ঢাকা থিয়েটারের ’নিমজ্জন’ : একটি...

1 wbg¾b: GKwU w_‡qUviÑBÝ‡U‡jmb AvU©Ñ gvmD` Bgivb

†mwjg Avj `xb Drme 1420| 2013

†mwgbvi

Ôwbg¾b: GKwU w_‡qUviÑBÝU‡jmb AvU©Õ

evsjv bvU‡K XvKv w_‡qUv‡ii Avfuv-MvL& Av‡›`vj‡bi cix¶Y

cÖeÜ

gvmD` Bgivb gvbœy

mfvcwZ

gwd`yj nK

2 fv`ª 1420 (17 AvM÷ 2013) kwbevi weKvj 3Uv, †mwgbvi Kÿ (7g Zjv) RvZxq bvU¨kvjv, XvKv

Av‡qvRb

†mwjg Avj `xb dvD‡Ûkb I evsjv‡`k wkíKjv GKv‡Wgx

mn‡hvwMZv

XvKv w_‡qUvi I evsjv‡`k MÖvg w_‡qUvi


Ôwbg¾b: GKwU w_‡qUviÑBÝU‡jmb AvU©Õ

evsjv bvU‡K XvKv w_‡qUv‡ii Avfuv-MvL& Av‡›`vj‡bi cix¶Y

cÖ Ívebv

XvKv w_‡qUv‡ii Ôwbg¾bÕ-Gi cÖ k©bx †`L‡Z †`L‡Z Avwg `viæY Ø‡›Øi g‡a¨ c‡o hvB| Avgvi GK w`‡knviv Ae ’v| ZvB e¨w³MZ gZvgZ‡K DcRxe¨ K‡iB †jLv ïiæ Kijvg| KviY Ôwbg¾bÕ †`Lvi c~e© ch©šÍ Avgvi AwfÁZvq wQj w_‡qUvi m‰eŸ©fv‡eB Ôwb‡ ©k‡KiÕ| Avi bvU¨ wb‡ ©kK wn‡m‡e bvwmi DÏxb BDmy‡di g~j¨vqb Ki‡Z wM‡q †mwjg Avj `xb GKwU mdj gÂvq‡b wb‡ ©k‡Ki f~wgKvi welqwU c¶všÍ‡i Zz‡j a‡ib| Zv n‡jvÑ ÔmgKvjxb evOjv bvU¨ wb‡ ©kbvq bv›`wbK †¶Î we‡ePbvq bvwmi DÏxb BDmyd wewkó Ges ¯Zš¿| wb‡`©kK-m„ó gÂ wkí-ixwZ, bvU¨ `k©b I wbR wkíf~wg‡Z ¯-m„wói D™¢vmb Zuvi bv›`wbK †¶Î iPbv K‡i| eû wewPÎ Abyl½‡K GKwU ˆkwíK Pjgvb †iLvq mv½xK…Zc~e©K GKRb cÖK…Z wb‡`©kK g‡Â mve©‡fŠg n‡q I‡Vb| wb‡`©kK hLb mªóv, bv‡Uï Abyl½ mg~n wZwb bv‡Uï ewnf©vM †_‡K AvniY bv K‡i bv‡Uï AšÍM©Z Dcv`vb wKsev m¤¢ve¨Zvi m‡e©v”P j¶Y mg~n †_‡K Zv Avwe®‹vi K‡ib| Gi d‡j Zuvi iwPZ bvU¨ wb‡ ©kbvq GKUv gnr A_P wbivfiY msMx‡Zi m„Rb nq| bvwmi DÏxb BDmyd mgKvjxb evOjv bvU¨g‡Â GB myiwU †hvRbv K‡i‡Qb Zuvi m„ó wb‡ ©kbv wk‡íi µgengvbZvq|Õ1

wb‡ ©k‡Ki f~wgKv welqK cÖe‡Ü AvZvDi ivngvb e‡jb, ÔGK K_vq wZwb (wb‡ ©kK) n‡jb `k©‡Ki Bw› ªqMÖvn¨, Pjgvb, „k¨gvb, AwfbxZ bvUKwUi cÖavb e¨w³Z¡| whwb bvU‡Ki cvÐzwjwcwU m¤ú~Y© ü`qsMg K‡i, cÖ‡qvRb‡ev‡a wbR¯ e¨vL¨vq Ges cÖ‡qvM †KŠk‡j `k©K‡K GKwU wb‡Uvj I wb‡g© dj Dcnvi †`b| ZvB mdj I i‡mvËxY© bvU‡Ki cÖ_g I cÖavb K…wZ‡Z¡i `vwe`vi wb‡`©kKB|Õ2 GBP. †K. wPbyB-Gi g‡Z, wb‡`©kK nj Ggb GKK GK m„Rbkxj kw³ †h, Zuvi mvgwMÖK AwfÁZvi wbwi‡L Dcw ’Z cwi‡ek mg~n‡K k„•Ljve× K‡i w_‡qUvi‡K Zuvi P~ovšÍ mZ¨wbô Avw½‡K Dc ’vwcZ Ki‡Z m‡Pó nb|3 Rb& †gm eªvDb-Gi g‡Z, ÔcwiPvjK n‡jb GKRb mwµq mgv‡jvPKÕ|4 Uvqib Mv_wii g‡Z, ÔcwiPvjK n‡jb GKRb AvswkK wkíx whwb GK`j wkíxi †cŠ‡ivwnZ¨ K‡ib Ges †mB wkíxiv †KDev †Q‡j gvbyl, †KDev D”Q„•Lj Avevi †KDev gyn‚‡Z©i eëav‡b D‡ËwRZ, DÏxwcZ ev wbe©vwcZÕ|5 Gi A_© ùvov‡”Q wb‡`©kK n‡jb GKgvÎ cwiKíK huvi Aby‡gv`b e¨ZxZ g‡Â †Kv‡bv wKQyB msMwVZ nq bv| Avevi GUvI wVK †h, wb‡ ©k‡Ki wPšÍv‡K AwZµg K‡i hvq Awf‡bZv hvi D`vniY i‡q‡Q AmsL¨| G †¶‡Î ivBmyj Bmjvg Avmv`, ûgvq~b dixw`, RwniDwÏb wcqvi, wkg~j BDmyd cÖgy‡Li K_v D‡jøL Kiv †h‡Z cv‡i|

Gevi gÂ cwiKíbvi †¶‡Î G-iKgB wb‡`©k‡Ki wPšÍvi AwZµvšÍ GK KvR K‡i‡Qb Xvjx Avj gvgyb| wZwb wbg¾b bvU‡K wkí wb‡ ©kbv wk‡ivbv‡gi Aax‡b hv K‡i‡Qb Zv evsjv w_‡qUv‡ii GK Abe`¨ NUbv| gÂm¾v, jvBU, mvDÛ, †Mv‡qwb©Kvi Ask we‡kl cÖ‡ÿcY Ges g‡Âi mKj Íi‡K wbqš¿Y K‡i‡Qb bvbvfv‡e Ges BDmyd gÂm¾v‡K gv_vq †i‡L wm‡gwUªK¨vwj AwfbxZ ’vb‡K web¨ Í K‡i‡Qb| BDmy‡di GZw`‡bi AR©bÑ wbivfiY g‡Âi PwiÎ‡K cv‡ë w`‡jb gvgyb| Z‡e Zv‡Z BDmy‡di wbivfiY w_‡qUv‡ii êwkó¨‡K †Kv‡bvfv‡e cwieZ©b bv K‡i ïaygvÎ cwi‡ekbMZ iƒcvšÍi NwU‡q‡Qb| mv‡_ hy³ n‡q‡Q Avj `x‡bi wbR fvl¨ g‡Z, Ôbb‡R‡bwiKÕ6 †K›`ªxq Mínxb Mígvjv| GB †K›`ªxq Mínxb Mí¸‡jvi K_v-fv‡l¨ Avj `xb c„w_exi Zver MYnZ¨vi BwZe„Ë iPbv K‡i‡Qb| GB bvU¨ A_ev Kv‡R Awšó n‡q‡Q gvbe mf¨Zv I BwZnv‡mi i³‡mªv‡Zi BwZe„Ë|7 G‡K h_v_©B w_‡qUvi-BÝU‡jmb AvU© wn‡m‡e e¨vL¨vb eZ©gvb †jLvi gyL¨ D‡Ïk¨| 1990 DËi evsjv‡`‡ki w_‡qUvi‡K Rvwgj Avn‡g` wPwýZ K‡i‡Qb wbix¶Y ce©|8 G wbix¶‡Yi GKwU D”Pv½ cwiYwZ wn‡m‡e wPwýZ n‡Z cv‡i BDmyd-gvgy‡bi Ôwbg¾b: w_‡qUvi-BÝU‡jmb AvU©Õ|

Avfuv-MvL& Av‡›`vj‡bi w_‡qUvi-BÝ‡U‡jmb AvU© welqwU‡K BwZnvm I d‡g©i wfwË‡Z Av‡jvPbv Riæwi g‡b Kivq †jLvi cÖ_‡gB welqwU cwi®‹vi K‡i wbw”Q|


Avfuv-MvL& Av‡›`vjb Ges BÝ‡U‡jmb AvU©

19 I 20 kZ‡Ki wkí I ms¯‹…wZ Avfuv-MvL& aviYv‡K †K›`ª K‡i M‡o I‡V| Avfuv-MvL& wkíK‡g©i Drm f~wg d«vÝ Ges BZvwj| 1920-Gi DËvj mg‡q GB Avfuv-MvL& ÔAv‡›`vjbÕ wn‡m‡e ªæZ BD‡ivc †_‡K ivwkqv‡Z Qwo‡q c‡o| Av‡gwiKvb ms¯‹…wZiI GKwU Riæwi Ask n‡q I‡V Avfuv-MvL& wkí-fvebv| hw`I Av‡gwiKv‡Z we Í…Zfv‡e P¨v‡j‡Äi m¤§yLxb nq GB Avfuv-MvL& Av‡›`vjb|9

Avfuv-MvL& Av‡U©i bvbv iƒc i‡q‡Q| Z‡e GUv ejv gykwKj †h, Avfuv-MvL& AvU© Ab¨ †Kv‡bv Av‡U©i mv‡_ Zzjbxq| hw`I †d«Ý my¨wiqvwjRg, ivwkqvi KÝUªvKwUwfRg, Rvg©vb G·‡cÖmwbRg ev wf‡qwbR †mwmmb (secession) Av‡›`vj‡bi mv‡_ Gi †Kv‡bvB wgj †bB| eis Avfuv-MvL& Av‡U©i cÖfv‡e GB AvU© Av‡›`vjb¸‡jv wbR wbR gZv`wk©K Ae¯’vb‡K msnZ Ki‡Z †c‡i‡Q| Avfuv-MvL& AvU© dg©‡K Avevi †i‡bmuvm Drcvw`Z `xN© HwZnvwmK ÷vB‡ji mv‡_ m¤ú„³ Ki‡Z cviv hvq bv| Aek¨ eû wkíKjv-BwZnvmwe` GB Ô÷vBjÕ†K Avjv`v †Kv‡bv aviv wn‡m‡e wPwýZ Ki‡Z AvMÖnx bb|

Avfuv-MvL& AvU© Av‡›`vj‡bi Ab¨Zg cÖfvweZ AvU© dg© nj ÔBÝ‡U‡jmb AvU©Õ| BÝ‡U‡jmb AvU©‡K ejv †h‡Z cv‡i, Ô… an artistic genre of site-specific, three-dimensional works designed to transform a

viewer's perception of a space.10 Avfuv-MvL& Av‡›`vj‡bi mv‡_ Acivci †hme AvU© dg© m¤ú„³ Zv njÑ SUPERMATISM, CONSTRUCTIVISM, DADA, SURREALISM Ges FUTURISM|

1912 †_‡K 1913 mv‡ji g‡a¨ Kiv wcKv‡mvi Still Life with Chair Canning Ges Sheet of Music and

Guitar KvR `y‡Uv wb‡q mgv‡jvPKMY `ywðšÍvq c‡o hvb †h G wkíKg©‡K Zviv wPÎKjv, fv¯‹h© ev QvcwPÎ A_©vr †Kvb `jfy³ Ki‡eb| wbg¾b wb‡q Avgvi Ae ’vI ˆZwi n‡q‡Q wVK GKB| Avj `xbI wb‡Ri iPbv‡K GKBfv‡e wPwýZ K‡i‡Qb Ôbb‡R‡bwiKÕ|

Still Life with Chair Caning, Picasso Sheet of Music and Guiter, Picasso

1914 mv‡j WvWvev`x wkíx Wy‡kuv-Gi Bottlerack Kv‡Ri †fZi Gi GKwU c~Y©v½ iƒc cwiMÖn nq| G‡K wkí-mgv‡jvPKMY wk‡íi BwZnv‡m cÖ_g ÔBÝ‡U‡jmb AvU©Õ wn‡m‡e wPwýZ Ki‡Z AvMÖnx|


Bottlerack, Marcel Duchamp, 1914 Fountain, Marcel Duchamp, 1914

BD‡iv‡ci wkíPP©vq 19 kZ‡Ki †kl fv‡M Bg‡úÖmwbRg-Gi PP©vi gva¨‡g cÖ_vMZ wkíKjvi GKv‡WwgK aviv‡K P¨v‡jÄ K‡i Avfuv-MvL& Av‡›`vj‡bi m~Pbv nq| Avi Wy‡kuv ZvB Ae‡R±‡K cÖ_vMZ wk‡íi aviYv †_‡K †ei n‡q G‡m Zvi wkí‡K †`L‡Z eva¨ Ki‡jb| †hgb- †evZj ivLvi Rb¨ eUj‡iK ev g~Î Z¨v‡Mi Rb¨ BDwibvj| Wy‡kuvi KvR †h mgmvgwqK I cieZ©x wkíx‡`i †fZ‡i cÖfve †d‡jwQj Zv 1920 mv‡ji KU© wk¦Uvm©-Gi Kv‡R cÖwZdwjZ nq| WvWvev`x wkíx KU© 1920 mv‡j Rvg©vwbi n¨v‡bvfvi kn‡i GKwU N‡ii g‡a¨ AveR©bv R‡ov Ki‡Z _v‡Kb| wØZxq wek¦hy‡×vËi mg‡q 1943 mv‡j Zvi GB wkíKg©wU aŸsm n‡q hvq| Bsj¨v‡Û P‡j G‡m wZwb 1947 mv‡j GKB Kv‡Ri bZzb ms¯‹iY ˆZwi K‡ib| 1948-G wkíx gviv †M‡j Zvi Amgvß KvRwU n¨vUb M¨vjvwi‡Z ’vcb Kiv nq| BÝ‡U‡jm‡bi Avw`iƒc n‡jv KU© wk¦Uvm©-Gi GB ÔgvR© evDÕ KvRwU hv BÝU‡jm‡bi BwZnv‡m ÔDcv`v‡bi ¯vaxbZvÕ welqwU‡K mshy³ K‡i‡Q|11

Merzbau, Schwitters,1947


Z‡e BÝU‡jmb AvU© I‡ìbevM©-Gi The Store kxl©K Kv‡Ri gva¨‡g 1961 mv‡j GKwU GKK wkí gva¨g wn‡m‡e wb‡Ri Ae ’vb‡K cvKv‡cv³ K‡i hv AvRI GKwU c~Y©v½ wkíKjv wn‡m‡e cwiwPZ|12 The Store-G I‡ìbevM© †`Lvb †h, cÖ k©bx ’‡ji †g‡S‡Z, †`qv‡j, wmwjsmn me ’vb †_‡KB e ‘mg~‡ni Av‡qvRb K‡ib d‡j mgMÖ NiwU Ry‡o GKwU Aven ˆZwi nq hv `k©‡Ki cÖ_vMZ wkí †`Lvi `„wó‡K bvov †`q| G Kv‡Ri eo w`KwU n‡jv cwi‡ek ˆZwi Kiv| gvgy‡bi Kv‡Ri †fZ‡iI Avwg GB cÖeYZv †`L‡Z cvB| D`vniY wn‡m‡e ejv †h‡Z cv‡i: KvßvB wb‡q BÝU‡jmb AvU© ev wbg¾b: w_‡qUvi-BÝ‡U‡jmb AvU©|

The Store, Claes Oldenburg, 1961

wØZxq wek¦hy‡×i c~e© ch©šÍ mKj AvU© n‡q‡Q M¨vjvwi †Kw›`ªK Ges wkí wQj g~jZ ’vwq‡Z¡i Dc‡hvMx| wk‡íi GB wecYb †hvM¨Zv‡K A¯xKvi K‡i Rb¥ wb‡q‡Q BÝU‡jmb AvU©|13 †Kbbv wØZxq wek¦hy× DËiKv‡j BD‡iv‡c ivR‰bwZK Aw ’iZvi Kv‡j cÖ_vMZ Ômy›ìÕ ev Ôbv›`wbKÕ wk‡íi cÖ‡qvRbxqZv‡K wb‡q cÖkœ Zz‡jwQj| †hLv‡b hy‡×i exfrmZv bk¦i c„w_exi ¶wYKZv‡K iƒcvwqZ K‡iwQj †mLv‡b wkíx‡ìI GB Abyaveb G‡mwQj †h, Kx‡mi cÖ‡qvR‡b wk‡íi m„wó? GB cwiw ’wZ wQj BÝU‡jmb Av‡U©i †cÖ¶vcU| KviY BÝU‡jmb Av‡U©i †h wPÎ wek kZ‡Ki ga¨fv‡M G‡m uvwo‡qwQj Zv‡Z †ekwKQy êwkó¨ cÖKvk cvw”Qj hvi g‡a¨ wQj bqv-bqv gva¨‡gi cÖ‡qvM| BÝU‡jmb AvU© g~jZ A ’vqx ev ¶Y ’vqx Ges †¶Î we‡k‡l wbw`©ó RvqMvi †cÖ¶vc‡U ˆZwi| Avfuv-MvL& Av‡›`vj‡bi bvbv gvwÎK cÖfv‡e †hgb: MINIMALISM, ENVIRONMENTAL ART, LAND ART,

CONCEPTUAL ART Ges PERFORMANCE ART-Gi cÖfv‡e eZ©gvb iƒc jvf K‡i‡Q|| Avfuv-MvL& Av‡›`vj‡bi g‡Zv BÝ‡U‡jmb AvU©I AvaywbKZvev‡ì mgm¨vmg~n‡K cÖwZ‡iva Ki‡Z AvMÖnx n‡q c‡o|

1960-1970 mv‡ji g‡a¨ BÝ‡U‡jmb Av‡U©i mv‡_ wµwUK¨vj ZË¡mg~n †hgb: FEMINISM,

POSTCOLONIAL THEORY Ges POSTSTRUCTURALISM hy³ n‡q AvaywbKZvev`x wk‡íi aviYv‡K P¨v‡jÄ K‡i| 90-Gi `k‡K ïiæ nIqv evsjv‡`‡ki BÝU‡jmb PP©vq gvgyb GK Ab¨Zg bvg| wZwb Zvi KvßvB Rj we`y¨r cÖK‡íi Kvi‡Y ¶z`ª RvwZmËvi wech©q‡K BÝU‡jmb Av‡U©i gva¨‡g cÖwZev`x †KŠk‡j †iwcÖ‡R›U K‡ib| evOvwji AvwacZëv`x g‡bvfve‡K cÖwZ‡iv‡a GB wkíKg©‡K cÖwZev`x wkíKg© wn‡m‡e †iwcÖ‡R›U K‡i‡Qb|


BDmyd-gvgy‡bi Ôwbg¾bÕ†K DËi-KvVv‡gvev`x Ôw_‡qUvi-BÝ‡U‡jmb AvU©Õ wn‡m‡e wPwýZ Kiv †h‡Z cv‡i †hLv‡b cÖ_vMZ †K› ªxq Mí cwiZ¨vR¨ K_v-fvl¨‡K w_‡qUv‡ii cÖvq mKj cÖ_vK…Z KvVv‡gv‡K †f‡½ †iwcÖ‡R›U K‡i‡Q| cieZ©x c‡e© G welqwU‡K AviI we Í…Z Kivi †Póv Kiv n‡q‡Q eZ©gvb †jLvq|

w_‡qUvi-BÝU‡jmb AvU© Ges wbg¾b

BÝU‡jmb Ggb GK AvU© dg© †hLv‡b wbw ©ó †Kv‡bv KvVv‡gvK…Z msÁvqb cÖvq Am¤¢e| G dg©wU aviY K‡i‡Q GLbI ch©šÍ bvbv ai‡bi welq‡K| ZvB gva¨g Abyhvqx G‡K wewfbœ wel‡qi mv‡_ hy³ K‡i wPwýZ K‡ib wewfbœ mgv‡jvPK| Zv n‡jv- Video, Internet, Projector, Film, Painting, Sculpture, Architecture, Theatre cÖf„wZ|14

1964 mv‡j Per Kirkeby-Gi En jugendfidus – A Jugend Hoax wkíKg©‡K w_‡qUvi †¯úm‡K eënvi K‡i cÖ_g w_‡qUvi Ges BÝ‡U‡jmb Av‡U©i mgwšZ wkíKg© wn‡m‡e wPwýZ Kiv hvq| GLv‡b †cBw›Us Ges Uq w_‡qUv‡ii mgš‡q Happening15 Ges cvid‡g©Ý‡K BÝUj Kiv nq hv wmwbK Av‡U©i wVK wecixZ-ag©x|

1965 mv‡j N‡U hvq w_‡qUvi BwZnv‡m GK hyMvšÍKvix NUbv| Jørgen Leth-Gi wb‡ ©kbvq Ges Per kirkeby-Gi wkí wb‡`©kbvq cÖ wk©Z nq Ôn¨vg‡jUÕ| GLv‡b †j_ cvid‡g©Ý‡K bvbvfv‡e cwieZ©b K‡i †`b| †hgb cÖavb Pwi‡Îi weL¨vZ me WvqvjM¸‡jv Awf‡bZv‡K Wªv‡gi wmMbv‡ji gva¨‡g _vwg‡q wb‡ ©kK wb‡RB Ave„wË K‡i †`b| Avi gÂm¾vi †¶‡Î wKi‡Kwe †d¬vi, †`qvj, wmwjs Ges `k©K‡ì emvi RvqMv mn mgMÖ w_‡qUvi‡K ÔbxjÕ is K‡i †`b| †cvkv‡Ki †¶‡Î wKi‡Kwe cyiæl Awf‡bZv‡ì wewfbœ †dwÝ †cvkvK covb| Avi bvix Awf‡bÎx‡ì jvj, bxj, Kv‡jv cÖf„wZ is‡qi wieb w`‡q mw¾Z K‡i †`b| PwiÎ I †`‡ni e¨vL¨v Abyhvqx wPývqK wewfbœ is‡K eënvi K‡ib|

Ôwbg¾‡bÕi †¶‡ÎI KvQvKvwQ wPÎ †`L‡Z cvB| Ôwbg¾bÕ w_‡qUvi-BÝ‡U‡jmb AvU©-Gi ch©v‡jvPbvg~jK we‡kølY wb‡¤œ wee„Z njÑ

• mgMÖ gÂ‡K eUMvQ Ges eUMv‡Qi cyiæó Szwo w`‡q †X‡K †`qv n‡q‡Q †hb cÖwZwU eo AvK…wZi SzwoB GK GKwU c~Y©v½ MvQ| Gi gva¨‡g eUMv‡Qi †Kw› ªKZv‡K †f‡O w`‡q‡Qb gvgyb| g‡Â ˆZwi n‡q‡Q AmsL¨ †K›`ª| Szwo¸‡jvi mv‡_ mv‡_ Sz‡j Av‡Q gvby‡li g ÍK| mgMÖ gÂwU mv`v is aviY K‡i‡Q| mv‡_ †cQ‡bi wekvj mv`v K¨vbfvm| †d¬viI m¤ú~Y© mv`v| g‡Â AvMZ mKj Awf‡bZvi m¾v‡ZI mv`vi AvwaK¨| gvgy‡bi GB MvQ eënvi‡K Rvcvwb wKg gvbwii Avfuv-MvL&` w_‡qUvi d‡g©i cÖ‡hvRbvi mv‡_ Zzjbxq| wKg gvbwi gvjqwkqvi kvixwiK-cÖwZeÜx wkíx‡ì gva¨‡g Zvi w_‡qUvi‡K Dc ’vcb K‡iwQ‡jb|

Hutan Kenangan, Japan


wbg¾b, XvKv w_‡qUvi

• wek¦ ågY †k‡l GK AvMš‘K g„Zz¨kh¨vq kvwqZ eÜzi Kv‡Q Avm‡e e‡j wÎ-b`xi †gvnbvq M‡o IVv GK kn‡i G‡m nvwRi nq| gvgyb Zvi wkí wb‡ ©kbv w`‡q †Kv‡bv wbw ©ó ms¯‹…wZi ev RvwZi ’vb‡K wm¤jvBR bv K‡i ’vb wenxb GK Ô ’vbÕ iPbv K‡i‡Qb hv c„w_exi mKj wbcxwoZ gvby‡li i³vZ¡ cÖvšÍi‡K Zz‡j a‡i nvRviI †Kw›`ªKZv‡K wbg©vY K‡i| cÖcm, Av‡jvK cÖ‡¶cY, †cvkvK Ges g‡Âi Zjmg~n GB †K› ªwenxb †Kw›`ªKZv‡K m¤ú~Y© iƒ‡c mn‡hvwMZv K‡i GK `viæY mgšq ˆZwi K‡i‡Q|

• eÜzwU ivóªweÁv‡bi Aa¨vcK| ivR‰bwZK gZev‡ì Rb¨ †mB kn‡ii eø vK †W_ †¯‹vqvW Ae Kvivfuvi †jv‡Kiv wbh©vZ‡bi ci Zvi †giæ`‡Ð †c‡iK Vy‡K w`‡q‡Q| AvMš‘K †Uªb †_‡K †÷k‡b †b‡g †`L‡Z cvq GK Kzwji SzjšÍ jvk, A™¢yZ`k©b GK e„×, w÷gv‡ii n‡jvKv÷, bvwofuywo †ewi‡q Avmv GK iƒcmx bvixÑ hZevi Zv‡K Ke‡i †kvqv‡bv nq ZZevi †m g„Zz¨ †_‡K D‡V e‡m| BDmyd Zvi †¯úm‡K web¨ Í K‡ib GgwU/Lvwj †¯úm‡K web¨v‡mi gva¨‡g Awf‡bZv‡ì cÖc‡mi g‡Zv K‡i eënvi K‡i| mv‡_ †cvkvK‡K Ggbfv‡e wbw`©ó Kiv nq †hbI †Kv‡bv †¯úm-wenxb cwiwPZ †¯ú‡mi gvby‡li Mí hv me©¶Y e¨w_Z K‡i| G †¶‡Î Avj `x‡bi e³e¨ cÖwYavb †hvM¨, ÔwcUvi eªæ‡Ki †Kvb †Kvb aviYv ¯xKvi bv Ki‡jI ejv hvq †MÖvUfw¯‹i bvU¨wPšÍv, AvZ©z‡ì wkí †KŠkj‡K AvZ¥ ’ K‡i wZwb (BDmyd) Ggb GK wb‡ ©kbv b›`b iPbv K‡i‡Qb hv GKv‡ji w_‡qUv‡ii msKU‡K jvNe K‡i‡Q A‡bKvs‡k| wek¦ bvU‡K wb‡ ©kbvi GKUv bZzb f~wgiI mÜvb Av‡Q Zv‡ZÕ|16

• Z‡e BDmyd wb‡R‡K ev Zvi `k©K‡K fyj‡Z cv‡ib wb e‡j Aa¨vcK‡K w`‡q ivexw› ªK AvPiY I DËixq‡K Pv`‡ii g‡Zv eënvi Kivb| A_ev awl©Zv bvixi kvwoi mv‡Rkb| G‡K mshyw³i Amshyw³I ejv †h‡Z cv‡i| GUv ivR‰bwZKfv‡e MÖnYxq, KviY, w_‡qUv‡ii GB cix¶Y †h-f~wg‡Z n‡q‡Q †mB f~wgi wmM‡bPvi _vKv Riæwi n‡q c‡o| Zvn‡j wkíx A_©vr BDmyd Gi gva¨‡g cvwU©wm‡c›U n‡q c‡ob| BDmy‡di ¯-f~wg‡Z †divi ivRbxwZI Gi gva¨‡g Pjgvb _v‡K| Avj `xbI G PwiÎ ˆZwii gva¨‡g wb‡RB AskMÖnY K‡i‡Qb ejv †h‡Z cv‡i|

Av‡jvP¨ e³eï c‡¶ BDmy‡di wb‡`©kbv wb‡q Avj `x‡bi GKwU e³e¨‡K GLv‡b Zz‡j ai‡Z AvMÖnx| Zv njÑ Ôwb‡ ©kbv ixwZi wek¦Rbxb Av‡e`b ¯xKvi K‡i wb‡qI ejv hvq †`kKvj mvgvwR‡Ki iæwP, †Kvb Rbc‡ì bv›`wbK ¯ú„nv †Kej ï× cvðv‡Zï wb‡ ©kbv ixwZi AbyKiY Øviv c~Y© nevi bq| wVK †mB RvqMvUv‡Z G‡m Avgv‡ì fve‡Z nq evOjv g‡Â bvU¨ wb‡`©kbvq Avgv‡ì KiYxq wK, Avgv‡ì †`k Kvj mgv‡Ri bv›`wbK ZvwMÙv Kx ai‡bi| wek¦-bvU¨ wb‡`©kbvq GKRb evOvwj wb‡ ©k‡Ki c‡¶ bZzb m¤¢vebvi †¶Î Luy‡R †`Lv cÖ‡qvRb wK bv| wKsev DËi-Dcwb‡ekxq be¨Kv‡ji wkí-Zvobvi d‡j GKwU bZzb m¤¢vebv evOjv bvU¨g‡Â m„wó n‡”Q wK bv|Õ17


• AvMš‘K ei‡di PvO‡ii †fZi GKvbœwU wkïi jvk, AvU wK bq eQ‡ii MvwqKv GK wkï‡K al©‡Yi ci Zvi wRf †K‡U †bqv, Kv›`vnv‡ii gwg, gvw`ª‡ì MYnZ¨v, wPwji Kwe †biæ`vi wd‡›`gy‡›`vi †kvK-MxwZ, †÷wWqvg M¨vjvwi‡Z cÖvq †ò yB nvRvi `k©K ¶z‡i †K‡U Lyb, wÎk nvRvi Ub D”P ¶gZvm¤úbœ wU Gb wUÕi we‡ùvi‡Y †lv‡jv wK‡jvwgUvi ch©šÍ evqy¯Í‡i Av¸b a‡i hvIqv kniwUi µg wbg¾b †`L‡Z cvq| mgMÖ wPÎwU‡K BDmyd Zvi GZw`bKvi AR©b cuvPvwj I eY©bvZ¥K ixwZ‡K A¶zYœ †i‡L Dc ’vcb K‡ib| Z‡e wZwb gvgy‡bi wkí wb‡ ©kbv‡K AwZµg K‡ib wb ev Ki‡Z cv‡ib wb A_ev Ki‡Z Pvb wb| g‡Âi wb¤œZ‡ji yÕcv‡k SzjšÍ y‡Uv e‡Ui cyiæó Szwoi Wv‡b I ev‡g †¯úm _vKvi c‡iI BDmyd eøwKs‡q †mB †¯úm‡K A¯xKvi K‡i‡Qb| wZwb bvUK‡K gÂ-BÝU‡jm‡bi AšÍf©y³ †i‡L‡Qb| †Kv_vI cÖcm ev mvDÛ ev Ab¨ †Kv‡bv Ae‡R±‡K Awf‡bZv‡ì Ae ’vb, WvqvjM cÖ‡¶cY ev eY©bvi †Kv_vI AwZµg K‡ib wb| G‡¶‡Î eøwKs wm‡gwUªK n‡q c‡o| ZvB Awf‡bZv‡ì GKwU †K›`ªxq Ae ’vb ˆZwi nq| bvUK iPbv Ges wkí-wb‡`©kbvq hv m¤ú~Y©B A¯xKvi Kiv n‡q‡Q| GLv‡b ejv hvq BDmyd nq‡Zv DËi KvVv‡gvev`x Avfuv-MvL& Av‡›`vjb wel‡q eøwKs‡qi †¶‡Î G‡Kev‡iB m‡PZb wQ‡jb bv| G Kvi‡Y †jLvi cÖ_‡gB BDmy‡di wb‡ ©kbvi GKK KZ©…‡Z¡i Dci AvOyj Zz‡j gvgyb‡K wbg¾‡bi mgvb fvMx`vi K‡iwQ| g~jZ wkí-eÜzZ¡ wk‡íi KvVv‡gv‡K fvO‡Z memgqB mnvqK hv ïaygvÎ ûKzg †`qv I ûKzg cvjb-Gi gva¨‡g AR©b m¤¢e bq| †j_ I wKi‡Kwei Kv‡RI GKB welq j¶Yxq|

wbg¾b, XvKv w_‡qUvi


• Ges cwi‡k‡l m~h©-cÖv_©bvi ga¨ w`‡q iwPZ nq G bv‡Uï AwšÍg `„k¨| Avj `xbI m¤¢eZ BDmy‡di g‡Zv †Kw›`ªKZv‡K fvOvi e¨vcv‡i me©‡¶‡Î m‡PZb wQ‡jb bv| Zv gvbe BwZnv‡mi †¶‡Î wZwb m~h©‡K GKwU †K›`ªxq RvqMvq †èZv wn‡m‡e ùvo Kwi‡q‡Qb| GUv weeZ©bev`x18 MÖvÛ w_Dwi‡Z mvBwKK BDwbwU Ad g¨vbKvBÛ-Gi ZË¡xq wfwËi Dc‡i uvwo‡q Kiv nq| †d«Â †evqvm Zvi wn÷wiKvj cvwU©KzjvwiRg19-Gi w_IivB‡Rm‡bi gva¨‡g G ai‡bi MÖvÛ w_Iwi‡K A¯xKvi K‡i‡Qb| Avj `xb m¤¢eZ wµwUK¨vj w_Iwii G welqwU wb‡q m‡PZb wQ‡jb bv| m¤¢eZ wZwb iPbvi b›`bZvwË¡K Ae ’v‡bi cix¶‡Y wbgMœ wQ‡jb| BDmy‡di †¶‡ÎI GKB ai‡bi Am‡PZbZv j¶Yxq| m¤¢eZ BDmyd G bvUK wb‡ ©kbvi mg‡q w_‡qUv‡ii bv›`wbKZv‡K A_©vr Zvi AwZ wcÖq ÔgÂ B‡gRÕ I ÔgÂ KweZvÕ ˆZwi‡Z †ewk m‡PZb wQ‡jb| ZvB Zvi KvR †h Avfuv-MvL& Av‡›`vj‡bi Ask n‡q DV‡Q Ges ¶gZvi †Kw› ªKZv †f‡O mgMÖ c„w_ex‡K AmsL¨ †K‡› ª iƒcvšÍi †h Zvi KvR †_‡K N‡U hv‡”Q Zv Zvi GB hewbKv AskwU wµwUK¨vjwj wew”QbœZv ˆZwi K‡i| G Kvi‡YB BDmyd‡K Am‡PZb wn‡m‡e GLv‡b D‡jøL KiwQ| GLbI ch©šÍ mf¨Zvi BwZnv‡m eûj Av‡jvwPZ mf¨Zv¸‡jv‡Z m~h©‡K †K› ªxq †èZv wn‡m‡e `xN© mg‡q wU‡K _vK‡Z †`Lv hvq| wKš‘ Gi evB‡iI eû mf¨Zv ev ms¯‹…wZ Av‡Q †hLv‡b †èZv‡ì cwiPq wfbœ wfbœ| BDmyd I Av‡jvK cwiKíK G welqwU‡K ¯úó Kivi †Póv K‡i‡Qb hv gvgy‡bi cÖ‡R‡±W †Mv‡qwb©Kv ev mvD‡Ûi †fZ‡i wQj bv| gvgyb KvVv‡gv‡K †f‡O †djvi Avfuv-MvL& Av‡›`vj‡bi wel‡q m‡PZb _vKvq gÂ cwiKíbvq G ai‡bi ÎæwU Luy‡R cvB bv|

• Avj `xb wb‡RB D‡jøL K‡i‡Qb, ÔPvKv †_‡K AwZ m¤úÖwZ †jLv ElvDrme ev ¯cœigYxMY ch©šÍÑ c~Y©v½ bvUKiƒ‡c Awf‡aq nevi g‡Zv bq| Avevi †m¸‡jv †h bvUK bq Zv bq|Õ20 Avj `x‡bi KvR wb‡q cÖ_vMZ QK ˆZwi bv Kivi mv‡_ Avfuv-MvL& Av‡›`vj‡bi †fZi †_‡K DrmvwiZ wcKv‡mv I Wuy‡kvi Kv‡Ri †¶‡ÎI GKB mgm¨vi K_v †jLvi cÖ_‡gB D‡jøL Kiv n‡q‡Q| AvR hv BÝU‡jmb AvU© wn‡m‡e wPwýZ Kiv n‡q‡Q| Aek¨ Avj `xb wb‡RB Zuvi iPbvi GKwU wPývqY ˆZwi K‡i‡Qb, Ôbb‡RbvwiK wkí iPbvÕ21|

• Avj `x‡bi Ôwbg¾bÕ wb‡q c~‡e©v³ e³e¨‡K MÖnY Kiv †M‡jI BDmyd-gvgy‡bi Ôwbg¾bÕ evsjv w_‡qUv‡ii †¶‡Î Avfuv-MvL& Av‡›`vj‡bi cÖ_g wbix¶v wn‡m‡e MÖnY Kiv †h‡Z cv‡i| ZvB G‡K Avwg Ôw_‡qUvi-BÝU‡jmb AvU©Õ wn‡m‡e wPwýZ Ki‡Z AvMÖnx| cwðgv w_‡qUv‡i G wbix¶‡Yi BwZnvm †ek `xN©| GgbwK Rvcvwb w_‡qUv‡iI N‡U †M‡Q G wbix¶‡Yi GK `xN© cix¶Y| XvKv w_‡qUvi evsjv w_‡qUvi‡K w`j, Ôw_‡qUvi-BÝU‡jmb AvU©Õ-Gi Ôwbg¾bÕ|

• Avj `xb BDmy‡di wb‡`©kbv ixwZi bv›`wbK cwiPq LuyR‡Z wM‡q Zuvi bvU¨-m„wó‡K PviwU c‡e© wefvwRZ K‡i Av‡jvPbv K‡i‡Qb|22 Zv n‡jvÑ cÖ_gZ RwÛm I wewea †ejyb (1972), msev` KvU©zb (1993) Ges gybZvwmi (1976) Zuvi cÖ ‘wZ c‡e©i cwiYwZ| kKzšÍjv (1978) I wKËb‡Lvjv (1980) Zuvi wØZxq c‡e©i wb‡ ©kbv avivi AšÍf©y³| Z…ZxqZ wKËb‡Lvjv (1981), †KivgZg½j (1985), Ges nvZ n`vB (1989) GB c‡e© Zuvi wb‡`©kbvi avivq `„k¨Kí iPbvi `ytmvnwmK cÖqvm, PwiÎ wPÎ‡Yi KzkjZv wbtm‡›`‡n evOjv g‡Â Awfbe †hvRbv| PZz_©-ce© ˆheZx Kb¨vi gb (1994) †_‡K GKvË‡ii cvjv (1994) n‡q ebcvsïj (1998) ch©šÍ c~‡e©v³aviviB µg cwikxjbMZ D”P-P~o Av‡ivnY| Avj `xb BDmyd‡K wb‡q 2000 mv‡j †jLv cÖeÜ DËiKv‡j hw` AvR‡Ki Ôwbg¾bÕ wb‡q wjL‡Zb Zv n‡j wbwðZfv‡e BDmy‡di wb‡ ©kbvi cÂg DËiY wn‡m‡e wPwýZ Ki‡Zb Ôwbg¾bÕ‡K| hv‡K Avwg eZ©gvb †jLvq BDmy‡di Ôw_‡qUvi-BÝ‡U‡jmb AvU©Õ-Gi cix¶Y wn‡m‡e cwiwPZ Ki‡Z AvMÖnx|

• hwÌ Avwg Avj `x‡bi Ôwbg¾bÕ wb‡q Av‡jvPbv Ki‡Z AvMÖnx bB| Zvi GKwU e¨vL¨v i‡q‡Q| Avj `xb Avgv‡ì gyw³hy×mn c„w_exi Zver †R‡bvmBW wb‡q K_v e‡j‡Qb hvi †ek wKQy mg‡qi wePv‡i 1971 DËiKv‡j msNwUZ| wKš‘ Avj `xb wbR f~wg †_‡K DrLvZ n‡q‡Qb ev cÖejfv‡e Gwo‡q †M‡Qb| KviY wZwb Zvi ebcvsïjmn weL¨vZ iPbvmg~‡n evi evi ¶z`ª RvwZmËv‡K wb‡q G‡m‡Qb| wKš‘ cÖej evOvwj KZ©…K ¶z ª RvwZmËvi Ici GLb ch©šÍ GKvwaK †R‡bvmvB‡Wi NUbv NUv‡bv n‡q‡Q| Zuvi wbg¾‡bi


Aa¨vcK mgMÖ c„w_ex Ny‡i †ewo‡q‡Qb Ges nZ¨vhÁ wb‡q µgvMZ cÖkœ K‡i †M‡Qb GKgvÎ wbRf~wgi ev RvwZi gvbyl‡ì Øviv msNwUZ nZ¨vhÁ bR‡i c‡o wb|

• hwÌ BDmyd Zvi wb‡`©k‡Ki wb‡e`‡b D‡jøL K‡i‡Qb, Ô... weMZ 2004 †_‡K 2006 mvj ch©šÍ mg‡q †`‡k we`¨gvb ivR‰bwZK cwiw ’wZ Z_v ag©xq Rw½ev‡ì DÌvbÑ D`xPx, QvqvbU, 21 AvM÷ AvIqvgx jx‡Mi Rbmfvq fqven †evgv I †MÖ‡bW nvgjv Ges UzBb UvIqvi AvµgY, DMvÛv, iæqvÛv, Km‡fv, c¨v‡j÷vBb, BivK I AvdMvwb Ív‡b m„ó i³v³ Aa¨vqÑ hv A‡b‡Ki g‡Zv Avgv‡KI mgvb wePwjZ K‡i‡Q| we‡kl K‡i QvqvbU Ges AvIqvgx jx‡Mi Rbmfvq †MÖ‡bW nvgjvq iv Ívq Ôc‡i wbnZ wbixn gvby‡li wQbœ-wew”Qbœ †`n I A½-cÖZ¨½ Avgvi †Pv‡Li K¨vbfv‡m GK bZzb †Mv‡qwb©Kv Gu‡K †`q| GB i³v³ AwfÁZvq wb‡Ri †fZi †_‡KB wbg¾‡bi A_© mve‡U·U Ges `„kïƒ‡ci mÜvb cvIqv †Mj †klvewa|Õ23 AevK Kiv welq, wb‡ ©k‡Ki GB Dcjwä Zvi wbR cÖ‡hvRbvq bvU‡Ki iPwqZvi gZB wbgw¾Z n‡q †M‡Q| wb‡ ©kK B‡”Q Ki‡jB GmKj welq Zvi cÖ‡hvRbv w¯Œ‡Þ hy³ Ki‡Z cvi‡Zb| A_P BDmyd „kïƒ‡ci mÜvb †c‡qB mš‘ó †_‡K‡Qb| cvkvcvwk wZwb ¶z`ª RvwZmËvi Ic‡i cÖej evOvwji †R‡bmvB‡Wi welqwU w_‡qUvi cÖ‡hvRbv‡Z wbR e³‡eÏ Dc ’vcb K‡ib wb|24 hwÌ Zvi mv¤úÖwZK Ô`¨ †U‡¤ú÷Õ cÖ‡hvRbvwUI GiKg GK RvwZmËvi wkí †KŠkj eënvi K‡i Kiv hv AvšÍR©vwZKfv‡e mgv`„Z n‡q‡Q| GiKg QKeuvav cjvqb-ciZv Avfuv-MvL& Av‡›`vj‡bi cÖ_vMZ PwiÎ‡K †f‡O †djvi wkí-wecøexi Pwi‡Îi mv‡_ G‡Kev‡iB †egvbvb| G Kvi‡YB BDmyd nq‡Zv wb‡ ©kbvi †¶‡Î ïaygvÎ Ô†cv‡qwUª Ab †÷RÕ ev Ôb¨v‡iwUf wfRyqvj wbg©vZvÕ wn‡m‡e wb‡R‡K Avwe®‹vi Ki‡Z AvMÖnx hv ivR‰bwZKfv‡e Zv‡K †mBd/wbivc` iv‡L| BDmy‡di G ai‡bi wkí‡KŠkj‡K †`‡L cÖ‡kœi D‡ ªK nqÑ Z‡e Kx wZwb Avj `x‡bi av°vq wKQyUv DËi-Dcwb‡ekev`x nevi †Póv K‡i‡Qb gvÎ? Avi DËi-Jcwb‡ewkK ivRbxwZi Ask nevi myweav n‡jv, cÖwZc¶ mg¨K bq Ges GKB mv‡_ HwZ‡nï mv‡_ hy³ nevi AvaywbKZvev`x d¨vk‡bi mv‡_ m¤ú„³ K‡i cÖMwZkxj nevi cuvqZviv Kiv hvq| G‡K bqv-Dcwb‡ekev‡ì DcmM© wn‡m‡e wPwýZ Kiv †h‡Z cv‡i|

• Gme wePv‡i gvgy‡bi Kv‡R Luy‡R cvIqv hvq ivóª‡K| wZwb wb‡RB evOvwj mvgªvRëv`x AvPi‡Yi cÖwZ‡ivax wn‡m‡e ÔKvßvB Rj we`y¨r †K‡› ªiÕ ivRbxwZ‡K wb‡q mivmwi BÝU‡jmb K‡i‡Qb| GKB mv‡_ wbg¾‡b cÖcm eënv‡ii †¶‡Î wbR j¨vÛ‡¯‹‡ci aviYv eënvi K‡i‡Qb| wbg¾‡b Zuv‡K wkí-wb‡ ©kK wn‡m‡e D‡jøL Kiv n‡q‡Q hv h_v_©B e‡j Avwg g‡b Kwi| wZwb BDmy‡di mv‡_ mshy³ n‡q evsjv‡`‡ki Ges evsjv w_‡qUv‡ii †¶‡Î GKwU mdj w_‡qUvi-BÝU‡jmb Av‡U©i Rb¥ w`‡q‡Qb|

• Avj `xb wbg¾b‡K Ôbb‡R‡bwiKÕ wn‡m‡e D‡jøL K‡i‡Qb| hv‡K †Kw›`ªq Mínxb AmsL¨ M‡íi AmsL¨ †K‡› ªi wbg©v‡b m‡Pó n‡q‡Qb| GLv‡b wPšÍvi weeZ©bx c×wZ‡K ev` w`‡q GKwU †gUv b¨v‡imb ˆZwii †Póv Pvjv‡bv n‡q‡Q| wKš‘ BDmyd †jL‡Ki GB cÖ‡Póv‡K wb‡Ri g‡Zv K‡i weeZ©bev`x wPšÍvi Awa‡b GKwU †K›`ª wbg©vb K‡i Dc ’vc‡bi †Póv K‡i‡Qb| Gi eo D`vniY n‡jv, GKwU we‡eKevb PwiÎ‡K w`‡q m¤ú~Y© GLv‡b †¯úm‡K wZwb Aw¯Kvi Ki‡Z e¨_© n‡q‡Qb|

• BDmy‡di KvR‡K hw` Awfbq wkíxMY AviI ZË¡xq I ivR‰bwZKfv‡e m‡PZbZvi RvqMv †_‡K MÖnY Ki‡Zb Zv n‡j eyS‡Z cvi‡Zb †h Zviv evsjv w_‡qUv‡ii GKwU BwZnv‡mi mv‡_ hy³ n‡”Qb Zv n‡jv w_‡qUvi-BÝU‡jmb AvU©| Zv n‡j, BDmyd-gvgy‡bi cwikÖg‡K AviI ¸iæ‡Z¡i mv‡_ wb‡Zb| we‡kl K‡i, BDmyd kixix Q‡›ì eënv‡ii gva¨‡g w_‡qUv‡i wjwiKvj ewW j¨vs¸‡qR †cv‡qwUª iPbvi †h wWRvBb K‡i‡Qb Zv PP©vi KgwZ Ges cvidg©vi‡ì kvixwiK A‡hvM¨Zvi Kvi‡Y cwic~Y© iƒc cwiMÖn Ki‡Z e¨_© n‡q‡Q| †hgb: KvU ûB‡ji g‡Zv GKwU mnR KvR‡KI mwVKfv‡e cÖ k©b Ki‡Z †ewkifvM wkíxB e¨_© n‡q‡Qb| BDmyd hw` AviI m‡PZbfv‡e G bvU‡Ki Avfuv-MvL& Av‡›`vj‡bi cix¶‡Yi Aax‡b w_‡qUvi-BÝU‡jmb Av‡U©i wel‡q AeMZ Ki‡Zb Zv n‡j nq‡Zv Awfbq wkíx‡ì KvQ †_‡K AviI mn‡hvwMZv †c‡Zb| G‡¶‡Î XvKv w_‡qUv‡ii Awfbq wkíx‡ì AviI Awfb‡qi wel‡q g‡bvwb‡ek Kiv Riæwi, bv n‡j BDmy‡di GiKg Agi m„wó nvwi‡q hv‡e|


• ikx` nviæb wbg¾b wb‡q Av‡jvPbvq BDmy‡di GZw`‡bi AR©b wbivfiY bvU¨-ixwZ e¨vnZ n‡q‡Q e‡j weZ‡K© AeZxY© nevi AeKvk LuyR‡Qb|25 Z‡e wZwb nq‡Zv †Lqvj K‡ib wb †h, wkí wb‡ ©kbvq Av‡Qb gvgyb| GUv gvgyb I BDmy‡di GKvw½Z/wdDkb KvR| Avi wdDkb †ek wKQy aviYv‡K wWwdDR K‡i bqv aviYv wbg©v‡Y D‡`¨vMx nq| GLv‡b GKwU aviYvi Dci Av‡iKwU aviYv KZ©…Z¡kxj n‡q I‡V| wbg¾‡bI gvgy‡bi wkí wb‡ ©kbv Gfv‡e KZ©…Z¡kxj n‡q D‡V‡Q| Z‡e GUv †h wbivfiY bvU¨-ixwZ‡K AbymiY K‡iwb Zv Kx ejv hv‡e? Aek¨ nviæb GKwU welq cwi®‹vi K‡i D‡jøL K‡ib wb †h, ÔwbivfiYÕ ej‡Z wZwb Kx eyS‡Z AvMÖnx? Z‡e Avj `xb bvU¨ wb‡ ©kK Jergy Grotowrsky-Gi Poor Theatre-Gi evOjv cvV wn‡m‡e wbivfiY w_‡qUvi K‡i‡Qb|26 Dwbk kZ‡Ki evûj¨c~Y© †ivg¨vw›UK-wiqvwjw÷K wkí fvebv‡K iex›`ªbv_ i½gÂ27 cÖe‡Ü mgv‡jvPbv K‡i e‡j‡Qb, Ô... BD‡ivcxq ev Íe mZ¨ bwn‡j bq| Kíbv †h †Kej Zvnv‡ì wPËiÄb Kwi‡e Zvnv bq, KvíwbK‡K AweKj ev Íwe‡Ki g‡Zv Kwiqv evj‡Ki g‡Zv Zvnvw`M‡K fyjvB‡e| †Kej Kveï‡mi cÖvY`vwqbx wekj¨vKiYxUzKz nB‡j Pwj‡e bv, Zvnvi m‡½ ev ÍweKZvi Av Í MÜgv`bUv ch©šÍ PvB| GLb KwjhyM, myZivs MÜgv`b Uvwbqv Avwb‡Z GwÄwbqvwis PvBÑZvnvi e¨qI mvgvb¨ b‡n| wejv‡Zi †÷‡R ï× gvÎ GB †Ljvi Rb¨ †h ev‡R LiP nq, fviZe‡l©i KZ Aå‡f`x `ywf©¶ Zvnvi g‡a¨ ZjvBqv hvB‡Z cv‡iÕ|28 G ai‡bi Synthetic-w_‡qUvi‡K Grotowrsky Rich Theatre (†gèûj w_‡qUvi) I ÎæwUc~Y© w_‡qUvi wn‡m‡e AwfwnZ K‡i‡Qb|29 wb‡P D`vniY wn‡m‡e Dwbk kZ‡Ki gÂ mdj cÖ‡hvRbv Ônvi‡bBbÕ-Gi d‡UvMÖvd mshy³ n‡jv| fvjfv‡e j¶¨ Ki‡j †`Lv hv‡eÑ G d‡UvMÖv‡d welqwU‡K cwi®‹vi Ki‡Q|

Hernani, An original painting by L. Ceosio30

Grotowrsky wmb‡_wUK w_‡qUv‡ii e¨vL¨vbyhvqx Ges Dwbk kZ‡Ki evûj¨c~Y© wiqvwjw÷K aviYvi wkí-fvebvi wePv‡i †Kv‡bvfv‡eB Ôwbg¾bÕ‡K †gèûj wiqvwjw÷K w_‡qUv‡ii Aaxb Kiv m¤¢e bq| Avi ÔwbivfiYÕ k‡ãi AvwfavwbK A‡_©i Dci uvwo‡q hw` BDmyd-gvgy‡bi Ôwbg¾bÕ‡K e¨vL¨vi †Póv Ki nq Z‡e Aek¨ BDmy‡di GZw`‡bi AR©b †h wbivfiY w_‡qUv‡ii PP©v Zv‡K cÖkœwe× Kiv †h‡Z cv‡i| Ôwbg¾bÕ-Gi wkífvebv‡Z ïaygvÎ ûBj †Pqvi e¨ZxZ Avi †Kv‡bv cÖcm& ev †cvkvK‡K wiqvwjw÷K wPšÍvi Ici ùvwo‡q Kiv n‡q‡Q e‡j Avgvi g‡b nq wb| G Qvov wkíÑfvebv‡K `„k¨MZ Kievi Rb¨ hZ-ai‡bi e ‘MZ DcvË eënvi Kiv n‡q‡Q Zv evRvwi-g~‡jï wePv‡i LyeB myjf| Z‡e wkí-wb‡`©kK wn‡m‡e gvgyb hw` †ek †gvUv As‡Ki †jb‡`‡bi mv‡_ hy³ n‡q _v‡Kb Zvn‡j welqwU †gèûj w_‡qUv‡ii aviYv‡K cÖwZ ’vcb Ki‡e| XvKv w_‡qUv‡ii Ôwbg¾bÕ welqK cÖPvi-c‡Î GiKg †Kvb Z_¨ bR‡i Av‡m wb| wØZxqZ XvKv w_‡qUvi †Kv‡bv †icvU©wi w_‡qUvi MÖæcI bq| A_ev †Kvb w_‡qUvi †Kv¤úvwbI bq| GLbI ch©šÍ GB w_‡qUviwU ¶wqòy MÖæc w_‡qUv‡ii aviYv‡K aviY K‡iB cÖ‡hvRbv gÂvwqZ K‡i Avm‡Q| G me wePv‡i nviæ‡bi Awf‡hvMwU MÖnY Kiv hvq bv| A_©vr BDmyd Zvi GZw`‡bi AR©b ÔwbivfiY w_‡qUviÕ-Gi PP©v †_‡K `~‡i m‡i G‡m‡Qb| eis ejv †h‡Z cv‡i GK kZK c~‡e© iex› ªbv_ g‡Â ev ÍeZvi AwZiÄb‡K evwZj K‡i w`‡q †h ¯-f~wgR wkí-ixwZi cÖ‡qvM


NwU‡qwQ‡jb BDmyd Zvi GK mdj iƒcKvi| Ôwbg¾bÕ-Gi cÖPvic‡Î XvKv w_‡qUvi h_v_©B D‡jøL K‡i‡Q, Ôiex›`ªgnvfye‡bi D‡Ï‡k¨ wb‡e`b KiwQÕ|31

• ikx` nviæb wbg¾b‡K ÔG·‡cÖmwbRgÕ I ÔmyïwiqvwjRgÕ-Gi cÖfve cyó wn‡m‡e D‡jøL K‡i‡Qb|32 hv Avwg Avfuv-MvL& Av‡›`vj‡bi Ab¨Zg m„wó BÝU‡jmb AvU©-Gi As‡k wewfbœ D`vni‡Yi gva¨‡g cÖKvk K‡iwQ| ZvB nviæ‡bi D‡jøwLZ Ôwbg¾bÕÑ GK wfbœ-gvwÎK gÂ-fvl¨‡K Avwg ch©v‡jvPbvg~jK e¨vL¨v‡b AwfwnZ K‡iwQ Ôw_‡qUvi-BÝU‡jmb AvU©Õ|

cwi‡k‡l, BDmyd I Avj `xb hw` DËi-KvVv‡gvev`x Ges Avfuv-MvL& Av‡›`vj‡bi gva¨‡g DrmvwiZ †K›`ªxq ¶gZv wenxb eûZ¡ev`x wkíPP©vi cÖwZ AviI wKQyUv Abyi³ n‡Zb Z‡e DwjøwLZ mgm¨v¸‡jv Gov‡bv †h‡Zv| Zviv Gme wel‡q m‡PZb bb Zv DwjøwLZ Av‡jvPbv Ges Zv‡ì wb‡R‡ì eqv‡bi mv‡c‡¶ †ek njd K‡i GLv‡b D‡jøL Kijvg| gvgyb wkí-wb‡`©kK wn‡m‡e Gme †`vl Øviv `yó bb| Avi gvgyb Zvi wkí-wb‡`©kbvi Aaxb K‡i wb‡q‡Qb BDmy‡di eY©bvZ¥K w_‡qUv‡ii cwi‡ekbv‡K| XvKv w_‡qUv‡ii Ôwbg¾bÕ†K ZvB BDmyd-gvgy‡bi GKwU Avfuv-MvL& Av‡›`vj‡bi cix¶Y wn‡m‡e wPwýZ K‡i Ôw_‡qUvi-BÝ‡U‡jmb AvU©Õ wn‡m‡e AwfwnZ KivB eZ©gvb cÖe‡Üi Biv`v|

K…ZÁZv ¯xKvi

XvKv w_‡qUv‡ii eÜz Iqvwmg Avn‡g`-Gi evievi ZvMv`v Ges Ôwbg¾bÕ-Gi d‡UvMÖvd I cÖPvicÎ w`‡q mn‡hvwMZv Kivq eZ©gvb †jLvwU Av‡jvi-gyL †`L‡Z †c‡jv| G Qvov BÝU‡jmb AvU© wb‡q eÜz mÄq PµeZ©x, wk¶K, PviæKjv BÝwUwUDU, XvKv wek¦we`¨vjq, Zuvi AcÖKvwkZ Awfm›`f©i Ask we‡kl coevi I Z_¨mg~n eënv‡ii AbygwZ †`qvq Zuvi cÖwZ Avwg K…ZÁZv cÖKvk KiwQ| G Qvov bvwmi DÏxb BDmyd‡K wb‡q †jLv †mwjg Avj `x‡bi ¸iæZ¡c~Y© †jLvwUi mÜvb I wefvMxq †mwgbvi jvB‡eªwi †_‡K d‡UvKwci my‡hvM K‡i †`qvq bvUK I bvU¨ZË¡ wefv‡Mi mfvcwZ, Lvqiæ¾vnvb wgZzi cÖwZ RvbvB mvjvg| Z_¨m~Î 1 †mwjg Avj `xb (2000) evOjv bvU¨ wb‡`©kbv wkíixwZ: bvwmi DÏxb BDmyd, w_‡qUvi ÷vwWR, bvUK I bvU¨ZË¡ wefvM, Rvnv½xibMi wek¦we`¨vjq, XvKv, c„ôv: 07|

2 AvZvDi ivngvb (1348 evs) bvU¨ cÖ‡hvRbv I wb‡`©k‡Ki f~wgKv, wkíKjv, XvKv: evsjv‡`k wkíKjv GKv‡Wgx, c„ôv: 68|

3 The Impact of the Drector on American Plays, Playwrights and Theatres, 1963.

4 AvZvDi ivngvb (1348 evs) bvU¨ cÖ‡hvRbv I wb‡`©k‡Ki f~wgKv, wkíKjv, XvKv: evsjv‡`k wkíKjv GKv‡Wgx, c„ôv: 70|

5 c~e©³|

6 wbg¾b cÖ‡hvRbvi cÖPvicÎ, 2007, XvKv w_‡qUvi|

7 c~e©³|

8 Rvwgj Avn‡g`(1995) evsjv‡`‡ki bvUK: cuwPk eQi, wkíKjv, XvKv: evsjv‡`k wkíKjv GKv‡Wgx, c„ô: 41|

9 http://irmeli.hautamaki.kaapeli.fi

10 Education and Community Programmes, Irish Museum of Modern Art, IMMA

11 mÄq PµeZx© (2009) evsjv‡`‡ki BÝU‡jmb AvU©, GgGdG, AcÖKvwkZ Awfm›`f©, iex›`ªfviZx wek¦we`¨vjq, KjKvZv, fviZ|

12 c~e©³


13 c~e©³

14 Education and Community Programmes, Irish Museum of Modern Art, IMMA

15 A happening is a performance, event or situation meant to be considered art, usually as performance

art. Happenings take place anywhere, and are often multi-disciplinary, with a nonlinear narrative and the

active participation of the audience. Key elements of happenings are planned, but artists sometimes retain

room for improvisation. This new media art aspect to happenings eliminates the boundary between the

artwork and its viewer. Henceforth, the interactions between the audience and the artwork makes the

audience, in a sense, part of the art.

In the later sixties, perhaps due to the depiction in films of hippie culture, the term was used much less

specifically to mean any gathering of interest, from a pool hall meetup or a jamming of a few young

people to a beer blast or fancy formal party. 16 †mwjg Avj `xb (2000) evOjv bvU¨ wb‡`©kbv wkíixwZ: bvwmi DÏxb BDmyd, w_‡qUvi ÷vwWR, bvUK I bvU¨ZË¡ wefvM, Rvnv½xibMi wek¦we`¨vjq, XvKv, c„ôv: 09|

17 †mwjg Avj `xb (2000) evOjv bvU¨ wb‡`©kbv wkíixwZ: bvwmi DÏxb BDmyd, w_‡qUvi ÷vwWR, bvUK I bvU¨ZË¡ wefvM, Rvnv½xibMi wek¦we`¨vjq, XvKv, c„ôv: 10|

18 gvmD` Bgivb (m¤úvw`Z) (2009) wµwUKvj ZË¡wPšÍv, XvK: gvIjv eªv`vm©|

19 c~e©³|


21 c~e©³|

22 †mwjg Avj `xb (2000) evOjv bvU¨ wb‡`©kbv wkíixwZ: bvwmi DÏxb BDmyd, w_‡qUvi ÷vwWR, bvUK I bvU¨ZË¡ wefvM,

Rvnv½xibMi wek¦we`¨vjq, XvKv, c„ôv: 08|

23 c~e©³|


25 ikx` nviæb (2012) †mwjg Avj `x‡bi bvU¨wb‡`©kbv, b›`bfvl¨ I wkíixwZ, XvKv: BQvgwZ cÖKvkbx, c„ôv: 38|

26 Eugenio Barba (ed.) (1975) Towards a Poor Theatre, Jerzy Grotowrsky, London: Methuen and Co. Ltd. P.15.

27 (1392 evs) wewPÎ cÖeÜ, iex›`ª iPbvejx, cÂg LÐ, wek¦fviZx, KwjKvZv: fviZ, c„ôv: 449|

28 c~e©³, c„ôv: 452|

29 Eugenio Barba (ed.) (1975) Towards a Poor Theatre, Jerzy Grotowrsky, London: Methuen and Co. Ltd.

pp.19.

30 Alfred Bates (ed) (1906) The Drama: Its History, Literature and Influence on Civilization, vol.,9.

London: Historical Publishing Company, pp.20-23.


32 ikx` nviæb (2012) †mwjg Avj `x‡bi bvU¨wb‡`©kbv, b›`bfvl¨ I wkíixwZ, XvKv: BQvgwZ cÖKvkbx, c„ôv: 38|


* gvmD` Bgivb gvbœy, wk¶K, cÖZœZË¡ wefvM, Rvnv½xibMi wek¦we`¨vjq, XvKv|

ঢাকা থিয়েটারের ’নিমজ্জন’ : একটি...

Documents

Transcript of ঢাকা থিয়েটারের ’নিমজ্জন’ : একটি...