MATAKULIAH PIM III PIANO

47
MATERI MATAKULIAH PIM III PIANO Olex : F.Xlvgnur Drnn K., S.Po, M.A. JURUSAN PENDIDII(AN SENI MUSIK FAKULTAS BAHASA DAN SENI UNI\/ERSTTAS NEG ERI YOGYAKARTA 20tl

Transcript of MATAKULIAH PIM III PIANO

Page 1: MATAKULIAH PIM III PIANO

MATERI

MATAKULIAH PIM III PIANO

Olex :

F.Xlvgnur Drnn K., S.Po, M.A.

JURUSAN PENDIDII(AN SENI MUSIKFAKULTAS BAHASA DAN SENI

UNI\/ERSTTAS NEG ERI YOGYAKARTA

20tl

Page 2: MATAKULIAH PIM III PIANO

Fingering, Phrasing, An n otations byG.BAONAMICI

Etude VI.

>---.. E s* t z I

r;?=-=

r-

Page 3: MATAKULIAH PIM III PIANO

Allcgro .@

&*..-

Page 4: MATAKULIAH PIM III PIANO

8------------------

'!, { tr!

* ta. * .Ia.

*:i'<l:

I ;.-g 4-5lp{

Page 5: MATAKULIAH PIM III PIANO

x.

ben tenuto il lasso--.--;--f1' )++) Jr

;ii

Page 6: MATAKULIAH PIM III PIANO

r

Scales in both hands

. DUVERNOY,Op.120 No.1Alleglro vil'aee

'd '-rl u 'd r-r''

Page 7: MATAKULIAH PIM III PIANO

serrrt re cresc.

Page 8: MATAKULIAH PIM III PIANO

Allegretto. J.rzo.

15.

121.$

I

2sta

7

Page 9: MATAKULIAH PIM III PIANO

3I

'!a. *

$

Page 10: MATAKULIAH PIM III PIANO

IilEII\tr STUDIE

Leise und sehr egal zu spielen

ar

R.Schumann OP.68-No'14'

(Ped. simile')

Page 11: MATAKULIAH PIM III PIANO

117

t*

Page 12: MATAKULIAH PIM III PIANO

Little Prelude No. B in F Major

Johann Sebastian Bach1 685-1 750

lAtlegrol

Page 13: MATAKULIAH PIM III PIANO

12. Bour6ezhffifFtllt

A study in contrasts of touch and independence of each hand.

vivace , fi0fit1bffi94{t'+'ffiiLLffrA

#,R

{t

ra)l.(

Page 14: MATAKULIAH PIM III PIANO

Little Prelude No . 2 in C Major

Johann Sebastian Bach1685-1 750

Moderato

a.)

Page 15: MATAKULIAH PIM III PIANO

No.SinFmaion

Vivace (J = e6 - 1oo )

dnf

{=--{r+:lE

54.lI

:#.

Page 16: MATAKULIAH PIM III PIANO

iq"

Page 17: MATAKULIAH PIM III PIANO

5. Minlret4:"bf't'tllt

A study in phrasing and in balance-of tonehae&ahg'zffiEAndante sostenuto t ".

+#ffiA+tiilE Q = r82)t+ffiAt;fitfl ( .t. s. BA0H

rT-...-1

\rl\-_-

+ tgj

Page 18: MATAKULIAH PIM III PIANO

r_

SONATINAOp.36,No.3

i{r.i

Page 19: MATAKULIAH PIM III PIANO

!s

^42

t*Itq

* In some editions this C is not tied to.the prcvious p.

Page 20: MATAKULIAH PIM III PIANO

I

r 2 L2

,f,/1-: i %;:tl-d--.

taIJ

Page 21: MATAKULIAH PIM III PIANO

2

ffiii:.ri

€G

Page 22: MATAKULIAH PIM III PIANO

SONATINA.0p.36,No.4

.:i

Page 23: MATAKULIAH PIM III PIANO

-.1 .t

!!. 2I {

t' r\1 *_i--.''

4.'

Page 24: MATAKULIAH PIM III PIANO

rtEI

I

Page 25: MATAKULIAH PIM III PIANO

2(\9

4a.i*T

Page 26: MATAKULIAH PIM III PIANO

:s

Page 27: MATAKULIAH PIM III PIANO

Da Capoal jiiu

;e

Page 28: MATAKULIAH PIM III PIANO

14

SONATINAOp.55, No.z

Allegretto

Fricdrich Kuhlau

645{st 2 2l I

n"t.& itf*

Page 29: MATAKULIAH PIM III PIANO

3s

,t-2 i 1^^ 3---\

I

l

)

I

)

)

I

Page 30: MATAKULIAH PIM III PIANO

lt'

:.q

Page 31: MATAKULIAH PIM III PIANO

27

4.----:\l tt r}=-1r-

n16 t l- I

.--------1-!

L-.-'---: t

k

Page 32: MATAKULIAH PIM III PIANO

e8

I 1:

r z3 r2ztzF. t

$r

Page 33: MATAKULIAH PIM III PIANO

Minuet with YartationsThe rnelody mrusr be simply stated, tone clear and beautiful. Gently taper the tone

co weak bcae at slur endings. Variation r should be in sirniler tempo, smoorh quietmelwJy singing above softer quavers, ornaments lightly played. Var. z brighter in tempoand tone, first note of e,' ,, lriplet group to sing out above decorative notes; L. H. ac-cenrs marked without bu:,',':nE. Var. 3 brilliant,but still sweet in tone: notice that L.H. partakes of the melocl: : ,'mpo indications are approximatb for (a) Theme and Var.r; (b) Yar. z; (c) Var. .r

Moderato semPti<',

ARNErTro-1778

--- -/-I

=D*

Page 34: MATAKULIAH PIM III PIANO

OJ++2 ,

actesc.

?e-If

++dtm.

*

Page 35: MATAKULIAH PIM III PIANO

"!f *.

Page 36: MATAKULIAH PIM III PIANO

BUNDAGipt. Melly Goeslaw

Re-Aransemen: Billy Bun, ST

Page 37: MATAKULIAH PIM III PIANO

$th- J

.{r^

Page 38: MATAKULIAH PIM III PIANO

2a-t{

Page 39: MATAKULIAH PIM III PIANO
Page 40: MATAKULIAH PIM III PIANO

a

I-(

Igtb' - -'

\ :.i

Page 41: MATAKULIAH PIM III PIANO

The SuanCanrille'Saint-Saens

(rs:s - rgztl

,7-' rE==-A:-- '

l--l

Page 42: MATAKULIAH PIM III PIANO

r

\

lailo I

t'1---t

d temlro

Page 43: MATAKULIAH PIM III PIANO

_ -r I

&fariage Xl'sgnourry+FgffifreMusic bv Paul de SBNNEvILLE and otivier ToussAINT

:!:dltt)+fi'f'filt!*.n;;1;1y*S6.fr!1:/i1rf.rf:i 1;4+lt'tIity)ill4irjt"n.t9rft l: . ilf;|Sts. {gd,t{f1:1Jri* :.t(r f. (', n , r,r,i4r,,

-aC

Page 44: MATAKULIAH PIM III PIANO

E).

Gm

ft. €D.' S.

Page 45: MATAKULIAH PIM III PIANO

trGm

iD)

Gm

,6. s.

Page 46: MATAKULIAH PIM III PIANO

Scoaa Gm

t$-

8t'a ---------

A).

Cm7m

Cm7

\-

Page 47: MATAKULIAH PIM III PIANO

20.

",1 I,