal partnership. This is Mårten Jansson's first collaboration with the well-known librettist Charles Anthony Silvestri. The piece provides a well-worth challenge for ambitious choirs.

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Martin, Frank (1890–1974)

ode à la Musique (Fr/Ger) for baritone, mixed choir (SATB) and orchestraBA 6725-90 ° V.s.BA 6725-91 Choral score

Loewe, Carl (1796–1869)

das sühnopfer des neuen Bundes (Ger)Libretto based on the Holy Scriptures by William Telschow. Urtext / Ed. C. MückePiano reduction by the composerBA 7678-90 ° V.s.

Liszt, Franz (1811–1886)

Christus (Lat)Oratorio on passages from the Holy Bible and the Catholic liturgy Urtext / Ed. D. FriddlePiano reduction by the composerBA 7680-90 V.s.

Martin, Frank (1890–1974)

Mass for double Choir a cappella (Lat)Urtext / Ed. A. WissemannBA 7594 Performing score

Martin's style of composition is characterized by elements of French Impressionism, modern tonality and expressive musical language.

His double choir a cappella mass was composed between 1922 and 1926 but it was not performed until 1963 in Hamburg. It has been a great favourite with capable choirs since its first publication by Bärenreiter in 1972 (BA 5419). It can be performed equally well in the concert hall and the church.

“… excellent new edition of this masterwork.” (Choir & organ)

l First Urtext edition of Frank Martin’s masterwork based on the autograph and preliminary studies

l Newly engraved in a larger format (23 x 30 cm)

l Preface (Ger/Eng) and Critical Commentary (Eng)






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Martinů, Bohuslav(1890–1959)

otvírání studánek/ opening the Wells (Cz/Eng/Ger)for speaker, soloists (SAB), female choir (SSA)Ed. J. BerkovecH 2122 Score, set of parts

Mendelssohn Bartholdy, Felix (1809–1847)

denn er hat seinen engeln befohlen / for He shall give His angels charge (Ger/Eng)for mixed choir a cappella (SSAATTBB)Urtext / Ed. C. HeimbucherBA 8933 Score

die erste Walpurgisnacht / the first Walpurgis night op. 60 (Ger/Eng)Text by Johann W. von GoetheUrtext / Ed. J. M. CooperPiano reduction by the composerBA 9072-90 V.s.

elijah op. 70 (Ger/Eng)Oratorio. Text compiled by the composer from the Old and New TestamentsUrtext / Ed. D. SeatonPiano reduction by the composer, partially adjusted by A. KöhsBA 9070-90 ° V.s.

“The production is well up to the high standards we have come to expect from Bärenreiter”. (Organists’ Review) Lobgesang op. 52 (Ger/Eng)Urtext / Ed. J. M. CooperPiano reduction by the composerBA 9092-90 ° V.s.BA 9092-91 Choral score in preparation

st. Paul op. 36 (Ger/Eng)Urtext / Ed. J. M. CooperPiano reduction by the composer, partially adjusted by A. KöhsBA 9071-90 ° V.s.



NEW 2018

Mendelssohn Bartholdy, Felix (1809–1847)

Psalm "non nobis domine" / "nicht unserm namen, Herr" op. 31 MWV A9 (Lat/Ger)Urtext / Ed. J.M. CooperPiano reduction by the composerBA 9079-90 ° V.s.

The first great orchestral psalmMendelssohn’s first great orchestral psalm took almost six years to complete, from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere did not take place until 1838.

Unlike his other orchestral psalms, Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation, he made use of Psalm 115 from the Luther Bible.

This edition by the leading Mendelssohn authority John Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis, the vocal parts are underlaid with the Latin text, and the German text appears underneath.

Psalm 2Why rage fiercely the Heathen / Warum toben die Heiden (Ger/Eng) for mixed choir (SSAATTBB)BA 8938 Choral score Psalm 22My god, why hast thou forsaken me / Mein gott, warum hast du mich verlassen (Ger/Eng)for mixed choir (SSAATTBB)BA 8940 Choral score

Psalm 42As the Hart pants / Wie der Hirsch schreit op. 42 (Ger/Eng)for mixed choir (SATB) and soloists (STTBB)Piano reduction by the composerUrtext / Ed. J. M. CooperBA 9074-90 ° V.s.

Psalm 43Judge me, o god / richte mich, gott und führe meine sache (Ger/Eng) for mixed choir (SSAATTBB)BA 8939 Choral score

Psalm 98 sing to the Lord a new made song / singet dem Herrn ein neues Lied MWV A 23 / op. posth. 91 (Ger/Eng) for soloists (SATB) and two mixed choirs (SATB[2]) Urtext / Ed. J. M. CooperPiano reduction based on first edition. AnonymusBA 9076-90 ° V.s.

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Monteverdi, Claudio(1567–1643)

vespro della Beata vergine (Lat)Urtext / Ed. H. Schulze et al. BA 8794-90 ° V.s.

l Scholarly-critical Urtext edition orientated towards performance practicel Detailed Critical Commentary (Eng) in the full scorel Movements 10, 13 and 14 are included in their original high clef in the appendix of the full score.

l These movements are also available with piano reduction as print-on- demand. “What a monumental publication! The comprehensive and remarkably documented foreword ... is musicologically, historically and liturgically of great significance for the understanding of the work and its interpretation. Regarding the score, it presents the optimum in layout and readability.” (L’Education musicale)

New musical and performing insightsMendelssohn Bartholdy, Felix (1809–1847)

three Motets op. 69 (Ger/Eng)for mixed choir (SATB)Urtext / Ed. J. M. CooperBA 8937 Choral score

Separate editions from op. 69 (without introduction and critical commentary):

Lord now lettest thou thy servant depart in peace / Herr, nun lässest du deinen diener in frieden fahren (Ger/Eng) for mixed choir (SATB)BA 8934 Choral score

My soul doth magnify the Lord / Mein Herz erhebet gott, den Herrn (Ger/Eng) for mixed choir (SATB)BA 8936 Choral score

o be joyful in the Lord /Jauchzet dem Herrn, alle Welt (Ger/Eng) for mixed choir (SATB)BA 8935 Choral score

Wer nur den lieben gott lässt walten (Ger)Cantata for solo soprano, mixed choir (SATB) and strings (organ)Ed. B. OswaldBA 6380 ScoreBA 6380-91 Choral score

Mendelssohn Bartholdy, Felix (1809–1847) Bach, Johann Sebastian (1685–1750)

st. Matthew Passion BWV 244 (Ger). Oratorio by J. S. Bach in the arrangement by F. Mendelssohn BartholdyUrtext / Ed. K. WinklerPiano reduction by the editor BA 9088-90 V.s.

Monteverdi, Claudio(1567–1643)

Canzonetten (Ital/Ger)For female choir (SSA)German text in Gothic printBA 1562 Choral score











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Mozart, Wolfgang Amadeus (1756–1791) requiem K. 626Mozart’s fragment completed by Franz Xaver SüssmayrUrtext / Ed. L. NowakBA 4538-02 Score

Handel, George Frideric(1685–1759) Messiah HWV 56Urtext / Ed. J. TobinBA 4012-02 Score

Haydn, Joseph (1732–1809) Missa in Angustiis “nelson Mass” Hob. XXII:11 (Lat)Urtext / Ed. G. ThomasBA 4660-02 Score

Missa in B-flat maj “theresa Mass” Hob. XXII:12 (Lat)Urtext / Ed. G. ThomasBA 4661-02 ScoreIn preparation

From: Haydn, Missa in Angustiis “Nelson Mass” Hob. XXII:11, BA 4660-02

Full scores now in affordable soft-cover editions

How practical! towering masterpieces of choral music history are now appearing in handy and affordable full scores to complement the substantial linen-bound complete edition volumes. the tried-and-tested musical text remains the same,

whilst the forewords have been revised and supplemented by an english translation.

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Soft-coverSoft-cover Soft-coverSoft-cover

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Bärenreiter Female Choir SeriesThe choral scene is in a state of change! More and more choirs are lacking in male voices and at the same time, more and more female choirs are looking for high-quality literature beyond

folksong arrangements. The Bärenreiter Female Choir series responds to these trends by presenting arrangements for female choir (mostly SMezA) of well-known, frequently-performed works.

Fauré, Gabriel (1845–1924) Messe de requiem op. 48 (Lat)Arranged for female soloists/choir (SSAA) by M. Bruno / I. BredenbachBA 5695-90 ° V.s.

The vocal score is compatible with the performance material of the original work (BA 9461).

In this arrangement of Fauré’s Requiem for female voices and organ, the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged, while the original baritone solo now resounds in the alto.The organ arrangement takes all three versions of the Requiem into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation of the instrumental parts.However, the organ part is tailored to the arrangement rather than trying to imitate the sound of the orchestra.


Missa brevis sti Joannis de deo “Little organ Mass” (Hob. XXII:7) (Lat)Arranged for female choir (SMezAA) by H. BreuerBA 5694-90 ° V.s.

The vocal score is compatible with the performance material of the original work BA 4653.

From: Fauré, Messe de Requiem op. 48 · BA 5695-90

NEW 2017

Mozart, Wolfgang Amadeus (1756–1791) Missa brevis in d maj K. 194 (186h) (Lat) Arranged for female choir (SMezA) by H. BreuerBA 5690-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 5342.

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Mozart, Wolfgang Amadeus (1756–1791)

Missa in C maj “Coronation Mass” K. 317 (Lat)Arranged for female choir (SMezA) by H. BreuerBA 5691 Score BA 5691-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 4880 (arranged without trombones). Missa in C maj “sparrow Mass” K. 220 (196b) (Lat)Arranged for female choir (SMezA) by H. BreuerBA 5693 Score BA 5693-90 ° V.s

The vocal score is compatible with the performance material of the original work BA 5343. Pergolesi, Giovanni Battista(1710–1736)

stabat Mater (Lat)Arranged for female choir (SMezA) by M. BrunoBA 5692 ScoreBA 5692-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 7679. Vivaldi, Antonio(1678–1741)

gloria RV 589 (Lat) Arranged for female choir (SSAA) by M. BrunoBA 8953 ScoreBA 8953-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 7674. kyrie RV 587 (Lat)Arranged for female choir (SSAA) by M. BrunoBA 8954 ScoreBA 8954-90 ° V.s. The vocal score is compatible with the performance material of the original work BA 8950. “The Bärenreiter edition is flawless”. (Kirchenmusik im Bistum Aachen)


Alma dei creatoris K. 277 (272a) (Lat)Urtext / Ed. H. Federhofer Piano reduction by A. KöhsBA 4889-90 ° V.s.BA 4889-91 Choral score

Ave verum corpus K. 618 (Lat)Urtext / Ed. H. FederhoferPiano reduction by C. HeimbucherBA 4946-90 V.s.BA 4946 Playing score

Benedictus sit deus K. 117 (66a=47b) (Lat)Urtext / Ed. H. FederhoferPiano reduction by A. KöhsBA 4884-90 ° V.s. BA 4884-91 Choral score

Betulia liberata K. 118 (Ital/Ger) Text by P. Metastasio / E. SchmidtUrtext / Ed. F. TagliaviniPiano reduction by H. G. KlugeBA 4521-90 V.s.

dixit et Magnificat K. 193 (186g) (Lat)Urtext / Eds. K. G. Fellerer, F. SchroederPiano reduction by M. FockeBA 5340-90 ° V.s.BA 5340-91 Choral score

exsultate, jubilate K. 165 (158a) (Lat) with additional material from the Salzburg version Urtext / Eds. H. Federhofer, R. MünsterPiano reduction by M. FockeBA 4897-90 ° V.s.

Hosanna in g maj K. 223 (166e) (Lat)Urtext / Ed. M. HollPiano reduction by A. KöhsBA 5347-90 V.s.

inter natos mulierum K. 72 (74f) (Lat)Urtext / Ed. M. HollPiano reduction by A. KöhsBA 4788-90 ° V.s.BA 4788-91 Choral score

kyrie in d min K. 90 (Lat)Urtext / Ed. M. HollPiano reduction by A. KöhsBA 5346-90 ° V.s.

kyrie in d min K. 341 (368a) (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 4702-90 ° V.s. kyrie in f maj K. 33 (Lat)Urtext / Ed. M. HollPiano reduction by A. KöhsBA 5345-90 ° V.s.

Laudate dominum from the vesperae solennes de Confessore K. 339 (Lat)Urtext / Eds. K. G. Fellerer, F. SchroederPiano reduction by M. FockeBA 5339-90 ° V.s.

Litaniae Lauretanae B.M.v.in B-flat maj K. 109 (74e) (Lat)Urtext / Eds. H. Federhofer, R. Federhofer-KönigsPiano reduction by M. FockeBA 4890-90 ° V.s.BA 4890-91 Choral score



https://www.baerenreiter.com/en/shop/product/details/BA/5691_90

































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Litaniae Lauretanae B.M.v. in d maj K. 195 (186d) (Lat)Urtext / Eds. H. Federhofer, R. Federhofer-KönigsPiano reduction by M. FockeBA 4891-90 ° V.s.

Litaniae de venerabili altaris sacramento in B-flat maj K. 125 (Lat)Urtext / Eds. H. Federhofer, R. Federhofer-KönigsPiano reduction by M. FockeBA 4763-90 ° V.s.BA 4763-91 Choral score

Litaniae de venerabili altaris sacramento in e-flat maj K. 243 (Lat)Urtext / Eds. H. Federhofer, R. Federhofer-KönigsPiano reduction by M. FockeBA 4892-90 ° V.s.BA 4892-91 Choral score

Misericordias domini K. 222 (205a) (Lat)Urtext / Ed. H. FederhoferPiano reduction by A. KöhsBA 4789-90 ° V.s.BA 4789-91 Choral score

Missa brevis in g maj K. 49 (47d) (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 4769-90 ° V.s.BA 4769-91 Choral score

Missa brevis in d min K. 65 (61a) (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 5341-90 ° V.s.

Missa in C maj “dominicus Mass” K. 66 (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 4791-90 ° V.s.BA 4791-91 Choral score

Missa in C min “Waisenhaus Mass” K. 139 (47a) (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 4858-90 ° V.s.BA 4858-91 Choral score

Missa in C min “Waisenhaus Mass” K. 139 (47a) (Lat) Choir & Organ series → page 34BA 7521 Score

Missa brevis in g maj K. 140 (Anh. 235d) (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 4736-90 ° V.s.BA 4736-91 Choral score

Missa in C maj “trinity sunday Mass” K. 167 (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 4783-90 ° V.s.

Missa brevis in f maj K. 192 (186f) (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 4770-90 ° V.s. BA 4770-91 Choral score

Missa brevis in d maj K. 194 (186h) (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 5342-90 ° V.s. BA 5342-91 Choral score Missa brevis in d maj K. 194 (186h) (Lat)Bärenreiter Female Choir series BA 5690-90 ° V.s. → page 28

Missa in C maj “sparrow Mass” K. 220 (196b) (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 5343-90 ° V.s. BA 5343-91 Choral score Missa in C maj “sparrow Mass” K. 220 (196b) (Lat) Choir & Organ series → page 34BA 7522 Score Missa in C maj “sparrow Mass” K. 220 (196b) (Lat)Bärenreiter Female Choir series BA 5693-90 ° V.s. → page 28

Missa brevis in C maj “Credo Mass” K. 257 (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 4859-90 ° V.s.

Missa brevis in C maj “Credo Mass” K. 257 (Lat)Choir & Organ series → page 34 BA 7520 Score































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Missa in C maj K. 258 (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 4851-90 ° V.s.BA 4851-91 Choral score

Missa in C maj “organ solo Mass” K. 259 (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 4852-90 ° V.s. BA 4852-91 Choral score

Bärenreiter study score reader

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Missa longa in C maj K. 262 (246a) (Lat)Urtext / Ed. W. SennPiano reduction by M. FockeBA 4853-90 ° V.s.

Missa brevis in B-flat maj K. 275 (272b) (Lat) Urtext / Ed. M. HollPiano reduction by M. FockeBA 5344-90 ° V.s. BA 5344-91 Choral score

Missa in C maj “Coronation Mass” K. 317 (Lat)Urtext / Ed. M. HollPiano reduction by M. FockeBA 4880-90 ° V.s. BA 4880-91 Choral scoreTP 316 Study score

Missa in C maj “Coronation Mass” K. 317 (Lat) Choir & Organ series → page 34BA 7519 Score Missa in C maj “Coronation Mass” K. 317 (Lat)Bärenreiter Female Choir seriesBA 5691-90 ° V.s. → page 28

Missa in C maj “Missa solemnis” K. 337 (Lat)Urtext / Ed. M. HollPiano reduction by M. FockeBA 4881-90 ° V.s.

Missa in C min K. 427 (Lat)Credo in unum, Et incarnatus est, Sanctus with Hosanna, Benedictus with Hosanna.Reconstruction and stylistically appropriate completion by U. LeisingerUrtext / Ed. U. LeisingerPiano reduction by H. SchellevisBA 9188-90 ° V.s. BA 9188-91 Choral scoreTP 988 Study scoreIn preparation

Missa in C min K. 427 (417a) (Lat)Credo in unum Deum, Et incarnatus est, Sanctus, Hosanna. Reconstructed and completed by Helmut EderUrtext / Ed. M. HollPiano reduction by M. FockeBA 4846-90 V.s. TP 255 Study score

regina coeli in C maj K. 108 (74d) (Lat)Urtext / Ed. H. Federhofer Piano reduction by A. KöhsBA 4886-90 ° V.s. BA 4886-91 Choral score


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regina coeli in B-flat maj K. 127 (Lat)Urtext / Ed. H. Federhofer Piano reduction by A. KöhsBA 4887-90 ° V.s. BA 4887-91 Choral score

regina coeli in C maj K. 276 (321b) (Lat)Urtext / Ed. H. Federhofer Piano reduction by A. KöhsBA 4888-90 ° V.s. BA 4888-91 Choral score

requiem K. 626 (Lat)Mozart’s fragment in the version completed by Franz Xaver SüssmayrUrtext / Ed. L. NowakPiano reduction by H. Moehn(Reviewed and revised by A. Wissemann)

BA 4538-02 Score (soft-cover)→ page 27

BA 4538-90 ° V.s. → page 33 TP 152 Study score requiem K. 626 (Lat)Choir & Organ series BA 7518 Score → page 34 requiem K. 626Facsimile of the autograph score held in the Austrian National Library ISBN 978-3-7618-2346-0→ page 47

sancta Maria, mater dei K. 273 (Lat)Urtext / Ed. H. Federhofer Piano reduction by A. KöhsBA 4751-90 ° V.s. BA 4751-91 Choral score

scande coeli limina K. 34 (Lat)Urtext / Ed. H. Federhofer Piano reduction by A. KöhsBA 4882-90 ° V.s.BA 4882-91 Choral score

shorter sacred WorksChoir & Organ series → page 29BA 7523 Score

tantum ergo K. 142 (Anh. 186d) (Lat)Mozart’s arrangement of Friedrich Zachow’s Tantum Ergo with newly composed AmenUrtext / Ed. H. Federhofer Piano reduction by A. KöhsBA 4752-90 ° V.s.BA 4752-91 Choral score

tantum ergo K. 197 (Anh. 186e)(Lat)Urtext / Ed. H. Federhofer Piano reduction by A. KöhsBA 4753-90 ° V.s.BA 4753-91 Choral score

te deum laudamus K. 141 (66b) (Lat)Urtext / Ed. H. Federhofer Piano reduction by A. KöhsBA 4885-90 ° V.s.

veni sancte spiritus K. 47 (Lat)Urtext / Ed. H. Federhofer Piano reduction by A. KöhsBA 4883-90 ° V.s.BA 4883-91 Choral score

venite populi K. 260 (248a) (Lat)Urtext / Ed. H. Federhofer Piano reduction by A. KöhsBA 4899-90 ° V.s.BA 4899-91 Choral score

vesperae solennes de Confessore K. 339 (Lat)Urtext / Eds. K. G. Fellerer, F. SchroederPiano reduction by M. FockeBA 4894-90 ° V.s.BA 4894-91 Choral score vesperae solennes de dominica K. 321 (Lat)Urtext / Eds. K. G. Fellerer, F. SchroederPiano reduction by M. FockeBA 4893-90 ° V.s.BA 4893-91 Choral score

Mozart, Wolfgang Amadeus (1756–1791) /Handel, George Frideric (1685–1759)

the Messiah K. 572 (Ger) Urtext / Ed. A. HolschneiderOratorio by G. F. Handel in the arrangement by W. A. Mozart Piano reduction by E. BarthelBA 4529-90 V.s. das Alexander-fest / Alexander’s feast K. 591 (Ger)Cantata in two parts by G. F. Handel in the arrangement by W. A. MozartUrtext / Ed. A. HolschneiderPiano reduction by K. Ameln and A. WissemannBA 4527-90 V.s.

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Mozart's “requiem” Piano reduction now revised ... ... and compatible with all existing performance material

• Largernotationinthe

vocal parts

• Largertypeface

• Revised musical text

• Improved readability

l This vocal score now includes a revised piano reduction: The old Moehn piano reduction has been maintained, but corrected and uncluttered.

l A more exact spacing of underlaid words has been included in the vocal parts. l Apart from corrections the musical text remains unchanged.

l A Foreword (Ger/Eng) by authoritative Requiem connoisseur Christoph Wolff is included, describing the work’s genesis and its musical features.

BA 4538-90 ° V.s.


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Bärenreiter Choir & Organ Series

Bach, Carl Philipp EmanuelMagnificat Wq 215Arranged by A. Köhs BA 7517 Score

Bach, Johann Sebastianfestive Choral settings from CantatasArranged by I. Bredenbach for mixed choir (SATB) and organ BA 7527 Score Separate organ part BA 7527-67 PoD Choral movements from the Christmas oratorio Part i-iii BWV 248Arranged by H. Gehring for mixed choir (SATB) and organ BA 7525 Score

Bruckner, Antonte deum WAB 45 (Lat)Arranged by A. Köhs BA 7524 Score

Dvořák, Antonín Mass in d maj op. 86 (Lat) Urtext / Eds. J. Burghauser, A. Čubr BA 7511 Score

Fauré, Gabriel requiem op. 48 (Lat)Arranged by I. Bredenbach BA 7513 Score

Mozart, Wolfgang Amadeus Missa in C min “Waisenhaus Mass” K. 139 (47a) (Lat) Arranged by M. Focke BA 7521 Score

Missa in C maj “sparrow Mass” K. 220 (196b) (Lat) Arranged by M. Focke BA 7522 Score

Missa brevis in C maj “Credo Mass” K. 257 (Lat)Arranged by M. Focke BA 7520 Score

Missa in C maj “Coronation Mass” K. 317 (Lat) Arranged by M. Focke BA 7519 Score

Mozart, Wolfgang Amadeusrequiem K. 626 (Lat)Arranged by M. Focke BA 7518 Score

shorter sacred WorksArranged by A. Köhs BA 7523 Score

Saint-Saëns, Camille oratorio de noël op. 12 “Christmas Oratorio” (Lat)Arranged by A. Köhs BA 7514 Score

Schubert, FranzMissa in g maj D 167 (Lat)Arranged by M. Gerisch BA 7512 Score

Vivaldi, Antoniointroduzione al gloria. gloria in d maj RV 642, 589 (Lat)Arranged by M. Focke BA 7515 Score

Magnificat RV 610/611 (Lat)Arranged by A. Köhs BA 7516 Score

“Choir & Organ presents a great opportunity for all choirs to sing the great choral repertoire without the need for an orchestra – these versions will help

to keep these works alive and in the hearts of all lovers of choral music.”(Bob Chilcott)

From: Fauré, Requiem op. 48 · BA 7513

● Ideal for choral conductors and choirs who wish to perform well-known choral works without the expense of an orchestra

● Only one edition needed for soloists, singers and organists

● Choir and solo parts remain true to the original: original orchestral parts are transcribed into easy-to-play organ parts

● Scoring mostly for soloists (SATB), mixed choir (SATB) and organ


















35

Pachelbel, Johann(1653–1706)

Christ lag in todesbanden / Christ lay in grim death’s prison (Ger/Eng). Easter Cantata for soloists (SATB), choir (SATB), strings, bassoon and bc Ed. H. H. EggebrechtBA 2875 ° ScoreBA 2875-91 Choral score Magnificat anima mea (Lat)Motet for mixed choir (SATB) and bcEd. H. H. EggebrechtBA 2877 Singing score

nun danket alle gott / now thank we all our god (Ger/Eng) Motet for mixed choir (SATB+SATB) and bcEd. H. H. EggebrechtBA 2873 Singing score, playing score

Pergolesi, Giovanni Battista (1710–1736)

vespro della Beata vergine /vespers (Lat) A reconstruction. Eds. M. Bruno, E. Higginbottom, R. Ross Piano reduction by M. BrunoBA 7675-90 V.s.

Puccini, Giacomo (1858–1924) Messa a 4 voci (Lat)Urtext / Ed. H. SchellevisPiano reduction by the editorBA 8965-90 ° V.s.BA 8965-91 Choral scoreIn preparation



Mass in f major“Missa romana” (Lat) Urtext / Eds. M. Bruno, C. RitchiePiano reduction by M. BrunoBA 8958-90 ° V.s.

This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for a performance in Rome.

Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.

This allows the work to be performed not only with two

choirs but also in the delightful enlarged version for four choirs. “For this luminous show-piece, it would be hard to imagine a better edition.” (Organists’ Review)

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stabat Mater for Soprano, Alto, Strings and Basso continuo (Lat)Urtext / Eds. M. Bruno, C. RitchiePiano reduction by M. BrunoBA 7679-90 ° V.s.

stabat Mater (Lat) Bärenreiter Female Choir seriesBA 5692-90 ° V.s. → page 28

Purcell, Henry (1659–1695)

evening serviceMagnificat and Nunc dimittis (Ger/Eng) for soloists (SSATB or small choir) and choir (SATB)Ed. J. JustBA 2923 Choral score

o, sing unto the Lord / singt, o singt dem Herrn (Ger/Eng)Anthem for soloists (SATB), choir (SATB) and stringsEd. J. JustBA 2901 ° ScoreBA 2901-91 Choral score

Reger, Max(1873–1916)

sacred Choral Music a cappella (Ger)Urtext / Ed. M. ChizzaliBA 7549

Tantum ergo (1895), Maria Himmelsfreud (1899-1900), Acht Grabgesänge (ca. 1900), Acht Marienlieder op. 61D (1901), Sechs Trauergesänge op. 61G (1901), Palmsonntagmorgen (1902), Vier Kirchengesänge (1904), Easter motet: Lasset uns den Herren preisen (1911), Abschiedslied (1914), Acht geistliche Gesänge op. 138 (1914)

Rossini, Gioachino (1792–1868)

Petite Messe solennelleBA 10501-90 → page 37


Ryba, Jakub Jan (1765–1815)

Czech Christmas Mass (Cz/Ger)for soloists (SATB) and mixed choir (SATB) H 5572 V.s.

Saint-Saëns, Camille (1835–1921)

oratorio de noël op. 12 “Christmas Oratorio” (Lat)Choir & Organ series → page 34BA 7514 Score

Schein, Johann Hermann(1586–1630)

die mit tränen säen Motet no. 3 from “Israelsbrünnlein” for mixed choir (SSATB) and bcBA 2553 Choral score, playing score

ich freue mich im Herren (Ger)Motet no. 14 from "Israelsbrünnlein" for mixed choir (SSATB) and bcBA 2564 Choral score, playing score

Schubert, Franz(1797–1828)

german Mass D 872 (Ger)Second definitive versionUrtext / Ed. M. KubePiano reduction by M. KubeBA 7599-90 ° V.s.BA 7599-91 Choral score Magnificat in C maj D 486 (Lat)Urtext / Ed. R. FaberPiano reduction by A. KöhsBA 5657-90 ° V.s. In preparation

Missa in A-flat maj D 678 (Lat) (Second version)Urtext / Ed. D. Finke-HecklingerPiano reduction by A. KöhsBA 5623-90 ° V.s.

Missa in B-flat maj op. post. 141 D 324 (Lat)Urtext / Ed. R. DalmontePiano reduction by O. KroupováBA 5621-90 ° V.s.BA 5621-91 Choral score

Missa in C maj op. 48 D 452 (Lat)Urtext / Ed. P. P. ScattolinPiano reduction by O. KroupováRevised edition BA 5622-90 ° V.s.BA 5622-91 Choral score

Missa in f maj D 105 (Lat)Urtext / Ed. T. Pecker BerioPiano reduction by O. KroupováBA 5624-90 ° V.s.BA 5624-91 Choral score Missa in g maj D 167 (Lat)Choir & Organ series → page 29BA 7512 Score

die schöne Müllerinarranged for mixed choir a cappella (SATB)BA 6596 Singing score

stabat Mater in g min D 175 (Lat)Urtext / Ed. R. FaberPiano reduction by A. KöhsBA 5656-90 ° V.s. In preparation

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NEW 2017

An award-winning edition

Rossini, Gioachino (1792–1868)

Petite Messe solennelle (Lat)Urtext / Eds. P. B. Brauner, P. GossettPiano reduction by A. KöhsBA 10501-90 ° V.s.


Winner of the Claude Palisca Prize 2010 awarded by the American Musicological Society for Best Musical Edition

This edition presents Rossini‘s original chamber music setting of the Petite Messe solennelle for two pianos and harmonium.

This unusual instrumentation is entirely in keeping with the Neapolitean keyboard tradition of the 18th century which was cultivated in France during Rossini‘s day. It forms a distinct contrast to the style of large-scale sacred compositions as written by, for example Liszt and Bruckner.

l Based on the Urtext of the series Works of Gioachino Rossini

l Foreword (Eng/Ital/Ger)

l With a separate harmonium part and one part for pianos I and II

“… it is very difficult to imagine anyone arriving at a more scholarly, accurate, and practically useful text than this.” (Classics today) “This edition … is the definitive version”

(The American Organist)

The Claude Palisca Prize 2010



38

Revised edition of “Geistliche Chor-Music”

Schütz, Heinrich (1585–1672)

sacred Choral MusicUrtext / Based on Werner Breig’s edition published in The New Schütz Edition the five-part motets(Nos. 1-12, SWV 369-380) (Ger)BA 5901 ° Choral score the six and seven-part motets (Nos. 13-29, SWV 381-397) (Ger)BA 5902 ° Choral score

so fahr ich hin zu Jesu Christ SWV 379 (No. 11)BA 7971 Choral score

Also hat gott die Welt geliebt SWV 380 (No. 12)BA 7972 Choral score

o lieber Herre gott, wecke uns auf SWV 381 (No. 13)BA 7973 Choral score

das Wort ward fleisch SWV 385 (No. 17)BA 7977 Choral score

die Himmel erzählen die ehre gottes SWV 386 (No. 18) BA 7978 Choral score

das ist je gewisslich wahr SWV 388 (No. 20) BA 7980 Choral score

ich bin ein rechter Weinstock SWV 389 (No. 21) BA 7981 Choral score

selig sind die toten SWV 391 (No. 23) BA 7983 Choral score

Schütz, Heinrich (1585–1672)

deutsches Magnificat 1671 “Meine seele erhebt den Herrn” SWV 494 (Ger)from Der Schwanengesang for two mixed choirs (SATB+SATB). Transposed a whole tone higher. Ed. K. AmelnBA 2155 Choral score

die sieben Worte Jesu Christi am kreuz SWV 478 (Ger) for soloists (SATTB), mixed choir (SATTB), strings and bc Solo voices / instrumental parts available separatelyEd. B. Grusnick Gothic print BA 1577 ° ScoreBA 1577-91 Choral score

Historia der geburt Jesu Christi SWV 435 (Ger)Urtext/ Ed. F. SchöneichBA 1709 ° ScoreBA 1709-91 Choral scoreTP 132 Study score

Magnificat SWV 468 (Ger)for favoritchoir (SATB[solo)], 2 capellchoirs (SATB [tutti)], 2 instrumental choirs and bcBA 4334-91 ° Choral scoreBA 4334-92 ° Choral scoreBA 4334-93 ° Choral score

singet dem Herrn ein neues Lied SWV 35 (Ger)Psalm no. 98 for two mixed choirs (SATB+SATB) Ed. W. EhmannBA 2398 Choral score Zwölf geistliche gesänge (Ger)for mixed choir (SATB) and bc ad lib. BA 6948 Choral score


selected motets available in individual octavo editions:

l With modern notation and layout, retention of the original keys and an integrated figured bass realisation

l The ‘choral’ parts can be performed by instruments as well as voices. For purely instrumental performances - order parts under BA 5901 and BA 5902

verleih uns frieden genädiglich SWV 372 (No. 4)BA 7964 Choral score

gib unsern fürsten und aller obrigkeit SWV 373 (No. 5)BA 7965 Choral score

Unser keiner lebet ihm selber SWV 374 (No. 6)BA 7966 Choral score

Herr, auf dich traue ich SWV 377 (No. 9)BA 7969 Choral score

die mit tränen säen, werden mit freuden ernten SWV 378 (No. 10)BA 7970 Choral score


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Sacred a Secular WorkS

Seither, Charlotte (*1965)

guarda in giù for 12-part choir (Ger) (2012). For mixed choir (SSSAAATTTBBB)BA 11027 Choral score oculi. (Ger) (2017) NEW 2018Three easy sacred pieces for female choir (3-5 parts)BA 11098 Choral scoreIn preparation

Telemann, Georg Philipp (1681–1767)

die Auferstehung und Himmelfahrt Jesu TVWV 6:6 (Ger)Urtext / Ed. R.J. ReipschPiano reduction by A. KöhsBA 5851-90 V.s.

Christus, der ist mein Leben TVWV 1:138 (Ger)Urtext / Ed. U. PoetzschPiano reduction by A. KöhsBA 5897-90 ° V.s. This is the first scholarly-critical edition of the highly successful chorale setting (1754) of the church hymn Christus, der ist mein Leben, based on M. Vulpius’s melody from the Hamburg Hymnal. The work is especially well-suited to display Telemann’s mastery in depicting the words of the chorale. The so-called ‘Ausfüllungsbass’ (a vocal bass added to the principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg’s churches.

donnerode TVWV 6:3 (Ger) Oratorio in two partsUrtext / Ed. W. HobohmPiano reduction by A. KöhsBA 5900-90 V.s.

du aber, daniel, gehe hin (Ger)Funeral cantata for soloists (SB), mixed choir (SATB), flute, oboe, strings and organEd. G. Fock BA 3583-91 ° Choral score

gelobet sei der Herr TVWV 1:602/1216 (Ger)Oratorio for St John's Day Urtext / Ed. U. PoetzschPiano reduction by A. KöhsBA 5899-90 V.sBA 5899-91 Choral score

Telemann’s two-part oratorio appeared as part of the “great oratorio year” of 1730/31.

l Richly scored hitherto unknown workl Interesting addition to the repertoire for church as well as concert choirs

gelobet seist du, Jesu Christ / We praise your name TVWV 1:612 (Ger/Eng). Cantata for the Second Day of ChristmasUrtext / Ed. U. Poetzsch-SebanPiano reduction by A. KöhsBA 7676-90 ° V.s.

“All in all high-quality music which has been evaluated “in the field” for performers.” (Journal Kirchenmusik) gott der Hoffnung erfülle euch TVWV 1:634 (Ger). Cantata for the first day of WhitsunUrtext / Ed. M. RichterPiano reduction by A. KöhsBA 5898-90 ° V.s

In 1717 Telemann composed this cantata based on a text by Erdmann Neumeister. It forms part of the Concerten-Jahrgang, also known as Das Harmonische Zion or Italienischer Jahrgang and has been colourfully scored. Vocal soloists, choir and instruments have equal musical standing in this festive cantata.

die Hirten bei der krippe zu Bethlehem TVWV 1:797 (Ger)Sacred CantataUrtext / Ed. W. HobohmPiano reduction by M. FockeBA 5852-90 ° V.s.

der jüngste tag wird bald sein Ziel erreichen / the Last of days shall reach its destination TVWV 1:301 (Ger/Eng)Cantata for the Second AdventUrtext / Ed. U. Poetzsch-SebanPiano reduction by A. KöhsBA 7671-90 ° V.s.

Laudate Jehovam “Auf! Lobet den Herren” (Lat/Ger). Psalm no. 117 for mixed choir (SATB), two violins and bc Ed. E. Valentin BA 2900-91 ° Choral score

nun komm der Heiden Heiland / Come thou of man the saviour TVWV 1:1174 (Ger/Eng). Cantata for the First Sunday of AdventUrtext / Ed. U. Poetzsch-SebanPiano reduction by A. KöhsBA 7677-90 ° V.s.

Johannespassion (1745)“ein Lämmlein geht und trägt die schuld” TVWV 5:30 (Ger)Urtext / Ed. W. HirschmannPiano reduction by O. KroupováBA 5310-90 V.s.

Matthäus-Passion (1746)for mixed choir (SATB) (Ger)SM 2349-91 Choral score

der tod Jesu TVWV 5:6 (Ger)Urtext / Ed. W. HobohmPiano reduction by A. KöhsBA 5853-90 V.s.

Trojahn, Manfred(*1949)

Ungewisses Licht (Ger) (2014)4 fragments for 8-part choirfor mixed choir (SSAATTBB)BA 11061 Choral score

Verdi, Giuseppe(1813–1901)

Messa da requiem (Lat)BA 7590-90 → page 40
















https://www.baerenreiter.com/en/shop/product/details/SM2349_91/




40


Verdi, Giuseppe(1813–1901)

Messa da requiem (Lat)Urtext / Ed. M. UviettaPiano reduction by A. CamporaBA 7590-90 ° V.s.

For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem; some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the Liber scriptus, was newly discovered.

As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.

This edition comprises a concise Critical Commentary in the score as well as a detailed one on the Bärenreiter website. The most important editions published in the 19th century are compared with regard to musicological questions in the work.

The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the Liber scriptus for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.

“… Obviously, this is the latest and most comprehensive edition and the one that should supplant all others on music library shelves.”

(The American Organist)

l Verdi's monumental work in a Bärenreiter Urtext edition

l Trilingual preface in the score (Ital/Eng/Ger)

l Detailed Critical Commentary (Eng)

l Idiomatic well-presented piano reduction


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Vivaldi, Antonio(1678–1741)

gloria RV 589 (Lat) Urtext / Ed. M. BrunoPiano reduction by M. BrunoBA 7674-90 ° V.s.BA 7674-91 Choral score

gloria RV 589 (Lat)Bärenreiter Female Choir seriesBA 8953-90° V.s. → page 28

introduzione al gloria. gloria in d maj RV 642, 589 (Lat)Choir & Organ series → page 34BA 7515 Score

kyrie RV 587 (Lat)Urtext / Ed. M. BrunoPiano reduction by M. BrunoBA 8950-90 ° V.s. kyrie RV 587 (Lat) Arranged for female choir (SSAA) Bärenreiter Female Choir seriesBA 8954-90° V.s. → page 28

Magnificat RV 610/611 (Lat)Choir & Organ series → page 34BA 7516 Score

Zelenka, Jan Dismas (1679–1745) Missa divi Xaverii ZWV 12 (Lat)for soloists, mixed choir and orchestraUrtext / Ed. V. Luks Piano reduction by P. KornfeldBA 9594-90 V.s.

The Missa Divi Xaverii ZWV 12, an expansive and unusually richly scored work, marks a highlight in the œuvre of Zelenka. It was composed in 1729 while he was working at the Dresden court.

The principal source of this first edition is the damaged autograph score which had long been kept under lock and key. Passages missing because of its damaged condition have been supplemented using secondary sources or reconstructed by Václav Luks, clearly marked as such in the musical text.

“It is good that Zelenka’s work is now receiving its due through to scholarly editions as this.” (Organists’ Review)











42

PoPular choral MuSic and collectionS

Best of Jazz im Chor(Eng)for mixed choir (mostly SATB)Ed. C. SchönherrBE 488 Choral score

This edition contains the most attractive and frequently sung pieces from the series Jazz im Chor. The pieces include jazz standards, ballads and gospel numbers.

Chor aktuell Female Voices(SSAA/SMA) Ed. K. Suttner, S. Kalmer, K. Ehmer, M. FreyBE 2498 Chor aktuell Female Voices contains more than 70 choral arrangements of sacred as well as secular songs from all over the world which cover musical styles such as pop, gospel, avant-garde and folk. Distribution rights for Europe and Japan

Christmas a cappellafor mixed choir (SATB)Ed. G. BucklandBA 7573 “The greatest strength of this collection is its sheer scope, containing over 170 carols many of which are the traditional favourites. For this fact alone, many choirs will find this book excellent value for money.” (Church Music Quarterly)

Christmas for female voicesEd. G. BucklandBA 7598 This collection includes many well-known Christmas melodies in traditional as well as more popular settings from many countries around the world. All pieces are arranged for two female voice parts with a piano accompaniment but a third optional voice part is also included in many cases. A selection: A child this day is born / Es ist ein Ros entsprungen / Entre le bœuf / Joy to the world / Les anges de nos campagnes / O Heiland, reiß die Himmel auf / Orientis partibus / Quando nascette ninno / The Carol of the Drum / The first Nowell

Major opera choruses Bärenreiter Album of Opera Choruses for Mixed ChoirBA 6924 V.s.

This album for mixed choir and piano contains a selection of richly varied choruses from Italian, French, German, English and Russian operas from the 17th to 19th centuries, illuminating the great diversity of the genre. A foreword (Ger/Eng) places the choruses in their dramatic context and includes suggestions for study and interpretation.

NEW 2017

Monteverdi, Claudio: "Vieni Imeneo - Lasciate i monti, lasciate i fonti” (L'Orfeo) / Handel, george frideric: "Smiling Venus, queen of love" (Acis and Galatea HWV 49b) / gluck, Christoph Willibald: "Regna a noi con lieta sorte" (Alceste [Vienna Version 1767]) / Mozart, Wolfgang Amadeus: "Placido è il mar, andiamo" (Idomeneo K. 366) / schubert, franz: "Lasst Friede in die Hallen des Fürstensitzes ziehn" (Fierabras D 796) / Bellini, vincenzo: "Guerra, guerra!" (Norma) / saint-saëns, Camille: "L'aube qui blanchit déjà les coteaux" (Samson et Dalila) / Bizet, georges: "Les voici, voici la quadrille !" (Carmen) / tchaikovsky, Peter: "Bolijat moi skory nožen'ki“ (Eugene Onegin) (Cyrillic text with transliteration)

https://www.bosse-verlag.de/shop/produkt/details/BE488





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Groove Sisters(Eng) for female voices (SSAA) and pianoEd. M. CarbowBE 499 Choral score Groove Sisters brings together rock-jazz songs and gospel numbers in a selection for female voices. The arrangements come with a piano accompaniment but can also be sung a cappella. A selection:He Is Always Close To You /He Is The Lord / I Set My Sail /He Is Making Us Sing /Free Your Soul / A Rainy Day /Lift Your Head Up High

Hits from Jesus Christ Superstar

(Eng)4 pieces for mixed choir (SATB) a cappellaEd. S. KalmerBE 429 Choral score Everything’s alright / I Don’t Know How to Love Him / The Last Supper / King Herod’s Song Worldwide distribution rights excluding the USA and Canada

Let's Get Singingfor mixed choir (mostly SATB)Ed. K. Suttner, S. Kalmer, B. G. Mettke, M. FreyBE 2439-01 l Over 100 pieces from more than 30 countries l Includes sacred as well as secular pieces and Christmas music l Of moderate difficulty

Audio Cd Contains spoken texts to assist in the pronunciation of the foreign languages used.99 tracks, approx. 70 minutesISBN 978-3-7649-2437-9

Münden, Gerd-Peter(*1966)

six Motets for Christmasfor mixed choir (SSATBB), children’s choir, youth choir (SSA), organ ad. lib. (Ger/Eng)

BA 8957 Full scoreBA 8957-91 Choral score for mixed choirBA 8957-97 Choral score for children’s choir, equal-voice choir (SSA) This collection by Gerd-Peter Münden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adults’ or children’s choir.

There comes a galley, laden / O Saviour, open heaven’s gate / O Lord, how shall I meet you / Angels, from the realms of glory / As I was watching o’er my Sheep / Good Christian men, rejoice

64 Spirituals a cappella(Eng) for mixed choir (SATB to 10 parts)Ed. G. BucklandBA 7574 This collection offers a treasure trove of the most beautiful gospel and spiritual numbers which every choir will want to sing over and over again. A selection: Go down Moses / Amen / Michael row the boat ashore / Rock my soul / This little light of mine / The Gospel train

33 Spirituals for Upper Voices(Eng) for female choir or children's choir (SMezA) and piano. Ed. G. BucklandBA 7572

This edition offers exciting original arrangements that have

never before appeared in print, written in an authentic idiom for three women’s or girls’ voices with piano accompaniment.

All the arrangements can be combined with the already published edition 64 Spirituals (BA 7574) which is for SATB. To give you an example: a children’s choir working with our new edition can appear with a mixed chorus that has already mastered the settings of BA 7574. In addition twelve of the arrangements can be enhanced by instrumental accompaniments. These are to be found in the ComboCom series Spirituals edition (BA 6699) which offers flexible instrumental settings.

Stevens, CatWild World (Eng)for mixed choir (SATB) Ed. S. KalmerBE 727

Weltmusik für Chor / World Music for Choir

for mixed choir (SATB)Ed. R. DostBE 468 with audio CD This edition contains nine specially chosen pieces from countries all over the world in vibrant arrangements which should appeal particularly to the younger choir singer. The accompanying CD includes complete performances of all the pieces, recordings of the individual vocal parts as well as instructive information on the background, interpretation and pronunciation.

PoPular choral MuSic and collectionS















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“Allein zu dir, Herr Jesu Christ” BWV 33Cantata for the 13th Sunday after Trinity. Edited by Christoph Wolff and Peter Wollny. Autograph score, original parts, text from 1724. Facsimile series Bachscher Werke und Schriftstücke, New Series, Volume VBoxed set of 24 pages (score), 54 pages (parts), 16 pages (text) and 16 pages (commentary) ISBN 978-3-7618-2201-2 Mass in B min BWV 232Facsimile of the autograph score in the Staatsbibliothek zu Berlin. Edited by Christoph Wolff.218 pages of facsimile and a 36 page introduction (Eng/Ger/Jap); Linen-bound with silver embossing Documenta Musicologica II/35 BäRENREITER FACSIMILEISBN 978-3-7618-2194-7 “This facsimile edition is a model for the presentation of musical sources, both in appearance and in documentation. Wolff’s facsimile will serve as foundational tools”. (Notes, December)

FacSiMileS

st. Matthew Passion BWV 244Facsimile of the autograph score in the Staatsbibliothek zu Berlin – Preußischer KulturbesitzWith a commentary by Christoph Wolff, Martina Rebmann and Barbara Schneider-Kempf (Eng/Ger)Documenta musicologica II,47168 pages facsimile and 26 pages of commentary BäRENREITER FACSIMILE Half-leather binding, hardbackISBN 978-3-7618-2294-4

Johann Sebastian BachSt. Matthew Passion BWV 244


“o ewigkeit, du donnerwort” BWV 20Cantata for the 1st Sunday after Trinity Autograph score and original parts: Two 4-colour facsimile fascicles (24 + 64 pages, each in a facsimile cover) and a Commentary booklet (Ger/Eng, 16 pp) in a slipcase

Faksimile-Reihe Bach’scher Werke und Schriftstücke. Neue Folge, edited by the Bach Archive Leipzig (Peter Wollny), Volume IXDocumenta musicological II/52, ISBN978-3-7618-2447-4 l Limited edition of 250 copies l With a Commentary by Peter Wollny

Johann Sebastian BachAutograph score and original parts reunited

Limited edition





45

“Best Edition 2008”

“What a joy for all of us to have a readily available facsimile of Beethoven 9 at last. Del Mar’s work on the symphonies has become the gold standard of contemporary editing for us all, an astonishing work of scholarship which is miraculously practical. These two virtues are not often bedfellows … I welcome his guiding hand on this new project, and look forward to a fascinating exploration.” (Sir Simon Rattle)

Facsimile of the autograph score held in the Staatsbibliothek zu Berlin - Preussischer KulturbesitzWith a commentary by Hans-Joachim Hinrichsen and Martina RebmannDocumenta musicologica II, 51340 pp. of facsimile and 29 pp. of Commentary (Eng/Ger);BäRENREITER FACSIMILEHalf-leather binding, hardbackISBN 978-3-7618-2395-8

Beethoven struggled with the Missa solemnis for years. How difficult and intense this work process was, is clearly reflected in the autograph. Apart from the many corrections there are several torn-out pages. Sometimes Beethoven could only proceed by stitching replacement pages into the manuscript.

Beethoven authority Hans-Joachim Hinrichsen unveils the stages of its genesis in an understandable and rather

“One of the most grandiose artistic working processes ever documented in the history of music” Hans-Joachim Hinrichsen

stubs and fold-out pages, thereby emulating the feel of the original source. Judicious inscriptions with movement headings, continuous pagination, scholarly foliation and measure numbers help readers to find their way more easily in the manuscript.

“A wonderful jewel for all Beethoven lovers” (VEKÖ)

FacSiMileS

Beethoven, Ludwig van(1770–1827)

symphony no. 9 op. 125. Facsimile of the autograph score in the Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, the Beethoven-Haus Bonn and the Bibliothèque nationale de France. 422 + 11 pages of facsimile and 40 pages introduction (Eng/Ger/Jap); half-linen, hardback Documenta Musicologica II/42 BäRENREITER FACSIMILEISBN 978-3-7618-2169-5

With fold-out pages glued in by hand

detective-like manner. In addition Martina Rebmann, head of the music department, explains how this and other autographs were gradually acquired for the Beethoven collection in the Berlin Staatsbibliothek. Reproduced in high-quality four-colour printing, the facsimile replicates the page

Ludwig van Beethoven Missa solemnis op. 123

NEW 2017



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FacSiMileS


Herr, ich lasse dich nicht BuxWV 36Facsimile of the autograph set of parts in the Uppsala University Library including a new full score critical edition. Edited by P. Wollny with a foreword (Ger/Eng). Documenta Musicologica II/37 ISBN 978-3-7618-1958-6 Our facsimile edition, in four-color reproduction, is preceded by a brief commentary in German and English in which Peter Wollny discusses notation, textual transmission and performance practice.

Messiah HWV 56Facsimile of the autograph score in the British Library, London. Edited by Donald Burrows. 284 pages of facsimile and a 56 page introduction (Eng/Ger/Jap); half-linen Documenta Musicologica II/40 BäRENREITER FACSIMILEISBN 978-3-7618-2109-1

No distribution rights for the UK

The first performance of George Frideric Handel’s oratorio Messiah on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined “the Sublime, the Grand, and the Tender”. Its success has remained undiminished ever since, and the Messiah has taken its place in musical life.

In 2009, to mark the 250th anniversary of Handel’s death, the British Library and Bärenreiter joined forces and made the autograph score of the Messiah available to the public in a meticulously reproduced, lavishly published facsimile.

The renowned Handel scholar Donald Burrows introduces the characteristics of Handel’s manuscript, describes the history of the work’s composition, and explains the differences between later versions of the Messiah, as reflected in the conducting scores. A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication.

Please see the website

www.baerenreiter.com for more detailed

information onindividual editions.

George Frideric HandelMessiah HWV 56












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Mozart’s Requiem · Truth and Legend

Wolfgang Amadeus MozartRequiem K. 626

Facsimile of the autograph score held in the Austrian National Library. With a commentary by Christoph Wolff and Günter Brosche. 200 pp. of facsimile and 35 pp. of Commentary (Eng/Ger),

half-leather binding, pages individually trimmed. BäRENREITER FACSIMILE ISBN 978-3-7618-2346-0

Mozart’s Requiem is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer’s early death, truth and legend, fragments and attempts to complete the work.

l A student lesson book l A general notebookl A gift

format: A 6 (10.5 cm x 14.8 cm / 4.1 inches x 5.8 inches) 32 pages · binding stapledBA 8100 Mozart red BA 8100-24 Telemann green BA 8100-27 Debussy blue BA 8100-29 Bach blue

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Notes Notes

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