17 DATA SOURCES AND BIBLIOGRAPHY

LINDA HORNZEE-JONES 2001 298

DATA SOURCES AND BIBLIOGRAPHY

PRIMARY SOURCES

DRAMA GROUPS & THEATRES ENCOUNTERED DURING FIELDWORK Key (terms explained in ) : A - Amateur P- Professional R - Receiving house

(text and in Glossary ) O - Owner-occupiers I - Itinerant H - In-housers * - Member theatre of the Little Theatre Guild of Great Britain

NOTE : MANY AMATEUR ORGANISATIONS HAVE NO FORMAL ADDRESS.

: CONTACT THROUGH WEBSITES RECOMMENDED

GROUP OR THEATRE NAME VENUE TYPE

Archway Theatre Co. Ltd. Archway Theatre, Horley, Surrey. AO*

Arden Theatre Group Arden Theatre, Faversham, Kent. AO*

Ashcroft Theatre Croydon, Surrey. R

Barn Theatre Oxted, Surrey. R

Braithwaite Hall, Clocktower Katherine Street, Croydon, Surrey R

Catalyst Theatre in Health Education Birmingham. PI

Charles Cryer Studio Theatre Carshalton, Surrey. R

Chipstead Players Courtyard Theatre, Chipstead, Surrey. AO*

CODA Croydon, Surrey. AI

CYTO (Croydon Youth Theatre

Organisation)

Shoestring Theatre, S. Norwood SE25. AH

Exit Stage Left Theatre Company Shoestring Theatre, S. Norwood SE25. AI

Fred‟s Follies Orpington, Kent. AH

Gatton Community Theatre Gatton Park, Surrey. PAH

The Globe Theatre Bankside, London. R

Geoffrey Whitworth Theatre Ltd. Geoffrey Whitworth Theatre,

Beech Walk, Crayford, Kent

AO*

GYPT (Greenwich & Lewisham‟s

Young Peoples Theatre)

London SE18 7JZ PI

Harlequin Theatre Redhill, Surrey. R


Helen O‟Grady Children‟s Drama

Academy

Croydon, Surrey. PI

Hirondelles Edgecoombe Community Centre,

Monks Hill, Selsdon, Surrey

AI

Harlequin Theatre Reigate, Surrey. R

Loft Theatre Leamington Spa, Warwickshire. AO*

Mill Stream Theatre Company Tunbridge Wells, Kent. PI

Millennium Show, Millennium Dome Greenwich, London SE10 PH

Miller Centre Players Miller Centre, Caterham, Surrey. AO*

Mitre Players Croydon, Surrey. AI

Nomads Ltd. Nomads Theatre, E. Horsley, Surrey AO*

Playback Reminiscence Group Questors Theatre, Ealing, London W5. AO*

RATS (Reigate Amateur Theatre

Society)

Reigate, Surrey. AI

Royal Shakespeare Company Stratford-upon-Avon & London. POI

Sanderstead Dramatic Club Sanderstead, Surrey. AI

St. John The Divine Dramatic

Society

Selsdon, South Croydon AI

Secombe Theatre Sutton, Surrey. R

Selsdon Players Selsdon, Surrey. AI

Shakespeare 4 Kidz Woldingham, Surrey PI

The Shoestring Theatre Oakley Road, S. Norwood, SE25 AO

South London Theatre Centre West Norwood, London. AO*

Tokyo International Players c/o Temple University, Tokyo, Japan. IA

WAC (Weekend Arts College)

Performing Arts and Media College

Hampstead, London NW3 AH

Warehouse Theatre Dingwall Road, Croydon, Surrey. RPH

Wickham Theatre Trust, Theatre 62 West Wickham, Kent. AO*

Woodlea Drama Workshop Woodlea Primary School, Surrey AIH

The Young Company Theatre Royal Plymouth, Devon. AI


OTHER ORGANISATIONS ENCOUNTERED DURING FIELDWORK

NOTE : MANY AMATEUR ORGANISATIONS HAVE NO FORMAL ADDRESS.


Betchworth Drama Festival Committee

Borough of Reigate and Banstead Arts Council

English Drama Association

East Surrey (Gatton Point) Visual & Media Arts Centre Project Steering Committee

Little Theatre Guild of Great Britain

Norbury & Thornton Heath Drama Association

Performing Arts Library of Surrey supporters group

Society For Theatre Research


PLAYS ENGAGED WITH IN PRODUCTION DURING FIELDWORK

TITLE AUTHOR PUBLISHER & DATE

Aladdin Anon

Aladdin Peter Whittle (unpublished)

Breaking the Silence Stephen Poliakoff Samuel French 1984

Blue Remembered Hills Dennis Potter Samuel French 1979

Charlie & the Chocolate Factory Roald Dahl This ed.1980 Puffin 1976

Daisy Pulls It Off Denise Deegan Samuel French 1985

Dancing at Lughnasa Brian Friel Samuel French 1990

Death and the Maiden Ariel Dorfman Nick Hern Books 1991

The Golden Pathway Annual John Harding & John

Burrows

Samuel French 1975

The Hot Rock Nick Stimson 1997 (unpublished)

Hedda Gabler Henrik Ibsen Samuel French 1972 trans.

by Christopher Hampton

Mansfield Park adp.Willis Hall Samuel French

A Midsummer Night‟s Dream William Shakespeare Penguin 1967 reprint 1995

A Midsummer Night‟s Dream Julian Chenery,

Matt Gimblett, &

William Shakespeare

(unpublished)

Quartermain‟s Terms Simon Grey Samuel French 1984

The Royal Hunt of the Sun Peter Shaffer Samuel French 1964

Salad Days Dorothy Reynolds &

Julian Slade

Samuel French 1952

A Streetcar Named Desire Tenessee Williams Samuel French 1948

Thanks For the Memory Fred‟s Follies (compilation)

The Mill On The Floss (George Eliot 1860)

adp.Helen Edmonson

1996

What Did You Do In The War

Grandad?

Julian Chenery &

Matt Gimblett

(unpublished)

When We Are Married J.B.Priestley Samuel French 1938


OTHER WORKS OF FICTION DEPICTING DRAMA AND THEATRE

AUTHOR DATE TITLE TYPE PUBLISHER

Ayckbourn, Alan. 1985 A Chorus of

Disapproval

Play Samuel French

Austen, Jane. 1814 Mansfield Park Novel ed. Penguin 1994

Braine, John. 1957 Room At The Top Novel Eyre &

Spottiswoode

Core Design Ltd. 1997 Tomb Raider Video

Game

Eidos Interactive

Ltd.

Dane, Clemence 1931 Broome Stages Novel Heinemann

Frayne, Michael. 1982 Noises Off Play Samuel French

Mander, Charles. 1984 Cup Final Play Samuel French

Rodgers, Richard &

Hammerstein, Oscar.

1927 Showboat Musical Rodgers &

Hammerstein

Organisation

McGillivray, David,

Zerlin, Walter (Jnr.)

dates

from

1984

onward

The Farndale Avenue

Housing Estate

Townswomen‟s Guild

Dramatic Society ….

(whatever)

series

of Plays

Samuel French


UNPUBLISHED MANUSCRIPTS AND THESES, AND CONTEMPORANEOUS

NOTES OF PUBLIC LECTURES, SEMINARS, AND WORKSHOPS

Cox, Tim. (1970) The Development of Drama in Education 1902-1944. Thesis for M.Ed,

University of Durham, Durham.

Greenwood, Celia. (19:10:2000) Director of WAC Performing Arts and Media College,

Hampstead, London NW3, (formerly Weekend Arts College), “Keynote Speech”,

Artsvoice Conference 2000, London Borough of Croydon Arts Education Initiative, at

the Davidson Professional Centre, Davidson Road, Croydon, Surrey.

Grourk, Sally. & North, Vivian. House of Colour, Colour Analysts and Image

Consultants (10:9:1998) “Image As a Business Tool”, seminar presentation at The

Croydon Advertiser Job & Career Exhibition, Royal Russell School, Croydon, Surrey.

Hallisey, Helen. (1997) (with Carmel O‟Sullivan) “Knowing Us, Knowing You”, poster

presentation at the International Conference on Researching Drama and Theatre in

Education, School of Education, University of Exeter.

Hastrup, Kristen, (1997) (work-in-progress paper) “All the World‟s a Stage :

Anthropology and Theatres of Action”, presented to the University of Sussex Graduate

Centre in Culture and Communication under the theme Performing Space.

Hornzee-Jones, Linda. (1996) Text as Performance - Performance as Text : reading

amateur dramatic activity in its cultural context, Dissertation for MA in Literature, Art

and Culture, University of Greenwich, Woolwich, London, SE18.

Hornzee-Jones, Linda (1970) Dialogues Concerning Mr. Matcham (or – The Spirit of

the Age), Thesis for BA in Three Dimensional Design (Interior Design), Kingston

Polytechnic, Kingston upon Thames, Surrey.


Kay, Susan Elizabeth. (1993) Just a Bunch of Well-Intentioned Amateurs : a study of the

motivation and rewards of volunteers in the arts, Thesis for MA in Arts Management,

City University, London.

Mackintosh, Iain. (chair Stephen Daldry) (12:11:1997) “„Fun Palace‟ or „Temple of

Culture‟? : British theatre architecture from 1958 to the Millennium”, lecture given at the

Art Workers Guild, 6 Queen Square, London, WC1, as part of the Golden Jubilee

Lecture Programme of the Society for Theatre Research.

Mienczakowski, Jim (1997a) “Consensual Theatre and Public Voice Research”,

a combined performed ethnodrama, paper and seminar presented at the International

Conference (11:04:97) on Researching Drama and Theatre in Education, School of

Education, University of Exeter, Exeter, Devon.

Phythian-Adams, C. (ed.) (1534-5) Coventry Weavers‟ Account, MS Weavers 11

(unfol.) in Coventry Record Office, Coventry, West Midlands..

San, Inci. (1997) “The Development of Drama in Education in Turkey”, presentation at

the International Conference on Researching Drama and Theatre in Education, School of

Education, University of Exeter, Devon, April 1997.

Stimpson, Nick. (chair David Clark) (11:04:1997) “How compatible are a high quality

theatre product and an open door casting policy in Youth Theatre?”, paper presented at

the International Conference on Researching Drama and Theatre in Education, School of

Education, University of Exeter, Devon, relating to the Young Company production of

„The Hot Rock‟, Theatre Royal, Plymouth. 9th-12th April 1997.

Szauder, Erik. (1997) “Drama as Pedagogy – A Possible Change of Paradigm”, informal

Roundtable discussion hosted at the International Conference (13:04:97) on Researching

Drama and Theatre in Education, School of Education, University of Exeter, Devon.


Turner, Barbara. (1967) Drama for Young People : some opportunities in and near

Manchester, Thesis for DipEd. Manchester University, Manchester.

Wilkinson, Joyce A. (1997) Exegesis of Heathcote‟s Teacher Education Paradigm, self-

published manuscript paper, circulated to interested delegates following its presentation

at the Researching Drama and Theatre in Education, University of Exeter, April 1997,

Holistic and Aesthetics Education, OISE/UT, Toronto, Ontario, Canada.

Willard, Sara, (ed.) (1992) A Programme of Memories, manuscript souvenir compilation

presented to Natalie & Chris Mathews on their return to USA after eight years

involvement with the Selsdon Players (loaned by Natalie Mathews, Plano, Texas, USA).

“Women in Theatre” - panel discussion (03:11:1996), at the Loft Theatre, Leamington

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1996, between Cicely Berry, Barbara Leigh Hunt, Debbie Isett, and Tara Wolf.

Woodruff, Saundra K. (1976) A Phenomenological Approach to the Analysis of Film

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PUBLISHED LECTURES, ARTICLES & ESSAYS



Anderson, James A. & Schoening, Gerard T. (1996) “The Nature of the Individual in

Communication Research”, from Grodin, Debra. & Lindlof, Thomas R. (eds.) (1996)

Constructing the self in a mediated world, Sage.

Ashplant, T. G. (1981) “London Working Men‟s Clubs, 1875-1914”, from Yeo, Eileen.

& Yeo, Stephen. (eds.) (1981) Popular Culture Class Conflict 1590-1914 : explorations

in the history of labour and leisure, The Harvester Press, Brighton, Sussex.

Bentley, Ian. (1981) “Arcadia becomes Dunroamin : Suburban Growth and the Roots of

Opposition”, from Oliver, Paul., Davis, Ian., & Bentley, Ian. (eds.) (1981) Dunroamin :

The Suburban Semi and its Enemies, Barrie & Jenkins.

Bishop, Jeff. & Hoggett, Paul. (1989) “Leisure and the Informal Economy”, from Rojek,

Chris. (ed.) (1989) Leisure for Leisure, Macmillan.

Booth, Michael R. (1973) “The Metropolis on Stage”, from Dyos, H. & Wolff. Michael.

(1973) The Victorian City : Vol. I – Past & Present – Numbers of People, Routledge &

Kegan Paul.

Butler, Martin. (1990) “Private and occasional drama”, from Braunmuller, A. R. &

Hattaway, Michael. (eds.) (1990) The Cambridge Companion to English Renaissance

Drama, Cambridge University Press, Cambridge.

Carr, M. C. (1982) “The development and character, of a metropolitan suburb : Bexley,

Kent”, from Thompson, F. M. L. (ed.) (1982) The Rise of Suburbia, Leicester University

Press, Leicester.


Chibnall, Jennifer. (1984) “„To that secure fix‟d state‟ : The function of the Caroline

masque form”, from Lindley, David. (ed.) (1984) The Court Masque, Manchester

University Press.

Connell, John. (1974) “The Metropolitan Village : Spatial and Social Processes in

Discontinuous Suburbs”, from Johnson, James H. (ed.) (1974) (reprint of 1978)

Suburban Growth, John Wiley & Sons, Chichester, Sussex.

Conway, Martin A. (1996) “Autobiographical knowledge and autobiographical

memories”, from Rubin, David C. (ed.) (1996) Remembering Our Own Past : Studies in

autobiographical memory, Cambridge University Press, Cambridge.

Cowler, Richard. (1996) “A Show About Bingo : The Cabaret Community Theatre of

Kirkby Response”, from Merkin, Ros. (ed.) (1996) Popular Theatres? : papers from the

Popular Theatre Conference 1994, Liverpool John Moores University, School of Media,

Critical and Creative Arts, Liverpool University Press, Liverpool.

Cummings, Derek. (1997) “„Enter a Throng of Citizens‟ - Extras at the Royal

Shakespeare Theatre”, from Theatre Notebook, Vol LI : Number 1. The Society for

Theatre Research.

Denzin, Norman K. (1992) “The Many Faces of Emotionality : Reading Persona”, from

Ellis, C. & Flaherty, Michael G. (1992) Investigating Subjectivity, Sage.

Friedlander, Peter. (1998) “Theory, method and oral history”, from Perks, Robert. &

Thomson, Alistair. (eds.) (1998) The Oral History Reader, Routledge.

Gledhill, Christine. (ed.) (1987) “The Melodramatic Field : An Investigation”, from

Home is Where the Heart Is : Studies in Melodrama and the Woman‟s Film, B.F.I.


Goldthorpe, John H. (1995) “The service class revisited”, from Butler, Tim. & Savage,

Mike. (eds.) (1995) Social change and the middle classes, University College London

Press.

Gombrich, E.H. (1964) “Moment and Movement in Art”, reprinted from Journal of the

Warburg and Courtauld Institutes 27 pp293-306, from Landsberg, P. T. (1982) The

Enigma of Time, Adam Hilger Ltd. Bristol, Avon.

Goodall, Roy. (ed. and publisher) (1987-1996) series of articles on little theatres in

South-east England from Words & Music magazine, various writers, mostly unattributed.

Grel, Ronal. J (1998) “Movement without aim : methodological and theoretical problems

in oral history”, from Perks, Robert. & Thomson, Alistair. (eds.) (1998) The Oral History

Reader, Routledge.

Hall, Stuart. (1993) “For Allon White : Metaphors of transformation”, (text of a

Memorial lecture given at the University of Sussex), from Morley, David. & Chen,

Kuan-Hsing. (1996) Stuart Hall – Critical Dialogues in Cultural Studies, Routledge.

Harrison, Brian. (1973) “Pubs”, from Dyos, H. & Wolff, Michael. (1973) The Victorian

City : Vol. I – Past & Present – Numbers of People, Routledge & Kegan Paul.

Hartley, Jean F. (1984) “Case Studies in Organizational Research”, from Cassell,

Catherine. & Symon, Gillian. (eds.) (1984) (edition of 1995) Qualitative Methods in

Organizational Research, Sage.

Jahn, Michael. (1982) “Suburban development in outer west London, 1850-1900”, from

Thompson, F. M. L. (1982) The Rise of Suburbia, Leicester University Press, Leicester.

Jones, Carol. (1991) “Qualitative Interviewing”, from Allan, Graham. & Skinner, Chris.

(eds.) (1991) Handbook for Research Students in the Social Sciences, The Falmer Press,

Falmer, Sussex.


Kosloff, Sarah Jane. (1987) “Narrative Theory and Television”, from Allen, Robert C.

(1987) Channels of Discourse –Television and Contemporary Criticism, Methuen.

Lindlof, Thomas A. & Grubb-Swetnam, Autumn. (1996) “Seeking a Path of Greatest

Resistance : The Self Becoming Method”, from Grodin, Debra. & Lindlof, Thomas R.

(eds.) (1996) Constructing the self in a mediated world, Sage.

Llewellyn, David. (1996) “Popular Theatre and Participation in the Work of John

Godber”, in Merkin, Ros. (ed.) (1996) Popular Theatres? : papers from the Popular

Theatre Conference 1994, Liverpool John Moores University, School of Media, Critical

and Creative Arts, Liverpool University Press, Liverpool..

Lowerson, John. (1999) “An Outbreak of Allodoxia? Operatic Amateurs and Middle-

Class Musical Taste Between the Wars”, from Kidd, Alan. & Nicholls, David. (eds.)

(1999) Gender, Civic Culture and Consumerism – 1800-1940, Manchester University

Press, Manchester.

Lummis, Trevor. (1998) “Structure and validity in oral evidence”, from Perks, Robert. &

Thomson, Alistair. (eds.) (1998) The Oral History Reader, Routledge.

Lyon, Eleanor. (1982) “Stages of Theatrical Rehearsal” from Journal of Popular Culture,

16 (Fall) pp75-89.

MacColl, Ewan. (1985) “Theatre of Action, Manchester”, (transcription by Raphael

Samuel of taped interviews with Ewan MacColl), from Samuel, Raphael, MacColl,

Ewan, & Cosgrove, Stuart. (1985) Theatres of the Left 1880-1935 - Workers‟ Theatre

Movements in Britain and America, Routledge & Kegan Paul.

Marshall, John. (1994) “Modern productions of medieval English plays”, from Beadle,

Richard. (ed.) (1994) The Cambridge Companion to Medieval English Theatre,



Martin, Jean. (1998) “Government to Use New Social Classifications”, (Press release

30/11/1998) Office of National Statistics.

McGaugh, James L. (1992) “Affect, Neuromodulatory Systems, and Memory Storage”,

from Christianson, Sven-Ake. (ed.) (1992) The Handbook of Emotion and Memory :

Research & Theory, Lawrence ER Baum Associates Inc. New Jersey, USA.

McGlynn, Fred. (1990) “Postmodernism and Theatre”, from Silverman, Hugh J. (ed.)

(1990) Postmodernism - Philosophy & the Arts, Routledge.

Mienczakowski, Jim. (1997b) “Theatre of Change”, from Research in Drama Education -

Vol. 2, No.2:159-1720, Carfax International Periodical Publishers, Abingdon, Oxon.

Mouffe, Chantal. (1979) “Hegemony and ideology in Gramsci”, from Mouffe, Chantal.

(ed.) (1979) Gramsci and Marxist Theory, Routledge & Kegan Paul.

Mulvey, Laura. (1975) “Visual Pleasure and Narrative Cinema”, from Screen, 16:3.

Nethercott, Shaun. & Leighton, Neil. (1998) “Out of the archives and onto the stage”,

from Perks, Robert, & Thomson, Alistair, (eds.) (1998) The Oral History Reader,

Routledge.

Oliver, Paul, (1981) “Great Expectations : Suburban Values and the Role of the Media”,

from Oliver, Davis, & Bentley (eds.) (1981) Dunroamin : The Suburban Semi and its

Enemies, Barrie & Jenkins.

O‟Toole, Fintan. (1992) “Marking Time : From Making History to Dancing at

Lughnasa”, from Peacock, Alan. (ed.) (1993) The Achievement of Brian Friel, Colin

Smythe.

O‟Toole, John. (1997) “Ex-citing Writing : re-evaluating some practices in writing about

drama and its research”, from Research in Drama Education - Vol 2, No. 2, 1997.


Passerini, Luisa. (1979) “Work ideology and consensus under Italian fascism”, from

History Workshop Journal (1979) no.8.

Pickering, Michael. (1986) “White Skin, Black Masks : „Nigger‟ Minstrelsy in Victorian

England”, from Bratton, J. S. (ed.) (1986) Music Hall – Performance & Style, Open

University Press, Milton Keynes, Buckinghamshire.

Radley. Alan. (1990) “Artefacts, Memory and a Sense of the Past”, from Middleton,

David. & Edwards, Derek. (eds.) (1990) Collective Remembering, Sage.

Rawcliffe, J. M. (1982) “Bromley : Kentish market town to London suburb, 1841-81”,

from Thompson, F. M. L. (ed.) (1982) The Rise of Suburbia, Leicester University Press,

Leicester.

Redmond, James. (1989) “„If the salt have lost his savour‟ : some „useful‟ plays in and

out of context on the London stage”, from Scolnicov, Hanna., & Holland, Peter. (eds.)

(1989) The Play out of Context, Cambridge University Press, Cambridge.

Reynolds, Peter. (1992) “Community Theatre : Carnival or Camp?”, from Holderness,

Graham, (ed.) The Politics of Theatre and Drama, Macmillan.

Ronai, Carol Rambo. (1992) “The Reflexive Self Through Narrative – A Night in the

Life of an Erotic Dancer/Researcher”, from Ellis, C. & Flaherty, Michael G. (eds.)

(1992) Investigating Subjectivity – Research on Lived Experience, Sage.

Rosenfield, Sybil. (1994) “The Theatre at Grassington”, from Foulks, Richard. (1994)

Scenes from Provincial Stages – Essays in Honour of Kathleen Barker, Society for

Theatrical Research.

Rutherford, Lois. (1986) “„Harmless Nonsense‟ : The Comic Sketch and the

Development of Music-Hall Entertainment”, from Bratton, J. S. (ed.) (1986) Music Hall

– Performance & Style, Open University Press, Milton Keynes, Buckinghamshire.


Schweitzer, Pam. (1994) “Dramatizing reminiscences”, from Bornat, Joanna. (ed.)

(1994) Reminiscence Reviewed, Open University Press, Milton Keynes, Bucks.

Stanley, Chris. (1997) “Not Drowning but Waving : Urban Narratives of Dissent in

the Wild Zone”, from Redhead, Steve. with Wynne, Derek. & O‟Connor, Justin. (eds.)

(1997) The Clubcultures Reader : Readings in Popular Cultural Studies, Blackwell,

Oxford.

Straus, Erwin W. (1970) Straus, “Phenomenology of Memory”, from Strauss, Erwin W.

& Griffith, Richard M. (eds.) (1970) Phenomenology of Memory, papers presented at

The Third Lexington Conference on Pure and Applied Phenomenology, Duquesne

University Press, Pittsburgh, USA.

Sugden, John (1995) “Field workers rush in (where theorists fear to tread): the perils of

ethnography”, from Tomlinson, Alan. & Fleming, Scott. (eds.) (1995) Ethics, Sport and

Leisure : Crises and Critiques, CSRC Topic Report 5, Chelsea School Research Centre,

University of Brighton, Sussex.

Thomas, Tom. (1977) “A propertyless theatre for a propertyless class”, (transcription by

Raphael Samuel of taped interviews with Tom Thomas first published in History

Workshop Journal Autumn 1977:103-112), reprinted in Samuel, Raphael., MacColl,

Ewan. & Cosgrove, Stuart. (1985) Theatres of the Left 1880-1935 - Workers‟ Theatre

Movements in Britain and America, Routledge & Kegan Paul.

Tomlinson, Alan. (1983) “The Illusion of Community : Cultural Values and the meaning

of Leisure in a Gentrifying neighbourhood”, from Tomlinson, Alan. (ed.) (1983) Leisure

and Popular Cultural Forms, Chelsea School of Human Movement, Brighton

Polytechnic, Brighton, Sussex.

Tomlinson, Alan. (1992) “Shifting patterns of Working-Class Leisure : The Case of

Knur-and-Spell, from Sociology of Sport Journal, Vol 9, No.2.


Tomlinson, Alan. (1995) “Flattery and Betrayal : Observations on Qualitative and Oral

Sources”, in Tomlinson, Alan. & Fleming, Scott. (eds.) (1995) Ethics, Sport and Leisure

: Crises and Critiques, CSRC Topic Report 5, Chelsea School Research Centre,

University of Brighton, Sussex.

Turnbull, Colin. (1990) “Liminality : a synthesis of subjective and objective experience”,

from Schechner, Richard.& Appel, Willa. (eds.) (1990) By means of Performance:

Intercultural studies of theatre and ritual, Cambridge University Press, Cambridge.

Twycross, Meg. (1994) “The theatricality of medieval English plays”, from Beadle,

Richard. (ed.) (1994) The Cambridge Companion to Medieval English Theatre,


Waddington, David. (1994) “Participant Observation”, from Cassell, Catherine. &

Symon, Gillian. (eds.) (1994) (edition of 1995) Qualitative Methods in Organizational

Research, Sage.

Whitty, Geoff. (1981) “Ideology, politics and curriculum”, from The Politics of cultural

production, Open University Press, Milton Keynes, Buckinghamshire.

Whitworth, Geoffrey. (1934) “The Past and Future of the Amateur Movement”, from

Downs, Harold. (ed.) (1934) Theatre and Stage - A Modern Guide to the Performance of

All Classes of Amateur Drama, Operatic, and Theatrical Work, (Two Volumes) Sir Isaac

Pitman & Sons.

Williams, Raymond. (1981) “Forward”, from McGrath (1981) A Good Night Out,

Eyre/Methuen.

Williams, Raymond. (1989) “Drama in a Dramatised Society”, (Inaugural Lecture,

Cambridge University, 29th October 1974). Reprinted in O‟Connor, (ed.) (1989)

Raymond Williams on Television - Selected Writings, Routledge.


JOURNALS AND NEWSLETTERS, PAMPHLETS AND LEAFLETS



NOTE : MANY AMATEUR ASSOCIATIONS HAVE NO FORMAL ADDRESS.

PLACES OF PUBLICATION OMMITTED FOR NEWSLETTERS AND OTHER

LITERATURE ORIGINATING FROM THE PRIVATE ADDRESSES OF INDIVIDUALS

WHO MAY NO LONGER BE ASSOCIATED WITH THAT ORGANISATION.


All-England Theatre Festival - Newsletters

Amateur Stage (1980 - 2001) - Independent magazine for the amateur stage

Platform Publications.

Around and About Horsley - Journal of the Horsley Countryside, Horsley

(1983 – 1997) Preservation Society, East Horsley, Surrey.

Barn Theatre 2000 Appeal - fund-raising leaflet, Barn Theatre, Oxted, Surrey.

- A Vision for the Millennium

BRBAC News - Newsletters of The Arts Council of the

Borough of Reigate and Banstead, Redhill, Surrey.

Chipstead Village Preservation - Commemorative booklet, Chipstead Village

Society 1977-1997 Preservation Society, Chipstead, Surrey.

Exit Stage Left Theatre Company - Programme for “An Evening of Passion & Pain”,

October 1998.

Guild of Drama Adjudicators - Conference reports.

(GODA)


Hall Green Little Theatre - undated Newsletter (probably 1976)

History Workshop Journal - published papers from the History Workshop

Little Theatre Guild of Great Britain - Newsletters

Little Theatre Guild of Great Britain - Yearbooks

NODA News - Newsletters of the National Operatic and

Dramatic Association

Norbury and Thornton Heath - NATHDA Newsletters

Drama Association (NATHDA)

Noises Off - Newsletters of the Chipstead Players,

The Courtyard Theatre, Chipstead, Surrey.

On Stage - Newsletters of the Miller Centre Players,

the Miller Centre, Caterham, Surrey.

Questopics (and TOAD) - Newsletters of Questors Theatre, Ealing.

Research in Drama Education - Carfax International Periodical publishers,

Abingdon, Oxfordshire.

St. John the Divine Dramatic - handout (anonymous and undated - dateable

Society, Selsdon, Surrey from evidence in text to October 1986).

Sociology of Sport Journal - Volume 9, Number 2. June 1992.


South East Drama Venues - Autumn 1994 South East Arts,

Tunbridge Wells, Kent.

Theatre Notebook - Journal of the Society for Theatre Research

The Shakespeare Institute, Church Street,

Stratford-upon-Avon, Warwickshire, CV37 6HP.

Words & Music (1986 -1998) - Magazine for Performing Arts in Surrey,

Kent and Sussex., Telscombe Cliffs, E. Sussex.


WEBSITES

www.aitaiata.org - Association Internationale de Theatre Amateur /

International Amateur Theatre Association

www.amdram.co.uk - Amdram, the amateur theatre network

www.amhire.com - hires out props/furniture/etc.

www.britishtheatre.miningco.com - general resource site > Arts/Humanities >

British Theatre > Amateur Theatre

www.coda-shows.freeserve.co.uk - Croydon Operatic and Dramatic Association

www.compusats.dk/neata/ - North European Amateur Theatre Alliance

www.ourworld.compuserve.com/homepages/dunsfold_ads/History.htm

- Dunsfold Amateur Dramatic Society

www.entsweb.co.uk - EntsWeb Entertainment and Leisure Guide

> Theatre > Amdram

www.noda.org.uk - National Operatic and Dramatic Association

www.ticketlinks.com - useful contact and linking site > Amateur Clubs

www.uktw.co.uk - U.K. Theatre website – includes links to websites of

many amateur drama groups and theatres

www.uktw.co.uk/clubs/ltg.htm - The Little Theatre Guild of Great Britain

Sources/Bibliography ends.

http://www.aitaiata.org/

http://www.amdram.co.uk/

http://www.amhire.com/

http://www.britishtheatre.miningco.com/

http://www.coda-shows.freeserve.co.uk/

http://www.compusats.dk/neata/

http://www.ourworld.compuserve.com/homepages/dunsfold_ads/History.htm

http://www.entsweb.co.uk/

http://www.noda.org.uk/

http://www.ticketlinks.com/

http://www.uktw.co.uk/

http://www.uktw.co.uk/clubs/ltg.htm

17 DATA SOURCES AND BIBLIOGRAPHY

Documents

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