TROL(PO)LITICS – AN EXPLANATION TO INTERNET TROLLS: VIRTUAL CONSUMERISM VS. CYBER MARXISM
Transcript of TROL(PO)LITICS – AN EXPLANATION TO INTERNET TROLLS: VIRTUAL CONSUMERISM VS. CYBER MARXISM
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TROL(PO)LITICS – AN EXPLANATION TO INTERNET TROLLS: VIRTUAL
CONSUMERISM VS. CYBER MARXISM
Mohammed Mizanur Rashid, Lecturer, Dept. of English, University of Asia Pacific, Dhaka, Bangladesh
Abstract : The rise of the 21st century had seen many new ideas emerge and materialize. The internet is not a
new phenomenon but what we as users do with it, does not seize to perplex us every once in a while. The ‘Troll’
culture is one such corridor that has not seen a good amount of visitors lately and clearly we did not do justice
to it. The amount of happenings and actions in the virtual world aka Cyberspace deserves more attention than it
has received lately because when talking about Cyberspace we are talking about the Americas standing in
Columbus’ boots. My paper briefly introduces this novel culture of ‘trolling’ on the internet and goes further to
provide a detailed study of how this culture functions as a gigantic hypothetical billboard and manufactures
consent in the minds of millions. Paradoxically, the webs of ‘Troll’ culture are so disheveled that the very
culture that works as a site for advertisement and publicity, also facilitates and advocates the principles of
Marxism. My paper also argues that not only does it support those doctrines but thanks to this latest cyber
culture, Marx’s ideas could be more re(alistic/alized) now. And as a product of the overall discussion and
studies, the paper will provide a better understanding about the after-effects of ‘Troll’ culture and ‘Troll’
politics or ‘Trollitics’. Specific images, posters and posts from social networking sites, where they are mostly
put into effect will be analyzed to rationalize and legalize the general understanding.
Key words: Troll-Culture, Cyberspace, Virtual Consumerism, Marxism.
Introduction :
The creatures that were first recorded in Norse
mythology and which (in Norse folklore) were mostly
associated with the Vikings in the early Scandinavian
countries such as Norway and Sweden, are back. Most
of you must be thinking, in a world where we are
almost close to making the first fully functional
human-like Robot, where exactly does the Troll fit in?
Well, it fits exactly where nobody ever thought it
would fit - in cyberspace. This troll, that I am going to
talk about throughout my paper is not necessarily the
descendants of the Jotun and are not humanoid in
form. The trolls I am talking about could be found all
over cyberspace in the world today and are there for a
reason.
I believe by now everyone knows which trolls
I am talking about. My research aims at dissecting the
troll culture that has been very famous among the
mass for the past few years. My intention is to read
and anticipate the trajectory of this culture and also
study the effects it has been having on our society.
Along with evaluating the whole scenario through
some cultural lenses I will be analyzing what effect
they have on the human mind, on the competitive
market and on the greater society at large.
Troll culture is like a fast spreading virus and
this virus is no ordinary virus at all. It is more like a
shape shifting phantom like virus that seems to gobble
down anything that comes its way. And the worst part
is its appeal or charm. It seems to hypnotize people
with its compelling attributes. Since it is so famous,
there are a number of definitions that could be tied up
with troll culture or troll or trolling whatever one calls
it. But there are also some definitions that do not
exactly decorate the precise meaning of trolls. The
definition which is given in Wikipedia is old by more
than a decade as it is from 1999. Although the most
convincing and persuasive definition of trolling was
provided even earlier than that, in 1995 by Judith
Donath. Judging by that, it is obvious that trolls have
been existing among us for a long time. Now, as far as
the question, did they exist before the internet, is
concerned, I would say, yes they did. But only the
ones who used them and the ones who were affected
by them or were concerned about them knew about
their existence. Certainly the troll culture had spread
like a wildfire after it came in touch with internet, but
as far as presence is concerned, I am sure they did
exist.
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As I mentioned before, the most intriguing
definition that I found, during all the researching that I
have gone through, is the one Judith Donathi provided
in 1995. That was the very first definition that I could
record throughout the time of my research. There are
basically two parts in the book where she defines
trolling –
Are you familiar with fishing? Trolling is where you
set your fishing lines in the water and then slowly go
back and forth dragging the bait and hoping for a bite.
Trolling on the Net is the same concept – someone
baits a post and then waits for the bite on the line and
then enjoys the ensuing fight. (Donath 45).
Well, many would argue that this definition is
more a description on how trolls toil rather than the
definition. A more concise and short definition is
provided by Cole Strykerii, “Trolling is the act of
agitating or fooling people for fun under false
pretencesiii
.”
But this definition has its very own flaws. The
part of agitating or fooling people is just fine. But my
problem is with the false pretences part. Trollers do
not troll under false pretences all the time. Sometimes
they mean to agitate or whisk the mass people. They
willingly feel like to do what they do. So, since none
of the definitions I have gone through really convey
the meaning that I think, should be conveyed as the
actual sense of trolling, hence I have come up with a
definition myself. I believe this definition will express
the authentic connotation of trolling or the troll culture
itself.
In the simplest of words, trolling is the deed in
whatever way that maybe, of distracting, upsetting,
deceiving or disturbing an individual or a group of
people for the pleasure, amusement or fun of a
different individual or another group of people.
Virtual Consumerism: Advertisment And
Publicity:
How do we define consumerism?
Consumerism is the belief that it is good for people to
spend a lot of money on goods and services. The
Oxford Dictionary terms consumerism as, “the
preoccupation of society with the acquisition of
consumer goods.” Now, from the pages of Facebook
to the walls of 4chan and 9gag, image based trolls and
memes have become very famous nowadays. The
Image-based trolls are arguably the most well-known
trolls that could be found. Now, as we have talked
earlier, it is easy to see how these trolls are used to
demean, humiliate or embarrass one or many by false
representations. This is obviously nothing to be proud
of. But what are the positives that we have? Once we
ask ourselves this question, we slowly start to realise
that the whole troll culture is not completely a waste.
There are many positives that could be taken from it if
someone wanted to. If someone had a problem with a
person or a product and if he decides to ‘troll’ that
person or product then at the same time that person or
product is getting a kind of publicity from all those
who are watching that particular troll. The person or
the product is getting famous. It is not so different
from commercial advertisement. And we also more or
less know that social networking sites such as
Facebook is one big ‘Panopticon’ where everything a
person is doing, is being watched over by someone.
This explains how, advertisements of certain products
or offers pop up on your homepage when you talk
about that product or service with a friend either via
messaging or posting on his wall. Siva K.
Balasubramanianiv pointed out that organisations often
relied on two non-personal communication devices in
order to expose media audiences to product-related
information. The devices are advertisement and
publicityv. The difference between the two devices
could be derived from their very definitions.
Advertising is that type of a communication which is
made to advocate a product or person but the
communications are paid for and which clearly
recognise the sponsors. On the other hand, publicity
signifies messages that are not paid for and which
never recognises the sponsorsvi
. Since the messages
that are transmitted through the images of troll culture,
are done by users for personal pleasure, it could be
understood that they are not paid for it. Since they are
not paid for it, they are not basically advertisements
but publicities. And these publicities on cyberspace
lead us towards another politics called Manufacturing
Consent. When the audience looks at an advertisement
which is paid by the sponsor, they view the
advertisement with scepticism since the advertisement
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is paid, and therefore the message content and format
is controlled by the sponsor. On the other hand, when
the message content and format is not controlled by
the sponsor, the sponsor is not identified by the
audience and thus, the message appears credible to
them. This whole scenario aids to the process of
instilling new ideas into the audience’s mind and to
manufacture consent as well.
From Figure 1, it is readily understandable
that, the Publicities which are not sponsored or paid
by the sponsors are subject to more admiration from
the audience because they seemingly think that they
have the freedom to think and their thoughts are not
controlled by the messages of the sponsors. By doing
this they develop a liking for the publicities which in
turn manufacture consent all the same. Since, the ones
who develop trolls are not sponsored by anyone and
they do it for their own pleasure, the messages
transmitted from the images have a trustworthy effect
on the audience. The audience think that they are not
controlled by the advertisements which are driven by
sponsors and that they are free, following their own
will. What they do not realise is that the non-
sponsored publicities are controlling their minds all
the same. They are manufacturing consent all the
same and this is even worse because now, the
audience are not even aware of being mind-controlled.
It is more like the “Empty Gesture”vii
which Zizek had
advocated, which talks about fantasy making people
think that they are given a choice where actually they
are not.
Manufactures Consent
Figure 1: Advertisement VS Publicity and Manufacturing Consent
The publicities which come out through the
ranks of Trolls not only deal with organisations as I
have highlighted above. They provide equal
importance to celebrities as well. Now, we all know
there is a reason for that and the reasons are fairly
simple. Celebrities tend to generate economic value in
one way or another and in order manufacture consent,
this value is important. There are three major ways
through which the celebrities spawn economic value.
As Michael Madow puts it –
First, there is intense demand for information
about the lives and doings of celebrities – for news
stories, gossip items, biographies, interviews and
docudramas. Second, there is a large and increasingly
lucrative market for merchandise (T-shirts, posters,
greeting cards, buttons, party favors, coffee mugs,
school notebooks, dolls and so on) bearing the names,
faces or other identifying characteristics of celebrities,
living or dead. Third, as contemporary advertising
practice amply attests, celebrity enhances the
marketability of a wide array of collateral products
and services.viii
Celebrities also exert as role models for some
people, thus adjusting the characteristics of a certain
celebrity through trolling, could lead to a massive
brain-washing for a certain group of people.
This does not stop there. Relating Naom
Chomsky’s idea of “Engineering Opinion”ix
to the
Advertising
Paid by Sponsor
Message Content and Format
Controlled by Sponsor
Viewed by Audience with
Skepticism
Publicity
Not Paid by Sponsor
Message Content and Format
Not Controlled by Sponsor
Message Seems Credible to
Audience
Audience
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attempts of Troll Culture and we get a completely new
politicized phenomenon. Chomsky talks about how
important it is to ‘whip the population’ in order to fix
their thoughts. He gives us the example of the peace
loving people of the United States of America and
tells us that the people do not have any affection for
war but they are forced into thinking about going to
war by ‘Engineering Opinion”. And in order to
engineer opinion the people need to be frightened and
that is exactly what the western media does. They
depict the people of United States as unsafe and under
threat so that they are afraid and are easier to
manipulate, easier to convince about going to war.
This art of manufacturing consent is present in the
images of the different troll pages on the internet.
Almost all the trolls have a message which they
stretch and almost all the messages manufacture some
kind of consent. Let us have a look at the image below
and understand how it manufactures consent –
Figure 2: Troll Images Manufacture Consent
So, this is an image from the famous page
University of Trollogy in the social networking
website Facebook. See how this image exemplifies
and differentiates between the Rap genre songs of
Justin Bieber and Eminem by portraying the reaction
of an infant. The first image of the three shows the
reaction of the child listening to regular rap music.
This image trolls rap music in particular as well
because the expression of the child’s face seems
perplexed. The second image depicts that the child is
in severe torture because he is listening to Justin
Bieber songs, which is again a very stark troll and also
it is creating or manufacturing a consent within the
people that Justin Bieber’s songs are a torment to even
a child, who does not seem to understand the song let
alone grown up people. In reality, the grown up
people seem to literally hate Justin Bieber songs. The
last image shows us the image of the child listening to
Eminem songs and those songs despite being Rap
songs, are creating a gentle and relaxing effect on the
baby. Therefore, when it comes to the ‘trollitics’ of
manufacturing consent this image is viewed by
thousands of people every day on the internet and they
are not only working as publicity garnishes for
Eminem’s songs but also they are engineering a
consensus that Eminem rap songs are better than
Justin Bieber rap songs, while rap songs itself is a
weird (judging by the expression of the child in the
first image) category of music in general.
Techno/Cyber Marxism :
The three major ideas of Marxism has
somehow found its way to Cyberspace through Troll
culture and most interestingly it has been able to fulfil
that part of Marx’s vision which could never be
realised in human society. When it comes to the terms
of Cyberspace, the distinction of class differences are
so transgressed and contravened that they keep
pushing the so-called capitalist ideology into chaos.
Karl Marx promoted that the history of any given
society is the direct consequence of class conflict and
struggle of that very society. Also, the very future of
that very society could be interpreted by studying
these conflicts. He also advocated the idea of
‘Capitalism’ where a small minority of people have
control over a vast amount of people and exploit and
abuse them for their own nourishment. The third idea
of Marx stretched the idea of revolution stating that,
the majority of the ruled had no idea that there was
anything else to do except for following orders. They
were alienated from themselves, from society and
from their surroundings so that they can never raise
their voices against their rulers. A possible solution
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for this was given by Marx himself that the labours or
workers should unite against their ruling forces,
creating their own political party if necessary and
snatch away the political and economic power from
the bourgeoisie. According to Marx, this was the only
true liberation for the people who belonged to the
working class.
If we, try to understand this concept of
Marxism under the lenses of Troll culture then we
might have a feeling that most of the ideas have been
realised already in Cyberspace and some of its more
long lasting effects are crawling outside into the real
world as well. Although the whole scenario has a
hyper-real influence in it, we cannot discard the
phenomenon. As pointed out by Karl Marx himself,
we should be studying real men and women and also
real processes and not what has been typically said or
thought about themx and the study of troll culture
indeed has real and living men and women behind
them. Not only Marx, but his deputy Antonio Gramsci
who had talked about elite entrepreneurs who must
have the ability to organise the society in general
when needed, would be more than happy to know that
his ‘organic intellectuals’xi
have finally come into
existence. And if, it is Gramsci’s hegemony that has
been concealing the reality of class struggle between
the working class people and their rulers than the
whole concept of trolling can be seen as a political
weapon which transgresses the typical nature of the
ruler-ruled dyad and its ideology as well.
The next image is basically trolling the
Disney cartoons which are intended for little children.
The cartoons which are shown to the young ones are
responsible for creating an ideology within them since
these cartoons have a tremendous effect on children
and that too in a very early age. So, what exactly does
the cartoon makers want the children to see? How
exactly do they create an ideology within the children
which troll culture later looks to challenge? We will
get all the answers from the troll post image provided
above from 9gag. The cartoon characters created by
Disney such as Aladdin, The Beast from Beauty and
the Beast, Prince Charming, Snow White, Simba,
Hercules, and Peter Pan all seem to be having weird
and bizarre characteristics which create an ideology
within the children. Does this mean that the cartoon
makers do not want the children to be perfect? May
be. Perhaps this is the reason behind some parents not
allowing their children to watch too much cartoon.
Perhaps they know all too well, that too much cartoon
could eventually ruin the future of their child. Even
here, there is a continuous struggle, a tension between
the cartoon makers and the parents.
Figure 3: Trolls Countering Ideology
They could be the representatives of the
dominant class who are trying to create an ideology
for the working class. And if this should be taken as
true, then troll culture is such a weapon as stated
above, which assists in transgressing the boundaries
between the ruler and the ruled and questions the very
pillars that keep the dominant class standing. Even
today, as Marx had prophesied ages ago by providing
the idea of dialectical materialism, the changes in
child cartoons (arguably necessary) must come
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resulting from the struggle and constant conflict
between the cartoon making industries and troll
creating agencies. It is important to note, that in
Cyberspace there is little room for class difference and
class conflict. Here every user holds a persona that
hides his or her class identity. Each individual is
placed in a position of the same level as if they were
all wearing Guy Fawkes’xii
mask when coming face to
face. Therefore, the culture of trolling resides in a
space that is free from class discrepancy. Anybody
can troll and make fun of anybody. Not only does one
humiliate another person but also there are instances
when one teaches moral values. So, it could be
supposed that only from a world which is free from
class differences itself, can we hope to eradicate the
class divisions of a society. The political method that
Karl Marx had advocated could now have a different
look, a technological method perhaps where Trollers
could “troll” some sense into the dominant class and
achieve what Marx had called the true liberation of the
working class.
Understanding :
Troll culture has spread through the internet
very rapidly, as I have mentioned before. Their
dissemination mainly happened through the many
social networking sites available for us to surf today.
If someone asks why did the trollers target social
networking sites? Why not other websites? Well the
answer is in the very name ‘social networking’. It is a
place where people drop by and socialize. A whole
network is created for millions and millions of people
to hang out, mingle and entertain themselves. Could
there be a better place for trollers to find a breeding or
feeding ground? I guess everyone will admit that the
answer is no. Whatever, the reason may be
responsible for their creation, the consequences, it has
to be said were not anticipated. The whole culture of
trolling and trollers has taken some unusual and
unexpected turns in the recent past, which I assume
the trollers themselves are not aware of. However, the
turns have been for the good as much as for the bad
and it eventually shows the very ancient notion of
good and evil in something which is created or
controlled by humans. Ultimately, the usage of
cyberspace and the manipulation of social networking
sites via trolls could end up to have a much greater
impact on the minds of future generations than what
we can imagine today. But as is the case in most
situations, every affair which faces the tug of war
between good and evil, could be swapped and
switched for one or the other. Hope that mankind is
old enough and has seen enough to be able to join
sides with the right group.
End Notes :
i. Judith Donath in her book Identity and Deception compared trolling with fishing.
ii. Cole Stryker is a Cyberspace Social Networking Sites expert and famous blogger. He is also the author of
the renowned book Epic Win For Anonymous.
iii. Stryker, C. (2011). Epic Win For Anonymous. New York: Overlook.
iv. Siva K. Balasubramanian is the Associate Professor of Marketing at the College of Business and
Administration, Southern Illinois University.
v. “Beyond Advertising and Publicity: Hybrid Messages and Public Policy Issues.” Siva K.
Balasubramanian.
vi. Cohen 1988.
vii. The Seventh Veil of Slavoj Zizek’s “The Seven Veils of Fantasy”.
viii. “Private Ownership of Public Image – Popular Culture and Publicity Rights.” Michael Madow.
ix. “Engineering Opinion” is a chapter in Naom Chomsky’s Media Control.
x. The German Ideology
xi. Organic Intellectual is an intellectual from a proletariat class whose societal function or intelligence is not
singularly produced from traditional apparatuses of an intelligent society, such as traditional education,
political and media systems that consider their own intelligence to exist outside of a disparate class
structure. Rather, an organic intellectual’s function, work, intelligence and values spring organically from the
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conditions of a working-class culture that enables the disparate class structure, and serves the needs of the
dominant group.
xii. From the movie V for Vandetta which is based on a true story.
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End Notes :
i Judith Donath in her book Identity and Deception compared trolling with fishing.
ii Cole Stryker is a Cyberspace Social Networking Sites expert and famous blogger. He is also the author of
the renowned book Epic Win For Anonymous. iii Stryker, C. (2011). Epic Win For Anonymous. New York: Overlook.
iv Siva K. Balasubramanian is the Associate Professor of Marketing at the College of Business and
Administration, Southern Illinois University. v “Beyond Advertising and Publicity: Hybrid Messages and Public Policy Issues.” Siva K.
Balasubramanian. vi Cohen 1988.
vii The Seventh Veil of Slavoj Zizek’s “The Seven Veils of Fantasy”.
viii “Private Ownership of Public Image – Popular Culture and Publicity Rights.” Michael Madow.
ix “Engineering Opinion” is a chapter in Naom Chomsky’s Media Control.
x The German Ideology.
xi Organic Intellectual is an intellectual from a proletariat class whose societal function or intelligence is not
singularly produced from traditional apparatuses of an intelligent society, such as traditional education,
political and media systems that consider their own intelligence to exist outside of a disparate class
structure. Rather, an organic intellectual’s function, work, intelligence and values spring organically from
the conditions of a working-class culture that enables the disparate class structure, and serves the needs of the
dominant group. xii
From the movie V for Vandetta which is based on a true story.
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