ACTION PAINTING ARTWORK CATALOGUE · 2020. 6. 18. · Lukisan tercipta dari sebuah latar layar...

HYENA

DIALOG DINI HARIMADE BAYAK

ERICK EST

ACTION PAINTING

ARTWORK CATALOGUE

Seni, ketika diciptakan dengan berkolaborasi, akan menghasilkan sesuatu yang melebihi ekspektasi. Seperti halnya kolaborasi antara para seniman Bali yaitu Erick Est (sutradara/videografer), Made Bayak (pelukis), dan Dialog Dini Hari (musikus) pada karya seni “Hyena”. Lukisan tercipta dari sebuah latar layar hijau saat Pohon Tua a.k.a Dadang Pranoto

Art that is created through a collaboration between artists from different creative fields will inevitably produce something that exceeds all expectations. This is the case in this collaboration between Balinese artists Erick Est (director/videographer), Made Bayak (painter), and Dialog Dini Hari (musicians) on the artwork “Hyena”.

(penyanyi/gitaris Dialog Dini Hari) yang menari dan bergerak diiringi lagu ciptaannya, “Hyena”. Pada saat yang sama, Made Bayak merespon gerakan tersebut dengan menyeprotkan cat yang sudah dipersiapkan di dalam tabung pemadam api ringan ke arah Pohon Tua. Cipratan-cipratan cat yang menyembur tubuh Pohon Tua meninggalkan bekas pada layar hijau dan membuat pola-pola yang

The paintings were created from a green screen in front of which Pohon Tua, alias Dadang Pranoto (singer/guitarist of Dialog Dini Hari) danced and moved to the rhythm of his song “Hyena”. Simultaneously, Made Bayak responded to the movements by sprinkling, with a light fire extinguisher, the paint of colours towards Pohon Tua. These splashes of painting and the dance movements

KATA PENGANTAR | FOREWORD

menggetarkan! Layar hijau tersebut kemudian dibagi menjadi 5 lukisan dan ini menjadi karya abstrak pertama bagi Made Bayak. Kolaborasi ini menghadirkan kejadian dan karya yang tak mungkin berulang. Ketika ide dilontarkan hingga dieksekusi, tidak ada yang bisa menebak hasilnya seperti apa. Semua merespon dengan spontan pergerakan acak

of the singer have drawn captivating and vibrating patterns! The green background was then divided into five paintings; they became Made Bayak’s first abstract work. This collaboration together with the artwork produced from it, are frozen in time and cannot be reproduced. When original ideas are carried out to their final result, no one can

dalam waktu yang teramat singkat, yaitu sekitar 6 menit tanpa ada adegan ulang. Momen berharga ini berlangsung tanggal 3 Februari di studio di bilangan Seminyak, Denpasar, disaksikan oleh beberapa media yang meliput serta didokumentasikan dengan apik oleh Erick Est Movie. Video “Hyena” akan segera hadir dalam bentuk interpretasi visual yang menarik dari Erick Est.

imagine what the result will be. All the actors of this project responded to unpredictable movements in a short time; 6 minutes without repetition. This unique moment took place on February 3, in a studio in Seminyak, Denpasar. Several media witnessed this performance which was neatly documented by Eric Est Movie. The video “Hyena” will soon be available as a captivating visual interpretation of Eric East.

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HYENAAction Painting

Painter Artist Statement

1. This painting series consists of cutout fragments from the green screen used as the background as we are working on Hyena song. The green screen is splashed by paints that give the colors onto the main media in the video. The target is Dadang’s body who dances freely, without choreography. We utilize empty fire extinguisher and refills it with paints and repressed it with wind pressure. This method highlights on action painting that usually responds to a certain situation in a certain timeframe. The end result is very abstract, with oozing, overlapping colors in the process of the shooting of the video. Personally, I rarely and almost never make a total abstract art form—an art for art’s sake—for as long as my career in Arts. There has to be a powerful idea and on a solid ground before I decide to make an artwork.

2. The inspiration comes purely from the music of Dialog Dini Hari, specifically from the song Hyena. During the preparation stage, I tried to “get into” the song and the lyric. In the one-take process of the video, I only responded on the beat of the music and the body movement of Dadang.

1. Seri Lukisan ini adalah penggalan/potongan dari green screen yang dipakai latar belakang dalam penggarapan lagu Hyena, kain hijau itu terkena cipratan warna yang dipakai dalam media utama penggarapan video tersebut, sasaran utama cipratan warna adalah tubuh Dadang yang menari bebas tanpa koreografi, dengan menggunakan tabung Hydrant pemadam api yang telah kosong, kemudian diisi warna dan dipress ulang disisi angin. Lukisan seperti ini lebih menonjolkan pada aksi (action painting) dimana biasanya merespons situasi tertentu dalam kurun waktu yang telah ditentukan, bentuknya akhirnya sangat abstrak, berupa lelehan warna yang telah tercampur sendiri pada saat proses pembuatan video. Saya pribadi sangat jarang (hampir tidak pernah) membuat karya total abstrak (art for art sake) sepanjang karir berkesenian. Biasanya selalu ada alasan dan gagasan yang kuat sebelum saya membuat karya.

2. Inspirasinya adalah murni dari musik Dialog Dini Hari terutama dalam lagu Hyena ini, selama persiapan saya coba “masuk” kedalam lagu dan lirik lagu tersebut, kemudian saat proses sekali take pembuatan video ini saya hanya merespon beat music dan gerakan dari Dadang.

3. The artworks are interconnected with one another; therefore, the title of these paintings are Series 1 to Series 5. After the paintings are finished and the paints dry, I bring the green screen to my studio, spread them out one by one on the floor, then choose the color splashes and composition as my heart desired then cut them out and arranged them down into the frame and making them an artwork in itself with its own dimensions.

3. Satu sama lainya sangat berhubungan, maka dari itu judul 5 buah karya lukis ini adalah seri 1 sampai dengan 5. Setelah selesai dan warna kering, green screen saya bawa ke studio, menggelarnya satu persatu lembaran besar dilantai, kemudian saya pilih komposisi warna dan cipratan warna yang menurut saya pas untuk dipotong dan diframe menjadi karya lukis mandiri dengan ukuran tertentu.

Made Muliana Bayak

ARTWORK

100x150cm Acrylic paint on green screen fabric

Cerita Nada dan Warna Hyena No.1Story in Rhythm and Colors of Hyena No. 1

Seri lukisan pertama dari potongan green screen, bagian dari action painting Made Bayak dalam merespons video Dialog Dini Hari “Hyena”. Dadang menggerakkan badannya dengan liar suka-suka, bebas merdeka—persetan koreografi—diiringi tembang ciptaannya sendiri, “Hyena”. Di saat bersamaan, tubuhnya diserbu-ciprati cat warna-warni. Di belakang Dadang terhampar green screen segigantik godzilla. Padupaksa olah tubuh persetan-koreografi diiringi dendang pasif-agresif “Hyena” dan hempasan brutal cat aneka warna, menghasilkan hamparan warna dominan hijau dan kumpulan ersatz-gagak hitam. Sayup-sayup terkuak impresi abstrak ghoulish & grotesque.

The first series of paintings from the cut out of a green screen, part of Made Bayak’s action painting in response to the “Hyena” MV of Dialog Dini Hari.

Dadang moves his body wildly, freely, in liberty—to hell with choreography—to his own song “Hyena” that plays in the background. Simultaneously, his body is splashed and sprayed with colorful paints. A green screen as gigantic as the Godzilla serves as the backdrop. The push and pull of Dadang’s choreography-free body movement is accompanied by a passive-aggressive “Hyena” chorus and brutal blows of colors, producing a dominant green color and an ersatz collection of black crows. It faintly reveals ghoulish and grotesque abstract impression.


The second series of paintings from the cut out of a green screen, part of Made Bayak’s action painting in response to the “Hyena” MV of Dialog Dini Hari.Bayak gets more into the soul of the song “Hyena” and keeps on splashing and spraying Dadang’s body with colorful paints. Go back green, gives way to the penetrating yellow forward, enters the valley covered in wrath and haunting red.

Seri lukisan ke-2 dari potongan green screen, bagian dari action painting Made Bayak dalam merespons video Dialog Dini Hari “Hyena”. Bayak kian menyusup masuk ke lagu “Hyena” dan terus menyerbu-ciprati badan Dadang dengan cat aneka warna. Hijau mundur, kuning merasuk ke depan, lembah bersimbah angkara dan merah mencekam.

Story in Rhythm and Colors of Hyena No. 2Cerita Nada dan Warna Hyena No.2


The third series of paintings from the cut out of a green screen, part of Made Bayak’s action painting in response to the “Hyena” MV of Dialog Dini Hari.

Autumn in the scene of two-faced Red-Black. White is hopelessly scattered around.

Seri lukisan ke-3 dari potongan green screen, bagian dari action painting Made Bayak dalam merespons video Dialog Dini Hari “Hyena”. Musim gugur di skena muka dua Merah-Hitam. Harapan pupus putih bergelimpangan.



The fourth series of paintings from the cut out of a green screen, part of Made Bayak’s action painting in response to the “Hyena” MV of Dialog Dini Hari.

Black gives up. Red perks up. Green beats the war drums. All assemble, advanced, attack. Friends are swallowing friends. Just like a Hyena.

Seri lukisan ke-4 dari potongan green screen, bagian dari action painting Made Bayak dalam merespons video Dialog Dini Hari “Hyena”. Hitam menyerah. Merah belum enyah. Hijau menabuh genderang perang. Semua maju, serbu, baku makan. Kawan telan teman. Bak Hyena saja.



The fifth series of paintings from the cut out of a green screen, part of Made Bayak’s action painting in response to the “Hyena” MV of Dialog Dini Hari. Smokescreen peacefulness, complete uncertainty and waiting for Godot, everything’s fake. Emerges, opportunistic figures delivering the universe to its decay, green lush in a mirage.

Seri lukisan ke-5 dari potongan green screen, bagian dari action painting Made Bayak dalam merespons video Dialog Dini Hari “Hyena”. Kedamaian semu, serba tak pasti & menunggu, apa-apa palsu. Bermunculan sosok-sosok oportunis mengantarkan semesta menuju pembusukan, pseudo-ijo royo-royo.


PARA KOLABORATOR | THE COLLABORATOR

Seperti namanya, band yang merilis EP (Extended Play) bertajuk Dialog Dini Hari (2010) dan Lengkung Langit (2012) ini menghadirkan lagu-lagu dengan lirik yang seperti berdialog. Setiap lirik yang disampaikan sarat makna, namun tidak terasa memaksa. Instrumen yang digunakan juga sederhana, untuk lagu berjudul Sahabatku Jadi Hantu dalam album Beranda Taman Hati, Dialog Dini Hari hanya memainkan instrumen gitar akustik, bass, dan drum.

As the name suggests, the band that released EP (Extended Play) titled “Dialog Dini Hari” (2010) it’s mean Early Days Dialogue and “Lengkung Langit” (2012) present songs with lyrics that are like dialogue. Every lyric delivered is full of meaning, without being pushy. The instrument used was also simple, for a song titled “Sahabatku Jadi Hantu” in the album of Taman Hati, Dialog Dini Hari only played acoustic guitar, bass, and drums.

DIALOG DINI HARI

dialogdinihari.com

Tumbuh di kota kecil Dumai di Sumatra, minat Erick Est dalam pembuatan film dimulai sejak dini. Di Indonesia, Erick terkenal dengan film pendek dan video musiknya untuk band-band Indie seperti Superman Is Dead dan Navicula, tetapi ia juga telah membuat beberapa klip untuk band-band internasional seperti Free Like Me. Pada tahun 2014, Erick merilis film dokumenter Long Sa’an (“The Journey Back”), sebuah kisah nyata tentang perjalanan seorang sesepuh Dayak ke kampung halamannya.

Growing up in the small town of Dumai in Sumatra, Erick Est’s interest in filmmaking began early in life. In Indonesia, Erick is known for his short films and music videos for Indie bands like Superman Is Dead and Navicula, but he has also made several clips for international bands such as Free Like Me. In 2014, Erick released his documentary film Long Sa’an (“The Journey Back”), a true-life story of a Dayak elder’s journey back to his home village.

Bayak, lahir tahun 1980 di Tampaksiring, Gianyar, menunjukkan bakat artistik dan musik yang menjanjikan sejak usia dini dan melanjutkan studi di Institut Seni Indonesia (ISI) Denpasar, 1999-2006. Di sinilah ia bertemu calon istrinya, Komang Kartika Dewi yang juga lulusan dari ISI dan mengajar seni di SMP Sukawati. Mereka memiliki satu putra, Damar Langit Timur, artis berbakat lain yang mulai membuat representasi figuratif sendiri sejak usia dua tahun.

Bayak, born 1980 in Tampaksiring, Gianyar showed promising artistic and musical talent from an early age and went on to study at the Indonesian Art Institute (ISI) Denpasar, 1999-2006. It was here that he met his future wife, Komang Kartika Dewi who also is a graduate from ISI and teaches art at Sukawati Junior High School. They have one son, Damar Langit Timur, another gifted artist who began creating figurative representations on his own as early as two years of age.

ERICK EST

MADE BAYAK

erickest.com

madebayak.com

CREDITS

Made Bayak Seniman Lukis Painter ArtistErick Est Art Director/Cinematographer/Videographer

Dialog Dini Hari Band yang menciptakan musik “Hyena” Band Musician who created of “Hyena”

Dadang Pranoto HYENA Action Painting Model

Rudolf Dethu Narrator Catalogue

Pitoresmi TranslatorElisa Wettstein

Gogon Layout

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ACTION PAINTING ARTWORK CATALOGUE · 2020. 6. 18. · Lukisan tercipta dari sebuah latar layar...

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