Set No. 1 Question Booklet No. 00030

IIP/260/1 (To be filled lip by the candidate by bluelblack baU-point pen)

ROUNO·I~ __ ~ __ ~ __ ~~~~ __ ~ __ -L __ ~ Roll No. (Write tbe digits in words) •••••••••••...•••••••••••••••••••••...••••••.•.•.•.........•.••••••••••••••••••••••••••••••••••••

Serial No. of Answer Sheet ............................................. . . ..................................... _ ... Day and Date •••..•.•••••.••.•••.••••.••••••..••••••••......•••••..••.......•.•.• ( Sig.alu ... of IDvicilAlor )

INSTRUCTIONS TO CANDIDATES (Use only bluelb/ack ball-point pen in the space above and on both sides of the ADswer Sheet) 1. Within 10 minutes of the issue of the Question Booklet, check the Question Booklet to ensure that it

contains all the pages in correct sequence and that no page/question is missing. In case of faulty Question Booklet bring it to the notice of the SuperintendentlInvigilators immediately to obtain a fresh Question Booklet.

2. Do not bring any loose paper, written or blank, inside the Examination Hall except theAdmil ClII'd without its envelope.

3. A separate Answer Sheet is given. It should not be folded or mutilated. A second Answer Shut shall not be provided. Only the Answer Sheet will be eva/limed.

4. Write your Roll Number and Serial Number of the Answer Sheet by pen in the space prvided above. S. On the front page of the Answer Sheet, write by pen your Roll Number in the splICe provided III

the top and by darken.ingthe circles at the bottom. Also. wherever applicable, write the Question Booklet Number and the Set Number in appropriate places.

6. No overwriting is allowed In the entries of Roll No., Question Booklet no. and Set no. (if any) on OMR sheet and Roll No. and OMR sheet no. on the Qumon Booklet.

7. Any change in the aforesaid e'ntries is to be verified by the invlcilator, othel'Wise It wU11He tllken as unfairmeans.

8. Each question in this Booklet is followed by four alternative answers. For each question. YOIl are to record the correct option on the Answer Sheet by darkening the appropriate circle III tile corresponding row of the Answer Sheet. by pen os mentioned in the guidelllles 8M. 011 t"e first page of the Answer SheeL

9. For each question, darken only one circle on the Answer Sheet. If you darken more than one circle or darken a circle partially,lhe answer wilt be treated as incorrect.

10. Note that the answer once filled in ink cannot be changed. If you do nol wish 10 attempl a question, leave all the circles in the corresponding row blank (such question will be awarded zero marks).

11. For rough work, use the inner back page of the title cover and the blank page at the end of this Bookiet.

12. Depos;t only OMRAnswer Sheet at the end of the Test. 13. You a~ not ~rmitted to leave the Examination Hall until the end of the Test. 14. If a C8l)didate attempts to use any form of unfair means, he/she shall be liable to such pu'nishment as

the University may determine and impose on himlher.

Total No. of Priilled Pages :29 {~~ tRI if 3If.frq 3II'/{Uf ~ 'If ~ 'II!' Iq

UP/260/t No. of Questiou : 100

~q!t~:loo

Full JfarIca : 300

N:300

Note: (1) Attempt as many questions as you can. Each question carries 3 (Three, marks. One mark will be deducted/or each incorrect answer. Zero mark will be awarded for each unattempted question.

3INifllf\1if1 m <!it -re ~ 'fiT W1<'l 'CIR'I ~ m 3 ( 'ift;r) at<!> 'fiT WI

SleW .. 'IR'Tfr 3m'ii; fmr ~ R cnm ",/Il'll I ~ 31:ra~d m 'fiT

~I '<Iiifl If'1 iPn I (2) If more than one alternative answers seem to be approximate to

the correct answer, choose the closest one.

~ ~ ~ifI~ifI ~ ~~ iJ;~. m, <it r~iflGdIl ~ ~ ~I

01. Which Raga belong to Poorvi That? (1) Deshi (2) Basnt (3) Sohini (4) Lalit

f.Il:I it it ~ m 'U'T 'i'if fire 'fiT W ?

(1) ~ (2) ~ (3) ~ (4) <'!ft=nl

02. Amongst these which Raga is evening raga ? (1) Jogia (2) Sohini (3) Rageshree (4) Vibhas

f.Il:I1) 1I ~ m 'U'T m ifll('fl'l 'U'T W ?

(1) .nfll'n (2)~. (3) W't'lil (4) fcNm

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03. Which raga is Uttarang Pradhan ? (1) Kamod (2) Paraj (3) Hansdhuani (4) Jaijaiwanti

""" ~ WI a<1(j'1 ~ t? (1) <wilG (2) ~ (4) ;A;A,,;flI

04. Which is the samprakritik raga of Adana ? (1) Bageshree (2) Darbari (3) Shyam Kalyan (4) Kamod

3lmT "" elllll"f.t", WI """ ~ t ? (1) i!P\~ (2) G<'II:O

(3) ~ "'Ci'llol (4) <IilliI<::

05. In which Tal is Sadra sung ? (1) Dadra (2) Jhap tal (3) Teen tal (4) Choutal

~ f<rn m -q 1JIl« <IIlIl t ?

(1) ~ (2) ~qdlCit (3) til1dlCit (4) 'iu(dICit

06. According to jati bheda how many total tala. are there in Carnatic music?

;;nftt ~ ~ 3l:!el( "'1k'" m -q ~ flI><R-m t ? (1) 30 (2) 25 (3) 15 (4) 35

07. Raga Maand is related to which state ? (1) Uttar Pradesh (2) Madhya Pradesh (3) Rajasthan (4) Gujarat

4

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(1) 'O<R:~ (2) ~ ~ (3) {I"'~I~ (4) ~

08. Which geeti is related to swara ? (1) Bhinna (2) Besara (3) Sadharani (4) Goudi

~ ~ ~~ 1iIffr 'f.I>t.r m f ?

(1) f'1>lT (2) iRm (3) m'1R"ll (4) ~

09. How many murchanas originate from every grama ?

(1) Two (2) Five (3) Seven (4) Twenty one

~ lIJlI ~ foI;lI'i\ 'ii4~lq om "iI<ft t ?

(1) ~ (2) -qj;;J (3) "'"

10. How many angas are there in Trivat ? (1) Four (2) Two (3) Three (4) Five

~ iii fim 3itT mil ~ ?

(I) "IR (2) ~ (3) <it:! (4) -qj;;J

11. Tappa singing style is invented by :

(1) Man Singh Tomar (2) Haddu Hassu Khan (3) Tansen (4) Gulam Nabi Shori

GtIJI ~ ~ iii onftl""R'Ii f : (1) ql~~e <iI<R (3) dH{H

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12. 'Akhtar Piya' is Penname of:

(1) Tansen (2) Niyamat Khan (3) Muhammad Shah (4) Wajid Ali Shah

'3R!iR flI>Il' aq~lq t : (1) dl1e~ 'iii (2) f.!i'Md l!Ii (3) !ill"l<; m (4) cnf.;I<; amt m

13. What is the name of the f11"St shruti ?

(1) Mandra (2) Teevra (3) Rajani (4) Dayavati

mil 'aft! 'iii <i>lI 'lIlI t ?

(1) 1iJ:J (2) <fIiIl (3) mt (4) c;41C1til

1 ..... Types of Kutup are :

(1) Four (2) Three (3) Five (4) Seven

~ * 'lI<Im: t : <fA •

(1) "IR (2) (3) 'tI'RI (4) W<I

15. Which Raga is Dot audav raga ?

(1) Chandra kauns (2) Hindol

(3) Sohini (4) Deshkar

'!ht.r '" WI ~ WI """ t ? (1) til(q,i~ (2) "~<1 (3) m (4) ~~I"'I(

16. Which raga is Pannel-Praveshak ?

(1) Hindol (2) Paraj

(3) Jai Jaiwanti (4) Maru Bihag

6

"I>T-! <IT "WI ~-~il~I'" i : (1) r~J\<'1

(3) ;jj;jj 'l;;fl (2) ""'"

(4) ~ f.mq

17. How many matras are there in Brahma Tal?

~l!ldl(1 -q fi;;<R\ ~ i ? (1 ) 18 (2) 28 (3) 15

18. Which tal is played in Pakhawaj ? (1 ) Addha (2) Ada Chou",' (3) Rudra (4) Punjab;

"I>T-! <IT "dT(1 q<SlI'l;;j -q ~ ;;om i ?

(1 ) ~ (2) 311m 41dl(1

(3) ~ (4) ~

19. Which raga is similar to Marva? (1 ) Poorvi (2) Sohini (3) Hindol

llm1T <oJ t1q~I<t>R1'" "WI "I>T-! <IT i ?

(1 ) 'L'ff (2) ~ (3) rnJ\(1

20. Which tal is used in semi-classical music ? (1) Ektal (2) Addha (3) Rudra

o'Hllffi'l Wftl! ~ <lTI'.I"I>T-! <IT"dT(1 ~ irnr i ?

(1) ,("'dl(1 (2) ~ (3) ~

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(4) 12

(4) Basant

(4) ..rno

(4) Jhaptal

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21. Which raga is Dot used in Thumri singing? (1) ·Pahadi (2) Kamod (3) Jhinjhouti (4) Maand

f<lrn WI if wRt ~ ~ -:;mit ?

(1) ~ (2) ~ (3) f~~IW (4) ~

22. Raga with two madhyam is : (1) BhimpaJasi

(3) Patdeep

~ lM'I ~ WI t (1) >il'l4<:'1lm (2) '1>118'1'<;1

(2) KaJingada (4) Chhayanat

(3) "Wftq (4) \l1'4Hl

23. Pt. Omkar Nath has written: (1) Rag Vigyan

(3) Abhinav Gitanjali (2) Pranav bharati

(4) Rag-Tarangini

31r'l>R~ll!IllRT ~ t : ( 1 ) WI fcr.IA (3) an"",,, 'fidiGl<ill

(2) 'lf1lTCI 'l1«ft (4) WI-d{pjun

24. How many shadaj gramik murchanas are there? (1) Five (2) Seven (3) Eight

~ IUfq'l> 'i;;o§~I~ 1%wit ~ ?

(1) ~ (2) m<I (3) 3llO

25. Who has established sarana chatustai method ? (1) Sharangdev (2) Pt.Damodar

(3) Bharat (4) Srinivas

8

(4) Four

(4) "lR

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OIR"ll-ilg!l41 fcIf\T ~ IIfiNI«II> ~ ~'?

(1) ~II~" (2) 1jo ;:;141;:;\ (3) 'l«! (4) ~ f.fcIm

26. Madhyam grama has: (1) Eighteen shrutis (3) Twelve shrutis

(2) Nineteen shrutis (4) Sixteen shrutis

(1) ~ (2) dl'im (3) 'IlW (4) ~

27. Hindolam is similar to which Hindustani raga.? (1) Asavari (2) Malkauns (3) Bhairav (4) Bilawal

f~~dq ~ ~~I:fl 'U'T ~ ~ t ?

(1) 3i1~iI'la (2) qld~~ (3) "'" (4) f"dl"d

28. 'Bhavragn Lahari' is written by :

( 1) Pt Omkar Nath Thakur (2) Pt V.D. Paluskar (3) Thakur Jaidev Singh (4) Pt Balvant Rai Bhatt

''lfCWi ~' ~ \ilf'ldl ~ :

( 1) 1jo <>ll·!fiI<'1I~ OIF (2) 1jo f<lof<::oq~\

(3) OIF "'<l~" fti& (4) 1jo "d<id w:r ~.

29. Jatis described in Natya Shastra are : (1) Sixteen (2) Eighteen (3) Twelve (4) Fifteen

'1lc:>1M!I if qfUfo "'Ifd'll ~ :

(1) ft (2) 3iil<!! (3) 'IlW (4) m

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30. Dagar Bandhu are related to :

(1) Khyal (2) Dhrupad (3) Thurnri (4) Gaza1

~-.." ~ ~ ~ ~aj1tl6 t ?

(l) ~ (2) ~ (3) ~ (4) 1r;;r.J

I 31. Which Raga consits of "Dha Ma Ga Re Ga Re Sa" ? - ----

(1) Deshi (2) Minya Ki Todi

(3) Guriari Todi (4) Lalit I

"~ " lJ ! lJ ! '"" ~ \PI iI; ~d ? (1) ~ (2) ~qft~

(3) ~~ (4) <'Ifffir

32. Which raga belongs to bilawal that? (1) Kamod (2) Deshkar

(3) Jaijaiwanti (4) Hansdhvani

'I>"r.r '" \PI f'l<'lI'*;'1 "IR: ~ ~ t ?

( 1) ~ (2) ~~I"'I< (3) ;l\;l\i'Hft (4) ~~

33. Which Hindustani tal is similar to Carnatik Adital ? (I) Choutal (2) Jhaptall (3) Teental (4) Teevra

"'"Iia", iI; 3uf<;61<'1 iI; ~ 'I>"r.r '" f~'$1I4l <IR'I t? (I) ~61<'1 (2) $lQ61<'1 (3) ffl'161<'1 (4) <fun

34. Which Raga consists the swaras "Sa Re, Re ga, ga rna, ga Ma Re, ~,Sa Re Sa"? (1) Basant (2) Kamod (3) Chhayanat (4) Darbari

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"", t, t '11,'1111,'1111 t, ~, '" t "," ~ WI ~ ~ t ?

(1) 'iRi<I (2) ~ (3) \§I""~e (4) ;;, .. 1(1

35. P1avit is the type of : (1) Murchhana (3) Swam

'<'Ilfild "l(qjR t ~ : (1) 'l<4~1 (2) ~

36. Abhang style is related to : (1) Tamil Nadu (3) Bengal

at'i1l ~ ~aill«t t ~ llf<I -« : (1) drq<1~I§

37. 'Chatur Pandit' is pen name of : ( 1) Vishnu Digambar Paiuskar

(2) Gamak (4) Jati

(3) ~

(2) Maharashtra (4) Gujarat

(3) <l1Tr<1

(4) ;;nffI

(4) 'JOIUd

(2) Jagganath Bua Purohit (3) Pt Vishnu Narain Bhatkhande (4) Pt. Balwant Rai Bhatt

'<l\lt 4fUsd' a4~lq t : (1 ) -q 0 III 0 f<:' 0 4<tl"'1" (2) ii!'lm'l ~311 ~

(3) -qo Illo ""0 'Illd\llO~ (4) -qo 'mcid WI ~

38. Mela Padhati is originated by : (1) Bhamt (2) Vyankat Mukhi (3) Acharya Brahaspati (4) Sharangdev

11 P.T.O.

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iRr ~ iii lIC1ti<l> ~ :

(1) '1«1

(3) 3lT'II'f 'W,qfil

(2) &j<l>i!~<lil

(4) ~1I'1f~q

39. How many veenas are used in Bharat's 'Sarana Chatushtay' Padhati?

(1) One (2) Three (3) Two (4) Four

'1«1 iii '~ '<I\l8'l' ~ iI mR <ftuTr "" w.WT flI;>rr TfllT ~ 7

(1) 11;<1> (2) <iR (3) <it (4) 'iIR

40. How is Nad Produced ?

(1) It self (3) From anahad Nad

~ ~ "If<I>R «'I'i! mm ~ 7

(1) am 31T'l

(3) ~~~

(2) From aghat (4) From water

(2) 311"lffi ~

(4) OR'! ~

41. Hindustani Komal Nishad is called in this Karnatak Music:

(1) Kakali Nishad (2) Kalshik Nishad (3) Shudha Nishad (4) Shudha Dha

~'l;@;fl "<I>'tlR'I f.rom: <!it 'bOIIa'b Wfta iI "'f>\!d W :

( 1 ) 'bl<l><'fi f.rom: (2) ~~I<I> f.rom: (3) 'IFl f.rom: (4) 'IFl III

42. Tappa singing consists lots of :

(1) Murld (2) Gamak (3) Bahlava (4) Meend

12

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?:"IT 1lI'R it l'I'Ift a:U~ t : ( 1 ) "!l'I>'I (2) If'I'I1 (3) 0I5<'11,U (4) l:jf"g

43. How many minimum swaras should be there in a Raga?

(1) Five (2) Seven (3) Three (4) Six

WI it <I'i'I 'i! <I'i'I mR m '1>'\ atl'W"I"'dl t ?

(1) ~ (2) m<I (3) <iR (4) m

44. Abdul Karim Khan was related to this style of singing:

(1) Dhrupad (2) Thumrui

(3) Khyal (4) Haveli Sangee!

~ ~ ~ 'iii ~kl"" "$l'I1lI'R *"it 'i! "<l :

(I) ';l'IG (2) wm (3) ~ (4) ~ Wim

45. Rag Pilu is used in :

(1) Khyal singing

(3) Thumari singing

(2) Dhrupad singing

(4) Chaiti singing

(1) ~ (2) ~ (3) ~ (4, .~

46. The Raga of kafi that with Vakra Pancham :

(1) Miya ki Todi (2) Sageshree (3) Shimpaiasi (4) Rageshree

Cijf; -.:i'IlI ~ 'fiI1Iil ~ 'iii WI :

(1) ~ '1>'\ ~(2) qJit~ (4) W1~

13 P.T.O.

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47. Punjabi Tal has: (1) Ten Matras

(3) Sixteen Matras (2) Fourteen Matras (4) Twelve Matras

$nift <IR'I if ~ ~ ~ : (1) ~ (2) ~

48. Rag Deshkar is similar to :

(1) Bilawal (3) Shudha Kalyan

'U'T ~~Iq>R 1l!<'R1l "FR'" t ~ 'U'T ~ :

(1) fil<'llq<"

(3) ~ q>~lij'

49. Tal Ada Choutal is used in :

(3) ~

(2) Bhupali (4) Goud Malhar

(2) ~

(4) ~-~

(1) Dhrupad (2) Thumari (3) Khyal

<IR'I ~ ~(fl<'l ~ WI 'iIOIJlIt 0l1<tI t : (1) WIG (2) wm (3) l§!lli'\

50. Vadi swara in Rag Chandrakauns is :

(1) Ga (2) Ma (3) Sa

'U'T iiS;:'f>'fu 'fiT ~ «R t: (1) 11 (2) 11 (3) m

51. Who was the composer of Rag Darba.ri ?

(4) ~

(4) Dhamar

(4) 'Il!R

(4) Dha

(4) "

(1) Bilas Khan (2) Minya Tansen

(3) Sadarang (4) Pranav Rang

14

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WI G(ill{I %; ("I~dl .m fl ?

(1) fiI<itR'! lM (3) ~GI(II

(2) fif'li dHe'l

(4) "lI"l'I "(tJ

52. Smt. Gangubai Hangal is related to :

(1) Jaipur Gharana (2) Agra Gharana (3) Kirana Gharana (4) Gwalior Gharana

~ ~ ~ ~ '\fiiftra f ; (1) ~'ERR!

(3) 1<1;(1'11 'ERR!

(2) awm 'ERR!

(4) 'Cllf<!1q( 'ERR!

53. The term Uttaraita is related to :

(1) Gram (2) Jati (4) Swar (3) Murchhana

d\l(lqdl ~ lml ~ t : (1) lI1'I (2) onftr (3) '1;;0'11

54. The author of 'Swara Mela Kalanidhi' is : (I) Abhinav Gupta (2) Sharangdev (3) Ahobal (4) Ramamatyp.

\'w'l<it-q;<itIAftr' %; ~ f : (1) an'Wf '!I'd (2) ~IIW~CI

.,

55. This vargikaran prevalied in ancient time:

(4) ~

(1) Rag-Ragini Vargikaran (2) Jati gayanVargikaran (3) Mela Rag Vargikaran (4) Ragang Vargikaran

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"lIl'iA q;R'f if ~ JIT.IR: "II :

(I) WI-"UfIr;ft q.ifiifi{.1

(3) 1ffi WI q.ifiifi{OI

(2) onf<r l1I'l'f q .ifiifi{ 01

(4) wri'I q·ifiifi{OI

56. Sadarang-Adarang popularized this style of singing: (I) Dhrupad (2) Thumari (3) Khyal (4) Tappa

~~I('I-~ ~ ~ l1I'l'f ~ <1>'1 uiilfcid flI;>;rr :

(I) 'iJ'!G (2) wm (3) 'l§!m'[ (4) G"Il

57. The grantha of medieval Period: (1) Sangeet raj (2) Natya Shastra

(3) Brihaddeshi (4) Sangeet Ratnakar

~ '3'l q;'I "Ii!!! t : (I) .rmr ~ (3) Wit

(2) ~m;r

(4) .rmr (Mliifi{

58. Which tal is suitable for Vilambit Khyal ?

(I) Tilwada. (2) Jhaptal (3) Kaharwa

~<itfl<td 'l§!m'[ ~ ~ aqgffi ~ <II 'dR'I t ?

(I) fd<itql61 (2) ;;Iqdl<it (3) iifi6{ql

59. 'Sawai Gandharv' Mahotsav is held in' :

(I) Kolkata (2) Puna (3) Gwalior

~ Ti~' q~ffiq 1AI<!I ""'" t : (1) <hl<itiifildl if (2) 'l:IT if (3) 'qlfci'l{ if

16

(4) JattaJ

(4) "Iddl<it

(4) Mumbai

(4) ~if

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60. Who received 'Padma Bhushan' award in 2009 ?

(1·) Pt. Jasraj (2) Pt. Chhannulal Mishra (3) Smt. Gangubai Hangal (4) Pt. Rajan· Sajan Mishra

cpf 2009 if "ro 'i""" Q<IIfi;r ~ lIl'<Ill ?

(1) 'Ij., '"@'" (3) .~~~

(2) 'ljo 0'1<'111i1 fiflJll (4) 'ljo",",,-m-;R fifw

61. Na Ohi I Ohi Na belong to : 4 0 (1) EkTal (3) Ada choutal

",Pit ~ " flIffi moPlil am ~ ? 4 0

(1) ~OR'!

(3) 31m ~dlli1

(2) Teen Tal

(4) Jhap tal

(2) <fA OR'!

(4) !!Iqdlli1

62. This is one of Ten Lakshans of Jati.: (1) Sanyas (2) Antar Marg

(3) Vinyas (4) A1patva

-.nflr ~ ~ ~eJ1II if ~ ~ t: (1) ~"II~ (2) ..... '1<'11·' (3) f<I"Il~

63. Poorvi Aang Thumri belongs to : (1) Luknow (2) Banaras (3) Bengal

~ a:P! <fil 'Q'ffi <liT Iij;( t : (1) 1i1\S11&i (2) 'HI(~ (3) <iollIi1

17

(4) "'<"l<q

(4) Patiala

(4) 'lR1l11i11

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64. Kaharwa tal is suitable for: (1) Khyal (2) Bhajan (3) Dhrupad

*,~{ql m W ~ ~ ~aq!l'f' ~ :

(1) G!IR'I (2) 'I!OA (3) ~

65. What is AJapti ?

(1) Sargam (2) Andolan

(4) Kut tan (3) Anibadha AJap

~<i'IT~?

(1) m'l'!

(3) alAq4 3lR'Il'!

(2) alKlt'l'l

(4) ~ OR

66. Ada Charta! has the Number of Talis :

(1) Two (2) Three (3) Four

3!l6l "IRdR'! if dlR14i q,'\ ~ i : (1) ~ (2) 1iR (3) "IT{

67. Which Raga has Re as a Vadi Swar?

(1) Kamod (2) Chhayanat

(3) Sohini (4) Patdeep

fli;~nl'T q;( ~ ~ H ?

(1) ~ (2) 0141'12 (3) ~

I I 68. Which Raga has Sa, Ga, Ma, dha Ni dha Ma Ga Sa ?

( 1) Marva (2) Hindol (3) Basant

18

(4) Dhamar

(4) til!!{

(4) Five

• (4) 'Il"I

(4) ~

(4) Paraj

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I I m, 11, 1'/ II Rll 1'/ 11 m ~ WI ~ ~ t ?

(1) 1lRCII (2) ~ (3);m (4) "'"'

69. 'Baul' is the popular folk Sllng of : (1) Punjab (2) Uttar Pradesh (3) Bengal (4) Assam

""6><.1' ~ 'lIilI 'iii <fflq;.ftd t ?

(1) '$nir (2) O<R ~ (3) oiIJl<.1 (4) 3lW{

70. What is 'Kuad' ? (1) Swara (2) Layakari (3) Tal (4) Vadya

~11!' 'I'!l t ?

( 1) ~ (2) <.1'1q;I<1 (3) <Il<.1 (4) <mI

71. Which singing style is related to Holi ?

(1) Khyal (2) Thuman

(3) Dhamar (4) Chaturang

~ 1JI<R ~ il' ~ 'iii qaR flI<.1ln t ?

(1) ~ (2) ~ (3) llI!R (4) ~

72. Which instrument is not used in Khyal singing? (1) Violin (2) Sarod (3) Sarangi (4) Harmonium

~ <mI 'iii '!Pit1I1§!II<.11J1<R ~ ~ ''''hlldl t ?

(1) ql",I<1'1 (2) ~

(3) mN (4) m<Iitf:t"'11

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73. Renowned vocalist of Patiala Gharana :

(1) Pt. Jasraj

(3) Smt. Kishori Amonkar

qR""itl 'Rf.t ,*. W1R14 1JPf<!; :

(1) '1f. "Ifl<l"I

(3) ~ fq>~{1 314)1'1>(

(2) Pt. Ajay Chakravorty

(4) Smt Prabha Attre

(2) '1f. a:r.!"I '<jifiqcff

(4) ~;:['lT ~

74. According to Ahobal how many total No. of Shudha Vikrat Swaras. are there?

(1) Twelve

(3) Twenty Two

(1) 'il'iW (2) ~

(2) Fifteen

(4) Nineteen

(3) '1m!

75. Who established the Rag-Ragang Padhati ?

(4) ~

(1) Pt. V.N. Patvardhan (2) Narain Moreshvar Khare

(3) Pt. V.D. Paluskar (4) Pt Narain RaO Vyas

\JlT-'(l1li1j.'I<iif<r ~ mR ~Iflld f<Ii4T ?

(1) '1f. fc/. 'IIqlCJ$l (2) 11<1<l 0 1..m:~ liit (3) '1f. <1\. 1'1:. q'df'l'( (4) 11<1<10 1 UCJ '&fifI

76. Which tal does Dot consist khali ?

(1) Deepchandi

(3) Jhaptal

20

(2) Teevra

(4) Teental

(1) ~q<i~ (2) <iliII (3) ~tqdli'1

77. How many Swar- Prastar are made of six Swaras ?

(1) 240 (2) 150 (3) 720

78. Rag Kalingda belongs to which That ?

(1) Bhairavi (2) Bilawal (3) Bhairav

\PI 'h1R:i'I!!1 ~ ~ "it .r.if~ t ?

(1) ~ (2) r.t<'tlq<'t (3) ~

79. The main Swara Combination of Bhairav Ang is : (1) Ma Ga ~ Sa (2) Oa Ma %: Sa (3) Oa Ma Ql:11' Pa (4) Re Os Re Sa -' ----~ Wr q;r w:pncrnr'W ",t.nlT t ?

(1) "IIlJim

(3) lJ"II !l'l

(2) lJ"II1m

(4) h~m - -80. In which style of singing in NaJ used?

llP/360/1

(4) dl~dl"l

(4) 320

(4) Kafi

(4) "'hT'IlI

(1) Dhrupad (2) Sugamsangeet (3) Khysl (4) Thumari

~ lJltR M iI; m'l "IR'I q;r m lI<n ~ ?

(1) ~ (2) Wlfl-Wft<l (3) ~ (4) wm

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81. Gundecha brothers are related with : (1) Khyal (2) Dhrupad (3) Folk style (4) Thumari

~ ~aiI q;J ijl4"'1 i : (I) 1§!IR'I ~ ~

(3) .Wfur~

(2) i'R~~

(4) wm~~

82. Which instrument of Karnatak misic is similar to Shehnai ? (1) Kanjeera (2) Ghatarn (3) Nadswaram (4) Gottuvadyam

'IHfzif; Wfur .,", <lit.! <IT <ml ~ ~ flIwlr-~ ~ ?

(1) ~ (2) 'Wl

(3) '11~',<I(I{

83. Smt. Kishori Amonkar is daughter? (1) Kesarbai (2) Moghubai (3) Hirabai· (4) Siddheswari DeVi

~ift f<h:w,l "l<fl'1if;{ l'I'I>"t 'Pit ~ : (1 1I;11{"'1~

84. Tirip is related to : (1) Varna (2) Tal

fuftq 1114 F"ffi ~ : (1) quf ~ (2) <Tr<'l ~

22

(2) <il'i~

(4) mml~

(3) Gamak (4) Laya

(3) lJlllI; ~ (4) ~~

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85. A single rotation of a Tal is called;

(1) Theka (2) Avartan (3) Laya (4) Sam

<IR'I "" 1l;'O _ iIi~<'I1 d 1 t : (1) ~ (2) 3l1'ffl:I (3) WI (4) <II!

86. Mallikrujun Mansoor is related to :

(1) Jaip1)r Gharana (2) Delhi Gharana

(3) Agra Gharana (4) Kirana Gharana

'If<'<'lililfi ~ ~«Pt1<1 t : (1) ~~~

(3) awm~~

(2) ~~>7l

(4) f"'<I011 ~ ~

87. What is Kamal Rishabh Called in Karnatak music ?

(1) Shudhha Gandhar (2) Shudhha Rish"bh

(3) Sadharan Gandhar (4) Antar Gandhar

~ ~ <tI iIi"lllili m -q qo;n ~ ~ ?

(1) ~ lit1R (2) ~ 'It'l'll

(3) m>lf{Ur ljtJR

88. 8mt Shobha Gurtu is a famous artist of :

(1) Bhajan

(3) Semi -Classical

m ~ mm. <6<'11<61( t' : ( 1) 'IIOR q,'\

(3) Q'HII(!!1'l m q,'\

23

(2) Pop music (4) Folk Song

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89. Which of the following is related to Rag Lakshan ? (1) Chal-Achal (2) Sthai-Antara

(3) Varna -Alankar (4) Tar-Mandra

f.!"! "it -« WI <W"I -« tiilPold ~ i ?

(I) ~-a:r.ffi (2) ~-atdu (3) quf-~ (4) <IR-lil::

90. The pitch of sound depends on :

(1) Receptive medium (2) Capacity of hearing

(3) Air (4) Frequency

~ <fit QRdI f.M q;«it i : (1) ~~'R (2) 'If'I1Jl f\l11<Il 'R

(3) ~'R (4) ~'R

91. What is the shruti interval between Re and Sa ?

~ ~ ,,"it ~ 01'\1<1<1 f<I;a;rr i ? (I) 9 (2) 17 (3) 13 (4) 15

92. Who is known as 'Aftab-E-Mousiki'? (I) Vstad Niyamat Khan (2) Vstad lnayat Khan

(3) Vstad Bade Gulam Ali Khan (4) Vstad Faiyaz Khan

'31I'lidlil 4l\l~1' iii "'" it ~ ;;if.! ;;ffit i ?

(I) ~ A'IllId llIi (3) ~~. ~ 3R'it llIi

(2) ~~llIi

(4) ~~llIi

93. Late Pt. Lalmani Mishra is related to : (I) Pakhavaj (2) Sarangi (3) Veena (4) Tabla

24

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«10 ljo <'11<'14101 m~ .rr ,l .. f"'ld t : (1) q<lll"NI ~ (2) mt!fi ~ (:1) <.iiuTr ~ (4) ~~

94. How many Kaku's are described in Sangeet Ratnakar ?

WiIa U9liM .q fll;lA ,,"¥aiI q;r qvf:r t ?

(1) 5 (2) 6 (3) 7 (4) 8

95. When different part Gf a band ish is sung in different raga~ it is called:

(1) Swar-Sagar (2) Rag Saga ..

(3) Geet Sagar

(1) «R WR

(3) 1ft1! WR

(4) Sargam Sagar

96. Sangeet Research Academy is situated in :

(I) Delhi (2) Mumbai (3) Kolkata

'Wila fur.f "''''1~'l1' <m '1'1: 1W<! t ?

(I) ~ii

(3) ",1<'1..,\11 i\' ~ii' (2) ~ .

(4) ~ if

97. The oldest text of Indian classical Music is :

(1) Sangeet Makarand (2) Brihaddesi

(4) Chennai

(3) Natyashastra (4) Sangeet Ratnakar

'IlRm'l ~1I<.<ilq WiIa q;r ~1,,'l1aq 1RI t : (1) m 4..,('<; (2) '1~(~

(3) 11i!\l~II<.'II (4) WiIa <<'11..,(

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98. Ga Re Ga Pa, Dha Ni S'a are the Swaras ? (1) Kafi Ang (2) Malhar Ang (3) Bilawal Ang (4) Sarang Ang

1ft 1J'I, q f.r '" ~ ~ atrr i\ ~i!f.o:I6 t : ( 1 ) ;mft atrr (2) lR"rn atrr (3) fiI<'II'R'I atrr (4) ~ atrr

99. When Tar Sa is added to a saptak it is called: (1) Gram (2) Mel (3) Raga (4) Ashtak

~.i! <IR <II ~ 'R ~ "'6<'1161 i :

(1) lIT'! (2) ir.T (3) WI (4) ~

100. Famous Bhajan 'Jog; Mat Ja' is sung by : (1) Pt. ·Bhimsen Joshi (2) Pt. Narain Rso Vyas (3) Pt. Pratap Narain Mishra (4) Pt. Omkar Nath Thakur

~ 'lOR 'oiPit 1«1 OIl' 1JJ<fI i : (1) 1jo 'Illq~nit~ 'it (2) 1jo 1RI'I01 "" 15!Iffi"

(3) <to"lRlT"! 'IRlllOI ~'lI (4) <to ~·"'R11'" ~

26 300

31acffioff ~ fta:n!: f.I~'1 (pi gIiNi .. ".,., ..,,.,,OJ P Ilf m awI"-1/lI' .. ~ '['8f Ilf

__ :Iif1ft-otnfIft fIIfIr-. "., It it ffttW)

1 ~ :gt<tlli' fiR;R ifi 10 ~ ifi ~ tt ~ tlf fit; l]~.tq:( if ~ '!'O ~ ~ am ~ >I"R ~ 'lWY., ~ .... ~ WI OIA 'R ~ 'fl'IT ~ ~-f461\111i 1111 ~, .1l'T'f lIl'm ll\'I ~ :gt<tlli' _ ~ tlf,

Z_ • """ if /llMiiii •• -1/lI' .. an1Illlf1l. ftm '" mGT ~ oft ~ IIi11J'iI '""

if ".nil, 3_ afff-1/lI' _ It ftrlr _ '1 F nhlj' aft;., it."1 fJlfT afff - ra:rtffttTT ~I

*'nor awI"-1/lI' lIlT it ,...,-.. _ """"1 4. 3l'I'!I atjl6qilli <!tIT 3'01:-,,", .... lIi'Ii'Ii _ ~-'!'O 'R ito! "it ~ "'"" 'R ~i

5. afff-I/lI''''''''' P Ilf"" It 3/IRr 81!/1i"''' fiIwfIl. _ IlfH m ~ ~ ¢.rt 'IIJT .... (, otrf-."r "" ...... It .", IIR-stm» lIlT""';"; m * lIlT .,..,.. r.m ",,","' .,..HI

6. alt. ~. 3/IT. I/lI' Ilf 81!/ .. ." .... ."" .... gfiRi 'fiIIIfT I/' * 'fiIIIfT ~ .rtf It) m »f'I!Ifilr'" llf81!/lilli .. aft;aIt. ~. 3/IT. I/lI' 'fiIIIfTllftllNiiif>faq/lFlISI.1lft81!l'1flr :rtf'1

7 •• 1INi<if>f.rtf rtI q/l"i. Qf.J"'''1m »1(j{Vj" rl:tr ~_1Ir 'l'681!/fim mrR lIlT ITIllrr '"'" ~I

8. IIR-Sfi?ito;i >f»rQ; 1If'I .. .,.. .... Riil .. afff~~fl »rQ;IIR ...... Riil .. awI""~ 3IfIIIIft afff-1/lI' 1Ift"lIwdi1rr IiIifr .. mW ~ ~ "'" .rt awI"-1/lI' iIr ".,., P .,.. ~ ~ ~ .. 81!/iI1f "., It 'IIJT """" "

9. mit<i; ~ '" 3'01: '" ~ m 1l:'6 tt '!'1' 1111 ~ .gl 1l:'6 "it atNq; 'i"'f 1111 ~ q;f.t 'R 3liI'IT 1l:'6 'l:'I1II1 3l1"f ~ 'R 'fW 3'01: 1ffil! """ ~I

1 O. """" (fin '1'6 Iffl" flIItt 1m aifi61r awl" IIlIl'IT :rtf "" IIOiIII' " ~ 3/If( ft;dt IIR lIlT awl" :rtf t.IT ~ t; lit fi>iflm 1iIifr .. mW iW ~ iirtI ¢.rt "fIITIIft riIJ (I ~ 1If'/l'.,.. l',l"I .iW~1

11. ~ """ ifi ~ m:-~1Ii1 '" !!<!'I~'8 '" ~ <ir.IT '!'O <!tIT 3'01:-~1Ii1 '" affiI>! '!'O .... ~.gl

U .• ifi aq(]'<1 ~ aIt ~ 3/IT awI"-l/lI'. 'Ill'! if '"'" ~ ~I 13 •• _ ~ "it ~ • """ "it >m OIA ll\'I at:lqfll 'ItT ~I 14. "'" ~ 31"I'ff. if atl''ld ~ .... ~ 'li«IT t <it 'IW F~~"M"''''~ 1m f4"f!i:d ~ 1fiIIiI>'t. 'Iff'f\ ~I