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Transcript of Ghosts. A magazine of romance and reason, magic, mystery ...
UnoSUS Iv1acue Lo Appear riverywnere:
A Magazine .ROMANCE AND REASON
,
Magic, Mystery, Spiritism and Psychical Researchfor Entertainment and Recreation
* - W."FEBRUARY 1910 \"\" e \PRICE 10 CENTS \\".
Threading the MazesBy Rhode Knight
How I Became a Spirit MediumBy A Medium
*,| | | | |
*
Improved Ink Versus Water TrickThe effects produced in this trick far surpasses an v InkTrick yet brought before the public. The performer comesin showing four empty tumblers, a bottle of ink, and a glassjug containing water, and a small finger bowl. In to the latteris poured the bottle of ink. This is then poured into one ofthe tumblers and covered with a handkerchief and given toone of the audience to hold. Another glass is filled with waster from the jug and passed to someone to hold. After a few
seconds this a seen to instantly change into ink, the otherglass upon l'ins unt overed is seen to change to water.NOW NOT b - The glass which changed to water is pouredinto one of the entity glasses when it instantly changesback to ink. I "glass of water is poured into the other tumbler when it instan...y develops into ink. Description failsto fully justify this splendid illusion. Price. 14 | 6 ($3.48).Post free, 15||3 ($3.66). Postage extra for abroad.
CYCLOPS COIN TRICK •
This consists of a brass cap in the top of whichis a small hole. It may be thoroughly examined.Three coins are borrowed and placed on a tableand covered with the cap. The coins and cap arethen placed on the hand of one of the audience.Upon the cap being removed only two coins arefound, the other coin having completely vanished.
The cap and coins may be thoroughly examinedto prove there is no deception, the hole in the capallowing the audience to see right through it
.
This forms a splendid pocket trick. Price, 1 || 8
(40 cents), post free. Cheaper make, not recommended, 1 || 2 (28 cents), post free. Postageextra abroad.
PROBLEMS IN MYSTERYBy Max Sterling
This book contains many unique tricks and illusions, and should prove very useful to both profes
sional and amateur conjurer. The tricks are wellexplained and it contains several illustrations.
Price 2 6 (60 cents). Post free, 2 || 7 (62 cents).
HAMLEY BROS., Ltd.35, New Oxford Street, W. C., London, England
LONDON BRANCHES510a and 512, Oxford Street, W.
59, Knightsbridge, S. W.
29, Ludgate Hill, E. C.
86 and 87, High Holborn, W. C.
(Head Warehouse)200 and 202, Regent Street, W.
Professor Hoffmann's BooksMODERN MAGIC. For many years Professor Hoffmann has held the field as the standard writer upon the fascinating subject o
f
natural magic, and his twobooks, MODERN MAGICand MO l{E MAGIC, cover almost the whole range o
f
knowntricks up to the date o
f publication of the latter in 1889. 578
pages, 318 illustrations. Handsomely bound in cloth. Price,$1.50.
MORE MAGIC. Uniform withthe above, 457 pages, 140 illustrations. Price, $2.00.
LATER MAGIC, ProfessorHoffmann's latest book. Mostup-to-date book on magic. Explanation o
f
the latest tricks.557 pages, 221 illustrations.Price, $2.00.
Standard Magical Books
Any of
the above books will be
sent on receipt of price by the following dealers
THE BAILEY & TRIPP MAGICAL CO.
Books by Henry R.
EvansMAGIC ANI) ITS PR ()FESSORS. The life |stories o
f many famous magicians. 220 pages,fully illustrated. Price, $1.25. - -
THE OLD AND THE NEWMAGIC. Introduction by PaulCarus. With numerous illustrations and programs o
f
entertainments o
f leading magicians
of
all times. 383 pages, Price,$1.50. -
D. P. Abbott's BooksBEH IN ID THE SCENESWITH THE MEI) IUMS.The best work o
n this subjectever printed. 328 pages. Price,$1.70.
THE MARVELOUS CREATIONS OF JOSEFFY. 2
5 pp.,
15 illustrations. Price, 15 cents.
Box 417, Cambridgeport, Mass.
MART INKA & CO.493Sixth Ave., New York.
When writing to advertisers, kindly mention GHOSTS
A MAGAZIN IS OF ROMANCE AN I) REASON
V().I.U M E I CONDUCTED BY A. M. WILSON, M. I.). NUMBER 1
CONTENTS FOR FEBRUARY, 1910
COVER From a rare book in the Astor Library, New York
DIRECTIONS FOR SEEING THE SPECTRES Frontispiece
Illustration from “Spectropia’’
SPECTRAL ILLUSIONSPlates and illustrations from drawings
THREADING THE MAZES RHODE KNIGHTIllustrations from drawings
TI IE SPHINX RIDDLE OF HUMANITYHENRY RIDGELY EVANS
Illustration from a drawing
AN AFTERNOON IN A MAGICAL LIBRARYERNEST EVANGELINE
Illustrations from old prints, etc.
HOVV. I BECAME A SPIRIT MEDIUM A MEDIUM
GHOSTS is published every other month (six issues a year by Ernest Evangeline, 203Temple Block. KansasCity. Missouri, U.S. A. Yearly subscriptions, 60cents. Single copies, 10cents. Copyright. 1910,by W. J. Lucas.
THE TWIN MAGAZINES OFw - *- - *MAGIC ENCHANTMENT- GHOSTS is a twin to MAGIC, The Magazine of Wonder.
THE MAGAZINE OF WONDERThe two magazines are published every month alternating,making six numbers of each a year. 60 cents a year each,
or $1 a year for both; single copies, 10 cents.
These twin magazines present magic and allied subjectsto the general public in the most attractive manner, witha strong leaning towards the recreative side rather than
the sceintific or philosophical.
The March number of MAGIC, ready February 25th, willcontain a novel paper cut-out trick, an original comedymagical sketch, interesting illustrated articles on magicalsubjects, practical tricks, and lots of pictures. A prize package of wonder, entertainment and novelties for amateurs,|-10 enthusiasts and students.---
WhatA ConjurerCanDo Magic, Ghosts, Conjuring. Puzzles, Sleight of Hand, En;- tertaining, Illusions, Spiritism, Ventriloquism, PsychicalResearch, Psychology and Sorcery are some of the subjects to be thoroughly and completely covered in “TheTwin Magazines of Enchantment.”
ERNEST EVANGELINE, Publisher, 203 Temple Block, Kansas City, Mo.
TheMarvelousRisingCardsof Joseffy-
PLATE. I. Changes to white skeleton, with green mantle, blue background.
DIRECTIONS FOR SEEING THE SPECTRESTo see the spectres, it is only necessary to look stead.
ily at the cross, below the chin in the above figure, forabout a quarter of a minute, or while counting abouttwenty. the plate being well illuminated by either artificial or day light; then turn the eyes to the ceiling, thewall or sky, or better still, to a sheet hung on the wallof a darkened room (not totally dark), and looking steadily at any one point: the spectre will soon begin tomake its appearance, increasing in intensity and thengradually vanishing, to reappear and again vanish. Itwill continue to do so several times in succession. eachreappearance being fainter than the one precceding.Winking the eyes, or passing a finger rapidly to andfro before them, will frequently hasten the appearanceof the spectre, especially if the plate has been stronglyilluminated.
Those who use gas light will find it convenient, afterhaving looked at the plate as above described to extemporize a darkened room by having the gas suddenlv turned low.
The size of the spectres will be determined by thedistance of the eyes from the plate and from the surface against which they are seen. being larger the near
er the plate, and smaller the nearer the surface; so thatshort-sighted persons will see them larger than longsighted, if both are equidistant from the surface againstwhich they are seen.
Should anyone not be able to see the spectre's features, the reason will be that either the eyes have beenallowed to wander or the head move while looking atthe plate.
Many persons will see some one colored spectre better than others in consequence of their eve's not beingequally sensitive to all colors.
The colors in the plate will be found to reverse them.selves in the spectre, the spectre always appearing ofthe complementary color to that of the plate fromwhich it is obtained. Thus, red will appear green, andgreen, red, etc.
An infinite amount of amusement can be derivedfrom the simple experiments here given. Hauntedhouse parties, with a white-heet in a darkened room.against which the guests in a lighted hallway or adjoin.ing room) can see ghosts, thus off ring a splendid evening's entertainment. The experiment must be repeated,if the ghosts are not seen on nr.st trial.
VOLUME I FEBRUARY 1910
THE NEW ( p ≤
FU3LIC LIBRAR*-1
54)54.71ASTOR, LENOx AND
TILDEN F.CUNDATIONS.n 1910 L
NUMBER 1
Yes, I believe in Ghosts. Not the kind youthink I mean, but—I believe in Ghosts.
I believe in Ideas. The thought is the thing.
But then, I've had lots of pleasant thoughts.Many a man with a good one has to beat itup and down Main Street blowing for his ownin vain. It takes a good salesman to sell a better idea.
I am going to thresh out this ghost business.The LAST WORI) on this subject is going tobe said in this magazine. I am going to print
ideas enough here, during the next few years,
to enable any living being to decide for himself, once and forever, whether there is anything beyond the grave.
At the start, I want it to go on record that Idearly and truly want to believe that if I die,I will live again. I know you believe as I do.I will have a sympathetic audience. So, wewill go into this matter together carefully andthoroughly. As the months go by we shallsee what comes. May be we will prove something—demonstrate something.
Publisher’s PrologueSend me YOUR ideas—and your friends'
ideas. Tell me anytime anything that will helpus make connections with the next world. Iwant other people's experiences. I have hadremarkable experiences myself. Were I toput them down here you would not believe—to me they are real.
But I pray you not to send me any writtenword of yours or of others' psychic experiencesthat I cannot print in this magazine withYOUR NAME AN ID A.I.) I) RESS AT THEBOTTOM. I want to convince others. Youand I may KNOW but the rest don't. I haveno patience with those “well known" and“responsible” men and women who haveexperienced most wonderful and convincingpsychic phenomena but refuse to give thepublic names, dates and places for verification and analysis.
Truth has never injured the human race, butthe misapprehension and fear of it have.
ERNEST EVANGELINE
Spectral IllusionsShades, Shapes and Shadows of the Eye and Imagination
From “Spectropia,” Astor Library, New YorkGI IOST, according to the
# general descriptions of thosewho fancy they have beenfavored with a sight of one,
*=2# => appears to be of a pale phosphorescent white, or bluish white color;usually indistinct, and so transparentthat objects are easily seen through it
.
When moving it glides in a peculiar manner, the legs not being necessary to itslocomotion.
All the senses are more or
less subject
to deception, but the eye is pre-eminent
ly so; especially in the case of persons
who are in ill health, because the sensibility o
f
the retina is then generallymore exalted, a
sis also the imagination,
We may divide the illusions to whichthe sight sense is liable into four kinds.First, mental, o
r
those arising from the
brain itself, and only referred to the eye.Second, those produced by the structure
of
the eye. Third, those arising from theimpressions o
f
outward objects on theretina. Fourth, those produced by various combinations o
f
the forgoing. It is
only the second and third we shall haveoccasion to touch upon. But before wecan well understand their nature, it willbe necessary to get a slight knowledge o
f
the structure of
the eye, and some idearespecting the nature o
f light.With perhaps the exception o
f
the ear,
the eye is the most wonderful exampleof the infinite skill of the Creator. Amore exquisite piece o
f
mechanism it is
impossible for the human mind to conceive. The annexed diagram (Fig. 1
) of
a horizontal section of
this organ willgive a better idea o
f
its general structure-
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SPECTRAL I LLUSI ()NS 5
true seat of perception, in consequenceof observing a considerable distance between the retinal blood vessels and thechoroid, when performing Parkinje's experiment. This experiment consists inpassing a lighted candle slowly to andfro in front of the eyes, at about two orthree inches from the nose, when theretinal vessels will exhibit themselvesbefore the observer not unlike branching
tery will be seen emerging and spreading over the entire retina; but in the diagram that part only is represented whichcould be seen tolerably distinct. Thebackground to the artery appears of apale red, except at the part occupied bythe optic nerve where it is white.
After this rapid glance at so complicated a structure, and bearing in mindthat some persons can see its several
PLATE II. Changes to white skeleton, Look steadily at cross in mouth to get spectral impression
trees. They may be seen by claylight, bypassing the large teeth of an ordinarycomb slowly back and forwards beforethe eye whilst looking on a smooth sheetof paper, or the sky. Fig. 4 representsthose of the left eye, as seen by candlelight. The spot marked A is the exactcenter of the retina. (The same lettermarks the same spot in Fig. 1
). It is theseat o
f
most distinct vision. / is the entrance o
f
the optic nerve (Figs. 4 and 1),
from the center of which the retinal ar
parts with far greater facility than others, it cannot be a matter o
f surprise thatpersons not aware o
f
these facts are, nowand then-especially a
t night, and whencarrying a light about-startled by whatthey fancy an apparition, but which is
in reality nothing more than some partof the structures above considered. A
lady assures us that she saw the ghost
of
her husband as
she was going downstairs with a lighted candle in her hand.The spot A
,
Fig. 4,
when seen against a
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SLS()III)S
TI IE SPII INX RIDIDLH () F I IUMANITY
favorite and picturesque pastime. Thesedances, like the mazes themselves, were
Fl(;. S. V.hedge maze designed in 1608.The tending of allthe hedges involved an enormous amount of labor.
intricate, and recall the lines:
“Mark how the labyrinthian turns they take,The circles intricate, and mystic maze.”
The famous maze at Hampton Court,
()
Fig. 4, was constructed in 1700. The keyto this maze is to keep to the hedge on
FIG. 5. A garden maze designed by Batty Langley in 1725.Constructed of hedges 8 to 10ft. high.
your right and follow it without deviation, both in going to the center and onleaving it
.
The maze at Versailles, Fig.
1,
was laid out in the midst of a densewood and the most beautiful ever made.
The Sphinx Riddle of Humanity
By Henry Ridgely EvansHIS is the question o
f
thew ages, the Sphinx riddle that# Humanity has been trying
# to solve since time began.- *'. A scientific demonstration
of innmortality is
declared to be utterly impossible.But why go to science for such a
proof: The question does belongsto the domain ofphilosophy andreligion. Sciencedeals with physical forces andtheir relations;collects and inventories facts. Its mission is not to establish a universal metaphysic o
f
things; that is philosophy's prerogative. All occult thinkers declare thatlife is from within, out. In other wordslife, o
ra spiritual principle, preceeds
organization. Science proceeds to investigate the phenomena o
f
the universe in the opposite way from without, in; and pronounces life to b
e "afortuitus collocation o
f
atoms." Still,science has beenthe torch-bearerof the ages andhas stripped thefringe o
f superstition from thetree of life. It hasrevealed to us thegreat laws o
f nature, though it
has not explained them. We nowknow that light,‘heat and electri
city are modes of motion; we know no
more. Science is responsible for the materialistic philosophy in vogue today.
A philosophy that sees no reason in theuniverse. A powerful wave o
f spiritualthought has set in.
GIIOSTS
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- - -
- --*--~~" ---\ SCRAP B()() K IN I) R. WILSON'S ( () I.I.F. ("I [()N.
An Afternoon in a Magical Library
2: FEW hours#| research in a
magic library would, no
- *> doubt, rudely disillusion shortsighted, near magicians, whobelieve that magic wasinvented in 1872, the
date of the first book byProf. Hoffmann. In 1774
gentlemen of leisure,court hangers-on, students, and teachers andbusiness men, divertedthemselves by performing tricks that lots ofyoung fellows fall uponnowadays accidentally,and imagine that theyare uncovering a reallynew sleight. But in 1774,
they called them Recreations !'"
The most interestingwork in Dr. A. M. \\ ilson's splendid collection ofbooks, is Rational Recreations, printed in
By Ernest Evangeline
R AT I O N A L.
R E CREAT I O NS,In which the PR IN C I P L E S of
N U M B E R S
a N D
N AT U R A L PHILOSOPHYAre clearly and copiouslyelucidated,
B Y A s E.R.I.E.S. O.F.
EAs Y, ENTERTAIN IN G, INTERESTING
E XP E R IM E N T S.
Amongwhichare
All thosecommonly performed with the CARDs.
By W. H. O O P E R, M. D.
V O L. IV.
-L O N D o N,
Printed for
L. Davis, Holborn, J Ronson,NewBond-treet,
B. Law,Avemary-lane,and G Robinson,Pater-noderrow.
MDCCLXXIV,
magical
six volumes in 1774, andprofusely illustrated byfull page copper etchings. To reproduce thesebooks today, would cost
a small fortune and nopublisher could be foundwho would attempt it
.
The title-page and one
of
the full page illustrations from this work areshown here with, greatlyreduced, and the readerwill discover in one corner o
f
the reproduction
of
the copper etching,an explanatory diagram
of
the rising cards from
a gollet. They are doing that trick yet !
It would take manyafternoons and dozens
of pages of
this magazine to digest and describe Dr. Wilson's magical library. The lower
part of
the walls of nearly every room
in his home are completely covered with
AN AFTERN ()()N IN A MAGICAL LIBRARY | 1
shelves of books. And many volumes,
and thousands of pamphlets, newspaper
Z IV*zzi.- PLATE, XIV
Azz/r * Ż.2 /*-*. Ay. .3/.2×!
COPPER ETCHING FROM A BOOK ()N MAGICPUBLISHED IN 1774. Wilson Collection.
clippings and magazine articles are kept
in boxes, awaiting Dr. Wilson's time forclassification and indexing. For fortyyears the editor of 77te Sphina and "TheTwin Magazines of Enchantment" has
been gathering together this storehouseof magical literature and odds and ends.
Hundreds of friends and correspondents
in all parts of the world have contributedeverything from magicians' programs
and newspaper notices, to magazines
and books. An endless chain of magicand-Magic!
In glancing through the many volumes, I was especially attracted by the
Overture''' to the Life of Robert Houdin, written by himself:
'Eight o'clock has just struck: my wife andchildren are by my side. I have spent one ofthose pleasant days which tranquility, work andstudy can alone secure. With no regret for thepast, with no fear for the future, I am—I am not
afraid to say it—as happy as man can be.And yet, at each vibration of this mysterious
hour, my pulse starts, my temples throb, and I
can scarce breathe, so much do I feel the wantof air and motion. I can reply to no questions,
so thoroughly am I lost in a strange and delirious reverie. Shall I confess to you, reader. Andwhy not? For this electrical effect is not of a nature to be easily understood by you.
-
The reason for my emotion being extreme at
this moment is,
that, during my professional career, eight o'clock was the moment when I must
appear before the public. Then, with an eye fixed
on the hole in the curtain, I surveyed with intense pleasure the crowd that flocked in to see
me. Then, as now, my heart beat, for I was
proud and happy of
such success.At times, too, a doubt, a feeling of uneasiness,
would be mingled with my pleasure. “Heavens !” I would say to myself, in terror, am I
so sure of myself as
to deserve such anxiety to
see me?' "
But, soon reassured by
the past, I waited withgreater calmness the signal for the curtain to
draw up. I then walked on the stage: I was near
the foot-lights, before my judges—but no, I errbefore my kind spectators, whose applause I
was in hopes to gain."
I found the old scrap-books the mostentertaining o
f
all. Some of them, past
ed full by Dr. Wilson in the early daysof
his interest in magic, are especially
curious and instructive. Old clippings
from Scientific American, Harper's II ee//y, Vew York Sun and the leading jourmals o
f
the world, are found in profusion.
The history of
American magic is written there. Careers o
ffamous performers,
like Carl and Alexander Herrmann, Hel
-MAGICAL COMBINATIONS
From "Fifty Years in the Magic Circle.” by Signor Blitz.Wilson Collection.
ler, Keller and Thurston can be followedalmost month by month. And for thosewho fear the results o
f exposure of
the
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JospoilpunuoleodoulolietuJoslo.13os
H()W I BECAME A SPIRIT MEDIUM 13
and the attempt at development begun.I begun my "development" sittings
in as handsome a cabinet, and with asgood instruments as the purses of myfriends, who would not allow me to goto any expense, would permit. Thosewho sat outside were Spiritualists, six ofthem; all interested in seeing the prospective medium developed to the fullness of his capabilities, whatever theymight be. They were friends of my family and I found the development business quite pleasant.
The sittings were kept up for the threemonths named as the time that the manifestations would begin, but none hadput in appearance, neither had I experienced anything that led me to believethat any progress had been made. I wasabjured to be patient by the "sitters,”who told me that it was an easy thingfor the spirits to be mistaken as to thelength of time required to bring aboutresults, but that they were probably notfar wrong, and possibly the next sittingwould see the first of the manifestations.
Thus encouraged, I continued the sittings for six months. Nothing occured,except a healthy desire on the part ofboth medium and sitters that the manifestations be forthcoming, giving me aninclination to cause some phenomena onmy own hook. The more l thought aboutit the stronger became the desire topractice a little deception on my friends,then, after telling them about it
,
dropthe matter entirely. After turning it over
in my mind for some time, I concluded
I would see what effect a few spuriousmanifestations would have upon myfriends. It would be easy, they havingunbounded confidence in me. My mindmade up to do it
,I hardly knew what to
try, and finally concluded I would waituntil the sitting came around and, aftergetting into the cabinet, see what suggested itself.
This was the course I pursued, and onone Saturday evening, after the firstsong had been sung, the sitters were delighted to hear sharp raps, seemingly onthe walls o
f
the room, within the cabinet. Of course, I had to b
e happily surprised, o
r appear so, which I did, andmy first act o
f
deceit was done. I wasforced to deny the authorship o
f
the rapsalso, and the first lie had been givenbirth. The sitters endeavored to get replies to questions, but they did not suc
ceed, for I did not care to go to thatlength with my deception and, besides,did not know what answers to make tothe inquiries. Nothing occured but theraps, although every ear and eye wasalert to catch anything that might transpire. The sitters also displayed a tendency to connect any noise occuring to
Spiritual agency. Noting this, I couldnot help reflecting with what ease onecould deceive them. It also gave me an
Instructions for DevelopingSpirit Mediumship
Construct a cabinet in the corner of your
room by hanging across it a pair of heavy
curtains, fastening them to the walls of
theroom where they touch a
t
the sides, but leaving them open in the middle o
f
the front. Putinto the cabinet a banjo o
r guitar, tea-bell,tambourine, pair o
f
slates and tin trumpet.Have four o
r
six persons to sit
with you,equally divided between the sexes. They areto sit in a semi-circle about the front of thecabinet, the sexes alternating, clasping eachother's hand. You are to sit inside the cabinetalone, and remain one hour in a
s passive a
condition as
it possible for you to attain. Thesitters outside should sing about four songsduring the hour you are sitting. You shouldsit twice per week, always the same eveningand hour, Tuesday and Saturday evenings,eight until nine o'clock.
These instructions are all that will be necessary until you are able to get further advicethrough your own “mediumship.” There is
no such thing as failure if you persist in fol
lowing out these instructions, and you willbegin to receive demonstrations within threemonths.
idea that the average medium had prettysmooth sailing when he had none butSpiritualists in his circle. If he could notreadily offer an explanation for anythingoccuring, some one o
f
the sitters woulddo it for him, thus educating him in thebusiness.
When nine o'clock had struck and I
came from the cabinet, you may restassured I felt strange. I was sure thatevery time one o
f
the sitters looked uponmy face they not only knew that I hadmade the raps, but had lied about it
afterwards. A dozen times I was on thepoint o
f peaching on myself, but as many
- times did a sense of
shame overcome myresolution and I told myself that I wouldtell them one a
ta time, as I met them,
laugh it down and dismiss any furthersittings.
The sitters were so delighted, andoffered so many unselfish congratula
14
tions and encouragements, shaking myhand and patting me on the back, it isno wonder that I felt my smallness. Oneof the ladies remarked:
''There! I am sure none of us need
ever have any doubts regarding physical manifestations after this. I am sureMr. would be guilty of no actof deceit.'"
Think of it,
reader. A respected ladyfriend offering such an expression o
f perfect confidence in me regarding the verything in which I had just been deceivingher. Would you have felt perfectly a
t
ease in my place? I think not.
I was glad when the sitters had departed, and thought long and deeply on mydeception, and concluded not to say aword to any o
f
them about it,
but justshut down on any more seances. My witswere a
t work the entire time that elapsedbetween the regular sitting nights trying
to concoct some plausible reason why I
discontinued the development course.The evening came, however, and no
excuse that I could offer without exciting the suspicion that the manifestations
of
the previous sittings were a fraud,had been formulated. After the sittinghad gotten under way, the requests bythe sitters for phenomena were so frequent and entreating that my consciencesmote me again and again for my previous deception. I lowever, I soon foundmyself rapping again. This time I essayed answers to the questions regarding
the progress made in the medium's development, rapping a
n affirmative answer to the questions, "Is the development proceeding satisfactorily, and willhe develop good physical powers?' "
Nothing but raps occured at this sit
ting, and the sitters were much pleasedthat the raps had been made to answertheir questions. This was looked upon a
s
a decided impovement over the preceeding sitting. I was not so much abashed
at
their compliments and encouragements a
s on the previous occasion, andduring the following week I actuallyfound myself wondering what new thing
I could do that would create more interest and enthusiasm than the raps. Theonly thing I could think o
f
was to produce "spirit lights.” This I tried withmatch-heads. It was successful and the
sitters were delighted.The lights and raps were all that were
produced for some dozen or
more sit
GHOSTS
tings, for the reason that I could think
of nothing more wonderful. One evening
I went to sleep in my cabinet, and uponwaking found that I was supposed bythe sitters to be entranced. It struck me
as
the proper thing to allow them to remain undeceived, which I did. The sitters took this for a sign that some newphenomena was about to occur. It didnot, however, until one evening I foundabout twenty feet o
f rope that had beenconcealed in the cabinet without myknowledge. I found it nicely coiled andtied with thread to the under side of thecane chair seat in which I sat. I had noknowlege o
f rope tying feats, but undertook to bind myself with the ropes, andthis I finally succeeded in doing. I thenessayed my first speaking under controlby exclaiming, "Look, look, look,” un
til
the sitters understood that the spiritswanted them to examine the medium'scondition.
The sitters were delighted beyondmeasure a
t finding me apparently so securely bound. The light was so dim that
it was impossible to detect anythingwrong with the knots o
r
manner of tying.
I was fearful, though, all through the examination that some of them would discover my deception, and only breathedfreely when the examination had beencompleted and I was admitted to be"most securely bound, and in a way that
it was impossible to have accomplishedhimself.'"
I realized, however, that the absoluteconfidence of
the sitters in my honestyhad as much to do with the successfultermination o
f my rope tying test as any
thing else, and that with a "circle" of
skeptics, it would have been an entirelydifferent matter.
Little did I think at this time that at
one day in the future I would have thereputation, deservedly too, o
f being thebest and most satisfactory phenomenalmedium in the United States. Little did
I suspect that I would be
able not only
to duplicate the performances of
themost skilled mediums, but improve themand be the means o
f converting hundreds to a belief in the phenomena o
f
modern Spiritualism. Such, however,are the facts in the case.
NOTE-The above remarkable confession of deception
is from * Revelations of
a Spirit Medium.” published in
1891,author unknown. It is said that the plates for the bookwere aferwards bought up and destroyed and many hundreds o
f copies burned by persons who did not want thebook circulated.
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Latest Color Change Handkerchief A New Book by
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The Changing Spots MAGICIANA solid 3-inch die, black with white spots, is shown. A metal ANNUALtube open at both ends is then exhibited, and performer puts 1909–1910his arm through it
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NEW MAGIC|| Copy Wanted•The publisher o
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35
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