NEW MUSIC - World Radio History

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NEW MUSIC R EPORT fl 616 Reports

June 2, 1989 • #171 Office 516-248-9600

Reports 516-248-9111 Jackpot Fax 516-248-9871

SUN RA A&M

PERE UBU Fontana-PG

#1 Radio Airplay: Radio Breakthrough:

#1 Adventure Pick: Top Cut:

Futures Jackpot:

BULLET LaVOLTA Taang!

DON PULLEN Blue Note

LOVE AND ROCKETS Love And Rockets 10,000 MANIACS Blind Man's Zoo PERE UBU Cloudland THE CURE "Fascination Street" THE WRONG Ethel Merman Jism Spoon

a I • CM.' goes to Jazz Feat—see Live Wire nsi e • Answers toi TThhe NLewtTrouser Press Record Guide trivia

contest

New Music (noo myoo-zik), 1. fresh, modern, novel, different, striking, better, the latest, anew. 2. the hest rock, jazz, reggae, folk, soul, dance music—

from the world's most innovative and dynamic musicians.

JACKPOT! Essential New Music—As chosen by NMR's editorial staff . These records demand your attention

Jackpot! SUN RA Blue Delight (A&M, 1416 N. LaBrea Ave., Hollywood, CA 90028)—Sun Ra returns to vinyl with a straight ahead effort (as "straight ahead" as his Arkestra gets) that cements his position as one of the most important (not to mention colorful, entertaining and bizarre) musicians of the twentieth century. The 19-piece unit swings into gear and keeps the ball rolling, under Sun Ra's playfully goading and casually reinforcing piano lines (it's a delight to hear Ra's piano genius in better focus) along with some thoroughly exhuberant soloing (which are passed along as seamless as Olympian relay runners passing the baton), and snappy, polyrhythmic patter (Billy Higgins was brought in as the second drummer). The program is comprised of a few originals and some jazz standards ("Out Of Nowhere," "The Days Of Wine And Roses") that filters the past fifty years of jazz (Sun Ra and many of his loyal crew—saxophonist John Gilmore has been playing with Sun Ra for over 35 years!—have seen it all) into one refreshing long player. As avant garde as it is accessible, Blue Delight will surprise many who think of Sun Ra (the Moses of music?) as "too far out" and thrill those who've awaited the return of modern big band swing.

BULLET LaVOLTA The Gift (Taang!, P.O. Box 51, Auburndale, MA 02166)—At a time when hairspray, leather and nose-rings are supposed to qualify you as "rock roll," it's a relief to find a band that sears the suckers without any pretense or bullshit. Boston's Bullet LaVolta are an incendiary five-piece who last year lobbed a grenade launcher EP of primal riff-worship spearheaded by the kill-yr-mom gravel larynx of one Yukki Gipe, and they've one-upped the proceedings with their first full-length LP. While BLV hasn't lowered the adrenaline level a bit, some of the songs here are actually more (shock! horror!) accessible, with melodic undertones showing through the ballbusting guitars like veins through skin; "The Gift" sounds like Cheap Trick after a stint as the house band at the Beirut Hilton. Don't expect "Sweet Child O' Mine," though: the Bullets are the only guns we know who can handle the bloodletting guitar spectacle of a straight-on post-metal outfit like Prong or Voivod, and somehow sneak in that certain post-'77 ear for rabbit-punchy songwriting once brandished by the Descendents, Damned and early Generation X (hey, Billy Idol wasn't always such a beanhead). These guys can fire off deadly sniper solos and dead-on barre-chord bazooka blasts with the best of them, but know enough to keep close to the bone when they have to. Pump these: "One Room Down," "Mother Messiah," "Little Tiny Pieces," "Birth Of Death" and especially "The Gift."

PERE UBU Cloudland (Fontana, do PolyGram, 810 Seventh Ave., New York, NY 10019)—Even after the success of last year's triumphant comeback LP The Tenement Year, even after years of being cited as an influence on just about everybody, even after all the changes in music that have taken place in the fourteen years since they first honked and squawked their way across a Cleveland stage, the thought of Pere Ubu, the icons of weirdness, landing on a major label is still a little scary, and definitely cause for jaws to drop and eyebrows to waggle. For their PolyGram bow, Ubu and producer Steven Hague (New Order, OMD) have turned the tubas and wheezing, whistling and noodling synthesizers way down (but if you listen carefully, they're all still there, buried in the mix) to reveal with startling clarity something old Ubu fans have always known; that beneath their hard, dissonant and inaccessible sonic exterior, Ubu are capable of writing some really catchy melodies. It should also startle more than a few onlookers (but then again, followers of Ubu would be surprised if there were no surprises) that the album's single, "Waiting For Mary," is actually one of the more eclectic. Ubuesque tracks on the entire LP—hardly the safe, stodgy move one would expect from a sell-out. Top of the Pops: "Breath," "Race The Sun," "Nevada" (soda an Ubu-ization of "Sloop John B") and "Pushin'."

DON PULLEN New Beginnings (Blue Note, 810 Seventh Ave., New York, NY 10019)—It's no hyperbole to say that the names one conjures when describing Don Pullen's piano playing are among the weightiest in jazz—the furious, impassioned dexterity of an Oscar Peterson, Cecil Taylor's exploratory banging and plinking, and the melodic, clustered, chordal bursts of McCoy Tyner all come to mind when discussing Pullen's attack on the acoustic keyboard. What places him among the elite vanguard of modern pianists (besides his unquestionable pedigree, including a celebrated stint with Mingus and a ten-year quartet tenure with tenor saxman George Adams) is his ability to inhabit all possible realms of the jazz piano, simultaneously mixing melodicism on one hand (usually his left) with the sweeping glisses and atonal, flat-handed slides and slams of his right. Pullen's gift lies in his ability to use such avant-garde noodling and splashing not as mere primitivism and unorthodoxy unto itself, but rather as a rapid-fire extension of melody, harmony, and the bending "blue note." Aided by the tight and inspired support of jazz vets Gary Peacock on bass and Tony Williams on drums, Pullen's breathtaking piano lines slide like water, jouncing freely from key to key, falling like

hammers all over this session, particularly on the stunning dervish of "Reap The Whirlwind" and the CD-only "Silence = Death."

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WORLD SAX 'PHONE QUARTET Rhythm And Blues (Elektra/Musician, 75 Rockefeller Plaza, New York, NY 10019)—Over eight albums in a ten-year span, the World Saxophone Quartet has responded to the personal challenge of forming a group without the obligatory rhythm section behind it; as the title suggests, this album delivers the WSQ treatment to several standards of '60s and early '70s R&B, including reworkings of songs made famous by Otis Redding, James Brown, Marvin Gaye, the O'Jays, as well as three original charts. What makes the WSQ's music s,:s startling is the non-traditional fashion in which the traditional is approached; present on this record is an astounding sense of melodicism and even romaticism (see "Let's Get It On" or "Dock Of The Bay"), combined with virtuoso playing that is also deeply soulful. Following in the footsteps of 1986's WSG Plays Duke Ellington, Rhythm And Blues transports six legendary R&B standards into the WSQ idiom, arranged solely for four saxophones and spotlighting each player's distinctive abilities. While lighter in tone than the somber, respectful seriousness of much of the Ellington album, Rhythm And Blues benefits the casual listener by the relative familiarity of its music; sometimes, hearing a jazz reading of popular classics can be a lot of fun.

SLOVENLY We Shoot For The Moon (SST, P.O. Box 1, Lawndale, CA 90260)—Slovenly is one of the most intricately poetic bands around, and with their fourth LP they swoop and flutter with a derring-do that's been evident in past records, but with nothing near the majesty reached here. A cast-off point in the music of this Bay Area band lies in the thesaurus of phrases and asides that are nun .) from the instrumcrt,5 of Tom Watson, Tim Plowman and Scott Ziegler, as they trade off guitar/bass chores with a nimble, expressive grace that has had few equals since Richard Lloyd and Tom Verlaine had their fingers repossessed. Never sallying into the confines of repetitive riffing or standard verses and choruses, the band spreads out too many subtleties and notes of languid exactitude to grasp in one listening. Steve Anderson's vocals at first seem incongruous to the delicacy of the instrumental flittings, but his out-of-bounds, dramatic monotone actually provides a perfect contrast to the gentler elements of song. Slovenly has created an album where there's not a wasted note or lyric, where every element naturally fits into its proper time and space, and where pretense never gets the upper hand. Top cuts: the title track, "She Was Bananas," "Running For Public Office," "Don't Cry No Tears" (a Neil Young cover) and "Self Pity Song."

COUCH FLAMBEAU Ghostride (It's Only A Record, 8640 N. Semite Dr., Milwaukee, WI 53223)—After lying around for nearly a year, the third Couch LP has finally been released, a doozy of ambition, sarcasm and guitar wizardry that's flabbergasting in the degree to which it succeeds. Building from the spacey, at times unfathomable mind-tunnels that slopped all over their first record, the Milwaukee duo of Jay Tiller and Neil Socol haiie developed an insidiously straightforward guitar finesse, emerging at its most full-blown and glorious here. If it wasn't for the vocals this would be a solid excursion into no-frills instrumental inventiveness, at least until Tiller lets lunatic hands guide his guitar into unpredictable flourishes. The only song that can really be taken at face value

is the austere cover of Vince Guaraldi's "Cast Your Fate To The Wind" while the rest of the songs split into multi-levels of seriousness and scorn. Lyrically, the Couch sails off into whole new galaxies of intolerance for the silliness surrounding the rock 'n' roll habitat, cartwheeling between ironic observation and confusing non sequitur, such daffiness accounting for half their charm. The rest of it lies in their ability to outplay other bands while satirizing them to ribbons. In the long career of Couch Flambeau Ghostride is their best-aimed gob in the winds that fan the music scene. Top cuts: "We're Not Smart," "Just Kidding," "Think Twice" and "Summer Vacation."

-2- e 1989 CMJ

ir>tit ("7

STEREO

FOLKSINGER

I ENJOY BEING A GIRL

DOUBLE DECKER BED

BLOODBATH

INDIVIDUALITY

RODEO PARAKEET

TAKE OFF YOUR SWASTIK '

TOY TIME

MARTINA

MYRIAM AND ESTHER

THE BALLAD OF LACY + TED

MOONLIGHT BECOMES Y011

"phranc-ly my dear..."

I enjoy being a girl...

the new album from Phranc

Available on Island compact discs, cassettes and records

o ISLAND

CMJ New Music Report, June 2, 1989

LA@LIII)020

gEM1' EVAN JOHNS AND HIS H-BOMBS Bombs Away (Rykodisc, Pickering Wharf, Bldg. C-3G, Salem, MA 01970)—Austin's most endearingly earthy, sawdust-clearing combo have whipped loose with a collection to knock you off your barstool and keep you off till the stereo can't take no more. This non-stop rebel rouser is a bit of honkin' trash, a little County Fair high spirits, and a trough-full of jumpin' jive with a wicked Texas twist. The H-Bombs strap on rhythms that'll put a wiggle in your walk, adding all kinds of fun stuff like mandolins, fiddle, harmonicas, and slide guitar to achieve a steady back porch burn, with Evan drawling, smirking or howling as he does so well. Whatever the tempo (and it's usually a high-steppin' one), there's ladles of instrumental whiz and spot-on songwriting to get the good times going—Evan and Mark Korpi squall out guitar lines that kick up too much smoke to be ignored, and Dan McCann and Jim Starboard stomp out a claim with bass and drums around territory that ranges from surfin' snarls of yesteryear ("Dance, Frannie, Dance" originally found on Pebbles Vol. 1) to the decadent splendor of New Orleans ("Oh! New Orleans"). With Evan Johns around, there'll always follow a cluster of rowdies looking for honest, barre-chord craziness, and that group should grow to wall-splitting proportions with "Love Is Gone," "Lessons That Burn," "Boudin Man," and "Poor Boys'

Dream." HENRY ROLLINS Sweatbox (Texas Hotel, 712 Wilshire Blvd., Santa Monica, CA 90401)—This spoken word three-record set is packed with three hours of Life According to Henry. Judging from these excerpts of live engagements, he could easily fill a dozen LPs with the tales of abhorrent events that have happened to him over the course of several hundred tours. Diversity is the key to this record, as it avoids the tedium most spoken-word records settle into, with Henry spinning yarns that range from a side-long reflection upon the joys of masturbation to the time he was stranded on the Autobahn at some ungodly hour. He also lets down the iron curtain and shows a rarely seen talent—humor, at times pressing out comical interpretations of bad situations, while at others depicting intense human struggle. At every turn, at every engagement he has the entire crowd spellbound (you'll stop what you're doing to pay undivided attention), making the most out of every situation or thought, and showing as much mastery in his role as social commentator/storyteller/comedian as he does singing in a band. This record is also littered with material too damaging for the masses (his little poem about feminine hygiene, for one). So listen to it, screen it and play it, 'cause we'll bet none of your friends has anything this interesting to say. HENRY THREADGILL SEXTETT Rag, Bush, And All (Novus, do RCA, 1133 Ave. of the Americas, New York, NY 10036)—Henry Threadgill drags ragtime by the hair into the present, forcing a dusty old textbook topic, once taught from yellowed notes by bald and wheezy old professors, to stand up and strut, and making it sway and grind its brittle bones like it hasn't done since before they closed the speakeasies and bordellos. While Threadgill updates and explicates ragtime for a particularly raucous big band (they are outspoken even on the album's quieter numbers) with arrangements that are almost orchestral in scope, he never loses sight of the rag's original rollicking barrelhouse freedom—in fact, he transmutes that spirit into today's freeform idiom—so no matter how obtuse or angular things may get, one never loses that feeling of looseness and spontaneity that makes ragtime the favorite cousin of jazz and one of the earliest and biggest influences on its development. None of the four lengthy rags here tire or stray for even a minute, providing a spirited, lively listen—whether it's the upbeat frenzy of side one or the sombre spirituality and slow drag of side two, the horn heavy, pianoless Rag, Bush, And All is always challenging and guaranteed to turn a few heads and tap a few feet.

501111D AMERICAN FLUBBER

" [The band I... careen through the songs like a group of drunken harvesters

staggering through the saloon doors with their arms around each other.

This is music for watching the sun go down on Western civilization."

- S.F. Bay Guardian

HOUGH 326 SIXTH ST. SAN FRANCISCO. CA 94103 TRADE 61 1 BROADWAY. NEW YORK. NY 10012

RAMONES

THE NEW ALBUM FEATURING "PET SEMATARY" SIRE

THE TITLE TRACK FROM THE NEW STEPHEN KING HORROR MOVIE THAT'S NO.1 AT BOX OFFICES ACROSS THE COUNTRY!

ALBUM PRODUCED BY BILL LASWELL, JEAN BEAUVŒR AND DANIEL REY

WATCH FOR THE "PET SEMATARY" VIDEO-WITH A SPECIAL CAMEO BY DEBBIE HARRY.

c 1989 SIRE RECORDS COMPANY IMAGEMEN1 GARY KURFIRST. OVERLAND POTIONS


11. Jackpot Continued

se STEEL POLE SATO Ti4B. :1 I

WIRE It's Beginning To And Back Again (Mute-Enigma, P.O. Box 3628, Culver City, CA 90231-3628)—When a band is as monstrously prolific as Wire, the material often accumulates faster than it can be released. This 11-track LP couples live songs recorded last year in Chicago and Portugal with the three tracks that were released on the "Eardrum Buzz" EP (that song is featured here in both live and studio incarnations) last month. Never ones to pander to their audience's expectations, the live material consists of less familiar tracks from the past two years (there isn't a "hit" in the bunch) that have been so radically rearranged that they're practically different songs, creating cold, stark soundscapes that are simultaneously human and mechanical. The studio material features "Eardrum Buzz" (which could easily be their biggest hit), the gorgeous "The Offer" (lilting melancholia in the vein of"Kidney Bingos" or "Outdoor Miner"), and the instrumental "Illuminated," which finds them branching into almost Tackhead-ish territory. This stopgap LP should tide fans over until the next vinyl onslaught from the Wire camp.

PHRANC I Enjoy Being A Girl (Island, 14 E.'4th St., New York, NY 10012)—Female folk singers have made many inroads in the "mainstream" world of pop music in the last few years. Success stories such as Tracy Chapman and Suzanne Vega have helped pave the way for the female vocalist, but Phranc (who's been doing the girl-with-the-acoustic thing for five years) is far from your conventional female folksinger. Calling herself "an average all-American Jewish lesbian folksinger," Phranc is both tough and stark, as well as humorous and off-beat. She can sing songs about her recently departed parakeet ("Rodeo Parakeet"), the joy of toys and toy stores ("Toy Time," which might as well be a Toys 'R' Us commercial) and her favorite tennis player ("M-A-R-T-I-N-A"), with humor and a strong yet comfortable sense of self. She also knows how to be angry, on songs like "Bloodbath" and "Take Off Your Swastikas," two effective songs filled with a message not obscured by the rage behind it. Produced by the Violent Femmes' Victor DeLorenzo, I Enjoy Being A Girl brings the folkie tradition up to date with a slew of songs that range from silly to serious, all of which are emotionally up front, like 'em or not. "Folksinger" is an ultra-clever nod to the form and a song worthy of a lot of notice. Check out "The Ballad Of Lucy & Ted" and the out-of-control polka feel of the title track as well as those mentioned above.

STEEL POLE BATH TUB Butterfly Love (Boner, P.O. Box 2081, Berkeley, CA 94702)—Steel Pole Bath Tub have been dwelling in San Francisco for a couple of years now, and as their debut makes astonishingly clear, no one in their vicinity comes close to approximating the howling wilderness these three create when they plug in their instruments. The skittish, gymnastic frenzies that overcome the rhythm section serve to offset the big guitar bombast, poking, pummelling and lashing out in every conceivable direction in the space of a single song, with Steel Pole advancing into crazed and dangerous corners at a pace that'll turn you woozy. The highwire screeches of Mike Morasky and Dale Flattum turns lyrical vignettes of alcoholic existentialism into a sort of satanic glossolalia, skewering the paranoid white boogie spewed out by the guitar as shrapnel flies out of the speakers at an alarming velocity. The Steel Pole three-chord circus, in its most transcendentally self-destructive moments, throws a line back to the throes of Scratch Acid, although SPBT isn't quite as deathly. That isn't meant to denigrate the good name of Steel Pole; they scatter their ideas and structures to the winds with spurts of kinetic malcontent that won't settle down, making for an LP that ends hoarse and breathless, one of the livelier debuts we've heard in awhile. Top cuts: "I Am The Sam I Am," "Hey Bo Diddley," Swerve," and "Thru The Windshield Of Love."

K.D. LANG AND THE RECLINES Absolute Torch And Twang (Sire-WB, 3300 Warner Blvd., Burbank, CA 91510)—Hailing from Alberta, Canada, Kathy Dawn Lang certainly doesn't look like your typical Nashvillian, tearjerkin', heartbroken country star dressed in spangles and lace, but, heavens-to-Patsy, what a voice. Add to it her trusty band the Reclines, who don't just kick up the dust they absolutely blast it, and you've got the combination that's gonna knock Nashville into the '90s. k.d. follows her rightly acclaimed, award-winning solo effort, Shadowland, by bringing back the aforementioned Reclines (who helped make her debut Angel With A Lariat the most talked about New Country record of that year), for another slightly warped whirl at pop and country stylings. Special mention goes to co-producer Ben Mink, a magician on fiddle, mandolin, and seemingly anything with strings. There's lots of good rockin' on tunes like the autobiographical "Big Boned Gal" and "Big Big Love," last covered by Nick Lowe, as well as some tasty swing on "Full Moon Full Of Love" and "Three Days," the Willie Nelson/Faron Young classic. With a dollop of sad tunes, the moaning "Wallflower Waltz" and the slinky "Trail Of Broken Hearts," the total effort of Absolute Torch And Twang is, as the title suggests, a combination of Lang's two previous works. Sometimes sultry, sometimes raucous, but always a delightful listening experience.

TODD RUNDGREN Nearly Human (Warner Bros., 3300 Warner Blvd., Burbank, CA 91510)—It's long been an inside joke that Todd Rundgren's contract is supposedly worded so that he has to do "one normal album for each weird one," and since the A Capella album was so obviously one of the weird ones, this time he's presented us with Nearly Human, perhaps one of the strongest, most consistently listenable records from the span of his lengthy career since his days as pioneering Sixties studio whiz kid fronting the Nazz. Since A Capella (which gave new meaning to the term "solo album," consisting entirely of nothing but Rundgren's vocals), Todd has done a complete about face, enlisting the services of as many musical friends as possible (every track is literally crammed with people) including Tubes alumni (drummer Prairie Prince), and the able support of L.A. duo Bourgeois Tagg (Rundgren's name kept popping up on their album, which revealed a similar flair for pop arrangement and production sheen) to add flesh and blood to his ideas; the result is a seamless, impeccably produced album (would we ever expect less from the man who produced Skylarking, Forever Now, and Bat Out Of Hell?) which reveals that Rundgren has never really gotten over the rousing vocals of the soul music from his hometown of Philadelphia. Tops: "Waiting Game," "Can't Stop Running," and "I Love My Life."

•

Publisher Robert K Haber

Editor Scott L Byron

Managing Editor David Margulies

Associate Editor/ Hard Rock Editor

Jem Aswad

Associate Editor Deborah Orr

Editorial Assistant James Lien

Beat Box Editor Retail Coordinator

Mark Glaser

Reggae Route Editor Amy Wachtel

Jazz Line Coordinator Gene Kalbacher

American Stars & Bars Coordinator Jeff Tamarkin

Hard Rock Assistant Kevin Sharp

Circulation Director Andy Skibins

New Music Awards Executive Producer Joanne Abbot Green

Research Coordinator Claudia Jacobs

Music Marathon Event Coordinator

Paul Casanova

Registration Coordinator Jinnette Russell Hicks

Director Of Sales & Marketing James F Maylo. Jr

Editor Special Projects Diane Turofsky

Art Director Judy Virsinger

Associate Art Director Adrian Milana

Typography Fran McCarthy

Printing Supervisor Kenny Kramer

Printing Assistant Munsey Ricci

Office Manager Glen Sansone

Administrative Assistant Scott Decker

Executive Assistant Cathie S Moore

Manager, Information Systems

Jim Cahglun

Receptionist Dawn Mane Sapienza

College Media Inc. President

Robert K Haber

Executive Vice Presidents Scott L Byron

Joanne Abbot Green Diane Turofsky

Vice President David Margulies

CMJ New Music Report (ISSN 0890-0795) is published bi-weekly by College Media Inc. with offices at 830 Willis Ave.. Albertson, NY 11507. Subscription rates $175.00 per year, 2 years, 5315 00. Second Class postage paid at Albertson, NY. CMJ New Music Report is copyright 1989 by College Media Inc. All rights reserved; nothing may be reproduced without written consent of publisher. Unless indicated otherwise, all letters sent to CMJ are eligible for publication and copyright purposes, and are subject to CMJ's right to edit and comment editorially. Unsolicited manuscripts, photos and artwork are welcome, please enclose a self-addressed. stamped envelope to facilitate return. Postmaster Send form 3579

to College Media Inc., 830 Willis Ave., Albertson, NY 11507.

-6- © 1989 CMJ

Azamummicnik. 61,11.111:171111M

AN EXTRA TOUCH.

SARAH McLACHLAN

LIVE.

• Exclusively for college radio. A new 12" promo

featuring two recently

recorded live tracks.

"STEAMING"

Sarah's version of Peter Gabriel's

"SOLSBITRY HILL"

ARISTA® c %n•I.111....1.1, hr... r1.1.11...m,

miumifflaw am1=1111111111111111111111.


DAVID TORKANOWSKY Steppin' Out (Rounder, One Camp St., Cambridge, MA 0214 )—While still young by jazz stardards, David Torkanowsky has never been lumped in with the latest crowd of New Orleans jazz wunderkinds such as Harry Connick, Jr. or the Marsalis progeny, but now after a long, generally underrecognized stint honing his skills as a support or ensemble player on the local jazz scene, he at last seems poised to step out of the shadows. Torkanowsky, previously heard on vinyl backing such New Orleans jazz and bluesmen as Alvin "Red" Tyler and Walter "Wolfman" Washington, chose to remain in New Orleans and record with a cast of regulars for his debut as a leader; the presence of such friends (among them Johnny Vidacovich, Steve Masakowski, James Singleton—who, along with Tork, are the Crescent City's hardest working and most versatile musicians—and drummer Herlin Riley) gives Steppin' Out much of the relaxed informality and looseness that makes it sound so fresh and dynamic. Top cuts: The eight-minute title track, "Big Greaze" (one of five DT originals), "A Love Song," penned by James Black, the legendary New Orleans drummer who died last year, and recorded as a tribute to him, the piano/bass duet on "Patrocenio," and the James Booker evocations on "Spring Can Really Hang You Up The Most," which fans of traditional New Orleans-styled piano will .mmediately jump for.

GYUTO MONKS Freedom Chants From The Roof Of The World (Rykodisc, Pickering Wharf, Bldg. C-3G, Salem, MA 01970)— There's world music, and then there's other-world music! The Bhuddist Gyuto Monks hail from the Gyuto Tantric University (founded in 1474) and are disciples of the Tibetan Dalai Lama. They now live in exile in India (the Communist Chinese government killed most of them in the '50s), and performed in the West to raise funds for a monastery they want to build in Nepal. Their multiphonic, meditative chants are a form of prayer, with each monk singing a chord containing two or three tones simultaneously. Bhuddists say that the sound arises only from the throat of a person who has realised selfless wisdom; we say this is some seriously wild shit. This record contains excerpts of the full ritual and the sound of the Monks is simultaneously soothing and scary, featuring the deepest, lowest voices you've ever heard chanting mantra-like drones, punctuated by occasional clattering percussion. The two Monk cuts last between 27 and 28 minutes each, but programming short sections shouldn't be difficult, because there's really not that much variation. "#2 For Gaia," is a gorgeous, ambient instrumental and features Micky Hart (percussion), Phillip Glass and Kitaro (both on keyboards). We can guarantee that you've nevar heard anything quite like the Monks before!

RAINMAKERS The Good News And The Bad News (Mercury, c/o PolyGram, 810 Seventh Ave., New York, NY 10019)—The good news is that this quartet from our country's heartland has a new album filled with slices of Americana that we can all relate to. The bad news is that this band has been overlooked for too long, with many elitist programmers fearing the combo to be too commercial (even though they haven't been what you would call successful on retail or commercial radio levels). The Rainmakers' third record is full-tilt, well-crafted rock & roll, with a hometown backwoods twang of their native Kansas City, MO, led by Bob Wa.kenhorst's distinctive nasal warble. They display an outspoken attitude on topics from domestic homelife and relationships, to the importance of dreams and goals, to more broader social and political concerns, all with a very tongue-in-cheek Biblical and religious inclination. The music behind the message stands up to the lyrical thoughtfulness—simple, straightforward and hard-hitting. The most obvious track is "Reckoning Day," which appeared on Certain Damage Vol. 18, while other stand-outs include "Spend It On Love," "Horn 0 Plenty," "Hoo Dee Hoo" and "Battle Of The Roses."

TO AIR IS HUMAN...

TO LISTEN DIVINE.

PRESENTING THREE NEW WORDS & MUSIC PRO CASSETTES

ELVIS COSTELLO

from

VIOLENT FEMMES

HUGO LARGO

' C1,11-11i 11'Itil tilltill hi(' all,' t Ilb flOin

opli (Hid tilt' 1(111 ,1, Pt

(Pildt1 hJdau

The carrot is the portable CD player The horse is you.

Bi' gHarvest (SP 5257)

the debut album by

Indio featuring the first single and video "Hard Sun"..)

We love this record so much that we could go on forever about it. But there's no better advertisement for Indio's Big Harvest than the record itself So call one of the people listed below for your free CD of Big Harvest. Listen to it, answer three simple questions based on what you've heard, and return the card to us. All correct entries will be entered in a random drawing for one of five portable CD players!

Call today for your free CD and a chance to win a portable CD player:

Bev Chin/L.A. Scott Yeckes/N.Y. Scott Guy/Cleveland Michael Lannon/Chicago Jill Melancon/Atlanta

213-469-2411 212-826-0477 216-447-1400 312-298-9411 404-455-7504

Produced by Gordon Peterson with Larry Klein, David Rhodes and Peter Walsh Management: Way Out West/Ken Friedman & Peter Aftennan Why are we doing this? Because once we have your attention

on Big Harvest, Indio will promote itself. ©1989 A&M Ftecords, Inc. All rights reserved.

:ay It

MA RECORDS


Jackpot Continued

VAN MORRISON Avalon Sunset (Mercury-PG, 810 Seventh Ave., New York, NY 10019)—On his fourth album in three years, Van continues the spiritual themes that distinguished his last couple of records, and the passive, reflective mood set on Avalon Sunset takes him one rung higher on the ladder to Heaven. While the lyrics are certainly inspirational and touchingly reflect his faith, they can get a little over-zealous; the songs are also marred by big production (orchestras, massed backing vocals) that doesn't always seem to suit the humility of the lyrics. That said, there are always moments of near-transcendental beauty on Van's records, moments where his voice merges with the music and the two take off and become much more than the sum of the parts. That happens especially on the single, "Whenever God Shines His Light," where a simple but chillingly effective piano line creates a framework upon which the kitchen sink-production approach works; the music-with-monologue "Coney Island" (the one in Van's homeland, not the coastal paradise-turned-junkyard in New York), "I'm Tired Joey Boy," and "Daring Night," where Van says "one more time" and then repeats the phrase twelve more times!

PUSSY GALORE Dial 'M' For Motherfucker (Caroline, 114 W. 26th St., New York, NY 10001)—Neil Hagerty's back, Julia Cafritz is gone, Jon Spencer is still czar, and on their second LP, the band conducts its heathen rites with a heightened spiritual accuracy. You probably won't catch them making some slatternly attempt to rewire all their crossed circuits for the benefit of a major with a new alternative department—not everyone can be accessible, but that doesn't sadden us in the least. These crossover phobics remember that there are some people who need to be alienated, and some of those people are being subjected to brainless drivel right now. Of course, noise for noise's sake is as bad as any other creative effort where the concept outweighs the execution, but Pussy Galore execute their little hearts out on Dial M, and they do it with razor-sharp guillotines. Genuine rock that you can also dance to, this record comes closer to the jacked-up Cocksucker Blues ideal than anything previous—a few of the songs here are more evocative of the real Exile On Main Street than PG's 1987 cover of that LP. The cherished hallmarks of the PG sound are at their bawdy, technicolor finest: rhythms that gallop down off-tune ravines, cab-dispatch vocals, an overall lubricious feel, and when they translate the revolution of cynics and creeps into music, PG plug their cantankerous souls right into their overloaded amps. Squirm to these: "Understand Me," "DWDA," "Dick Johnson," "1 Hour Later" and "Waxhead."

TUPELO CHAIN SEX 4! (Selma, 1040 N. Las Palmas, Hollywood, CA 90038)—Joining the ranks of Led Zeppelin and Foreigner by simply numbering their fourth album, Tupelo Chain Sex return to prominence after a two-year vinyl hiatus with more of the craziness and blurting sax that marked their music from their first glowing moments back in the early Eighties. Part jazz, part salsa, part ska, part punk, and three parts gin, Tupelo Chain Sex mix styles and genres with all the sleight-of-hand of a skilled mixologist even though there's all sorts of variety and flavor in their musical blend, none of the ingredients stand out too noticeably, resulting in music that in spite of its outrageous diversity is still a harmonious whole when heard in its entirety. If James Chance were from the seedy side of Tinseltown instead of from the boho New York nocturnal underground, he just might make a record like this one. Whether it's "Chili-Dog," an homage to singer Limey Dave's favorite fast food treat, "La-La-Land," about the perils of iving in the Big Orange, or "Mambo Lola" (unquestionably a masterpiece of utter insanity, complete with samba drums, cowbells, police whistles and vague incoherent ravings about carnival in Rio), Tupelo Chain Sex cover all the bases in this freeform cddyssey of oddness and funk that's not to be missed.

VARIOUS ARTISTS Lyrics By Ernest Noyes Brookings (Shimmy-Disc, JAF Box 1187, New York, NY 10116)—Ernest Noyes Brookings was living at the Duplex Nursing Home when Duplex employee David Greenberger (who is also a member of Men & Volts) discovered Ernest's aptitude for poetry. Some of the poems he wrote at the Duplex are set to music here, with the topics ranging from "Baldness" to smoking ("The Harmfulness Of Tobacco"), to, of all things, the letter "T". Brookings' style of composition had an off-kilter, sideways logic and flow that was somewhat lacking on the syntactical side, but is made up for in its emotional familiarity and bouts of unpredictability. Since his poetry adhered stringently to the confines of meter, there's already a strong existing rhythm for the musicians to build upon, which they do in a dizzying variety of form, typically disparate examples being Johnny D. And The Domestics' cowboy doo-wop, the Brave Combo's appropriate treatment of "Polka," the pop perkiness of the Incredible Casuals' "Headphones," and the folksy jig Michael Bloom incorporates into "Haircuts." With star contributors like Jad Fair, Kramer, Christmas, and Eugene Chadbourne, an array of stylistic perversions and fluctuations take place, almost to the extent that a casual listener might fail to notice that the lyrics were composed by one person, though Brookings' affection and sincere manner shines evenly throughout, and gives the record its strange soul.

MULTIPLE PLACES Duncan (Martini, P.O. Box 21126, Baton Rouge, LA 70893)—Veterans of years in the underground club scene, Multiple Places was one of the first bands in their hometown of New Orleans to attempt to break free from the blues/jazz/funk pidgeonholing that is part of the legacy (which in the case of new music like the Places, is also a bit of a curse) of claiming New Orleans as one's hometown. Their first album, Duncan (named after original lead singer Duncan McCord, who suffered from schizophrenia throughout his lifetime) is a benefit for victims of schizophrenia and their families, as proceeds from sales will be given to the National Alliance for the Mentally Ill—certainly a noble gesture for a band's debut album. Though the production quality certainly isn't Dark Side Of The Moon, Multiple Places' blend of psychedelic dance funk (with a rock solid rhythm section) makes for a combination that hits more often than it misses. Top cuts: Try "Colored Pages," "Victrola," "Rain," or "Gateway To Freedom."

© 1989 CMJ

Two Nice Girls are Three Women from Austin, Texas

E nice awls Do It Better

ROUGH TRADE

Already on: WMDK WKXE. RUSE. KCMU. KPFA. KNON. KLBJ. KCRW, KCPR. WRSI.

KTAO. WBNY. WRFL. WYBC. WFCS. WRILJ. VVVKR. WFMU . And many more. 326 SIX1 !I SI TR.ANCISCO.f

61 I lifto.AD‘‘..X`i.Nj V. \ (IRK. N1 IIN112

Atlantic's Hat Trick ALPHAVILLE

featuring

"ROMEOS" from the album

Breathtaking Blue

New 12" Remix Out Now!

Now Playing On These Stations: KASB KWSB WERG WKWZ WQRI KFCR WALF WFIT WLYX WUFI KNLU WARY WGHR WMCR WVBC KSJS WBER WHFS WMCX WXVX K tOW WDRE WKPX WMEB WZMB

WECB WMWA

BLUE RODEO

featuring

'DIAMOND MINE' from the album Diamond Mine

-The best new American band of the year may

very well be Canadian. --ROLLING STONE

Now Playing On These Stations:

ADRIAN BELEW

featuring

"OH DADDY" from the album Mr. Music Head

"Adrian Belew is one of the foremost translators

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Pretenders, Throwing Muses)

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WDBS WKGC WRDL

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r4

Jackpot Continued


VARIOUS ARTISTS Calypso Pioneers (Rounder, One Camp St., Cambridge, MA 02140)—At the same time that New Orleans was experiencing the birth of jazz, two hundred miles south in the Caribbean, musicians were inventing an astoundingly similiar musical form, but built upon an infrastructure of heavy steel drums. While North America was under the jitterbug sway of such icons of the jazz age as Louis Armstrong and Bix Beiderbecke, around Trinidad such exotically monikered calypsonians as Wilmouth Houdini, Attilla the Hun, and the Executor were rollicking with the citizens of the islands, streamlining and updating traditional African-derived ka/indas and vaudeville tunes into a curious new form of topical carnival music now known as calypso. While the recording quality is somewhat limited by the technology of the times, the performances themselves shine through with a joyful exuberance all their own (and there definitely is something incredibly decadent about hearing a compact disc of music recorded in one take with a needle on a roll of tin foil!). Like the earliest squawkings of jazz or the first recordings of amplified urban blues from the late '405, Calypso Pioneers capture all the excitement and novelty of a new music in its infancy, fresh and new and full of the life of its colorful creators.

VARIOUS ARTISTS Everyday Is A Holly Day (Emergo, c/o Roadrunner, 225 Lafayette St., Suite 709, New York, NY 10012)—"He might have passed away in that fatal plane crash 30 years ago, BUT HIS MUSIC LIVES ON!" You've probably been up late watching cable TV when those words introduced the latest compilation on K-Tel or some such post-mortem-exploitation. Patrick Mathe of New Rose Records comes to us with a different sorta compilation—the trendy deal where you get lotse "alternative" artists who pay tribute to a lost hero—in this case rock 'n' roll legendary boy wonder, Buddy Holly, and this one rocks and rages so hard and so sweetly that you can really say "his music sounds as new today as it did 30 years ago" with a straight face. Let's go right to the nuggets: "Peggy Sue" by Tav Falco's Panther Burns with an Alex Chilton solo is Memphis Memphis Memphis; Chris Spedding's "It's So Easy" is the most depressing version of the song ever, twisting the line "It's so easy to fall in love" into a hateful regret that the original only hinted at; "Not Fade Away" by the Lolitas, a pan-European act that's produced by Chilton. Also on Holly Day are the Shoes, LMNOP, Classic Ruins, the Country Rockers (average age: 61), Slickee Boys, Chris Bailey (the Saints' founder)—and Imitation Life doing an excellent tribute song/rocker "Hey Buddy" that has all the elements of "power pop" that Buddy Himself created. Rave On.

JACKPOT! PLUS MARIA McKEE "I've Forgotten What It Was In You (That Put The Need In Me)" (12") (Geffen, 9130 Sunset Blvd., Los Angeles, CA 90069)—Moving on to a solo career after a two record stint with Lone Justice, Maria McKee gives us a sweet sample of her upcoming, Mitchell Froom-produced eponymous record with a ditty that picks up where "Shelter" left off. Her rich country-style vocals, along with a mature acoustic orchestration, give her a sound, and (hopefully) a soon-to-follow stature, of a female John Cougar Mel lencamp—just picture her swaying with her guitar while brushing her hair back out of her eyes. The vocals are the highlight though, her strong, yet at ease style avoiding pretense at every turn. What we have here is a convincingly romantic tune that leaves us anxiously awaiting more.

MORRISSEY "Interesting Drug" (12") (Sire-Reprise, 3300 Warner Blvd., Burbank, CA 91510)—Whither Saint Stephen Morrissey? As his solo output readily shows, the celibate wonder was much more responsible for the Smiths' sound than most people thought, and he continues to carry the torch for that late, lamented band—in this case, with all former Smiths except Johnny Marr on his second single of the year. The A-side (the lyrics are a lot less scandalous than the title suggests) features a cool, chiming guitar reminiscent of Orange Juice, with nice cooing backing vocals by Kirsty MacColl. On the flip, the gentle "Such A Little Thing" (with a hilarious refrain of "Most people keep their brains between their legs") is also worthy of airplay, as is a live version of the Smiths' "Sweet And Tender Hooligan," which was recorded at a surprise gig in England earlier this year that caused a riot!

WOLFGANG PRESS Raintime (12") (4AD (UK), c/o 4AD (US), 611 Broadway, Suite 311, New York, NY 10012)—Percussive energy has long been a forte of this London-based trio, and although their progression over the years points to a more streamlined sound, the music shows no signs of losing its zeal. The latest offering of remixed materials from the Bird Wood Cage LP holds the beat right out in front, without coming close to falling into the mindless dance category (The Press more aptly fit in with the neo-funk intelligentsia). "Rai ntime" has been slightly beefed up and stripped down, adding more percussion but removing the classical instrumentation, and though the changes are subtle, the remix has a heavier feel than the LP version. The flip has transformed "Bottom Drawer," with the B-movie moonlight howling absent, and finishes with "Slowtime," a more murky rehash of "Raintime." Forget acid house and turn on to some real substance; Wolfgang Press offers music that is as listenable as it is danceable.

MUDHONEY "You Got It (Keep It Outta My Face)" (7") (Sub Pop, P.O. Box 20645, Seattle, WA 98102)—The newest little glitch to the Sub Pop Singles Club is this: get a friend to join and mention your name, and you receive this handy item (you could also call and ask real nice, but we doubt that'd work). This latest from Seattle's chosen sons, however, is quite a prize, with the A-side grinding an uncharacteristically whiplashing, hiphugging, go-go feverish rhythm that both Russ Meyer and Roger Gorman would approve of. "Burn It Clean" is more Superfuzz Bigmuff-style desperado lurch, and has nothing to do with Echo And The Bunnymen, but it has enough punch to leave your brain cells as scrambled as Muhammed Ali's.

SARAH McLACHLAN "Steaming"/"Solsbury Hill" (12") (Arista, 6W. 57th St., New York, NY 10019)—Sarah McLachlan filled a lot of ears and warmed a lot of hearts with her debut album Touch, a wonderful vocal odyssey into the enchanting world of this 20-year-old Nova Scotian. On the album, she is cool, sophisticated and composed, due to a lifetime of classical training on piano, guitar and vocals. "Steaming," recorded live at The Town Pump in Vancouver British Columbia on 4/18/89—it didn't take them long to get this piece out!—shows that she is not at all subdued live, firing away with an intensity that is sometimes restrained on the album, while keeping her soothing and soaring voice just as pristine in the live setting as it was in the studio. The B-side, a cover of the Peter Gabriel tune, is probably more a tribute to one of her greatest influences than anything else. This 12" is just a little something to prime you for her tour, which will begin later this summer.

© 1989 CMJ

The future crop of

Manic Pop is ripe now. ...and thanks to those who DIGGED it!

WCVT(#1-6wks!) WUMF KKUP KWWC WPLT WKKL KTEC

KMUN WUMD WVAU KTEQ WLFT WRST WPLS WVCW WKKL KSJU KVSC WFDU KALX KSJS WIXQ WFMU WEAX KASF

KUNV KMSU KDNK KUNM WVVS WSDE WMWM WXIN

Everyone Else: ...Com'on! Get your hands dirty!

SUNDAY CANNONS Red To The Rind

TASTEE Records 8 Tapes Baltumore, MD 21221 Distributed by Dutch East India, Kaleidoscope & Caroline 13 Lockett Court 301-574-4086 1

ChM ASKS . . • "JUST HOW IMPORTANT IS THE COLLEGE

& ALTERNATIVE MARKETPLACE?"

JUST ASK Tracy Chapman, Midnight Oil, 10,000 Maniacs, Ziggy Marley, Guns N' Roses, Sugarcubes, The Cure, Edie Brickell & New Bohemians

The Event: The Ninth Annual CMJ Music Marathon Convention

The Dates: October 26 - 28, 1989

The Setting: The Vista Hotel, New York City

The Atmosphere: Intimate

The Point: "The Discovery & Development Of New Artists"

The ninth annual CMJ Music Marathon is a three-day music industry conference held at New York Gty's dazzling Vista Hotel (Three World Trade Center), October 26-28. It unites over 2,500 music industry professionals in a symposium that focuses on the needs and accomplishments of developing musical artists.

Two highlights of the convention are our all-day college radio/alternative media workshop, and Metal Marathon, a two-day intensive symposium focusing on hard rock and heavy metal.

CMJ is your artist development convention—your only chance to be part of a once-a-year forum that puts you face-to-face with the CMJ network—colleagues and associates you would otherwise meet only on the phone or on the printed page.

AT A GLANCE

DATES: Thursday - Saturday. October 26 - 28, 1989

PLACE: The Vista Hotel (Three World Trade Center), New York Gty

HIGHLIGHTS: Metal Marathon A 2-day intensive symposium focusing on hard rock and heavy metal

College & Alternative Radio: Present 6c Future A special workshop

REGISTRATION: 5125 before June 1 ($150 before Aug. 15; $175 before Sept. 15; $200after Sept. 15) Student rate: $75 before June 1 ($85 before Sept. 15; $95 after Sept. 15)

PAYMENTS (NON-REFUNDABLE): Cash, money order, personal or company check, American Express, Visa, MasterCard accepted. • Credit card payments after Sept. 20 require registrant to present credit card in person prior to picking up registration material.

HOTEL ACCOMMODATIONS: Special room rates are available for Music Marathon registrants at the Vista Hotel.

Call the Vista at 1-800-258-2505 (in New York State, 212-938-1990).

Rates: $130.00 single/double. Additional occupant: $25.00. Suite charges upon request.

These rates can only be booked until October 12, 1989. Rates apply from Tuesday, Oct. 24 - Sunday, Oct. 29. 1989

YOU MUST MENTION CMJ MUSIC MARATHON TO RECEIVE DISCOUNTS

AIRLINE DISCOUNTS: American Airlines is offering a special discount rate of 40% off regular coach fares. If you qualify for a lower fare, American Airlines will discount that rate an additional 5%.

• Call 1.-800-433-1790 7:00 AM - 12:00 Midnight Central Time, any day—specify STAR File * 50-1094L.

REGISTRATION FORM

CMJ Music Marathon

Your registration entitles you to three days of workshops, exhibitions and demonstrations, plus, at no extra charge.

entrance to Metal Marathon, College Day and the Marathon Club Pass, entitling you to free entry to over 20 New York clubs for the duration of the convention. For more information contact: Joanne Abbot Green at (516) 248-9600.

NAME TITLE AFFILIATION

ADDRESS

CITY STATE ZIP PHONE

ACCOMMODATIONS DURING MARATHON

$125 regular rate before June 1 ($150 before Aug. 15; $175 before Sept. 15; $200 after Sept. 15)

$75 student rate before June 1 ($85 before Sept. 15; $95 after Sept. 15)*

• Please provide documentation of student status

Indicate quantity and make check or money order (non-refundable) payment to CMJ Music Marathon.

Do not send payment later than Oct. 18. Walk-up thereafter

I have enlosed C ) Check ( ) Money Order

Check must accompany registration form or provide the following credit card information:

( ) MasterCard ( ) Visa ( ) American Express

CARDHOLDER NAME CARD NUMBER

SIGNATURE EXPIRATION DATE

• Credit card payments after Sept. 20 require registrant to present credit card in person prior to picking up registration material.

Mail to: CMJ Music Marathon, 830 Willis Ave., Albertson, NY 11507. Fax (516) 248-9871.


.4*

Jackpot! WRONG Ethel Merman Jism Spoon (Flux, P.O. Box 2576, El Segundo, CA 90245)—For their debut, this San Francisco-via-Hawaii tonal set of sonic brats scurry and shuffle through a plethora of guitar-dominated, sunny variations on the grand old pop scheme, kicking some bootfuls of hi-speed punk in with the bargain. The foursome tinker and stretch the boundaries of a basic three-minute "underground-oriented" pop song, cramming in a slightly uppity, mostly wacked-out and charming personal touch, driving these tunes to the sort of breezy, carefree destination that so many college radio bands miss due to lack of wit, chops, imagination, or self-confidence. The Wrong don't lack any of these attributes, and besides a young turk attitude that enlivens the proceedings, there's also a

continuous outpouring of fluid, hypersonic guitar from Dave Carr and Jim Cribley that doesn't stay still long enough to fall into cliches. Had the Wrong released this record four or five years ago, they'd have been heralded as one of the best new bands to get their motivation from seeing the Replacements or Reducers for the first time. They sound even better having gotten together when they did. Top cuts: "Simulated Religious Experience," "See You Next Time Around," "Drunk With You" and "Scared."

F.Y.I. I am God, I am God, I am God. . . Ego Loop, hailing from Philadelphia, debut with an ice-cool sound that'll have synth-nuts on the pounce with their electrospook LP Nothingness (Gris, P.O. Box 413, Collingswood, NJ 08108). Taking their cues from the cybernetic dance machinations of New Order and late-period Ultravox, Ego toop keep the soul-frozen instrumental decorations to an aloof and stark minimum, maintaining the impersonal touch to the extent of not listing any of the performers anywhere on the record or press sheet. Though Ego Loop sometimes keep their distance to an alienating degree, the layers of android keyboard, drums, and standoffish vocals more often than not combine to form a mesmerizing state, particularly with "Neon," "Fruit Of The Null," "The Feelings Return" and "Eos"... Sugar Ray, Nimoy, Bernstein. . . On a more rock 'n' rollin' note, you'll find Hollywood's latest greasers, The Leonards and their swingin' self-titled debut (Rock Ranch, P.O. Box, Holly-wood, CA 90028). Although these four youngsters lack originality—this is about as predictable as rock 'n' roll gets—they kick out the basics in their own brash/ag-gressive style. Solid as a rock, the Leonards are like a '62 convertible Cadillac plowing into an '88 Integra, sporting a musical knowhow that covers three decades. John Pozza establishes his role with some of the most catchy choruses (check out "She Said Goodbye") caught by these ears in some time—with cool lyrics to boot. If'n bands like the Replacements pump your good times, then the Leonards may be a similar source of satisfaction. . . Speaking of a '62 Cadillac, this-here band called The Neptunes (contact: Davis McLarty, 512-328-4770) blasts further back, back to the days of the legendary Buddy

Holly—and are even from the great state of Texas, to boot. They got this self-titled three-song demo that duck-walks across the paths trod by Southern pioneer badasses like Carl Perkins, Jerry Lee Lewis and Charlie Feathers, capturing their 30-year-old bar-brawling rawness and making it sound fresh as a daisy. Produced by big shot Joe Ely, the Neptunes' spare, blue-jean iummabilly radiates old Gibson guitars plugged into small Marshall amps, but wait, there's more—sparing no expense, The Neptunes complete their big sound with some barrelhouse piano sounds. While they do adhere to the tried-and-true, they're not just a Holiday Inn Mery And The Magictones band and are able to update that Big Boppin' sound by way of post-'80s high-velocity attack on their instruments and some worthwhile lyrics that should stand the test of time. Hey mon, have you had your palm read lately. . On the unusual note, Fortune Tellers not only cover a Bob Marley tune but also titled their record Lively Up! (Fortune Tellers, 1628 NW 41, Okalahoma City, OK 73118). This self-released ten pack is well produced, though actually they should've kept it to an eight pack, leaving the Bo Diddley and Bob Marley covers to folks like Eric Clapton. The rest of the record is a seemingly flawless weaving of different styles of music that all lean heavily on a Jason And The Scorchers vein of sound while maintaining some variety (on "Sanguine" they lay out a bluesy slide guitar instrumental that swings just as hard as any of the Mississippi sliding axemen). The rest of the songs bring guitar riff ing, not to mention air guitar, to a higher level, and why not, they play "all kinds of guitars exclusively" or at least that's what they say on the J-card

—D.I.Y.

© 1989 CMJ

TOMORROWS WORLD

cirrilLiNC

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201 CI IAPI I. AVENUE

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615-226-4240


CMJ Radio Top WO 6/2 5/19 5/5 PEAK ARTIST 1 2 20 1 2 1 4 1 3 3 — 3 4 8 - 4 5 4 2 2 6 9 52 6 7 — — 7 8 5 1 1 9 19 44 9 10 33 — 10 11 34 — 11 12 7 6 6 13 6 3 2 14 — — 14 15 31 — 15 16 10 5 4 17 15 36 15 18 11 10 10 .19 16 22 16 20 29 81 20 21 14 17 14 22 23 37 22 23 47 — 23 24 18 80 18 25 — — 25 26 45 — 26 27 — — 27 28 — — 28 29 17 14 14 30 40 — 30 31 13 9 8 32 12 8 2 33 51 — 33 34 21 11 7 35 — — 35 36 39 64 36 37 27 19 18 38 35 25 25 39 54 — 39 40 38 35 35 41 22 12 5 42 24 16 16 43 25 13 1 44 37 23 22 45 — — 45 46 41 47 41 47 42 48 42 48 26 15 4 49 — — 49 50 55 — 50 51 — — 51 52 32 18 16 53 30 24 24 54 44 34 34 55 — — 55 56 99 — 56 57 53 33 33 58 28 21 21 59 — — 59 60 48 32 32 61 56 45 45 62 76 — 62 63 43 29 29 64 80 — 84 65 — — 22 66 68 — 66 67 58 27 20 68 88 — 68 69 — — 69 70 92 — 70 71 — — 71 72 79 98 72 73 72 72 74 52 30 1 75 95 — 75 76 59 51 51 77 87 87 77 78 46 26 1 79 69 58 58 80 — — 80 81 78 78 82 73 93 73 83 84 60 60 84 74 74 85 90 — 12 86 60 40 15 87 71 71 88 100 — 88 89 61 55 55 90 49 38 14 91 — — 91 92 62 39 39 9.3 — — 93 94 67 — 67 95 — — 95 96 ___ 96 97 — 97 98 — 98 99 99 100 — 100

LOVE AND ROCKETS PIXIES THE CURE BOB MOULD THE CULT GODFATHERS 10,000 MANIACS XTC SCREAMING TREES WIRE ADRIAN BELEW MOJO NIXON & SKID ROPER ROBYN HITCHCOCK 'N THE EGYPTIANS PUBLIC IMAGE LIMITED SWANS FIREHOSE JOE JACKSON INDIGO GIRLS XYMOX CONCRETE BLONDE TOM TOM CLUB BAND OF SUSANS NAKED RAYGUN SOUL ASYLUM DINOSAUR JR. SIMPLE MINDS RAMONES ROYAL CRESCENT MOB DRIVIN' N' CRYIN' STAN RIDGWAY CONNELLS ELVIS COSTELLO MAUREEN TUCKER GUADALCANAL DIARY PERE UBU POI DOG PONDERING HOUSE OF FREAKS SIDEWINDERS ALICE DONUT PETER CASE FINE YOUNG CANNIBALS NEW MODEL ARMY REPLACEMENTS CATERWAUL DEVO DESSAU OPHELIAS NEW ORDER THE THE TOM PETTY CRIME + THE CITY SOLUTION DE LA SOUL DICKIES NEVILLE BROTHERS TIN MACHINE TRILOBITES SARAH McLACHLAN DEPECHE MODE 24-7 SPYZ LARD MR. T EXPERIENCE WALKABOUTS LEAVING TRAINS ELECTRIC LOVE MUFFIN ULTRA VIVID SCENE ERASURE FLAMING LIPS TWO NICE GIRLS JOHN COUGAR MELLENCAMP CINDY LEE BERRYHILL DASH RIP ROCK ORIGINAL SINS VARIOUS ARTISTS R.EM KING SWAMP LAUGHING HYENAS TREAT HER RIGHT LOU REED BONNIE RAITT ORDINAIRES SYD BARRETT DEVILS WIELDING SCIMITARS MONTANAS SOUNDTRACK COWBOY JUNKIES LIVE SKULL THE EX FRONT 242 SWAMP ZOMBIES PROCLAIMERS COUCH FLAMBEAU ZULUS MARY MY HOPE TAD DR. JOHN THEE HYPNOTICS FROGS SOUNDTRACK FOSTER & LLOYD PLAN 9

TITLE Love And Rockets Doolittle Disintegration Workbook Sonic Temple More Songs About Love & Hate Blind Man's Zoo Oranges & Lemons Buzz Factory "Eardrum Buzz" (5") Mr. Music Head Root Hog Or Die Queen Elvis 9 The Burning World fROMOHIO Blaze Of Glory Indigo Girls Twist Of Shadows Free Boom Boom Chi Boom Boom Love Agenda "Treason" (12") Clam Dip & Other Delights (EP) "Just Like Heaven" (12") Street Fighting Years Brain Drain Spin The World Mystery Road Mosquitos Fun & Games Spike Life In Exile After Abdication Flip-Flop Cloudland Circle Around The Sun (EP) Tantilla Witchdoctor BucketfulIs Of Sickness And Horror... The Man With The Blue Postmodern Fragmented The Raw & The Cooked Thunder And Consolation Don't Tell A Soul Pin & Web Now It Can Be Told Exercise In Tension The Big 0 Technique "The Beat(en) Generation" (12") Full Moon Fever The Bride Ship 3 Feet High And Rising Second Coming Yellow Moon "Under The God" (12") I Can't Wait For Summer To End (EP) Touch 101 Harder Than You The Power Of Lard Big Black Bugs Bleed Blue Blood (EP) Cataract Transportational D. Vices Rassafranna "The Mercy Seat" (12") Crackers International (EP) Telepathic Surgery 2 Nice Girls Big Daddy Naked Movie Star Ace Of Clubs The Hardest Way Doctor Death's Volume III: Les Peches De L'Amant Green King Swamp You Can't Pray A Lie Tied To The Tracks New York Nick Of Time One Opel Curious Soul Móntanas (EP) Say Anything... The Trinity Session Positraction Aural Guerrilla "Never Stop" (12") Fink Sunshine On Leith Ghostrlde Down On The Floor Museum God's Balls In A Sentimental Mood Justice In Freedom (EP) It's Only Right And Natural Earth Girls Are Easy Faster & Liouder Ham And Sam Jammin'

LABEL Beggars Banquet-RCA 4AD-Elektra Elektra Virgin Sire-Reprise Epic Elektra Geffen SST Mute-Enigma Atlantic Enigma A&M Virgin UNI-MCA SST A&M Epic Wing-PG I.R.S. Red Eye/Sire-Reprise Blast First-Restless Caroline Twin/Tone SST A&M Sire-WB Sire-Reprise Island Geffen TVT Warner Bros. 50,000...000 Watts Elektra Fontana-PG Texas Hotel Rhino Mammoth-RCA Alternative Tentacles Geffen I.R.S./MCA Capitol Sire-Reprise I.R.S. Enigma Carlyle Rough Trade Owest-WB Epic MCA Mute-Restless Tommy Boy Enigma A&M EMI RooArt (Australia) Arista Sire-WB In-Effect/Relativity Alternative Tentacles Rough Trade Sub Pop SST Restless 4AD (UK) Sire-Reprise Restless Rough Trade Mercury-PG Rhino Mammoth Psonik C'est La Mort Warner Bros. Virgin Touch And Go RCA Sire-WB Capitol Bar/None-Restless Harvest-Capitol Scared Guy Lucy WTG RCA Caroline Homestead Wax Trax Dr. Dream Chrysalis It's Only A Record Slash Silvertone-RCA Sub Pop Warner Bros, Situation Two (UK) Homestead Sire-Reprise RCA Restless

CHART INFORMATION BASED ON COMBINED AIRPLAY OF REPORTING COMMERCIAL AND COLLEGE/NON-COMMERCIAL RADIO STATIONS Statistics are compiled from point totals tabulated from positions (1-35) of artists on airplay reports, then multiplied by station code factor

(based on programming, market size, market impact). BOLD indicates a significant increase in airplay PEAK column represents highest chart position to date

e 1989 College Media Inc., II30 Mills Avenue, Albertson, NY 11507.

-1 5 _ © 1989 CMJ

Airplay Breakdown Commercial

6/2 5/19 ARTIST 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100

LABEL 9 LOVE AND ROCKETS Beggars Banquet-RCA 4 THE CURE Elektra 3 JOE JACKSON A&M 6 FINE YOUNG CANNIBALS I.R.S./MCA - 10,000 MANIACS Elektra 5 THE CULT Sire-Reprise 2 ELVIS COSTELLO Warner Bros. 7 TOM PETTY MCA 10 GODFATHERS Epic 1 XTC Geffen 23 SIMPLE MINDS A&M 12 PIXIES 4AD-Elektra 14 BOB MOULD Virgin 35 ADRIAN BELEW Atlantic 45 WIRE (5") Mute-Enigma 16 JOHN COUGAR MELLENCAMP Mercury-PG 15 NEW ORDER - TIN MACHINE (12") 13 TOM TOM CLUB 21 R.E.M. - RAMONES 26 NEVILLE BROTHERS 8 REPLACEMENTS 32 STAN RIDGWAY 27 CONCRETE BLONDE 28 INDIGO GIRLS 17 CONNELLS 18 BONNIE RAITT 22 U2 20 LOU REED 19 ROBYN HITCHCOCK 'N'THE EGYPTIANS A&M 39 HOUSE OF FREAKS Rhino 54 THE THE (12") 24 GUADALCANAL DIARY 44 TREAT HER RIGHT 42 PETER CASE - EARTH GIRLS ARE EASY - TODD RUNDGREN 36 SIDEWINDERS 60 DOOBIE BROTHERS (5") - PUBLIC IMAGE LIMITED - STEVIE NICKS 67 NAKED RAYGUN (12") 62 KING SWAMP 25 PROCLAIMERS 41 DRIVIN' N' CRYIN' - PAUL McCARTNEY (5") 57 EDELWEISS (12") - PERE UBU 33 THE FIXX 74 RICHARD MARX 34 LIVING COLOUR 92 XYMOX 64 SOUL ASYLUM (EP) 58 QUEEN - JACKSON BROWNE (12") 48 NEW MODEL ARMY 82 ROYAL CRESCENT MOB 71 BAND OF SUSANS 49 FABULOUS THUNDERBIRDS - WANG CHUNG 37 DEPECHE MODE 72 SCREAMING TREES 31 JULIAN LENNON - DINOSAUR JR. (12") - ANDERSON/BRUFORD/VIAKEMAN/HOWEl5"1 Arista 30 OUTFIELD - SWAMP ZOMBIES 51 SAY ANYTHING. . . 94 MARTIN STEPHENSON/THE DAINTEES - SWANS 53 MORRISSEY (12") 59 TIM FINN 69 CATERWAUL 77 SARAYA R THE CLEAN 52 GREAT WHITE - POI DOG PONDERING (EP) - TRILOBITES (EP) 47 EDIE BRICKELL & NEW BOHEMIANS 89 WALKABOUTS 55 MAUREEN TUCKER R COWBOY JUNKIES

STRAITJACKET FITS 43 SANDMEN 50 MIDGE URE 79 SYD BARRETT

DELBERT McCLINTON R LOVE TRACTOR

TWO NICE GIRLS 73 DE LA SOUL

THE CALL GREEN ON RED

R EDDIE MONEY 87 MELISSA ETHERIDGE 81 FIRE TOWN

DION 66 PETER SCHILLING 56 VIOLENT FEMMES

RAINMAKERS

Qwest-WB EMI Red Eye/Sire-Reprise Warner Bros. Sire-WB A&M Sire-Reprise Geffen I.R.S. Epic TVT Capitol Island Sire-WB

Epic Elektra RCA Geffen Sire-Reprise Warner Bros. Mammoth-RCA Capitol Virgin Atlantic Caroline Virgin Chrysalis Island Capitol Atlantic Fontana-PG RCA EMI Epic Wing-PG Twin/Tone EMI Elektra Capitol Sire-Reprise Blast First-Enigma CBS Associated Geffen Sire-WB SST Atlantic SST

Columbia Dr. Dream WTG Capitol UNI-MCA EMI (UK) Capitol I.R.S. Polydor-PG Homestead Capitol Texas Hotel RooArt (Australia) Geffen Sub Pop 50,000. . .000 Watts RCA Flying Nun (NZ) A&M Chrysalis Harvest-Capitol Alligator DB Rough Trade Tommy Boy MCA Restless Columbia Island Atlantic Arista Elektra Slash-WB Mercury-PG

College/Non Commercial 6/2 5/19 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100

ARTIST 1 PIXIES 2 LOVE AND ROCKETS 3 THE CURE 9 BOB MOULD 4 THE CULT 10 GODFATHERS 14 SCREAMING TREES - 10,000 MANIACS 7 MOJO NIXON & SKID ROPER 29 SWANS 5 XTC 33 WIRE (5") - PUBLIC IMAGE LIMITED 8 FIREHOSE 6 ROBYN HITCHCOCK 'N' THE EGYPTIANS 35 ADRIAN BELEW 12 XYMOX 18 BAND OF SUSANS 11 INDIGO GIRLS 15 SOUL ASYLUM (EP) - DINOSAUR JR. (12") 44 NAKED RAYGUN (12") 31 CONCRETE BLONDE - ROYAL CRESCENT MOB 17 TOM TOM CLUB 16 DRIVIN' N' CRYIN' 53 MAUREEN TUCKER - RAMONES 24 JOE JACKSON 43 STAN RIDGWAY 13 CONNELLS 45 ALICE DONUT 34 POI DOG PONDERING (EP) - PERE UBU 60 SIMPLE MINDS 22 GUADALCANAL DIARY 36 SIDEWINDERS 23 HOUSE OF FREAKS - DEVO 38 DESSAU 20 NEW MODEL ARMY 41 PETER CASE 39 OPHELIAS 37 CATERWAUL 99 CRIME + THE CITY SOLUTION 25 DICKIES 19 ELVIS COSTELLO 32 DE LA SOUL 46 SARAH McLACHLAN 93 TRILOBITES (EP) - THE THE (12") 27 REPLACEMENTS - 24-7 SPYZ 42 LARD 74 ELECTRIC LOVE MUFFIN 48 MR. T EXPERIENCE (EP) 30 DEPECHE MODE 50 FLAMING LIPS R ULTRA VIVID SCENE (12") 40 LEAVING TRAINS 78 WALKABOUTS 83 CINDY LEE BERRYHILL 26 NEW ORDER - DASH RIP ROCK 70 ERASURE 71 ORIGINAL SINS 80 TWO NICE GIRLS 64 DOCTOR DEATH'S VOLUME III 52 NEVILLE BROTHERS 54 LAUGHING HYENAS

TIN MACHINE (12") - ORDINAIRES 77 MONTANAS (EP) 69 DEVILS WIELDING SCIMITARS 28 FINE YOUNG CANNIBALS 56 LIVE SKULL 90 FRONT 242 (12") 79 SYD BARRETT 61 TAD - TOM PETTY 55 ZULUS - KING SWAMP 86 COWBOY JUNKIES 68 THE EX 82 SAY ANYTHING. . . - MARY MY HOPE - THEE HYPNOTICS (EP) 58 TACKHEAD (12") - COUCH FLAMBEAU - DR. JOHN 92 FUGAZI (EP) - FROGS 96 PLAN 9 R TREAT HER RIGHT 57 SWAMP ZOMBIES 49 GOO GOO DOLLS - FOSTER 8 LLOYD - ALPHAVILLE - ALL 59 WASHINGTON SQUARES

LABEL 4AD-Elektra Beggars Banquet-RCA Elektra Virgin Sire-Reprise Epic SST Elektra Enigma UNI-MCA Geffen Mute-Enigma Virgin SST A&M Atlantic Wing-PG Blast First-Restless Epic Twin/Tone SST Caroline I.R.S. Sire-Reprise Red Eye/Sire-Reprise Island 50,000...000 Watts Sire-WB A&M Geffen TVT AltemativeTentacies Texas Hotel Fontana-PG A&M Elektra Mammoth-RCA Rhino Enigma Carlyle Capitol Geffen Rough Trade I.R.S. Mute-Restless Enigma Warner Bros. Tommy Boy Arista RooArt (Australia) Epic Sire-Reprise In-Effect/Relativity Alternative Tentacles Restless Rough Trade Sire-WB Restless 4AD (UK) SST Sub Pop Rhino Qwest-WB Mammoth Sire-Reprise Psonik Rough Trade C'est La Mort A&M Touch And Go EMI Bar/None-Restless Lucy Scared Guy I.R.S./MCA Caroline Wax Tray Harvest-Capitol Sub Pop MCA Slash Virgin RCA Homestead WTG Silvertone-RCA Situation Two (UK) World (UK) It's Only A Record Warner Bros. Dischord Homestead Restless RCA Dr. Dream Death/Metal Blade-Enigma RCA Atlantic Cruz Gold Castle

-16- 'e-) 1989 CMJ

IMat IBM IBM

CMJ will be at New Music Seminar # 10 in force, with a Special Edition

of CMJ New Music Report with a bonus circulation of 6,000+,

which will be inserted in the NMS registration packets given to all Seminar attendees.

Don't miss this once-a-year advertising opportunity

to reach thousands of New Music tastemakers

in the publication they turn to first!

ADVERTISING DEADLINES

Four-Color Artwork Deadline:

Black & White Camera-Ready

Artwork Deadline:

Street Date:

Cover Date:

June 13, 1989

June 15, 1989

June 26, 1989

June 30, 1989

Ma 1M UM 11 IBM

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• ettaln u amage

If you work at a radio station or retail shop that supports local music, now you can give your favorite unsigned band a shot at being on Certain Damage, CMJ's ongoing promotional CD series.

Most of the tracks on Certain Damage are submitted by record companies, managers or bands, but we're looking to get radio and retail more involved. CMJ would like to include tracks on upcoming editions which are sponsored specifically by our reporters, so we're asking you to send us high quality demo tapes and local records for possible inclusion on upcoming Certain Damage compact discs.

HOW TO SUBMIT MUSIC:

For your bands to be eligible, just send us a cassette of the songs to be considered, along with a letter explaining why you feel we should include the band on Certain Damage. This letter must be on letterhead, and must be signed by a station or store executive. Send the cassette and letter to Certain Damage, c/o CMJ, 830 Willis Ave., Albertson, NY 11507. Tracks will be chosen by the CMJ editorial staff, and the accepted groups will be required to send a digital master copy of the song (on a Sony 1610/1630 U-Matic tape) for proper CD mastering. Stores and stations submitting an included song will be acknowledged in the CD liner notes and subsequently will be given ten copies of that disc to give away to its listeners.

So help get the word out—send your favorite local band on the road to Certain Damage!

For information on how to have your band appear on future editions of Certain Damage,

call 516-248-9600.


CMJ Top 40 Cuts (Compiled from radio station reports of their most-played cuts.)

#1 CMJ Top Cut #1 Breakthrough

6/2 5/19 1 1 THE CURE "Fascination Street" (Elektra) 2 4 LOVE AND ROCKETS "So Alive" (Beggars Banquet-RCA) 3 8 BOB MOULD "See A Little Light" (Virgin) 4 3 PIXIES "Monkey Gone To Heaven" (4AD-Elektra) 5 2 THE CULT "Fire Woman" (Sire-Reprise) 6 21 WIRE "Eardrum Buzz" (Mute-Enigma) 7 6 GODFATHERS "She Gives Me Love" (Epic) 8 - 10,000 MANIACS "Trouble Me" (Elektra) 9 5 RAMONES "Pet Sematary" (Sire-WB) 10 36 NAKED RAYGUN "Treason" (Caroline) 11 26 ADRIAN BELEW "Oh Daddy" (Atlantic) 12 - PUBLIC IMAGE LIMITED "Disappointed" (Virgin) 13 - DINOSAUR JR. "Just Like Heaven" (SST) 14 22 CONCRETE BLONDE "God Is A Bullet" (I.R.S.) 15 7 XYMOX "Obsession" (Wing-PG) 16 29 TOM TOM CLUB "Suboceana" (Red Eye/Sire-Reprise) 17 17 DRIVIN' N' CRYIN' "Honeysuckle Blue" (Island) 18 28 PIXIES "Debaser" (4AD-Elektra) 19 19 JOE JACKSON "Nineteen Forever" (A&M) 20 16 FINE YOUNG CANNIBALS "Good Thing" (I.R.S.) 21 - PERE UBU "Waiting For Mary" (Fontana-PG) 22 - SIMPLE MINDS "This Is Your Land" (A&M) 23 9 XTC "The Mayor Of Simpleton" (Geffen) 24 - STAN RIDGWAY "Goin' Southbound" (Geffen) 25 - SWANS "Saved" (UNI-MCA) 26 - LOVE AND ROCKETS "No Big Deal" (Beggars Banquet-RCA) 27 - GREAT WHITE "Once Bitten, Twice Shy" (Capitol) 28 THE THE "The Beat(en) Generation" (Epic) 29 10 MOJO NIXON & SKID ROPER "Debbie Gibson Is Pregnant With My Two Headed Love Chile" (Enigma) 30 - CATERWAUL "The Sheep's A Wolf" (I.R.S.) 31 20 XTC "King For A Day" (Geffen) 32 - BOB MOULD "Wishing Well" (Virgin) 33 - FRONT 242 "Never Stop!" (Wax Trax) 34 - STEVIE NICKS "Rooms On Fire" (Atlantic) 35 33 SIDEWINDERS "Witchdoctor" (Mammoth-RCA) 36 39 INDIGO GIRLS "Kid Fears" (Epic) 37 24 INDIGO GIRLS "Closer To Fine" (Epic) 38 12 GUADALCANAL DIARY "Always Saturday" (Elektra) 39 30 SARAH McLACHLAN "Vox" (Arista) 40 JOHN COUGAR MELLENCAMP "Pop Singer" (Mercury-PG)

ON DECK: B-52'S "Cosmic Thing" (Sire-Reprise) ULTRA VIVID SCENE "Mercy Seat" (4AD (UK)) THE CURE "Lullaby" (Elektra) PIXIES "Here Comes Your Man" (4AD-Elektra) SOUL ASYLUM "Just Plain Evil" (Twin/Tone)

-19- e 1989 CMJ


New Music Composite

Radio Breakthroughs (Highest debuts and most progress.)

1. 10,000 MANIACS Blind Man's Zoo (Elektra) 2. PUBLIC IMAGE LIMITED 9 (Virgin) 3. DINOSAUR JR. "Just Like Heaven" (12") (SST) 4. RAMONES Brain Drain (Sire-WB) 5. ROYAL CRESCENT MOB Spin The World (Sire-Reprise) 6. PERE UBU Cloudland (Fontana-PG) 7. DEVO Now It Can Be Told (Enigma) 8. THE THE "The Beat(en) Generation" (12") (Epic) 9. CRIME THE CITY SOLUTION The Bride Ship (Mute-Restless)

10. TIN MACHINE "Under The God" (12") (EMI) 11. TRILOBITES I Can't Walt For Summer To End (EP)

(RooArt (Australia)) 12. 24-7 SPYZ Harder Than You (In-Effect/Relativity) 13. JOHN COUGAR MELLENCAMP Big Daddy (Mercury-PG) 14. DASH RIP ROCK Ace Of Clubs (Mammoth) 15. WIRE "Eardrum Buzz" (5") (Mute-Enigma) 16. ADRIAN BELEW Mr. Music Head (Atlantic) 17. CINDY LEE BERRYHILL Naked Movie Star (Rhino) 18. NAKED RAYGUN "Treason" (Caroline) 19. ORDINAIRES One (Bar/None-Restless) 20. TWO NICE GIRLS 2 Nice Girls (Rough Trade)

Imports (Top imported LPs and singles.)

Adventure Picks (Reporters choices for best new releases.)

1. PERE UBU Cloudland (Fontana-PG) 2. PUBLIC IMAGE LIMITED 9 (Virgin) 3. 24-7 SPYZ Harder Than You (In-Effect/Relativity) 4. BOB MOULD Workbook (Virgin) 5. DINOSAUR JR. "Just Like Heaven" (12") (SST) 6. MARY MY HOPE Museum (Silvertone-RCA) 7. TIN MACHINE "Under The God" (12") (EMI) 8. NAKED RAYGUN "Treason" (12") (Caroline) 9. ROYAL CRESCENT MOB Spin The World (Sire-Reprise)

10. PATO BANTON Visions Of The World (I.R.S.) 11. TRILOBITES I Can't Wait For Summer To End (EP)

(RooArt (Australia)) 12. STEEL POLE BATH TUB Butterfly Love (Boner) 13. MAUREEN TUCKER Life In Exile After Abdication

(50,000. . .000 Watts) 14. HAPPY FLOWERS Oof (Homestead) 15. WIRE "Eardrum Buzz" (5") (Mute-Enigma) 16. VARIOUS ARTISTS Hard To Be Cool (I Wanna) 17. SWANS The Burning World (UNI -MCA) 18. GREATER THAN ONE London (Wax Trax) 19. RAMONES Brain Drain (Sire-WB) 20. DASH RIP ROCK Ace Of Clubs (Mammoth)

Audience Response

1. TRILOBITES I Can't Wait For Summer To End (EP) (RooArt (Australia))

2. TACKHEAD "Ticking Time Bomb" (12") (World (UK)) 3. ULTRA VIVID SCENE "Mercy Seat" (12") (4AD (UK)) 4. THEE HYPNOTICS Justice In Freedom (EP) (Situation Two (UK)) 5. WOLFGANG PRESS "Raintime" (12") (4AD (UK)) 6. BEL CANTO White-Out Conditions (Crammed-Nettwerk (Canada)) 7. CREEPS Now Dig This! (WEA (UK)) 8. ROYAL ASSASSINS Royal Assassins (Fire (UK)) 9. BOX CAR "Freemason"/"Comet" (12") (Nettwerk (Canada))

10. VARIOUS ARTISTS Pay It All Back Volume 2 (Nettwerk (Canada)) 11. THIN WHITE ROPE Red Sun (EP) (Demon (UK)) 12. MORRISSEY "Interesting Drug" (12") (EMI (UK)) 13. SNAPPER Snapper (EP) (Flying Nun (NZ)) 14. STRAITJACKET FITS Hall (Flying Nun (NZ)) 15. DEAD CAN DANCE The Serpent's Egg (4AD (UK)) 16. VARIOUS ARTISTS Young Blood (RooArt (Australia)) 17. POP WILL EAT ITSELF "Can U Dig It'?" (12") (RCA (UK)) 18. MOMUS The Tender Pervert (Creation (UK)) 19. SUNDAYS "Can't Be Sure" (12") (Rough Trade (UK)) 20. MANUFACTURE Terrorvision (Nettwerk (Canada))

(Most requested new releases.)

1. THE CURE 2. LOVE AND ROCKETS 3. PIXIES 4. BOB MOULD 5. THE CULT 6, GODFATHERS 7. XTC 8. MOJO NIXON & SKID ROPER 9. PUBLIC IMAGE LIMITED

10. 10.000 MANIACS 11. RAMONES 12. WIRE 13. INDIGO GIRLS 14. SWANS 15. ROBYN HITCHCOCK 'N' THE EGYPTIANS 16. ADRIAN BELEW 17. XYMOX 18. SIMPLE MINDS 19. DINOSAUR JR. 20. PERE UBU

e 1989 CMJ


Priority Emphasis BOB MOULD Workbook (Virgin) Emphasis Tracks: See A Little Light, Wishing Well, Poison Years Those expecting a noisefuzz extravaganza or a Husker Du spin-off or rehash will be disappointed; those looking for something that moves well beyond Mould's earlier work will be pleased as punch. Bob turns down the superfuzz bigmuffs and with more contemplative, folksy (ouch, the "F" word again) melodies, exposes the innards of his soul—a detached landscape of emptiness and introspection. It's a Workbook that takes sketches and makes them full-blown pieces of art. Seems radio has been reading furiously as Mould's Work climbs 9-4 College, 14-13 Commercial and 8-4 combined while also grabbing the #4 Audience Response spot and the #4 Adventure Pick. "See A Little Light" jumps 8-3 on Top Cuts while "Wishing Well" follows with a debut at #32. As expected, it's selling like hotcakes: Workbook debuts at #5 Progressive Retail. And Mould goes #1 at all of the following frequencies: KCOU, KGRG, KTSB, WECI, WHSE, WITR, WKDT, WMTU, WODU, WOFM, WPLS, WPTS, WRRG, WUAG, WVBC, WWVU and WXYC.

ROYAL CRESCENT MOB Spin The World (Sire-Reprise) Emphasis Track: Hungry Hailing from up in Ohio way (they grew up literally down the street from the Ohio Players!), the Royal Crescent Mob return with their Sire debut, a cooked-up concoction ol funk that never lets up, constantly locking into one set of killer new grooves after another all the way through. The Mob are all over the radio, crowding their way ont D the charts, hitting College in full force, entering at #24, storming #82-54 Commercial, and rallying at #28 combined, raising their flag as our #6 Radio Breakthrough. Meanwhile, programmers heed the call and make the Mob their #9 Adventure Pick. Stations currently spinning the world include KCOU, KMSA (#1!), KSHU, KSMLI, KWBU, WBAU, WBCR (WI), WBSU, WDCV, WECI, WEGL, WEIU, WGAJ, WMHvV, WNHU, WORT, WQFS, WRDL (#1!), WRUR, WUOG, WXYC and WYRE (WI), all of whom find their playlists mobbed Top 10.

PUBLIC IMAGE LIMITED 9 (Virgin) Emphasis Tracks: Disappointed, Warrior Thirteen years on, you get the feeling that the former Johnny Rotten's finally got a reasonable ezonomy. Released just a month ahead of the Monsters Of Alternative Promotion tour (watch for PiL, New Order and the Sugarcubes visiting a stadium near you this summer), 9 roars onto the charts faster than you can say "swindle," debuting at #13 College, #41 Commercial and #14 combined, good for the #2 Breakthrougn; it also garners the #2 Adventure Pick and #9 Audience Response, while "Disappointed" sneers into Top Cuts at #12. Stations strung out on those PiLs include KLC, KUSF, KUT, KWLC, WAPS, WCFM, WDCE (#1), WFIT (NY), WFIT (FL) (#2), WGAJ (#2), WITR (#2), WKGC, WKPX, WMCX, WMEB, WNHU, WPLT, WORI, WRAS, WREU (IL), WRUC, WSAP, WSMU, WUFI, WUMD (MI), WVBC, WVKR, WWVU, WYFE and WZMB, who divine 9 Top 9.

10.000 MANIACS Blind Man's Zoo (Eiektra) Emphasis Tracks: Trouble Me, Please Forgive Us, The Big Parade The Maniacs are taking over the asylum. . ." What these Maniacs are taking over is something quite different, yet quite the same in many respects: the airwaves. On their third full-length LP, the Maniacs show everybody that their past success wasn't just a fluke, but something this band deserved and earned. Programmers are feeling through the throngs of wax, and arriving at Blind Man's Zoo, which debuts at #8 College and #5 Commercial, for a combined #7 debut, Blind Man's Zoo is the #1 Radio Breakthrough this week. Public reaction has been quick and positive, with the record at #10 Audience Response, while the first single "Trouble Me," debuting at #8 on CMJ Top Cuts, bubbles under on the Retail front. Losing their minds already are KCOU, KCR, KDVS, KFCR (#1), KNLU, KWWC, WAPS, WDBM, WECB, WECI, WEHR, WHSE, WHTG, WLRA (#1), WMCR, WMCX, WOXY, WQFS (#1), WRSI (#1), WRUC (#1), WSUC, WTPC, WVIA (#1), WWPV, WXUT and WXVX (#1), all with top 5

reports.

24-7 SPYZ -larder Than You (In Effect-Relativity) Emphasis Tracks: Jungle Boogie, Ballots Not Bullets In case anyone doesn't already know, 24-7 Spyz are a ferociously rockin' foursome from the South Bronx whose sound is one part Chilifishbone'd funk, one part Bad Brains-core and about ten parts adrenaline. And as anyone who attended the Spyz' record release soiree at the Cat Club last month will attest, they throw a mean party! (The usual thing: lotsa free food and drink, the lead singer swinging from the ceiling, and 50 revellers dancing onstage to "Jungle Boogie.") Local events aside, nationally the record debuts #53 College and #59 combined, while Commercial's too busy playing the Doobie Bros. Regardless, Harder scores the #13 Breakthrough, and— even more important—the #3 Adventure Pick, suggesting greater things in store for these homeboys. Stations skankin' to this beat Top 20 include KWBU, WBSU (#1!), WCCM, WFCS, WFDU, WFIT (NY), WFPR, WLOZ, WNHU (#3), WREK, WRSU, WSMU, WUSB (#2), WUVT, WWSU (#1!), WWVU, WXDR and WYRE (#2).

© 1989 CAC/


CRIME + THE CITY SOLUTION

THE BRIDE SHIP

STAN RIDGWAY Mosquitos (Geffen) Emphasis Tracks: Goin' Southbound, Heat Takes A Walk, Newspapers With the summer rapidly approaching, with the expected heatwaves and insect infestations that always seem to accompany the hot weather, there is one collection of Mosquitos that is immune from Raid, and will actually be welcome to find a dwelling in the corners and fibers of your seasonal fantasies. These Mosquitos don't breed in the swamps or wetlands, or feed on the blood of their victims, but thrive on the needle, while spinning at high rates of speed, working their way into the ears of the unsuspecting. Programmers all over the country are feeling the fever, moving Mosquitos 43-30 College and 32-24 Commercial for a combined leap of 40-30. Behind "Goin' Southbound," which debuts on CMJ Top Cuts at #24. Already infested are KBOO, KCPR, KCRS, KDVS, KFCR, KMSA, KRCC, KROQ, KSUN, WDCR (NH), WFIT (FL), WGTU, WPLS, WRAS, WRFL, WVBC, WVIA, WWVU and WXCI, who report Stan the Man top 10.

DASH RIP ROCK Ace Of Clubs (Mammoth) Emphasis Tracks: Legacy, Money Rip roaring their way from the swamps of Louisiana to the bars of America, Dash Rip Rock have earned their title Ace Of Clubs from the never-ending road of constant touring; they live hard, play hard and take no prisoners once they step on stage. They belt out their own homegrown brand of fire-water inspired rock and roll that owes as much to Hank Williams as it does to other oft-cited college radio references. Songs from the Sportsman's Paradise are now being spun on stations all over this great land of ours: a strong running start at #64 College, Commercial Radio folds, as usual, but still making for a #71 combined debut—snagging our #15 Radio Breakthrough. Those already in the know about the South's hardest working band are quick to pick Dash as their #20 Adventure Pick: stations now riprocking out include KNLU, KSMU, KSYM, WBCR (#1 in Beloit, home of Point Beer!), WEGL, WKGC (#1!),WLYX,WMCX, WTUL (#1 Hometown faves!), WUMS, WUSC (#1!), WXYC, and WZMB, all of whom deal Ace Of Clubs into their top 15.

RAMONES Brain Drain (Sire) Emphasis Tracks: Pet Sematary, Believe In Miracles, Bust My Chops Celebrating the 37th birthday of Joey, the Ramones seem to be laying off the Brain Drain-o and draining what could be their best record in some time. At any rate, it's nice to see Dee Dee King, excuse me, Dee Dee Ramone, punching out Ramones n' Roll. Nevertheless the boys have unclogged twelve new cuts dedicated to hangin' out and picking up chicks at the local P.S. College is being brainy, charting the LP at #28, while Commercial takes a big swig of the drain-o at #21, making for a combined debut of #27. The #5 Radio Breakthrough is led by "Pet Sematary," the title track of the Steven King movie which debuts on Top Cuts at #9. The audience can't seem to get these boys out of their Brain and make them the #11 Audience Response record, while programmers select them as the #19 Adventure Pick. Graduates from the Rock And Roll High School include: KRVM (#2), KTEC, KTUH, KUNV, KUWS, WAPS, WARG (#2), WARY, WBCN, WCVT, WDRE, WFIT, WH IL, WHTG (#1), WICB, WKPX, WMHW, WRST (#1), WSIA, WSUC, WUSO and WWPV, all whom report the Ramones top 10.

MAUREEN TUCKER Life In Exile After Abdication (50,000,000,000,000,000,000,000 Watts-Dutch East) Emphasis Tracks: Hey Mersh!, Talk So Mean Moe Tucker's brought her self-imposed exile to a fiery close with the release of this all-star-assisted LP, the first full-length appearance from her in close to two decades. Whether it's Daniel Johnston, Lou Reed, or Sonic Youth lending their expertise to a particular track, the whole affair is kept at a level as fun and frolicsome as an afternoon hayride, if there still are such things. College crashes the party 53-27, Mersh moshes at #82, and overall the pinnacle of respect is reached at 51-33. On our merry Adventure Picking way, we chance upon Life In Exile at #13, as good an indication as any for a glorious future. Stations hip n' happening Top 10 are: CFMU, KALX, KCSU, KRPR, KRRC, KUOI, WBSU, WCBN, WDCV, WFCS, WGAJ, WGTB, WHSE, WJUL, WMBR, WMUA, WNUR, WORT, WRBU (IL), WRFL, WRMC, WRRG, WUAG and WYBC.

CRIME + THE CITY SOLUTION The Bride Ship (Mute-Restless) Emphasis Tracks: Bride Ship, Keepsake Wallowing and wafting amid waves of woebegone wooziness, Crime explores life in the doldrums on their latest LP. Mick Harvey, Simon Bonney, and the crew rattle out a glamorously solemn musical rendition of the ruins of Berlin, making for an austere, unsettling voyage for those who'd rather not be cheered up. Veiled, mysterious, and morose, The Bride Ship crests on College 99-45, Commercial just isn't in the mood, and combined debuts at #51, good for the #10 Breakthrough. On this LP, Crime looms above caffeine/heroin-infatuated pipsqueaks, reducing such pretenders to dust with pathos so real it drips. Stations who need a jab of opiate delight are as follows: KCMU, KCSU, KSDT, KSMU, KTSB, KXLU, WBAU, WLOZ, WNUR, WNYU, WRBU (#1), WRUV, WUAG, WUOG, WVCW and WVKR, all taking aim Top 15.

ADDITIONAL EMPHASIS TRACKS: Mavis Staples "20th Century Express," Soul Asylum "Just Plain Evil," Swans "Can't Find My Way Home," Neville Brothers "Yellow Moon," Tin Machine "Under The God," SNFU "G.I. Joe Get Angry With Humankind," De La Soul "Me Myself And I," Band Of Susans "Hard Light," Original Sins "Hea-d It All Before," My Bloody Valentine "Feed Me With Your Kiss," Souled American "Cupa Cowfee," Yo La Tengo "Barnaby, Hardly Working," Poi Dog Pondering "Circle Around The Sun," Two Nice Girls "Sweet Jane (With Affection)." Dickies "Hair," Drivin' N' Cryin' "Honeysuckle Blue," Laughing Hyenas "Loves My Only Crime," Honor Role "Listening To Sally" and Spacemen 3 "Revolution."

-22- © 1989 CMJ

Jackpot!


Thc Ori4inal

ORIGINAL SINS The Hardest Way (Psonik, P.O. Box 2727, Lehigh Valley, PA 18001-2727)—Sometimes in the endless quest to find a new hook, an experimental twist that hasn't been untwisted, it's easy to forget that rock and roll doesn't need a new set of clothes 'cause the one it's worn all these years still fits just fine. Sometimes it takes a band like the Original Sins to remind you why you started jumpin' around in your bedroom with the door locked playing air guitar in the first place. One loud, relentless guitar, one snarly lead singer (even if it's the same guy), one snaky organ—yeah, organ— and a bass 'n' drums that like nothing better than to smash their heads together until they become one thumping rhythm ma-chine—sometimes that'll still do the trick. More often than not. Pennsylvania's Original Sins will probably never know what it's like to be famous or rich—they don't care much about modern recording technology, they'd rather bash around and plug an occasional harmony into their once-in-awhile melodies than find the kind of beats that'll get them into CMJ's Beat Box column, and they don't even try to make up lyrics that'll get the guys from the

Village Voice running to their dictionaries to think up smarty ways of describing what it all means. The Hardest Way is thP Original Sins' second album (check out their first, on Bar/None) and it's just as grungy and non-stop crazed as the debut—if "progress" means refining, then these guys would rather regress. Reference points can include '60s garage-punk or '76 punk-garage but you don't need reference points to know that the Original Sins mean business when they get to rockin'. All you gotta do is play the record (CD/cassette w/five bonus tracks) and no explanation's necessary. It ain't that hard to figure out what's goin' on here—it's rock and roll.

24-7 SPYZ Harder Than You (1n-Effect/Relativity, 187-07 Henderson Ave., Hollis, NY 11423)—The press release that came with Harder Than You quotes drummer Anthony Johnson as saying that 24-7 Spyz "cut through the barriers and get way beyond the 'black rock' name," and for once a press release tells the truth. For all their deserved success. Living Colour sold itself on the premise that being a black rock and roll band was something unique, which would of course be news to everyone from Chuck Berry to Sly Stone to the Bad Brains. 24-7 Spyz (the name comes from 24 hours a day, seven days a week, and James Bond) is a black rock and roll band but more than that they're a great rock and roll band—and a great rock and roll band that doesn't stop to think about concept 'cause it's too busy bein' heavy. Harder Than You is something of a mini-tour through the entire history of black rock and roll if it need have that tag at all: "Grandma Dynamite," the lead track, is the aforementioned Bad Brains doing the aforementioned Chuck Berry's "Johnny B. Goode" ("She said, 'I bought you that guitar, boy you better play it"). From there it slips and slides through metal and rap, reggae and funk until it's all jumbled up in one big ol' 24-7 Spyz package. Kool and the Gang's funkfest "Jungle Boogie" becomes a metallic rap, the politically charged "Social Plague" seethes against racism to a Zeppelin riff, Black Uhuru's "Sponji Reggae" is given a staight-ahead, apropos el-tropico treatment that leads into a hardcore-polka (?!—really). Those who must have genres to work with, even those who needed to throw Living Colour and Public Enemy into a package they could sell, are gonna have to throw their hands up in the air and the book out the window this time. Harder Than You forces you to listen to their music for its own sake. Now there's a concept.

TULI KUPFERBERG Tull & Friends (Shimmy-Disc, JAF Box 1187, New York, NY 10116)—Tuli Kupferberg, now in his sixties, could be found in the '50s among the beat poets of Greenwich Village and in the '60s as one of the Fugs (a role he still reprises every several years or so). Unlike most of his contemporaries, Kuperferberg remains true to his ideals of those headier days. He's also a real pisser. Tull & Friends (Allen Ginsberg being the best known of his friends) is partially music, partially spoken word (Kupferberg enjoys reading ironic and unbelievably stupid clips from the newspaper) and always a jolt. Original tunes such as "Go Fuck Yourself (With Your Atom Bomb)," with Ginsberg on harmonium, are joined head-on by parodies—the Dylan put-down "My Name Is Bob Dylan" is set to Zimmy's own "With God On Our Side"—and even an encore of one of the Fugs' saner tunes, "Morning Morning." Kupferberg's first-ever solo album, produced by Shimmy-meister Kramer, is a sparse affair to say the least—lots of acappella, nothing resembling an overdub—but it's got more depth than most of the self-conscious socio-politico-rocko that gets all the kudos. Tull & Friends would probably seem truly exotic to anyone who has no clue as to where Kupferberg's place in beatnik-yippie history lies, and God only knows what it'd sound like on the radio. But that's all the more reason it should be heard—this is radical stuff in more ways than one.

PO1 DOG PONDERING Circle Around The Sun (Texas Hotel, 151 Wilshire Blvd. #151, Santa Monica, CA 90401)—Poi Dog Pondering sort of fills the role that Camper Van Beethoven did during their first few years: provide the acceptable face of hippiedom. Unabashedly flower-powery lightweight, the Poi Dogs think nothing of jumping about from guitary-psych to Hawaiian folksy-pop to airy acoustic fluff within one four-song EP and maintaining an identity all their own along the way. Like the Campers, this Austin crew (seven members and counting) isn't afraid to experiment, to be corny, to wear their influences on their sleeves (if they'd been around in the '60s they'd probably have a name like Flower Muffins or Love-In Cup or Poi Dog Pondering). The only real problem with Circle Around The Sun, and with PDP's indie label career in general, is that there isn't nearly enough of it to fall back on.

VARIOUS ARTISTS Rock, Rhythm & Blues (Warner Bros., 3300 Warner Blvd., Burbank, CA 91510)—If you haven't figured it out by now, the cover song is here to stay. Whether it's nothing more than pandering to the thirtysomething generation or a true reverence for the music of rock's Wonder Years, it's getting increasingly more difficult to find an artist within any popular music genre who doesn't in some way draw from and at some point try to remake, something from the '50s or '60s. Rock, Rhythm & Blues, the brainchild of producer Richard Perry, isn't the first or the best album to feature nothing but currently popular stars re-doing their favorite oldies. But it isn't nearly as intolerable as one might expect. How much of that is due to Perry's expertise at recreating the sounds of the past in a late-'80s framework and how much of the credit goes to the performers is debatable, but the match-ups here are sensible and enjoyable more often than not. Nothing is going to turn Michael McDonald into Jerry Butler, but there are some surprisingly good times to be had in Elton John's do-up of Fats Domino's "I'm Ready" and the Pointer Sisters' take on the Bobbettes' "Mr. Lee." The ballads, Howard Hewett on the Moonglows'"Ten Commandments Of Love" and El DeBarge's sweet interpretation of Jesse Belvin's "Goodnight My Love," don't match but don't hurt the originals, and Rick James does a mean Drifters in his "This Magic Moment"/"Dance With Me" medley. The Manhattan Transfer have spent their entire lives trying to be Frankie Lymon and the Teenagers, so it's no shock that they whip up a funtastic "I Want You To Be My Girl" (mislabeled on the album cover—jerks), and if Chaka Khan's cover of "Fever" is closer to Peggy Lee's version of "Fever" than Little Willie John's original, she still handles it well. Finally, the off-beat surprise on the album is surely Randy Travis's wonderful spin with the late Brook Benton's "It's Just A Matter Of Time." Benton was a highly underrated smoothie from the late-'50s/early '60s, and for Travis to even attempt the song is commendable. That he turns it into something of his own is applaudable. There's probably going to be a temptation for Perry to follow this up if the album does well, but hopefully he'll keep it a one-off and quit while he's ahead, with a rare genre exercise that accomplishes its goal.

SHORT STOPS Carl Perkins—what can you say? The guy's a legend through sheer perserverance alone. The rockabilly pioneer's latest, Born To Rock (Universal, c/o MCA), is hardly the same stuff of which his '50s Sun classics were made, and though it'd probably be a sad statement if Perkins were still trying to rekindle that flame, that doesn't make Born To Rock an exciting piece of work. Perkins' albums have lc,_.en misguided for many years now and it's a shame one of the revivalist specialists like Dave Edmunds or Jeff Lynne didn't grab the production job from the two guys listed here, Brent Maher and Don Potter. In trying to place Perkins somewhere between the roots-rock and contemporary country zones, Born To Rock mostly ends up stillborn. A few risks that work make it something short of forgettable but you can be sure this won't make anyone's all-time favorite Carl Perkins list. To check out Perkins at his peak, try instead Rounder's new Honky Tonk Gal, a collection of rarities and outtakes from the Sun era. . . A live jazz album called Tribute To John Coltrane (Columbia) has the rare distinction of not only living up to its name but adding to the understanding of the musician it pays tribute to. A superb cast featuring soprano saxists Wayne Shorter and Dave Liebman, pianist Richie Beirach, bassist Eddie Gomez and drummer extraordinaire Jack DeJohnette cut the three Coltrane pieces presented here in Japan in 1987, and the music is bright and blissful throughout. A beautifully recorded concert that Coltrane lovers shouldn't hesitate to add to their collection.

My mailbox wants you to stuff it. Send anything that spins to P.O. Box 497, Hoboken, NJ 07030.

—Jeff Tamarkin

-23- 1989 CMJ

LIVE W


IRE

BUNNY WAILER Radio City Music Hall, New York, NY, May 4 There's something to be said about this legendary stuff—keeping a low profile for close to 15 years and being an original member of reggae's most revered triumvirate made this show one of the most special and rootical concert experiences to pass through in a long time. Not to mention placing it in one of New York's most prestigious and archi-tecturally fine venues, it was magic as Bunny Wailer majestically entered the stage at Radio City Music Hall. With a backing group of more than 15 musicians dubbed the Solomonic Reggaestra, three harmony singers known as Psalms and intermittent appearances by both male and female dancers, it was a cultural extravaganza. As part of the Liberation Tour, Wailer covered old and new material, political, spiritual and whimsical. He spoke and he sang, he educated and entertained, and had everyone on their feet in a venue where standing, never mind dancing, is generally taboo. He was regal in his robes and headdress, earthy and casual in his jogging suit and sneakers. A powerful presence, Bunny Wailer's only flaw is that the program wasn't long enough. Honorable mentions go out to the legendary Skatalites who opened the show and set the tone for a classy, vibesy evening.

NEVILLE BROTHERS Club CAY, Tokyo, Japan, May 15 A crowd of 300 young Japanese and a few faithful foreigners packed the CAY club for the first of four sold-out shows (two each on two nights). Playing a set comprised mostly of material from their latest album (but spiced with a slew of cool covers) the Neville Brothers whipped a by-day staid, conformist crowd into a Mardi Gras frenzy. Highlights of the set included the opening medley which included bits of "Love The One You're With" and -You Can't Always Get What You Want," the guitar/sax duel that capped off -Yellow Moon," and a grooving version of Professor Longhair's "Big Chief." Seeing the Nevilles in such an intimate room was well worth the 4,500 yen ticket (that's $34 in depressed U.S. dollars), as the sweaty crowd would testify as well—they had to be politely asked to leave when the applause hadn't ended ten minutes after the house lights came up. Havirg witnessed the leather-clad crowd on its way to see Metallica the previous night (sadly, no tickets were to be found) as well as this New Orleans gumbo, one is tempted to make trite statements about music as a universal language—let's just say that on this night a yellow creole moon was definitely shining brightly on the land of the rising sun.

New Orleans Jazz & Heritage Festival

New Orleans, April 28 - May 7 The great thing about Jazz Fest is that there are so many high points— from the widest variety of music ever assembled for one event, to the indigenous cajun-creole-Afro-caribe foods and crafts—but you simply can't catch them all. And no matter how many trips you makes to the fest, you're bound to find something new to write home about each time. Even though Friday's festivities were cancelled due to a sudden Thursday night storm, Saturday made up for the lost day. Kicking off in high style under sunny blue skies were The Wild Magnolias, one of the oldest and most famous groups of Mardi Gras Indians, who drummed and danced and reveled in their rhythmic call-and-response vocal chants—the origins of which predate rap by a hundred and fifty years. One thing that's unique about Jazz Fest is its knack for bringing out the best in the

crowd as well as the performers; rarely are audiences ever this appre-ciative, polite and just plain friendly—for instance, while Sengalese vocalist Youssou N'Dour hypnotized the crowd with his seductive, soaring world music we suddenly found ourselves in the midst of a crowd of native Sengalese citizens visiting America, who were all too happy to translate the songs' lyrics and teach us the necessary corresponding dances. Also of interest on Saturday was a set by French Canadian producer Daniel Lanois who played guitar backed by the rhythm section of the Neville Brothers; his lush atmospheric music sounded uncannily like every record he has ever produced. Saturday afternoon's peak came as the Dirty Dozen Brass Band stormed the stage, boisterously ripping through a string of jungle jazz tunes from their latest Columbia LP. That night the Radiators and Neville Brothers packed their second of two nights at Jimmy's and Tipitina's respectively; meanwhile, those who craved more traditional jazz sounds headed downtown to catch a stellar triple bill of flautist Kent Jordan (whose solos were so complex and literally breathtaking that Jordan himself seemed amazed that he had managed to pull some of them off), Earl Turbinton, (whose stage presence was almost as difficult and obtuse as his music, blasting out frantic, skewed sax solos while wearing a paper bag over his head), and headliner Max Roach, who kept the same dour expression on his face the entire night while his sticks blurred around him as he demonstrated his legendary prowess on the trap drum kit, closing his show with an informal lesson in percussion history (as it turns out, the drum kit as we know it traces its roots to. . . where else—New Orleans!). Sunday broke last-day attendance records for the Fest with performers literally both from around the globe and down the street. Ali Farke Toure, the legendary folk/blues singer from Mali, mesmerized the crowd with his hypnotic, droning John Lee Hooker-styled blues—Hooker performed a set of his own boogiefyin' badness on Saturday—sung in the dialects of his native country, while simultaneously across the Fairgrounds, blind blues guitarist Snooks Eaglin regaled a hometown New Orleans crowd with his enthusiasm and energy. And where else but Louisiana would one find a character like Jimmie Davis, the former state governor who also penned "You Are My Sunshine" and still performs it every year on the festival fairgrounds? Later, the Subdudes wowed the crowd with a set of songs from their forthcoming debut album on Atlantic. As the day wore on, the music just seemed to get better and better—while the Radiators played through a sea of tie-dye and a haze of holy herbs, and Dr. John held court with his Louisiana Luminoids, the Gospel Soul Children raised the roof in the Gospel tent, bringing all of its occupants closer to heaven. Closing out the twentieth annual Louisiana Jazz and Heritage Festival as the sun disappeared behind the trees was the irrespressible Fats Domino, whose portrait was honored Andy Warhol style in this year's festival poster, belting out a medley of his million sellers that showed that even at age sixty, the "Fat Man" was still in fine form. Jazz highlights included the always impressive and criminally underappreciated Astral Project who can play it straight ahead, swing it freely, bop it hard, or take it to the tropics all in the course of a fifty minute set: clarinetist Alvin Batiste led his band of dagger-sharp jazz proteges through a set of arresting, avant garde jazz with a special appearance by pianist Henry Butler: Sun Ra & His Arkestra (currently the world's greatest big band) returned to the carnival city with his costumed crew playing jazz standards, Disney tunes ("Zippity Doo-Dah") and a handful of originals which held the crowd spellbound up to the closing minutes when a fourteen foot puppet pranced out on stage and escorted the interplanetary one off. Heritage highs were the Boom and Chime Band from Belize, a percussion oriented ensemble (one guy played the jawbone of some sharp-toothed oversized beast!), who dressed in white and performed folk songs with a beat we could all dance to: The Bahamas Junkanoo Band, the most colorful outfit at an already colorful festival, who paraded around the grounds led by a stilt-walker and built their beat to a frenzy with various drums, whistles, etc. The one disappointment of this year's event (besides the too-huge crowd—if they didn't book national acts at the fairgrounds and saved them instead for night concerts, making room for the more heritage-oriented acts this might not be such a problem) was a no-show by Bongo Joe, an older man who plays green and orange spray painted industrial drums with rattles tied to his drumsticks. Hope to see you next year Joe.

NEW MUSIC ITINERARIES KEY

RC - %cord Company PA Public Relations -

LII Ed & The Blues Imperials RC Alligator

Date City St Venue

June 9 10 12 13 15 16 17 18 20 21 22 23 24 25 28 29 30

Boulder Aspen Taos Albuquerque Tempe Solana Beach Long Beach Los Angeles San Los Obtspo Davis Mt View Mill Valley San Francisco Eureka Eugene Portland Seattle

CO CO NM NM AZ CA CA CA CA CA CA CA CA CA OR OR WA

Boulder Theatre High Alt Paradise Kachina Lodge Danbi s Chuy's Belly-Up Tavem Bogart's The Music Machine D K S Palm's Playhouse JJ's The Sweetwater Sues Tsunamis Taylor Tavern Dandelion Pub The Backstage

Drivin' N' Cryin'

RC Island

Date City St Venue

June 2 3

Si Laos MO Furst Rock Chicago IL Cabaret Metro

Dili City St Venue

June 4 Milwaukee 9 Delver

10 Salt Lake City 13 Vancouver 14 Seattte 15 Portland 17 Berkeley 18 San Rafael 19 San Francisco 22 Long Beach 23 Hollywood 24 San Diego

WI CO UT Eic WA OR CA CA CA CA CA CA

Omnibus The Broadway Bar F. Grill The Town Pump The Central The Salyncon Berkeley Square New Georges The I-Beam Bogarts The Boxy The Bacchanal

The Tragically Hip

RC MCA

Date City St Venue

June 7

9 12 13 14 16 17 18

Buffalo Rochester Syracuse Portland Cambridge New York Philadelphia Pittsburgh Washington

NY NY NY ME MA NY PA PA DC

Niches Red Creek Inn Lost Horizon The Tree Cale T T Bears Downtown Club Ambler Cabaret Graffiti The Bayou

Webb Wilder & The Beatnecks

Date City St Venue

June 2 3

160 16E 17 22 23 26 27 28 30

Philadelphia Washoglon Brrmingham BirmIngham Nashville Carbondale Wichita Lawrence Kansas City Lincoln Milwaukee

PA DC AL Al TN IL KS KS KS NE WI

Perms landing 9 30 Club City Stages The Nick Festival Sib Coyote Club Jazz House Lone Star Zoo Bar Summer-test

Joe Louis Walker

RC Hightone

Date City St Venue

June 15 Bethesda 16 Baltimore 17 Kingston

MD MD NY

Twist S Shout Pier.6 Perf Acts Center

Date City St Venue

18 Providence RI Church House Inn 19 Hanford CT Lloyd's 22 Buffalo NY Tralfamadae Cafe 23 Pittsburgh PA Jazz Festival 24 New York NY Central Park 25 Amagansett NY Stephen Talkhouse 26 Nortiampton MA The Iron Horse 28 Hampton Bch NH Club Casino 30 Montreal OUE Jazz Festival

John McLaughlin Trio

Date City St Venue

June 4 5 6 7

8-11 12 13 14 15 18

Atlanta Ft Lauderdale Knoxville Houston Ft Worth New Orleans Cleveland Chicago Kansas City Redondo Bch

GA FL TN TX TO LA OH IL MO CA

Grant Park Musicians Exchange Ella Gums Rockefeller's Caravan Of Dreams Tipitina's PeabOdy'S The Vic Fogy Theatre The Strand

Tour itineraries courtesy of POLLUX? "The Concert Hotwire." 4838 North Blackstone, Second Floor, Fresno, CA 93726 • (800) 344-7383 • (209) 224-2631

-24- © 1989 CMJ


PROGRESSIVE RETAIL CHART INFORMATION BASED ON SALES ACTIVITY OF REPORTING RETAIL OUTLETS

SOLD indicates a significant increase in sales activity Statistics are compiled from point totals tabulated from positions ( 1-25)of artists on sales reports, then multiplied by store code factor (based on

store size market size, varlet of stock

6/2 5/19 1 2 46 3 1 4 2 5 6 4 7 5 8 11 9 7 10 11 19 12 13 13 6 14 15 25 16 17 21 18 23 19 14 20 8 21 15 22 10 23 17 24 20 25 16 26 9 27 18 28 26 29 28 30 29 31 27 32 33 12 34 35 37 36 32 37 38 39 40 41 33 42 43 43 44 45 40 46 47 44 48 49 50 41

ARTIST THE CURE LOVE AND ROCKETS THE CULT PIXIES BOB MOULD FINE YOUNG CANNIBALS XTC DE LA SOUL ELVIS COSTELLO SIMPLE MINDS INDIGO GIRLS NEVILLE BROTHERS XYMOX DINOSAUR JR. TOM PETTY SWANS ERASURE JOE JACKSON MORRISSEY CONNELLS COWBOY JUNKIES REPLACEMENTS LIVING COLOUR BONNIE RAITT ROBYN HITCHCOCK 'N' THE EGYPTIANS Queen Elvis LOU REED DEPECHE MODE R.E.M. THROWING MUSES GODFATHERS DRIVIN' N' CRYIN' JOHN COUGAR MELLENCAMP NEW ORDER FRONT 242 PETER CASE SOUL ASYLUM ADRIAN BELEW GLENN BRANCA WIRE NITTY GRITTY DIRT BAND MADONNA TOM TOM CLUB FRONT 242 N.W.A. RAMONES POP WILL EAT ITSELF SYD BARRETT PUBLIC IMAGE LIMITED SIDEWINDERS FIREHOSE

TITLE Disintegration Love And Rockets Sonic Temple Doolittle Workbook The Raw & The Cooked Oranges & Lemons 3 Feet High And Rising Spike Street Fighting Years Indigo Girls Yellow Moon Twist Of Shadows "Just Like Heaven" (12") Full Moon Fever The Burning World Crackers International (EP) Blaze Of Glory "Interesting Drug" (12") Fun & Games The Trinity Session Don't Tell A Soul Vivid Nick Of Time

New York 101 Green Hunkpapa More Songs About Love & Hate Mystery Road Big Daddy Technique "Never Stop" (12") The Man With The Blue Postmodern Fragmented. . Clam Dip & Other Delights (EP) Mr. Music Head Symphony No. 6 "Eardrum Buzz" (5") Will The Circle Be Unbroken Volume Two Like A Prayer Boom Boom Chi Boom Boom Front By Front Straight Outta Compton -Pet Sernatary - (12") "Wise Up Sucker" (12") Opel "Disappointed" (12") Witchdoctor fROMOHIO

LABEL Elektra Beggars Banquet-RCA Sire-Reprise 4AD-Elektra Virgin I.R.S./MCA Geffen Tommy Boy Warner Bros. A&M Epic A&M Wing-PG SST MCA UNI-MCA Sire-Reprise A&M EMI (UK) TVT RCA Sire-Reprise Epic Capitol A&M Sire-WB Sire-WB Warner Bros. Sire-WB Epic Island Mercury-PG Qwest-WB Wax Trax Geffen Twin/Tone Atlantic Blast First-Restless Mute-Enigma Universal-MCA Sire-WB Red Eye/Sire-Reprise Wax Trax Ruthless-Priority Sire-WB RCA (UK) Harvest-Capitol Virgin Mammoth-RCA SST

Budget DianaUnfflilfflW Euclid ÀdIMI Midnight F.'S., NO Ash, and, OR

Cel (701) 2IS2.0673 Er«, 1503) 488-0066

OW MOULD BLUR RODEO LOVE AND ROCKETS DRIVIN' N' Civil'

THE CURE

PIXIES ETC FROGS

SIDEWINDERS DEFECT« MODE INOIGO GIRLS REPLACEMENTS ROBYN HITCHCOCK/EGYPTIANS FOSTER LLOYD THE CULT TINE YOUNG CANNIBALS COWNELLS TWINING MUSES

NOJO NIXON 1. SKID ROPER MEA ORDER

La./ REED COwBOY JUNKIES

ELVIS COSTELLO FIRENOSE

THE CURE

LOVE Ab ROCKETS FINE YOUNG CANNIBALS ENTA TONE-LOC UM CULT

R.E.O.

LIVING COLN' X1C

COWBOY JUNKIES BONNIE RAITT NE» ORDER PIXIE BELEZE TROPICAL: BRAZIL C DESCENOENTS

WIN/ 242

St. Louis, NO New York, 111

Joe (314) 361-7353 Ron (212) 255.3892

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JAZZ LINE 6/2 5/19 ARTIST 1 1 2 2 3 7 4 5 5 3 6 6 7 4 8 10 9 9 10 13 11 12 13 14 15 11 16 17 18 19 20 14 21 8 22 23 24 16 25

DIRTY DOZEN BRASS BAND TERRI LYNE CARRINGTON McCOY TYNER MARCUS ROBERTS CHICK COREA BILL FRISELL BAND DAVID MURRAY CHET BAKER HENRY THREADGILL SEXTET JOE SAMPLE DAVID NEWMAN LARRY CARLTON ERNIE WATTS WITH GAMALON AMERICAN JAZZ ORCHESTRA OREGON FREDDIE HUBBARD VARIOUS ARTISTS SHIRLEY HORN GEORGE ADAMS HIROSHIMA KEVIN EUBANKS JOHN PATITUCCI EDDIE PALMIERI MILES DAVIS MILES DAVIS

TITLE Voodoo Real Life Story Revelations The Truth Is Spoken Here Akoustic Band Before We Were Born Ming's Samba Let's Get Lost Rag, Bush And All Spellbound Fire! Live At The Village Vanguard On Solid Ground Project Activation Earth Ellington Masterpieces 45th Parallel Times Are Changing Live At The Knitting Factory Close Enough For Love Nightingale East The Searcher On The Corner Sueno Ascenseur Pour L'Echafaud In Person, Saturday Night at The Blackhawk

LABEL Columbia Verve Forecast-PG Blue Note Novus-RCA GRP Musician-Elektra Portrait Novus-RCA Novus-RCA Warner Bros. Atlantic Jazz MCA Amherst East-West/Atlantic Portrait Blue Note A&M Verve-PG Blue Note Epic GRP GRP Intuition-Capitol Fontana-PG Columbia Jazz Masterpieces

Jazz Reports VIBRUr KBUTMlarKONKAMIIV KOVSW KHSUMMII KSJSKTEQ Providence, RI Ian Anderson

(401) 222-9550

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WALLACE RONEY CHET BAKER

HENRY TAREADGILL SEXTET CLARK TERRY MCCOY TYNER JOHN iltIGO DAVID NuRRAY

DUKE ELLINGTON GLEAN AORIUCHI muus BROim Rue BRAFF's ALL STARS DOMAD JARAL

STEVE LACY

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(509)335-2208

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LIVE AT THE KNITTING FACTORY EDDIE PALMIERI

SIMON AHMED ABDULLAH DAVID NuRRAY THE PRESIDENT

BILL FRISELl BAND VLADIMIR CNEKASIN WALLACE KNEE

RED RODNEy JAMES WILLIAMS ORDINAIREs TRIBUTE TO JOAN COL1RANE ANATOtt VAPIRIv

ERIC GALE

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CHET BAKER PONCHO SANCHEZ SUPERBLUE MCCOY TYNER

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DAVID NEWMAN [11E1 BAKER PEPPER ADAMS KEVIN EUBANKS

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MICHEL CAMILO

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Ashland, ON Steve Johnson

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BILLY ATWELL RICHARD SOUTHER

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LOUIS BELLSON

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Jazz Line Continued

Jackpot! HENRY THREADGILL SEXTETT Rag, Bush And All (Novus, c/o RCA, 1133 Ave. of the Americas, New York, NY 10036)—If your idea of a "Jackpot" is an easy, risk-free platter that will please most of your listeners all of the time, then maybe you should skip over this one, because this record won't fit that bill. Rag, Bush And All, new from the seven-piece Sextett of reedman Henry Threadgill, one of the most uncompromisingly creative composers in the world today, is a work of astonishing brilliance that requires some partic-ipation, rather than mere passive audition, on the part of the programmer. Heard without a modicum of attentiveness and historical perspective. Rag, Bush And All may leave jocks dazed and confused. Yet, heard in toto with open mind and ears, it will leave jocks and listeners exhilarated and enlightened. For Rag, Bush And All, Threadgill composed four new ragtime pieces. updating (and, he says, "taking some liberties with") the form pioneered by Scott Joplin in the 1890s. Like Threadgill's acclaimed but now-defunct trio, Air, which he says "came together playing rags," his Sextett (Diedre Murray. cello; Fred Hopkins. bass; Newman Baker and Reggie Nicholson. drums and percussion; Ted Daniels, brass: Bill Lowe, bass trombone) interprets the four rags without piano. "It's been 50 years since rags were written (for performance on solo piano) in the classical sense," Threadgill, who plays alto sax and bass flute, informs Jazz Line. "I

didn't go back and try to write music that sounded like it was from that period. I filled in the blanks." The Sextett's instrumentation enables Threadgill to cover virtually the entire tonal spectrum, and, in extending the original precepts of rags as an orchastral

form, the ensemble merits high praise for its cohesion. Explains the leader, "The quick, sudden changes of direction call for a lot of concentration and stamina." Threadgill's rags. which he terms -symphonic-orchestral works," showcase one of the jazz world's most astute and spirited groups, and within these compositions one hears passages featuring the ensemble's instruments in unusual but winning combinations. Rag, Bush And All encapsulates the entire history of jazz. In short, this album is a once-and-future masterpiece

RED RODNEY QUINTET No Turn On Red (Denon, 222 New Rd., Parsippany, NJ 07054)—Many things have changed in the 40 years since Red Rodney joined Charlie Parker's band, but the trumpeter's love for bebop, thankfully, isn't one of them. Robert Chudnick. a Philadelphia native, retains the same elfin bounce, cherubic zest and bright, pinched tone he brought to Bird's quintet as Miles Davis' replacement in 1949. Showing no signs of bitterness or debility. Rodney still gets high on bebop—no longer on skag, another legacy of his Bird days—as this 1986 studio session attests. One can take issue with his portrayal in the Clint Eastwood movie Bird, but one can't deny Rodney's importance as a first-generation bopper or his influence as an elder statesman on today's neoclassicists. Ira Sullivan, Rodney's peer and co-leader of a fine quintet in the late '70s and early '805, no longer travels the circuit with the trumpeter, but in multi-reedman Dick Oatts (soprano, alto and tenor saxophones) Rodney has found a suitable replacement. Youngbloods Oatts and pianist-composer Garry Dial (who has worked with Rodney for nearly a decade) bring abundant energy, vision and chemistry to this date, which is fleshed out by drummer Joey Baron and bassist Jay Anderson. In fact, their Garry Dial And Dick Oatts recording for DMP (grafting a large string orchestra to a jazz quartet, also with Anderson and Baron) will blend nicely in a set with a few tunes from No Turn On Red. The nearly 68-minute Denon CD, which sports five songs by Dial, one of the finest young composers on the scene, amply demonstrates that, with energetic young players on board, the now 61-year-old Rodney can still sail through the changes. For a taste of '70s Rodney, check out the Muse reissue Bird Lives. a 1973 quintet date with altoman Charles McPherson and pianist Barry Harris. (DMP. Park Square Station, P.O. Box 15835, Stamford, CT 06901: Muse. 160 W. 71st St., New York, NY 10023.)

RALPH PETERSON QUINTET V (Blue Note, 8107th Ave., New York, NY 10019)—Drummer-composer Ralph Peterson, late of Out Of The Blue (OTB), makes an auspicious leadership debut on this neobop quintet session from April 1988. Peterson, dedicating this effort to the departed Dannie Richmond, stickman and torchbearer for Charles Mingus, and seeking to "further the cause" of drummer-leaders, directs a group of young, eager and enterprising players who share his quest for musical manifest destiny through an understanding of (but not blind adherence to) tradition: Terence Blanchard, trumpet; Phil Bowler, bass; Steve Wilson (who makes his debut on vinyl), alto and soprano sax; Geri Allen, piano. The leader has recognized early on that tradition, instead of being a trap, can bes trap door to new discoveries, and among Peterson's discoveries on this straight-ahead date, for which he penned five of the six numbers, is the role of ensemble cohesion in polyrhythmics: the unusual 17/8 time signature in "Monier calls for—and achieves—group interplay of the highest order. Another highlight of V is "Bebopskerony." at once a tribute to and a takeoff on the masters of the modern idiom. Well done.

CHET BAKER The Best Thing For You (A&M, P.O. Box 118, Hollywood, CA 90078)—Amid the media mania surrounding Let's Get Lost, the stylish black-and-white documentary on the life of trumpeter Chet Baker. A&M has found—or, rather, just released for the first time—a straight-ahead Baker date from 1977. Earmarked (but never issued) as the companion to the fusionish You Can't Go Home Again, this title finds the benighted trumpeter, '50s Golden Boy turned '80s Basket Case, singing and playing in his inimitably haunting manner in the company of altoman Paul Desmond (his last date), drummer Tony Williams, bassist Ron Carter and pianist Kenny Barron. Highlights include "I'm Getting Sentimental Over You," "You've Changed" and "How Deep Is The Ocean." A tune from this album should work well in a set with music from the Let's Get Lost soundtrack on RCA. By the way, the new A&M Jazz Series has also issued (on CD and chrome cassette) Where Flamingos Fly. a 1971 date by the Gil Evans Orchestra, and the live, 1971 recording by The Thad Jones/Mel Lewis Quartet.

ATLANTIC JAZZ: Atlantic Records. now 40 years old, is launching a major offensive through May under the banner "Atlantic Is Jazz," releasing 14 jazz titles (new and old) ranging from mainstream to contemporary. In the former category are CD reissues of classic recordings by John Coltrane, the Modern Jazz Quartet, Charles Mingus and Milt Jackson. Ole Coltrane reprises a 1961 septet date with Eric Dolphy and Freddie Hubbard sharing the front line, Interestingly, this reissue duly credits Dolphy for his contributions on alto sax and flute: the album's original release cited him (perhaps due to contractual obligations elsewhere) as George Layne. Even more noteworthy is an extra, fourth, track not included on the original album, the nearly nine-minute "To Her Ladyship.". . The double-CD reissue of The Last Concert (Avery Fisher Hall, 1974) by the Modern Jazz Quartet is renamed The Complete Last Concert because two heretofore unheard tunes are included, one of them the nearly 11-minute "Concierto De Aranjuez." Of course, this wasn't the last MJQ concert—they regrouped, God bless 'e-n, and continue to record and perform with a panache and precision unsurpassed in jazz. For 30 years John Lewis, Milt Jackson, Percy Heath and Connie Kay have balanced refinement with swing in their bop-refracted classical jazz, and one looks forward to what should be a glorious 40th anniversary. Vibist Jackson of the MJQ is also heard again on Plenty, Plenty Soul, two sessions from the same day in January of 1957. Three cuts feature Jackson in nonet with horns aplenty—altoist Cannonball Adderiey, tenorman Frank Foster. baritonist Sahib Shihab. trumpeter Joe Newman and trombonist Jimmy Cleveland; the other four cuts feature Bags in a quintet with Newman and tenorist Lucky Thompson up front. Both sessions benefit from the distinctive arrangements of Quincy Jones. . The fiery genius of Mingus is recalled on Three Or Four Shades Of Blues. 1977 studio material from the bassist's quintet (including Ricky Ford and Jack Walrath) supplemented by guest appearances by George Coleman. Sonny Fortune, Jimmy Rowles and Larry Coryell. among others. . . IN THE MAINSTREAM: For his second offering on Concord, Sonny Side, Ken Peplowski pays homage to two of his formative influences, Benny Goodman and Sonny Stitt. Saluting the former with his clarinet, the latter with his alto and tenor, Peplowski joins forces with guitarist Howard Alden, pianist Dave Frishberg, bassist John Goldsby and drummer Terry Clarke. Well done. . A more established yet equally hard-core tenorman. Scott Hamilton, is the special guest with classical guitarist Charlie Byrd's trio on It's A Wonderful World (also Concord). Byrd's genteel Latin-informed stylings, complemented by Hamilton's sensual Ben Webster-ish blowing, on such evergreens as "I Got It Bad & That Ain't Good," "Between The Devil & The Deep Blue Sea" and eight others should find favor with straight-ahead stations. He's young (21, hence the title of his latest LP for Columbia), handsome and blessed (by both talent and the golden arm of the Marsalis clan), but Harry Connick Jr. isn't likely to become the Hoagy Carmichael of the '90s, as some accounts would have us believe. However. this transplanted New Orleans native is progressing nicely as a young artist. Another ascendant talent is tenor saxophonist Ned Otter, whose self-produced, self-released debut. Focus, bears the stamp of his mentor, tenorman George Coleman. Otter, 30. whose credentials include work in Coleman's octet and tours with the big bands of Dizzy Gillespie and Clark Terry, brandishes a meaty tone and a sure-handed approach to the neobop canon, particularly the Blue Note oeuvre, as exemplified on his lovely treatement of "Jeanine" by the late pianist Duke Pearson. The Coleman connection is further affirmed on this January 1988 session from Rudy Van Gelder's studio by the presence behind the piano of Harold Mabern, Coleman's longtime associate. Trumpeter Tom Kirkpatrick fleshes out the front line while bassist Dennis Irwin and drummer Billy Higgins round out the rhythm section. Otter merits kudos not only for his rapid ascent as an artist and his faithfulness to the bop continuum. but for his chutzpah in putting out his own disk Tenor gladness indeed. (Available from Nelson Otter Productions, 165 Christopher St., New York. NY 10014.). . . For his new recording on Verve. singer Joe Williams is In Good Company. The Count Basie Orchestra alumnus is joined on two tunes apiece by fellow PolyGram artists Marlene Shaw and Shirley Horn. In addition, the formidable saxophone quartet Supersax joins the festivities on two tracks. Henry Johnson, the guitarist in Williams' working group, is also heard to fine advantage. . CONTEMPORARY COUNTDOWN: From Denon (222 New Rd., Parsippany, NJ 07054) comes Norwegian Wood. a collection of Beatles covers by a bunch of well-established L.A. session cats calling themselves The L.A. Workshop. Coming together (forgive the pun) on separate tunes are guitarists Steve (Toto) Lukather, Lee Ritenour and Emanuel Klilakou. Tom Scott is the featured player on "Hey Jude." The rhythm section throughout is buoyed by drummer Vinnie Colaiuta and percussionist Paullnho Da Costa plus bass and various keyboards. . . With the success of Free Flight (with Jim Walker) and Sherri Winston and the reemergence of Bobbi Humphrey, the flute has made its presence felt in contemporary jazz. Overall, as fusion has become more textural and less monolithic rhythmically, the delicacy of the flute's sonorities has become manifest. A new contender in the flute department is Leslie Savoy Burrs, whose debut album for Encounter Records (P.O. Box 6403. Philadelphia, PA 19145) finds him in the brotherly company of bassist Gerald Veasley. keyboardist Bobby Jones and percussionist Doc Gibbs. Blue Harlem, Black Knight aims, as does Free Flight, for a synthesis of classical music and contemporary jazz. . . Booker T. Jones—remember his soul-stirring organ work with the MGs on "Green Onions" and "Hip Hug-Her"?—has come out with an utterly forgettable album on the MCA Master Series, The Runaway. It's not that Jones, manning the Hammond B-3 organ here, doesn't come Jp with catchy melodies (all seven selections are his); it's simply that he lays them over synthesized, prefab drum patterns, thus rendering the tracks limp and monotonous. B-3 players often dispense with bass players, preferring to handle the bass via foot pedal. but Jones employs a bassist (Nathan East) but no drummer! Big mistake. . He should have called Stix Hooper, the Crusaders' co-founder, whose new one, Lay It On The Line (Artful Balance, 5308 Derry Ave., A goura Hills. CA 913011, brims with enthusiasm and presence. Present on this studio date are bass guitarist Alphonso Johnson, guitarist Eric Gale. pianist Ted Lo, hornman Steve Modal° and percussionists Lenny Castro and Da Costa, among others. The accent is squarely on funk here, and among the highlights is the Latiny groove between the leader and Gale on "I Heard It Through The Grapevine.", . Saxist Eric Marienthal, best known for his work in the Chick Corea Elektric Band, takes a harder, more r&b-ish approach on his second GRP outing, Round Trip. Produced by his Elektric Band companion John Patitucci, who pops the bass here, Round Trip was recorded live in the studio and. for the first time. showcases Marienthal's soprano work (three cuts). Also on hand are drummer Dave Weckl (can't keep those Chick-sters down), guitarist Carlos Rios and Mitch Forman.

—Gene Kalbacher

Gene Kalbacher is the editor and publisher of Hot House, the monthly jazz nightlife guide for the New York metropolitan area. Send all press releases, record, cassette and CD product for consideration to: 18 Whippoorwill Lane, Rockaway Twp., NJ 07866. Call (201) 627-5349 Tue. and Thur. between 11 AM and 6 PM EST.

-17- e 1989 CMJ


THE REGGAE ROUTE TOP 20 (Combined information from retail and radio reporters. BOLD indicates a significant increase in airplay.)

6/2 5/19 ARTIST 1 1 2 2 3 3 4 4 5 6 6 14 7 16 8 7 9 8 10 11 10 12 13 14 15 15 16 5 17 18 19 13 20 18

BUNNY WAILER BURNING SPEAR MUTABARUKA ALPHA BLONDY THIRD WORLD CULTURE REGGAE PHILHARMONIC ORCHESTRA MIKEY DREAD SOUNDTRACK DEFENDERS LUCKY DUBE VARIOUS ARTISTS THE WAILERS BAND AS WAD VARIOUS ARTISTS SHINEHEAD VARIOUS ARTISTS BOOM SHAKA TOOTS ISRAEL VIBRATION

TITLE Liberation Live In Paris—Zenith '88 Any Which Way. .. Freedom Cocody Rock "Forbidden Love" (12") Cumbolo Reggae Philharmonic Orchestra Happy Family Mighty Quinn "Chant Down Babylon" (12") Slave King Tubby Presents Soundclash I.D. "Beauty's Only Skin Deep" (12") Pay It All Back Volume 2 Unity MUP: Reggae From Around The World Creation Toots In Memphis Strength Of My Life

LABEL Shanachie Slash Shanachie Shanachie Mercury-PG Shanachie Mango RAS A&M Defenders Shanachie Firehouse Atlantic Mango Nettwerk (Canada) Elektra RAS CellulOid Mango RAS

Reggae Reporters This Issue: Chin Roes, Brooklyn, NY/Rough Trade, San Francisco, CA/KALX, Berkeley, CA/KCMU, Seattle. WA/KCSU. Ft. Collins. CO/KEOL, La Grande, OR/KFJC. Los Altos Hills, CAIKFOG. San Francisco. CA/KMSA, Grand Junction. CO/KRQU. Laramee. WY/KSJS, San Jose, CA/KUCI, Irvine, CA/KUWS. Superior, WIIKWUR. St. Louis, MOIKXL11. Los Angeles, CA/1(7UL,, Pullman, WAIWIIMB. New York, NY/WCNI. New London. CT/WORM. East Lansing, MI/WEIII, Charleston, IL/ WERW, Syracuse. NY/WFIT, Melbourne, FL/WFPR, Rindge. NH/WIDR. Kalamazoo. MI/WIUS. Bloomington, IN/WKDU, Philadelphia, PA/WL07. Wilmington, NC/ WLVR, Bethlehem, PAIWMPG, Gorham, ME/WMNF. Tampa, FL/WPBX. Southampton, NY/WPNR, Utica, NY/WRIU, Kingston, RI/W11116, River Grove, ILIWUF, Clemson, SC/WS6R, Athens. OH/WSMU. North Dartmouth. MA/WTUL. New Orleans, LA/WUCF. Orlando, FL/WWSP. Stevens Point, WHWX111, Providence. RI

Jackpot!

THIRD WORLD Serious Business (Mercury-PG, 810 Seventh Ave., New York, NY 10019)—Veterans on the international reggae music scene for 16 years, Third World has always been known for its "roots with quality"—the ability to fuse reggae music with pop, soul and rock. Now you can add rap to that list as well. Their first single "Forbidden Love," already on the charts, has Stetsasonic's Daddy-0 rapping on it. Reggae purists will prefer cuts like "Reggae Ambassador" (check lbo's journey into DJ-style rapping while you're at it), "Theme From The Underdog" and the title track. For the more crossover-oriented there's the beautiful "Take This Song" which features the voices of the South African youths from the play Sara fina, and the gorgeous duet with Bunny Rugs and Marva Hicks

doing Earth, Wind & Fire's "Keep Your Head To The Sky," and "We The People." And then there's the Four Tops cover of "It's The Same Old Song." It's not the same old song here as the reggae ambassadors get down to some Serious Business with top-notch musicianship and lyrics of love (personal and universal), world peace and hope.

ASWAD Crucial Tracks (Best Of Aswad) (Mango, 14 E. 4th St., 3rd Floor, New York, NY 10012)—Consider this "Aswad from then to now" as this record is a greatest hits collection of some of their best songs. From their first self-titled LP to last year's critically acclaimed Distant Thunder, it also contains their brand new single, the Temptations' classic "Beauty's Only Skin Deep," produced by Bobby Z and David Z of Prince fame. From "Back To Africa" to "Don't Turn Around," tracks not only come from their past seven albums, but include stuff from some of the LPs that have never seen U.S. release, some U.K. singles as well as non-LP B-sides. A must for Aswad junkies! It's a celebration of one of the most progressive and creative British bands of the last 15 years who have established themselves an enduring reputation at the very pinnacle of reggae.

CHARLIE CHAPLIN Two Sides Of Charlie Chaplin (RAS, P.O. Box 42517, Washington, DC 20015)—With so much slackness on the dancehall scene, and so many "wolves in sheep clothing" professing Rasta, Charlie Chaplin nices things up with respectful, cultural and mindful lyrics. This guy's the real deal, with a sense of ethics and a talent for the spoken word. Interestingly enough, this album combines the spontaneity and crowd reaction of a "live" DJ set, capturing the essence of the dancehall while retaining the quality of a studio production. The session was recorded in Jamaica at Dynamic Sounds with the Roots Radics backing and a bunch of Charlie's friends egging him on. Whether teaching politics in "Cool The Violence," "Struggle" and "Freedom" or demonstrating his unmatched rapping abilities in "Enter Charlie," "Cultural DJ Business" and "DJ Rollcall," Charlie Chaplin has made an important new contribution to reggae music.

REGGAE ROUTE continued on page 34

28- 1989 CMJ

THE MUSIC GOES ON FOREVER!

THE WAILERS BAND

As this month marks eight years since the passing of Bob Marley, it's a timely event that his long-time backing band is coming into its own identification with a major label recording deal. Expectations aside, this LP has a sound of its own, with quite a rock-reggae emphasis. Guitar player Junior Marvin serves as lead singer, while original members Family Man, Al Anderson and Earl "Wia" Lindo play bass, guitar & keyboards respectively. The late Carlton Barret is replaced by Michael Richards (of Jimmy Cliff's band) on drums, and Carrot, the former Third World percussionist is now a Wailer. Upbeat songs and con-scious lyrics pave the way for a new generation. Stand out tracks include "Solution," "Reggae Love," "Irie" and "Love One Another." Like Bob said, the music goes on forever."

—CMJ, May 5, 1989

their Atlantic debut

I.D. c81461h

featuring the single

"IRIE" (7-88889) (PRCD 27431

Produced by The Wailers Band

On Atlantic Records Cassettes and Compact Discs 989 Oolonto Re< ord.ny Corp de. A Worm., CommunIconont Co

ARTIST TITLE LABEL 6/2 5/19 1 1 2 5 3 3 4 6 5 9 6 4 7 21 8 10 9 10 17 11 2 12 13 13 14 8 15 7 16 11 17 18 22 19 20 21 22 20 23 12 24 23 25 19

DE LA SOUL SPECIAL ED THREE TIMES DOPE SLICK RICK COOKIE CREW N.W.A. PUBLIC ENEMY E.U. SOUL II SOUL NENEH CHERRY TONE-LOC KWAME VARIOUS ARTISTS TOO SHORT STOP THE VIOLENCE MOVEMENT KOOL G RAP & D.J. POLO FRONT 242 KING TEE GANG STARR M.C. RELL & THE HOUSEROCKERS KC FLIGHTT MILLI VANILLI D. MOB M.C. HAMMER ROB BASE & D.J. E-Z ROCK

3 Feet High And Rising Youngest In Charge Original Stylin' The Great Adventures Of Slick Rick Born This Way Straight Outta Compton It Takes A Nation Of Millions To Hold Us Back Livin' Large "Keep On Movin" (12") "Buffalo Stance" (12") Loc'ed After Dark The Boy Genius Bust This/Arista's Funky Dope Maneuver Life Is... Too Short "Self-Destruction" (12") Road To The Riches "Never Stop" (12") Act A Fool No More Mr. Nice Guy Into The Future "Planet E" (12") Girl You Know It's True "We Call It Acieed" (12") Let's Get It Started It Takes Two

Tommy Boy Profile Arista Def Jam FFRR/London-PG Ruthless-Priority Def Jam Virgin Virgin Virgin Delicious Vinyl-Island Atlantic Arista RCA Jive-RCA Cold Chillin'-WB Wax Trax Capitol Wild Pitch Mercury-PG Popular-RCA Arista FFRR-PG Capitol Profile

Beat Box Reports

Cave Cam AW9:30 KCMIVAIKFJCIWKGRGIIKHDXMIKSCR New York, NY

Jared

(212)924.7749

SOUL Il SOUL CORPORATION OF ONE

NITZER EBB HENDRIX

HELLO JUNGLE BROTHERS MAueICE LOMOSY 0 & CUTMASTER MC A GUY CALLED GERALD

7A3

WashIngton, DC Mike O'DrIscott

(202) 638.2008

PHILADELPHIA 5 PAULA ABDUL

NEW ORDER NITZER EBB 24-7 SPY) IIYMOX 5-EXPRESS

DANIELLE OAR

TOI1E.LOC DE LA SOUL

Werrensburg, MO Bill Kim

(816) 429-4130

DE LA SOUL TONE-LCIC GUY

STOP THE VIOLENCE MOVEMENT MILLI HAMILL! EAZY-E K.9 POSSE

BOBBY BROU

ROB RASE & 0.J. E.2 ROCK WEE PAPA GIRLS

Los Altos Hills, CA

Dave Gottlieb (415) 960-4260

NEVILLE BROTHERS COOKIE CREW M.O. RELL THE HOUSEROCKERS DREAM TEAM

ULTRAMAGNETIC MC'S

SPECIAL ED TNREE TIMES DOPE

GANG STARR MC TWIST & THE DEI SOuAD

Auburn, WA

John Bennett (206) 833-9119

NEW ORDER

CASANOVA'S REVENGE BOX CAR

DEPECNE MODE HITICIUSE MAGIC MIKE

PETER SCHILLING EDELWEISS DV LA SOUL THE mousE sou. OF LOwDOm

Conway. AR (than Nobles (501) 450. we

Los Angeles, CA

Dave Kelly (213) 743-5727

puskir ENEMY DE LA SOUL

DE LA SOUL THREE TIMES DOPE LOOT G RAP E D.J. POLO MENU' CHERRY ORIGINAL CONCEPT N.W.A. SLICK RICK MARTIKA

PAYBACKS ARE HELL

ROBBY JIMMY & THE CRITTERS MILLI HAMILL!

HEAVY D. ANO THE 80YZ STOP THE VIOLENCE MOVEMENT GANG STARR WEE PAPA GIRLS RHYME SYNDICATE COON' THROUGH E.U.

KUCIKUCRAIIIIMMIKUNVKXLUWBAUIV WRMR woemffli IrvIne. CA Gary Downs

(7141856.6E88

THREE TIMES DOPE STEZO

ICE CREAM TEE SPECIAL ED

M.C. RELL L TOE HOUSEROOKERS KOOL G RAP & D.J. POLO MC 900 FOOT JESUS/DJ ZERO WEE PAPA GIRLS Eme COOKIE CREW

Riverside, CA Las Vegas, NV Barry Benson warren White (714) 787-3838 (702) 739-3877

SPECIAL ED COOKIE CREW HEAVY D. AND Tod BOYZ KOOL G RAP & D.J

UPTOKK LOST ANGELS ROMERO BROOKINS ACE AND ACTION

MILES JAYE SPECIAL ED CHILL ROB G KWAME KC FLIGNET NITROUS( SLICK RICK MAURICE

GANG STARR UPTCHN TONY. IONI. 10mE. YO. BUS TOE MOvE

POLO

Los Angeles, CA Mike Warden!

(213)642.2866

DE LA SOUL SPECIAL ED GANG STARR BUST TRIS/ARISTAS FUNKY DOPE THREE TIMES DOPE

10:XX G RAP & D.J. POLO KINGS OF PRESSURE KOOL MOE DEE M.C. RELL L THE ROUSEROOKERS ICE CREAM TEE

Garden CIty, NY inking. Steve

(516) 747.4757

SOUL II SOUL LEAN ON ME

PUBLIC ENEMY DE LA SOUL

KINGS OF PRESSURE ACE AND ACTION

THREE TIMES DOPE ICE CREAM TEE KOOL G RAP & D.J. POLO INFORMATION SOCIETY

New York, NY Rally Schmidt (212)725.7168

WENDY & LISA OE LA SOUL SPECIAL ED THREE TIMES DOPE

NEWER CHERRY N.W.A. ALISON WILLIAMS WEE PAPA GIRLS

COOKIE CREW E.U.

East Lansing, MI Michael York

(517) 353.4414

FAST EDDIE TYREE MAURICE CASANOVA'S REVENGE INNER CITY JE LA SOUL FREESTYLE EXPRESS A GUY CALLED GERALD MARIO DIA) WITH NO. LEE SEDUCTION

ViDPS WHFRffllar WHPK WMMR WNHUAIMV WOUI WPLS A11.1 Dayton, ON Dearborn, MI Chicago, IL Minneapolis, MN

Robert Smith Paul Finley John Schauer Karen Booth (513)223.0906 (3 ,3) 845-9676 (312) 702-8289 (612) 625-5926

DE LA SOUL KING TEE PUBLIC ENEMY SPECIAL ED COOKIE CREW LEAN ON ME

SwAME SWEET TEE N.C. REEL & THE ROUSEROOKERS

THREE TIMES DOPE

ERASURE TYREE DESSAU

ROBERTA FLACK STYLE COUNCIL INNER CITY TOE CURE CHAOS D. BROTHERS SHARON CLAREE

LAKIN SNABAll

DE LA SOUL ACE AND ACTION PUBLIC ENEMY SPECIAL ED GANG STARR M.F. BOYS

ROMEO & RHYME YOUNG MC

West Haven, CT Louie Loose (203) 934-6888

DE LA SOUL LATINO STYLE STOP TIE VIOLENCE MOVEMENT JOHNNY 0 LOST ANGELS WEE PAPA GIRLS CYNTHIA BEATNIGS CORINA

MEAT BEAT MANIFESTO CRANELLE SLICK RICK NOEL TOO SNORT RIME RICH REVOLTING COCKS LEAN ON ME SIR MIX-A-LOT MARDHOUSE

Chicago, IL Nike Gondek

(312) 567-3087

NITZER EBB FRONT 242 REVOLTING COCKS

POP WILL EAT ITSELF

NO FACE LOVE AND ROCKETS ICE CREAM TEE DEF JAM CLASSICS VOL. 1

Greenville, SC Corey Clinton (803) 294.3045

BOX CAR %MX FRONT 242 NEW ORDER HELLO MOEV S-EXPRESS MY LIFE WITH THE THRILL KILL K TACKORAO BABY FORD

W11811 ABM! WRUVII. WUR WVCR WWWCPMMe WXUT Wag Peoria, IL David Vessel'

(309) 677.2231

DE LA SOUL E.U. FINE YOUNG CANNIBALS NEW ORDER NITZER EBB FRONT 242 MOE,' TEN CITY MANE KEITR LEBLANC

Burlington, VT mite Schutt

(802)656.4399

PUBLIC ENEMY

ROB BASE & D.J. E-Z ROCK BUST THIS/ARISTA'S FUNKY DOPE KC FLIGHTT

RIME RICH DE LA SOUL SPECIAL ED INNER CITY

COOKIE CREW TONE•LIX

Niaml, FL Flesh Gordon (305)554.3575

FAR YOURSELF '89 NENE» CHERRY

A90 Deus SAMANTHA FOR 24.7 SPYZ NITROUS(

SOUL Il SOUL BERNIE KRAUSE LINDEN C. BOBCAT

LoudonvIlle/Albany, BY Russell Bryan

(518) 783-2990

SOUL II SOUL SLICK RICK AL B. SURE. DE LA SOUL SKY,'

SURFACE ALYSON WILLIAMS (.U. JOYCE FENDERELLA IRBY GIRL)

Stevens Point, Al Andre Mack

(715) 346-3755

THREE TIMES DOPE

DE LA SOUL MILLI HAMILL' FINE YOUNG CANNIBALS MENEM CHERRY

SLICK RICK N.W.A. GUY

M.C. KAMMER ROB SASE L D.J. E.1 ROCK

Toledo, ON Michael Seedy (419) 537.4172

SLICK RICK DINO SHINEMEAD KC FLIGMTT

DEF JEF TONE.LOC

NEWER CHERRY NC TWIST & THE DEI SOU&O TwITIS BAD MUTHA GOOSE

Greenville, NC Don Kendrick (919) 757.6656

NO 2 COOKIE CREW NEW CHOICE Roe BASE & D.J [RASA KHAN

ANNE G. BOY GEORGE DEON ESTUS YELL° SARAN DASH

E.2 ROCK

Beat Box Reporters Not Printed: Club Comet. Wes/ Hartford. CT/Einstein A Go Go, Jacksonville Beach, FL/KAU, Bellevue, WAIKCMU. Seattle. WAIKCSB. Santa Barbara, CA/KEOL. La Grande. OR/KRFA. Fayetteville. ARIKSDT, La Jolla. CA/KUTE, Salt Lake City. UTIKWUR. St. Louis, MOIKZUU, Pullman, WA/WAPS. Akron. OHIWBSU, Brockport, NY/ WOO. Chesterton. IN/WERW. Syracuse, NY/WFMU. East Orange, NJIWFPR, Rindge. NHIWGMU. Fairfax. VA/WIUS, Bloomington, IN/WK011, Philadelphia. PA!

WKHR. Chagrin Falls, OH/WLCC, Lansing. MI/WLFT. East Lansing. MI/WLUR, Lexington, VAIWMI18. Waterville, MEIWOCC. Bayside, NY/WTTU. Cookeville. TN/ WUSB. Stony Brook. NYIWUSO, Springfield, OHIWVBC. Bethany. WV/WW1111, West Hartford. CTIWXIN. Providence. RI

Radio, Retail, Record Pools! The Beat Box is in full effect and anxious to add you to the wildly expanding list of reporters.

For more info, call 516-248-9600. The reporting line is 516-248-9111. Peace.

-30- c 1989 CMJ


Beat Box Continued Jackpot!

KING SUN XL (Profile, 740 Broadway, New York, NY 10003)—"Warning: This routine contains extremely flam-mable lyrics under pressure. Only adjust when the heat is up. . . Avoid prolonged exposure to Sun." Don't say he didn't warn you. King Sun is here and he's extra-large with his Profile debut LP filled with hip hop grooves that should keep you bouncing through the summer. This 21-year-old comer gets help from accomplished producer DJ Mark The 45 King (Chill Rob G, Latifah recently) on "Fat Tape" and "It's A Heat Up," two of the choicest cuts here. The strength of the album is surely the King's ability to bust a rhyme, regardless of the tempo—his debt to Rakim is obvious. "On The Club Tip," the obligatory dance track, puts the rap in the forefront rather than under a house beat; that's a welcome change and it also showcases his deep voice which comes across simultaneously laid back

and pissed off. Definitely an important and strong rap record, XL should be sized up by listening to these hot tracks: "Lethal Weapon," "Coming Soon" (tongue-in-cheek sex talk), "All In" and "Snakes."

NENEH CHERRY Raw Like Sushi (Virgin, 9247 Alden Dr., Beverly Hills, CA 90210)—The Beat Box hyped ya on Neneh's import 12" a couple of months back, and now it's a whole LP and there's a lot to swallow. Neneh, daughter of art deco jazz trumpeter Don, sings, raps, chit-chats, and no doubt THROWS DOWN on this debut that shows off the producing prowess of Bomb The Bass (Tim Simenon and Mark Saunders). Once you get past the single "Buffalo Stance" (which is hard to let go of), check out the soft-yet-powerful "Manchild" and the hard-hitting lyrics of "Next Generation." Neneh's not the most talented rapper or singer but she's best at mixing styles and moods and that makes for a great album. She's fast, furious and danceable on "Kiss On The Wind," "Love Ghetto" and "So Here I Come" and more introspective on "Heart." Raw Like Sushi has pop, hip hop, house and more attitude than either Roxanne, so dig in.

III MOST WANTED Ill Most Wanted (Fever, c/o Sutra, One Madison Ave., New York, NY 10010)—Bayside, Queens' finest, III Most Wanted are bustin' it up with ten cuts of meaty raps on their self-titled debut. This trio of teenagers makes up a true Rainbow Coalition with an Italian DJ (DVS), a black rapper (Sharif) and a Puerto Rican rapper (Mr. Action). DVS can truly cut up the hits with some sizzling sampling on "Most Wanted" and the first single, "Calm Down," while both rappers have stylish deliveries, especially so on "Lights Out" and "Nitty Gritty."

GREATER THAN ONE London (Wax Trax, 1659 N. Damen Ave., Chicago, IL 60647)—The address might have changed, but this label's A&R tendencies sure haven't. The releases keep coming, at least four or five every couple of weeks, and a gem like this one could easily be lost in the shuffle. Don't let it! Lee Newman and Michael Wells are Greater Than One, a British industrial/dance/sampling machine that has churned out this double-album that showcases their pulsating techno-grind especially well on "Computer Dub," "Dance Of The Cowards" and "Techno Golden Beat." They might have pulled off the biggest coup of all: "Now Is The Time" will have you dancing to Martin Luther King, Jr.'s "I Have A Dream" speech samples.

THE 28TH STREET CREW I Need A Rhythm (Vendetta, c/o A&M, 1416 N. LaBrea Ave., Hollywood, CA 90028)—If you don't live near New York, and want to hear what a NY club sounds like, just spin this record. Louie Rivera, Danny Krivitt, John "DJ No" Ratke and Mervin "Funk Master" Jordan all have a hand in this "Done Properly Posse" production. Light on singing, heavy on crushing grooves, this album will mix into Latin hip hop, house or just about anything—it's definitely a user-friendly club record. Don't miss the hilarious "Inch By Inch."

SIR MIX-A-LOT "Iron Man" (12") (Nastymix, 87 Wall Street, Floor 2, Seattle, WA 98121)-1988's gold Swass LP stretches all the way into this summer with a song that defines rap/metal crossover. Instead of sampling like Loc does, Mix-A-Lot brings in fellow Seattle-ites Metal Church to perform some scorching guitar licks on this Sabbath classic. The maxi-single comes complete with hip hop mixes and a "Metal Meltdown Mix" that has the best unsampled guitar chops on any rap record around. Perhaps AOR will open its blinders a bit and accept this as the great interpretation that it is. Yes Sir.

MR. BIG MOUSE "Drop That Ghetto Blaster!" (12") [128 BPM] (Nettwerk, Box 330, 1755 Robson St., Vancouver, BC V6G 387, Canada/604-687-8649)—ln which Karen Finley gets her evens with S-Express for sampling her voice throughout their "Theme From S-Express," which revolved around Finley screaming "Drop that ghetto blaster!" Under the name Mr. Big Mouse (?) here she screams "I just wanna scare you," but, surprisingly, there is little to be scared of here except for an excellent club record that scams on S-Express in more subtle ways than Finley is accustomed to (fans of "Tales Of Taboo" will attest to that). A sparse track, but one that is worth importing—especially with George Maniatis editing it.

SUMMER SONGS: We'll kick off the deluge of 12"s with a couple from one of the best NY "underground" dance labels, Easy Street (648 Broadway, New York, NY 10012): HENDRIX's "Me Wonna See Ya Donce" [128 BPM] is what sounds like a drunken rastaman prodding club-goers onto the dancefloor over a great beat; while CULTURAL VIBE relies less on the voice (occasional chanting) and more on the synth-pounding on "Ma Foom Bey/Syntanjey" [124 BPM]. . . A sneak preview of KOOL MOE DEE's upcoming LP, Knowledge Is King, comes with "They Want Money" [112 BPM] (Jive, c/o RCA, 1133 Ave. of the Americas, New York, NY 10036) a dig on gold-digging women that grooves to a Teddy Riley beat. . . Speaking of Riley, seems like the king of "New Jack Swing" is getting a sweet tooth for rap—he also has a hand in the new HEAVY D. AND THE BOYZ single, "We Got Our Own Thang" [122 BPM] (Uptown, c/o MCA, 100 Universal City Plaza, Universal City, CA 91608) which is this rapper's finest moment. . . An Andy Panda-produced masterpiece comes from JOYCE SIMS on "Looking For A Love" [116 BPM] (Sleeping Bag, 1974 Broadway, New York, NY 10023), soulful singing with a lot of (would you believe?) flute-playing interspersed throughout. Delightful. . . Finally, the follow-up from SEDUCTION is "You're My One And Only (True Love)" [112 BPM], another house-y Robert Clivilles and David Cole production that would bring any house down.

HONORABLE MENTIONS: Two great albums you won't want to ignore are ARETHA FRANKLIN's (duets with James Brown, Whitney Houston and Elton John!) and INNER CITY's (which expounds upon their house-building Saunderson sound). . . The Beat Box would like to extend a welcome "yo" to NY club Cave Canem and Minnesota's WMMR who join the eporting posse. . . WFMU's Vanilla Bean is planning a serious shindig with Jersey's dance garage sound showcased for the New Music Seminar at Club Zanzibar—details coming soon.

—Mark "The Glaze" Glaser

Want some ink? Send your records, CDs, cassettes and gossip to Mark Glaser, c/o CMJ, 830 Willis Ave., Albertson, NY 11507 and I'll see what I can do. Peace.

-31- e 1989 CMJ

Ube::••

2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40

6/2 5/19 ARTIST 1 1 METAL CHURCH

2 4 10 12 7 3 6 5 8 13 14 16 17 9 19 22 15 38 30 27 11 21 20 18 35

26

28 31 23 36 25 33

EXODUS W.A.S.P. BLACK SABBATH ANNIHILATOR THE CULT METALLICA ARTCH SKID ROW LAAZ ROCKIT CRO-MAGS M.O.D. EXTREME DREAM THEATER TESLA GREAT WHITE LEATHER WOLF QUEENSRYCHE BLUE MURDER CRIMSON GLORY WHITE ZOMBIE WARRANT HELLOWEEN DESTRUCTION DARK ANGEL KINGDOM COME EXCEL GUNS N' ROSES SEA HAGS ANGKOR WAT LEEWAY GOO GOO DOLLS MOTHER LOVE BONE ANTHRAX MELIAH RAGE DEATHROW GUNS N' ROSES PRONG BADLANDS 24-7 SPYZ

TITLE Blessing In Disguise Fabulous Disaster The Headless Children Headless Cross Alice In Hell Sonic Temple . . . And Justice For All Another Return To Church Hill Skid Row Annihilation Principle Best Wishes Gross Misconduct Extreme When Dream And Day Unite The Great Radio Controversy ... Twice Shy Street Ready Operation: Mindcrime Blue Murder Transcendence Make Them Die Slowly Dirty Rotten Filthy Stinking Rich I Want Out—Live Live Without Sense Leave Scars In Your Face "Message In A Bottle" (12") G N' R Lies Sea Hags When Obscenity Becomes The Norm. Born To Expire Jed Shine (EP) State Of Euphoria Kill To Survive Deception Ignored Appetite For Destruction Force Fed Badlands Harder Than You

LABEL Elektra Combat Capitol I.R.S. Metal RC-Roadracer Sire-Reprise Elektra Metal Blade-Enigma Atlantic Enigma Profile Megaforce-Caroline A&M Mechanic-MCA Geffen Capitol Island EMI-Manhattan Geffen Roadracer Caroline Columbia Noise-RCA Noise Combat Polydor-PG Caroline Geffen Chrysalis

Awake! Death/Metal Blade-Restless Profile Death/Metal Blade-Restless Stardog-PG Megaforce-Island Epic Noise Geffen In-Effect/Relativity Atlantic In-Effect/Relativity

6/2 5/19 College 1 1 EXODUS 2 2 METAL CHURCH 3 5 ARTCH 4 9 ANNIHILATOR 5 4 LAAZ ROCKIT 6 7 M.O.D. 7 17 CRO-MAGS 8 3 METALLICA 9 6 W.A.S.P. 10 12 BLACK SABBATH 11 — CRIMSON GLORY 12 18 LEATHERWOLF 13 20 WHITE ZOMBIE 14 10 DESTRUCTION 15 14 HELLOWEEN 16 — EXTREME 17 — THE CULT 18 8 DARK ANGEL 19 15 QUEENSRYCHE 20 11 SKID ROW

6/2 5/19 Commercial 1 1 W.A.S.P. 2 2 METAL CHURCH 3 6 THE CULT 4 10 BLACK SABBATH 5 4 SKID ROW 6 5 TESLA 7 8 EXTREME 8 3 METALLICA 9 12 DREAM THEATER 10 13 QUEENSRYCHE 11 9 EXODUS 12 11 GREAT WHITE 13 7 WARRANT 14 — KINGDOM COME 15 15 ARTCH 16 20 MARCHELLO 17 17 OZZY OSBOURNE 18 19 ANNIHILATOR 19 — BLUE MURDER 20 — BADLANDS

Adventure Picks 1. BADLANDS 2. DANGEROUS TOYS 3. SEPULTURA 4. EXCEL 5. CRIMSON GLORY 6. ACCEPT 7. ARTCH 8. OBITUARY 9. SEA HAGS

10. ANNIHILATOR

Audience Response 1. METALLICA 2. EXODUS 3. METAL CHURCH 4. BLACK SABBATH 5. ANTHRAX 6. ANNIHILATOR 7. THE CULT 8. GUNS N' ROSES 9. M.O.D.

10. SKID ROW

Retail 1. THE CULT 2. BLUE MURDER 3. GREAT WHITE 4. GUNS N' ROSES Lies 5. METAL CHURCH 6. BON JOVI 7. WARRANT 8. ANNIHILATOR 9. SKID ROW

10. METALLICA

Want To Report To Hard Rock? Call Jem at

516-248-9600 for more information

-32- •' 1989 CMJ


Hard Rock Continued

Killer Pick

U.D.O. Mean Machine (RCA, 1133 Avenue of the Americas, New York, NY 10036)—Between U.D.O.'s lukewarm debut LP and the recent directional change of Accept, longtime fans may have been wondering just where the old gang's, urn, balls might have rolled to. Wonder no more: U.D.O. is revamped by young blood and pumped by the soul of old Accept. All of the material on this venture was written by his feisty young new crew (whereas Animal House was written for Udo by his old chums in Accept), and Mean Machine revives the old formula

that seemed to be lost—ya know, straightforward and right between the eyes. Complete with melodic choruses and heavy riffing, U.D.O. delivers what most expect from this legendary kopf-banger: that unmistakable voice, and pure metal. Top Deutsch marks: "Don't Look Back," "We're History," "Dirty Boys" (kind of a sequel to "London Leather Boys") and a worthy attempt at a ballad "Sweet Little Child." [KS]

Killer Pick

EXCEL The Joke's On You (Caroline, 114 W. 26th St., New York, NY 10001)—Venice, California has always bred a certain element of. . . let's just call it oddness, making it a veritable hotbed of swingin' underground thrashcore bands (i.e. Suicidal Tendencies, Uncle Slam and Dr. Know). Excel establishes their dominance and individuality without sacrificing what has brought them their icon status in the crossover league. Sticking with producer Randy Burns, Excel has grown into a premier skatecore outfit that has expanded a seemingly limited sound into an infinite realm by taking obvious Sabbath influences and slapping them with a fast, aggressive groove that would make even the most hum-drum dorks jump right-da-fuck out of their skin! Even though the sound is much the same as ontheir '87 debut, Joke's. . . burns with intense guitar riffs and equally electrifying drum fills and chops. Excel-lence: "Drive," "In My Thoughts," "Shadow Winds," "Never Denied" and their cover of the Police's "Message In A Bottle." [KS]

CIRCUS OF POWER Still Alive. . . (EP) (Metal Blade-RCA, 18653 Ventura Blvd., Tarzana, CA 91356)—For a variety of reasons, this Lower East Side-via-Florida combo didn't get their due when their debut LP was released last summer. This six-live EP should put things to right, as the band sounds a lot more comfortable in a live setting than they did on the album, and their cover of Johnny Winter's "Still Alive And Well" has strong commercial airplay potential. Also check "Motor" and "Letters Home."

TRUST. Live! Paris By Night (Megaforce-Atlantic, 63-64 Brunswick Woods Dr., E. Brunswick, NJ 08816)—Ready for something different? Trust is the band who originally recorded "Anti-Social" (y'know, Anthrax's last single) and here we've got a live greatest hits kinda thing, with a twist: the titles are in English, but it's all sung in French! But hey, rock 'n' roll is the universal language, so. . .

si tu veut un goute de quelque chose avec un peut de difference, et quelque chose que je te promettre donnerait ton ecouteurs un grand surprix, ecoutez Trust, et tete-bangez! C'est metal heavy pour tout le monde! Sacre bleu: "Anti-Social," "Paris," "I Shall Return" et le chanson de title.

SOUNDGARDEN "Flower" (12") (SST, P.O. Box 1, Lawndale, CA 90260) and "Get On The Snake" (from the Lost Angels soundtrack) (A&M, 1416 North La Brea Ave., Hollywood, CA 90028)—As the buzz on Seattle's starbound homeboys gradually turns into a roar, here's a couple of teasers to tide over the faithful until their major label debut comes out in the summer. The "Flower" 12" features two tracks from the Ultramega OK LP, but on the flip there's a killer five-minute slowgrind called "Toy Box" that's as gnarly and as good as anything on the LP. The Lost Angels cut is presumably a track from their forthcoming LP, and finds the band's infatuation with early Zep getting a tad out of hand: the song is practically a rewrite of "Misty Mountain Hop"! Still, it beats the hell out of all other Zep-clones.

GUARDIAN First Watch (Enigma, P.O. Box 3628, Culver City, CA 90231-3628)—The melodic hard rock field has been getting mighty crowded as of late, but there's always room for a talented band like this. Combining an, uplifting outlook with very Van Halen-esque guitar and absolutely killer harmonies, SoCal's Guardian can get repetitive over the length of an album, but the commercial "I'll Never Leave You," the heavier "Kingdom Of Rock" or "Rock In Victory" (great chorus!) will work well on any melodic HR-minded playlist.

LIFE SENTENCE No Experience Necessary (Walkthrufyre, P.O. Box 31292, Chicago, IL 60631)—One of the last pure-breed core outfits, Life Sentence personify everything from this lost generation of angry youth. Experience possesses elements of the Subhumans (Canada), Maximum Penalty and virtually everything else that is brutally aggressive, while maintaining a strong sense of direction and excellent songwriting. Besides being one of the most hard-working touring bands—I've seen them two or three times in the past year—Life Sentence seems to have learned a few tricks in the studio, as the production on this LP is much better than their '87 debut. They're not quite there yet, but Life Sentence are on the verge of collecting all the right factors for a perfect formula hit. Solid hard drivin' tunes include: "Ode To Me," "Actions Speak Louder Than Words" and "Sins In The Pulpit." [KS]

SIR MIX-A-LOT "Iron Man" (12") (Nastymix, 87 Wall St., Floor 2, Seattle, WA 98121)—In the recent past it seems that the connection between rap and metal has met mild success with Ludichrist, the "mosh it up dude" rap by Anthrax, Run-D.M.C.'s "Walk This Way" and—best of these—Public Enemy sampling Slayer on "She Watch Channel Zero?!," but none can match the bustin' rhyme of Seattle's true "Iron Man." Sir Mix-A-Lot has taken the rap/metal realm one step further by bringing in his homies from Metal Church to cut the guitar tracks live—instead of sampling—on this Sabbath classic. This 12" is the fourth single from the certified gold record SWASS (hell, the mayor of Seattle even declared April 29 of this year Sir Mix-A-Lot Day!!), and of the three mixes, the "True Metal Meltdown" will work best on a hard rock show. Also check out the song's mega-def video! [KS]

BLACKSMITH Fire From Within (Tropical, P.O. Box 3572, Pittsfield, MA 01202-3572)—This four-piece out of Albany, NY stirs up a rabid flurry of fast-tempo riffing with slightly retro—but strong—melodic vocals. Guitarist David Smith, the only remaining founding member, steers this power-metal band with his nifty musical skills—and he plays some hot solos but he should take a course in Lyrics 101: some of the writing is so bad that you want to tie him up and force him to listen to Dylan or Pete Townshend or even James Hetfield for inspiration. Cliches aside, Blacksmith is a promising, ferociously tight band that deserves to do well. Picks: "The Beast," "A Taste Of Darkness" and the slower "Theatres Des Vampires." [JA/KS]

e 1989 CMJ

-33-


Rock Talk

As previously reported, Doc McGhee's Make A Difference foundation is putting together a compilation LP, from which all benefits will go to fight drug and alcohol abuse. It features cover songs of bands who have lost members to drug or alcohol abuse; tracks include Ozzy Osbourne doing Jimi Hendrix's "Purple Haze," Motley Crue covering Tommy Bolin's "Teaser" (great choice!), Cinderella doing Janis Joplin's "Move Over" (recently covered by Soul Asylum), Bon Jovi doing Thin Lizzy's "The Boys Are Back In Town," and Scorpions doing the Who's "I Can't Explain". . . In a move that should further solidify Metal Blade's reputation as a talent incubator, the label has signed a development and distribution deal with Capitol, whereby Capitol's A&R department will bring new hard rock acts to Metal Blade, who will develop the bands until Capitol deems them ready for major label release. The first Metal Blade/Capitol release will be Heir Apparent later this month; Metal Blade will continue to release records independently. . In case anyone doesn't already know, Megadon Girovasi and Scott Givens have left Combat to form a new label with producer Stephan Gelfas. . . Jane's Addiction will head into the studio this month to work on their third LP. . . Ex-Billy Idol guitarist

Steve Stevens is still at work with producer Beau Hill on his Warners solo project, the Atomic Playboys. . . Ex-Deep Purple/Gary Moore/Phenomena bassist/vocalist Glenn Hughes has contributed backing vocals to the new Whitesnake LP (Hughes and Coverdale were bandmates in Deep Purple from '73-75). . . For anyone who thinks the spirit of rock 'n' roll is dead, check out this quote from Motley Crue's Nikki Sixx in Kerrang!: "Now I consider rock 'n' roll to be getting up, getting it together and kickin' ass—whether that means going out in the desert to shoot my machine gun, or climbing up the side of a mountain in my four-wheel drive, or just raising hell. That's what rock 'n' roll is about. . . Tommy and I went down to Mulholland Drive with these Belgian assault rifles and we were shooting down the side of the mountain, right in a residential neighborhood." My, what will those crafty lads think of next?. . . Ex-Whitesnake bassist Neil Murray has become Black Sabbath's 1,546th bass player, and will accompany them on their American tour... Belated congratulations to Albert Bouchard and Deborah Frost on the birth of Abraham ("Ace") Frost Bouchard, who was unleased on this world March 16.

REGGAE ROUTE continued from page 28

Ah-So-Me Chat Greetings! Hope you caught Third World on Soul Train on May 13th. They performed two songs from the new album and host Don Cornelius just ate it up. . . Steel Pulse has a radio spot on the air for Nutramint—it's got the power. . . Lucky Dube, South Africa's #1 reggae star, whose album Slave (Shanachie) has been holding its own on the Reggae Route Top 20, kicked off his first-ever North American tour on May 26th in Minneapolis. The tour will hit 25 cities from coast-to-coast in the U.S. and Canada for over five weeks, with the possibility of a second set of late summer dates. Dube (pronounced 000-bay) sounds hauntingly like Peter Tosh, and will be only the second African reggae star to come to our part of the world (Alpha Blondy being the first). Lucky Dube is booked by Fast Lane Productions in Washington. For more info and possible interviews contact George Michailow or Dera Tomkins at (202) 342-7721. . . May 6th marked the 8th annual International Reggae Music Awards held by Martin's International in Chicago. The winners have been announced and they include Ziggy Marley for Top Inter-national Entertainer, Sanchez for Top Recording Artists, J.C. Lodge for Best Female Vocalist and Maxi Priest for Top Male Vocalist. Aswad won for Best Crossover Song with "Don't Turn Around," Best Album went out to Ziggy Marley & The Melody Makers for Conscious Party, Shelley Thunder won for Best Female DJ, while Admiral Bailey won for Best Male DJ. Most Outstanding Showband went out to Third World and Toots Hibbert was inducted into the International Reggae Hall of Fame. There were 31 categories in all; congratulations to all the winners!. . And the NAIRD Convention held in Philadelphia last month voted Black Uhuru's Positive Dub (ROIR) Best Reggae Album of the Year. Incidentally, the year before they voted the Killer Bees' Groovin' LP for the same honor, and this summer ROIR will be releasing the Bees Live In Berlin tape. . . Over the Memorial Day Weekend radio station WKDU held their 6th annual Reggae Marathon, playing 88 hours of reggae music from Friday at 10 PM til Tuesday at 2 PM. Coordinated by Hopeton Brown, guest

—Jem Aswad

DJs from the surrounding area helped out with the funkiest reggae party in the area. . . Months ago we raved to you about the song "Wee Rule" by Britain's Wee Papa Girls. To reiterate, it's a cross between Natural Beauty's "Nice Up Dancee," Delta 5 and Salt 'N Pepa. It's now on CMJ's Certain Damage CD #18, so be sure to give it a play. It's wicked!. . . Tony Childs' covers Jimmy Cliff's "Many Rivers To Cross" on her latest A&M album; the track also appears on the Lost Angels soundtrack... And Boy George has a reggae cut on his album, High Hat (Virgin), entitled "Kipsy." It's rather rootsy in nature and worth checking into. . . There's a great new artist by the name of Papa Ron Love who does a reggae-rap version of "I'm A Girl Watcher" on Def Jam. Mucho crossover potential. . . Oops! Corrections are in order. When we reviewed James Cannings' "Sunshine" single in the May 5th issue, we left the "s" off the end of his name. . . CellulOid is back on the reggae scene with two records of note—a reissue of Dennis Bovell's critically acclaimed Strictly Dub Wize and a ska compilation called Skankin"Round The World/The International Ska Compilation. Artists featured include Bad Manners, The Toasters, Potato 5, Bim Skala Bim and more. Contact Viola at (212) 741-8310. . . And speaking of classic reissues, check out Mikey Dread's African Anthem (RAS). This is a sample of his radio production work that gave Dread his international reputation of "Dread at the Controls." Give Alan Kirk a shout at (301) 588-9641. . . U-Roy and Charlie Chaplin performed a double bill together last month at N.Y.C.'s S.O.B.s (the Night Nurse's most frequented reggae haunt). It was such a thrill to see such conscious DJ music fora change. The "Grandaddy" of DJ-style music was in stellar form and Charlie Chaplin was fresh and vital. Tabby and Bunny from the Mighty Diamonds were in the audience bawling out along with the rest of the crowd. . . Until next time, all the best. Thanks for checking in.

—Amy Wachtel The Night Nurse

Send all correspondence to: Night Nurse Productions, P.O. Box 922, Village Station, New York, NY 10014-0922. For information on reporting, call 212-645-0922.

-34- 1989 CMJ


Hard Rock Reports

Budget AMR, CB6B Rec. Canteen Cellophane Square Cheap Thrills M House t)l Guitars Jr Hunters/Collectors LIR's Music Shop Fargo, ND mrm "A' ). h" beilIfle. us Brornwiyii, Rotheste, soourn, wA A. :woukce, u: Cal Ned Larry/Dave Tor, Ica Schippes kale ..e1r

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«ri, TNE cur UNDERDOG ur7 SEA RAGS mADBALL

CC HELLO/EDO LIFE SENTENCE METALLICA PRONG

DARK ANGEL SOUWDGARDEN

EXTREME mURPIPOS LAB WASP. LEEWAY

0)

WAY IT IS IRE CULT GUNS w ROSES

SIUDNORE) LIVING COLOSO SEX PISTOLS BON JOY!

JIMI REMUELE EXPERIENCE GUNS N' ROSES REPLACEMENTS RUST

GUNS N' ROSES WINGER PIRIES TESLA

SCREAMING TREES POISON FLAMING LIPS 24-7 SPYZ

DUEENSRAME SUCK PETS

GREAT WHITE TAE CULT METALLICA

LIVING COLCIUR SON (MO wINGER WARRANT SAID RUS

BLUE MURDER EXODUS WARRANT

METAL CHUECA vIKEN METAL ['EACH BON JO)) LEATHERwoLF

BULLE/ROTS MOTHER LOSE BORE wINCER EXODUS SKID ROW METAL CHURCH

WARRANT METALLICA BLACK SABRA.

TESLA WINGER 'LTA FORD

Nu-Music Afflr Open Records AW Record Bar Alir Slipped Disc AIMI Zig Zag CHEZ MIER effl Fairfield, CT

Scott Anders. (203) 333.5919 (305) 940.8750

Dur,am,

Kevin/Mary Barnhill (919) 383-7473

Valley Stream, NY Mike (516) 872.0516

Brooklyn, NY

Phil DeBenedetto

(718) 648.5115

RAKED RAYGUN THE CULT GUNS M. ROSES SEPULTURA BLUE MURDER STATE OF THE WOO« RELLOWEN GREAT wollE OR! TUAIT cRO-RAGS

FUGAZ) METALLICA GUIS N' ROSES BLUE MURDER lEATeRuMF

CRO-BAGS ANTRIM( WINGER DANGEROUS TOYS SLACK SABBATH 24.7 WU NEW YORE AARDCORE BON Jae GREAT woof RETAL Cmuitcm

URIDEAD EXCEL SKID ROW ANNIHILATOR GREAT WHITE MuRPro'S LAW EXODUS METALLICA SADUS

GUMS It' ROSES GUNS N' ROSES LITA FORD BARREN CROSS NEvERaDWE IRE CULT SEA RAGS DEf LEOPARD CRAAFT SKID ROw

SWANS NAPALM DRAM WARRANT mARCHELLO THE CULT

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VICTORY BLACK SABBAT« WASP . GREAT WHITE DREAM THEATER GREAT WHITE BLACK SABBATH ROSNER LOVE BORE KINGDOM COME DANGEROuS TOYS ROD . ROBA GANG DANGEROUS TOYS TESLA URIC) OOZY OSEICURNE CRO-MAGO WASP . EXODUS IMOTORHEAD CEO-BAGS

WIICNAMIIWDHA Mair WHJY AIIIMV WMMSAINIF WSFWAIMIW MIR 41MIW Z-ROCK AM Roston, PA Dover, NJ E.Providence, RI Cleveland, OM Seneca Fels, lo Ithfta, To Dallas, Tx Tony Beredin: Cheryl Rich.rdt Dr. Mete Steve Raz Re 0,80e 11 AMU Tracy Barnes

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OZZY OSEICURNE TESLA LEATHERSOU DIO AlalmILATOR

TESLA M.O.D. AVM, WASP. EXODUS METAL [Apex METALLICA MILIAN RAGE RADES METALLICA METALLICA tULLETBOYS BLUE MURDER EXTREME

OUEENSRYCHE LIVING CCRCUR EXTREME CUEENSRYCHE TESLA BADLANDS CINCO CONE

BLACK SAMION MAACNELLO LEATHERWMF METAL CNURM, SNOUT BARG TANGO BLACK SAIMATN ACCEPT CRIMSON GLORY EXODUS MESSAMO BLUE MURDER SEA NAGS OUEENSRYCHE

CJIUMIIIMCKCII KUM KCSIIMMW KEOL al Mr KFJCAMMIr KHDX Burnrico, BC Ottawa, ONT Seattle, WA Santo Barbara, CA La Grande OR Los Alt« ells, CA Conway, AR

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(6(3) 563-1919

C.') ANNIHILATOR

11) OREAN BLACK T HEAT ER

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O (w) 'CJEI:LAST' w«ITE

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(801) 322.3311

TESLA METAL. CHURCH DREAm THEATER

METALLICA

Te CULI BLACK SABBATH

ARTCH

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U.S KIK MOCY TERROR ANNIHILATOR EXCEL ARUN SEA NAG! mETAUICA = METAL MAO, METAL MUCK ANGKOR RAT MEKONG DELTA SEA HAGS GRAVEDIGGERS EXODUS

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Tor RO? DAVID T. CHASTAIN DESTRUCTION INKY NOSES BARREN CROSS RAutOm ',ANDS THE CULT

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KINGDOM COME KINGDOM COME ANGKOR RAT 220 VOLT SLACK SMUT,' ANGKOR WAT wITCMOSTER GENERAL

WOMB OHS MIMW WIISOMM WCCM4MW WCDI ÁdIMBIr WCNI WCRI MIR New York, NY waltham, NA Burlington, WI Ronde., NJ Albany, NI. New London, CT Wayne, NJ Eric finical Andy T Jim Dietz Denise Wow, Lawris/John Tracy Clack,* Paul Schwartz

(212)725-7168 (617) 736-5277 (414) 763.6532 (201) 361-9886 (518)442-5262 (203) 444-1849 (201) 595-5901

GARY IECORE AIMINILATOR OLIEENSRYCHE TESLA MEWS BLUE MURDER (BONUS BLUE MURDER ARIL» KINGDOM COME GUNS N' ROSES BLACK S 88888 H CRIMSON GLORY METAL CmuRCH

METAL CHURL', CRO-BAGS GREAT WHITE KINGDCM CORE CRO-BAGS LEATHERWOLF DREAM THEATER VICTORY METAL ['TURD' BLVD MURDER SAMOA WIALLICA EXTREME BADLANDS 220 VOLT LAAZ ROCKIT TESLA ROXX GANG Ike MURDER THE CULT WITCH

UFO GUN GO) DOLLS THE CULT EXCEL RELISH RAGE WARRANT LEATmERWMF ANNIHILATOR LEEWAY LEATRERWOLF KIR 0220 OSOCURNE OUEENSRYCHE CRU -MASS LEATNERWMF CRIMSON GLORY BRIAN J01111504 4 GEORDIE SEA RAGS KIM LAAZ ROCKIT

CRIMSON GLORY DESTRUCTION RORX GANG MARRANT IIELOWEEN vICTORv CRIMSON GLORY MICA DORO SKID ROW WASTED YOulm GANG GREEN ROXX GANG BLACK SABBATH

WOCE AMV WD6C AfflIVWDNHVIDPSIIVWOSO WERWAMW WFCSAIMI fichuond, HA Downers Grove, IL Cheater, PA Upton, ON Chesterton, IN Syracuse, NY New Britain, CI Mike McCready Col In Dockmentas Oli ssssss Of Darkness Jenny wilco). Jay/Ney Geoff Bent Chrts/meal (804)289-8698 (312) 852-0404 (215) 499-4439 0513)223-0906 T2191926-4700 (315) 423.2503 (203) 223.6767'

CHO -BAGS m.O.D. THE CULT SKID RON EXODUS METALLICA RETAL [Nun,' METAL CHURCH CANDLEMASS SLACK SURAT,' METAL CNURfir LEEWAY EXODUS ARTCR

ExODUS D.R.I. 24•7 Safi TESTAMENT DARK ANGEL METAL CHURCH DREAM TREATER 26-7 SPVZ VIOLENCE LANDMASS GARY 'MORE AGNOSTIC FRONT ANTHRAX [RUMOR GLORY DARK ANGEL. mETALLICA MOTHER LOSE BONE MOO. BLACK URBAIN LEATmERwOLf MENTORS VOIV00 SACRILEGE EXTREME muRPHY'S LOA OUFENSRYCIO . mELOWEN

CRIMSON GLORY EXODUS DARK ANGEL ANTHRAX PRONG SACRED REICH BLACK SABBATH NELLOWEEN CORONER VICTORY LEATmERNOLF GUN WO DOLLS LANDMASS EXODUS LEEWAY SACRED REICH LEATHERWOLF TROLA ARID, DREAM THEATER METALLICA ANNIHILATOR MOTHER LOVE BONE MEITNER LOVE BONE OREAN THEATER EXCEL DORO WASTED TO(T)

-35- e 1989 CMJ


Hard Rock Continued

WFMU WFPRÀ WSAO WGBIVW WOLSMII WSMU, WHFR East Orange, NJ Rindge, NH Franklin, MA Green Bay, WI Glassboro, NJ Tairfax, VA Dearborn, MI Diane Ferris Adam Lewis Maryann Rodrigwe, Tom South Howard Rosenblatt John Judge Paul Finley

(201) 266-7901 (6031 899.5111 (508) 528-42)0 (414) 465-2448 (609)863-7336 (703) 323-2415 (313) 845-9676s

PRONG ROOTER LOVE BONE SACRED REICH CRO-RAGS mETALLICA RETAL CHURCH WASP. ALICE DONUT ARM, EXCOUS GOD GOD DOLLS OUEENSRYCHE DREAM TREATER EXTREME DESCENOENTS VICTORY EXTREME NO (CS AN ANSWER mETAL CHURCH RETCH EXODUS

CRO-ERAIS GARY MOORE KID [RASE ALL EXODUS EXODUS LAAZ ROCKIT BIG DRILL CAR SACRILEGE B.C. DREAM TREATER SUN OREARAN MuLTILATIOK EXTREME EXTREME THE CULT

24-7 SPYZ BARREN CROSS M.o.D. imITE ZOMBIE SKID ROS DOGS D'AMOUR DARK ANGEL LIVING DEATH CRIMSON GLORY MOTHER LOVE BONE THE CULT KUMMER ROO( GANG METAL CHURCH

NAKED RAYGuN ANNIHILATOR TATTO3 MOTHER LOVE BORE LEATRERWOLF N.O.D. LEATHERWOLF MR. T EXPERIENCE TANK BARREN CROSS DEE DEE KING DREAM THEATER uF0 WASTED YOUTH M.O.D. WASTED YOUTH LEATNERBOLF RAMONES W.A SP. WHITE ZOMBIE SKID ROW

wHLcAWHSE rvinusa y wius WJJW WJULmur wac Bronx, NY St. James, NY Storrs, CT Bloomington, IN NOrth Adam*, NA Lowell, KA Raleigh, NC

Joanne Grand (Hi 5)1 Lew Cheryl LeBeau Steve Fulton Cameron Medley Bill Hitcher Steve Prue (212) 960-4967 (516) 265-2470 (203) 486-4007 (812) 855-6552 (4)1)663-9136 (508)452-9073 (919) 737-2401

SKID ROY HELOWEEN BOO. AFOOT EXODUS ARTCR METAL [MORO. LEATHERWOLF KINGDOM CORE DARK ANGEL LEATNERWOLF METAL CHURCH DEATIMOw LUZ ROCK IT THE CULT LAO) ROCKIT DORO SHOK PARIS OUR PARIS DREAM TREATER NELLOWEEN

RAMES SEA WAGS CRIMSON GLORY BLACK SABBATH ARTCH ANGKOR WAT

METAL CHURCH METALLICA DESTRUCTION RELIAN RAGE WASP. ERODUS BLACK SABBATH MELLOWER METAL CHURCH EXCOUS EXCEL EXTREME LEEWAY WHITE ZOMBIE

BLACK SABBATH DOGS D'AMOUR HELLOWEEN DREAM THEATER CRIMSON GLORY

EXTREME ROME GANG CRO-RAGS 220 VOLT MELLOWED, CITO -RAGS EXCOuS

CRIMSON GLORY GOO GCO DOLLS METAL CRURCR LAVO ROCK1T LEATHERWOLF METAL CHURCH LEEWAY VICTORY KING SWAMP MACNINERY ROO GANG BLACK SABBATH ANNIHILATOR DREAM TEAM

wox wi.ccv/Lcvju wu-rw KVR Wh1HC MHO AM Sunruee, FL Amy Powwow

(3051 572-1321

Lansing, MI Steve Peterson (517) 483-1710

Lowlsville, KY Wolter Johnson

(502)588-6966

East Lensing, MI Bethlehem, PA South Hadley, MA

Denis Deno Chris Senil 'Rifle Pittard

1517) 353-4414 (215) 758-3913 (413) 538-2044

Terre Reute, IN Brian Whipp

(812) 877-1511

M.O.D. BLACK SABBATX TESLA JANE'S ADDICTION METALLICA LEATNERWOLF ANNIHILATOR

MELIA« RAGE OUEETORYCHE UFO ANTHRAX METAL °ARCH EXTREME METAL CHURCH CRO-PANGS THE CULT METAL CNURCK SACRED REICH EXODUS BLACK SABBATH LOAD ROCK IT

METAL CHUSCA WARRANT DANGEROUS TOYS METALLICA GUNS A' ROSES SAVAGE STEEL WACK S 88888 H EXCOUS ANTALLICA GUNS A' ROSES M.O.D. TESLA ROXX GANG EXCOUS METALLICA DREAM TREATER EXTREME SUICIDAL TENDENCIES DARK ANGEL GIRLSCHOOL NELIAll RAGE

FORBIDDEN GUMS N' ROSES WARRANT SLAYER VICTORY SEA BAGS OVERKILL LEATHERWOLF SKID RCN, NOSY TERROR KINGDOM COME ROYAL COURT OF CHINA MANOWAR

ANTNRAX GARY MOCRE METALLICA METAL CIOURCN WASTED YOUTH VICTORY SUICIDAL TENDENCIES

TESTAMENT EXTREME GARY MOORE WARRANT BLACK SAIEWIATH DOGS D'AMCUR M.O.D.

wmmar wmuc mar VINWA WNHUAwNeceuvwNrrmi wocR Mirreepol, NA Karen Booth

(612) 625-5926

College Park, MD Salem, NA West Raven, CT Traverse City, MI Cindy Bell Rob IJAtts Michelle AlberIco Lee Metcalf

(301) 454.2744 ()08) 745-9401 (203)914-8888 (616) 922-1091

Old Westbury, NY

Tom Micucci

(516)626-3780

Oswego, NY Jordan Goldes (315) 141-2101

GOO GOD DOLLS ANNIHILATOR FuGAZI EXODUS BARREN CROSS BLACK SABBATH WASP. RATHER LOVE BONE ROXX GANG DESCENDENTS CORONER RAGE OF ANGELS ARTCN MELLOWER

BUCK PETS METAL CHURL,' DESTRUCTION TEMPEST ANNIHILATOR M.O.D. IRE CULT KIN BL'ASTi DEATHROW VENGENCE ART°,

TAD BLACK SABBATH SOUL SIDE HELLWEEN SACRED WARRIOR METAL CROTCH ANNIHILATOR BLOOD CIRCUS ROYAL COURT OF CHINA NAKED RAIGAN PRONG AREMEN CRIMSON GLORY DORO

MEATMEN M.O.D. GOVERNMENT ISSUE ANNIHILATOR UNDERGROUNO METAL CRO-RAGS BLACK SABBATH IMPALER SEA HAGS ANASTASIA SCREAMED RAZOR SHOUT DREAM THEATER AGNOSTIC FRONT

TAB COJP DE GRACE NUCLEAR ASSAULT GO3 GOD DOLLS REALM VALOR ANGKC0 OAT MASS

SACRILEGE THE CULT SCOCM MASS BARREN CROSS DREAM THEATER

WOUI M." WOUX WOZQ WPOBfflfflr WPTS WPURAII woccm. Chicago, IL Rochester, MI Northmoton, MA CleinvIew, NY Pittsburgh, PA New York, NY BAyside, MY mike Gondiet Natal.' Naha., Wendy Weisberg Andy '<lore, SuAan/Tony Felicia/Gabriel Mummy (312) 567-3087 (313) 3n-4272 (413) 584-7011 (5)6)937-6373 (412)648-7990 (212)488-1270 (718) 423-5116

AGNOSTIC FRONT SKID ROW TESLA DREAM TREATER mETALLICA PRONG METALLICA

LAAZ ROCKIT WRITE ZOMBIE ANNIHILATOR KIR LEEWAY RETAL CHURCH CRIMSON GLORY

CRO-NAGS WASTED YOUTH wARRAml LEATHERWOLF BASTARD SOUAD EXODUS DORO ARRESTING OFFICERS GRAB I.N.C. NELLOWEEN SCHOOL OF VIOLENCE IAL. LEATHERWOLF MOOT LAAZ ROCK1T SKID ROS WARRANT EXCOUS WASTED 'CUTE, ARTC01 INFO RIOT MOTHER LOVE BONE METALLICA ANTHRAX EVICTION MELIAN RAGE BADLANDS

MELLEN SEA 11AGS EXCOUS CRIMSON GLORY DEFIANCE METALLICA DREAM TREATER EXCEL ORIENTAL SPAS SHOE PARIS TNT PRONG LAAZ ROCK II ELECTRIC ANGELS

MADETALL LEEWAY MOTHER LOVE BONE MOO. METAL CNURCH ANNIHILATOR UFO WASTED YOJTIT GIRTSCHOOL GCO GOO DOLLS METAL CHURCH CANDLEMASS DARK ANGEL SHOE PARIS

WRBUAWROL WRI4C111, WRPW" WRRG WRTC WRUC AMI1 Peoria, IL Ashland. OH Middlebury, VI Pleasantville. NY River Grove, IL Hartford, Cl SchenectedY, AF Paul Jakubowilki FrAnkle 1 Nalg Dour) ion Cindy Nagel Cap world War III David Sloiit (309) 677-2231 (419)289-2480 (802) ma-6323 (914) 741-3701 (312)456.0300 (203) 297-2450 (518) 370-6154

GO) GOD DOLLS OZZY OSBOURNE CRO-NAGS EXCOuS DARK ANGEL wHITE ZOMBIE METAL CRUTCH METAL CIOURCH ARTCH EXCEL FORBIDDEN DESTRUCTION ANGKOR WAT EXODUS LUZ ROCKET TANK GOO GOD DOLLS M.O.D. EXODUS AGNOSTIC FRONT METALL ICA HERETICS MEDALYON ANNIHILATOR METAL CHURCH SLAYER FORBIDDEN MOO CAMDLEMASS MuRPHY'S LAW BAD BRAINS DARK ANGEL TESTAMENT DARK ANGEL BLACK SABBATH GUNS N' ROSES ANNIHILATOR MEKONG DELTA WASTED TOOT,' MOD. BL'ASTi ANTHRAX In CULT Tot ROZ SACRILEGE O.C. LAA2 ROCKET CRO-RAGS MURPNY'S LAW M.O.D. EXCEL ARTCN TESLA NUCLEAR ASSAuLT OBITUARY LUZ ROCKIT

EXTREME VICTORY 24-7 SPYZ MELIA), RAGE DEATH ARTCN ANNIHILATOR MARREN CROSS GOO CAO DOLLS METAL CHURCH AGNOSTIC FAOMT DEATNROW DAVID t. CHASTAIN THE CULT

WRUVAMW WRUVIMW wson maw wsn miw wsoE Amy wsRN wsuc Burlington, V1 Dave Smith (802)656-4399

Cleveland, OR Stella Culetrore (216) 168-2208

Port Huron, MI

mark Nord.) (313)984-5064

North Easton, MA Elan College, NC Swarthmore, PA Cortland, NY

Rick Welch Scott Kinkade Dave Nadel Chris Oliver (508) 238-2612 (919) 584-9763 (215) 328-8340 (607) 753-2936

METAL CRUTCH OBITUARY LUZ ROCK IT SEPULTURA OUEEMSAYCHE WHITE ZOMBIE MELLOWED, DESTRUCTION LEATNEINOF BLACK SABBATH ACROPHE1 TESLA EXCOuS

FCNIUDDER EXORAS METAL °TURCO, OUEENSRYCHE ANGKOR WAT THE CULT ARTCR

EXODuS EXCEL GIRLSCNODL SKID ROW ARTCH MOTHER LOVE BONE EXCEL LEEWAY SEPULTURA GARY ROWE EXTREME REALM SEA HAGS ACROPNET

LAAZ ROCKET M.O.D. UFO ANTHRAX HOKOCROSS BADLANDS DESTRUCTICN ANNIHILATOR DARK ANGEL TESLA LUZ ROCkli RELIAN RAGE

SACRILEGE CRO-RAGS EITODUS LAUD ROCKET OBITUARY METAL CNURCN 24-7 SPY) GOO GCX) DOLLS DARK ANGEL WARRANT GREAT WRITE DEATH WISH TESTAMENT SEA HAGS SACRILEGE B.C. imITE ZOMBIE SKID ROW BULLETBOYS DARK ANGEL LEATTERWOLF BLACK SABBATH

¡mummy wwc Amy WUSB,M1MrWUSCWVIICIIIVNCR MEW VIVFSAIM Cookeville, TA Cleveland, ON Stony Brook, NY Columbia, St Bethany, in LowdonvIlle/AlbAny, NY Tallahassee, FL Craig Stapleton Bill Peters RaAA/Dewn Marie Doug Johnson Kenny Keith Paul Himsein mike Rittbehe

(e15) 372-3169 (216) 397-4437 1516)632-6500 (803)777-7172 (304) 629-7562 (518) 703-2990 (904) 644-1871

ANTHRAX BATCH SEPULTURA EXC.:US MORTICIA METAL CNURCR ARTCN MEGADETH DESTRUCTION LAAZ ROCKET METALLICA CRIMSON GLORY METALLICA RUNNING WILD LIVING DEALT, WRITE ZOMBIE METALLICA WASP WEENSRYOIE

MORTAL SIN NAPALM WASTED KOWA ANTHRAX EXODUS METAL CNURCII

DEATH ANGEL ONSLAUGHT KREATOR DEATHROW EKODUS ANTHRAX BLACK SABBATH LUZ ROCKIT IIELLOB(EN INCUBUS VENDETTA COO-RAGS GREAT WHITE

METAL CHURCH ANNIHILATOR DEATIOCu ANNIHILATOTT TESLA LEATAERwOLF ART°, PANTO, INC. DESTRUCTION OUEENSRYCNE SEA RAGS SKID ROW

ANNIHILATOR BLACK SUMO, ANGKOR RAT WRECKING CREW GUNS N' MOSES BARREN CROSS ROOKER NELLOBEEN ACCEPT OBITUARY CANDLERASS OUEENSRYCHE 5 GUNS WEST

WIIKR MOW MA AIM, WI/XU AIIMI WINSU Mar WINN AI WXUTAIIIM' WYREÀM Poughkeepele, NY Tuscaloosa, AL [Inc lnnat i , cm Dayton, ON West Hartford, CT Toledo, OH WeukeshA ul

Du. Mende Patrick Seigler Brian Riled« Jon Nelson Steven Pankowicx David Rose Doug Schaefer

(914)473-5866 (205)348-6082 (513) 745-3738 (513)873-2000 (203) 243-4703 (41B) 517-4172 (414) 521-5201

M.O.D. CRIMSON GLORY METALLICA MOD . NEU. MAGE CRIMSON GLORY LAAZ ROCKI) EXODUS METAL CHURCH EXCOuS LAAZ ROCKIT EXCOuS SKID ROW ANNIHILATOR AGNOSTIC FRONT METALLICA METAL CHIJRCel *RTC,' METAL CHURLO mETALLICA

ANGKOR WAT ANNIMILATC11 ANTHRAX METAL CHURCH CRIMSON GLORY UFO COUCH FLAMBEAU

CRO-RAGS EXODUS DA010 T. CHASTAIN WASP. BLACK SABBATH 022Y OSBOURNE MIDAS %UCH

DESTRUCTION BARREN CROSS ExTREME DEFIANCE BOBBY MESSANO LEATRERAOLF RENEGADE DEFIANCE BLACK SABBAT« LEATHERWOLF ANGKOR WAY BLUE MURDER NELLOWEEN EXCEL LEEWAY ARICA WASP, CORONER EXTREME WASP. ARTCH

MOCKING CREW OREAN TREATER TESLA BELLOWED, ORE« THEATER BARREN CROSS ANGKCAT WAT

SEPULTURA DORO CRIMSON GLORY BLACK SABBATH THE CULT WARRANT DESTRUCTION

Hard Rock Reporters Not Printed: Easy Strut Records, Seattle. WA/Record Record, Pompton Lakes, NJ/Waterloo. Austin. TX/KCSC, Chico, CAIKTUH, Honolulu, HI/KUSF, San Francisco, CA/KYMC, Ballwin, MO/WDBM, East Lansing, MIIWMBR, Cambridge. MAIWAIP6. Gorham, ME/WPSU. University Park. PAIWUR. Miami, FLIWYYS, Valdosta, GA/WXAC, Reading, PA

-36- © 1989 CMJ


DIALOGUE Dialogue is a forum for communication about all facets of the music industry All CMJ New Music Repon subscribers are welcome to submit comments for publication to New Music Report Dialogue, c/o CMI Media, 830 Willis Ave., Albertson, NY 11507 Comments must be typed should be limited to 150 words, and must include name, title company station city state and phone number All Dialogue is subject to the approval of the editors, and may be edited for size and or content All Dialogue comments represent the opinions of the authors and do not necessarily reflect the opinions of the CMJ staff the editors, or the general readership

RECORD COMPANY DIALOGUE • John Loken, Radio Relations, ROM Records, Los Angeles, CA (213) 471-5000

After reading these mighty missives each week for the past six months, I've finally decided to join in the melee with a message from Really Outstanding Mi_sic in sexy El-Lay. Mid-April saw the solo debut by CIRO HURTADO, virtuoso lead guitarist for critical favorites HUAYUCALTIA. The CD and cassette-only release, callec In My Mind, is a truly tasty Latin jazz departure featuring "Aguas," a delightful dose of what Pat Metheny might sound like if he had been born in Peru. Also, From Barrooms To Bayous, All-Ears Review, Volume 6 is a further foray into eclecticism with tracks from RANKING ROGER. LET'S ACTIVE, E'l*E*1'0, LUCINDA WILLIAMS, BRAVE COMBO and MAMOU. among others. The Review exposes the cream of the independent and alternative crop: call me for your issue! Love and toast.

• Karen "The Third Jill" Booth, Twin/Tone Records, Minneapolis, MN (612) 872-0646

If one more person calls me Jill, I'm gonna do something drastic. I refuse however, to change the color of my hair. Take notice—redheads (natural or not) rule supreme, and some day we will control the world... I've got a grin from ear to ear with the response to the SOUL ASYLUM EP, and hope everybody plans to keep cool with Clam Dip all the way into the summer. Speaking of summer. . . Watch for the debut LP from SKUNK to rock your existence around Jure 15. If you have not been privy to the vibe that is Skunk, prepare yourself. Think back to days not so long ago, when rock 'n' roll ruled your hormones and you didn't give a fuck about what anyone thought. Last American Virgin. Need I say more? I don't think so. Just a few things to remind everyone of—the new BULLET LaVOLTA record kicks ass and Johnny Depp's birthday is on June 9th. Lisa Paulon is having a party for Johnny. If you're nice, I bet she'll invite you.

• Allen Wolff, Dog Gone Records, Burlington, NC (919) 226-3088

Welcome to summer, or at least it's supposed to be. Anyway think, play, eat, drink, and be merry for VIBRATING EGG does. You should have received the Egg already, if not let me know. This is one of those records that makes you wonder what the world is all about. 'Nuff said. Please let me know if you are going to be operating this summer or if you aren't. For my buddy at Mammoth, Steve, Snatches are coming real real real real real soon. Bye.

• Tonni Maryuarna, Promo, Nettwerk Records, Vancouver, BC (604) 687-8649

As many of you may be aware BOXCAR has taken the dance floors of America by storm. Due to the success of "Freemason," Nettwerk has been given the opportunity to enter into a co-production agreement with Arista. This will be re-serviced to you as a Nettwerk/Arista release with Arthur Baker doing the re-mixes. You shoula all have BILL PRITCHARD and if you haven't added it yet give another good listen to the track "Kenneth Baker"—this is very worthy. Thanks goes out to everyone at WUNH for having the vision (Bill Pritchard #1). I received some ohone calls last week from fans of MC 900 FT JESUS who performed in Dallas and all the reviews were raving! The MC 900 Ft Jesus album entitled Hell With The Lid Off should be to you soon and the artwork is so cool! It's perfect for this artist—you'll see what I mean. Well, I'm sitting here admiring the dead flowers on my desk and I can't think of anything else to say—so I'll sign off now. Until next time. . . KEEP THE FAITH! e 1989 CMJ

ough Trade Recprds, ranclsco CA 94103; 11, Neu/ York NY 10 May . 1980).

uck Square,


Dialogue Continued

• Brian Long, SST Records, New York, NY (212) 979-6654

It's always a reaffirmation of how closed minded those that run and attend our institutions of higher education are when word comes of stations having to struggle to keep their progressive and unique programming. The end of the school year always brings new stories of this kind. WCAL and WGMU need your support against ignorance. Call them, see what you can do to help them. Precious few bands these days have anything of interest to say about politics beyond "hardcore" cliches. One of the few is NYC's MOFUNGO who on their latest album confront Panama (timely), imperialism, preservatives as well as cover another great politically minded band—the Minutemen's "Themselves." ELLIOTT SHARP colors their songs with some of the scariest slide guitar playing ever. Lastly, please check out their anthemic "Memory." ROGER MILLER's latest maximum piano album, Win Instantly! is out. He even covers Burma's "This Is Not A Photograph." Also out is the new SLOVENLY album. The CD has 40+ extra minutes of music. Once again, music this intelligent is rare. Savor it. SOUNDGARDEN's "Flower" 12" has the gothic-metal dirge "Toy Box" which dates back to the Screaming Life sessions. UNIVERSAL CONGRESS OF are touring in June!!! The Cardinals are winning!!! It's amazing how many stations have the CULT in their top 10 yet won't touch anything else that's heavy. But that's right, you're supposed to like it. They have a good image.

• Tom "I hate middle names" Micucci. Metal Blade Records, New York, NY (212) 645-6208

Wow!! What a show. Two words that people will be saying over and over is "GOO GOO, Goo Goo." The Buffalo boys blew the roof off the Pyramid club in the City with the most energetic show to date. For those of you who were there, you can back me up. If not, don't fret!! They're currently planning shows starting in June. Call us for more info. I see y'all are jammin' on ARTCH. If you can be real, real good, we can get them over here to do some interviews, what da ya say?! Remember, we have ANGKOR WAT and SACRILEGE starting out strong, and I hope you're playing UFO (we don't want Cheryl to have a kiniption). . If you're wondering why I'm writing today, just ask Cheryl about the tidal wave that came through town!! So I had my tongue. . .

• Laura Lombardi, Dutch East India, Rockville Centre, NY (516) 764-6200

Since I have been speaking with most of you from the plush offices of Giant Records for quite some time now I thought I should let you all know that the new CHRISTIAN DEATH album, Sex And Drugs And Jesus Christ is an official Nostradamus/Dutch East India release. And while it does not have the Giant label on it, indeed it is me who will be contacting you in regard to it. Most of the band's previous releases have never been made available to American radio before, but plenty of record shops in the U.S. have been making major bucks selling import copies of Christian Death albums for years, so there is definitely an audience out there waiting to hear them. I'm not one for mindless banter so just let me say that I would love to discuss the reasons why you will or won't play a Christian Death record at anytime, but please don't tell me that this record is too "hardcore" for your format! Also, out here in this vast wasteland called Suffolk county lurks a really great band called the SKELS who deserve a break, so pick up their new record on ILA if you can.

• Robert Vodicka, New Alliance Records, Lawndale, CA (213) 835-4267

I am still receiving mail forwarded from the old New Alliance address. Please update your files with the new address: P.O. Box 1389, Lawndale, CA 90260. In a few months, our beloved postal service will stop forwarding mail sent to the old address and I will not receive your playlists and requests for records to update or. . Love.

• Tim Sweeney, Antim Music, Manhattan Beach, CA (213) 542-6430

Attention: In response to the dozens of tracking calls our office has received regarding the MONTANAS, we would like to make it clear at this time that our company no longer handles anything related to the Montanas. The band has been dropped by our company in the earlier part of this year. Radio stations that are regularly serviced with Antim groups should not feel an obligation to play the Montanas on our behalf! Your stations decision to play the Montanas release should be your own. All future correspondence and tracking of their release should be directed to Lucy Records in Atlanta. Please call our L.A. office if you need further clarification.

• Karen Hester, Redwood Records, Emeryville, CA (415) 428-9191

So you've always wanted to visit the San Francisco Bay Area—watch a sunset from the Golden Gate Bridge and hang out in the clubs of Berkeley (and Emeryville). Now's your chance to plan that much needed vacation around the date of Sept. 23rd for Music That Rocks the Boat: Redwood '89—A Festival of Progressive Music and Culture. Come hang out for the day and see some of the best progressive (read: political) music being made from all over the world. Confirmed acts include HOLLY NEAR (USA), FERRON (Canada), GRUPO MANCOTAL (Nicaragua) and Oakland's INTERFAITH GOSPEL CHOIR. New releases include INTI-ILLIMANI's De Canto Y Bane (Chile), and Holly Near's Skydances, an album about life, loss and carrying on. Soon to be released is FAITH NOLAN's Freedom To Love, a strong message from a Black Canadian cultural activist. Did anyone else appreciate Jeff Tamarkin's tribute to Abbie Hoffman'? Well put Jeff.

• Lisa Paulon, Caroline Records, New York, NY (212) 989-2929

Something for college radio to think about: 1) Labels with lots o' money can afford to: a) send promo gimmicks pre-release, b) send promo gimmicks with the album, c) do lots of big ads, d) send out t-shirts, e) send CDs, f) send two or more singles, g) buy lots of tickets and send you to many shows, h) send loads of extra vinyl that you can sell. 2) Labels with a small amount of money cannot afford any of the above, and therefore, can't compete with all the gimmicks. It is quite obvious to me that in either case the quality of musical content should be the only issue taken into account in college radio. If the record is good and happens to be on a label with lots of $, play the hell out of the vinyl and have fun with the free stuff. If the album sucks, dump it and score with the goods. Christmas is right around the corner. The same principle should apply for the releases on labels with no money, except you'll have to buy your friends' X-mas presents this year. Too many stations play too many bad records for too long based on the size of the score, instead of the quality. Where are your principles'? Give it up now, or you're off my list (and probably many others') and you and your listeners will lose. . . New Releases: NAKED RAYGUN Understand?—it's on the cover of the last CMJ for a reason; new PUSSY GALORE called Dial M For Motherfucker-1 hope this is of no offense to anyone? Call Deborah Orr, she swears by "Dick Johnson"; UNDERDOG's debut release, Vanishing Point, should appeal to everyone from hardcore to metal fans and "alternative" to r&b folk—excellent indescribable, unclassifiable rock. EXCEL's The Joke's On You—primo crossover thrash/metal from Venice, CA, check it out. . . News: The BAD BRAINS have officially reformed with all original members. The album is being recorded with H.R. and Earl, and it's due out in mid-July; June 9th is Johnny Depp's birthday. Cards and letters should be fowarded to: P.O. Box 55563, Sherman Oaks, CA 91413-0563. . . Any labels looking for great new bands should check out the LONELY MOANS from MA, and the JAZZ MEN from CA. . . Secret: One of my overwhelmingly pathetic dreams in life is to write just one Dialogue as humorous, apathetic, and insultingly correct as Gerard's. I attribute my infrequent amount of entries into this section to the lack of dream fulfillment. Please be understanding and forgiving. . . Stay tuned for the Neil Hagerty contest next Dialogue.

• Jim Neill, Rykodisc, Salem, MA (508) 744-7678

EVAN JOHNS AND HIS H-BOMBS should be shattering the glass in your studios right about now. Bombs Away will be the record that always reminds you of the summer of '89 and all the disgusting things you did. In July, we'll be releasing POPULAR SCIENCE by Russian "avante-garde" composer SERGEI KURIOKHIN and Bay Area guitarist HENRY KAISER. I've never heard anything like it before so I won't even venture a description. The song titles are culled from grade school science fair projects. A few: "Onion In A Closet," "Barking Dogs vs. Minimalists," "Electricity vs. Foods," "My Amazing Rat," and "Rattlesnake Round-up." BERNIE KRAUSE and his Jungle Shoes remix is a record with universal appeal. If you missed my sermon last month, Krause composes his music using animal noises exclusively. The album Gorillas In The Mix is out imminently and will go down in natural history. The new ZAPPA is Broadway The Hard Way and features eight bonus tracks not on the LP including a Stinging version of "Murder By Numbers." It was recorded all live with no overdubs on FZ's phenomenal 1988 tour. The GYUTO MONKS will chant their way into your soul with the recently released Freedom Chants From The Roof Of The World. The disc also features a majestic musical offering by MICKEY HART, KITARO, and PHILIP GLASS. The piece, which features Glass on the "house" organ (a pipe organ bigger than Bon Jovi's house) opened the Monks' performance/ritual at St. John The Divine's Cathedral in New York where some of the music for this landmark release was recorded last year. . . Best shows this month bar none: FOSTER AND LLOYD at Nightstage in Cambridge and the Iron Horse in Northampton. AMERICAN MUSIC CLUB at The Rat. Dig the new LEO KOTTKE album a lot. TIN MACHINE is out. The Wild Eyed Boy on Rykodisc is coming soon.

-38- © 1989 CMJ


Dialogue Continued • Brian Way, Radio Slave, Dr. Dream Records, Orange, CA (714) 997-9387

Hmmm, lessee, what's new around here... Oh yeah! HOUSE OF FREAKS singing "Sun Gone Down" at dusk on the Santa Monica pier was a truly cosmic experience (especially the percussion and striptease by a local vagrant!). And thanks to the folks at PolyGram for unknowingly getting me into the Whisky for the WONDER STUFF/LEGAL REINS gig, which was an obnoxiously enjoyable show. But enough of other labels' acts, here's what's goin' on at the Doctor's office: by the time you read this, SWAMP ZOMBIES will be winding down their splendiferous Finktour with dates in the Midwest and Texas, so thanks to all the radio lunatics who let them drag their muddy carcasses into their stations for interviews and assorted madness. I really hate to play favorites in radio (I'm omnisexual in that respect; a big wet one to the 200+ stations playing Fink), but I must extend a heartfelt moochas grashas to Bob and Art at WOFM for their huge support, and to Tim and Judy et al at KUSF just for being so cool! In other news. those road whores NATIONAL PEOPLE'S GANG are going back out again (didn't they just get back?) for an all-out Canadian/American assault starting mid-June. Actually, this is just their masochistic way of tightening up material for their second LP, due in fall, and those of you who caught them last time out can expect even more ecstatic irreverence. What else? IMAGINING YELLOW SUNS! I can't say enough about this amazing young band, and they haven't even begun recording yet! Imagine traveling into another dimension, a dimension of sound and of mind. .. and without the help of chemicals (though they couldn't hurt)! And lastly, make sure you call me if you're remaining on the air over summer since we're having a limited servicing of the debut LP by THE LONG MARCH, a different sort of act for Dr. Dream, in the decidedly slick and sophisticated vein of Simple Minds/Roxy Music. Well, guess that's it for now. I'll try and discuss something a little more philosophical next time, okay? Bye...

• Lori Blumenthal, I.R.S. Records, New York, NY (212) 841-8091

Remember Dave Gottlieb? Some of his Dialogues will go down in history! Mr. Controversy! Dave was the only one to publicly respond to my Dialogue of ages ago, agonizing over the lack of support of so-called "singer/songwriter" types. The examples I gave (MATTHEW SWEET. PIERCE TURNER, GRAHAM PARKER, TOMMY KEENE) were being blatantly ignored and I was and am concerned over college radio's shrugging its shoulders and pretending these artists don't exist. I feel compelled to bring up this tired subject again because I'm not satisfied with the lack of feedback I received, and also to defend them against Dave's description of them as "commercial, homogenized college radio feed." Dave is out of the game now, so maybe he doesn't care, but I wouldn't have mentioned the above artists if I didn't believe in them. And are the production techniques used on the XTC record really so much more rough and tumble than Matthew Sweet? I'm pretty sure they're not, yet when I talk to stations, production seems to weigh heavily on the "commercial" or "not commercial" criteria. And what about looking past production, if that's what is really bothering everyone, and judging something on quality, or quality of songwriting. Well. Matthew and Pierce and Graham and Tommy's records are all too old now to be added by any enlightened station, but I hope someone will respond here because, rest assured, there's another batch right behind it. "It's AOR's responsibility" doesn't cut it—they're not dealing with it and someone has to pick up the slack.

• Gerard Cosloy, Homestead Records, Rockville Centre, NY (516) 764-6200

The rock underground is truly "underground" for once and all because we've buried the fucking things so far beneath the earth it will never breathe again. What might've once been an example of spontaneous free expression and artistic risk, has had the life choked out of it, never to "rock" again. You see, some of your favorite anti-corporate mavericks recently got together for a little MusicMarathonSeminar of their own. Everyone who was anyone was there; "Curtis," "Greg," "Bruce," "Tom," etc., it was great. They decided that the general public (never mind those poor saps in the industry) had been tricked long enough. Sure, we're all into that chaos & integrity shit, but really, how many more unlistenable, badly recorded albums by poorly groomed combos with stupid names could we realistically expect people to stomach? Especially after they found out that they were all done by the same band over and over again. (What, you thought Das Damen were a real band?) Can you imagine the anger? The disappointment etched in every young bohemian face? Peter Buck throwing away his entire record collection? Fred Mills hanging himself?... sure, you're thinking, "say it ain't so," but it's time to get in touch with real feelings and human emotions, jut like Bob Mould was talking about on "120 Minutes" the other night (you know, music for people who aren't afraid to cry). Soul-searching, introspective music from artists like Natalie Merchant. or instrumental genre-blasters like Vernon Reid? Haven't you ever watched VH-1?. . . and then I woke up and remembered that I've never really met any of those people from other labels, and while my bad dream seemed real. there's no way you could create a hybrid/generic underground band any worse than some of those that already exist (the day I see things like "seeking Full Fathom Five or Connells influenced musicians" in the classifieds, maybe it really will be time to pull the plug). . I also remembered that Homestead was about to release new records from FISH & ROSES, BASTRO, DANIEL JOHNSTON and GREAT PLAINS, and aside from having to give away a few hundred of each, wasn't depressing to think about in the least. And after I got up. I could go into the next room and listen to new records by the WOLFHOUNDS, PAVEMENT, STEEL POLE BATHTUB or BULLET LaVOLTA. Or start writing the Dialogue and wonder how many people would still be reading after the first two sentences.

• London May, Apache LPs, CS, and CDs, Hollywood, CA (213) 466-9958

Trying to establish an "attitude" in a few sentences is easier read than done, but I love a challenge. Let's start with naming some names. Topping the list is ED HAYNES. His record is still running after five months, and no end is in sight. With major exposure via MTV and the opening slot on the Proclaimers tour, Ed seems to be well on his way (or at least onto a WRAS playlist) with the new emphasis track "Talking Cat Blues" (listen to the whole song, OK!). Take a chance with your safe playlists and stir up your listeners. You'll thank us later. Hails go out to Sabu @ KTOW (I 0 U 1), Jeni @ WFIN (gimme da keys!), and Tim @ KANM (watch out for this guy, labels!). Thanks to all the cat lovers in the south (I need to keep this short) who have kept Ed Haynes alive and well on the radio. If Ed's in your area, call me with slimey guest list info. I'll accept your calls Mon.-Fri. 9 AM to 6 PM only! So see if you can take a break from production, calls, etc. and give

me a ring... Hot!: new REPTILE HOUSE LP, PIXIES, BOB MOULD, "I Was A Teen-Age B Movie," CG ALLIN, MACHIE. all-you-can-eat, Lucy jokes... Not!: Scream, Fat-Ass-Pie-Face In Junkyard, FYC on SNL (good synch!), Killing Joke (hang it up!), driving to work, 24-7 Spyz (Hillel must be somersaulting in his grave!). . . P.S.: Thanx to Sherri @ Restless for all the laughs at the "Gorky's Radio-Rep Convention."

• Stewart Morales, Torrid Records, Mt. Vernon. NY (914) 664-3885

By now, you should have received the new MUCKY PUP LP, A Boy In A Man's World. This album has something for everybody. Take a listen to it!

• Brad Pollack, National Promotions, Apache Records, Hollywood. CA (213) 466-9958

A thousand thankyous for all of the radio support during the ED HAYNES "Monsters Of Ed" promotional tour. Ed has been interviewed by more than forty stations over the past two months and is currently the opening act for the Proclaimers tour. On a local note, many thanks to Sherri at Restless for organizing the promo dinner at Gorky's. Tom Kenney had a sandwich, so I had one, but I should have had the pasta. Let's do it again soon!

• Jerry Rubino, Bar/None Records, Hoboken, NJ (201) 795-3809

Bar/None Records is about to embark on its most ambitious project to date, our compilation entited Time For A Change. 14 bands, 22 songs. The newcomers to the camp include FREDDY JOHNSON and OTIS BALL & THE CHAINS (both have records due in the fall). Also included are the BROTHERS KENDALL, LUKA BLOOM (recently signed to Warner Bros.), BRIAN DEWAN, BLANCA "FLYSTRIP" MILLER and BRIAN WOODBURY. Long time cult favorites THE EMBARRASSMENT, have contributed a 10-year-old track from their first recording session called "After The Disco," as well as a brand new track called "Train Of Thought." Rounding out this release are label members THEY MIGHT BE GIANTS, RAGE TO LIVE, BILL DRUMMOND, the ORDINAIRES, GLASS EYE and a stunning rendition of Daniel Johnston's "Living Life" done by Glass Eye's KATHY McCARTY. Due in July, once you get this in your hands, and in your ears, you'll agree this compilation is the best you've come across in quite some time... The Ordinaires have started doing some dates here on the east coast. They were at the 9:30 Club in Washington on May 16th and will be at The Rat in Boston on June 17th. Those of you in striking distance of N.Y.C., they will be at the famed downtown night spot The Knitting Factory May 22nd & 29th, plus June 5th & 12th. They are a must to see live. Thanks to Adam Lewis and WFPR for their recent interview with Kurt Hoffman of the Ordinaires. If you're interested in speaking with the Ordinaires, give me a call... Those stations who are about to go on summer break, thanks for your support and we'll hear from you in September. If you haven't yet notified me, please do so if you're taking off for the summer... Later.

• Katie Gentile, rooArt Records, Ann Arbor, MI (313) 761-2600

Whether it's the cover or the music, the TRILOBITES are receiving amazing response, and are already climbing those charts. As we speak, Simon, from the HUMMINGBIRDS, is with Mitch Easter in North Carolina, mixing the Hummingbirds' new LP, which should be yours in the late summer-early fall. Congrats to Kim White on her posh new position at EMI.

-39- e 1989 CMJ


Dialogue Continued

• J. Seymour Guenther, Flying Fish Records, Chicago, IL (312) 528-5455

We're literally busting at the seams with new releases, just as many of you are busting loose for summer vacation. Everyone should be getting the new Atomic Theory treatises from BOILED IN LEAD and THE CROPS, along with JACK SMITH & THE ROCKABILLY PLANET. Blues of both the uptown (JOANNA CONNOR) and low down (Low Blows Harmonica Anthology, BOOGIE BILL WEBB, and WILD CHILD BUTLER) varieties are coming at you very soon. Loads of Latin sounds, SUKAY, SABIA, CUTUMAY CAMONES, and YOLOCAMBA I TA, will also be on the way in the very near future. For those of you who expect more of the straight folk material from Fish, how's about some TOM PAXTON, WALT MICHAEL & CO., SI KAHN, LAURIE LEWIS, LARRY LONG, TOM DAHILL, BATTLEFIELD BAND, BOB FRANKE, and AZTEC TWO-STEP. All of this—and more—is coming soon, very soon. . . Blink, and it's on your desk.

• Missi Caliazzo, Megaforce Records, East Brunswick, NJ (201) 254-6533

I just wanted to let everyone know that I will be handling college promotions here at Megaforce. My hours are 10-6 Monday, Tuesday, and Wednesday. If you'd like to do an interview or need any product for giveaways please call and I'll be glad to help you out. Now onto the fun stuff!! Look for TRUST's Live! Paris By Night to hit your desks the end of May. Try the original version of Trust's "Anti-Social" and then segue into ANTHRAX's cover of "Anti-Social." Also the release date for TESTAMENT Practice What You Preach has been pushed back to July 24th. But the album is a true work of art and I'm sure all of you will love it the moment you receive it. Also KING'S X will be releasing their follow-up to Out Of The Silent Planet June 19th. It is entitled Gretchen Goes To Nebraska and it surpasses (if possible) Out Of The Silent Planet in musical expertise. Thanks for everyone's support with M.O.D. and Anthrax!!!

• Barry "The New Dude" Getlen, Roadracer/RC Records, New York, NY (212) 219-0077

MAJOR METAL GREETINGS to friends, lovers and party animals all over metal land. I'm just starting here, working with the amazing Kathie Reed Barr, but WHAT A SICK WAY TO START!!! In one month, we've released ANNIHILATOR, CRIMSON GLORY, DAVID CHASTAIN, SEPULTURA, and OBITUARY, and the responses all over the USA (United States of Annihilator?) are phenomenal. Annihilator has been shredding all the metal charts and building on their already super heavy buzz, bursting out of the underground at the speed of light. With the killer melodies of Crimson Glory and the progressive guitar prowess of David Chastain popping up all over the airwaves, my job is practically doing itself! (Well, almost.) Now, with the crunching death chimes of Brazilian moshers Sepultura and Florida scorchers Obituary flying through the U.S. mail, Roadracer/RC is going to soar higher than ever this summer! For interviews, product, or just to let me know who you are, give me a buzz.

• Steve Balcom, Mammoth Records, Raleigh, NC (919) 834-5977

Well it's been awhile, let's get caught up. I'm finally out of school and attached to my desk forever at Mammoth. No more phone tag. Whatever. I am floored by the tremendous response on the SIDEWINDERS Witchdoctor LP. They will be on the road all summer, many of these dates will be with the immortal Drivin' N' Cryin'. Be there, and call if you're interested in interviews or whatever else. Right about now you should all be opening up Ace Of Clubs, release #2, Mammoth #1 from the pride of New Orleans, DASH RIP ROCK. I'm not good at hype. Dash hovers somewhere between cajun rockabilly and Hank Williams on acid. These guys are a bundle of sweat and energy live, and finally there is a record that proves it. Call and we'll talk about it. Or at least I'll talk about it. Heavy airplay at home: THE COST OF LIVING!!, ALICE DONUT, SCREAMING TREES, new SPLATCATS demo, BONEDALI, new SNATCHES OF PINK. and GEORGETOWN STATION. Mammoth signings—Boston's BLAKE BABIES, a NC compilation, and, from our own backyard, BLACK GIRLS. Look out for the Padres, June will be their month. . .

• Cal Russell, Low Rumble Records, Tuscaloosa, AL (205) 349-2007

Something from the South that blows the media misconceptions. No jangle, no twangle. A well-kept secret until now, the STORM ORPHANS' Promise No Parade is good hard rock raised from a bit of everything. The title cut "Crow's Feet" and "Monday" come from the soul of Alabama and have the right edge going down. Two ballads show another dimension. "Colors On Your Way" is radio ready acoustic electric and "Child Of The 60s" is the mystery feeler for everybody who has, does, or will take a lethal dose. Love reactions. These boys don't slow down. From the mighty Mississippi to the lower East Coast, burn is the word from below the Mason-Dixon. Hard edge you can swallow. Six songs that make us excited about what's to come. Go ahead, report us.

• Clarissa Garcia, Enigma Records (213) 390-9969 x215

Before you leave for that vacation home in Maui, look for FASTWAY and GIRLSCHOOL to start their five-week U.S. tour beginning mid-June here in L.A. BARREN CROSS. . . BARREN CROSS. . . BARREN CROSS. . . State Of Control. . . title track, "Out Of Time," "Love At Full Volume," "Hard Lies," and "The Stage Of Intensity." You should have the GUARDIAN 12-inch by now. The tracks featured are "I'll Never Leave You" and "Kingdom Of Rock" from First Watch. As I write this, LAAZ ROCKIT is on tour—annihilating each and every city they visit. I hope you get a chance to experience the Laaz boys live. Ladies and gents, we have a winner in the Voice Mail Greeting Contest: Jon Nelson of WWSU. His greeting is complete with DEATH ANGEL playing in the background, a guest appearance by Mark Osegueda, and an explanation of my whereabouts. Unfortunately, I could only record half of the greeting for my voice mail. But it's still worth checking out. Bill (Forever 'JUL) Fisher came a close second with his story of my search for HURRICANE's Kelly Hansen. I guess art (er, uh, voice mail) imitates life.

• John "You can call me. Joker" D. Maio, Relativity Records, Jamaica, NY (718) 740-5700

For most of you, this is a re-introduction. After doing Alternative Promotion for MCA for over a year, I was snatched here by Relativity. In closing that chapter of my professional life, eternal thanks to my ex-boss Nan Fisher. She took a sickly, mentally disturbed youth and turned him into—da-da-da—Promo Man! And to Matt at Atco—Pollack is God! Pollack is God!! Now I ask the musical question, what if you fused Fishbone, the Chili Peppers and threw in a pinch of Living Colour for good measure? The net result might just be 24-7 SPYZ. From "Grandma Dynamite" (wasn't she in a Flintstones episode?) to the 200 MPH cover of "Jungle Boogie"; the LP Harder Than You is in your hands now. Get it, or get hit. Just watch those feet, Wendell. .. Soap Suds: If anyone's watched One Life To Live and General Hospital in the last month, give me an update. My little TV is on the fritz, and I'm dying to find out what's going on with Robert and the pianist. And God knows what can happen to Tina in the course of a few weeks. Hushed whispers in the Pet Sematary theater—"My God, it's Herman Munster." And so it goes. .

• Mike Stuto, Thirsty Ear/Beggars Banquet, New York, NY (212) 889-9595

So much to say, so little space. .. Just Out: Three-track LP from THEE HYPNOTICS. Great fun stuff from four Brits who weren't old enough to walk when the MC5 broke up. Play this one loud. . If your station doesn't have the LOVE AND ROCKETS album, call me, and I'll send one. Thank you for continuing to support this band, who continue to release music that challenges. . Out This Summer: Yet another record from THE FALL with five new studio tracks, and lots o' live goodies (call me for a track listing). To commemorate the 10th Anniversary of the beginnings of BAUHAUS, we will be releasing a double-LP of soon-to-be-not-very-rare BBC Radio Sessions (call me for a track listing). Yes, we are going to release DIED PRETTY's Lost in the U.S., and the Shel Talmy produced FUZZTONES record will be out soon as well. Confused? So am I, call me and we'll figure it out. . I have to agree with Dave Gottlieb (Dialogue, 5/5) and with Lori Blumenthal (Dialogue 3/24) when they say that College Radio ignores songwriters out of ignorance, but I strongly disagree with Dave

when he calls the likes of Tommy Keene, Matthew Sweet and Pierce Turner "commercial, homogenized college radio feed." That is the oldest, most generic response I've heard. When commenting on songwriters, how about giving qualitative feedback on songwriting (i.e. structures, melodies, lyrics) and vocal performance? And while I can't speak for other companies, I know that PIERCE TURNER is not signed to Beggars Banquet only because he has commercial potential. He is signed because the label believes in his vision. That's the only reason we have ever signed a band. It's convenient, but not always justified, to be cynical about record companies in this matter.. Heavy rotation at home: ROGER MANNING, ORIGINAL SINS, SEA HAGS. OPHELIAS, LARD, MOTHER LOVE BONE. Bye.

• Fred Feldman, Profile Records, New York, NY (212) 529-2600

The CRO-MAGS are New York's hardest band!!! If you don't have a copy of Best Wishes call Chris or myself quickly. Choice cuts are "Death Camps," "Crush The Demoniac," and on the softer tip (for the Cro-Mags) "The Only One." By the time you read this the band should be storming through Texas. They are very accessible for interviews, IDs, whatever. Look for a feature in Kerrang! this month. Also by now MURPHY'S LAW should be hitting California with the Ramones. Look for some surprises from the Law over the next few months. If you catch a Murphy's Law show, make sure to say hi to Steve Poss. Many thanks to Concrete for the Metal Church party.

-40- © 1989 GNU


Dialogue Continued

• Stephanie Seymour, National College Promotion Manager, Island Records, New York, NY (212) 995-7874

. . . And the God of Mango Records said, "Let there be music, mon." This will be a big summer for Mango—look for a best of ASWAD album called Crucial Tracks any second now. Also in about one week you should all have the new one from IDENTITY entitled All In One, as well as RAY LEMA's first Mango release. Lema is from Zaire, the LP is called Nangadeef, and his influences range from soul to jazz to r&b to rock. Some of you may be familiar with his collaboration with Stewart Copeland on The Rhythmatist album. New signing on Island: female folk singer PHRANC. The new album is called I Enjoy Being A Girl; make sure you check it out. Phranc has that special knack of combining humor and warmth which make her songs very personal yet very universal. One last thing: DRIVIN' N' CRYIN', BUCK PETS, and LEATHERWOLF are all on tour so call me if you want to go go go. . . Later.

• Rich Hardesty, Mad Rover Records, Sacramento, CA (916) 443-0373

Our apologies to all the radio stations who were wondering when the heck they were going to receive their very own copy of what may be the weirdest compilation LP ever produced: The Song Retains The Name. This totally irreverent collection of Led Zeppelin tunes "creatively" interpreted by 11 northern California bands should at last be in your hands. The truth is, we completely sold out of all vinyl copies so to make up for the long delay we splurged and sent it out on CD.. . Contrary to rumors, our next big project will NOT be a compilation of Kansas covers called Carry On Forever, but the debut LP of founding True West members Richard McGrath and Gavin Blair. Their new incarnation is FOOL KILLERS and their Mad Rover/ILA LP is called Out Of State Plates. It has all the power and 'rootsy" sound from their True West days but also branches out and experiments with different musical styles and arrangements. Look for it in late July.

• Sarah Lehner, DB Records, Atlanta, GA (404) 521-3008

Oh, God. . . the last time I did this I accidentally published my home phone number and my mom's ripping her hair out. So alright already, I'm no genius, is this news? Anyway, DB Records, NOT the home of The dB's, is burning up the answering machines of many a radio station as the SWIMMING POOL Q's, LOVE TRACTOR, and PYLON criss-cross the U.S. Yes, Pylon is back with the original members and a CD with 70 minutes of classic tunes. . . much to the delight of many a hip radio programmer (I like the ones who let out a squeal when I say this, especially the guys). We're working on extended mixes of select Love Tractor songs cos' someone just noticed that you can (horrors) dance to their latest album. The Q's "WWII.5" has topped the playlists of the hippest stations in the South while the band tours up the east coast. I think I'm justified in saying that the Q's are this side of insane, so check out their never-boring live shows. Enough for now, I've gone over 150 words. Later.

• Keith ("Welcome to the occupation") Sparbanie, The Big K, K.D. Sparbanie, West Alexander, PA (412) 484-7672

So many people warned me how difficult it was going to be to break not only a new band but, a new band on a new (very small, very broke) label, that I guess I must be crazy for trying! Well, the good news is that KEITH SPARBANIE AND THE SOFT PARADE is being picked up!!! All four cuts from our CD3 have been receiving, in varying degrees, exposure on WOVE, WMYG, WYEP, WFSE, WVBC, WIUP, and others. We've tried, with our meager budget, to get promos to as many CMJ subscribers as possible. If, you haven't received yours, give us a call. March to another beat. . . join the Parade!

• Cheryl "Wake-E, wake-E" Valentine. Metal Blade Records, New York, NY (212) 645-6208

The show is about to begin! What show? Why, it's a new program of ours called "Clean That Playlist!" We'll begin this week's games by ridding your unsightly Top Tens of the Mosh Masters whose LPs have been out since September 1988 or before. (Note—it's quite alright to actually play the music, but is it necessary to make yourself look out-of-date and unimaginative by reporting it for eons?). Next, we'll delete those artists/bands that receive major AOR/CHR airplay since they have NO PLACE in a "Metal" Top Ten. Period. That's the big one that you all have to overcome. Now, take a gander at your list. It's looking better already, isn't it? Next, break up your playlist/shows. Sticking predominantly to a death, thrash, or even commercial format is BORING! I love thrash, but three hours of it straight in a row is tedious and mundane. If you break it up with some slower (CANDLEMASS) or mellower (UFO) music (for example), chances are that you'll gain a wider audience and more respect from people like me, Dyana and Tom. Last, but NOT least, give new bands a chance. Bands with debut LPs (example, ARTCH) may not garner your most requested list until their second or third LP, but deserve to be heard. This is where you break new ground and act like an A&R type dude for your audience—you have to take a chance! Now that you've seen the light, add Artch into one of your Top 3 positions. You know that it's only a matter of time before they become one of THE metal contenders, so quit being so damn lazy and start supporting this band.

• Kathie Reed Barr, Roadracer/RC Records, New York, NY (212) 219-0077

Hi neighbor!! Can you say DAVID T. CHASTAIN??? Can you say live broadcast??? Can you say ON Z-ROCK??? I knew you could!!! Keep your ears and eyes peeled for Chastain live from Dallas. Friday, June 9th on Z-Rock!! Can you say MTV HEADBANGERS BALL??? Can you say ANNIHILATOR's "Allison Heir??? Can your fingers dial 1-800-DIAL-MTV?? I know that you can and I hope that you will!! Let the people at MTV know how you feel about new metal bands!! OK. I'll admit I'm taking voice and diction lessons from Mr. Rogers!! The CRIMSON GLORY darlings are still tripping through Europe. With Transcendence gold in three countries over there the guys are getting great response from the crowds. They will be home in Florida after May 29. Anyone interested in interviewing them, just give them a call!! And now announcing the new Monte-Monte Awards, awards to Metal Industry types who do cool things, named in honor of the metal king

of cool, our own Monte Conner!! Monte-Monte's for May go to: Lora Porter and Jeff Ivan for their new gigs with Combat, congrats! Brian Lima, the guy who is like the cool brother that we all never had, for his new gig at Epic, congrats buddy!! And the final award to KGB's Bryan Schock, for tying the knot, best wishes Bryan!!

• Stephen Popkin, Vice President, Marketing, Mu Records and Productions, New York, NY (212) 956-8660

Mu Records is proud to present, on your CD player May 15, Absolute Music by ROBERT MUSSO. Bob is the man who brought you MACHINE GUN, produced 24-7 Spyz, Sonny Sharrock, and Murphy's Law, and mixed/engineered the recent Bill Laswell productions of the Ramones, lggy Pop. Swans, and White Zombie. This sonically-gorgeous and powerful record is uncategorizable; we recommend it for just about any progressive format, world music and new age, jazz, alternative rock, avant-garde, electronic, and beyond. This CD and cassette release is Bob's debut solo recording. The second track, "Surakarta," is based on an Okinawan melody and features longtime Muso associate Bill Laswell on bass and prepared bass. Check this cut out; it's out of this world. "Celtify," "Music Of The Spheres," "Kithara Mu," and all of the other tracks are performed exclusively on string instruments—no synthesizers, samplers, or drum machines were used!—but this does not mean that the album is devoid of rhythm or ethereal sounds. Upcoming Mu events include selected Musso solo dates, Machine Gun summer tour, and Machine Gun second release (much of which was recorded live on the airwaves of COLLEGE RADIO!). Special thanks to all of our friends, you know who you are. We love you. P.S. CALL ME FOR MORE INFO, OR ADDITION TO OUR MAILING LIST.

• Pat Thomas, Heyday Records, San Francisco, CA (415) 864-8768

Thanks to all the stations that have been sending playlists and calling the office—however, some of you like KXUN, WBCN, CHYR. WRUB have left messages that I've tried returning many times and I'm still waiting to hear back from you. If you need records—drop postcards to P.O. Box 411332, San Francisco, CA 94141-1332. Last week, the kind folks at KZSU had BARBARA MANNING play live over the air for nearly an hour. Just a girl and guitar, speaking of which—we'll be releasing a five-song acoustic sampler in June featuring Barbara, STEVEN ROBACK, SONYA HUNTER and others. Any stations featuring acoustic or folk shows—we'd love to hear from you and put you on our mailing list. Byron Coley said in last month's issue of Spin that Heyday was "trying to craft a new kinda monster from the dust of the Paisley Underground." With releases by former Rain Paraders, 28th Day, and Absolute Grey under our belt, we're ready for the next round—On June 1st (more or less) we give you records from JACK WATERSON (Green On Red), CHRIS CACAVAS and JUNKYARD LOVE (also GOR, produced by the Dream Wynndicate's Steve Wynn), and the first release in years by Neil Young's legendary back-up band CRAZY HORSE. It's getting scary around here.

• Jack Andrew, Promo Guy, Paris, New York, Milan Records, Jersey City, NJ (201) 435-7153

Just a quick note to thank all you radio-type people for the great response on WOODPECKER's latest, No Factory Town, and special thanks to those who charted it practically before we even shipped it out (KSUN #5, #3; KCR #12; WMCX #9; KUTE #15; WYBC #31). I love to chat so please give me a call if you'd like advice about love, sex, marriage or Woodpecker station IDs, posters, interviews, etc. Watch for Woodpecker on their all nude revue tour this summer and for new PNYM artists INDUSTRIAL TEE PEE, TOM CLARK and TWO MINUTES HATE in early fall.

-41-


Dialogue Continued

• Dyana Kass, Metal Blade Records, Tarzana, CA (818) 981-9050

Do you make "another return" to that hot metal babe at the end of the bar after she's dumped a drink on your head because of your line. . . "Did anyone ever tell you that flourescent leopard print spandex causes cancer?" Do you make "another return" to the bathroom after that "anarchy sandwich" that you made to snack on during the Headbangers Ball (which includes everything in the fridge according to Jeff Gilbert from KCMU) "revolts" in your stomach? Do you make "another staggering return" to the bartender to make sure that you get that last call in for a "brain tumor" before you get kicked out of the bar for molesting the pay phone in a drunken stupor? Do you make "another return to Church Hill?" If you answered "yes" to questions 1-3 then you are undoubtedly a sick pig! If you did not answer yes to #4 you are undoubtedly a sick pig. The debut album of ARTCH on Metal Blade Records entitled Another Return To Church Hill, is a European masterpiece of true metal. With cuts such as "Metal Life" and "Another Return To Church Hill," the only way that you could not make "another return" is if you have a faulty sense of direction. Deal with it, people and make your "return!"

• Sean McDonnell, Circuit Records, Merrick, NY (516) 378-2031

For the last few weeks I haven't been going to see bands, and it's pretty reassuring that I know I haven't missed much. Jaded? Thank God. If I wasn't, I probably would have seen a ska revival band or Fishbone or something. The last show I saw that entertained me was Lisa Suckdog's rock opera at the Canteen. Now that was a show. Forget GG Allin, forget the Dwarves, forget any of the other destructos, this was weird. She had the props, the sadomasochism, and she had the moves. She was also friendly and smart. More than I can say for 99% of the so-called "artists." Coolness abounds, if you know where to look for it. If you want sincerity, get the Rape GG rec by SUCKDOG, or try a new hardcore release. You know, the bands with "kids from the street, for the kids in the streets." My question is, how come they sell the most records in malls?. . . People seem to be digging the initial promos of Scenes From The Dreams Of Angels by OUTSKIRTS OF INFINITY. It's out, look for it, we've almost sold out of the first pressing. The second's in the press. Call me for promos or information on distribution. Our second release is a limited numbered edition 12" by SURGERY called "Slum Queen." Should be out in a month. Once it's gone, you lose. Or go to Bleeker Bob's—same thing. . . Golden: Seeing Megan Leigh on Robyn Byrd mouthing the words to "Used To Love Her" while stripping, watching stupid rich girls snort coke at Payday and talk about the "gorgeous guys with tattoo's"—Mom loves them and their noses. Penicillin does too. .. Olden: People sending me form letters requesting Outskirts promos who have 99% major label schlock on their playlists, Los Angeles in general (Fall you bitch, right into the sea), Gunshots outside my windows the last two nights. Hell's Kitchen Rules, Man.

• Kath Hansen, Promotions, RCA Records, Nashville, TN (615) 664-1273

FOSTER & LLOYD have spotted Elvis, and he is alive and well and pedaling an exercise bicycle in the basement of RCA/Nashville! Actually, Foster & Lloyd have been everywhere but Nashville lately, having returned from a successful Western soujourn and heading out for East Coast dates. Keep your eyes and ears open for info on their Eastern club dates, which run through mid-May. Meantime, Foster & Lloyd, RCA, (and Elvis) appreciate all the adds from you wonderful and handsome music directors. There's almost 100 stations playing cuts from Faster & Llouder, so there's not room to mention everyone by name here. But rest assured, by playing the new Foster & Lloyd record, you will be overwhelmed with positive reactions from your listeners and your deejays, AND you will receive a mail-order blessing from you-know-who if you play it before midnight tonight. . .

• Graham Hatch, National Progressive Promotion Fellow, Atlantic Records, New York, NY (212) 484-8680

This month Atlantic recording artists should be taking up a good deal of your airwaves. We have released a cornucopia of solid and worthwhile projects and one that I hope you've been steadily moving upward like the Space Shuttle is ADRIAN BELEW's Mr. Music Head. Definitely his best mix of pop and art ever! For those of you who never read the back of your album jackets, Mr. Music Head (A.K.A. Adrian Belew) was a founding member of King Crimson and the leader of the Bears. You can also find his guitar genius (and I mean genius) on projects by Laurie Anderson, David Bowie, the Talking Heads and Jerry Harrison. Not to drop names but Bernie Worrell (Pretenders, Throwing Muses, P-Funk) gave me a quote about Adrian on a cocktail napkin a few months back and to quote this wrinkled piece of paper, "to me, Adrian Belew is one of the foremost translators of musical nuances. He is a godsend to the world of tonality and characterization." Now if that ain't a recommendation. . .! Also standing out from the crowd is Canada's BLUE RODEO. Moody, honest and thoughtful American rock that beats out the rest of the pack. No singing about trains and Budweiser going on here! Blue Rodeo is a love thang for everyone at Atlantic so we've gone ahead and done something special to insure that Blue Rodeo gets the attention it deserves. Their sophomore project is available to radio in two different forms: first, a limited edition, numbered, six song mini-LP titled Diamonds In The Rough, featuring demo versions and unreleased material. Later, Diamond Mine—the complete album—thick with songwriting good enough for Dylan or Costello. If that ain't enough good music, let me point out ALPHAVILLE's newest multi-media project—The Breathtaking Blue. Co-produced by Klaus Shulze, The Breathtaking Blue is a more m000y departure than their previous efforts. Bound to impress the cynical and not disappoint the converted. Accompanying the album is the soon to be released film Song Lines featuring 10 different directors' adaptions of their music. Also don't shuffle off the WAILERS BAND I.D. album to your Reggae programming. A second copy is being sent so it will be available for your Alternative shows. "I rie" is an anthem that everyone and anyone can play! You'll also be surprised when you listen to Australia's ROCKMELONS and the underground hit of the spring KWAME.

• Brenda Umbrell, Star Communications, (818) 718-7675 [fax: 818-718-7982]

What's flat, black and stinks? The answer we send is blowing in the wind. The answer is INTENSE MUTILATION's new single "Blowin' In The Wind." A cover of Bob Dylan's classic tune with a different smell. You may remember hearing WEHRMACHT puke on their Shark Attack LP, well Intense Mutilation fart on vinyl (and on CD in about two weeks when their debut album Safe Sex is released). Your station should have received the single by now, there were only 500 of these singles made. Grab this single out of your stack of mail and give it a spin. I want to hear your feedback!!! Upon hearing IM I think you will agree with me that they are the Adventure Pick of a lifetime. Wehrmacht has just returned home from their European tour which was a success. They will continue to support their Biermacht album With a North American tour. Tito Matos (vocals) and Shan Mortimer (bass) will be available for phone interviews prior to leaving, call me now to schedule. (Station IDs, anyone??)

• Kerry Peace, Alligator Records, Chicago, IL (312) 973-7736

Okay, we're really ready now for that onslaught of programmers willing to do the humanitarian thing and play the living shit out of the LIL' ED AND THE BLUES IMPERIALS' Chicken, Gravy And Biscuits. Make yours a gooder, greasier radio station. Also vying for your time is our new release by DELBERT McCLINTON, Live From Austin. First live recording from a man born to play live. In your hands around the time you read this: Devil Child from KENNY NEAL. All the contemporary sophistication of Robert Cray and twice the grit and fun(k). Do right by our man from Baton Rouge. And it's not too early for me to tug on your coat about the second effort from the KINSEY REPORT, Midnight Drive, due in mid-June and sounding harder than ever. Plenty of great roots available lately from LOU ANN BARTON, DIRTY DOZEN BRASS BAND, JEANNIE AND JIMMY CHEATHAM and the NEVILLES. Not to be missed: BRAVE COMBO live and their ode to our friend who "was once a little green slab of clay": "Zydeco Gumby Ya Ya." Yum!

• Jill Maxick, National Alternative Promotion, Chrysalis Records, New York, NY (800) 221-8787

Well, I consider myself the luckiest girl in America-1 have an advance cassette of the new TOM JONES LP. Psyched! No sarcasm here: I come from a long line of women who, by heredity, are raised on a diet of Tom. (Saw him at Rochester Memorial Auditorium for my 9th birthday—my 1st "aud" concert!) The new LP is awesome 'cause it's Tom, but it's too bad my Welsh hero does so many covers. "Kiss" was/is cool, but Billy Vera's "At This Moment"?! He also irks me by stretching grammar rules to make a rhyme: "Love comes and when it do, don't let it slip away from you." Tom's entering the current state of pop with this LP, but all in all I prefer the old days, playing my wooden castinets along with "The Young New Mexican Puppeteer" or getting weepy with "That Lucky 01' Sun." (Does ANYONE but me know what I'm talking about?!) On to Butterfly matter. . . The new PURSUIT OF HAPPINESS single is "She's So Young" and it's backed with a non-LP track called "Let My People Go." This B was recorded with Todd Rundgren during the Love Junk sessions, and any TPOH fans who'd like a copy of the 7" should just call me and say so. The SEA HAGS! Send in those coloring contest entries from CMJ issue #168's Hard Rock section. And I'm telling you now, way ahead of time, that BILLY IDOL will be re-entering the "alternative" world with a vengeance. The Gen-X rocker who used to go "running with the boss sound" is going to raise some eyebrows and some roofs when his hard and heavy album hits the streets in a few months. Post-script: THE CURE LP is my favorite type of music—moody, melancholy, romantic, atmospheric-1 love love love it.

© 1989 CMJ

HDialogue Continued

Radio Dialogue


• Steve Workman, Anneke Armour, and the former WCAL staff, WCAL-FM, Grand Rapids, MI (616) 957-8546

In the beginning God created Calvin College. Campus music was without form and void and darkness was upon the face of music listeners. But the Spirit of God was moving over the face of the campus. And God said, "Let there be WCAL" so that all students may be enlightened, and God saw that WCAL was good. And WCAL played alternative music fourteen hours a day and the students were enlightened. The station was richly blessed with thousands of albums from the high priests of music from four corners of the earth. The harvest was plenty; the listeners were many. And the people said "Amen." Now darkness began to move over the face of Calvin College in the evil form of the Communications Board, who constructed an altar to oldies rock. They did not see that WCAL was good. Instead they choose a brood of vipers from the cult of Springsteen to wreak destruction upon the innocent minds of Calvin's youth through the channels of WCAL. The true believers have been cast out of the garden and alternative music flows no more. It cannot be said that the end is near.. . but that the end is here!!!!!!!

• Kalun Lee, Program Director and Rachel Crick, Music Director, KASB, Bellevue, WA (206) 455-6154

Hey guys, only 18 more days of school, not counting weekends, left. I'm graduating June 9th, but I get out the 7th. We've got new management taking over pretty soon, be nice to them. I guess I want to leave with a parting shot at this industry, even if I'm going into more of it next year. As I just said college radio is no longer the last bastion of alternative music that I once thought it was. Even though the two years of dealing in it has exposed me to some pretty awesome music, I've been sickened by the amount of run-of-the-mill music geared specifically for college radio. All too often I've been told that a specific band has the "alternative/college sound" so I should play them. What pisses me off even more is being accused of not giving an artist a chance because I'm not open-minded enough. In my perception I'm very open-minded, and I do give every artist a chance. If I don't like it, I give it to someone on our music staff to evaluate, and only when two of them don't like it do I trash it. I really feel that an artist should play the best music possible, and have airplay as a secondary priority, rather than gearing your music towards getting airplay on college radio. Often times this catered music sounds "plastic," unfortunately, as more and more people figure out that college radio is a method of breaking into the industry, there will be mci'e -catered music." The major record companies have already figured this out, why do you suppose they hire all those college reps (nice as they are)? Because they care about the music? NO, they expect us to help them move a couple of hundred thousand units a year, if not more. As far as many of them are concerned, we're just here to help them make money. Many of their artists are geared specifically towards us, to make money, people like MORRISSEY, NEW ORDER, and DEPECHE MODE are prime examples. People still refer to them as -alternative," but just what is it they are doing that is new and exciting? Bands that are new and innovative: FRONT 242, CATERWAUL, WIRE. CHRISTMAS, TAD, LIVE SKULL, DEVILS WIELDING SCIMITARS, and a bunch more. Oh, Jeff the M.D. quit, we've got one to tie us over till the new one comes along, her name is Rachel Crick, she says, .. As of 5/10, Jeff Reibman resigned and I've taken over. I'm looking forward to improving KASB and my relations with you. My hours are Mon.-Fri. 12:45 to 2:30 PST. I'm here til 5 on Wed." As Jeff resigned I got the mailing list from him, and found it deficient, sorry to all those who haven't heard from us, we're trying to fix that now, call if you've been neglected.

• Jerry Rubino, Music Director, WFDU-FM, Teaneck, NJ (201) 692-2012

WFDU-FM has been providing the New Jersey/New York metropolitan area since the late '70s with the newest and most adventurous progressive music. In addition to keeping up with the latest releases, we have always taken pride in using our studio library to show our history. Recently our Friday night jock and assistant music director Bob Westphal started doing a sort of "Time-warp to Yesteryear." Early listener response has been great, and it sounds great on the air. The first installment was the Top 15 for the third week of September 1982. It included: 1)Deutschland Compilation. 2) WALL OF VOODOO Call Of The West, 3) YAZCO Upstairs At Eric's, 4) R.E.M. Chronic Town. 5) AU PAIRS Sense & Sensuality, 6) MATCHBOX "One More Saturday Night," 7) ROWLAND S. HOWARD/LYDIA LUNCH "Some Velvet Morning," 8) This Is Boston Not L.A., 9) DEXY'S MIDNIGHT RUNNERS Too-Rye-Ay, 10) LORDS OF THE NEW CHURCH Lords Of The New Church, 11) ONE WAY SYSTEM Give Us A Future, 12) EXPLOITED "Attack"/"Alternative." 13) THE NEATS The Monkey's Head In The Corner Of The Room, 14) SCRITTI POLITTI -Asylums In Jerusalem," 15) CABARET VOLTAIRE 2x45. Right now Bob is doing this on a monthly basis and soon will be bi-weekly. Hopefully soon. weekly. It's fun putting it together, and like I said, a blast to listen to... On a closing note, if you can imagine Jad Fair meeting Jandek meeting Daniel Johnston, try BAD BOY BUTCH BATSON. This cassette release is amazing. Contact Gary Araujo at X Records, 109 C Whitsett St., Greenville, SC 29601. (803) 242-6914.

• Raymond So, Music Director, KSCR, Los Angeles, CA (213) 743-5727

Well, our school year's over already. Good luck to everyone out there who still have finals and papers; and I hope the reps will understand if college MDs are harder to reach around this time of year. KSCR is on the air during the summer, so keep calling and sending records. We won't be in the office as often cause we're renovating, so leave a message on the machine if we're out. We haven't gotten SST product ever since the fIREHOSE/LOU REED controversy. Hopefully Colleen didn't decide to cut off our service just because of a little argument. I mentioned this to a couple of reps who couldn't believe she would do such a thing. After all, we've always given SST product a lot of airplay, so there's no justification for it. Please give me a call and straighten this out, Colleen. I disagree with your opinion, but that doesn't mean I don't respect your right to it. I hope everyone who wrote in taking sides on this will keep that in mind. Also, it would be cool if we'd get consistent service from Nettwerk and Homestead. We used to get all their stuff; what happened guys? Also, can you believe the New Music Seminar's trying to charge us an extra $60 for the showcases?!!!

• Danny Berry, "Wardhealer," Program Director, WRRG, River Grove, IL (312) 456-0300 x699

Once again I emerge from the decompression chamber having written yet another communique on everything we have to fear and loath. . . Speaking of which... Has anybody looked at the college charts lately? They seem all too similar to commercial pabalum... Yes hollow-points so programmers can blow those catchy riffs out of their skulls... I usually use ibugaine but more and more corporate mogulls (yes it's mogulls as in seagulls you know those birds of prey you find on Venice Beach which scavenge for your very soul) calling me asking why their pabalum isn't in our top ten?%$• So my new policy is to keep a loaded .45 on my desk so I can blast the receiver piece off my phone. This however is becomming very cost prohibitive so I think I'll stick with ibugaine. Please don't get me wrong, we are very open-minded here at the newrock88.9 but give us liberty or give us godsballsoundhoneymudgardengggg0000g0000m00000uuuldfrondoolls!!! Anyhow enough of this gibberish. Last night we witnessed BOB MOULD and company (Fier, Maimone, Stamey) at the Metro. .. Brilliant!!!! Also of note was Richard Thompson/Bonnie Raitt.. . with RICHARD THOMPSON breaking a string leading an acapella version of "Twist And Shout" while re-stringing his axe of drink!!!! Also Falling James from LEAVING TRAINS. . . Goodstuff!!!! Thanks to all! Bye The Bye. . WRRG WILL BE OPEN ALL SUMMER LONG SO KEEP THOSE WAXINGS COMING!

• Jon Nelson, Speed Metal Groupie, WWSU, Dayton, OH (513) 873-2000

There are only two things in this life that I'm really, really concerned with. The first thing is: painful rectal itch. The second thing is: music as an expressive form of communication. Any music, all music (Even Islamic Revolutionary Funk.) Yeah, all of it. Now, that said, let's hablo about some henious legislation (you kids and your hep language!). A bill has been passed in Washington; not just any bill. Seems that Tipper Gore and her elitist, too-much-time-on-their-hands-wart hogs decided to play "morality merchants." The bottom line is that they are lumping music in with pronography in a new law that, in short, makes it illegal for retailers to sell any album that the PMRC or some other neo-fascist Kennel Club deems offensive. If caught selling offensive records more than once, the "authorities" can confiscate all of the retailers assets (I think we all know how painful confiscated assets can be). Please, stop me if you've already heard this. Too late... I just wanted to say: GET INVOLVED! Or get used to paying some guy in an alley $40 for the latest album that has "darn it" in the lyrics. Call a Congressman, write a letter, get some signatures, take a hostage! Just do something, for Christ's sake. .. Now on the lighter side, all you metal jocks, play ANGKOR WAT before it's illegal!. .. This has been Jon Nelson: a good example of a bad example.

© 1989 CMJ


Dialogue Continued • Kathleen C. Fennessy, Promotions Director, KCMU-FM, Seattle, WA (206) 543-4680

Hi. 1989 has, so far, been a great year for live music in Seattle. I've been having a lot of fun welcoming so many cool shows to town. Some of the highlights have included SCRAWL, TOOTS AND THE MAYTALS, NICK CAVE AND THE BAD SEEDS, ROGER MANNING, PUBLIC ENEMY. THAT PETROL EMOTION with VOICE OF THE BEEHIVE, DINOSAUR JR., THROWING MUSES with PENELOPE HOUSTON, RED HOT CHILI PEPPERS. WASHINGTON SQUARES, WORLD SAXOPHONE QUARTET, FLAMING LIPS, and LEGENDARY PINK DOTS. Thanks to everyone who came up to the station for an interview and to give away stuff on the air. A special thanks goes out to Roger Manning and The Squares for performing live on the air—what a treat for our listeners. I would also like to thank all the record and management company people who have helped me out this past year, especially David at Mute, Todd at Virgin, Colleen and Beth at SST, Steve and John at Sire, Renee Corcoran at Creative Services, Sherri at Restless, and Seana at Bulging Eye. I look forward to working with all of you again, so please don't hesitate to call if any of your acts/other acts are going to be heading towards the Seattle area in the future. My apologies to anybody I left out. And to anyone I haven't worked with yet—please call if you'd like KCMU to get involved with anything you've got coming up.. Shows we are looking forward to welcoming May through June include INDIGO GIRLS, HONEYMOON KILLERS, FUGAZI with BEAT HAPPENING, PiL, and VIV AKAULDREN with ELECTRIC LOVE MUFFIN„ . New Northwest stuff that's definitely worth your while to check out includes the TAD, WALKABOUTS, SCREAMING TREES, and NIRVANA LPs and MUDHONEY single. Some people are already sick of the Northwest "hype," but, for the most part, I think it's justified. . . Listen for yourself and decide. Personal from-outside-of-the-Northwest favorites include the new LIVE SKULL, 'Lips, LOOP, LEE SCRATCH PERRY, JOE GIBBS AND FRIENDS, JUNGLE BROTHERS, DE LA SOUL, DIRTY DOZEN BRASS BAND, BILL FRISELL, THE PRESIDENT, RHYS CHATHAM, ROBYN HITCHCOCK, Honeymoon Killers, SOUL ASYLUM, and SPACEMEN 3. And the list goes on. .. Oh. and the Flaming Lips are the coolest band in the world. And that's all there is to it.

• Kakie Urch, Music Director, WRFL-FM, Lexington, KY (606) 257-1557

When the responsibility of starting a student radio station was thrust upon me simply because I had written a newspaper column complaining about the lack of one in this growing, cultured, New South market, I knew right away I couldn't. (Such a puss.) So Program Director Mark Beaty and some others did it for me. Mark and I are leaving the station we took two years to build and two years to manage to the able hands of new Program Director Mick "Go Back Two Frames And Whack It" Jeffries and new Music Director Wyn "I Got It As An Import Three Years Ago" Morris. Wyn has five years experience at retail, a great record collection, an open mind and a lot more free time than I ever had. Expect great things from them. Mark (the rocket scientist string theory QEDmeister) starts med school in the fall and I continue my undergrad. We hope to (together) use our education to help alleviate some of the pain created by an "opportunity society" run amok. (Some men look at the future and say "volunteer a few hours." I look at the future and say "volunteer your whole life.") Our house is still open to bands coming through Lexington. (606) 253-3240. Thanks to Frank Riley/Pat Mag., Joanne Abbot Green, Peter Standish, Brian Long, Lori Blumenthal, Steve Tipp, Gerard, PAUL K, Kiya, WUNH, Dave Gottlieb, DIE KREUZEN, ROYAL CRESCENT MOB, Pacifica Radio News, et. al. Dare to ask: How do the astronauts go to the bathroom? Dare to answer: Since I can like both you AND the INDIGO GIRLS, that's since when, Gerard.

• Noelle Giuffrida, Music Director, WVKR, Poughkeepsie, NY (914) 473-5866

After three years as almighty Music Director here at VKR, I'm heading for the hills... but not quite yet. First, some news: for all of you who don't already know, VKR is now a Gavin Reporter—000wee. Plenty of bands trooping through Po-town like RUN WESTY RUN live in our lobby (!), the CRO-MAGS and TOMMY KEENE (not together) at the Chance, and DAS DAMEN, BIG DIPPER and the RED HOT CHILI PEPPERS at the Aub. Amazing records worth checking out (if you haven't already): A.P.P.L.E., FIRE PARTY, OPHELIAS and LAUGHING HYENAS. Starting June 1st, Matt Fisher will be taking over as Music Director and as for me, I'm moving to Brooklyn and will be working with Andy Kipnes and Cal Zone at Advanced Alternative Media in N.Y.C. so give a call (212) 334-9556. Thanks to everyone who has sent us records and all those who've been my phone pals especially Billy Pulice, Stephanie Seymour, Jenny Gross, Brian Long, Mike Mena, Pete Ganberg, and Mike Stuto. It's been a grand ole time—bye.

• Marcia Woytaszek, Music Director, WSMU, North Dartmouth, MA (508) 999-8149

Well, today is my last day as Music Director here at WSMU. It's been a wonderful two years. I have met some great people and have had some memorable experiences. To thank everyone now would cause me to go over the 150 word limit; I think you all know who you are. Amy Dermont will be taking over as MD. I have no doubt that she will be great to work with. She is a dedicated WSMUer, who truly gives a damn about the music and the position of MD. Her office hours will be MWF, 3-5 PM. I'll be hanging around here this summer, giving Amy a hand, and doing my show, (Tues. 6-10 PM). Oh, what the Hell, thanks to Cal Z., Mike M., Kerry P., Brad, Mike S., Mark C., Jay H., Peter S., Debbie S-L., John S.. Lori B., Steve B., Chris L., John S., Bruce F., Jetson, Nick C., Michelle Z., Steve T., Brian L.. Pete G., Todd B., Kim W., etc., and last but not least, Mr. MD himself, Ed Woytaszek. Lots of love to all.

• Dave "Leech" Miyares, Asst. Music Director, WSBU, St. Bonaventure, NY (716) 375-2307

TAD. . . Tad... Tad!!! Play it loud, wake the neighbors and sing along with the man. Can't wait to see him in concert. Hopefully they will tour Cleveland. Anyway, so it's finals week here at college, so what better time to write CMJ and thank all the record co.'s out there for supporting us in the '88-89 school year. Thanks to Fred at Profile, Kat at Thirsty Ear/Beggars, Mr. Voit at Eurotec, Mr. Brian Long at SST, the folks at Sub Pop for supplying us with great artists, Wax Trax for their constant support and of course all the big guys. To all those whom I have left out, thanks to you too! Remember if the records weren't free, we'd be all news. We're broke, so phone calls and mail have been stopped by the University. We're also out of WSBU paper. Next year more money! Until we read again remember the only adequate substitution for stupidity is silence. OAOTIEYBAGHNTHAI, rules and From the EEERRRIE shores is a killer CD! For $7.25 a copy it's worth it!

• Scott Dudley, new Music Director, WUPI-FM, Presque Isle, ME (207) 764-0311 x309

Good afternoon, everybody. I would like to introduce myself—my name is Scott and I'm the new Music Director here at WUPI, where the men are men and the women are too and the sheep run scared. A lot is going on right now in potatoland and we at WUPI are right in the middle of it. Our listening audience is expanding and we are trying to keep giving them the newest music first and bringing them tomorrow's stars before they become tomorrow's stars, and after all that is what college radio is all about. So I'd like to make sure we keep getting the great service we have been getting and for those who haven't been servicing us I'd like for you to start. We will be open during the summer so keep the albums coming. My office hours will start in Sept. and will be MW 10-11 & 2-3, TR 1230-1:30 & 3-4:30. F 2-5. I'm in the office now bugging everyone, if you want to call and introduce yourself feel free. Have a nice day, thanks... Bye.

• Paul Phillips, Program Director, WODU, Norfolk, VA (804) 683-3441

Well, through some strange twists of fate I've been booted up from MD to Program Director around these parts. Our next Music Director, Dave Milroy, won't start until August. Until then the job will be filled by myself and our assistant MD, Jonas Calacsan. So when any of you record types calls up this summer to do tracking (since we're still on the air), all you have to do is ask for either one of us and we'll exchange idle chit-chat with you. But as is the eternal dialogue habit for a departing MD. I'd like to give a couple of final belly-aches. The first is for the knuckle-head MDs and PDs who never seem to take things out of rotation unless the album breaks. It's almost nauseating to see seven month old albums in those top-35s. No album is that good. The strange thing is that it's usually these stations that wonder the most why they don't get service from Jo-Blo records. For Christ-sakes, remember to prune the box occasionally (esp. other AM outfits like

ourselves). My second gripe is with those dopes who have the full-power FM that a lot of people would kill for and then blow it by letting DJs play top-40 on an otherwise alternative station. So that's what a lot of students want, well a lot of students wanted Geo. Bush too but that doesn't mean I should become a damn Republican. This Top-40 stuff doesn't show up on many playlists, but I've heard it on enough stations to know it's there (and sometimes during prime hours). Between LAUGHING HYENAS, NAKED RAYGUN, BASTRO, and (almost surprisingly) the PIXIES, y'all should be happy for at least another month. And to think, I didn't even mention MUDHONEY, Gerard, or how Dialogues suck, s'pose I'll have to read up on my HITS post-modern list.

• Peter "Choke On It" Wohelski, New Music Air Personality, WMNF-FM, Tampa, FL (813) 238-8001

Greetings from the pseudo-cultural wasteland of the South, Tampa. FL! April was a busy month here at WMNF, between trying to get it all back together after our Spring Fundraising marathon (thanks to all the record companies who sent us the best damn selection of records and CDs to offer as premiums ever!), having Paul Westerberg (the REPLACEMENTS), Brian Ritchie (VIOLENT FEMMES), and Cevin and

Dwayne of SKINNY PUPPY drop in to say "Hi," and the entire all-you-can-eat for $6.99 smorgasbord of touring acts hit the area in the past month (five, count 'em, five cool shows in four days! LIVING COLOUR [our Promotions Director, Allison wants you, Corey Glover, wherever you are], Violent Femmes, THRILL KILL KULT, R.E.M./DRIVIN' N' CRYIN', and NITZER EBB), with more goodies to come in the month of May. Everyone here at 'MNF is movin' and groovin' to new XYMOX, Dr. Death, Vol. III (send us a CD copy Woody, you know how

Jim Beeler hates vinyl!!). CURE, NEW MODEL ARMY, NEON JUDGEMENT, local industrial duo, THE PALE, and DESSAU. Until next time. .. Keep reachin' for the stars, and keep your, okay, so what if it's Casey Kasem, if you don't like it, choke on it...

-44- e 1989 CMJ


Dialogue Continued 1 • Jon Elmore, Program Director and generally nice guy, WWSP, Stevens Point, WI (715) 346-3755

My time has come, I shall go with grace (nice girl, but too much hair). Hello all, that's the last time you'll hear that from me. I'm tired of being kicked around in this wacky world of college radio. I'll be graduating on the 21st of May, so I can be kicked around in the real world. A big wet, sloppy kiss and thanks go out to all of you fine promotions people I've had the pleasure of working with over the past five months. Special thanks goes out to: Agnus at PolyGram, Stephanie at Island. Stu at TVT, Tom at Rhino, Lori at I.R.S., and a big special thanks to Debra at CBS. You are all the greatest, never change (your underwear). I will raise a toast of nectar (Point Beer) to all in college radio and promotions on the 21st. Mazaltov!!!

• Tony Procaccino, Music Director, WMUA, Amherst, MA (413) 545-2876

It's about that time, so voluntarily I go. But listen, Mr. and Ms. Music Director, before I depart, there's something I'd like to clue you in on. Choices don't present themselves too frequently on our conformity sucking planet, so college radio shouldn't be any different, right? Well, you may believe that, but I'd like to remind you one last time that you actually do have a choice. You have a choice to actually forsake the mundane trappings of gutless, faceless programming. Forced rotations? Letting record company reps determine your playlist, either directly or indirectly? Feel pressured? Well, bullshit, you owe these people nothing. Stop choking yourselves. If you give everything a fair shot, then no one can ask you for any more. Exert some muscle, and people will listen. If you have a good enough reason for kicking someone in the head, then do it. .. Anyway, enough of that. What matters most? Do you have to ask? ROCKIN' R Crazy Baby LP, FAUST BASEMENT TAPES LP, SURGERY 7", WORKDOGS Roberta LP, 39 CLOCKS Cold Steel To The Heart LP, WALKABOUTS Cataract LP, KING KONG 7", SUCKDOG Drugs Are Nice LP, DEAD MOON In The Graveyard LP, SEBADOH tapes and the Epitaph For A Legend comp. Lotsa bold print, but you can handle it. The new guy's name is Chuck Hamilton, and he doesn't have any patience either. See ya.

• Dean O., Summer Station Manager and Zookeeper, WSUC-FM, Cortland, NY

Greetings from the boondocks. We will definitely be broadcasting this summer as usual. But at this writing, it's mid-May and we're just about to have our first meeting, so I can't tell you yet how many hours per day we'll be on the air. I'm sure it'll be somewhere between 12 and 18 hrs. a day, seven days a week (as usual). It's hard to get volunteers to come in at 7 AM during the summer hours because we have NO MONEY. We're literally broke until after July 1st. Though we don't expect to have our long-distance phone line cut off like we did last summer, with the State university's budget cuts, you never know. It's not like they're gonna warn us ahead of time. We're just that noisy college station that pisses off the rural church people. It's not fair, though. WSUC's been the closest thing to a rock station Cortland County's had for ten of the past 13 years—and it's been six years since we've had any real competition, so we're like, entrenched in the community, man. Well, keep watching this (big, wide) column for more precise, up-to-date info and office (i.e. music calling) hours. Oh, and: D'ya ever wish CMJ would divide these full-page-wide columns into 2 half-page columns for easier reading pleasure? Yo, typesetter. That's all the CMJ-bashing from me this summer. Later.

• James (just call me God) Shehan, WVBC, Bethany College, Bethany, WV

Well, folks, by the time that you will be reading this we will be out for summer vacation. I wanted to tell you all who our new Board of Directors are. I am the Program Director, Holly Bentz and Alicia Sirk are the Music Directors, Chris Vozeh is the Traffic and Continuity Director, Dale Roberts and William Burr are the News Directors, John Rogers and Andrew Meissner are the Training and Personnel Directors, Darrell Teubner is the Sports Director, and Tony Tamules is our Promotions Director. I know that this is no great thrill to you all but it is to us and we just wanted to share our excitement. Also, we are saying good-bye to our General Manager and Faculty Advisor—Mr. Richard "Diamond Dick" Teubner. He will be going to a branch college of the University of South Carolina. All of our best wishes go with him and his wife (unfortunately, we are still stuck with his son—see Sports Director). Until September—have a good summer y'all!!

• Pat Carroll, Music Director, WPLS, Greenville, SC (803) 294-3045

Since everyone seems to be bitching about something in Dialogues these days, I guess I'll have to break routine and go along with the crowd. QUESTIONS I WANT ANSWERED: (1) Why the hell are most of the "established" bands putting out god awful records? and (2) Why are so-called competent radio stations reporting them at #1? (I won't name names. .. oh. what the hell... R.E.M.. GUADALCANAL DIARY. THE CULT, NEW ORDER, LOVE AND ROCKETS, etc.). (3) Why did Relativity drop their best band, SCRUFFY THE CAT? (4) Why can't I get regular service from SST when I can get service from practically every other record company in the U.S.? Now that I've gotten that off my chest, here are some people everyone should give a good, hard listenin' to: NAKED RAYGUN. TOO MUCH JOY. THELONIOUS MONSTER, BOB MOULD, PIXIES, SLOPPY GUITARIST, WYGALS, LEAVING TRAINS, TREAT HER RIGHT, SIDEWINDERS and CHRIS BURROUGHS. If ya want more, call me. . . I have greatly enjoyed the playlists that other radio stations have been sending us. Thank you to KCSB, KASR, WRVU, WUTS, and any others I might have inadvertently omitted. Anyone else want to trade monthly playlists? Send me one of yours and I'll gladly return the favor. .. Insider tip to record company A&R types. Check out an area band called SOUTHERN CULTURE ON THE SKIDS, they are fantastic live, and are incredible people. Someone please sign them.. .. I've said more than enough. Call me if you want to chat. I'd love to talk to some of my radio brethren. 'Til I bitch again. . . Toodaloo.

• Frankie T, (Another Summer with no Beach), Music Director, WRDL, Ashland, OH (419) 289-2480

This is my first time. so be gentle with me. I don't usually write in with praise for bands, so now that I am, pay attention. You must listen to the SECOND SELF Time Bomb EP. It will blow you away. These guys are from Detroit, and maybe the best thing from the Motor City since Ford made the Model-T (and the album comes in any color you want as long as it's black). Yes, they are that good. But don't take my word for it, listen to it for yourself. Another great band you need to hear is a local band called MEDALYON. Their debut EP (sel'-released and on cassette only) really rocked the WRDL house and the word from the band is that album #2 is on the way. My turntable awaits.

• Rosanne Samson, WVCR, Loudonville/Albany, NY (518) 783-2990

Well, it's raining again, but it's Spring! I want to express my appreciation to the folks at Island. CBS and Metal Blade for all the great music. Paul "Metalhead" Harseim, informs me that BADLANDS is great, so I'm sure it's gonna rocket up the charts. Well, later.

• Marc Hill, Music Director, WRVU, Nashville, TN (615) 322-3691

Well, I've just completed my first semester as Music Director with Cinda Swanson. Summer fun is finally here. All the beaches in Nashville may have been created by TVA, but we have a slew of really cool local bands to keep us company. Ex: DESSAU; If you haven't checked out the new LP on Carlyle Records, Exercise In Tension, do so. .. it definitely rocks. Another great band on Carlyle is the GRINNING PLOWMEN. They're coming out with an EP soon, and they are a must-see live. Alright, enough with the plugs. .. WRVU covers all of Middle Tennessee. What you may not know, is that I am also the DJ for the only remotely cool dance club in town called The Urban Lounge. I play everything from NENEH CHERRY to the REVOLTING COCKS. So if you send any 12" dance stuff to the station, they're getting play through the only two alternative dance outlets in town: The Urban Lounge and WRVU's dance show. It's sad to say, but Nashville is an easy place to deal with. The area has over a million people, but there's only one alternative radio station, one decent dance club, and one store that carries our playlist. Tower Records sold over a hundred units of the new CURE album last week. However, things aren't hopeless. In the 10 years I've been living here, I have yet to see a country music star. New summer fun office hours: M. F 2-5 Central.

• Lenka Reznicek, Music Director, WPLT-FM, Plattsburgh, NY (518) 564-2727

Aahh. . . it's that time of year again where we at WPLT (the BIG station with the small transmitter—you know the saying about size vs. performance, right?) use the democratic principle to elect our chosen officials to lead us. Our new General Manager is John Allers, with Program Director Corinne Humanick at the helm. .. We are the station that radiates auditory nourishment and pleasure to the masses of SUNY Plattsburgh and environs in Vermont in the form of adventurous programming. As we say "Until August" for the interim (we of course are open for communications and new material) we have to mention a large chunk of our large staff has become enamored with the new LOVE AND ROCKETS album: we're very happy with its rapid rise on the charts. . . and "So Alive" must be the ultimate turn-on! Kudos!. .. Other platters to stimulate the pleasure centers are the NEW MODEL ARMY, BOB MOULD, PIXIES (of course), WISHING WALL, JING, fIREHOSE and certainly our fab four, the AMERICAN VANDALS (c/o Vandal Music, 716-392-8688). . . As the new Music Director now. I would like to wholeheartedly extend thanks and invite requests, correspondence and comments concerning our station to all the people that provide us with new material to play through the year, and all others as well! Oh, by the way, our station is going partially CD very soon (hint, hint). Thanks again as we enter our tenth year with unprecedented vigor at PILOT-94!

-45- © 1989 CMJ


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10,000 MANIACS

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BERRYHILL

Loudotville/A-Gbaoy NY )Huos000e Sson( (51W( 763-298E

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MICHAEL SHRIEVE/DAVID BEA CIRO HURTADO BILL GABLE NIX EVERETT ORDINAIRES LARRY CARITOM ACOUSTIC ALCHEMY SHOW OF HANTE GILES REAVES/JON COIN DELBERT MCCLINTON BARRY FINNERTY à SUPERFRI AILEY GRITTY DIRT BAND ADRIAN BELEW CINDY LEE BERRYHILL LIMITS ORIGINAL SINS RIPPINGTUNS

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TAD CINDY LEE BERRYHILL ANGKOR WAT FULL FAT110/4 FIVE TRILOBITES

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XTC LOVE AND RIEREIS ICJO NIXON It SKID ROPER THE MT VIOLENT FDIES BELEZE TROPICAL BRAZIL C ALGEBRA SUICIDE Fie° BEATS HUGO LARGO GUADALCANAL DIARY ROBYN HITCFNECK/EGYPTIAX SARAH mapaux REM CATERWAUL DEVO THE CURE TACIDEAD

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WEDDINGS PARTIES MIMI ANIKITION WASHINGTINI SQUARES ROXETTE WIRE SAE BRICKELL f NEW WHEN DRIVIN' X' CRYIX THIRTY EIGHT SPECIAL CONCRETE BLONDE ROACHFORD CONNELLS NEW KIDS ON THE BLOCK ALI FARRA LURE BOBBY BROWN MIRACLE LEGION JUDY WATLEY TRI LOBITES DEAN? COMINO

PRESS MIKE • THE MECHAXICS LIMITED GUY

1. 2 PIXIES

3 THE CURE

4 BOB MOULD

5 THE CULT

6 SWANS

7 GODFATHERS

8 SCREAMING TREES 9 STAN RIDGWAY

10 ADRIAN BELEW 11 WIRE (5")

12 CONCRETE BLONDE

13 XYMOX

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GODFATHERS DEVILS WIELDING SCIMITARS WISHIX WALL SHARP U2 WONDER SITIFF LOVE AND ROCKETS FLESH • BLOOD STEVIE NICKS MAX ABLE SLICK RICK JOY DIVISION ILLUSTRIOUS ILLUSTRATED M GUADALCANAL DIARY TOM PETTY REAL LIFE CDWINJE JUNK 1 ES

LOVE AND ROCKETS 14. 10,000 MANIACS

15 JOE JACKSON

16 MOJO NIXON & SKID ROPER

17. DINOSAUR JR. 1121 18. XTC

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20. BAND OF SUSANS

21. PETER CASE

22. MAUREEN TUCKER

23 SIMPLE MINDS

24 WALKABOUTS

25 PUBLIC IMAGE LIMITED

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CONCRETE BLONDE

(818) 567-1067 106 7

THE CURE STAN RICGWAY LOVE AND ROCKETS FINE YOUNG CANNIBALS EDELWEIE U2 DURAN DURAII WIRE ICRRIEEY KING SWAMP XTC ADRIAN BELES WISE OF FREAKS THE CULT WONDER STLTF SIMPLE MINDS CONCRETE BLONDE

YELLO

REPLACDENTS DE LA SOUL J A.B. HITS THE BEAT THRASHING COVES NEW ORDER MIDGE HOE TIN 14/4CHINE ELVIS COSTELLO EARTH GIRLS ARE EASY WANG CHUNG CATERIUUL PUBLIC IMAGE LIMITED SAM PHILLIPS JOE JACKS011 ROXETTE ROBYN HITCX1OCK/EGYPTIARS POP WILL EAT ITSELF

LOVE AND MOMS THE CULT GREAT WHITE Jeep!' BROWNE ANDERSON.BRUFORD,WAKEMAX. JON BUTCHER THE CALL STEVIE NICKS

ALMINAH MYLES

San..ata S arlIgI CA (805) 967-4511 99 9

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KING SWAMP REM CONCRETE BLONDE

Treten Rosen) (602) EL38-0400 1060 A/4

THE CURE EDELWEISS RIFLE LOVE AND ROCKETS XEROX NEW MODEL ARMY HOLLY JOHNSON PRXLAINERS PIXIES ADRIAN BELEM THE CULT GODFATHERS TOM ECM CLUB PUBLIC IMAGE LIMITED EARTFI GIRLS ARE EASY SIMPLE MINIS CONCRETE BLONDE

STRAY CATS

SIGUE SIGUE SP'JTTIIK BIG STORM PETER SCHILLING SIDEWINDERS DRIVIN' CRYIE SWANS DEE DEE KIIC FINE YOUNG CANNIBALS WAX CHUNG THE CALL STAN RIDGWAY NEW MARINES THE THE DARLING BUIS JOHN /OGRE AND EXPRESSWAY ALL PERE UBU

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THROWING KEES

DELTONES PIXIES MAUREEN TUCKER ADRIAN BELES 5F LAPS WARSMALLOW OVERCOAT BOB MOULD THEE HYPNOTICS CONCRETE BLONDE PSYCHEDELIC SNARL MICE NAKED RAYGUN MECA NORMAL LEAVING TRAINS SR/LAKIN ROUX THE WORLD DINOSAUR JR ALL

SWANS A TRIBUTE TO A1FDY WARHOL NEW CHRISTS OPERATION IVY HONEYMOON KILLERS FICX6 HAPPY FLOWERS SPACDER 3 HARD TO BE COOL AO(LERDS 1E0 KEITKE NSEC1 FEAR

ICSS ICON MASTERS OF THE OBVIOUS THE TIE HATED SKELS

HELL'S KITCHEN

(206) 455-6154 89 3 SrlonaLoCUpez) I'll) 589-7872 90 9

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CATERWAUL

SLAVES OF NEW YORK FRONT 242 YO. BUS THE MOVE FIGURES ON A BEACH KEITH LEBLANC SPIDER BABY DINOSAUR JR TAD SCREAMING TREES DOCTOR DEATH'S VOLUICE III FOSTER é LLOYD I-MAS MEDIA SCRE»1 THE ME CAINE • THE CITY ELUTION ALPHAV I L LE LOVE AND ROCKETS

THE CULT LOVE AND ROCKETS SIGUE SIGUE SPUTNIK GODFATHERS THE CURE TIN PETTY MORRISSEY JOIN COUGAR NELLEACAW MIDGE URE REPLACEMENTS ARIES OF CONDONE NEW DEPEHE MODE CONTROLLED BLEEDING ELVIS COSTELLO LYLE LOVETT R.E M. S111144ING POOL Q'S STRAY CATS CONCRETE BLONDE DRIVEN' N' CRYIN' CRUEL STORY OF YOUTH SIDEWINDERS JING THE TRAGICALLY HIP SARAH MCLACHLAN FINE YOUNG CANNIBALS TIM FINN

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HAPPY MONDAYS GUADALT_MIAL DIARY PIXIES BIG BIA1 BOO TOM TOM CLUB PETER CASE MMUS

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LYLE Loverr

PIXIES WALE ABASTO EEL ASYLUM CATERWAUL MECCA NORMAL ANASTASIA SCREMED HEADLESS CHICKENS LEAVING TRAINS JUNIOR MANSON SLAGS SCREECHING WEASEL SORDED HUI« SPIDER BABY GRUESORIES COUCH FLAMBEAU ALL DIK VAN DYKES SNAPPER

GO TO BLAZES ORIGINAL SINS STATE OF THE UNION FLAMIWG LIPS DEJA VOODOO SFLAMEY ALICE DONUT KLAUS FLUORIDE COCTOR DEATH'S VOLUME III S.N F.U. MAUREEN TUCKER DRIVIN' N CRYIN' BOB MOULD FULL FATHOM FIVE 8714 ROUTE ARMY BAND OF SUSAXS THEE HYPNOTICS

BARRY ADAMSON

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SWANS ADRIAN Ban+ CRIME • THE CITY SOLUTION FUGAZ1

M1KEY DREAD PIXIES SKEPTICS NEVER NONIRAL XTC STREAMING TREES ORDINAIRES LOVE AND ROCKETS STAN RIDGWAY BILL FRISELL BAND LIVE AT THE KNITTING FACT HILLBILLY MUSIC .THANK G HONEYMOON KILLERS

PHILIP GLASS WALKABOUTS TAU ICE FAMILY LIVE SKULL THE NAIROBI BEAT BEAUSOLEIL WIRE AMADUDUZ0

BILL DRUMIOND COUCH FLAMBEAU

KM» BOILED IN LEAD CONTROLLED BLEEDING BURNING SPEAR CHABA FADELA

SWALLOW

LOVE AND ROCKETS OPHEL I AS PIXIES NE CURE GODFATHERS CONCRETE BLONDE XY/CX THE CULT JOE JACKSON ST» RIDGWAY PETER CASE BOB MOULD SWAM,. WIVES MARTIN STE:REASON/TM DAI SWANS NIKKI SUDDEN BAND OF HOLY JOY

ORION' N' CR

(8C6) 544-4640 91 3

SPEED THE PLOUGH CINDY LEE BERRYHILL DESSAU JOAN MOORE AND EXPRESSWAY FRONT 242 COWBOY JUNKIES REVOLTING COCKS CONNELLS NAKED RAYGUll LAUGHING HYENAS BAND OF OISONS CRIME • THE CITY SOLUTION DICUIES RAJONES KREMEN LEDERNACXEN HAPPY MONDAYS YIN'

(619; 594-6280

DINOSAUR JR THE CULT 10 COD MANIACO THE CURE FUGAZI LARD NAKED RAYGUN BAND OF SEMIS TIC NICE GIRLS NEAT BEAT MANIFESTO ALICE CANUT K-9 FOSSE DE LA SOUL DICKIES MARTIN BIS1 WOLFGAAG PRIM :HE EX

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SARAH MCLACHLAN

-49- © 1989 CMJ


KCSC Millfflli rKCSUAIMMIKDVS KEOL

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PIXIES THE CULT ULTRA VIVID SCENE ATOM GODS MY BLOODY VALENTINE CONCRETE BLONDE 1,13.10 NIXON A SKID ROPER STEEL POLE BATH TUB THE nE THE CURE TOM TOKI CLUB WOLFGANG PRESS MARY MY HOPE Ill T EXPERIENCE THELONIOUS MONSTER RED TEWLE SPIRITS BON MOULD

VICTIME OF

PERS UBU SARAH MCLACHLAN ALL FULL FATHOI_OLIVE REVOLTING rmr.S GRISLY FICTION FIREFEISE LARD NEON JUDGEMENT SCREECHING WEASEL PUBLIC IMAGE LIMITED MY LIFE WITH THE THRILL K 10 000 MANIACS Rote CRESCENT we HEAD OF DAVID CHEMICAL PIMPLE TRILOBITES

THE PESTILENCE

Fort Collins C:1 (Lantz Barbour, (303) 491-7612 905

WHITE ZOMBIE HELL COWS LARD STEEL POLE BATH TUB ALICE DONUT FIREHOSE FLAMING LIPS NOMEANSNO GAYE BYKERS ON ACID THE El LIVE SKULL STICKDOG CAME • THE CITY SOLUTION PIXIES WINGS OF DESIRE XYKIX TAD GRISLY FICTION SDTIOAAILLY CONTROLLED BLEEDING COUCH FLAMBEAU LITTLE FYODOR HONEYMOON KILLERS LAUGHING HYENAS GLENN BRANCA CHRISTIAN DEATH SWANS BARRY ADAMSON MAUREEN TICKER DESCENDENTS URGE OVERKILL KLAUS FLOURIDE MECCA (ORiNAL LIVE AT THE KNITTING FACT

CINE YOUTH

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DINOSAUR JR FLUX 10 000 MEEKS GODFATHERS SIAM RIDGWAY TWO NICE GIRLS SACRILEGE POPULOPES REVOLTING COCKS HUGH MARSH

(916) 752-9903 93 3

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1397 91 7

MASHING COVES FOSTER à LLOYD ADRIAN HELEN JOE JACKSON FIRMOSE SCREMUNG TREES BEL CANTO 10 030 MANIACS BILL DRUI4011D BOB MILD INDIGO GIRLS CINDY LEE BERRYHILL PAY IT ALL BACK VOLUME 2 CAINE • THE CITY SOLUTION ORO ORTON TRIFFIDS WALKABOUTS

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(601) 232-5395 92:

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reemiîler) (ea) 542-7100 90 5

PIXIES FIRDIOSE ONELIAS SMEARING TREES SOUL ASYLUM BOB MOULD CRIME • THE CITY MOTT PETER CASE

ROYAL CRESCENT MOB THE CURE GREEN ON RED

DASH RIP RIOTS TAD SIDEWINDERS RON MISTY RUN NEW MODEL ARMY LOVE ANI3 ROMETS

ON HOUSE OF FREAKS DESCENDENTS TREAT HUA RIGId CINDY LEE BERRYHILL LIL' ED AND THE BLUES IMP DOCTOR DEATH'S VOLUME III

LEO KCITTKE CULTURE PLAN 9 SPIN MARTIN STEPHEIN/THE DAI WALKABOUTS HEINER GOEB8ELS HEINER MO SWANS

OR GINAL SINS

is ?I 'lli'fbahfr) (803) 777-7172 90 5

DASH RIP ROCK SCREAMING TROD NAKED RATTAN WALKABOUTS RNA T EXPERIENCE ALICE EOPIT SWANS BEDLAM HOUR PIXIES POI DOG PONDERING CONCRETE BLONDE ACROSTIC FRONT ELECTRIC LOVE MUFFIN STAN RIDGWAY LOVE AND ROCKETS

10 000 MANIACS THE CURE ORIGINAL SIMS PRONG SDI/ AMC DRIVIN' N' CRYIN' EXODUS THE CULT BAND OF SUSAMS SOULED AMERICA!'

COOKIE CRC TRILOBITES PERO ONO FUSE OF FREAKS MYRA MOLDER CATERWAUL OPECIAS

CINDY LEE BERRYHILL

Knoxville TN (Benny Clith) (615) 974-6897 03 3

THE CULT GUADALCANAL DIARY INDIGO GIRLS DRIVIN• N' CRYIN' DESECHE MODE THE CURE XTC LOVE AND RODEES ROJO NIXON é SKID DPIR SANOMEN ELVIS COSTELLO MIEV CORNELIS TOM TOM CLUB WORM DE LA SOUL HOUSE OF FREARS

POPA RC LUT

WUVTAIMI WVBC WVCWIIMMI WVFS 0 .—

0.On TIbigel'i (703) el-1642 e 7/640AM 0 .... C13 LOVE AND REGRETS THE CURE

E nes"GTRE RIRE DHARMA *MS E KlEi MOULD FALLING STAIRS

RAKED RANGER' GODFATHERS 0 FLAMING LIPS WOLFGANG PRESS C-1 ORDINAIRES CRIME • THE CITY SOLUTION

SOUL ASYLUM SOULED AMERICAN 0 ULTRA VIVID SCENE CREEPS 0 THEE HYPNOTICS O,IDEVIIIDERS = ELECTRIC LOVE MUFFIN .

LIVE AT TRE KNITTING FACT MIRACLE LEGION .......PIRMOOE KLAUS FLOURIDE ALI CIPMELIAS TOlE EX OW 24-7 SPYZ KEITH LEBLAK 0 LOOP PLAN 9 — TACKHEAD HONEYMOON KILLERS

7017111 MU

ilei'll'V'yeelelitz) (304) 829-7562 88 I

BOB MOULD LOST OGEES STAN RIDGRAY PUBLIC IMAGE LIMITED ALPHAVILLE ERASURE ICOCX MUCGE USE ADRIAN BELOW BLUE CLODS GREEN DESECHO mUDE GODFATHERS KING SlIAPP EARTH GIRLS ARE EASY SIMPLE MINDS XTC JING

THE THE

BIG BAN BOO ELVIS COSTELLO ROBYN HITCHDOCK/EGYPTIANS NEW ORDER FINE YOUIIG CANNIBALS RAMO RES WANG CHM PILGRIM SOULS CUTTING CREW DRIVEN' N' CRYIN' U S MCDS SLAM4111' MAUDIS (4ORRIEY THRASHING DOVES FIGURAD ON A BEACH DEAD MILK/0 *JO NIXON k SKID ROPER

Richmond VA (Stave Witte) (804) 367-1067 820 AM is

MONOR ROLE BARD OF SUSANS INDIGO GIRI-S PERU MU WIRE WISHING WALL FIRIMSE FROGS SWANS CRIME • THE CITY SOLUTION DR JOIN GODFATHERS TREAT HER SIGNO POI ECG PONDERING ALICE NOWT STAN RICCAVAY LEAVING TRAINS

HELL COING

HOUSE OE FREAKS NEVILLE BROTHERS BLUE RODEO IONTAIIAS DIRTY roux BRASS BAND VELVET ICIEXEYS ROJO NIXON a SKID ROPER DRIVIE N' CRYIN' THE EX CINDY LEE BERRYHILL PETER CASE BILL DRUMMOND le TIC CLUB HAPPY FLOWERS SCREAMING TREES MAUREDI TOOKER THE CURE

DESSAU THELONIOUS MONSTER 10,C00 MANIACS 112 PIXIES FIREIESE SIWLY NED PU'3LIC IMAGE LIMITED NEW ORDER BOB MOULD COWBOY JUNKIES ROM HITCH/EGYPTIANS TACKHEAD REPLACEMENTS NOUILLE BROTHERS EARTH GIRLS ARE EASY CATERWAUL

intiee eirbeFrgL) Ted) 644-3871 897

THE CURE CORNELIS BOB MOULD %MX MONTARAS THE CULT SIC SARAH *LACHLAN ROBYN PITCHCOcK/EGYPTIANS TOM TOW CLUB FI 6045E DINOSAUR JR FlEPLACEMENTS SIDEWINDERS DPECHE MODE DEVILS WIELDING SCIMITARS LOVE AND ROCKETS

PI ITE RODEO

WVGS WVUA WVVS WWVU (Scott a' I'aMlbe'rt) (912)

DRIVEN' N' MITE THE CURE pieRgiosi0 GIRLS

CORNELIS BOB IIDULD VOICE OF 11{E BEEHIVE 510/01111G POOL S'S PIXIES DINOSAUR JR GUADALCANAL DIARY CONCRETE BLONDE SIDEWIRDERS BARD OF SUCJIS GODFATHERS GOVERINCT ISSUE LIME SPIDERS

PLAN

681-5525 91 9

SIOU'XSIE à THE BANSHEES ROI VEND LOVE MD ROCKETS ED HAYNES MOUSE OF FREAKS GO-BETWEERS SLAI44111' WATUSIS SIMPLE MINDS ROBYN HI TCHCOCI /EGYPTIANS MURPHY'S LAN THRACING COVES JOE JACKSON ADRIAN BELOW MAUREDI TACKER 143J0 NIXON a STUD ROPER CICCONE YOUTH ERIC 443E,

LOVE AND *OWLS POI LW PONDERING THE CURE OPHELIAS SPEED THE PLOUGH MUTABARUKA ROYAL CRESCICT PCB DASH RIP ROCK VELVET MONKEYS ORDINAIRES

eyCarl Otalora) (205) 348-6082 90 7

STORM ORPHANS BOB 1131ILD PIXIES SCREW* TREES LOVE AND ROMETS TRILOBITES GODFATHERS FLAMING LIPS FIREIIOSE DE LA SOUL DICKIES DRIVEN' II' CRYIN' * T EXPERIENCE POI NW PONDERING GOO WO MILS ZULUS SOUL ASYLUM

PAUNCH HANDS GO TD BLAZES SMCKABILLY CORD DESSAU ELECTRIC LOVE PUFFIN BAND OF SUSANS REVOLTING COCKS PLAN CONTROLLED BLEEDING PUBLIC IMAGE LIMITED ADRIAN VELEN ALICE CORITO MAUREEI TUCKER 24-7 SPYZ PERE UK

FOSTER & LLOYD

Valdosta GA (Walter Rollennagen)

DRIVIE N' CRYIN• ME CULT CATTLE PROD NEW MODEL ARMY HOUSE OF FREAKS INDIGO GIRLS RUN REMY RUN POI OW PONDERING LOVE AND ROCKETS DICKIES CONCRETE BLONDE SMIFANIIIG TREES MONGER STUFF STAN RIDNIAY SWIRLING EDDIES CORNELIS BOB MOULD PUBLIC IMAGE LIMITED ELECTRIC LOVE MUFFIN 10 OCO MANIACS THE CURE catie • THE ctry scurnox ROGER MANNING ROYAL AMAeINS

ROYAL CRESCENT MOB

WXYC WZMB elePnen 6111 NC (919) 962-7768 89 3

BOB ENDUED 10 COO MANIACS 14AOREC TUCKER SWABS SOUL ASYLUM BAND OF SLSANS TON PETTY BILL CUM* AMA HOLDER GODFATHERS LIVE AT THE KNITTING FACT DJIVAN GASPARIAN JOHN DUCAR MELLENCke

HEINER GOEBBELS/HEINER AS FUTURE NEIGHBORS ADRIAN BELEW COMMILIG POOL O'S JOE JACKSON THE EX SCREAMING TREES SEULES AMERICAN ALICE DOM MARY MY HOPE

WALKABOUTS

(912) 333-5661 90

ADRIAN BELOW PIXIES TOO 14101 JOY WILD PUMPKINS AT MIDNIGHT ITC SWANS GUADALCANAL DIARY RC JUDGEMENT FIREHME OPHELIAS

? 'n liC Matt (919) 757-6656 91 3

OPEELIIS BOB MOULD SCREAMING TREES PUBLIC CAGE LIMITED ELECTRIC COVE MUFFIN LEAVING MNS SPIRAL JETTY WALKABOUTS DASH RIP ROCK MARY MY MOPE ROYAL CRESCENT MOB TRILOBITES TOO MP CIVICS ALL PATO BANTON GODFATHERS

T EXPERIENCE

ALICE DOPET PIXIES LOVE AND ROCKETS BAND OF SEMIS FROM THE EERIE SHORE 24-7 SPYZ DINOSAUR JR ATOM GOLS GRUESCIES SWANS Ile CURE BLUE RODEO ALPHAVILLE DEMAU WOODPECKER DEVILS WIELDING SCIMITARS WISHING WALL

TRILOBITES KING CAW ADRIAN BELON MUSE CF FREANS RIM WESTY RUN

10 COO MANIACS vt(Harr FERRIES GODFATHERS PIXIES mac GIRLS ERASURE NAKED RARTUN 10J0 NIXON It SKID ROPER ELVIS COSTELLO DRIVIN' X' MIN' FINE YOUNG CANNIBALS

M. 7-4, - . i. (Pear:, pr.:sent:eery) r 2.9., 3329 91,7

BOB MOULD 24-7 SPYZ JOE JACKSON TREAT HER RIGHT PUBLIC IMAGE LIMITED DINOSAUR JR STAN RIDGWAY VIRE SCREAMIRG TREES THE THE 10 000 MANIACS NAKED UYGUR THE CURE POI DOG PONDERING PIXIES CROPS DARLING BUDS EDELVEle CHINA CRISIS KING SWAMP SWANS PLO 9 ECIDTEUR STYLE COUNCIL

LOVE AND ROCKETS MIME • THE CITY SOLUTION CONCRETE BLONDE FLAME* LIPS ROYAL CRESCERT Me FOSTER h LLOYD MAUREDI TUCKER GREATER THAN ONE

VEINER GOEBBELS/WEINER MU

NEW RELEASES continued from page 57

PROFILE (740 Broadway, New York, NY 10003/ 212-529-2600)

King Sun—XL [PRO-1270] Atmospheric—Admit It"/"Speak And Spell"

(12") [PRO-7253] Twin Hype—"Do It To The Crowd" (12")

[PRO-7255]

QUARK (210 East 58th St., Suite 7C, New York, NY 10022/212-355-6013)

Steve D & C Maximum—"To The Maximum" 12") [0 Rap OR0011

RAS (P.O. Box 42517, Washington, DC 20015/ 301-564-1295)

Charlie Chaplin—Two Sides 0113043]

RCA (1133 Ave. of the Americas, New York, NY 10036/212-930-4000)

Elvis Presley—Known Only To Him: Elvis Gospel 1957-1971 [9586-1-R]

Mary My Hope—Museum [Silvertone 1183-1-J] Human Drama—Hopes Prayers Dreams Heart Sou) Mind. .. [9689-1-R1

REPRISE (3300 Warner Blvd., Burbank, CA 91510/818-953-3750)

Gail Ann Dorsey—The Corporate World [Sire 25913-1]

REPTILE (P.O. Box 121213, Nashville, TN 37212/ 615-331-7400)

Government Cheese—Three Chords, No Waiting [RR-30401

RESTLESS (11264 Playa Cf., P.O. Box 3628, Culver City, CA 90231-3628/213-390-5223)

Atom Gods—Wow! [GWR 771416-1] Diamanda Galas—"The Litanies Of Satan" (12") [Mute 7 71419-1]

Deathwish—Demon Preacher [GWR 7 71409-1]

ROADRACER (225 Lafayette St., Suite 709, New York, NY 10012)

Sepultura—Beneath The Remains [RC RC9511] Evildead—Rise Above (12") [RC RC9466]

ROCK RANCH (P.O. Box 2113, Hollywood, CA 90028/213-856-9554)

Leonards—Leonards [rrr001]

Dialogue (By Mail Or Fax) (Monday)

June 12 June 26

July 10

Hard Rock/Reggae/Retail/Beat Box/Jazz (Molday-Tuesday)

June 12-13 June 26-27

July 10-11

Radio (Monday-Tuesday)

June 19-20

June 30 & July 3 (Fri. & Mon.)

July 17-18

Reporting Line: 516-248-9111 REGGAE ROUTE REPORTING LINE: 212-645-0922

Reporting hours 11:00 AM - 6:00 PM EST

-55-e 1989 CMJ

THIS HARD ROCK FUNK, RAP/REGGAE BAND 15 THE LIVING END FOR BMI'S MARK FRIED (AS QUITE A FEW OF YOU CAN ALREADY ATTEST TO) 50 HERE'S A SHOT OF 14IM HELD HOSTAGE BY 24-7 SPYZ RICK (TV REPAIRMAN) SKATORE, JIMI (CARPENTER) HAZEL ANTHONY (ELECTRICIAN) JOHNSON AND THE FLU-MAN IN THAT SWEATY LITTLE ROOM BACKSTAGE AT THE CAT CLUB SECONDS BEFORE THEIR KILLER IN-EFFECT RELATIVITY LAUNCH PARTY SET WHICH FEATURED BLISTERING VERSIONS OF POP RADIO FAVORITES "PILLAGE," "BALLOTS NOT BULLETS" AND THEIR EVER POPULAR VERSION OF THE MAC TONIGHT JINGLE.

PHOTO CREDIT: ALAN MAYOR

-56-

DOES THIS GUY LOOK LIKE HE'S ON HIS DREAM DATE OR WHAT.? VISIONS OF NATIONAL ENQUIRER COVER STORIES ENTER EDDIE SUTTON'S HEAD (LEEWAY) AS HE CHATS WITH MARRIED WITH CHILDREN'S CHRISTINA APPLEGATE AT MANHATTAN'S CAT CLUB.

NASHVILLE, is-WHILE IN NASHVILLE FOR A CLUB DATE, EVAN JOHNS AND HIS H-BOMBS WERE VISITED BACKSTAGE BY THEIR PRODUCER, GARRY TALLENT OF THE E-STREET BAND. BOMBS AWAY THE GROUP'S NEW ALBUM, WAS JUST RELEASED BY RYKODISC. CURRENTLY ON A MONTH-LONG TOUR OF EUROPE, EVAN JOHNS AND HIS H-BOMBS WILL BE TOURING THE COUNTRY EXTENSIVELY IN SUPPORT OF THE NEW LP. PICTURED JOINING HANDS ARE (LEFT TO RIGHT): MARK KORPI OF THE BAND; GARRY TALLENT. AND H-BOMBS EVAN JOHNS, JIM STARBOARD AND DAN MCCANN.

(9 1989 CMJ


NEW RELEASES AIM (1416 N. LaBrea Ave., Hollywood, CA 90028/213-469-2411)

28th St. Crew—I Need A Rhythm [Vendetta SP 5246]

Various Artists—Paybacks Are Hell [SP 12600] China Crisis—Diary Of A Hollow Horse

[SP 5225] Brian Gallagher—Coming Home

[Cypress YL0126] Nylons—Rockapella [Windham Hill WD 1085]

ANTONE'S (2828 Guadalupe. Austin, TX 78705/ 512-322-0617)

Lou Ann Barton— Read My Lips [ANT 0009]

ARISTA (6 W. 57th St., New York, NY 10019/ 212-489-7400)

Aretha Franklin—Through The Storm [AL-8572] Soundtrack—Road House [AL-85761

ATLANTIC (75 Rockefeller Plaza, New York, NY 10019/212-484-6000)

Wailers Band—ID. [81960-1] Alphaville—The Breathtaking Blue 181943-1] Hotel Hunger—This Is Where The Fun Starts [Megaforce 81975-1]

Big Big Sun—Stop The World 181964-1] Badlands—Badlands [81966-1] Blue Rodeo—Diamond Mine [81971-1] Michael Urbaniak —Urban Express

[East West 90992-1] David Newman—Flre! Live At The Village Vanguard [Atlantic Jazz 81965-1]

Hannibal—Visions Of A New World [Atlantic Jazz 81973-11

Victor Bailey—Bottom's Up [Atlantic Jazz 81978-1]

Danny Gottlieb—Whirlwind [81958-1] Stevie Nicks—The Other Side Of The Mirror [Modern 7 91245-1]

Donna Summer—Another Place And Time [81987-1]

ATOMIC THEORY (2105 25th Ave. So., Minneapolis, MN 55406)

Boiled In Lead From The Ladle To The Grave [ATR 1104]

AURORA (P.O. Box 2596. Jamaica Plain, MA 02130/617-876-7397)

Ed's Redeeming Qualities—Ed's Day" (7") [AU003]

BIG (P.O. Box 8005, Suite 304, Boulder, CO 80306-8005)

Big Head Todd And The Monsters—Another Mayberry [BR-0001CD]

BLIND PIG (P.O. Box 2344, San Francisco, CA 94126/415-526-0373)

Joanna Connor —Believe It? [BP 32891

BONER (P.O. Box 2081, Berkeley, CA 94702) Steel Pole Bath Tub-- Butterfly Love [BR15-1]

BUMPIN' DANCE (6026 Latona St., Philadelphia, PA 19143/215-474-9222)

D J. Miz Featuring M.G. Ludicrous—"Trouble" (12") [BD-3290]

C. JUNQUERA PRODUCTIONS (P.O. Box 393, Lomita, CA 90717/213-325-2881)

Nikkle Hornsby—"Shoe String & A Prayer"/ "Wake Me Up" (7") [NH-5]

CARGO (1180 Saint-Antoine St., West. Montreal, H3C 1B4, Canada)

SNFU—Better Than A Stick In The Eye [CAR-001-B[

CAROLINE (114 West 26th St., New York, NY 10001/212-989-2929)

Naked Raygun--Understand? [CAROL 1371] Pussy Galore—Dial 'M' For Motherfucker [CAROL 1369]

CBS (51 W. 52nd St., New York, NY 10019/ 212-975-4321)

Soundtrack —Say Anything. [WTG SP 45140] Red Norvo—Red Nonio Featuring Mildred Bailey

[Portrait Masters RJ 44118] Earl "Fatha" Hines—Harlem Lament

[Portrait Masters RJ 44119] Illinois Jacquet—Banned In Boston

[Portrait Masters RJ 44391] Horace Silver—Silver's Blue

[Portrait Masters RJ 45138] Henry Lee Summer—I've Got Everything [CBS Associated OZ 45124]

Scott Gertner—"Playing With Fire" (12") [CBS Associated 4Z9 68795]

CIRCUIT (1669 Berkshire Blvd., Merrick, NY 11566/516-378-2031)

Outskirts Of Infinity—Scenes From The Dreams Of Angels [Infinity INF001]

CRUZ (P 0. Box 7756, Long Beach, CA 90807/ 213-424-8291)

All—Allroy's Revenge [006] CYPRESS (1523 Crossroads Of The World, Los Angeles, CA 90028/213-465-2711)

Brian Ga lagher --Coming Home [YL 0126]

EASY STREET (648 Broadway, New York, NY 10012/212-254-7979)

Cultural Vibe—"Ma Foom Bey" (12") [EZS-7525-B)

Lord KCB—"I'm Housin' It" (12") [EZS-7552-A]

Bassmert Crew—"It's Not Over Yet" (12") [EZS-7549-B]

Private House—"Don't Turn Away" (12") [EZS-7550-A]

Hendrix—"Me Wonna See Ya Donee" (12") [EZS-7547-A]

ELEKTRA (75 Rockefeller Plaza, New York, NY 10019/212-484-7200)

10.000 Maniacs—Blind Man's Zoo [9 60815-1] Tomi Jenkins—Tomi [9 60814-1] Jackson Browne—"World In Motion" (12") [ED 5382]

EMI (810 Seventh Ave.. New York, NY 10019/ 212-603-8600)

Natalie Cole Good To Be Back [E1-48902]

EPITAPH (6201 Sunset Blvd., Suite 11, Hollywood, CA 90028)

Little Kings—Head First [E-86403-1]

FLYING FISH (1304 W. Schubert. Chicago, IL 60614/312-528-5455)

Jack Smith —Jack Smith And The Rockabilly Planet [FF510]

GEFFEN (9130 Sunset Blvd., Los Angeles, CA 90069/213-278-9010)

Michael Thompson Band—How Long [GHS 24225]

Junkyard—Junkyard [GHS 24227]

I.R.S. (100 Universal City Plaza, Universal City, CA 91608/818-777-4730)

Pato Banton—Visions Of The World [IRS-82003]

IRRATICS (c/o Mark Earnest/516-646-3505) Irraties—Jazz Tango [SR MS 001]

ISLAND (14 E. 4th St., Third Floor, New York, NY 10012/212-995-7800)

Miles Jaye—Irresistible [791235-1]

JIVE (1133 Ave. of the Americas, New York, NY 10036)

Party Posse—Keep Dancin'" (12") [1212-1-JD1

LOW RUMBLE (910 13th Ave., Tuscaloosa, AL 35401/205-349-2007)

Storm Orphans—Promise No Parade [S0-8901-B[

MANGO (14 E. 4th St., Third Floor, New York, NY 10012/212-995-7800)

Los Van Van —Songo [MLPS 9825]

MCA (70 Universal City Plaza, Universal City, CA 91608/818-777-4000)

Michael Paulo—One Passion [MCA-42295] Preston Reed—Instrumental Landing

[Universal Master Series UVLD-78000] Strength In Numbers—The Telluride Sessions

[Master Series MCA-6293] Gary Morris—Stones [Universal UVL-76005] Bellamy Brothers—Greatest Hits Volume Ill [Curb MCA-42298]

Conway Twitty—House On Old Lonesome Road [MCA-42297]

Acoustic Alchemy—Blue Chip [Master Series MCA-6291]

Eugene Wilde—I Choose You (Tonight) [Magnolia MCA-42282]

ROUNDER (One Camp St.. Cambridge, MA 02140/617-354-0700)

James "Thunderbird" Davis—Check Out Time [Black Top BT-1043]

RYKODISC (Pickering Wharf. Bldg. C-3G, Salem, MA 01970/508-744-7678)

Gyuto Monks—Freedom Chants From The Roof Of The World [ROD 20133]

SHIMMY-DISC (JAF Box 1187, New York, NY 10116/212-334-4134)

Various Artists—Lyrics By Ernest Noyes Brookings [Shimmy Disc 19]

Tuli Kupferberg—Tull 8. Friends [SHIMMY DISC 20]

SIRE (3300 Warner Blvd., Burbank, CA 91510) K.D. Lang And The Reclines—Absolute Torch And Twang [9 25877-1]

Ramones—Brain Drain [Sire 25905-1]

SLASH (P.O. Box 48888, Los Angeles, CA 90048/ 213-937-4660)

Faith No More— From Out Of Nowhere' (12") [PRO-A-3559]

SST (P.O. Box 1, Lawndale, CA 90260/ 213-835-8977)

No Man Is Roger Miller—Win! Instantly! [SST 243]

Soundgarden—"Flower" (12") [SST 231]

SYMPATHY FOR THE RECORD INDUSTRY (4901 Virginia Ave.. Long Beach, CA 90805/213-423-0281)

T Tex Edwards & Out On Parole—"Smitty"/ "You Ain't Never Gonna" (7") [SFTRI 009]

TEXAS HOTEL (712 Wilshire Blvd., No. 151, Santa Monica, CA 90401/213-392-5746)

Henry Rollins—Sweatbox [15]

TROPICAL (P.O. Box 3572, Pittsfield. MA 01202-3572/413-443-5973)

Blacksmith- Fire From Within [TRO-1026-4]

TUNA BOAT EXPERIENCE (c/o Memphis NYC, 147 W. 24th St., New York, NY 10011)

Dragsters—"Waikiki"/"Full Metal Sax (Surfin' With The Godz)" (7") [TB 001]

TWIN/TONE (2541 Nicollet Ave. South, Minneapolis, MN 55404/612-872-0646)

Al Anderson —Party Favors [88110]

VIRGIN (9247 Alden Dr., Beverly Hills, CA 90210/213-278-1181)

Public Image Limited-9 [91062-1] Cutting Crew—The Scatterling

[Siren 7 91239-1]

VOLT (Tenth And Parker, Berkeley, CA 94710) Dramatics—Positive State Of Mind [V-3402]

WARNER BROS. (3300 Warner Blvd., Burbank, CA 91510/818-846-9090)

Miles Davis Amadla [25873-1]

Todd Rundgren—Nearly Human [25881-1] Soundtrack—Pink Cadillac [25922-1]

WAX TRAX (1659 North Damen, Chicago, IL 60647/312-252-1000)

Cassandra Complex—Satan, Bugs Bunny, And Me... [Play It Again Sam BIUS 1019]

Greater Than One—London [WAX 069] T.G.T.—"Machine Gun" (12") [WAX 058]

WEA Music Of Canada (1810 Birchmont Rd., Scarborough, ONT, Canada)

Brighton Rock—Take A Deep Breath [25 59691] WEASEL (P.O. Box 1274, Manhattan Beach, CA 90266/213-376-6521)

FZ13 Hold Your Breath Forever 1APT11

WINDHAM HILL (1416N. LaBrea Ave., Hollywood, CA 90028)

Nylons—Rockapella [WD 1085]

NETTWERK (1755 Robson St., Vancouver, BC 46G 1C9, Canada)

Mr. Big Mouse—"Drop That Ghetto Blaster" (12") [WI-3030]

OPTIMISM (6355 Topanga Canyon Blvd., Suite 309, Woodland Hills, CA 91367/ 818-346-6286)

Frank Mantooth—Suite Tooth [OP CD-3217] Max Groove—Midnight Rain [OP CD-32161 Emiel Van Egdom—This Is For You [OP CD-3215]

PANDISC (38 NE 167th St., Miami, FL 33162/ 305-948-6466)

Party Rock Crew—Bass Town (EP) [Shatterproof SH-1001-DJ]

Trinere—"Can't Stop The Beat" (12") [PD-035A]

POLYGRAM (810 Seventh Ave., New York. NY 10019/212-333-8000)

Shirley Horn—Close Enough For Love [Verve 837 933-1]

POLYGRAM (810 Seventh Ave., New York, NY 10019/212-333-8000)

Rainmakers—The Good News And The Bad News [Mercury 838 232-1]

Pere Ubu—Cloudland [Fontana 838 237-1]

POW WOW (1619 Droadway, Suite 403, New Yolk, NY 10019/212-245-3010)

Smooth—"Away" (12") [PW 443]

NEW RELEASES continued on page 55

-57- c


UPCOMING RELEASES (All release schedules are current at press time, but are subject to change or cancellation at any time.)

JUNE 2 Jackson Browne Bali Recorded By David Lewiston Wire Sandra Bernhard

Dead Milkmen Blue Blue Blue D C.3

JUNE 5 Identity Ray Lema Naked Prey Soul II Soul Too Poetic Yusef Lateef White Lion Stacey 0 Kon Kan Janis Siegel/Fred Hersch Frick And Frack Fish And Roses Bastro

JUNE 6 Jean Pierre Llabador Van Morrison Shirley Bassey Third World John Moore And The Expressway Sarah Brightman Style Council Peter Gabriel Maria McKee Paul McCartney

Queen

JUNE 7 Wynton Marsalis Various Artists John Eddie Boris Grebenshikov Billy Newton Davis Mary Chapin Carpenter Branford Marsalis L L Cool J Milton Nascimento

JUNE 9 Intense Mutilation Social Distortion Philip Tabane And Malombo Sandy Nelson

JUNE 12 Lion Arrow Leather Howard Jones Phoebe Snow Skunk God Bullies Wishbone Ash Circus Of Power Anita Lane Queen Latifah Information Society Soundtrack Living In A Box Stage Dolls Twin Hype Soundtrack Peregnns Holly Johnson Cocteau Twins Harold Budd/Cocteau Twins

JUNE 13 Shakespeare's Sister Michael Martin Murphy Forester Sisters Chris Isaak B-52's F Machine Big Storm Stevie Ray Vaughan The The Merle Haggard Gigi On The Beach Dan Siegel See No Evil Jimmy Harnen Laszlo Gardony

JUNE 14 Diesel Park West Girlschool

JUNE 15 Bevis Frond Private Sector Area Raw Deal Sick Of It All

Je.4E 16 ndestroy Oliver Magnum John Zorn/Omette Coleman Buffalo Tom

JUNE 19 Syd Straw The Cows Mekons Digital Underground Coldcut De La Soul Breeze

World In Motion

Its Beginning To And Back Again

Without You I'm Nothing "Smokin* Banana Peels" (12") Reclusallucination

Vida

All In One Nangadeef Kill The Messenger

Keep On Movin' "Poetical Terror"/"God Made Nocturnes Big Game Nights Like This Move To Move Short Stories "Look Out" (12") We Are Happy To Serve You Bastro Diablo Guapo

French Guitar Connection Avalon Sunset La Mujer Serious Business Expressway Rising The Songs That Got Away Singular Adventures 01 The Style

Passion Maria McKee Flowers In The Dirt

The Miracle

American Originals

Safe Sex "1945" (12") Unhi A Hunk Of Drums

(121

Trouble In Angel City O'La Soca Shock Waves "The Prisoner" (12") "Something Real" (12") Last American Virgin Mama Womb Womb Here To Hear Still Alive... (EP) Dirty Sings -Dance For Me"/"Inside Out" (12") "Lay All Your Love On Me" (12") Do The Right Thing Gate Crashing Stage Dolls Twin Hype Ghostbusters II Peregrino Blast Love's Easy Tears (CD reissue) Moon And The Melodies (CD reissue)

"Heroine" (12") Land Of Enchantment Greatest Hits Heart Shaped World Cosmic Thing Here Comes The 21st Century Living In Exile In Step Mind Bomb 501 Blues

Late One Night

Can't Fight The Midnight The Legend Of Tsumi

Shakespeare Alabama "Head Over Heels" (7")

The Auntie Winnie Album "Don't Take Your Grace Away" (12") Between Purple And Pink Brightside Blood Sweat And No Tears

Elektra Nonesuch-Elektra Enigma Enigma Enigma C'est La Mort SST

Mango Mango Fundamental-Electric Artists

Virgin Tommy Boy Atlantic Atlantic Atlantic Atlantic Atlantic Profile Associated Homestead Homestead

Breakthru Mercury-PG Mercury-PG Mercury-PG Polydor-PG Polydor-PG Polydor-PG Gel fen Geffen Capitol Capitol

Columbia Columbia Columbia

Columbia Columbia Columbia Columbia Def Jam-Columbia Columbia

New Renaissance Triple X Nonesuch-Elektra Skyclad

Grand Stamm Mango RC Elektra Elektra Twin/Tone Amphetamine Reptile-Tvan 1Tone IR S Metal Blade-RCA Mure' Restless Tommy Boy Tommy Boy Motown Chrysalis Chrysalis Profile MCA MCA UNI Relativity Relativity

London-PG Warner Bros. Warner Bros. Reprise Reprise Reprise Sire-Reprise Epic Epic Epic-Nashville Scotti Bros. CBS Associated CBS Associated WTG Antilles-New Directions

EMI Enigma

Reckless Rose Hill C'est La Mort In Effect-Relativity In Effect-Relativity

Senseless Theories Colossal-Restless Oliver Magnum Colossal-Restless Spy Vs Spy The Music Of 0 Coleman Elektra Buffalo Tom SST

Surprise Daddy Has A Tail Original Sin (CD) "Doowhatchalike" (12") "People Hold On" (12") "Say No Go" (12") The Young Son Of No. 1

Virgin Amphetamine Reptile-Twin/Tone Twin/Tone Tommy Boy Tommy Boy Tommy Boy Atlantic

Black & White Mr Big Foster/McElroy Pete Townshend Judy Torres Daniel Johnston Pastels

JUNE 20 John Farnham Troy Johnson Various Artists The Men They Couldn't Hang Christopher Hollyday Elements Peter Moffitt Allman Brothers Band Soundtrack Delta Rebels Kool And The Gang Shane Barmby Anderson/Bruford/Wakeman/Howe

Expose Bobcat Soundtrack Chaka Khan Faith No More Don Henley Various Artists E.G. Daily Sergio Mendes Indio

JUNE 21 Vern Gosdin Jarre Fricke Tyren Perry Michael Bolton Crazyhead Azymuth Close Lob *ors Red Flag Recoil

JUNE 23 Adolescents Entouch Pink Slip Daddy Magic Muscle Trotsky Icepick

JUNE 26 Riot Gary Numan 45 Grave Dream Syndicate Blue Aeroplanes Said Keita Stetsasonic Patti LaBelle Stephanie Mills Soundtrack D.O.C. Faith Or Fear

JUNE 27 Marshall Crenshaw BoDeans Cher Pat Metheny Bad English Insiders Black Sorrows Dead Or Alive Soundtrack Kreator Gontrti Dezi Phillips James Brown & Friends Daryl Braithwaite Danger Danger Ricky Scaggs Toni Hallyday Michael Rogers Andrew Cash Steve Winwood Controlled Bleeding Billy Squier

JUNE 30 Amulance Stone By Stone w/Chns

JULY 3 Earth Messengers Donovan Pop Will Eat Itself KC Flightt Hoodoo Gurus Stone Roses Boogie Down Productions Tom Jones 0-Feel Joe Turner/T-Bone Walker Hoagy Carmichael Various Artists Louis Armstrong/Orchestra 1932-33 Bennie Motee/Orchestra 1929-32 Joe Morello Last Crack Various Artists Too Nice Soundtrack Wagoneers Tish Hinojosa Graces Peggy Lee

Don't Know Yet

FM, The Iron Man

Love Story Yip Jump Music Sittin' Pretty

Age Of Reason The Way It Is Jive Presents... Yo MTV Raps!

Silvertown Christopher Hollyday Liberal Arts Riverdance Dreams Great Balls Of Fire Down In The Dirt Sweat Let's Talk About Us

What You Don't Know Cat Got Ya Tongue Batman Life Is A Dance The Real Thing

Greenpeace Rainbow Warriors Lace Around The Wound Arara Big Harvest

Tudo Bear Headache Rhetoric Naive Art

Hydrology

Live All Nile "LSD*2" (7")

El Kabong

Born In America New Anger

Only The Good Die Young Live At Ray's fnendloverplane Ko-Yan "I Like To Party" (12")

Karate Kid III Universe Punishment Area

Good Evening Home Heart Of Stone Letter From Home

In Is On Hold On To Me Nude Star Trek V Extreme Aggression In The Garden Kickin' It Soul Session Edge

Kentucky Thunder

I Got Love Boomtown Steve Winwood (reissue)

Songs From The Ashes (EP, Here And Now

Feel The Pain I Pass For Human

Ivory Towers Banzani-i This Is The Day, This Is The Hour In Flightt Magna Cum Louder Stone Roses Ghetto Music The Blueprint 01 Hip Hop Move Closer 0-Feel Bosses Of The Blues Vol. 1 Stardust, And Much More Three Great Swing Saxophones Laughin' Louie Basie Beginnings Joe Morello Sinister Funkhouse #17 Free For All Cold Facts Young Einstein Good Fortune Homeland Perfect View Mirrors

Atlantic Atlantic Atlantic Atlantic Profile Homestead Homestead

RCA RCA Jive-RCA Silvertone-RCA Novus-RCA Novus-RCA Novus-RCA Polydor-PG

Polydor-PG Polydor-PG Mercury-PG Mercury-PG Arista Arista Arista Warner Bros Warner Bros. Reprise-Slash Gef fen Gef fen A&M A&M A&M

Columbia Columbia

Columbia Columbia EMI Enigma-Intima Enigma Enigma Enigma

Triple X

Elektra Skyclad/Apex Skyclad SST

Grand Stamm I R.S Restless Performance Series Restless Performance Series Restless Mango Tommy Boy MCA MCA MCA Combat Combat

Warner Bros Slash-Reprise

Geffen Geffen Epic Epic Epic Epic Epic Epic Epic Tabu Scotti Bros CBS Associated Imagine Epic-Nashville WTG WTG Island Island C'est La Mort Capitol

New Renaissance SST

Mango

Mango RCA RCA RCA Silvertone-RCA Jive-RCA Jive-RCA Jive-RCA Bluebird-RCA Bluebird-RCA Bluebird-RCA Bluebird-RCA Bluebird-RCA Bluebird-RCA Road racer Hawker Arista A&M A&M

A&M A&M A&M

-58- e 1989 CMJ

CMJ New Music Report, June 2. 1989

THE LAST WORD STUFF: The JVC Jazz Festival is taking place on such a huge scale that we can't even begin to describe it. It runs from June 23-July 2; write to the JVC Jazz Festival New York, P.O. Box 1169, Ansonia Station, New York, NY 10023 for info. . . Elvis Costello will tour American theaters and other venues beginning on August 23, probably with musicians who played on Spike. . . Die Kreuzen will be on tour throughout the East and Midwest from June 16 through July 2. . . Bruce Cockburn will undertake a month-long American tour in July. . . Thelonious Monster vocalist Bob For-est spent the night in jail in Tempe, AZ. He reportedly jumped offstage to fight with an unruly fan, and was charged with disorderly conduct. He admits that he probably started the fight. . . Congratulations to the winners of our New Trouser Press Record Guide contest. We received 19 entries with the correct answers, but were only able to give out ten copies of the book (although we're running a similar contest in our specia110th Anniversary book). For the record, here are the answers: 1) Members of which two legendary late-'60s Detroit bands formed a band called New Order and released an LP in 1977? (Stooges and MC5); 2) What was the name of the mid-'70s Clash forerunner that issued a collection of demos and live material called Elgin Avenue Breakdown? (The 101 'ers, featuring Joe Strummer); 3) Michael Stipe has a sister whose talents have graced which two bands? (Hint: Her name is now Linda Limner) (Oh-OK and Hetch-Hetchy, although we gave credit to someone who said Kilkenny Kats, for whom she once sang backing vocals); 4) When—exactly—was the Kevin Ayers/John Cale/Eno/Nico collaboration LP recorded? (June 1, 1974—the title of the record); 5) Which Wire member's solo LP was meant to be the band's fourth EMI album, and what was it called'? (Colin Newman, A-Z).

• • •

INDUSTRY MOVES: Linda Kirishjian has left Columbia Records due to a corporate restructuring after 12 years at the company and five years in alternative radio. She is seeking new opportunities and can be reached at 212-683-1807. . . Kim White, formerly of CellulOid and Paul Yeskel and MVP of the Gavin East-West softball game, has taken an alternative promotion job at EMI. . . Michael Alago, formerly of UNI and Elektra, has taken an A&R job at Geffen. . . Mike Mena has left A&M and taken a job at SBK. . Relativity has named Stephanie Bucci (formerly with Capitol) national publicity director and John Di Maio (formerly with MCA) national college/alternative promotions director. . .

• • •

RECORD NEWS: Neil and Tim Finn are collaborating on a Mitch Froom-produced LP for release later this year. . . The new Pogues LP is called Peace And Love, was produced by Steve Lillywhite and will be out later this spring. . . The new Beastie Boys LP is called Paul's Boutique and will be out on Capitol on June 30. It was produced by the Dust Brothers (Matt Dike, John King, Mike Simpson; Dike produced Tone-Loc's LP) and the cover features a 360-degree shot of Ludlow St. on Manhattan's Lower East Side. . . At a time

when grave-robbers are moving in on back catalogues like vultures, here's a genuinely worthwhile reissue: Grudge Records is reissuing a collection of Roy Orbison's Sun Studio sessions called The Original, featuring tracks recorded from 1956-58.

ç- ) 1989 CMJ >••••••••••••••••••••••+•+•••••••••••••+N

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IRS INTHE ROAD

PATO BAI'sITON In support of h s recently released LP Visions Of The World, Pato will be on the nad from the first week of July through the middle of August. Starting in the an Francisco area, he'll be r.raveling through the South, west, the South. the Northeast, the Midwer., and the Pacific Northwest before ccmpleting the tour in Los Angeles. Watch for dates soon in your area!

CONCRETE BLONDE Concrete Blonde will be playing approximately 40 dates across the country this summer with their special guests House (X Freaks. After ten des in their native California, the band heads through the Southwest tc Milwaukee, and from there to the Midwest, the East Coast, the Southeast, finishing in Texas the first week in August. Below are the first confirmed dates on bis sbt week jaunt.

6/21 Vet- tura, CA 5/29 San Diego, CA 6/22 San Juan Capistrano, CA 7 /9 Milwaukee, WI (Surnmerfest) 6/23 Los Angeles, CA

BLACK SABBATH 5/3 L Poughkeepsie, NY 6[2 Portland, ME 6/3 Bosbn, MA 6/4 Washington, D.C. 6/6 Norfolk, VA 6/8 Sprineield, MA 61.; PA 6/1C New YDrk, NY 6/12 Toronb, CN 6)13 Detroit, Mi 6114 Cleveland, OH 6/15 Cincinnati, OH 6/17 Chi.c2go. IL 6/18 Milwaukee, WI 6/20 Minnzapolis, MN 6/22 Kansas City, MO 6/23 Sr. Lcus, MO 6/24 Memphis, TN

6125 Huntsville, AL 6/27 Atlanta, GA 6/28 Daytona, FL 6/29 Ft. Lauderdale. FL 6130 Tampa, FL 7/2 Biloxi, MS 7/3 Featstan, TX 7/4 McAllen, TX 7/6 Corpus Christi, TX 7/2 San Antonio, TX 7/8 Dals, TX 7/11 Ploenix, AZ 7/12 Su. Deigo, CA 7/13 Anaheim, CA 7/14 Los Angeles, CA 7/15 Sar Francisco, CA 7/16 Sacramento, CA

CATERWAUL

5/28 Dallas, TX 6/1 Birmingham, AL 6/2 Atlanta. GA 6/3 Jacksonville, FL 6/6 Columbia, SC 6/7 Winston-Salem_ NC 6/9 Baltimore, MD 6/10 Neptune. NJ 6/11 Philadelphia, PA 6/12 Washington, D.C. 6/14 Boston, MA 6/16 New York, NY

5:20 Pittsbrgh, PA 6;22 Lakewood, OH 6124 Chicago, IL 6125 Milwaukee, WI fx'27 Champaign,IL 6/29 Lawrerze, KS 6/30 Colinnhia, MC 7/1. Lincolr, NE 7/6 Seattle, WA

NEW MUSIC - World Radio History

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